Hyde Park Jewelers

ACCENT/THE MAGAZINE OF LIFE’S CELEBRATIONS

WINTER 2016/17

40

TH

ANNIVERSARY ISSUE

D E N V E R

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L A S

V E G A S

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P H O E N I X

THE SKY-DWELLER The revolutionary watch for world travelers, blending watchmaking ingenuity with simplicity of use.

It doesn’t just tell time. It tells history.

rolex

oyster perpetual and sky-dweller are

ÂŽ

trademarks.

OYSTER PERPETUAL SKY-DWELLER

The O riginator of Cult ure d Pe arls.

S i n c e 18 9 3 .

CONTENTS

Winter 2016/17

34

8 Welcome Letter 12 Behind the Scenes 16 Hyde Park Celebrates 40 Years 18 Community Events 25 Q&A with Steven Lagos 26 As Seen On… 28 From the Runways 34 Hueb: Feminine by Design 36 Gems: A Diamond as Rare as You 38 4 Decades of Brilliance, Style, Glamour and Craftsmanship 48 Marli: Modern Aesthetic 50 Marco Bicego: The Art of Authenticity 54 Hyde Park Watch Report

50

56 Tudor: Return of the Black Bay 58 Timepieces: Watch Out! 60 Timepieces: Celebrity Watch 70 A Diamonds Do Good Story 74 Hannah Becker: Doodle Darling 78 Insurance: Better Safe Than Sorry 80 Speed: The Czar of Historic Racing

BRIDAL SECTION 64 Karl Lagerfeld: First Look 66 #SheSaidYes 68 Out of the Box

ACCENT/THE MAGAZINE OF LIFE’S CELEBRATIONS

FALL/WINTER 2016/17

55

40TH

ANNIVERSARY ISSUE

30

D E N V E R

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L A S

V E G A S

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P H O E N I X

ON THE COVER Model Julieta Miquelarena (Wilhelmina Miami) wears earrings and rings by Hueb.

Photographed by Edwin Santa. Makeup and hair by Michelle Ortega.

Jewelry styling by Jennifer Ferkenhoff.

cellini dual time

THE CL ASSICAL WATCH BY ROLE X

— the cellini collection celebrates the eternal elegance of traditional timepieces with a contemporary t wist. the cellini dual time with a

39

mm case in

18

ct everose gold grants

its wearers the gift of temporal ubiquit y, making them simultaneously aware of the time here and in a faraway l and.

rolex

and cellini are trademarks.

H PJ E W E L S .C O M

DENVER HYDE PARK CHERRY CREEK SHOPPING CENTER 3000 E. 1ST AVENUE, DENVER, CO 80206 PHONE (303) 333-4446 PHOENIX HYDE PARK BILTMORE FASHION PARK 2502 E. CAMELBACK ROAD, PHOENIX, AZ 85016 PHONE (602) 667-3541 O M E G A B O U T I Q U E AT H Y D E P A R K — D E N V E R CHERRY CREEK SHOPPING CENTER 3000 E. 1ST AVENUE, DENVER, CO 80206 PHONE (303) 331-7749 B R E I T L I N G P R E S E N T E D B Y H Y D E PA R K CHERRY CREEK SHOPPING CENTER 3000 E 1ST AVENUE, DENVER, CO 80206 303-331-7015 R O B E R TO C O I N P R E S E N T E D B Y H Y D E PA R K CHERRY CREEK SHOPPING CENTER 3000 E 1ST AVENUE, DENVER, CO 80206 303-331-7016 R O L E X P R E S E N T E D B Y H Y D E PA R K — L A S V E G A S THE FORUM SHOPS AT CAESARS 3500 LAS VEGAS BLVD SOUTH, LAS VEGAS, NV 89109 PHONE (702) 794-3541 TRADITIONAL JEWELERS — NEWPORT BEACH FASHION ISLAND 817 NEWPORT CENTER DRIVE, NEWPORT BEACH, CA 92660 PHONE (949) 721-9010 MICHAEL POLLAK CEO SHEREEN POLLAK PRESIDENT DA M O N G R O SS COO K AT H Y H A R M O N D O B O S DENVER CO-GENERAL MANAGER S U S I L E X I E R - A LT M A N DENVER CO-GENERAL MANAGER NICK VEGA TRADITIONAL JEWELERS AND HYDE PARK PHOENIX REGIONAL VICE PRESIDENT SANDI PERRY ROLEX PRESENTED BY HYDE PARK LAS VEGAS GENERAL MANAGER JOHN BURBA OMEGA PRESENTED BY HYDE PARK MANAGER S T E P H A N I E N I VA L A BREITLING/ROBERTO COIN PRESENTED BY HYDE PARK ASSISTANT MANAGER JENNIFER FERKENHOFF DIRECTOR OF MARKETING PUBLISHED BY THE BUSINESS JOURNALS FASHION GROUP PUBLISHER STU NIFOUSSI EDITOR-IN-CHIEF KAREN ALBERG GROSSMAN

DESIGNER JEAN-NICOLE VENDITTI PROJECT MANAGER LISA MONTEMORRA

C R E AT I V E D I R E C T O R HANS GSCHLIESSER

PRODUCTION MANAGER PEG EADIE

MANAGING EDITOR JILLIAN LAROCHELLE

DIRECTOR OF PREPRESS JOHN FRASCONE

Prices are subject to change without notice and may vary depending on size, quality and availability. Copyright 2016. Accent® is published by Business Journals, Inc, P.O. Box 5550, Norwalk, CT 06856, 203-853-6015 • Fax: 203-852-8175; Advertising Office: 1384 Broadway, 11th Floor, NY, NY 10018, 212-686-4412 • Fax: 212-686-6821; All Rights Reserved. The publishers accept no responsibilities for advertisers’ claims, unsolicited manuscripts, transparencies or other materials. No part of this magazine may be reproduced without written permission of the publishers. Volume 14, Issue 2. Accent® is a trademark of Business Journals, Inc. registered in the U.S. Patent and Trademark office. Printed In The U.S.A.

“WE STARTED AT THE BOTTOM, NOW WE’RE HERE.”–DRAKE I couldn't have imagined the path my life would take when I embarked on a journey with absolutely no roadmap or long-term strategic plan. We started a modest fine jewelry boutique in Southeast Denver, and what we lacked in experience we made up for with passion and determination. We couldn’t have begun to understand what we didn't yet know about an industry with so many facets—both literally and figuratively.

Entering into the world of gemology, fine watchmaking and jewelry design was both exciting and overwhelming.

While most of my colleagues grew up in their family businesses (which in some cases had been founded over 100 years earlier), we were newcomers both eager and ignorant of the challenges and opportunities that lay ahead. I think we made every mistake possible, yet somehow made more good decisions than bad. And we learned at each and every turn, mostly by trial and error.

There's actually a tremendous benefit that comes along with a total lack of experience: we weren't afraid to abandon the traditional approaches to merchandising and marketing in favor of trying new ideas. With the support of incredibly talented teammates and you, our extraordinary clients, we have grown to seven stores in four states.

Next year, we will embark on an aggressive relaunch of our digital presence, providing integrated touchpoints for our clients regardless of where you live or how you prefer to shop.

While lifestyles and shopping preferences are ever changing, our values will always remain the same. We subscribe to the following ethos and principles: ●

●

Always deliver on our promises to our clients Provide highly curated collections of fine jewelry, gems and timepieces that represent the highest standards of quality, value and design

●

Provide an environment which is elegant, yet not formal or stuffy

●

Provide opportunities for our staff to grow and exceed professionally and personally

●

●

Maintain the highest ethical standards in the industry by providing transparency, social responsibility and values Support community organizations which support and provide for disadvantaged children and adolescents, health care and supplemental education assistance

For those of you—friends, family and clients—who have known us since we started Hyde Park Jewelers in November 1976, we are fortunate to have shared our evolution with you. For the tens of thousands we have met since who trusted us to be a part of your precious purchases and life’s celebrations along the way…THANK YOU! We started 40 years ago and now we’re here!

Warm Regards,

Michael Pollak CEO Hyde Park Jewelers Traditional Jewelers mpollak@hpjewels.com

Big Bang Gold Ceramic.

18K red gold chronograph, with ceramic bezel. Structured rubber strap.

Introducing The Artisan Handcrafted Modern Chain Collection

Inside ACCENT

AT THE COVER SHOOT Behind the scenes at the Miami shoot.

RETRO GLAM Makeup artist Michelle Ortega was inspired by singer/songwriter Adele, and created the iconic look of a flawless complexion and signature cat-eye on model Julieta. For the contour and highlight Ortega used Anastasia Beverly Hills powder contour kit in light to medium, and for the winged eyeliner she used her personal favorite: Inglot in #77.

SHINE BRIGHT LIKE A DIAMOND For our 40th Anniversary issue, we chose to feature diamond jewelry from some of our most spectacular collections in 40 years, collaborating with photographer and artist Edwin Santa to showcase the brilliance of the pieces.

STARMAN SALUTE Argentine model Julieta loved the Stephen Webster Lady Stardust collection (inspired by David Bowie’s alter ego Ziggy Stardust), which included this beautiful pair of earrings.

E nd OF DESIR newest a om OBJECTS and selected the pieces fr y h lr e m w a je te ond Our red cluding F ning diam most stun gner collections in eb, Marli and u si e H several d tephen Webster, S Leighton, in. o Roberto C

me Miami, ho istrict of rs and D rt A d nwoo ctic ba CA in the Wy ops, ecle ART MEC shoot took place ores, antique sh in the world. st s n il stallatio The photo art galleries, reta reet-art in 0 to over 7 largest open-air st e one of th

Photography and creative by EDWIN SANTA Model JULIETA MIQUELARENA (WILHELMINA MIAMI) Jewelry styling by JENNIFER FERKENHOFF Makeup and hair by MICHELLE ORTEGA

12

Get social!

hpjewels.com gives you unparalleled access to the latest in ďŹ ne jewelry and timepieces.

Join the Hyde Park community by connecting with us on social media to get insider information on all the latest trends and happenings, as well as new product unveilings and much more.

Follow us on social!

@hpjewels

@hpjewels

@hydeparkjewelers

Tag us in your posts using #HPJewels!

@hpjewels

TAG HEUER CARRERA CALIBRE HEUER 01 Chris Hemsworth works hard and chooses his roles carefully. He handles pressure by taming it, and turning it to his advantage. #DontCrackUnderPressure was coined with him in mind.

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Hyde Park remodels the Denver Flagship Store in Cherry Creek Shopping Center.

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Ä€ĂžĂżÄ Ä€ĂžĂżÄ‚ ĀÞÿĄ Hyde Park is named “Top Jewelry Store in Denverâ€? in ÂťZ ¸;VW VM [OL ;V^Uš (^HYK MVY [OL [O [PTL PU `LHYZ ;VKH` /`KL 7HYR LTWSV`Z V]LY WLVWSL PU MV\Y western states.

events

02

Denver

Polo CLASSIC

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Baume & Mercier Capeland

The 29th annual Schomp BMW Denver Polo Classic was three days of exciting entertainment, sport and culinary delights day with all proceeds benefiting local children’s charities. Held wit at the t Polo Reserve under the signature white tent, patrons and guests enjoyed exquisite drinks and gourmet food from some of the finest restaurants in Denver, all while watching som the highest caliber of professional polo played in the United States. Hyde Park and Baume & Mercier teamed up to auction Stat off a special live luction package at the black tie gala including his and hers Clifton and Linea watches and a trip for two to The Resort at Pelican Hill in Newport Beach, CA. For Sunday’s Championship Day, Hyde Park presented a Baume & Mercier Cha Capeland watch for the popular silent auction.

03

Southwest Center for HIV/AIDS

Night for Life GALA 1E] ĀþÿĄ 4,3)2-<

Southwest Center for HIV/AIDS hosted its 20th Annual Night for Life black tie gala on May 14 at the JW Marriott Scottsdale Camelback Inn. More than 600 guests turned out for the fun evening to benefit the organization’s programs and services. One lucky bidder walked away with an incredible live auction package from Hyde Park and Breitling. The package included a Breitling timepiece and a trip to the Breitling Air Show in Newport Beach, CA. Susan Casper of Sonoran Living Live on ABC 15 and CeCe Peniston, R & B recording artist, were co-emcees. Peniston and Evelyn “Champagne” King provided the entertainment. Yve Rojas, contestant on CBS’s Survivor Nicaragua, was the evening’s auctioneer. Jamie Hormel and Christopher Gross co-chaired the gala.

04 01. Schomp BMW cars on display at the BMW Denver Polo Classic 02. The Denver Polo Classic tournament 03. Mike Sparaco, Southwest Center for HIV/AIDS Board Chair; Cindy Quenneville, Southwest Center for HIV/AIDs CEO; and 2016 Corporate Leadership Awardees Michael and Shereen Pollak, Hyde Park Jewelers 04. R&B recording artist CeCe Peniston and ABC15 Sonoran Living Live host Susan Casper

RADIOMIR 1940 3 D AYS G M T P O W E R R E S E R V E A U TO M AT I C ACC I A I O - 4 5 M M ( R E F. 6 5 8 )

events

01

Transplant Hero

Awards

GALA

.YRI Ä&#x20AC;ÞÿÄ&#x201E; ()2:)6 In honor of 10 years of service, and to recognize heroes who have gone above and beyond to advance the transplant community and to save lives through living organ donation, the American Transplant Foundation hosted an incredible celebration of life on June 11.

Honorees, community leaders, transplant recipients, living donors and medical professionals gathered at the Ritz-Carlton to enjoy a memorable evening. Oz TUDOR Black Bay Pearlman, mentalist and finalist on Americaâ&#x20AC;&#x2122;s Got Talent, was the eveningâ&#x20AC;&#x2122;s emcee and dazzled guests with his mind-reading skills.

Attendees were also treated to an acoustic performance by The Fray members Joe King and Isaac Slade, including the song How To Save a Life, for which the award for altruistic living donors is named. After-party guests enjoyed complimentary signature cocktails and an array of tempting desserts while they danced the night away to the funk-soul-blues band Tracksuit Wedding. Hyde Park donated a TUDOR Black Bay watch for the eveningâ&#x20AC;&#x2122;s live auction. Overall, the Transplant Hero Awards raised more than a half a million dollars to fund the American Transplant Foundationâ&#x20AC;&#x2122;s lifesaving programs.

03

02

NightShine Gala An Evening for

Denver Health Foundation %TVMP Ä&#x20AC;ÞÿÄ&#x201E; ()2:)6

04 01. Joe King and Isaac Slade of The Fray with Vienna Danna, recipient of the Volunteer of the Decade Award 02. Event chairs Karly and Brad Farber, American Transplant Foundation founder Steve Farber with wife Cindy, Julie and Brent Farber

In April, over 1,500 guests filled the Centennial Ballroom at the Hyatt Regency to raise $1.3 million dollars for Denver Healthâ&#x20AC;&#x2122;s new Federico F. PeĂąa Family Health Center.

Sensational event chairs Walter and Christie Isenberg, along with Manuel Martinez and Pat Cortez, provided the event leadership to make this the highest netting NightShine Gala to 05 date. Federico and Cindy PeĂąa were honored for their tireless energy and contributions to Denver Health and the Southwest Family Omega Seamaster Health Center Capital Campaign during the evening. Federico was surprised onstage by Denver Health board chair Rus Heise and Denver Health Foundation board chair Michael Pollak, who announced that the new clinic will be named in Federicoâ&#x20AC;&#x2122;s honor. OneRepublic, the eveningâ&#x20AC;&#x2122;s entertainment, blew the audience away with their incredible performance as well as their surprise announcement that they were donating back their performance fee. One 03. Surprise announcement by Michael Pollak and Rus Heise, Denver Health lucky live-auction bidder walked away with board chair, that the new family health center would be named in Federico Penaâ&#x20AC;&#x2122;s honor (Also pictured: Cindy and Federico Pena). an incredible package from Hyde Park and 04. Walter and Christy Isenberg along with Pat Cortez and Manuel Martinez OMEGA. The package included his and hers 05. OneRepublic performs live onstage at the 2016 NightShine Gala, an OMEGA Seamaster timepieces and a trip for HYHQLQJ IRU 'HQYHU +HDOWK )RXQGDWLRQ EHQHÄąWLQJ WKH QHZ )HGHULFR ) 3HQD Family Health Center two to the 2016 PGA Championships.

THE START OF SOMETHING BRILLIANT INTRODUCING TH E ASH O KA® D I A M O N D RI N G C O LLEC TI O N.

Available exclusively from Kwiat.

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01. Michael Pollak, Matt Iseman, Jordy Pollak, Steve Demby, and Zev Norotsky 02. Kevin Peterson, Bob Apple, Mike Shipley, Joe Rodgers, Austin Whelchel, and Zach McGuire 03. Rich Goins, Matt Iseman, and Les Shapiro 04. Kyle Quincey and Rachel Quincey 05. Dave Livsey, Nick Hanson, Josh Love, Zach Love, Paul Stastny, and Kyle Quincey 06. Eugene Williams, Alison Brennan, Cara George, Rick Barry, and Jay Mills

06

Hyde Park hosted the 17th annual Diamonds in the Rough Celebrity Golf Tournament at Sanctuary Golf Course, raising money for children’s and healthrelated charities including Girl’s Inc., the Global Down Syndrome Foundation, Denver Health and Judi’s House. The event kicked off with dinner and a live auction at Elway’s Steakhouse on the eve of the tournament, where Steve Demby and Brownstein Hyatt Farber and Schreck received the Humanitarian of the Year Award for commitment to the Denver community. The Diamonds in the Rough Golf Classic was held at Sanctuary Golf Course the following day. National and local celebrities, current and former professional athletes, and top business and community leaders were in attendance to enjoy the two-day event and show their support for the benefiting charities.

Hyde Park and the Diamonds in the Rough Foundation are celebrating 40 years of serving our community and giving back to charities in need. This year, through our 40 Acts of Kindness initiative, we will be supporting over 40 charities including:

DENVER POLICE

ORPHAN FUND

C AV I A R C O L L E C T I O N S

M Y L A G O S M Y W AY

A DESIGNERâ&#x20AC;&#x2122;S PERSPECTIVE STE VEN L AGOS SHARES THE INSPIRATION BEHIND HIS NEW DESIGNS FOR FALL

1. W H AT I S T H E I N S P I R AT I O N B E H I N D T H E FA L L COLLECTIONS?

3 . H O W D O YO U D E F I N E T H E S T Y L E O F T H E WO M E N WE AR I NG L AGOS?

The fall collection is perhaps the best example of th e ve r sat i l it y of L AG OS. T h e L AG OS wo m a n can wear these pieces from day to night with ease and conf idence, which echoes ou r b rand c a m p a i g n m e s s a g e : M Y L A G O S M Y W AY.

T he L AGOS woman i s undoubted l y conf ident, soph i sticated and i ndependent. She i s secu re in her day to day st yle. I can absolutely see our c l i e n t e l e m i x i n g o u r s i g n a t u r e s t e r l i n g s i l ve r, t w o tone and diamond bracelets along with Black C a v i a r. A l l L AG O S c o l l e c t i o n s a r e d e s i g n e d w i t h the intention to layer and stack.

2 . WHY THE CONTI NUE D USE OF BL ACK CE R A M I C T H I S FA L L? When I fi rst introduced the Black and White Caviar collections, it was my goal to show Caviar in a d if fe rent l ig ht. I l ove to ex pe r i ment w ith tex tu re, scale and colo r s beyond traditional si lver and gold. It took about 3 years to br ing my initial v i s i o n t o r e a l i t y, a s B l a c k C a v i a r r e q u i r e d a completely new fabr ication process. This fall, pairing bold ceramic black beads with brilliant diamonds and ster l ing si lver of fer s a luxe look with a subtle edge.

4 . WHAT I S U N I Q U E ABO U T L AG OS? C a v i a r, o u r s i g n a t u r e d e s i g n , s e t s o u r b r a n d a p a r t and allows for our handcrafted pieces to be immediately recognizable. The exper t level of craf tsmanship that goes into creating each Cavia r bead and our use of only the finest mater ials is unsur passable.

Rihanna wore Mikimoto at her RiRi fragrance launch.

Florence Welch wore Gucci during an interview.

Emma Watson wore John Hardy while lighting the Empire State Building.

As Seen On...

Our favorite stars share a love for our favorite brands!

BY JILLIAN L ROCHELLE 1 A

Alessandra Ambrosio wore Omega at the Rio Olympic Games.

Jennifer Lopez wore Stephen Webster on the American Idol set.

Olivia Wilde wore John Hardy to the NBA All-Star Game.

Alice Eve wore Armenta to attend the Men in Black 3 New York premiere.

2

from the

RUNWAYS

ONCE UPON A TIME 1 2

3 4

5

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from the

RUNWAYS

BACK IN BLACK 1 2

3

4 5

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from the

RUNWAYS

ART DECO

2 1

3 4

5

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Discover the magic of minimalism at marlinyc.com

designers

Feminine

BY DESIGN F

rom its beginning, Hueb has relatability and wearabilty, using 18-karat represented artistry and quality gold, high-grade diamonds and natural craftsmanship intertwined to gemstones, a majority of which are create an exclusive collection of fine sourced from Brazilian mines.” jewelry for the modern woman, Hueb’s signature designs feature inspired by a uniquely Brazilian sense classical icons with a twist. “We enjoy of joie de vivre. Positioned to shift the introducing new collections throughout luxury jewelry experience through the year that reflect modern tastes with Handcrafted in Brazil, HUEB creates design, attitude and price, Hueb is a lasting appeal,” explains Priscila. “It is designs that inspire the contemporary balance of art and innovation. easy to notice the female influence in our Fádua Hueb, matriarch of the designs as well as our celebratory woman to express her individuality. brand, established its roots more than references to Brazil. We are so happy to 40 years ago and today the brand see women self-purchasers connect with continues to operate as a family our designs and reflect on the great business. Her grandson Thiago (brand value we offer.” Constants throughout director) and his wife, Priscila the brand’s varied collections include a (creative director), represent the third playful use of color and textures that generation, focused on taking the appeal to women of all ages. company forward in the U.S. Hueb continues to grow Priscila Hueb has espoused internationally, but both Priscila and inspiration from Brazil’s unique heritage. “Our warmth as a culture is Thiago assure that they are committed to limited distribution. Steering evident in our designs, which reference the colors of nature and clear of the mainstream, they maintain that the element of discovery familiar juxtaposition of jungle and cityscapes,” Priscila comments. is one of the things that makes Hueb truly special and unique.

“We are very much a women’s jewelry brand: designed, made by, A beautiful range of Hueb designs will be launching at Hyde Park worn and purchased by women. Our pieces are designed and just in time for the holiday season. Discover the Hueb collections handcrafted by a team of female designers in Brazil, with focus on today!

34

®ROBERTOCOIN

POIS MOI COLLECTION

gems

F

A DIAMOND AS RARE ASYOU

36

or centuries, natural color diamonds have been regarded as the world’s most sought-after gems, by collectors and even by royalty. These diamonds are so rare that they are only discovered in a few locations on Earth, likened to works of art, hidden treasures and rare books.

One of the most exciting things about natural color diamonds is the origin of their unique colors, where they are found and why they are so special. Tiny amounts of nitrogen created yellow and orange shades. The element boron created blues, and hydrogen produced violet.

Tremendous pressure would occasionally realign or spiral a diamond’s crystal structure, creating red, pink, purple and brown diamonds. Millions of years of natural radiation produced green diamonds.

Natural color diamonds have been around since diamonds were first discovered approximately 3,000 years ago in India, but it has only been over the last decade when the desire and appeal for them have entered the consumer market. The growing awareness of their rarity and value has created increased demand for nature’s most special diamonds.

At auction, natural color diamonds are exceeding record prices, with the 14.62-carat “Oppenheimer” blue diamond (pictured left) selling for an impressive $57,541,779 at Christie’s in May of 2016. This blue diamond was the largest vivid blue diamond ever to sell at auction and holds the current record for highest price paid for any jewel at auction.

In 2014, the 12.03-carat fancy vivid blue “Blue Moon of Josephine” diamond sold for $48.4 million and still holds the current price-per-carat record for any public sale at auction at $4 million per carat. In 2015, a collector paid $28,523,925 for a 16.08-carat fancy vivid pink diamond, setting a new world record for the highest price paid and highest price paid per carat ($1,773,875) for a fancy vivid pink diamond. These values highlight the exceptionally rare stones and are proven examples of the desirability for them.

Any buyer or collector has a spectrum of color to select from in natural colored diamonds, and there is no right or wrong in choosing what diamond appeals to your taste.

Prices for natural color diamonds start at $100 and go up to $1 million per carat-plus; the characteristics that determine a stone’s value can vary, with the exceptionally rare stones being valued by rarity, size and color. However, the main draw in owning any colored diamond is all the same—beauty is the ultimate reason!

A natural color diamond is as rare as you; no two colors are the same and no two diamonds are alike. The diamonds can be compared to the endless variety of flowers on our earth, a colorful rainbow in the sky or the unique personalities found all around the world.

We recommend going on a journey to find the color diamonds that fit your appeal and uniqueness. You won’t be disappointed!

A DIAMOND AS RARE AS YOU

Fred Leighton Art Deco fringe diamond earrings in platinum.

4 Decades of

Brilliance PHOTOGRAPHY BY EDWIN SANTA C e l e b r a t i n g 4 0 Ye a r s

Marli Avant and Deco Collections diamond earrings, rings and bracelets in 18K white gold.

40th Anniversar y

Stephen Webster Lady Stardust Collection diamond earrings, ring, and cuff bracelet in 18K white gold.

C e l e b r a t i n g 4 0 Ye a r s

Kwiat Ashoka Collection diamond earrings, ring and bracelet in platinum.

Model Julieta Miquelarena (Wilhelmina Miami).

Makeup and hair by Michelle Ortega.

Jewelry styling by Jennifer Ferkenhoff.

40th Anniversar y

4

Decades of

Style P H O T O G R A P H Y B Y E D W I N S A N TA

CLOCKWISE: Roberto Coin Pois Moi and Princess Collections diamond rings and wide cuff bracelets in 18K white and rose gold.

Hyde Park 40th Anniversary Collection rings with diamonds, red rubies, green emeralds and blue sapphires in 18K gold.

Pesavento DNA Spring, Metalworks and Lux Ceramic bracelets.

Hyde Park 40th Anniversary Collection diamond rings and bangles in 18K white and yellow gold.

C e l e b r a t i n g 4 0 Ye a r s

40th Anniversar y

MODEL ANNA CARLA (WILHELMINA MIAMI); MAKEUP AND HAIR BY MICHELLE ORTEGA; JEWELRY STYLING BY JENNIFER FERKENHOFF

4

Decades of

Glamour P H O T O G R A P H Y B Y E D W I N S A N TA

CLOCKWISE: Hyde Park 40th Anniversary Collection diamond bracelets and rings in 18K white, yellow and rose gold.

Hyde Park 40th Anniversary Collection diamond and pink ombre pearl earrings and triple strand necklace in 18K white and rose gold.

Hyde Park 40th Anniversary Collection diamond tassel necklaces with blue sapphires, green emeralds, and red rubies in 18K white gold.

Hyde Park 40th Anniversary Collection diamond and pearl earrings, rings and bracelets in 18K rose gold.

C e l e b r a t i n g 4 0 Ye a r s

40th Anniversar y

MODEL ANNA CARLA (WILHELMINA MIAMI); MAKEUP AND HAIR BY MICHELLE ORTEGA; JEWELRY STYLING BY JENNIFER FERKENHOFF

4

Decades of

Craftsmanship P H O T O G R A P H Y B Y E D W I N S A N TA

CLOCKWISE: Chopard Imperial 18K white gold and diamond watch.

Breitling Emergency black titanium watch.

Cartier Hypnose 18K pink gold and diamond watch.

Hublot Big Bang Unico Full Magic Gold watch.

C e l e b r a t i n g 4 0 Ye a r s

40th Anniversar y

designers

Modern

the product development team and our artisanal craftsmen in Bangkok, we are constantly exploring new techniques, with tremendous attention to the smallest of details in the construction.

For example, we’ve adopted the flex technique in all of our bracelets, which enables the jewelry to remain incredibly light on the skin while still maintaining a very substantial size; when you wear it, the piece becomes a part of your body.

AESTHETIC Q&A with MARLI founder Maral Artinian.

What pieces from your latest collection are you most excited about?

In this upcoming season, we are launching three very special design collections: Avant, Coco and Deco. While I’m very excited about all three, I feel the Deco collection most directly captures the spirit of Marli. As with Art Deco style (which I love), Marli embraces both the opulence and timelessness of minimalism. I believe that when it comes to ageless elegance unscathed by any trend of the moment, less is, in fact, more.

And of course, with Marli’s foundations in NYC, the collection has a fundamental New York soul and is constantly inspired by the city’s many faces. The Deco collection is inspired by NYC’s beautiful architectural landscape.

What else inspires your designs?

What is the story of Marli?

I was born into a family of jewelers—for as long as I can remember, I have always been surrounded by beautiful jewelry. It seemed only natural that I, too, would grow to love the jewelry industry and join the family business.

Since the age of 18, I have worked alongside my father and brothers working intimately with jewels.

My journey with Marli began in 2012. As a woman with a deep passion for jewelry, I wanted to create designs and share with other women what I felt was lacking in the market: chic, modern, luxury minimalism. Marli is designed for women who are fashion savvy, with a simple and understated, yet highly sophisticated, aesthetic. The collection is modern minimalist in design with exquisite craftsmanship, made with the highest quality materials.

I draw inspiration from every experience that I have, whether that be a memory, a sentiment, or even a sensory experience. My travel experiences are often a great source of inspiration for me, as well as my interest in architecture and fashion. I love geometric shapes, clean lines and minimalist silhouettes that play a lot with positive and negative space—you see a lot of this influence in my designs!

Tell us about the craftsmanship?

All Marli jewelry is made with 18-karat gold of different colors: yellow, white and rose. The gold is often combined with a variety of both precious and semiprecious stones ranging from diamonds to onyx, agate, lapis and turquoise. All jewelry is designed from our headquarters in New York City and manufactured in a private facility in Bangkok, owned by my family, which has more than 20 years of experience in jewelry making. Together with

Why do you feel women identify with your jewelry?

As a jewelry lover and a female designer creating jewelry for other women, my primary goal is to create products that are not only timelessly elegant and impeccable in quality, but also extremely accessible to all women—quality fine jewelry that is neither intimidating in price nor overwhelming in aesthetic. I believe in versatile jewelry that can be worn from day to night, from a business meeting to a girls’ night happy hour to a cocktail party.

Marli jewelry can be worn solo or layered with other Marli pieces. I believe that true style begins with confidence, and Marli jewelry can be worn confidently by women knowing that the products are both affordable and extremely wearable on virtually all occasions!

Discover the Marli collection in store today!

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designers

THE ART OF

AUTHENTICITY

A

fter many years working with his father, a successful value, Bicego creates the extraordinary, season after season.

Vicenza jewelry maker who specialized in gold chains, “Because our jewelry is handcrafted by goldsmiths, there is a Marco Bicego launched his own collection of unique personal quality reflected in every piece. For example, handcrafted fine jewelry in 2000. our craftsmen use a special tool to Famous for its multi-colored engrave hundreds of tiny lines on gemstones in exclusive faceted the gold’s surface, creating a cuts, its hand-twisted coils and tactile finish that remains virtually hand-engraved gold, his unalterable through time and collections (crafted in Italy) are nearly impossible to imitate.”

BY KAREN ALBERG GROSSMAN inspired by the nature and the Always pushing the architecture of his extensive boundaries of modern design, travels around the world (Africa, Cairo, Jaipur, Murano and other Bicego’s collections continuously evolve and are meant to be fascinating locales). Infusing each piece with a particular mixed and layered for a personalized look. Here, we speak with cultural sensibility that goes beyond its beauty and intrinsic this passionate designer about his craft, and his life.

MARCO BICEGO’s unique

approach to jewelry, food and life.

50

Could you share a lesson you learned from your father, and one you hope to teach your children?

One of the greatest lessons my father passed down to me was the craft of goldsmithing. But the more important lesson he taught me that I hope to impress upon my children is to do what you love. For me that has always meant making jewelry; my craft allows me to express my personal experience, passion and curiosity. I always urge my children to find something that holds the same significance in their lives.

You’ve traveled extensively: what’s your favorite place in the world to visit?

It’s hard to choose. Most recently, my travels to East Africa inspired my newest Masai collection. The Masai people wear incredibly detailed ornaments that organically hug the body’s natural shape. My Masai collection follows this same accentuation, with each piece delicately hand-coiled with yellow and white gold and accented by pronounced stations of diamonds.

What’s your favorite place in the world to live?

It would have to be Italy, of course! My heritage is the very foundation of my work and means so much to my identity. You can see the skills of old-world Italian craftsmanship through our use of the bulino technique to etch hundreds of fine lines into our pieces. Even today, our jewelry is handcrafted by second-generation goldsmiths, giving each piece a unique, imperfect quality.

What’s still on your bucket list?

There is so much of the world that I still hope to see. My collections are a beautiful way to catalogue my travels, from Masai to my Jaipur collection, which was inspired by the “pink city” in India, where stone-cutting has been perfected over the ages. I want to continue traveling, transforming those inspirations into beautiful, timeless pieces.

What would you be doing if not jewelry design?

Without a doubt, I would be cooking. Growing up in Italy, my mother was always cooking and I would help her in the kitchen. We always used fresh ingredients sourced locally. As I would help her, I would begin interpreting her recipes as my own. I love cooking for family and friends and have a nostalgic list of recipes that I can pass down to my children.

Describe your favorite meal?

Marco Bicego’s Eight Jewelry Essentials

1. A CLASSIC ITALIAN COLLAR 2. STATEMENT EARRINGS 3. STACKED BRACELETS 4. TIMELESS STUD EARRINGS 5. A CLASSIC YELLOW GOLD RING 6. MIXED METALS 7. LONG LAYERING NECKLACES 8. POPS OF COLOR

My favorite meal would absolutely be with my family and friends, whatever we eat and wherever we come together. They are my greatest supporters and are incredibly important to me. I love cooking with mushrooms, which I hunt for during truffle season, so I love making Fettuccine ai Porcini—it’s both simple and delicious!

Who do you most admire and why?

I’d have to say my father, Giuseppe Bicego. The gold chain business he founded in Vicenza evolved into a very successful company. Without his expertise, encouragement and guidance in my formative years, my art would never be where it is today. For that, I am forever grateful.

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©2016 movado group, inc.

BOLD® METALS TIME REFLECTS A NEW SOPHISTICATION IN GOLD-TONED AND ROSE GOLD-TONED STEEL. MOVADO.COM

HYDE PARK

WatchReport

CHOPARD

CHANEL

JAEGER-LECOULTRE

For Her OMEGA

ROLEX

CHANEL Boy•Friend, 26.7 x 34.6 x 7.33mm steel case, black guilloche dial, steel tweed motif bracelet, water-resistant to 30 meters.

JAEGER-LECOULTRE Reverso One Duetto Moon, 40.1 x 20mm 18K pink gold case, silvered guilloché front dial and brown back dial, pink gold bracelet, water-resistant to 30 meters.

CHOPARD Happy Sport Limited Edition, 36mm stainless steel case, blue mother-of-pearl dial with floating diamonds, diamond bezel, stainless steel bracelet, water-resistant to 30 meters.

OMEGA De Ville Trésor, 40mm 18K Sedna™ gold case, mother-of-pearl dial, diamond bezel, brown leather strap, water-resistant to 30 meters.

ROLEX Oyster Perpetual Pearlmaster, 39mm 18K Everose gold case, diamond pavéd dial, diamond bezel, 18K Everose and diamond bracelet, water-resistant to 100 meters.

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CARTIER

HUBLOT

OMEGA

For Him VACHERON CONSTANTIN

TUDOR

CARTIER Drive de Cartier, 40mm pink gold case, silvered flinquĂŠ dial, semi-matte brown alligator strap, water-resistant to 30 meters.

OMEGA Seamaster Planet Ocean, 45.5mm black ceramic case, black dial, black rubber strap, water-resistant to 600 meters.

HUBLOT Big Bang UNICO, 45mm polished and satin-finished king gold case, matte black dial with gold-plated upper layer, black structured lined rubber strap, water-resistant to 100 meters.

VACHERON CONSTANTIN Overseas World Time, 43.5mm stainless steel case, blue dial, blue alligator Mississippiensis strap, water-resistant to 150 meters.

TUDOR Heritage Black Bay Bronze, 43mm bronze case, brown dial, aged leather strap, water-resistant to 200 meters.

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launches

RETURN OF THE

BLACK BAY

TUDOR’s new Black Bay

timepieces have collectors clamoring.

S

ince its launch in 2012 (with a red bezel), TUDOR’s Black Bay model has become a watch that conjures some serious street cred amongst watch collectors and enthusiasts given its strong nod to the historical watch references of TUDOR’s rich past. The essence of the Black Bay dates back to the 1954 TUDOR Oyster Prince Submariner, reference 7922. This was the technical dive watch that spawned future iterations, which became the preferred tool watch of the Marine Nationale and the U.S. Navy beginning in the ’60s. Throughout this time, TUDOR Submariners evolved, showcasing new and subtle design details with each model update. Ultimately, the culmination of these refinements directly inspired the 2012 Black Bay model as it exists today. So much so that the Black Bay took home the coveted Revival Prize at the 2013 Grand Prix d’Horlogerie de Genève (often dubbed The Oscars of watchmaking).

As of 2015, the Black Bay model was offered with a red, blue, or black bezel. In 2016, all colorways in the Black Bay line were fitted with new in-house manufacture movement MT5602, boasting an impressive 70-hour power reserve. There is no doubt as to why collectors are clamoring for these iconic, highly recognizable and historically important timepieces.

The expansion of the Black Bay family in 2016 doesn’t end there; three entirely new models were introduced as well: Black Bay Bronze, Black Bay Dark and Black Bay 36.

The Black Bay Bronze is TUDOR’s first-ever high-performance dive watch with bronze aluminum alloy case. The alloy was designed to patina over time, producing a variation of complementing warm tones. With its 43mm case, the Black Bay Bronze is now the largest case size available in the popular Heritage collection, housing TUDOR manufacture movement MT5601.

The Black Bay Dark offers a fresh take on the stealth-like black aesthetic. With an all-over black PVD-treated steel case and bracelet, The Heritage Black Bay Dark has an entirely satin finish, reminiscent of military utility equipment. Like the Black Bay Red, Blue and Black, it features TUDOR movement MT5602. And, like every Black Bay and timepiece in the Heritage collection, this model comes with an additional fabric strap with purchase.

56

CLINT J.

STEFAN M.

THERE’S A FUNNY THING THAT HAPPENS WHEN YOU BUILD FACTORIES IN THIS COUNTRY. IT’S CALLED JOBS.

VALISA M.

ALEX S.

AVAIL ABLE E XCLUSIVELY AT FINE WATCH & JEWELRY RETAILERS

timepieces

WATCH OUT! Why buying and servicing your timepieces with an authorized dealer is more important than ever.

BY CHRISTIAN CHENSVOLD

I

t’s not hard to avoid obvious knockoffs when it comes to luxury watches. Just be careful you’re not ambushed by a Frankenstein. “Frankenstein” is a new watch industry term rapidly spreading among consumers, who are right to be leery. The term refers to watches that have been spliced together from some parts that are genuine and some that are counterfeit. Typically made in Asia, they can easily fool the eye—especially of a buyer blinded by the prospect of getting a great deal.

The emergence of Frankenstein watches underscores the importance of buying a fine timepiece from an authorized dealer. “Buying a watch online is like gambling,” says Michael Pollak of Hyde Park Jewelers.

“Sometimes you win, but mostly you lose.”

And when you lose, you lose big, because these fakes often mimic very expensive models. A consumer spotted an $80,000 Audemars Piguet timepiece priced at a mere $40,000, Pollak recalls. But when the buyer sent it to the manufacturer for servicing, it never came back. In its place was a letter explaining that the watch was not genuine and had been confiscated for infringing on the brand’s trademark.

The buyer has no recourse, and even a seller with 100% positive feedback could claim he didn’t know the watch was a Frankenstein. For Pollak, this all comes down to the perennial problem of not knowing a watch’s provenance when buying from an unauthorized dealer. The same thing applies for watches that are stolen. The seller may not even know it, he explains, but once again, as soon as the watch is taken in for servicing, a company such as Rolex will immediately check the serial number against a database of stolen watches. If it comes up as stolen, you’ll never see it again. “According to Rolex, the watch either

belongs to the previous owner, an authorized dealer or the insurance company,” says Pollak. Either way, “It does not belong to you.”

Authorized retailers provide a clear paper trail of a watch’s history, can ensure that a watch comes with a manufacturer’s warranty and that parts are available should it need repair, and provide a trustworthy resource if the customer is dissatisfied for any reason. You’re also dealing with someone who’s intimately familiar with the brand. “You have the ability to speak with someone who has received the proper training on the brand you are considering,” says Hank B. Siegel of Hamilton Jewelers.

Siegel says his service center sees thousands of watches each year, and the main issues are attractive fakes, genuine cases with fake movements, watches that were originally genuine but have been altered with non-genuine parts, genuine watches with fake warranty papers, watches reported stolen, and finally, watches that are genuine but without proper import documentation and duties paid, which leaves them subject to confiscation.

“The bottom line is, unless you are buying from a retailer explicitly authorized by the watch brand, it’s buyer beware,” says Marc Green of Lux Bond & Green. “Whether from an auction house, website, non-authorized dealer, or anywhere else, there is always the looming question of whether something is genuine.”

Authorized dealers are also imperative when having a watch serviced, as an unauthorized repairman could use counterfeit parts and turn your genuine, papers-and-all watch into a Frankenstein without your knowing it. “Some say authorized service centers are too expensive and take too long,” says Green. “We say you get what you pay for. You may take your Mercedes to the corner garage for a minor adjustment, but not when major parts are needed. With watches, you want them serviced correctly with a guarantee.”

58

True luxury timepieces, like the Patek Philippe Ref. 5170R shown here, can only be purchased from and serviced by authorized retailers.

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timepieces

John Travolta wore Breitling at a boutique opening.

Dan Stevens wore Baume & Mercier at British GQ’s Men of the Year Awards.

Chris Pratt wore Panerai at the Golden Globe Awards.

CelebrityWATCH A timely look at men’s style. BY JILLIAN LAROCHELLE

Patrick Dempsey wore TAG Heuer at the Monaco Grand Prix.

Eddie Redmayne wore Omega at the opening night party for the 2016 Rio Olympics.

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Know Your Diamond CARAT WEIGHT

COLOR GRADE

CLARITY GRADE

CUT GRADE

Look for diamonds graded by GIA, the creator of the 4Cs. Learn more at 4Cs.GIA.edu

CARLSBAD

ANTWERP

BANGKOK

DUBAI

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A SPECIAL WEDDING SECTION FROM ACCENT MAGAZINE

designers

A First Look at

KARL LAGERFELD’S New Bridal Collection

Hyde Park is thrilled to be one of the select few retailers in the country to launch the iconic designer’s first engagement ring and wedding band collection.

A

s one of the world’s most celebrated fashion designers, Karl Lagerfeld is globally renowned for his aspirational and cutting-edge approach to style. The iconic designer’s namesake fashion house reflects his own signature aesthetic through creative, cool and accessibleluxe apparel and accessories….and now a bridal collection!

Karl Lagerfeld collections are uniquely poised, initially focusing on fine bridal and engagement jewelry that is iconic, creative, aspirational and cool.

Keeping in line with a brand known as the universal symbol of style, the designs showcase iconic patterns from the brand with modern interpretations.

The first collection is focused on the use of a pointed stud motif,

inspired by the iconic symbol used in many Karl Lagerfeld accessory designs. It has been interpreted in unique and delicate ways, for example, leading up the shank to create a play of light ultimately enhancing the center diamond. The second collection incorporates geometric shapes for a sleek modern design; showcasing unique knife-edge elements echoing in the collar under the head to create fancy center stone shapes. The final collection is inspired by French and Parisian architecture, incorporating arch motifs for an open gallery pattern that allows for light to shine through while simultaneously showing structure with six to eight prong and clawshape settings.

Karl Lagerfeld jewelry has a touch of Parisian sophistication and flair.

Engagement rings are offered in the most precious of metals—18K white and yellow gold as well as platinum—with distinctive designs that transition the signature brand codes into the bridal category. Each piece is created to reflect the highest level of artisanal quality. Women’s bridal and anniversary rings are made to complement the engagement rings or to stand alone as unique pieces of jewelry. Men’s wedding bands are designed to drive a range of looks for the moment, but will last a lifetime.

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bridal

Propose with one of these trending styles and post the good news!

#SHESAIDYES

BY LORRAINE DEPASQUE

A FEW FAVORITE CUTS Perhaps celebrity engagements (Blake Lively, Julianne Hough) have played a role in its popularity, for never in recent times has the oval been so in demand. “This fancy diamond cut is one way a bride can have something out of the ordinary,” says Guttery, “and depending on how the stone is cut it can really elongate the finger and look very graceful on your hand.”

Nonetheless, according to The Knot’s study, 49% of modern brides still prefer the traditional round, while princess cuts come in as second most popular.

GEM AND METAL COLORS TO LOVE If you do decide on a classic round center diamond, another way to differentiate is by choosing a stone other than a white diamond. “Colored

gems are in vogue for bridal,” says Guttery, “especially ruby, emerald and all shades of sapphire.” He mentions aquamarine, too. Light blue gems and pink stones have notably become more sought-after in bridal since the Pantone Color Institute named Serenity (a pastel blue) and Rose Quartz (a light pink) as the 2016 Colors of the Year.

A pink gemstone set in rose gold is a beautiful, feminine, tone-on-tone look. Just the same, says Baillie, “Our latest research shows that 68% of brides still want 18K or 14K white gold for their wedding rings.” That said, more and more, as women look for artisanal flair, they’re buying yellow gold, reports Guttery. “Specifically, rich and buttery 18-karat. The glow it gives off is radiating, and the textures and patterns in yellow gold look great.”

DESIGN ’N DETAIL Whether in the precious-metal surface of your wedding ring, the prongs and bezels holding the gems, or the overall aesthetic, today’s bride is looking for detail, Guttery emphasizes. “Even if a ring itself is simple, the head may have scrollwork, a shank might have an unusual pattern of pavé diamonds and cutouts, or the focus gem may be held by artistic prongs.

Also, a lot of today’s designers are re-interpreting elements from past eras—Edwardian or Deco, for example—and incorporating them into their signature bridal styles. Something I’m definitely noticing is more ornate scrollwork.”

One last thing: Before you begin your search for that once-in-a-lifetime ring, be sure to ask your jeweler about two-stone designs, including bypass styles. It’s a retro silhouette that’s made its way into modern bridal—and lots of (soon-to-be) engaged women are falling in love with it.

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IMAGES COURTESY OF HARRY KOTLAR, RAHAMINOV, PENNY PREVILLE

W

hite, yellow, or rose gold? Round, square, or cushion cut?

Classic, modern, or vintage style? When deciding on an engagement ring and wedding band, the choices may seem overwhelming. “We found that one bride-to-be went online and actually looked at 3,800 engagement rings in one day,” chuckles Bernadette Baillie, director of education for TheKnot.com. “That’s huge dedication!” Baillie recalls the story while discussing the results of her popular wedding site’s 2016 Luxury Bridal Jewelry & Engagement Ring Study, for which The Knot surveyed 13,000 Millennial couples. To help get your own research underway, we also spoke with jewelry expert Benjamin G. Guttery about what’s trending in wedding ring designs, diamond cuts and colors, precious metals and more. Guttery, a GIA graduate/jewelry trend forecaster/brand advocate, is also founder of the blog Third Coast Gems.

bridal

Out of THE BOX

Personalize your special day by throwing away the rule book.

BY JULIANNE PEPITONE

THE PARTY DOESN’T STOP HERE

ALTERNATIVE TREATS TAKE THE CAKE Artfully arranged cupcake towers became the trendiest way to ditch the wedding cake a few years ago, but now all kinds of alternatives exist—many of which don’t include cake at all.

Donut towers: Like a Little Black Dress, this cake alternative can be dressed up or down: stacks of apple cider donuts with milk for a cozy-casual fall wedding, or carefully constructed towers of ganache-iced confections alongside espresso at more elegant affairs. Donut towers can look more traditional, too: Philadelphia-based Federal Donuts constructs displays of its treats on a tiered stand and adds decorative elements like flowers and ribbons, if desired.

Ice cream: Think DIY sundae bars packed with toppings like decadent fudge and buttery toffee bits. Or build-it-yourself ice cream sandwich tables with loads of flavor options and gooey cookies to mix and match. For a pricier but super-fun treat, hire a good old ice cream truck to roll up as the celebration winds down. Tipsy Cones is a grown-up version of the Mr. Softee truck, offering alcoholic flavors like whiskey mash, drunken French toast and watermelon mojito ice.

Throwback treats: Yes, weddings are about joining together as adults, but dessert inspires pure childlike joy. Los Angeles’ Cake Monkey specializes in gourmet versions of childhood faves like Ho Hos, Oreos and Little Debbies, whipped up with high-quality ingredients like bittersweet chocolate and fleur de sel.

The wedding was perfect, the reception was a blast… and now, the DJ is packing up as the venue staff turns on all the lights. It’s a bummer when the party comes to a close, but the fun doesn’t have to stop there. Planned wedding after-parties are on the rise, but informal post-nuptial hangouts are an easy way to keep the revelry going past midnight.

A simple option: Rent space at a bar that’s within walking distance of the reception venue. Beach brides and grooms might invite guests to a post-bash bonfire, while winter couples can host a cozy s’moresroasting session with spiked coffee.

Massachusetts teacher Jessica Dougherty and her husband Kerry opted to plan a post-wedding bowling session, complete with custom “Team Jerry” shirts, for their special day. They chose Point Lookout Resort in Maine specifically because the complex offered loads of fun options on the grounds, and they wanted to help create a full weekend getaway for their guests.

“It was so funny to see the pairings—my high school friend’s husband bowling with Kerry’s friend from Italy,” Dougherty said.

“But the real point was to have some downtime with the people who mean the most to us. I know it sounds a little corny, but we wanted the love, the moment, to last as long as possible.”

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ANYTHING GOES Rigid wedding-party rules once required matchymatchy dresses and an equal number of ’maids and ’men. But selecting the party is meant to honor the people in your life, regardless of gender, age or any centuries-old guidelines. Now, anything goes: a “bridesman,” “best woman,” or “man of honor,” and the 89-year-old who served as a bridesmaid in her granddaughter’s Pennsylvania wedding last year.

Burberry employee Katelyn Venezia, 30, opted to forgo the traditional wedding party altogether for her July 2016 nuptials—but she still honored her closest friends, sans fuss.

“I didn’t want them to feel pressure or strings attached,” Venezia explains. “I felt the practice of getting everyone together to try on dresses and then having them spend hundreds on something they won’t wear again was outdated.”

So she wrote 10 girlfriends letters thanking them for their friendship and explaining her plan: she wanted the group to get ready together the morning of the wedding, but there would be no formal procession down the aisle and no matching gowns. The cards included an inspiration board, and Venezia invited each woman to choose her own dress for the wedding in one of those colors.

“I wanted to let the girls know they are so special to me,” she says. “That’s what’s important— the friendships, not the bridesmaid dress.”

RINGS SHOWN: 31-KA127-E 33-KA141-L

community

A DIAMONDS DO GOOD STORY

IN HER OWN WORDS...

MAHESHWARI, SUMMER 2016

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orn in a village outside of Krishnagiri in Southeast India, Maheshwari was raised in a single-room hut without plumbing. “My life there was very different,” says the bright young woman. “I sleep on the floor. I don’t have a bathroom.”

Her family are quarry workers and members of the Dalit caste, the lowest in India’s social hierarchy. Her class, combined with her lowered status as a female in rural India, promised to seal Maheshwari’s destiny at birth.

THERE IS EXTREME GENDER INEQUALITY IN RURAL INDIA. Women in rural India are expected to marry and live with their husbands’ families around the age of puberty, rendering formal education outside of the home little more than a waste of resources in the eyes of tradition. “‘Why study? Why educate a girl when her job is to raise a family?’ They’re the same questions every village asks when someone sends their girl to school for more than a few years,” Maheshwari explains.

Yet despite the odds, the bright scholar now holds a college

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degree, has plans to pursue post-graduate studies and one day become a geneticist. In a country of 1.2 billion where only two out of five women can read and write, her journey is nothing short of extraordinary.

THE DIAMOND INDUSTRY SUPPORTS GIRLS THROUGH EDUCATION. Maheshwari’s educational opportunities can be credited to her self-motivation, her family’s determination and the support of the diamond industry.

Maheshwari’s unique path began to form when she attended a scholarship-funded boarding school of Shanti Bhavan Children’s Project. The first in her family to receive schooling past the eighth grade, her parents’ initial interest in her attendance had less to do with education than it did with security. “My mother believed that by sending me to Shanti Bhavan, at least one of her children would be provided with food and shelter every day,” says the scholar.

The scholarship was paid in part by She’s The First (STF), an international non-profit organization that works with local NGO partners in low-income countries to award scholarships to talented women like Maheshwari. Scholarship recipients exhibit what Christen Brandt, STF’s co-founder and director of international operations, describes as “a true desire to complete their schooling and help give back within their communities.”

A portion of She’s The First’s funding is provided by Diamonds Unleashed, which, in partnership with Canadamark, Dominion Diamond Corp, is a new company founded by jewelry designer Kara Ross, whose striking designs are recognized worldwide. Ross developed a unique method to support organizations that foster women’s empowerment. All proceeds from the new line go to initiatives to further the education of young women worldwide, including She’s The First. The pieces themselves are available at all price points, which is part of the company’s commitment to allow women of all demographics to own their own diamonds, while helping young women around the world reach their full potential.

HYDE PARK JEWELERS IS A PROUD DIAMONDS DO GOOD SUPPORTER. We help fund Girls Inc., an organization that helps young women like Maheshwari across the United States and in Canada reach their full potential and challenge themselves physically, emotionally and intellectually. Girls Inc.’s programs encourage young women to foster their mathematic and science education, learn about pregnancy and drug abuse prevention, cultivate media literacy and economic literacy, and they educate girls on adolescent health, violence prevention and sports participation. “For 75 years, Hyde Park Jewelers has been guided by the belief that a successful company has a responsibility to the greater community,” says CEO Michael Pollak.

“Hyde Park believes that if you educate young girls, you will educate the entire generation. When girls like Maheshwari have the opportunity to gain confidence, get a quality education and access healthcare, their limits become boundless.” So far, the Girls Inc. program has supported more than 140,000 young women.

To hear more stories about how the diamond industry gives back, visit diamondsdogood.com.

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interview

DARLING DOODLE

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hiladelphia-based Hannah Becker is one of the jewelry industry’s most fun-tofollow Instagrammers, brightening our days with lighthearted, pop-culture inspired gem art. Here, she talks about her creative process and how she turned a passion into a business.

industry. I got a job doing production work for Gumuchian, working one-on-one with the jewelers who manufactured the pieces. During this time I started regularly posting what are now known as Diamondoodles.

When did you decide that Diamondoodles was taking off enough that it had the potential to become a business?

What kind of career were you originally planning when you enrolled at GIA? I studied art history at Bard College, and my senior thesis was about glitter as a material in contemporary art. (I like to tell people that I’ve always liked shiny things; I just upgraded from glitter to gemstones!) I wasn’t interested in museum or gallery work, so I ended up starting a branding, social media marketing and web design business with a friend.

One day I went with my brother to pick out an engagement ring for my now-sister-in-law. We visited the jeweler who had sold our dad our

BY JILLIAN mom’s engagement ring, and he was very personable, telling us all about the diamonds and how they are certified. That’s how I learned that GIA had educational programs.

Even though I was enjoying my small business, I still felt that I hadn’t 100% hit on what I wanted to do career-wise. I had always been fascinated by fashion and accessories, jewelry in particular. It seemed like this path combined my passion for gems and sparkles with my art history education.

Within six months I was at GIA and eventually earned my Graduate Gemologist certification; I also did the CAD Jewelry Design program. I wanted to design and I knew this would be a great access point into the

My assignment with Gumuchian ended after nine months because I had been filling in for someone on maternity leave. I was interviewing for other jobs, but I realized I was passionate about trying to build something of my own. The jewelry industry is full of small family businesses, and though I don’t come from a family business, that idea resonated with me. Since I had marketing experience, I was able to soon get a project for a large gem company, designing their trade show materials for the Tucson Gem Show. I picked up a few other small clients— LAROCHELLE creating original artwork and window displays, doing graphic layouts—and began officially working for myself in January 2015.

Most people have a company before they have to brand it, but I had a brand before I really knew what I was going to do with it. It’s been a process deciding what types of projects I want to take on.

A discussion with HANNAH

BECKER, the talented GIA Graduate Gemologist and artist also known as Instagram’s Diamondoodles.

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Creating doodles with gems seems like an expensive endeavor! Where do the gems come from?

A vast majority of them are on loan from clients, and I usually only have a small rainbow on hand to work from. One thing people are surprised to

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learn is that Diamondoodles are very temporary. As soon as I finish a piece and photograph it, the gems all go back to their homes.

least every other day, and some days my brain just isn’t working creatively. I’ll send out a group text begging, “Send words to me! I don’t even care if they’re great ideas!” Maybe it’ll take my mind somewhere. When I hit 20,000 followers, I asked for suggestions on what people wanted to see; the Hawaiian shirt was an idea from a follower and I really love that one.

Does it make you a little sad sometimes to destroy all your hard work?

Yes! But because it’s been part of the process from the beginning, I’m pretty used to it at this point. I never realized how alarming it was to other people until I took one apart in front of a friend. He was horrified! It’s not as glamorous behind the scenes. I don’t have hundreds of pieces of art sitting around my house, but I do keep the “skeletons”—the little doodles that the gems go into—for my own records.

Do you stumble upon inspirational gems and want to build something around them, or do you get ideas for a finished doodle first and then wait for the right gems to come along?

Do you create sponsored posts on your Instagram feed?

It’s less that I create sponsored content, more that if I’m hired to do a project, I’m happy to share it with my followers. I only take on work that I’m excited to share! I consider Instagram to be my portfolio, in a way.

Are there any stones you particularly like working with?

A little bit of both. There have been times when I wanted to do something and had to wait a really long time until I came across the right stones for it. And other times I’m inspired by the gems in front of me. I like working with smaller stones in general, because they give me more control over creating forms.

I recently did a tennis ball made of chrysoberyl, and that was cool because it’s got a neon, citron character. That stone is unfamiliar to the greater world. I also did a lemonade stand made of yellow diamonds with grass made out of green diamonds. That was exciting, because natural color diamonds are rare and hard to come by. I’ve been trying to include more information about the stones in my posts; I think gemstones are fascinating and it’s fun to let people know what’s special about a stone.

Beyond the fact that it’s crazy that the Earth makes these things!

How has your work evolved in the two years you’ve been creating Diamondoodles?

Do you think of yourself as being in the art world or the jewelry world?

The most noticeable change is that I’ve gotten so much better at photographing them. It’s difficult to photograph gemstones, and to get a clean background. I usually take about 30 to 40 photographs of each one, just to get the angle and the lighting right.

At the beginning the world was my oyster, but now it’s harder to come up with ideas. I try to keep my Instagram fresh with a new post at

I tend to think of myself as being in the jewelry industry. I did a lot of fine art in high school, but it was never as refined as my classmates’ work. My drawings were always a little wonky, which is where my aesthetic is even now. Everything looks like what it needs to look like, but never the most pristine version. So I always felt a little bit off in that regard. But I do think what I do is artistic. I’m starting to realize I’m an artist in my own right.

HANNAH’S PICKS

“Bold and colorful tends to be my jewelry style,” says Becker. “I gravitate toward big pieces and I love a mix of colors. Playful jewelry that can be formal but also dressed down is worth the investment.”

Left to right: Stephen Webster Lady Stardust bracelet Marco Bicego Murano collection drop earrings Ippolita Rock Candy turquoise drop-shaped necklace Stephen Webster Magnipheasant pendant

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insurance

Take no shortcuts when it comes to safeguarding your treasures.

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SAFE

or cinephiles, the phrase “jewelry insurance” may conjure up scenes of Cary Grant as a French Riviera cat burglar in To Catch a Thief, trading quips with the austere agent from Lloyd’s of London.

In fact, insuring precious gems may be a tad less glamorous, but certainly a necessity for nearly everyone—not just wealthy dowagers showing off their jewels around a roulette table. It starts when a man decides he’s ready to propose to his sweetheart. From the moment he leaves the jeweler he should have a policy in place covering the cherished engagement ring—even before he plans his elaborate proposal scenario involving the bottom of a Champagne glass or a golf hole.

“Ideally you would receive an appraisal and insure an engagement ring right when you purchase it,” says Trina Woldt, VP and chief marketing officer of Jewelers Mutual Insurance Company, one of the oldest in the business. Most jewelry insurance claims are not due to theft but loss, “which includes accidental loss and mysterious disappearance,” she explains. “That could be anything from the dog eating it to having it fall from cold fingers while shoveling snow. And you’d be surprised how many people lose their rings on their honeymoon because they’re not used to wearing a ring and forget that fingers shrink in water.”

And on the off chance that a dashing cat burglar does enter your home, be advised that your homeowner’s policy might not provide the ideal coverage. It’s also important to note that filing a jewelry claim under your homeowner’s might cause your premium to increase dramatically.

Jeweler’s Mutual plans are comprehensive and cover any kind of loss or damage. Its policies offer to repair or replace a lost item through the jeweler of your choice. In general, specialty jewelry insurance costs about 1 to 2 percent of the value of an item per year, so a $10,000 ring would only cost

BY CHRISTIAN CHENSVOLD

THAN SORRY

$100 to $150 per year to insure. “It’s a really affordable way to safeguard items that have both monetary and emotional value,” says Woldt.

Deductibles can be as low as zero. (Watch insurance is its own category, but operates identically.)

To decide whether you need it for an engagement ring, Grandma’s pearls, or other items, look at each of them and stop to evaluate your instinctive emotional reaction to finding out that they’ve gone missing. The stronger the emotional reaction, the more reason to insure.

For those who want even more peace of mind and are more worried about theft than loss, there’s the option of acquiring a safe in addition to insurance. New York-based Empire Safe is a family business in operation since 1904, catering to both businesses and residences. Empire Safe’s products range in price from $2,500 to $35,000, and are recommended for residences with $100,000 worth of jewelry or more.

Once again, cinephiles with vivid imaginations are probably picturing stealthy thieves with high-tech equipment trying to pick a lock. In truth, what a thief really wants to do is either break open your safe or move it, so avoid an inexpensive one. “Ninety-nine percent of people selling safes don’t deal with high-end clients,” says Empire Safe president Richard Krasilovsky.

“They’re selling safes that can be opened with common tools in the house.”

The primary deterrent is weight. Empire Safe designs apartment safes that weigh 500 pounds and are secured to the floor. “They’re strong and heavy and the objective is to intimidate the burglar so he’ll go to shop elsewhere.” In houses, a ground-floor safe can weigh over 1,000 pounds, come armor-plated on all sides, and offer fire protection as an added bonus.

Because when it comes to your valued keepsakes, do you really want to take chances?

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IMAGE COURTESY OF PARAMOUNT / THE KOBAL COLLECTION

Better

ITâ&#x20AC;&#x2122;S MORE THAN A RING

INSURE ITS TRUE VALUE

speed

THE CZAR

RACING

OF HISTORIC In conversation with ROLEX ambassador Murray Smith.

BY DAVID A. ROSE

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s a historic race car driver, Murray Smith has raced cars of his own as well as significant historic cars for their owners at iconic race circuits around the world. His membership in some of the sport’s most elite driver’s clubs has connected him with racing royalty. Rolex has entrusted Smith as consultant to its prestigious racing events: the Rolex 24 at Daytona, the Rolex Monterey Motorsports Reunion and other highly respected races. And as chairman of the Lime Rock Park Historic Festival, he has taken a very popular regional event and elevated it to a world-class weekend.

His interest in the sport began at a young age and in a quite unexpected way. “My father died when I was nine years old,” Smith begins. “He was a very good golfer and often played with a Thai prince who was a racing driver in the 1930s. When he died, I wrote an article for my school’s magazine about my father and the prince. The headmaster called me into his study one day and said, ‘Smith, one of our school directors, Mr. Wilkinson, has read your article and would like you to join him and some of his friends at a race at Silverstone.’ He told me I should stand outside the school gate that Saturday and they would pick me up. That day I waited as instructed and along they came in a 20/25 Rolls Royce Woody. At Silverstone we sat on the outside of Abbey Curve, and the first car that went by was David Murray in a 4CLT Maserati; I was very impressed because it made such a great row.

And that was the beginning of my fascination with motor racing.

“My mother lived in England near the Frazer Nash factory in Isleworth,”

Smith continues. “This was where the cars were built and from there they went all over Europe to race in places like the Mille Miglia and Targa Florio. I used to hang about and look at the cars through the window. One day a man came outside wearing a white shop coat and said to me, ‘I see you out here every day. Why don’t you come inside and have a look around?’ So I said thank you and went inside. He came back over to me a little later and told me that he had spoken to the owners of the company about me. They agreed it was okay for me to ‘come around any time, but don’t talk to any of the workers. If you have any questions come and find me.’ It turns out this man was Nelson Ledger, who had been Archie Frazer-Nash’s race car mechanic in the late 1920s and ’30s.”

Over the years Smith became the quintessential historic race car driver, car collector and overall enthusiast. His Rolodex became a who’s who of motorsports greats.

“One day I was contacted by a Rolex executive who asked me if I would do an interview at the Rolex 24 at Daytona,” he says. “I did it and apparently they liked it, because I’ve been doing it ever since. Working for Rolex on these events has been a pleasure and an honor.

“Then the Louis Vuitton company contacted me to do a signature auto event in the USA. I told them I would do an event for them, as long as it was not at a golf club or in a field somewhere. I would put together great cars and show them on a street in Manhattan. For five years we ran an amazing car event in the middle of Manhattan at Rockefeller Center. At one point we had Formula 1 cars running down Fifth Avenue. That event was one of my favorite achievements.”

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Elegance is an attitude Simon Baker

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