Eldar: A Thousand Tongues by American Composers Orchestra

Sivan Eldar

A Thousand Tongues for orchestra

2014 / 2015 On Air Press

INSTRUMENTATION 2 Flutes Oboe English horn 2 Clarinets (B b, 2nd doubling Bass Cl.) Bassoon Contrabassoon * *

2 Horns (F) 2 Trumpets (C) Tenor trombone Bass trombone * *

Percussion: 1. 3 suspended cymbals (small/medium/large), cow bells (E/F/F #), crotales (2 octaves), 3 tam tams (small/medium/large). 2. bass drum, single crotale (high C), maracas, bar chimes (shared with 1st percussionist). Timpani (I-25", II-28", III-32") with cymbal *

Violin I Violin II Viola Cello Contrabass Duration c. 5' The score is transposed. Accidentals apply to the notes they immediately precede. Trills signify an alteration between the notated pitch and a semitone above it, unless otherwise indicated. Tremolos should always be as dense as possible.

NOTATION Strings E.S.P / S.P / N / S.T / E.S.T

extreme sul ponticello --- naturale --- extreme sul tasto highest note possible transition gradually rapidly alternate the finger pressure between normal and light (harmonic). bow pressure combined with wide vibrato (alternating between very little pitch and no pitch at all)

Winds breathy tone transition gradually alternate fingering trill expressive vibrato flute: inhale into the instrument, fully covering the embouchure hole with the lips. flute: fully covered embouchure hole (breath sound only) / partially covered (breathy tone) / normal embouchure position. Brass breath sound: flip the mouthpiece and blow into the stem while holding it slightly away from the instrument. create dynamic variety (cresc./decresc.) by gradually varying the distance between the mouthpiece and the instrument. transition gradually (e.g. from stopped to unstopped, from mute to no mute) horn: breath sound inhale All inhale with lips slghtly open, passing the air through the throat passage (Ujjayi/ocean breath) exhale with lips slightly open, with the tongue at the back of the mouth cavity ("r")

Transposed Score

A Thousand Tongues

for the Berkeley Symphony and Joana Carneiro Sivan Eldar Misterioso, espressivo (q = c52)

Flute 1

Flute 2

& 43 Œ # ≠ & 43

inhale (no inst.)

˜.

inhale (no inst.) & 43 ˜.

Oboe

inhale (no inst.) & 43 ˜.

English Horn

inhale (no inst.) & 43 ˜.

Clarinet in B b 1

Clarinet in B b 2

& 43

Bassoon

?3 4

∑

inhale (no inst.)

˜.

? 3 inhale (no inst.) 4 ˜. n

Contrabassoon

Horn in F 1

& 43

inhale (no inst.)

˜.

reverse mouthpiece

Horn in F 2

Trumpet in C 1

Trumpet in C 2

Tenor Trombone

Bass Trombone

Percussion 1

Percussion 2

Timpani

j‰ ˜ f j‰ ˜ f j‰ ˜ f j‰ ˜ f

π [s]

& 43

∑

ã 43 æ˙ .

(medium)

ã 43 ?3 4

∑ ∑

π

& 43

π [s]

∑

44 – –

j – ‰ f

∑

5 4

∑

4 4

∑

j‰ Ó ˜ f

Bass Cl. sottovoce, espressivo, poco libero

44 Œ

j ‰ 45 . ≈ # œ œ # œ n œ . œj # œ œ # œ œ œ . œ #œ

(timpani mallets)

∑ ∑

∑

#œ

‰.

42 ‚ ‚

42 Œ Œ

U 42 Œ Œ

#œ

œ nUœ 42

5 4

4 4

∑

5 4

∑

4 4

∑

U 2 4 Œ Œ

4 4

∑

5 4

∑

4 4

∑

U 2 4 Œ Œ

44 w æ 4 4 44 44

∑

∑ ∑ ∑

‚ 5 J 4 5 4

‰ n

‚.

π

‚ · J

[s]

∑

4 4

–

4 4

– J

‰

π

∑

5 4

∑

4 4

∑

2 4 Œ Œ

2 4

2 4 Œ Œ

U 2 4 Œ Œ U 42 Œ Œ

∑

U 42 Œ Œ

∑

U 42 Œ Œ

5 4

∑

˙ æ

44 œ æ 4 4 44 44

œ æ

˙i

∏

∑

∑ ∑

∑

Viola

B 43

∑

5 4

∑

Violoncello

?3 4

∑

‚ U‚

∑

45 æ˙ .

U 2 4 Œ Œ

∑

4 4

& 43

?3 4

‚. p

ä r 44 #œ œ #œ . œ œ œ. n P f sub. 4 ∑ 4

Violin II

Contrabass

j µ‚

p ∑

π p

blend with flute

˙. æ

j ‚ ·

n‚.

∑

Susp. Cymbal

‰

4 4

j‰ Ó ˜ f j‰ Ó ˜ f

∑

j 45 ‚

Misterioso, animato (q = c52)

Violin I

‚ · · Ó ‰ J 44 [s] p f π P reverse mouthpiece inhale (no inst.) 4 ∑ j‰ Ó & 43 4 .˜ ˜ n f inhale (no inst.) 4 reverse mouthpiece∑ 3 j‰ Ó &4 4 ˜. ˜ n f ? 3 inhale (no inst.) j ‰ Ó 44 ∑ 4 ˜. ˜ n f ? 3 inhale (no inst.) j ‰ Ó 44 reverse mouthpiece∑ 4 ˜. ˜ n f inst.) ?(with 43 Œ

≠

‰ # ‚j 44 ‚ ‚ ‚ . # ‚ ‚ ‚

U 42 Œ Œ U 2 4 Œ Œ U 42 Œ Œ U 42 Œ Œ U 42 Œ Œ U 2 4 Œ Œ U 42 Œ Œ U 42 Œ Œ

4 A

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ j 3 µ . ‰ µ‚ ‚ ‚ ‚ & 4 · {# ‚} œ π p

7 Fl. 1

Fl. 2

Ob.

E. Hn.

B b Cl. 1 B b Cl. 2

Bsn.

3 & 4 ‰.

r ‚ ·

· P

j‰ ‚

#‚ π

Œ #‚ p ·

3 &4

∑

3 &4

∑

3 &4 3 &4 ? 43

#˙ Bœ. µœ œ ˜œ p

∑

‰.

∑

più

4 4 ‚ 4 4

j ‚

4 4 4 4 4 4

‰ n

Ó ‚æ – p f n Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ , ≈ j #‚ . · ·. #‚ [sh] p

‚ F

∑

Uj U

‚ .. ‚ ‚ œ ‰ ß P U

Œ Œ

∑

· f Ó.

∑

Ó.

∑

Ó.

6 ä ‰ 44 #œ œ B œ µ œ ˜œ # œ più P 44 ∑

r #œ # œ œ . B œ µœ ˜œ p

n‚

#œ

, j ‰ #œ. #œ œ #œ. œ j # œ. œ œ . F p p F

Œ Œ

≈ # œ .

œπ ß

∑

Ó.

œ n

U U

j‰ œ #œ p

Cbsn.

? 43

∑

Ó.

Hn. 1

3 &4

∑

4 4

∑

Ó.

Hn. 2

? 43

C Tpt. 1

3 &4

C Tpt. 2

& 43

T. Tbn.

B. Tbn.

·. π

‚ ‚ ‚ ‚ p

œ J

‰

‚ p

44 4 4

‚

· P

Œ n

‚ p

–

Œ Œ

U ‚ U

J ‰

∑

Ó.

∑

Ó.

4 4

∑

Ó.

∑

4 4

∑

Ó.

∑

4 4

∑

Ó.

∑

4 4

∑

Ó.

3 ã 4

∑

4 4

∑

Ó.

Timp.

?3 4

∑

4 4

∑

Ó.

Vln. I

3 &4

∑

4 4

∑

Ó.

Vln. II

3 &4

∑

4 4

∑

Ó.

Vla.

B 43

∑

Ó.

Vc.

? 43

∑

Ó.

Cb.

? 43

∑

Ó.

∑

?3 4

∑

?3 4

∑

3 &4

∑

3 ã 4

Perc. 2

Perc. 1

∑

Œ Œ Œ Œ Œ Œ Œ Œ

Œ Œ Œ Œ Œ

5 B

13 Fl. 1

#‚

[s]

‚

[u]

∑

‚

[sh]

‰

‚

[u]

#‚.

∑

Fl. 2

Ob.

∑

E. Hn.

∑

B b Cl. 1

∑

B b Cl. 2

& Œ

Bsn.

Cbsn.

Hn. 1

Hn. 2

≈

j #œ π

‰

∑

‚

[s]

C Tpt. 2

‚ p

‚

‚ P [sh]

[u]

∑

‚ π

[u]

∑

‰

#œ.

# œ ˜ œ-

∑

‚.

‚

∑ ∑

poco

#œ

˙ Ó

∑

U U n

∑

U U

Ó Ó Ó

∑

U U

n (with inst.)

& Perc. 1

Perc. 2

Timp.

Vln. I div.

Vln. II

Vla.

Vc.

Cb.

Susp. Cymbal (small/large)

œæ. ã ∏

∑ j œæ

π

∑ ˙æ

wæ

Ó ˙æ

∑

˙æ ∏ U

wæ Bar Chimes

∑

2 4

U U

2 4

∑

3 4

2 4

∑

3 4

∑

2 4

∑

3 4

∑

2 4

∑

3 4

∑

2 4

∑

3 4

2 4

∑

3 4

∑

U gentle vib.

π ∏

2 4

gentle vib.

U U

wæ

U X

∏

div.

wO O w n

∑ ∑

∑

∏

wO O wu

∑

‚

senza vib.

‚

3 4 3 4

∑

3 4

2 ˙æ 4

3 4

Xi 42

2 4

∑

senza vib.

∑

2 4

∑

# # wO

∑

∑ ∑

π

∑

3 4

∑

3 4

∑

3 4

2 4

∑

3 4

∑

2 4

∑

3 4

∑

π n n Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ solo U w brillante # w 2 Ow 4 # Ow u ∏ n n

3 4

∑

π

2 4

∑

(with inst.)

∑

U n

· Ó

∑

C Tpt. 1

B. Tbn.

‰

œ- µ œ œ n œ- . F pP ∑

T. Tbn.

∑

6 C

19 Fl. 1

3 & 4 #·

[s]

Fl. 2

3 &4

∑

‚. ‚ ‚ ‚ [sh] F

‚ ∑

4 4 ‚ ‰.

4 4

∑

≈ # ‚ . p

‚

2 4

® j # – ..

2 4

Ob.

& 43

∑

E. Hn.

3 &4

∑

4 4

∑

2 4

∑

B b Cl. 1 B b Cl. 2

3 &4

3 &4 Œ

#œ œ œ π n ∑

4 4

Cbsn.

?3 4

∑

4 4

∑

2 4

Hn. 1

& 43

∑

Hn. 2

?3 4

‚

[s]

[sh]

C Tpt. 1

3 &4

∑

C Tpt. 2

3 &4

T. Tbn.

B. Tbn.

Perc. 1

·.

4 4

‚ ‰. n

≈ ‚ . p

‚

2 4

– .. ®J

2 4

∑

4 4

∑

4 4

∑

2 4

?3 4

∑

4 4

∑

2 4

? 43

∑

3 &4

∑

4 4

∑

2 4

3 ˙æ. ã 4

˙æ.

4 ˙æ. 4

œæ

2 4

p œi œ.

Perc. 2

3 ã 4

∑

4 4

∑

2 4

Timp.

?3 4

∑

4 4

∑

2 4

Vln. I

3 &4

∑

4 4

∑

2 4

Vln. II

3 &4

∑

4 4

∑

2 4

Vla.

Vc.

Cb.

B 43 ? 43 ?3 4

∑ ∑ ∑

4 4 44 4 4

∑ ∑ ∑

œ. ∏

div. S.T senza vib.

3 4

∑

3 4

∑

3 4

∑

U U

2 4 Œ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ä Ÿ~~~~~ 4 2 . ‰ r 4 4 r ‰. . . # œ œ œ œ œ œ L ‚ # œ . # œ œ {µ œ} > pp sub. π p P 4 2 ∑ ∑ 4 4 Œ

?3 4

∑

Bsn.

# œ- . p

Œ œ œI p u U

œ œI U

#œ œ

# œ-

3 4 n ‚ n ‚ b ‚ n ‚ b ‚ ‚# ‚ n ‚

3 4

∑

3 4

∑

3 4

∑

3 4

∑

3 4

∑

3 4

∑

3 4

∑

3 4

∑

3 4

∑

3 4

∑

3 4

∑

3 4

∑

3 4

2 4 #œ # œ ∏

œ œ ∏

œ œ

˙ ˙

œœ

˙˙

3 4

div. S.T senza vib.

2 #œ 4 # œ ∏

œœ

U U

˙˙

3 4

7 D

24 Fl. 1

Fl. 2

3 &4 3 &4

Ob.

& 43

E. Hn.

& 43

B b Cl. 1 B b Cl. 2

Bsn.

?3 4

Cbsn.

?3 4

Hn. 1

& 43

Hn. 2

? 43

C Tpt. 1

& 43

C Tpt. 2

3 &4

B. Tbn.

3 ã 4

Perc. 2

Timp.

?3 4

Vln. I

3 &4

Vln. II

3 &4

Vc.

Cb. div.

B 43 ?3 4

3 4 Ó

5 4 Ó

Ÿ~~~~~~~~~~

nœ œ

2 4 Œ

∏ 2 Œ 4

2 sottovoce 4 bœ p ‚

‚

42 Œ

‚ 42 R ‰ . P

headjoint only

43 Ó

Change to B b Cl.

3 4 Ó

5 4

œ F

3 4 Ó

3 4 r ‰. œ ∏

Œ Œ Œ

bœ ∏ U

43 Ó

5 4

5 4 Kr ‰ .. œ p

2 4 Œ

3 4 Ó

5 4

∑

2 4 Œ

3 4 Ó

∑

2 4 Œ

3 4 Ó

∑

2 4 Œ

3 4 Ó

2 œ 4 R ‰.

3 4 Ó

5 4

2 4 œ. P

œ œI

3 4 Ó

œ. p

œ œI

3 4 Ó

5 r 4 œ ‰. p

∑

2 4 Œ

3 4 Ó

∑

2 4 Œ

3 4 Ó

∑

2 4

˙˙ ..

œœ Ø

2 4 œœ Ø Ø #œ 42 œ

˙˙ ..

∑

∏

42 b œ p

U U

œœ

3 4

Œ Œ

43 œr ‰ . ∏

‚ 5 J ‰ 4 P ‚ 5 4 R ‰. P

5 4 r ‰. œ ∏

5 4

œœ

5 4

∑

4 UÓ . 4 Œ

Œ Œ

45 œKr ‰ .. p

molto vib.

∑

4 UÓ .

∑

4 UÓ . 4

‰ ‚

‰

p ‰ ‚ ≈ ‰ 3

4 UÓ .

(lunga)

4 UÓ . 4

∑ ∑

4 UÓ 4

‰ œ ≈ ‰ Ó 3

(lunga)

4 UÓ 4

4 UÓ . 4

Ó.

4 UÓ . 4

∑

4 UÓ .

Ó.

(lunga)

4 UÓ . 4 ˙˙

4 U 4 . ˙˙ .

˙˙

4 . 4 ˙˙ .

˙ ˙ Œ

(lunga)

44 UÓ .

∑

5 4 ˙˙ ..

4 UÓ . 4

44 UÓ .

˙˙ ..

˙. 45 ˙ .

bœ ∏

∑

44 UÓ

∑

œ œ

5 4

3 4 ˙˙ ˙ 43 ˙

œ F

˙˙

œ œ

4 UÓ 4

(lunga)

44 UÓ . 44 UÓ .

∑

43 Ó

4 UÓ . 4

∑

4 UÓ . 4

∑

42 Œ

2 4

∑

P ∑ 3

Bass Drum

P ‰ ‚ ‰

‰

43 Ó

∑

‰ ‚

43 Ó

? 43 # # ˙˙ .. ? 43

∑

˙ æ π

2 4 Œ

42 œr ≈ ‰

∑

® œ œ. æ P ∏

5 4 Ó

∑

Susp. Cymbal (medium/small)

œ F p ∑

π

3 4 Ó

42 Œ

#œ

∑

dolce

œ ∏

2 4 ‚r ‰ .

42 Œ

∑

?3 4

3 ã 4

Vla.

∑

?3 4

3 &4 Perc. 1

·. p

3 &4 & 43

T. Tbn.

molto vib.

U U

44 ˙ . ˙. u

44 UÓ .

(lunga)

Œ œ

Ø U

(lunga)

8 E Sospeso e sostenuto

29 Fl. 1

exhale

˜. p

[sh]

Fl. 2

exhale

j & ‰ µœ

˙.

j & ‰ #œ

˙.

senza vib.

B b Cl. 1

Bsn.

? ?

exhale

Hn. 2

exhale

exhale (no inst.)

B. Tbn.

exhale (no inst.)

Perc. 1

& ã

Crotale

? wæ n

Vln. I

Vln. II

Vla.

∑

B Ó ? Ó ?

‰ ..

œO œO

i ˙˙ .. n

j œœ ∏

˙O ‰

∑

‰ # œj ˙ .

∏

∑

∏

∑

inhale (no inst.)

∑

inhale (no inst.)

∑

Ó.

(soft mallets)

∑

(œ)

≈

Cowbells

Oœ ....

˙ .. æ ∏

O˙

Oœ

∑

˙o ∏

˙O ∏

˙ Ø

Oœ Oœ ..

∑

∏

‰ #œ I Ø

(w )

‰ b ˙ .. æ ∏

(œ)

harmonic gliss on I, slowly and freely

π

inhale (no inst.)

‰ n

‰

˙o .

˙. Ø

j œO ˙O ..

inhale

j ‰ Ó ˜ p

inhale

j ‰ Ó ˜ p

inhale

j ‰ Ó ˜ p

inhale

j ‰ Ó ˜ p

Oœ ..

inhale

∑

˙ ∏

(b œ )

∏

wO ∏

j ‰ Ó ˜ p

wo ∏

senza vib.

poco vib.

inhale

˙.

∑

(w )

∑ œo J

∑

‰

+ ‰ œ ˙. J

Poco meno mosso (q = c46)

∑

inhale (no inst.)

∑

(w )

(with inst.)

˙. ∏

∏

‰ ‚ ‚

∑

≈ # œI. Ø

(with inst.)

∑

inhale (no inst.)

‰ ‚ ‚

inhale

j ‰ Ó ˜ p

inhale (no inst.)

j ‰ Ó ˜ p

inhale (no inst.)

+ ‰ œ ˙. J

inhale

w ∏

∑

w ∏

‰

˙o

senza vib.

‰ µ œj ˙ .

inhale

j ‰ Ó ˜ p

inhale (no inst.)

∑ œo

w ∏

∑

(w )

solo (blend with bowed crotale)

N ≈ œo .

poco vib.

poco rit.

Cb.

‰ # œj ˙ .

Vc.

∏

Sospespo e sostenuto

w ∏

j ‰ Ó ˜ p

inhale (no inst.)

∑

∏

∑

‰ µ œj ˙ .

∑

–

j ‰ Ó ˜ p

∑

(roll on small sus. cym. placed on timpani I & II)

Timp.

∑

– J ‰ Ó P

inhale (no inst.)

∑

(with bow)

Perc. 2

˜. p

[sh]

∑

˜. p

[sh]

∏

˜. p

[sh]

T. Tbn.

˜. p

≠

˜. p

[sh]

C Tpt. 2

∑

exhale

‰ ‚ ‚

∑

lontano + ‰ œ ˙. J

∑

[sh]

C Tpt. 1

∑

˜. p

[sh]

Hn. 1

w ∏

[sh]

Cbsn.

∑

w ∏

senza vib.

B b Cl. 2

∑

˜. p

[sh]

˜. p

[sh]

E. Hn.

˜. p

[sh]

Ob.

Poco meno mosso (q = c46)

poco rit.

∑

9 35 Fl. 1

Fl. 2

& &

Ob.

E. Hn.

B b Cl. 1

≠

– 43 R ‰ . Ó P 3 4 r ‰. Ó ˜ P 43 r ‰ . Ó ˜ P 3 r ‰. Ó 4 ˜ P

˜ ˜ ˜

j & ‰ µœ ˙.

43 ˙ . ∏

poco vib.

B b Cl. 2

Bsn.

Cbsn.

Hn. 1

Hn. 2

j & ‰ #œ ˙. ? ?

C Tpt. 2

B. Tbn.

Perc. 1

Perc. 2

Timp.

Vln. I

Vln. II

Vla.

Vc.

Cb.

˜ ˜

& w ∏ ? ˜

C Tpt. 1

T. Tbn.

43 ˙ . ∏

? ?

˜ ˜

6 4 ‰

(with inst.)

46 6 4

3 4

∑

6 4

3 4 r ‰. Ó ˜ P 43 r ‰ . Ó ˜ P 34 r ‰ . Ó ˜ P

6 4

46 46

B wo ? ?

wO w

44 44 4 4 4 4

exhale

˜. π

exhale

6 4 ‰

‚ ‚ ‚ -‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ -‚ ‚ ‚ ‚ ‚

(with inst.)

π

∏

‚ ‚ ‚ ‚- ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚- ‚ ‚ ‚ ‚

‚ J

(with inst.)

π

∏

6 4 Œ

∑

46 Ó . 6 o 4 œ

43 O . ˙.

46 O œ

∏

4 4

4 4 œ æ

∏

≈ # œj. S.T

≈

j œO .. n

· ∏

6 4 n

6 4 6 4

(with inst.)

· ∏

46 46

(with inst.)

· ∏

with inst.) ≈ –(inhale . –

‚- ‚ ‚ ‚

≈ – .

6 4

-‚ ‚ ‚ ‚

6 4

(with inst.)

∏

6 4

poco

–

(inhale with inst.)

∏

poco

44 ˙ 4 Ó. 4

Ó. Ó

(with inst.)

wO 4 4 . Ó

poco

6 4

44 wæ

˙ æ ∏

O˙ .. Ó

6 4

˜ p

44 Ó

‚ ‚ ‚ ‚ ‚ ‚ ‚‚‚‚

˜ p

–

∏

˜ p

4 4

poco

˜ p

4 Ó 4

‚ ‚ ‚ ‚ ‚ ‚ ‚‚‚‚

≈ – .

∏

˜ p

–

Cowbells (soft mallets)

∑

O˙

≈ – .

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 4 6 ≈ œj. 4 ( bœ œ ) 4 w n Ø 44 ∑ 46

J Œ.

∏

P3 -‚ ‚ ‚ ‚

4 4

exhale

-‚ ‚ ‚ ‚

exhale

‚ J

4 4

˜.

˜. π

˜.

3 o 4 ˙.

˙.

46 næ˙ . Ø

inhale (no inst.)

(solo)

∑

˜. π

3 4

∏

exhale

∑

Oœ J

˜.

( h k)

inhale (no inst.)

˜. π

∑

Oœ ..

exhale

˜.

6 4 ‰

6 4

∏

˜. π

6 4 Ó.

? ‰ b˙ .. æ ∏

exhale

∑

˙.

π

˜.

3 4

‚ J

˜. π

∑

3 4

3 π ∏ 6 p ∏ 3 ‚ ‚ ‚ -‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ -‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ 6

senza vib.

6 4

‚ ‚ ‚ ‚ ‚ ‚ ‚‚‚‚

exhale

‚ ‚ ‚ -‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ -‚ ‚ ‚ ‚ ‚

‚ J

46 œ

3 4 r ‰. Ó ˜ P 3 4 r ‰. Ó ˜ P

3 4 r ‰. Ó ˜ P

46 ‰

46 œ

3 4 r ‰. Ó ˜ P

E.S.T

44 ˙O 44

altri

˙ ∏

‰ b b Oœ J n

‰

6 4 46

j 46 œO

˙O ∏

46 46

10 39 Fl. 1

Fl. 2

Ob.

E. Hn.

B b Cl. 1 B b Cl. 2

Bsn.

Cbsn.

Hn. 1

Hn. 2

C Tpt. 1

C Tpt. 2

T. Tbn.

B. Tbn.

Perc. 1

Perc. 2

Timp.

& 46 6 &4

& 46 ‰

inhale

˜ ˜ p

& 46 . P

Vln. II div.

Vla. div.

Vc. div.

Cb.

˜ ˜ ˜ ˜ ˜

( h k)

(h )

6 &4 . P (h ) 6 &4 ( h k)

? 6 inhale 4 ‰ ˜ ˜ p ? 6 inhale 4 ‰ ˜ ˜ p

Ó. ( h k)

F F F F F F

‰ ˜ ˜ π [sh]

Ó.

‰ ˜ ˜ π [sh]exhale ‰ ˜ ˜ π [sh] exhale ‰ ˜ ˜ π [sh] exhale ‰ ˜ ˜ π [sh]exhale ‰ ˜ ˜ π [sh]

Œ Œ Œ Œ

‰ ˜ ˜ π [sh]

˜ ˜

F F

exhale (no inst.)

‰ ˜ ˜ π [sh]

exhale

‰ ˜ ˜ π [sh]

7 4 7 4 7 4 7 4 7 4

˜.

‰ ˜ ˜ π [sh]

˜.

7 4

˜.

7 4

˜.

7 4

˜.

7 4

˜.

exhale

‰ ˜ ˜ π [sh]

6 ã 4

7 4

˜.

6 &4

∑

˙ n

6 &4 O ˙ 6 &4

Ó.

? 6 œ i ‰ ( œæj) 4 π Ø æ

Oœ O˙ . . ∏ ∑

& 46 B 46 O ˙ B 46

? 46

˙.

˙O .. O˙

Ó. ˙.

œO ˙O .. ∏

˙O

˙O ..

Ó.

∑ w. ∏

π

‚

˙. n

‚.

‚ ‚

‚ J ‰ Ó

‚

‚ J‰ Ó n

∑

4 4 4 4

∑

˜. p

∑

4 4

˜. p

∑

4 4

∑

4 4

∑

˜. p ˜. p ˜. p ˜. p

˜. p ˜. p ˜. p ˜. p ˜. p

7 XX .. 4

7 4

‚ ‚.

˜. p

7 4 ˙ Œ

‚ ‚ ‚.

‚.

‰

≈ œ œ œ >œ >œ œ œ œ œ œ œ Ó 3 Ø3 Ø p ∏ 3 Ø Ó. xXi (II)

œæ P

˙æ.

4 4 4 4

normal mouthpiece

(h )

poco

æ æ

poco meno

bow on the bridge

E.S.P

Oœ b œ ˙ {b ·} ˙. w ˙. ˙ J J . Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ø poco * n (h ) ¿ 7 ¿¿¿ Ó Œ ∑ ¿ ¿ 4 ¿ ¿ ¿ ¿ ¿ ¿ Ø n n E.S.P bow on the bridge Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 74 j‰ Ó. ˙ œ {# ·} ˙. w ˙. œ poco Ø n

æj æ.

4 4

più

Œ ∑ ¿ ¿ ¿ 74 ¿¿¿ ¿ ¿ ¿ ¿ ¿ ¿ Ø n n bow on the bridge E.S.P Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 7 j j Œ 4 œO œ ˙ . {· } ˙. w ˙. ˙. Ø poco n * ( h ) ¿ 7 ¿ Ó ‰. Œ ∑ ¿ 4 ¿ ¿¿ ¿¿ ¿¿ ¿ ¿ Ø n n bow on the bridge E.S.P Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 74 Ó. ˙O œ {· } ˙. w ˙. œ Ø n poco * (h ) ¿ ¿ 74 ‰ . ∑ ∑ Œ ¿ ¿ ¿¿ ¿¿ ¿¿ ¿ ¿ Ø n n E.S.P slow wide vib. 74 ∑ ˙. w Ó

(h )

≈ .

* Create a "whisper" arpeggioando effect by placing the left hand as high as possible on the fingerboard and applying almost no pressure to fingers or bow (slightly col legno). Repeat the figure, gradually applying more pressure so that metallic, fragile pitches slowly emerge.

4 4

(h )

œæ π

4 4

∑ X.

4 4

∑

(small/med/large)

4 4

∑

Susp. Cymbals

Bar Chimes n

˙O

‚

7 Œ 4

poco

Ó.

˙O ..

Maracas (rotate very slowly and softly)

œ œ. j œ j j œæ œ ˙ . æJ œ œæ œæ œ . ∏ π

∑

? 46

ã (I/II)

& 46 ˙ .

? 46

∑

7 4 74

˜.

exhale (no inst.)

π

˜.

exhale (no inst.)

‚

˜.

exhale (no inst.)

˜.

‰ ˜ ˜ π [sh]

˜.

exhale

P ( h k)

exhale

‰ ‚ ‚

Ó.

‚

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Œ & 46 w . ˙. ˙

wO ..

Vln. I div.

6 inhale &4 ‰ ˜ ˜ p 6 inhale &4 ‰ ˜ ˜ p 6 inhale &4 ‰ ˜ ˜ p ? 6 inhale 4 ‰ ˜ ˜ p ? 6 inhale 4 ‰ ˜ ˜ p

?6 4

π

∑

reconnect

‚ ‚ ‚

‰ ‚ ·

∑

reconnect

4 4 44 44 4 4 44 44 44 44

11 43 Fl. 1

& 44 ‰

˜.

Ob.

E. Hn.

B b Cl. 1

B b Cl. 2

Bsn.

Cbsn.

4inhale (no inst.) UŒ &4 ‰ ˜. f n U inhale 4 Œ &4 ‰ ˜. f n 4 ‰ inhale UŒ &4 ˜. f n U inhale Œ & 44 ‰ ˜. f n 4 ‰ inhale UŒ &4 ˜. f n ?4 ‰ 4 ? 44 ‰

Hn. 2

C Tpt. 1

C Tpt. 2

T. Tbn.

B. Tbn.

Perc. 1

Perc. 2

Timp.

4 &4 ‰ ?4 ‰ 4 4 &4 ‰ 4 &4 ‰ ?4 ‰ 4 ?4 ‰ 4

inhale

˜.

inhale

˜.

inhale

˜.

inhale

˜.

inhale

˜.

inhale

˜.

f f f f

inhale

˜.

inhale

˜.

f f

Hn. 1

Fl. 2

inhale (no inst.)

ã 44 Ó

? 44

˙æ ∏

œæ

4 &4 Ó

B 44 Ó

Vc.

?4 Ó 4

Cb.

? 44 Ó

Vln. I div.

Vln. II div.

Vla. div.

π

H Più animato, poco a poco

2 4

‚

F ∑ ∑

Œ Œ Œ Œ Œ Œ Œ Œ

∑

43 Ó

∑

3 4 Œ

∑

43 · . ∏

∑

2 4

∑

2 4

∑

2 4 Œ

‰.

42 Œ

‰

2 4

‰. ‚ ‚ π P + 2 Œ 4 ‰ œ.

2 4

(with inst.)

‰. ‚ π

(with inst.)

‚ P

2 4

∑ Œ

Œ Œ

2 4

∑

2 4

∑

2 4

∑

Œ.

2 4 Œ

42 æ ˙˙ N

œ œ J 3 ∏

˙ ∏

‰ O. œ. π ˙

E.S.P

j bœ ∏

E.S.P

3 8

‚

42 Ó

5 4 œr ‰ .

‚ J

∑

# œ i. ≈ J Ø

3 4 Œ

5 4

3 r 4 œ ‰.

Cymbals

∑

3 4 ˙O ..

r ‰ . b œ 43 ˙ . ∏ 3 4 ˙.

3 4 ˙.

˙æ˙ π

˙æ˙

43 æ ˙˙ ..

‰

œO π

® ‚ .. p

∑

3 8

2 ‚ 4

‚

3 8

2 4 2 4

j ‰ ‚

˙ ‚.

‰ 38

∑

3 8

∑

3 8

normal mouthpiece

2 4

reverse mouthpiece

2 4

3 8

2 4

∑

3 8

2 4

∑

3 8

2 4

∑

3 8

∑

2 4 ˙æ π 42 œæ æ π

3 8

reverse mouthpiece

inst.) ≈ ‚(with . ·.

normal mouthpiece

≈ œ . i ® æ œ .. æ

∑

j œI 42

œæ.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 2 3 4 ˙ {# · ·} 8 ˙ . {# ·} ˙ ˙.

r œ ‰. n

2 4

∑

3 8

2 4 œ

3 8

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 5 2 3 4 ˙ {· } 4 ˙ {· ·} 8 ˙.

O œ .. ≈ # œO .. π

j œ ‰

5 4 ˙

3 4 œO ..

43 Œ

∑

5 4 ˙

E.S.P

· p

5 4

5 4 ˙O

3 8

2 4

∑

i 45 æœ ∏

∑

reverse mouthpiece

5 reverse mouthpiece 4 Ó

5 4 Œ

42 Ó

‰

˙.

· p

3 4

3 œ 4

·.

reverse mouthpiece

2 4 ‚

‚

(with inst.)

5 r 4 œ ‰.

∑

div. E.S.P

∑

2 4 Ó

3 4 ˙.

‚ ‚. ‚ ppp sub. poco 5 ‚ ‚. ‚ 4 ppp sub. poco 45 ˙

5 4

∑

jŒ ‚

42 Ó

‚

·.

5 4 ˙

∑

E.S.P

‰ œ ∏

reverse mouthpiece

Crotales (soft mallet)

E.S.P

˙.

∑

‚

3 4 ˙.

∑

Ó.

5 4 ‚ ‚. ‚ ppp sub. poco ‚ ‚. ‚ 45 ppp sub. 5 4

‚

∑

˙O

5 4 ·

3 4 ˙. ∏

Più animato, poco a poco

2 4

3 4

˙æ

‚

poco

∑

‚

˙æ

˙O π

· 43

3 4 ˙.

‚

45 · ‚

j œ ˙ ∏

j ‚ · ∏

3 · 4

∑

˙ π

‰ . œæ 42 œ œæ. œæ p ppp sub. n

2 4 # ˙O

Tam Tams (medium/small)

più

#‚ ∏

∑

‰ œ ∏

42 œj Œ . I

+ j bœ œ ∏

2 4

œæ

∏

3 4 ·

3 4

(breathy)

normal mouthpiece

∑

42 œœIi p

(breathy)

normal mouthpiece

Bass Drum

∏

◊

Œ ·

‚ J ∏

Œ.

∏

œ ∏

‚

∏

b‚ ·

normal mouthpiece

2 ‰. ‚ 4 ‚ π P

(with inst.)

‚

(breathy)

molto vib. (breathy)

(breathy)

4 &4 Ó

4 ã 4 x

‰. ‚

(with inst.)

œO j œO poco

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 5 O {· } 2 4 œ œ. œ 4 ˙ ˙. pp sub. poco Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 54 O 42 ˙ {· ·} œ œ { ·} ˙ . pp sub. 5 4 ˙ 45

˙˙

˙. ˙˙ ..

3 8 38

2 4 ˙

3 8

˙˙

12 ≈ ‚

50 Fl. 1

Fl. 2

& 38 Œ 3 &8 Œ

Ob.

3 &8

E. Hn.

& 38

B b Cl. 1

3 &8

B b Cl. 2

3 &8

Bsn.

? 38

Cbsn.

p ≈ ‚

? 38

inhale (no inst.)

˜.

inhale (no inst.)

˜.

inhale (no inst.)

˜.

inhale (no inst.)

˜.

inhale (no inst.)

˜.

& 38 Œ

Hn. 2

?3 8

C Tpt. 1

3 &8

C Tpt. 2

3 &8

T. Tbn.

?3 8

B. Tbn.

? 38

≈ ‚ p

Perc. 2

Timp.

Vln. I div.

Vln. II div.

Vla. div.

Vc.

Cb.

f ‚ f

2 4 j ˜ f 42 j ˜ f

˜.

∑

Œ.

∑

Œ.

∑

Œ.

∑

‰

∏

œ. ∏ Œ

normal mouthpiece

œ. ∏

normal mouthpiece

j bœ œ ∏

3 ã 8

∑

2 Œ 4 œœIi P 2 4 œ œæ. œæ F ppp sub. 2 j Œ. 4 I

œ ∏

j œ ∏

∑

S.P

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ — 2 B 38 R ‰. 4 J ? 38 ? 38

œ. œœ ..

42 Œ 42

‰ S.P

œœ ≈ œœ .. ∏

S.P

œ ∏

∑

Œ. ˙ ˙˙ π

œ œ J ∏

‰

S.P

j bœ ∏

S.P

œ ˙ ˙˙

˙. ˙.

∑

4 4

più

4 4

più

4 4

˙.

più

˙.

44 44 44

∑

5 4 œ œ. œ pp sub.

˙.

più

45 œr ‰ .

3 4 ˙ p

∑

4 4

˙.

4 4

5 4 œr ‰ .

∑

4 4

5 r 4 œ ‰.

∑

4 4

più

∑

5 ˙i 4 ∏

3 4 ˙æ. 3 4

∑

‰.

Crotales

5 4 ≈ œæ. ∏ 5 4 ˙æ Cymbal

5 4

∑

43 Œ

∑

˙ p

œ œ. œ pp sub.

œ œ. œ 45 pp sub.

5 4

più

∑

Ó.

4 4

˙æ.

4 4

˙æ.

4 4

˙æ

& 38

4 4

ord.

più ord.

∑

˙.

5 ord. 4 œ œ. œ pp sub.

˙.

3 4

∑

‚

∑

5 4 ˙

5 œ œ. œ 4 pp sub.

3 4 ˙.

∑

· 43

∑

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~— 2 R ‰. 4 J

‚

∑

più

3 4 ·

3 4

& 38

·.

più ord.

‚

∑

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~— R ‰. 42 J

5 4 ·

‚

∑

·.

ord.

‚

3 4

˙ p

& 38

B 38

j ‚ · P

43 ˙ .

remove cymbals from timpani

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ — 2 R ‰. 4 J

più

3 4 ˙. p

˙æ

3 · 4

œ p

∑

3 &8

‚ J p

∑ Œ

Tam Tams

æj

˙ π

2 4

‚

∑

Œ ‰

∑

3 4 · p

˙ π

3 4 Œ

normal mouthpiece

œ. ∏ ◊

#‚ p

∑

‚ p

Œ.

∑

?3 8 æ

b‚

‰.

‚

molto vib.

43 Ó

∑

Œ.

3 &8

3 ã 8 œæ.

∑

42 j ˜ f

inhale (no inst.)

[shu]

‚ F inhale (no inst.) 2 4 j ˜. ˜ f n 2 Œ ≈ ‚ 4 ‚ p F 2 j ‰ 4 ≈ ‚ ‚ ‚ n p F ≈ ‚ ‚ 2 Œ 4 p F n

Perc. 1

2 4

‚

2 4 j ˜ f 2 4 j ˜ f 42 j ˜ f 42 j ˜ f

inhale (no inst.)

Hn. 1

r b œ 43 œ p S.P

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 45 ˙O ˙ . {# ·} pp sub.

N poco vib.

45 ˙ 45 ˙

N poco vib.

3 4 ˙O .. 3 œ 4 N

œ p

3 4 Œ. 43 ˙ . 43

˙˙ ..

4 4

∑

˙O p

43 ˙ .

O œ .. p

œæ

≈ O .. #œ p

œO più

œO .. p

più

molto vib.

˙.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 5 4 ˙ {· } ˙. pp sub. Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 5 {· } 4 ˙ ˙. pp sub. Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 5 4 ˙ { ·} ˙. pp sub. 45 ˙ 45

˙˙

˙.

˙˙ ..

44 44 4 4 4 4 4 4 44 44

56 Fl. 1

& 44

∑

Ó.

∑

Fl. 2

4 &4

∑

Ob.

& 44

∑

E. Hn.

4 &4

∑

B b Cl. 1

4 &4

∑

B b Cl. 2

4 &4

∑

Bsn.

?4 4

∑

Cbsn.

Hn. 1

Hn. 2

?4 4 4 &4

4 &4

C Tpt. 2

4 &4

B. Tbn.

Perc. 1

Perc. 2

Timp.

w f

Œ ˙.

∑

Ó.

∑

reverse mouthpiece

‰ œ. F

w P ◊

∑

Vln. II div.

O ˙ P

Vla. div.

B 44 # wO F B 44 wO F ? 44 b w F

Vc.

? 44

unis. S.P

Cb.

w F

œ f

œ P

wO P œO P

˙ .. P w

p · f

Œ p

reverse mouthpiece

b˙ ˙. N ˙O

˙O .. j œ

˙.

5 4 Ó

5 4 ˙

˙.

5 ˙ 4

œ œ J 3 P

bœ J b˙

5 4

P ∑

5 4

∑

‚ ·

∑

5 4 Ó

∑

5 4

π

45 ˙æ

π ∑

˙æ.

5 4

∑

# wO

45 wO

5 4 ˙.

45 ˙

O w

5 4 œO

# wO

45 O˙

O˙ ..

45 ˙O

˙O ..

45 w

4 4

∑

∑ w F

∑

w P

w Œ

˙.

w F ◊

b˙

∑

44 O w F œ

44 b w F 44

‚ P

reverse mouthpiece

∑

44 O #w F

4 Tam Tam Ó 4 ˙I F 44 ∑

4 O 4 w F

‰

∑

4 4 ˙ I F

œ F

∑

4 bw 4 F 44 w F

˙.

reverse mouthpiece

Ó.

∑ ‚

˙. F

∑

44 Ÿ~~~~~~~~~~~~~~~~~~~ # wO ˙O .. P F

O œ

∑

b˙. Œ bœ J 3 F

mouthpiece 4 normal ‰ œ. 4 Ó F

4 4

Crotales

∑

4 4

∑ œi

44 b w F

‰

4 4

j ‚ · F

·.

4 ˙ 4 F 4 4 bw π

‰

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ w 4 4 p F 4 ∑ 4 w F

˙. Œ

4 4

‚

5 4 ˙

5 4

normal mouthpiece

∑

O œ

˙.

5 4

wæ ∑

4 & 4 wO F

& 44 w F

wæ

˙ P

(ord.)

‚ f

∑

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~ & 44 w # ˙O .. F P (ord.)

w f

∑

4 & 4 bw F

π

œ F

Più espressivo (q = c48)

Vln. I div.

∑

w Œ

5 4 ˙

5 4

w F

reverse mouthpiece

˙.

45 ˙ .

slowly

˙. F

∑

w f

˙. F

(let ring) π Ó 4 ≈ x . ã 4 ˙I Ó F Tam Tam (large) Bass Drum ã 44 œ œæ. ˙æ. F pp sub. ?4 Ó 4 ˙ I F

Bar Chimes

w P

b˙. Œ bœ J 3 F

∑

4 &4

w f

?4 Ó 4 ? 44

w F

bw π

? 44 b w F

C Tpt. 1

T. Tbn.

Più espressivo (q = c48)

O œ b˙

P œ P

˙.

O ˙ P wO P œO P

˙ .. P w

N ˙O

˙O .. j œ

14 62 Fl. 1

& Ó.

Fl. 2

& Œ

Ob.

B b Cl. 1

B b Cl. 2

Bsn.

Cbsn.

Hn. 1

Hn. 2

C Tpt. 1

C Tpt. 2

T. Tbn.

B. Tbn.

Perc. 1

Perc. 2

Timp.

Vln. I div.

Vln. II div.

Vla. div.

Vc. div.

Cb.

˙. F

& ˙ f

E. Hn.

5 4

w F w

π

? w f w F

j ‚ · F

& w f

· f

? ‰

Ó. π

5 4 5 ˙ 4

· Œ

reverse mouthpiece

‚ J f

·.

π

5 4

5 4 45

∑

‚ ·

· P normal mouthpiece Ó

‚

5 4 ˙

5 4

·.

F ·

45 Ó

‰

œi

∑

π ∑

∑

5 4 Œ

5 4 ˙ P 5 4 ˙O .. P 5 4 # wO P

& wO F sub. B O #w F sub.

45 œO P 45 w

B wO F sub. ? bw ? ?

∑

5 4

45 w

œ 2 J 4

normal mouthpiece

‰

j j3

bœ. i

2 4 ‰ 2 4 ˙

3 4 Ó.

3 4 ‰

Œ.

3 4 Ó p

#œ. f

42 ‰

3 4

2 4

œ. f

∑

N˙

œO

˙. ˙O

2 4

3 4

2 4

3 4 3 4

∑

2 ˙ 4

bœ

3 4

2 ˙ 4

3 4

2 4 ˙

π

2 4 ˙

π

P ∑

3 4 3 4 43 3 4 43

2 4

∑

3 4

∑

2 4

∑

3 4

∑

2 4

∑

3 4

∑

2 4 Œ

3 4 Ó

3 4

∑

2 4

∑

3 4 Ó

3 4

∑

2 4

∑

3 4 Ó

∑

2 4 ‰

∑

42 ‰

(S.P)

3 4

∑

≥ 43 . ˙ f

2 4 b˙ f ˙ 2 4

2 4 Œ

2 4

∑

3 4 . ˙

∑

3 4

∑

3 4

42 ˙

3 4

œ+ f

2 4 ˙

43 ˙ .

3 4 Ó

#œ

∑

Nœ

3 4 Ó

∑

pizz.

3 ˙. 4

2 4

∑

3 4

n b œO

bœ

j 3 bœ 4 ˙. F 3 3 ‰ 4 ˙. œ F Œ

2 4 Œ

43 Ó .

3 Tam Tam 4 ˙I F 34 Bass Drum ˙I F 3 4 ˙I F

Œ.

2 4 Œ

3 normal mouthpiece 4 Ó.

#œ Œ P

3 ˙ 4

˙ 42 æ

2 ˙ 3 4 æ 4 p Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ ˙ ˙ 2 3 4 4 ƒ

3 ˙ 4

2 4 ˙

j ‰ Ó ‚

˙. f ◊

3 4

Più mosso, poco agitato

& w F sub.

F sub.

œ p

5 4 wO P 5 4 ˙.

& bw F sub.

normal mouthpiece

2 4 œJ

normal mouthpiece

5 4

& # wO F sub.

bœ œ J f

2 ˙ 4

3 4 b˙. f

˙. Œ

3 4

3 ˙. 4 æ

3 2 j œ 4 œ f

j ˙ 3 4 ‰ œ f 3 4 ˙. p ˙. 3 4 p 3 4 b˙. f

∑

5 4 Ó

2 4 œ

3 4 Ó.

∑

˙.

b œ- b w 5 4 Œ J 3 P 5 4

bœ æ f

3 4 ˙. P

˙. 43 æ

˙ 42 æ f 2 ˙ 4 æ

∑

3 4 Ó

Ó. π

reverse mouthpiece

? Œ.

? œ f

poco

Ó. π

œ 45 ˙ œ œ œ

π

& w

5 4 ˙

& ˙ f

Più mosso, poco agitato

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ ˙. ˙ 45

div. ≥ arco Œ 24 b ˙ f

2 4

42 ˙

j bœ f

pizz.

j bœ f

3 4 Œ

≥ 43 ˙ . f

arco

pizz.

f ≥ œ ∑

pizz.

œ F

pizz.

œ F

œ P ˙

arco

43 ˙˙ ..

œ P

2 4

œ F ∑

3 4 3 4

2 4 ˙ P

3 4

2 4 ˙

3 4

42 ˙

arco

2 4 ˙

3 4

2 ˙ 4

3 4

42 ˙œ

bœ

3 4

∑

2 4

∑

3 4

43 œ

42 œ

bœ F

15 J

˙. 3 &4 æ

68 Fl. 1

Fl. 2

Ob.

2 4

molto rit. poco a poco

œ.

‚ headjoint only 3 Ó. 2 J ‰ Œ &4 4 f ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ˙. ˙ 3 2 &4 4

E. Hn.

3 & 4 ˙.

2 4 ˙

B b Cl. 1

& 43 ˙ .

42 ˙

B b Cl. 2

Bsn.

Cbsn.

Hn. 1

Hn. 2

#œ 3 &4 ‰ J F . ˙ ?3 4 ?3 4

3 & 4 Ó.

T. Tbn.

?3 . 4 ˙

Perc. 2

Timp.

3 4 Œ

‚ ≈

2 4

3 4 3 4

∑

2 4

exhale (no inst.)

3 4 ˙.

2 4

‰

2 4 ‰

2 4 Ó

reverse mouthpiece

2 4 ˙

j œ ˙ F

‚ f

j ‚

‚ ≈

π

exhale (no inst.)

˜.

43 ‰

3 4

∑

2 4

3 4

3 ã 4

∑

2 4 Œ

3 ã 4

∑

Bar Chimes 2 x. 4 π

? 3 æ. 4 ˙ P

Cymbals

œi œi æ æ P

(timpani mallets)

‰

(let ring)

2 4 ˙æ f

‚ f

3 4 œ

2 4 Ó

reverse mouthpiece

3 4 Œ

3 4

‚ ≈

j ‰ ‚ f

j Œ ‚ Œ

reverse mouthpiece

‚

‰ ‚ ‰ ‚ ‰ ‚

F P ‰ ‚ ‰ ‚ ‰ ‚ ≈ 3

P 3

2 4 Œ 42 œ π

2 4 Œ 2 4

Œ ‚ f

j Œ ‚

‚ ≈

exhale (no inst.)

˜ Œ

∑

3 4

2 4

∑

3 4 ˙æ.

exhale (no inst.)

∑

2 4 ˙æ ∑

2 4 œæ

· n

5 4

Œ ∏

5 4 5 4

j ‚

45 5 4 5 4 5 4

‚ J

p ‚ J p

5 4 5 4

∑ Œ

˜.

exhale (no inst.)

˜.

5 ˙ 4

3 Œ 42 ‰ ‚ ‰ P 3 2 4 ‰ ‚ ‚ P 2 4 · P 2 4 Œ ‚ p ‚ ‚ 2 4 ‰ 3 P p ‚ ‚ 2 4 ‰ 3 P p

3 4 ˙æ.

5 4

2 4

5 4

2 ˙ 4

˙.

3 4 ‰

reverse mouthpiece

? 3 ˙. 4 3 &4

3 ˙. 4

2 4 ‰

reverse mouthpiece

Perc. 1

‚ ≈

2 ˙ 4

42 œJ p

mouthpiece ? 3 Óreverse 4 .

C Tpt. 2

3 4

∑

? 43 ˙ .

3 &4 ‰

3 4

headjoint only

43 ˙ .

2 4

∑

C Tpt. 1

B. Tbn.

œ J p

˜.

(lunga)

4 4

(lunga)

4 4

(lunga)

∑

4 4

(lunga)

4 4

(lunga)

4 4

(lunga)

4 4

(lunga)

4 4

(lunga)

∑

4 4

(lunga)

Ó.

4 4

(lunga)

∑

4 4

·.

Ó n

Œ n

· ·

‚ J ‰

∑

‚ J ‰ n

5 4

∑

(lunga)

‚

5 j 4 œI ‰ ∏ 5 4

4 4

∑

5 4

4 4

(lunga)

·.

(lunga)

4 4

∑

Ó ∏

4 4

(lunga)

∑

(lunga)

∑

4 4

(lunga)

4 4

(lunga)

4 4

(lunga)

4 4

(lunga)

4 4

(lunga)

∑

molto rit. poco a poco

3 ˙. &4 P

2 4

arco

Vln. I div.

Vln. II div.

Vla. div.

Vc. div.

Cb.

3 & 4 ˙.

2 4

& 43 # ˙ .

& 43 ˙ .

. B 43 ˙ B 43 Ó

Œ P b˙ ? 43 ˙ . ?3 4

? 43 ˙ .

∑

œ F

2 4

E.S.P Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ O˙ {# ·} O˙ .. O O .. Oœ 3 2 ˙ 5 œ .. 4 4 4 R Ó. n f E.S.P Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 2 5 j Ó. 4 ˙O .. 4 ˙O 4 œO .. # ˙O {· } œO f n E.S.P Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ j Ó. {· } 43 ˙O .. 42 ˙O 45 œO .. ˙O œO f n E.S.P Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ r Ó. O˙ {· } 43 ˙O .. 42 ˙O 45 œO .... œO f n bow on the bridge (breathy sound without pitch) E.S.P ˙ ˙. 3 ˙. 2 ˙ 5 ˙ 4 4 æ 4 æ æ

2 4 ˙ ˙ 42 ˙ 2 4

˙ n

42 ˙æ F

3 4 ˙. 43 3 4

˙˙æ. . æ

E.S.P (as close as possible to bridge)

˙. ∏

43 ˙æ.

2 4 æ˙

E.S.P

˙æ 42 æ˙

E.S.P

2 4

E.S.P 42 ˙æ

5 4 æ˙

˙. æ

bow on the bridge (breathy sound without pitch)

˙æ 45 æ˙

˙˙æ. . æ

bow on the bridge (breathy sound without pitch)

5 4

n n n

˙.

bow on the bridge (breathy sound without pitch) 45 ˙æ ˙æ.

4 4 44

∑

(lunga)

∑

poco

(lunga)

∑