Score in C
Moderato q. = 96
Picc./ Flt.
Oboe
Clt. in Bb/Eb/ Bss.
Bassoon
Horn in F
Percussion
mp
Violin II
Viola
Violoncello
Double Bass
James J. Ogburn
Violin I
1a. Strings
Piano
for Matthew Damien Gillespie
Trumpet in Bb
Tenor Trombone
Proximate Spaces
pp
p
mp
2
Vibes (bowed)
5
Picc./ Flt.
(picc.)
Bsn.
f
Perc.
mp
mf
mf
f
f
mf
Pno.
Vln. I
Db.
mf
mf
mf
f
Picc./ Flt.
9
mf
fmp
mf
mf
mf
Tpt.
Ob./Eng. Hn.
Bsn.
fmp
Pno.
Vln. I Vla.
sfz
sfz
Db. mf
1
sfz
mf
f
sfz
mf
3
Picc./ Flt.
13
Ob./Eng. Hn.
Cl.
Bsn.
Hn.
Tpt.
Tbn.
Perc.
poco rit.
Eb Clt.
f
Db.
f
f
mf
to Crotales (rubber mallet)
f p mf
p
Pno. sfz sfz sfz sfz sfz 1 sfz Vln. I 1 1 Vla. Vc.
p
4
Ob./Eng. Hn. 18
Cl.
Bsn.
Hn.
Tbn.
Perc.
mf
mf
Vc.
sfz
mf
sfz
mf
mf
mf
sfz
Crotales
Db.
A tempo (q. = 96)
sfz
Pno.
sfz
sfz
mf
1
5
Picc./ Flt. 22
Ob./Eng. Hn.
Bsn.
Hn.
Tpt.
mf
mf
f
(to vibes)
f
flz.
fp
f
f
Perc.
sfp
Pno.
Vln. I
1 sfz
1
Vln. II
1
Vla.
Vc.
Db.
mf
mf
1
1
f
sfz
fp
fp
fp
6
26
Picc./ Flt.
Ob./Eng. Hn.
p
Bsn.
Hn.
Tbn.
Vla.
Vc.
Db.
f
f
p sub.
mp
mp
ff
f
ff fff
ff fff
f
f
Vln. II
Vln. I
p
Perc.
Pno.
f
Tpt.
Bb Clt.
Cl.
f
f
ff
fff
non-divisi f
f
f
f
f
non-divisi
pizz.
29
Ob./Eng. Hn.
Cl.
Perc.
Db.
mp sempre
7
<q. = q>
to Kit (sticks)
sf
mp
6
6
6
mf subito
mechanically
Pno.
A
6
6
6
mf subito
Picc./ Flt. 32
mp
3
Ob./Eng. Hn.
sf
Cl.
Pno.
Vc.
Db.
mp
6
sfp
mp
6
la metá
pizz.
mf
6
6
8
34
Picc./ Flt.
Pno.
sf
3
mp
6
la metá
Vc.
pizz.
mf
3
sfp
3
sf
mp
6
mp
6
6
6
3
6
Vln. I
Db.
sfp
mp
3
Ob./Eng. Hn.
Cl.
3
Picc./ Flt. 37
Ob./Eng. Hn.
Cl.
Pno.
Db.
6
3
3
Vln. I Vc.
3
6
sfp
3
mp
6
tutti
sf
3
6
mp
sfp
mp
3
6 3 6
9
40 Picc./ Flt. 3
Ob./Eng. Hn.
Perc.
Pno.
3
mp
sfp
sf
3 3
mf
mp
sfp
Hi-hat (x = closed) Snare Kick B-D
6
Vln. I
Db.
arco
arco
3
tutti
Vc.
sfp
Cl.
Bsn.
6
mf
6
3
3
3
pizz.
pizz.
arco
10
43 Picc./ Flt.
3
mp
Ob./Eng. Hn.
Perc.
Pno.
sf
Cl.
Bsn.
sfp
3
mp
3
3
pizz.
Vc.
3
sf
mf
arco
pizz.
arco
3
arco
3
mf
mf
tutti pizz.
mp
Vla.
Db.
sfp
3
tutti
Vln. II
mf
Vln. I
46
Picc./ Flt.
sfp
Ob./Eng. Hn.
Hn.
3
mp
Cl.
Bsn.
3
3
sfp
sf
mp
poco accel.
sfp
f
f
mp
Tbn. Perc.
3
mp
Db.
3
3
3
3
3
pizz.
3
3
3
3
3
mf
3
3
3
mf
3
3
quasi gliss.
3
mp
3
3
3
mf
arco
arco
3
quasi gliss.
Vc.
3
3
Vln. I
Vla.
Pno.
Vln. II
3
f
mf
Tpt.
11
12
49
Picc./ Flt.
Ob./Eng. Hn.
Cl.
Bsn.
Hn.
3
to Flute
sfp
f
f
Tbn.
Perc.
3
3
3
3
f
3
f
quasi gliss.
3
Pno.
f 3
3
Vln. I
Vln. II
Vc.
Vla.
3
f
Tpt.
Più mosso, subito (q = 112)
ff
13
Bsn. 53
Tbn.
Perc.
Pno.
3
mf
p
(stirring)
pp
mp B-D
3 3 3 3 3 3 3 3
Toms
p
3
3
3
Susp. Cymb. (x = bell)
Snare brushes
B
3
3
58
Ob./Eng. Hn.
Bsn.
Hn.
Tbn.
Perc.
p
sf
p
3 3
mp
ff
3
3
3
p
p
3
mf
3
Pno.
f
p
sfz
p
p
ff
p
3 3
3
3
3 3
3
3
3
14
64
Ob./Eng. Hn.
Bsn.
Hn.
Perc.
Ob./Eng. Hn.
Bsn.
Hn.
Perc.
ff
p
3 3
p
p 3
3
3
3
3
3
3
3 ff p
p 3 3
p
ff
3
3
sfz
3
3
p
3 3 3
Pno.
p
Tpt.
Tbn.
sf
69
3
p
3
p
3
3
3
3
3
3
3
3
3
3
3
3 3 3
3
3
3
sfz
ff
3 3 3
3
3
3
p 3
p
Pno.
Tpt.
Tbn.
75
Ob./Eng. Hn.
Bsn.
Tpt.
Tbn.
Perc.
f
Bsn.
Hn.
Tpt.
Tbn.
Perc.
Pno.
3
p
p
p
3 3
3
3 3
3
p
p
3
p
p
3
3
3
3
3
3 3
3
3
p
3
ff
3
3
3
3
3
f
f
3
3
f
f
3
f
3
3
3 3 3
sf
3
3
p
3
3
15
3
ff
p
sf
mf
p
3
p
p
3
81
Ob./Eng. Hn.
p
3
Pno.
3
to Crotales (rubber mallet)
sf
ff
16
Picc./ Flt. 86
Ob./Eng. Hn.
Cl.
Bsn.
Ob./Eng. Hn.
Cl.
98
Picc./ Flt.
Ob./Eng. Hn.
Cl.
Bsn.
Pno.
pp
92
Pno.
Picc./ Flt.
Bsn.
C
Pno.
mf
p
p
p
ppp
mp
flute
Attacca
molto
molto
molto
molto
17
104
Picc./ Flt.
q = 76
Cl.
f
Ob./Eng. Hn.
Bsn.
f
mf
Vln. I
Vln. II
p
la metá arco
la metá
f
to Bss. Clt.
Pno.
f
1b. Supergravity
to picc.
f
3
p
112
7
Pno.
Vln. I
Vln. II
7
mf 3
3
3
3
3
18
Picc./ Flt. 118
Ob./Eng. Hn.
Pno.
Vln. II
Vln. I
3
3
3
3
3
picc.
mf
mf
3
la metá Vla.
D
mp
123 Picc./ Flt.
Ob./Eng. Hn.
Perc.
Pno.
Vln. I
Vln. II
Vla.
mf
Crotales
mf
mf
3
mp
mf
3
mf
6
7
mf
3 3 5
mf
f
127
Picc./ Flt.
Ob./Eng. Hn.
Perc.
Vln. I
Vln. II
Vla.
mp
mp
Pno.
19
3
mf
3
mp
mp
f
mf
mf
3
Picc./ Flt. 130
Ob./Eng. Hn.
Perc.
Vln. I
Vln. II
Vla.
p
Pno.
p
p
mf
mf
20
133
Picc./ Flt.
Ob./Eng. Hn.
Perc.
3
p
3
p
Vln. I
Vln. II
mp
to vibes (medium mallet)
3
mf
Vln. I
Vln. II
Vla.
Vc.
3
3
3
mf
mf
3
3
3
mf
mp
f
6
5
3
f
mf
to flute
5
mf
3
la metá
ff
3
vibes (medium mallet)
3
3
mf
Pno.
f
136
Perc.
3 Picc./ Flt.
Ob./Eng. Hn.
mf
Vla.
Vc.
p
p
Pno.
3
mp
21
Picc./ Flt.
mf 6
Ob./Eng. Hn.
5
Vln. II
Vla.
f
Vln. I
mf
Pno.
ff
Perc.
flute
139
5
6
5
5
6
5
6
6
mf
3
mf
Vc.
5
mf
22
141 Picc./ Flt.
Ob./Eng. Hn.
6
Vln. I
Vln. II
5
5
7
Vc.
mf
mf
6
6
Vla.
mf
mf
Perc.
Pno.
7
3
3
7
mf
ff
6
3
3 3
3
mf
f
23
144
Picc./ Flt.
Ob./Eng. Hn.
Perc.
Pno.
Vln. I
Vla.
Vc.
3
mf
mf
3
mf
mf
3
mf
mf
3
3
3 6
E
Bss. Clt.
3
Vln. II
mf
Cl.
Bsn.
mf
mf
7
6
3 3 5
mf
3
24
148
Picc./ Flt.
Ob./Eng. Hn.
Perc.
Pno.
Vln. I
Vln. II
Vc.
mf
mf
mf
mf
6
6
6
6
f
6
6
7
6
6
6
6
f
Vla.
Cl.
Bsn.
7
25
Picc./ Flt.
150
Ob./Eng. Hn.
Bsn.
Perc.
mf
3
3
mf
mf
mf
3
mf
mf
Cl.
3
3
mf
mf
mf
3
Pno.
6 6
Vla.
Vc.
3
3
Vc.
mf
la metá (2)
mf
Db.
3
26
Picc./ Flt.
154
mf
3
Ob./Eng. Hn.
Cl.
mf
mf 3 Bsn.
mf
Perc.
Pno.
Db.
5
6
ff
mf
mf
3
Vc.
Vc.
f
f
mf
6
5
3
3
3
3
5
3
5
3
27
157
Picc./ Flt.
Ob./Eng. Hn.
Cl.
mf
Bsn.
Perc.
Pno.
Db.
Perc.
3
f
3
mf
3
6
3
f
mf
3
mf
3
mp
3
mp
3
mp
3
f
3 mp
Cl.
161
Bsn.
6
mf
3
Vc.
Vc.
f
6
Pno.
Vc.
Db.
6
6
6
6
6
6
7
6
7
6
6
3
28
Picc./ Flt.
163
Ob./Eng. Hn.
Cl.
Bsn.
f
f
5
3
6
f
5
6
f
Perc.
Pno.
ff
fff
6
Vln. I
6
6
6
6
6
6
f
tutti
Vla.
f
Vc.
Db.
tutti
6
7
f
*
tutti, non-div.
6
tutti, non-div.
6
f
Vln. II
6
6
f
6
6
F
165
Picc./ Flt.
Ob./Eng. Hn.
Bsn.
Perc.
pp
ff
Vln. II
Vla.
Vc.
Db.
Picc./ Flt.
Pno.
Picc./ Flt. 177
Pno.
171
p
Vln. I Pno.
to Eb Clt.
Cl.
29
Meno mosso
cresc. molto
mf
ff
3
3
3
3
3
3
3
6
ff 3
3
6
30
181
Ob./Eng. Hn.
Hn.
Tpt.
Tbn.
Vla.
p
p
Vc.
mp
la metá
p
p
sempre
mp
flautando
p
mp
flautando
p
mp
ord.
ord.
arco
mf sempre
mp
la metá
mp
la metá pizz.
p sempre
sempre
la metá (2)
mf sempre
Vc.
la metá (2)
Vc.
mp
p sempre
Vla.
p sempre la metá
Vla.
p sempre
Vln. II
Db.
Tpt.
Vln. I
*
192
Tbn.
mp
Hn.
Vc.
Ob./Eng. Hn.
2a. M-theory
soli Eng. Hn.
soli
q = 66
Vla.
Db.
mp
mp
31
202
Ob./Eng. Hn.
Hn.
Vla.
mf
pp
Vc.
3
3
3
mf
3
3
3
3
mf
mf
3
Vc.
you are a machine
Vla.
Db.
Pno.
Tpt.
Tbn.
32
G 207 Ob./Eng. Hn. Hn.
pp
Tbn.
Pno.
Vla.
3
*
pp
Vc.
Db.
3
mf
mf
Pno.
pp
3
3
mf
mf
*
mf
mf
mf
3
222 3 3 3 3 3
Ob./Eng. Hn. 228
Hn.
p
3 3
3
attacca
Freely with Rubato (like a shivering child in the desert night)
pp
3 3 3 3 3
pp
pp
3
214
Pno.
pp
pp
*
Vc.
Vla.
mf
p
Tpt.
cresc. molto
cresc. molto
ff
ff
33
235
Picc./ Flt.
2B. Brane Collisions
Poco Allegro q = 132
Ob./Eng. Hn.
Bsn.
p
mp
f
f
pp
3
sul tasto, flautando
ppp
mp
tuttisul tasto, flautando
ppp
sul tasto, flautando
ppp
Detaché, on the string tutti
Vc.
mp
f
Vla.
mf
Vln. II
Vln. I
p
Pno.
Ob.
Eb Clt. Cl.
f
Db.
sul pont.
p
34
Picc./ Flt. 243
Ob./Eng. Hn.
Tpt.
Tbn.
Vln. I
Vln. II
Vla.
Vc.
Db.
3
3
3
3
3
3
3
mp
3
3
mp
mp
3
3
pp
3
3
p
3
Pno.
f
Cl.
Bsn.
picc.
Detaché, off the string
mp
35
Picc./ Flt.
249
Tpt.
Tbn.
Vln. I
Vln. II
Vla.
Vc.
Db.
mf
mf
mf
Pno.
mf
Cl.
Bsn.
Ob./Eng. Hn.
Detaché, off the string
mp
Detaché, off the string
mp
pizz. mf
36
Ob./Eng. Hn. 254
Cl.
mf
f
Pno.
Vln. I
Vln. II
Vla.
Vc.
mp
mf
Bsn.
3
3
3
3
mp
Db.
37
260
Picc./ Flt.
Ob./Eng. Hn.
Hn.
Perc.
mp
mf
f
mf
mf
ff
mf
f
straight mute
p
mf
mf
f
f
Pno.
Tpt.
Tbn.
mf
Cl.
Bsn.
Crotales
f
Vln. I mf
Vln. II
mf
Vla.
mf
Vc.
mf
Db. f
38
H Picc./ Flt. 266
Ob./Eng. Hn.
Cl.
Bsn.
Hn.
ppp
mp
sffz
f
f
Tpt.
f
sffz
ff
Tbn.
sffz
Pno.
mf
f
6
Vc.
Db.
f
pp
sffz
sffz
f
6 sffz
mp
f
sffz
sffz
sffz
f
sffz
f
Vla.
to Vibes
sffz
sffz
Vln. I Vln. II
sffz
f
Perc.
to Bb Clt.
sffz
pizz.
39
271
Ob./Eng. Hn.
Bsn.
Tpt.
Vln. I
Vln. II
mf
mf
Pno.
Db.
sord. sul tasto
pp
cresc. molto
mf
cresc. molto
pizz.
sord. sul tasto
f
pp
mf
Vla.
Vln. I Vln. II
277 Hn.
Tpt.
Db. Vc.
mp
Pno.
ppp
mp
Hn.
ord. tutti
mp
ord.
mp
sord.
mp pizz.
mf
40
285
Pno.
Vln. I
Vla.
Db.
Pno.
Vln. I
Vln. II
Vla.
Db.
I
Meno mosso (q. = 132)
Db.
304
Vc.
Pno.
294
Vln. II
pp
mf
arco la metá
f
41
Vln. I
la metá senza sord.
313
Vln. I 318
Vla.
Vc.
Db.
mf
mf Vc. Db.
Vla.
la metá senza sord.
J
322
Picc./ Flt.
Cl.
Pno.
Bb Clt.
f
f
Vln. I ff subito
Vln. II
Vc.
mp
subito mp
Vla.
Db.
tutti
f f
42
326 Cl. Bsn.
Hn.
Perc.
Db.
mf
mf
sord.
f
Vibes (soft mallet)
p
ff
tutti Vln. I
Vc.
Vla.
mp
Vln. II
Pno.
Tpt.
Tbn.
f
la metá
la metá senza sord.
mf
mf
la metá
mf
43
Cl.
330
Bsn.
Hn.
f
Tpt. Tbn. Perc.
Pno.
Vln. I
Vln. II
f
tutti
mf
tutti
Vla.
subito mf
f
Vc.
Db.
tutti
f arco
f
44
Cl. 334
Bsn.
Tpt.
senza sord.
fp
Perc.
Tbn.
K
f fp
f
fp
mf
f fp fp f f
mf
hard mallet mf
f
Vln. I
Vln. II
Vla.
Vc.
Db.
tutti
f
338
Picc./ Flt.
Ob./Eng. Hn.
Hn.
mf
mf
mf
Pno.
Vln. I
mf
mf
Vln. II
Vc.
f
f
f
f
f
f
f
Vla.
Db.
Perc.
45
f
f
Tpt.
Tbn.
Cl.
Bsn.
f
f
f
f
47
Ob./Eng. Hn. 349
Cl.
mp
p
p
mp
Hn.
Tbn.
Perc.
mp
mp
mp
Pno.
mp
Vln. II
p
p
mp
Vla.
mp
Vc.
mp
Db.
mp
p
pp
46
342
Picc./ Flt.
Ob./Eng. Hn.
Cl.
Bsn.
Hn.
Perc.
< e = e >
Vln. I
ff
mf
mf
ff
ff
mf
mf
ff
ff
ff
ff
ff
ff
ff
mf
mf
mf
mf
mf
ff
mf
ff
Db.
ff
Vc.
Vla.
Vln. II
Pno.
ff
Tpt.
Tbn.
mf
mf
â&#x20AC;©
Proximate Spaces
Bassoon
for Matthew Damien Gillespie
Moderato q. = 96
6
12
James J. Ogburn
mp
f
mp
9
1a. Strings
mf
f
f
mf
mf
f
p sfz
15
poco rit.
19
A tempo (q. = 96)
mf
mf
mf f 25 22
p sub.
f
2
Bassoon
A 29 <q. = q>
(perc.)
mf
poco accel.
45
f
50
Più mosso, subito (q = 112)
3 mf 3
54
B
3
59
mf
64
69
p3
3
f
3
3
3 3 ff
73
f
90
p
94
q = 76 104
f
mf
3
3
84
3
99
3
f 3
79
Bassoon
3
p
C
1b. Supergravity D
Attacca
molto
4
Bassoon
E 145 (pno.)
149
3
3
mf
mf
mf
mf
mf mf
153
3
3 mf mp
157
160
3 3
mp
mf
163
5 6 3
167
F Meno mosso
f
f
Bassoon q = 66
181
5
2a. M-theory G
Attacca
2B. Brane Collisions Poco Allegro q = 132 235
242
246
250
253
256
f
pp
mf
mp
259
6
mf
270
f
pp
mp
326 (vln. I)
262
Bassoon
f
sffz
331 329
H
I
J
Meno mosso (q. = 132)
mf
mf 340 f 342< e = e > ff 346 337
K
Proximate Spaces for Matthew Damien Gillespie
Clt. in Bb/Eb/ Bss.
Moderato q. = 96
14
19
(Bssn.)
to Bb Clt.
mf
28
1a. Strings
poco rit.
A tempo (q. = 96)
Bb Clt. flz.
36 40 44
Eb Clt.
f
<q. = q>
47
p
A
mp sempre
32
James J. Ogburn
poco accel.
f
2
Clt. in Bb/Eb/ Bss. 50
Più mosso, subito (q = 112)
B
60
86
(pno.)
90
p
95
100
73
C
Attacca
molto
3
Clt. in Bb/Eb/ Bss.
104
q = 76
f
145 (pno.)
3
153
E
3
149
1b. Supergravity to Bss. Clt.
mf
mf
mf
mf
mf mf
mf mp 3
160
3
mp 5
Bss. Clt.
3
157
163
D
3
3
mf
f
to Eb Clt.
6
f
4
Clt. in Bb/Eb/ Bss.
F
166
181
q = 66
2a. M-theory G
235 Eb Clt.
f
Attacca
3
244
3
3
3
3
248
2B. Brane Collisions
Poco Allegro q = 132
241
Meno mosso
3
3
3
mf
5
Clt. in Bb/Eb/ Bss. 251
mf
mp
259
mf
262
H
266
f
270
sffz
I
to Bb Clt. sffz
Meno mosso (q. = 132)
317 (Vln. I)
6
Clt. in Bb/Eb/ Bss.
J f 325 Bb Clt.
322
f
334
K mf 339 336
341
f
< e = e >
ff
mf
mp
345
348
Double Bass
Proximate Spaces for Matthew Damien Gillespie
Moderato q. = 96
7
10
mf
mf
f
James J. Ogburn
poco rit.
f
13
(bssn.)
mf
15
1a. Strings
mf
2
Double Bass
A tempo (q. = 96)
sfz
18
mf
mf
21
mf
24
f
pizz. ff fff
26
f
29
A <q. = q>
mf subito
35 32
arco
Double Bass
41 38
arco pizz. pizz. arco pizz. pizz.
pizz. pizz. arco
44
Più mosso, subito (q = 112)
B
50
59
70
95
arco arco poco accel.
80
88
3
C
Attacca
4
Double Bass
1b. Supergravity
q = 76 104
151
D
E
(vc.)
mf
3
5 3 3 mf f 158 155
mf
163
mf
f *
F Meno mosso
* If no C extension is available, play this note an octave higher.
181
q = 66
190
2a. M-theory
(clt.)
p sempre
Double Bass 201
mp
205
212
G
mf
Attacca
2B. Brane Collisions Poco Allegro q = 132
235
sul pont.
p
243
247
5
6
Double Bass 253 pizz.
mf
256
259
f
262
265
f
268
H
271
274
276
(tpt.& pno.)
mf
Double Bass
7
284 pizz.
mf
293
302
I
f
311
315
Meno mosso (q. = 132)
319
f
323
J
8
327
Double Bass
arco
f
335
339
342 < e = e >
K
f
ff
348
mf
345
351
mp
p
Proximate Spaces Horn in F
for Matthew Damien Gillespie
Moderato q. = 96
13
22
26
A
48
poco rit.
f
mp
mf
Più mosso, subito (q = 112)
3
3
3
3
3
f
B
3
(tbn.)
3
poco accel.
50
mf
29 <q. = q>
James J. Ogburn
(bssn.)
18 A tempo (q. = 96)
1a. Strings
2
Horn in F
62
3
3
p Sempre
66
3
72
3 3
79
3
f
3
3 3
84
3
C
92
Attacca
1b. Supergravity 104
q = 76
D
E
F Meno mosso
Horn in F
66 181 q =soli
p
3
2a. M-theory
mp
189
198
209
228 soli
p
mp
G
p
cresc. molto
Attacca
ff
2B. Brane Collisions 235
Poco Allegro q = 132
(ob.)
4
260
mf
266
271
Horn in F
f
H
sffz
sffz
mf 276 311
I
Meno mosso (q. = 132)
328
J
(vln. I)
K 337 331
341
mf
mf
<e
345
f
= e >
mf
ff
mp
Oboe/ Eng. Hn.
Proximate Spaces for Matthew Damien Gillespie
1a. Strings Moderato q. = 96
11
James J. Ogburn
(tpt.)
A tempo (q. = 96) 17
22
mf
mf
poco rit.
2 26
29
A
Oboe/ Eng. Hn.
p
f
<q. = q>
sf
32
sf
mp
mp
34
sf
mp
sf
mp
37
sf
mp
40
sf mf
43 sf
46
mf
sf
mf
sf
Oboe/ Eng. Hn.
3
poco accel.
48
mp
f
Più mosso, subito 50 (q = 112)
B
3
59
p Sempre
3
63
3
3
3 3
79
f
3
3
3
3 3
C 3
84
73
68
4
90
p
94
99
q = 76
f
121
125
Attacca molto
1b. Supergravity
(pno.)
3 3
D
104
Oboe/ Eng. Hn.
mf
3
mf
3 mf
128
mp
mp
p
Oboe/ Eng. Hn.
5
3 3 3
133
p
p
mp
6 3 5 f ff 140
137
mf
mf
mf
145 3 E
mf
mf
3
149
mf
mf
mf
3
153
3
mf
156
mf
5
f
6
ff 3
6
Oboe/ Eng. Hn.
159
f
q = 66
181
186
191
197
to eng. hn.
p
mp
mp
G
pp
209
213
2a. M-theory
Eng. Hn. soli
204
mf
mosso F Meno
soli
cresc. molto
Oboe/ Eng. Hn.
231
7
Attacca
ff
2B. Brane Collisions Poco Allegro q = 132
to Ob.
235
240
256
(Ob.)
p
p
mf
mp
mf
270
248
f
ppp
mp
f
mf
mp
mf
ff
I
H
ppp
J
mp
Meno mosso (q. = 132)
8
Oboe/ Eng. Hn.
(tpt.) 334
338
mf
K
f
340
342 < e = e >
348
mf
352
ff
mp
p
Proximate Spaces
Percussion
for Matthew Damien Gillespie
1a. Strings James J. Ogburn
Moderato q. = 96
7
(bssn.)
vibes (bowed)
mf
16
to crotales (rubber mallet)
27
37
ff
crotales
A tempo (q. = 96)
(picc., ob., clt., tpt., pno., vln., vla.)
22
vibes
to vibes (hard mallets)
sfp
f
3
3
<q. = q> to kit (sticks)
(picc.)
3
A
poco rit.
3
3
2
Percussion
Snare Kick B-D 3 44 41 Hi-hat (x = closed)
3
3
poco accel.
switch to brushes 47 3
Più mosso, subito 50 (q = 112)
Susp. Cymb. (x = bell) Snare Toms (2 sizes) Kick B-D
(stirring) pp
3 mp 3 3 B
54
3
3
3
3
57
60
3
sf
sfz
3 mp 3
p
3
3 3
3
Percussion
3
3 3 3 sf p 3
64
3
3
3
3
3
sfz 3 3
67
70
3
3
sfz
sf
3 3 3 sf 3
80
3
3
3
3
3
p
to Crotales (rubber mallet) sf 3 3
83
3
3
86
C
94
Attacca
4
Percussion
1b. Supergravity 104
q = 76
128
D
vibes (medium mallet)
137
ff
(picc.)
Crotales
f
mf
f
to vibes (medium mallet)
ff
E
145
153
161
167
F
Meno mosso
fff
Percussion
2a. M-theory G Attacca
q = 66 181
235
2B. Brane Collisions
Poco Allegro q = 132
263
Crotales
f
326 (vln. I)
Vibes (soft mallet)
(tbn.)
H
267
5
to Vibes
Meno mosso (q. = 132)
I
J
p 330 332 328
6
Percussion
K
f
337 hard mallets
mf
339
< e
341
= e >
ff
344
348
mf
352
mp
p
Proximate Spaces
Piano
for Matthew Damien Gillespie
Moderato q. = 96
James J. Ogburn
3
1a. Strings
pp
p
mp
5
7 mf
2
Piano
9
11 sfz
sfz
sfz sfz 13 sfz
15
f
sfz
poco rit.
sfz
sfz
sfz sfz
p
Piano A tempo (q. = 96)
sfz
18
20
mf
sfz
sfz
3
sfz
22
sfz
4
Piano
24
sfz
26
fff
28
A
<q. = q> mechanically
29
mf subito
6
6
6
6
Piano
31
6
6
5
6 6
6 6 6
33
6
6
6
6 6 6 6
36
39
6
6
6
6
6
6
6
Piano
42
49
mp
mf
3
3 3
3
Più mosso, subito (q = 112)
ff 3 3 f
51
poco accel.
46
6
Piano
B
7
p 3
53
3 3
57
64
ff
3 p
3
60
ff
3
ff
3 p
3
3 3
p
8
3
68
3
72
Piano
p
3
79
3
3 82
p
3 3 3 ff ff
3
75
3
p ff 3 3 p ff 3 ff 3
86
Piano
9
C
pp
89
mp
92
95
98
ppp
Attacca
10
Piano
104
q = 76
1b. Supergravity mf
108
3
113
f
116
7
3
7
3
3
3
119
3
3 3
122
D
Piano
127
129
11
131 133
12
Piano
135
3
136
3
139
3
5
5
3
6
6
5 6
5
3
56
5
141
6
3
5
5
6
6
7
3
7
33
3 3 3
143
Piano
13
E
146
3
3
6
148
6
6
6
6
149
6
7
6
6
6
6
6
6 6
150
7
14
Piano
153
155 3 157
159
3
3
6
3
6
161
6
6
6
6
Piano
15
162
6
6
6
7
6
7
163
ff
164
6
6
6
6
6
6
6
6
6 6
165
6
ff
6
6
6
6
16
F
Meno mosso
167
p
178
mf
3
3
3
172
176
Piano
3
3
3
179
3
3
6
ff 3
6
Piano
181 q = 66
17
2a. M-theory (hrn.)
pp 3
203 you are a machine
205
mf
207
3
G
3
209
3
3
3
3
3
3
3 3 3
pp
18
Piano
Freely with Rubato (like a shivering child in the desert night)
212
pp
3
3
3 3
3 3 3
217
221
3
224
228
3
3
3
3
3
3
3
Attacca
Piano
19
2B. Brane Collisions Poco Allegro q = 132
235
244
248
f
251
3 3 3 3
254
20
Piano
258
264
268
f
6
sffz
H
6
sffz
Piano
271
mf
21
274
280
284
f
mf 291 298 (cb.)
Meno mosso (q. = 311 pp
I
22
319
132)
J
(Vln. I)
322
Piano
f
329
331
325
f
Piano
K
23
mf 340 f < e = e > 342 337
347
352
p mp mf ff
pp
â&#x20AC;©
Picc./ Flt.
Proximate Spaces for Matthew Damien Gillespie
1a. Strings Moderato q. = 96
fmp
f
f
poco rit.
27
A tempo (q. = 96)
17
mf
10
picc.
James J. Ogburn
flz.
fp
A <q. = q>
2
32
3
mp
sfp
Picc./ Flt.
mp
3
35
3
mp
38
sfp
sfp
mp
3
3
sfp
mp
3
sfp
3
mp
3
3
sfp
mp
mp 3 3 3 sfp sfp mp 3 sfp
41
mp 3 3 sfp mp 3
44
47
sfp
50
sfp
mp
3
3
to flute f 3 3 3 sfp sfp f
Più mosso, subito (q = 112)
poco accel.
B
66
86
C
94
(pno.)
flute
90
mf
Picc./ Flt.
3
98
102
Attacca
molto
1b. Supergravity q = 76 104
f
to picc.
(pno.) 3
3 3
4 121
D
Picc./ Flt.
picc.
mf
mf
mp
3
126
mp
mp
3 p p p
130
3 3
134
p
mp
to flute
137
3
flute 140
mf
5
6
f
mf
mf
E 3
145
mf
mf
Picc./ Flt.
5
3 3
149
mf
mf
mf
3 3
153
mf
mf
156
6
5
f
159
F 167
Meno mosso
pp
181
cresc. molto
q = 66
f
175
ff
2a. M-theory G
Attacca
6
Picc./ Flt.
2B. Brane Collisions 235
Poco Allegro q = 132
to picc.
p
mp
picc.
244
f
3
3
3
248
3
3
250
3
3
(ob.)
263
mf 265 268
H
I Meno mosso (q. = 132) J
f
Picc./ Flt.
334 (tpt.)
338
mf
7
K
f
340
< e = e > 342
ff
346
mf
â&#x20AC;©
Tenor Trombone
Proximate Spaces for Matthew Damien Gillespie
Moderato q. = 96
1a. Strings
20
James J. Ogburn
poco rit.
A tempo (q. = 96)
mf
(bssn., cb., vc.)
ff
26
f
29
f
A <q. = q>
46
3
3
mp
quasi gliss. 3
3
mf
50
Più mosso, subito (q = 112)
(bssn.)
quasi gliss.
poco accel. 48
3
3
quasi gliss. 3
f
3
2
Tenor Trombone
B
54
p Sempre
59
64
70
81
86
3
3
75
3
f
Attacca
1b. Supergravity 104
D
3
C
q = 76
E
mosso F Meno
Tenor Trombone
181 q = 66
2a. M-theory
*
203 p sempre
194
207
G
3
mf
mp
Attacca
2B. Brane Collisions Poco Allegro q = 132 235
250
(pno.)
(ob.)
mp
mf
262
H
265
f
sffz
sffz
4
Tenor Trombone
270
323
J
(vln. I)
I Meno mosso (q. = 132)
329
sord.
f
subito
332
mf
K
335
339
f
342 < e = e >
ff
mf mp
347
p
Proximate Spaces
Trumpet in Bb
for Matthew Damien Gillespie
1a. Strings
Moderato q. = 96
25
29
A
fmp
A tempo (q. = 96)
18
(bssn., vc., db.)
mp
50
57
3
Più mosso, subito (q = 112)
f
f
mp 3
poco rit.
(tbn.)
3
mf 3
B
3
3
3
poco accel.
mf
<q. = q>
47
(bssn.)
10
James J. Ogburn
f
3
2
Trumpet in Bb
65
3
3
p Sempre
3
68
3
73
3 3
3
3
78
82
86
C
3 3 3
f
95
104
q = 76
D
1b. Supergravity E
F
Attacca
Meno mosso
3
Trumpet in Bb
2a. M-theory 181
q = 66
(tbn.)
193
203
mf
mf
213
mp
G
(hrn.)
(hrn.)
209
pp
Attacca
2B. Brane Collisions 235
Poco Allegro q = 132
245
pp
mp
(pno.)
mf
4
Trumpet in Bb
260
(tbn.)
straight mute p
264
mf
f
ff
268
H
mf
sffz
271
275
282
323
J
(vln. I)
mf
I Meno mosso (q. = 132)
328
mp
5
Trumpet in Bb
330
332
335
337
senza sord.
f
fp
fp
K
fp
f fp
f
f fp f
mf
339
f
342 < e = e >
ff
346
â&#x20AC;©
Proximate Spaces
Viola
for Matthew Damien Gillespie
James J. Ogburn
1a. Strings Moderato q. = 96
12
mf
(bssn.)
poco rit.
fp 27 f 18
A tempo (q. = 96)
29
45
A <q. = q>
tutti pizz.
mf
3 3 (perc.)
poco accel.
3
3
47
arco
2
Viola
Più mosso, subito 50 (q = 112)
B
64
76
90
C
Attacca
1b. Supergravity 104
q = 76
124
118
(vln. I)
D
mp
mf
la metá
mf
mf
Viola
129
3
133
3
mf
3
mf
mf
137
mp
6
140
142
147
mf
3
mf
E
mf
7
163
f
tutti
mf
3
151
f
mf
F Meno mosso
4
Viola
181 q = 66
(clt.)
192
2a. M-theory
212
*
pp
p sempre la metá (2) la metá
p sempre
* If possible, the natural harmonic at the node a M6 above the open G string is preferred for this note.
mf mf
mf
*
pp
G
207
mp
201
Attacca
Viola
5
2B. Brane Collisions 235
Poco Allegro q = 132
sul tasto, flautando
ppp
243
250 Detaché, off the string
mp
256
259
265
mf
268
262
253
H
sffz
sffz
f
(tpt. & pno.)
mf
6
284
Viola sord.
291 mp
298
311
317 mf
319
325
314
I Meno mosso (q. = 132)
321
J
Viola
7
327
333 tutti
f
335
337
K
339
341
< e = e > f ff
344
348
mf
mp
â&#x20AC;©
Violin I
Proximate Spaces for Matthew Damien Gillespie
1a. Strings
Moderato q. = 96
7
mf
13
23
(bssn.)
James J. Ogburn
poco rit.
A tempo (q. = 96)
f fp
A 28 <q. = q>
(vc. pizz.)
2
la metá pizz. 34
38
arco 41
mf
3
Violin I
3
3
tutti
3
44
3
3
47 50
poco accel.
3
Più mosso, subito B (q = 112)
69
C
92
(flt.)
Attacca
104
Violin I
1b. Supergravity
q = 76
la metá
p
110
p
p
3
125
128
mf
3
mf
3
3
p
p
p
mf
6
119
mf
p
D
p
115
122
3
7
mf
mf
4
133
mf
137
Violin I
f
mf
141
3
mf
144
mf
3
mf
7
6
f
149
162
3
(vc.)
f
tutti, non-div.
mf
E
3
147
mf
Violin I
5
2a. M-theory 167
F
Meno mosso
196
q = 66
solo
203
G
mf sempre
ord.
flautando
p
(hrn.)
Attacca
2B. Brane Collisions Poco Allegro q = 132 235
tutti, sul tasto, flautando
ppp
mp
242
249
ord. - Detaché, off the string
mp
254
257
6
260
263
Violin I
mf
H
266
f
270
(hrn.)
sord.
sul tasto
pp
ord.
283
mp
cresc. molto
sffz
sffz
292 287
296
279
Violin I 311
7
I Meno mosso (q. = 132)
317 la metá senza sord.
mf
(vla.)
319
321 ff
325 tutti 327 323
J
ff
329
sub. mp
la metá
mf
8
Violin I
331
f
333 tutti
mf 335 339 337
341
K
f
< e = e >
343
ff
346
mf
Proximate Spaces
Violin II
for Matthew Damien Gillespie Moderato q. = 96
24
29
<q. = q>
44
tutti pizz.
A tempo (q. = 96)
f
fp
3
(perc.)
3
arco mf
poco accel. 48
poco rit.
27 non-divisi
46
(bssn., cb., vc.)
A
James J. Ogburn
1a. Strings
3
2
Violin II
Più mosso, subito 50 (q = 112)
B
64
75
88
la metá 104
q = 76
109
C
Attacca
(flt.)
1b. Supergravity
p
p
114
99
p
p
p
119
Violin II
3
p
p
3
D
3 5 mf mf 126 3 123
3
131
136
f
141
mf
mf
mf
mf
mf
3
mf
mf
E
3 5 3
145
3
mf
148
f
4
Violin II
160 (vc.)
3
f tutti, non-div.
163
F Meno mosso
2a. M-theory
181
solo
q = 66
199 ord.
209
flautando
p
(hrn.)
pizz. arco
mf sempre
G
Attacca
2B. Brane Collisions 235
Poco Allegro q = 132
245
tutti sul tasto, flautando
ppp
Violin II 252
257
mp
260
mf
263
266
f 268
H
mp
275
pizz.
5
6
Violin II 279 sord. sul tasto
pp
320
mp
(Vln. I)
I Meno mosso (q. = 132)
323
295
311
cresc. molto
285
290
ord.
J
subito mp
325
Violin II
7
la metá senza sord.
328
mf
330
332
338
K
tutti
f
< e = e
340
f
>
343
ff
347
mf
mp
â&#x20AC;©
Violoncello
Proximate Spaces for Matthew Damien Gillespie
1a. Strings
James J. Ogburn
Moderato q. = 96
(bssn.)
f
A tempo (q. = 96)
14
poco rit.
f
19
p
mf 25 fff ff 22
27
A <q. = q>
f
2
Violoncello
3 mf 37 3 40 tutti 3 3 43 3 arco poco accel. 46 3
pizz. 33 la metá
3
Più mosso, subito (q = 112)
49
54
3
B
67
80
91
C
Attacca
Violoncello
104
q = 76
D
1b. Supergravity
mf
(pno.)
137
3
mf
mf
144
la metá
mf
mf 149 mf 3 mf E
3 mf mf la metá (2) 153
mf
mf
156
3
mf
5
3
f
4
Violoncello la metá 2 (cont.) 158
3
mf
3
160
mf
163
mf
6
7
tutti
f
165
F Meno mosso
Violoncello 181
189
2a. M-theory
q = 66
(clt.)
p sempre
p sempre la metá (2)
mp
G pp
*
mf
pp
207
212
la metá
201
5
mf mf
* If possible, the natural harmonic at the node a M6 above the open G string is preferred for this note.
Attacca
6
Violoncello
2B. Brane Collisions Poco Allegro q = 132 235
tutti Detaché, on the string
f
245
Detaché, off the string
250
mp
253
256 259 262
265
mf
f
268
Violoncello
7
H
pizz.
272
275
(cb.)
mosso (q. = 132) I Meno la metá
mf 314 317 320 311
arco
f
322
325
tutti
J
8
328
Violoncello la metá
330 mf 332 tutti f 334
336 K 339 341
345
f
349 mp
< e = e >
ff
mf