Melody Eรถtvรถs
Beetles, Dragons, & Dreamers For Orchestra
(2013)
Beetles, Dragons, & Dreamers I. Draconian Measures II. Lilith, begone III. The Inanimate Spider IV. Trojan Horse
I.
Draconian Measures
Draco (600BCE) was the first legislator of Ancient Rome and was known for instituting particularly harsh, cruel and unforgiving laws. Where previously there had only been a system of oral law and blood feuds, Draco replaced these with a written code that could only be enforced by a court. I wanted to capture both the notion of lawful, stringent sternness as well as the desperation to escape it (as the victims of these laws would have sought) in this movement. As such, the repetition of small motivic units plays a central role, as well as the fleeting presence of some more florid, scale-like gestures. II. Lilith, Begone The word ‘lullaby’ originated from the Jewish ‘Lilith-Abi’, which translates as ‘Lilith, begone.’ In particular versions of Jewish folklore, Lilith was known as Adam’s first wife, and she was molded by God out of the same dust as Adam (whereas Eve is said to have been made from one of Adams ribs). Because of this, she saw herself as Adam’s equal and did not respond well to his desire to rule over her. Eventually she left Adam and the Garden of Eden. However, she was pursued by three angels who demanded she return to the Garden. She refused and vowed to forever steal the souls of little children as vengeance for Adam’s suppressive treatment of her. The angels would not agree to this, and so Lilith made the condition that if the mother of a child hung an amulet above the baby as it slept in its cradle, Lilith would pass over that child. Primarily conceived of as a lullaby, this movement unfolds delicately, with the main theme eventually culminating in a forceful climax. III. The Inanimate Spider The title of this movement was inspired by the Native American dreamcatcher, an object that originated in the Ojibwe and Chippewa cultures. The native word used for this object is actually the inanimate form of the word ‘spider’, inanimate here being an additional inflectional category when expressing person or gender combinations in language (i.e. proximate/obviate, singular/plural, animate/inanimate). The function of the dreamcatcher bears a remarkable semblance to the Lilith amulet. One of its uses is to protect the sleeper, over which it hangs, from nightmares and demons. Furthermore, it also aids in tranfering good dreams, which are caught in the many web-like threads of the object and moved down through the beads and feathers that hang from the central hoop. The nightmares are said to pass through the gaps and holes in the web, as though fading away through a window. As a way of making a connection between the dreamcatcher and the amulets of Lilith, I designed this movement as an extended variation of the main theme from ‘Lilith’. IV. The Trojan Horse This final movement is based on the concept of the Trojan Horse and how it has evolved over time. In Ancient Greece, it was a deceptive device constructed by the Greeks to invade Troy. The Greeks pretended to abandon the Great War they had been waging on Troy and left a large wooden horse as a gift. However, inside the horse was an elite force of Greek soldiers who, once the horse had been dragged into the city of Troy like a trophy, emerged and slaughtered the Trojans in the night. Today, a Trojan Horse is the term used for a computer virus that is secretly embedded in another file which you might, unknowingly, download on to your computer or electronic device. Once you have the file on your computer, the virus can attack from within, potentially destroying everything. This final movement is designed to be a kind of semi-transparent Trojan Horse. The music as a whole carries within it an almost hidden impression of a melodic, linear idea. This idea is strong and independent on its own, but the obscurity of the context it is in blurs the edges dramatically. The goal, therefore, is to get from the beginning of the movement to the end without the idea being heard as an entire cohesive entity; for it to be ‘smuggled’ as such to the end.
Instrumentation (score in C) 2 Flutes (2nd doubling on Piccolo) Oboe English Horn 2 B-flat Clarinets (2nd doubling on B-flat Bass Clarinet) 2 Bassoons (2nd doubling on Contrabassoon) 4 F Horns 2 C Trumpets 2 Trombones Tuba 3 Percussion (see below) Harp Piano Strings (min. 8.8.6.4.2)
Percussion: Percussion I – Large Tam-tam (may be shared with III), Small Suspended Cymbal, Bass Drum, Vibraphone (may be shared with II). Percussion II – Triangle (may be shared with III), Vibraphone (may be shared with I), Marimba (5 octave), Tubular Bells, Tambourine, Glockenspiel (may be shared with III), Medium Suspended Cymbal. Percussion III – Glockenspiel (may be shared with II), Crotales (one-octave), Triangle (may be shared with II), Large Tam-tam (may be shared with I), Large Suspended Cymbal, Tom-toms (4), Xylophone.
Harp: Harmonics – sound an octave higher than written. Piano: Use palm to strike the strings inside the piano in the approximate range indicated.
Transpositions at the Octave: Piccolo, Contrabassoon, Xylophone, Contrabass. Transpositions at the Double Octave: Glockenspiel, Crotales Duration: approx. 12mins
Score in C
Beetles, Dragons, & Dreamers for Orchestra
I.
Draconian Measures
q = 132
Piccolo
Flute 1
Oboe
English Horn
1 Bb Clarinet 2
1 Bassoon 2
1, 3 F Horn
pp
pp
6
pp
mf
6
pp
pp
3
pp
fp
3
6
mf
p
ppp
ppp
p
ppp
2
Tuba
1 Trumpet 2
1 Trombone
Timpani
Percussion 1
Percussion 2
Percussion 3
always l.v.
f
Violin II (div)
Viola (div)
Violoncello (div)
p
gliss.
p
pp
f
ppp
mf
ppp
mf
gliss.
( )
pp
mf
pp
gliss.
gliss.
f
mf
p
f
mf
pp
pp
mf
p
pp
ppp
mp
f
pizz
9
ppp
Contrabass
mf
f
Violin I (div)
MNMOMMNN
mp
Piano
Marimba
Tam-tam
Harp
Bass Drum
arco
pp
mp
2, 4
pp
pp
3
mf
ppp
b.1984
ppp
mf
1. stopped
pp
6
mp
mf
mp
pp
mf
3 p
pp
pp
mp
Melody Eötvös
pp
pp
Vib.
2
Meno mosso q = 120
A
8
Picc.
Ob. 1
p
p
pp
1
E.H.
Fl. 1
B
pp
3
p
f
mp
Cl. 2
1 Bsn. 2
1, 3 Hn.
1. (stopped)
cup mute
cup mute
2
1 Tbn. 2
Perc. 2 (Mar.)
Perc. 3 (Vibes)
Hp.
Pno.
Vln. I (div)
Cb.
ppp
mp ppp
medium yarn mallets
Vibraphone
motor off - med. mallets
mp
mp
mp
non vib.
(non trem.)
3
mp
3
ppp
mf
p
mp
ppp
mp
ppp
pp
pp
pp
ppp
p
pp
pp
mp
pp
f
mf
Vc. (div)
Vla. (div)
ppp
Vln. II (div)
3. pp
Tpt.
Perc. 1 (B.D.)
open
1
Timp.
pp
2, 4
Tba.
p
3
C
17
Picc.
Fl. 1
Ob. 1
1
Bsn. 2
mp
mp
Tpt.
Tbn.
Timp.
Perc. 1 (B.D.)
Perc. 2 (Mar.)
Perc. 3 (Vibes)
Hp.
Pno.
Vln. I (div)
Vln. II (div)
Cb.
pp
pp
mp
pp
mp
pp
mf
straight mute
p
pp
mp
mp
p
p
mp
3
mf
p
3
3
remove mute
mp
p
gliss.
gliss.
mf
mf
f
ord.
p
mp
pp
f
mp
pp
mp
p
f
pp
mf
mp
mp
f
pp
mp
pp
mp
mf
mp
p
mf
mf
p
pp
p
p
3
pp
f
pp
mp
f
mf
mp
mp
mp
p
pp
p
mf
ppp
pp
p
p
mf
3
mf
p
p
p
1.
pp
mp
p
3
straight mute
p
p
mp
p
mp
Vc. (div)
Vla. (div)
2
Tba.
pp
mf
mp
1
mf
(cup) 2
mf
(cup)1
Hn.
2, 4
mp
mp 1. open
1, 3
1
Cl. 2
E.H.
p
p
4
26
Picc.
Fl. 1
3
mp
Ob. 1
E.H.
1 Cl.
mf
3
1 Bsn. 2
p
Hn.
(cup) 1
(straight) 1 Tbn.
p
3
Hp.
Pno.
Vln. I (div)
p
p
3
3
3
3
3
3
3
3
3
3
3
3
p
p
mp
mp
3
3
pp
mf
pp
mf
mf
mf
mf
p
open
remove mute
ppp
p
pp
mp
3
mf
p
p
mf
mp f
p
pp
pp
mf
f
Vln. II (div)
T.-t.
f
p
pp
Vc. (div)
remove mute
pp
p
open
ppp
Vla. (div)
pp
3
3
3
3
3
3
3
3
3
pp
2. & 4.
mp 3
Cb.
ppp
Perc. 2 (Mar.)
Perc. 3 (vibes)
(straight) 2
Perc. 1 (B.D.)
Tpt. (cup) 2
Timp.
mf ppp
3
mp 3
2, 4
Tba.
f 3
mp
3
f
mp
3
f
(1.)
1, 3
3
3
mp
3
mp
2
p
f
mf
p 3
mp
D
mp f
3
3
mf
ppp
p
p
mp
fp
mp
f
fp
p
p
f
p
mp
mp
fp
fp
f
mp
f
mp
pp
mf
f
mf
mf
inside piano strike with palm
pp
fp
fp
f
f
5
Meno mosso accel.
34
Picc.
Ob. 1
p
Fl. 1
3
3
1 Cl.
3
Bsn. 2
1, 3
mf
3
f
3
3
3
mf
3
mp
3
3
mp
3
f
mf mf
f
p
f mf
Hn. 2, 4
f
f
f
3
3
3
3
mp
mf
3
mp
f
3
f
3
f
f
3
3
mp
f
3
3
3
mp
3
mp
q = 108
3
3
3
3
1
3
2
3
E
3
mf
3
E.H.
p
mf
1
mf
Tpt. 2
1 Tbn. 2
ppp
Perc. 1 (B.D.) Perc. 2 (Mar.)
Perc. 3 (T.-t.)
Hp.
Pno.
pp
Cb.
p
pp
fp
mf
fp
fp
p
p
fp
mf
pp
f
Tam-tam
p
p
pp
NNMONMNN
gliss.
ord. (on keyboard)
3
mf
f
mp
mp
mp
mp
3 3 3
3
3 3 3
3
f
3
3
ff
f
3
ff
mp
ff
f
3
mf
f
3
3
3
f
f
mf
ff
mf
3
3
ff
mf
3
3
3 3 3
mf
3
3
p
p
f
f
f
f
f
p
ff
mf
mf
3
mf
mf
mf
ff
mf
f
mf
pp
f
mf
f
pp
(inside piano) f
f
mf
open
Vc. (div)
Vla. (div)
p
Vln. II (div)
Vln. I (div)
ppp
Tba.
open
F
6
40
Picc.
Fl. 1
Ob. 1
Tempo Secondo q = 120
mf
mf
1
mf
mp
mf
mp
mf
mp
1
Bsn. 2
1, 3 Hn.
pp
Tpt. 2
Tbn.
mf
Tba.
Timp.
Perc. 1 (B.D.)
Hp.
Pno.
mf
f
p
3
mf
pp
3
pp
pp
Vln. I (div)
3
p
mf
3
3
3
mp
p
3
3
p
3
3
3
mp
mp
Vla. (div)
p
Vln. II (div)
3
3
mf
pp
3
mp
mp
3
p
mf
3
mp
ff
mp
ff
3
p
3
3
mf
pp
mf
mp
Vc. (div)
pp
p
f
pp
pp
Cb.
mp
Perc. 2 (Mar.) Perc. 3 (T.-t.)
3
3
mf
mf
3
pp
2
1
mp
mf
pp
1
p
2, 4
solo
f
mf
Cl. 2
3
mp
solo
p
E.H.
7
G
45
Picc.
f
Fl. 1
Ob. 1
E.H.
1
p
mf
mp
1 Bsn.
pp
2
1, 3
f
p
p
3
3
3
3
3
3
f
3
3
f
p
3
3
pp
f
p
3
3
pp
mp
p
Tbn. 2
Vla. (div)
3
3
mf
mf
mf
3
3
3
3
3
3
3
mp
mp
mp
mf
3
pp
p
3
3
pp
mf
Vln. II (div)
Vc. (div)
mf
p
mf
Vln. I (div)
Cb.
p
pp
f
f
1
Pno.
f
pp
2
Hp.
Tpt.
Perc. 3 (T.-t.)
3
3
f
p
3
f
3
3
1
Perc. 2 (Mar.)
p
f
mf
Perc. 1 (B.D.)
3
mp
mp
3
Hn.
Timp.
f
3
2, 4
Tba.
p
p
Cl. 3
mp
f
3
2
3
3
3
8
H
50
Picc.
Fl. 1
Ob. 1
E.H.
Cl. 2
1
1
f
p
mf
f
f
mf
mf
mp
pp
pp
mf
f
mp
Bsn. 2
1, 3
pp
Hn. 2, 4
pp
straight mute
1
pp
Tpt. 2
1
straight mute
p
Tbn. 2
Tba.
Timp.
Perc. 1 (B.D.)
Perc. 2 (Mar.)
Perc. 3 (T.-t.)
Hp.
Pno.
mp
Vln. I (div)
Vln. II (div)
Vla. (div)
Vc. (div)
Cb.
mp
3
f
p
f
p
p
mf
mf
mf
pp
mf
pp
p
mf
mf
p
sub. p
mf sub. p
9
55
Picc.
Fl. 1
Ob. 1
E.H.
1
f
mp
mf
mf
mf
1
1, 3
Hn.
1.
f
mp
(straight) 2
f
Tpt.
f
p
3.
mp
mp
f
pp
p
(1.)
p
p
pp
p
1
p
f
f
(straight)1
pp
p
p
mf
2, 4
f
Bsn. 2
pp
mp
p
mf
f
Cl. 2
Tbn. 2
Tba.
Timp.
Perc. 1 (B.D.)
Perc. 2 (Mar.)
Perc. 3 (T.-t.)
Hp.
Pno.
mp
Vln. I (div)
Vln. II (div)
pp
pp
p
sul tasto
pp
(ord.)
pp
(ord.)
sul tasto
mf
mf
pizz
mf
pp
f
p
p
p
f
f
pp
pp
T-toms
pizz
pp
pp
p
Vc. (div)
f
pp
pp
f
Vla. (div)
Cb.
T.-t.
10
Meno mosso q = 112
I
Fl. 1
Ob. 1
E.H.
61
Picc.
1 Cl. 2
1
1, 3
2, 4
(straight) 1
2 (straight)
mf
mf
pp
remove mute
remove mute
pp
pp
Tam-tam
Tom-toms
Vln. II (div) (pizz)
ppp
f
mf
p
mf
Vc. (div)
p
p
p
arco sul tasto
mf
p
mf
p
p
mf
p
mf
f
f
f
sul tasto
p
f
mf
p
p
p
arco sul tasto
mf
sul tasto
p
sul tasto
solo
mf
mf
p
mf
p
(sul tasto)
mf
Vla. (div)
f
(pizz)
p
(sul tasto)
Vln. I (div)
pp
Cb.
Perc. 2 (Mar.)
Pno.
2
Hp.
mf
Tbn.
Perc. 3 (Toms)
1
Perc. 1 (T.-t.)
Tpt.
Timp.
pp
(1.)
Hn.
Tba.
mf
Bsn. 2
p
sul tasto
p
f
f
f
f
f
f
f
f
11
J
69
Picc.
Fl. 1
Ob. 1
E.H.
1
Cl. 2
1 Bsn. 2
1, 3
Hn.
1
f
f
p
f
f
f
p
p
p
f
2, 4
mf
f
f
Tpt. 2
1 Tbn.
2
Tba.
Timp. Perc. 1 (T.-t.)
Hp.
(sul tasto)
mf
mf
f
mp
ord.
sub. p
pizz
f
ord.
ord.
mf
Vibes
f
f
Xyl.
ff
non pedal
f
ord.
ff
ord.
f
(sul tasto)
sub. p
Vc. (div)
sub. p
sub. p
ord.
sub. p
Cb.
sub. p
(sul tasto)
(sul tasto)
sub. p
Vla. (div)
(sul tasto)
sub. p
(sul tasto)
pp
(sul tasto) Vln. II (div)
(sul tasto)
Vln. I (div)
Pno.
Perc. 2 (Mar.)
Perc. 3 (Toms)
pizz
f
pizz
f
f
mp
f
mp
f
mp
f
mp
f
mp
f
ff
mp
12
Fl. 1
Ob. 1
E.H.
p
Cl. 2
1
mp
p
p
f
mp
f
f
f
mp
f
mp
mp
p
mp
f
f
mp
p
p
1
K
mp
f
mp
f
1, 3 Hn. 2, 4
1
1 Tbn. 2
Tba.
Timp.
Perc. 2 (Mar.)
mp
Xylophone
Pno.
Vln. I (div) (pizz)
Vla. (div)
Vc. (div)
Cb. (pizz)
mp
mp
mp
f
gliss.
mf
p
f
Tambourine
p
Triangle
mp
mf
f
mf
T-Bells
sim.
3
3
3
3
3
3
3
3
pizz
p
pizz
sul pont.
(ord.)
mp
p
f
p
sul pont.
p
pizz
mp
ord.
ff
sul pont.
f
f
ff
f
mf
mf
mf
f
glis s.
mp
ff
f
f
ff
p
ff
p solo
ff
ff
mf
mf
ff
timbre trill p
ff
Vln. II (div)
solo
p
(pizz)
NNMONNNN
mp
Hp.
Perc. 3 (Xyl.)
harmon - half stem
Vibraphone
Perc. 1 (Vibes)
p
f
mf
p
p
Tpt. 2
mf
f
harmon - half stem
mf
pp
pp
mf
mf
pp
pp
f
Bsn. 2
pp
Picc.
75
13
81
Picc.
Fl. 1
Ob. 1
E.H.
1
1
mp
2
mp
mp
mp
1, 3
pp
f
p
mf
mf
1 Tbn. 2
Tba.
pp
mp
mf
ff
mf
mp
non pedal
mf
3
f
ord.
arco
p
Vln. II (div)
3
p
sul pont.
ord.
mp
(pizz)
Vc. (div)
(pizz)
ff
mp
ff
ord.
mp
mp
ff
f
f
mp
f
p
f
f
f
f
p
mp
3
p
sul pont.
p
sul pont. arco
p
p sul pont.
mf
p
(sul pont.)
p sul pont. arco
pizz
f
p
f
f
f
pizz
pizz
mf
f
mp
mp
mp
f
mp
pizz
mf
mf
mf
pizz
mp
f
f
mp
mf
mp
ff
f
mf
f
sul pont.
ff
sul pont.
f
3
p
Tubular Bells
mp
f
ff
f
sul pont.
ff
p
f
f
Vla. (div)
f
mp
mf
mp
pp
p
mf
open
f
f
f
pp
f
p
p
pp
f
open
f
mf
(pizz)
f
mf
f
p
pp
f
mp
Cb. (pizz)
p
f
f
Vln. I (div)
pp
f
mp
(pizz)
ff
f
Perc. 2 (T-Bells)
Pno.
Perc. 1 (Vibes)
Hp.
Timp.
Perc. 3 (Tri.)
mp
Tpt. 2
pp
f
ff
pp
mp
ff
p
ff
mp
mp
ff
pp
p
p
1
3
L
ff
f
2, 4
f
Hn.
pp
mp
pp
pp
pp
Bsn.
p
Cl. 2
poco accel.
f
M
14
(accel.) 88 Picc. f
Fl. 1
3
pp
f
pp
pp
f
f
f
pp
f
E.H.
1
f
Cl. 2
1 Bsn.
2
1, 3
pp
2, 4
f
f
Tpt. 2
f
1
Tba.
Timp.
Perc. 1 (Vibes)
Hp.
p
p
mp
p
mf
ppp
mf
mf
mf
pp
pp
pp
mf
pp
ppp
mf
f
p
pp
p
p
2.
p
p
mf
f
Cym.
B.D.
(pizz) Vln. I (div)
(pizz)
(pizz) Vln. II (div) (pizz)
(sul pont.)
(pizz)
mf
mf
f
Vc. (div)
(pizz)
f
f
mp
f
mp
mp
mf
f
mp
(pizz)
Vla. (div)
Cb. (pizz)
f
mf
p
f
mf
mp
Pno.
Perc. 2 (T-Bells)
Perc. 3 (Tri.)
mp
f
mf
Tbn. 2
mp
f
ppp
pp
p
f
pp
f
f
mp
f
1
f
Hn.
f
mp
f
f
p
p
p
mp
Ob. 1
mp
f
mp
f
arco (ord.)
arco (ord.)
pp
pp
mp
f
15
(accel.)
Fl. 1
Ob. 1
1
94
Picc.
Cl. 2
1 Bsn. 2
1, 3
Hn.
1 Tpt. 2
pp
pp
mf
pp
mf
mp
p
Timp.
Perc. 1 (Vibes)
Perc. 3 (B.D.)
Perc. 2 (Cym.)
Hp.
p
Large Sus. Cymbal
Bass Drum
pp
f
Vln. II (div)
p
(pizz)
Vc. (div)
p
f
f
arco
mp
arco
mp
Cb.
3
p
arco
p
ppp
begin playing random chromatic clusters
gliss.
f
arco (ord.)
ppp
ppp
gliss.
gliss.
ff
gliss.
gliss.
p
gliss.
f pp
gliss.
p
f
gliss.
pp
ff
gliss.
pp
ff
f
f
gliss.
arco (ord.)
f pp
ff
gliss.
gliss.
f
pp
gliss.
pp
ff
gliss.
non trem.
arco
ff
mp
Vla. (div)
(sul pont.)
3
3
mp
(pizz)
3
Pno.
Vln. I (div)
3
ppp
(pizz)
3
pp
pp
mf
3
mf
3
p Tba.
pp
pp
Tbn. 2
pp
mp
1
2, 4
16
N
100
Picc.
O
q = 152
Fl. 1
Ob. 1
solo
1
E.H.
1 Bsn. 2
1, 3
Perc. 1 (Vibes)
pp
pp
3
mp
f
f
f
f
f
f
f
Vla. (div)
ff
ff
Tam-tam
mf
mp
f
f
pp
pp
Tamb.
Mar.
fpp
fpp
pp
ppp
3
3
3
3
3
3
p
3
3
pp
3
3
pizz
ff
p
ff
pp
Vc. (div)
3
mp
Perc. 3 (B.D.)
Cb.
Vln. II (div)
Vln. I (div)
Pno.
Perc. 2 (Cym.)
Hp.
3
3
Tbn. 2
3
mf
Tpt.
1
p
3
3
2
f
1
f
Hn.
2, 4
mp
solo
Cl. 2
mf
3
3
3
3
p
3
3
3
3
3
3
3
3
p
p
3
3
106
Picc.
Ob. 1
E.H.
3
f
mp
mf
p
f
fp
f
p
mf
1
2
Hn.
1
1 Tbn.
Tba.
ff
Perc. 1 (Tamb.)
3
mf
fp
pp
p
f
pp
3 3 3 3 3
mf
f
(T. roll)
Tambourine
mp
f
Vibraphone
mf
fp
Vln. I (div)
p
3
3
3
3
3
3
3
3
3
3
pp
pp
fp
ppp
Vln. II (div)
f
f
Vc. (div)
3
p
mf
Vla. (div)
pp
3
mf
open
f
Marimba
f
f
Cb. (pizz)
p
fp
p
straight mute
fp
Perc. 2 (Mar.)
Timp.
3
2
Pno.
3
mf
3
f
stopped
p
Tpt. 2
1.
2, 4
p
f
1, 3
Hp.
p
f
f
Bsn.
Perc. 3 (B.D.)
fp
Cl. 2
ff
p
3
fp
f
p
p
p
f
p
1
Fl. 1
17
P
3
3
3
3
3
3
3
3
3
3
3
f
3
3
f
f
3
f
3
3
p
3
3
3
3
3
3
3
3
p
3
3
3
3
3
f
3
3
3
3
fp
fp
fp
fp
18
111
Picc.
Fl. 1
Ob. 1
E.H.
1 Cl.
p
3
Bsn.
2
Hn.
p
f
p
3
pp
3
3
f
3
3
3
f
mf
pp
p
3
3
f
p
p
p
3
p
3
3
pp
f
3
3
mf
p
f
3
pp
p
3
p
f
f
3
p
p
3
f
f
f
3
p
p
f
p
p
3
p
f
p
p
p
(straight) 1
f
2, 4
f
1, 3
p
3
f
p
mf
1
2
f
3
3
p
Tpt. 2
1 Tbn. 2
Tba.
Perc. 1 (Vibes)
Perc. 2 (Mar.)
Perc. 3 (B.D.)
Hp.
Pno.
p
Timp.
mf
ff
ppp
p
ppp
Vln. I (div)
Vln. II (div)
pp
Vla. (div)
3
3
3
3
pp
3
pp
3
3
3
3
3
3
3
3
3
3
3
3
pp
3
mf
3
3
3
3
mf
3
3
pp
3
3
3
mp
mp
3
3
3
pp
mp
3
3
3
3
3
Tom-t.
Cym.
3
3
pp
mp
pp
Vc. (div)
f
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
f
p
3
mf
ff
p
f
Cb. (pizz)
arco
3
116
Picc.
Fl. 1
Ob. 1
Cl. 2
1
p
1
3
f
3
3
ff
f
3
f
Tbn.
3
3
open
(open)
ff 3
Timp.
Perc. 1 (Toms.)
3
Hp.
Pno.
3
3
3
pp
f
3
f
3
3
3
3
3
3
f
f
f
p
3
p
f
3. p
p
p
3
3
3
Marimba
3
3
3
f
3
f
3
ff
ff
3
3
3
3
3
3 3
3
3 3
3
3
3
3
3
ff
3
3
ff
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
mp
3
3
3
mp
3
mp
3
3
3
mp
3
3
3
3
3
3
mp
fp
fp
fp
3
3
p
mp 3
p
3
3
3
3
3
3
3
f
3
3
f
3
3
3
3
fp
3
ff
f
ff
f
3
f
3
3
p
3
3
3
pp
p
pp
p
3
3
3
Vln. II (div)
f
3
Cb.
3
Vln. I (div)
Vc. (div)
Vla. (div)
3
f
Small Sus. Cymbal
Perc. 3 (B.D.)
3
Tom-toms
3
3
f
3
f
Perc. 2 (Cym.)
3
3
f
f
Tba.
2
3
p
1
3
Tpt. 2
f
3
ff
3
f
ff
2, 4
f
Hn.
f
p
Bsn.
1, 3
1
f
p
2
E.H.
19
Q
3
3
3
3
20
120
Picc.
mf
Fl. 1
p
1
mf
E.H.
mf
Ob. 1
p
mp
mp
mp
2
1, 3
f
Timp.
Perc. 1 (Toms.)
Hp.
Pno.
mp
Vln. I (div)
mp
Vln. II (div)
3
3
ff
3
3
3
3
3
3
ff
3
3
3
f
pp
pp
3
pp
f
Vibraphone
f
mf
fp
fp
mf
3
3
3
3
3
3
3
ff
f
mf
mp
p
mp
fp
3
To Cym.
3
3
3
3
3 3
3
3
ff
3
3
3
3 3
3 3
3
3
f 3
3
3
3
3
3
3
3
3
3
3
3
3
3
p
p
3
3
p
mf
mf
pp
p
3 3 3 3
pp
p
3
p
f
p
p
3
3
f
3
f
3
ff
3
f 3
3
3
mf
3
3
3
3
mp 3
3
ff
3
3
3
3
Vc. (div)
3
f
f
pp f
Vla. (div)
3
Cb.
3
3
3
pp f
f
f
pp
p
3
3
f
3
3
3
3
3
f
mf
3
3
f
p
3
3
fp
p
Perc. 2 (Mar.)
Perc. 3 (B.D.)
3
3
3
f
mf Tba.
3
f
p
3
ff
3
3
mp
ff
mp
3
mp
3
3
3
ff
fp
mp
3
p
p
3
3
3
mp
3
mf
2
mf
Tbn.
p
1
mf
3
Tpt. 2
3
3
3
ff
3
3
mp
3
mp
Hn.
1
3
3
3
mp
mp
2, 4
3
mp
f
Bsn.
f
f
1
f
Cl. 2
R
p
p
3
3
126
Picc.
Fl. 1
Ob. 1
E.H.
1 Cl. 2
1 Bsn. 2
ff
Tpt. 2
Tbn. 2
Perc. 2 (Mar.)
pp
p
ff
pp
f
pp
3
3
3
3
3
3
mf
f
f
Large Sus. Cymbal
pp
p
p
p
pp
f
ff gliss.
mp
f
ff
ff
ff
ff
ff
mp
fp
3
pp
pp
pp
pp
3 soli 3 soli
pp
pp
mp
3 soli
pp
pp
3 3 3
3
ff
f
MNMONMNN
mf
p
ff
3
p
3
mf
pp
ff
Cb.
Vc. (div)
ff
Vla. (div)
ff
Vln. II (div)
Vln. I (div)
3
Pno.
Perc. 3 (Cym.)
Hp.
mf
Perc. 1 (Vibes)
f
Timp.
f
Tba.
p
f
1
pp
1
pp
Hn. 2, 4
f
pp
1, 3
21
S
3 soli
pp
pp
fp
f
fp
pp
f
f
fp
f
pp
pp
fp
22
Fl. 1
Ob. 1
E.H.
132
Picc.
1 Cl. 2
1 Bsn. 2
1, 3
Hn. 2, 4
1 Tpt. 2
1 Tbn. 2
Tba.
Timp.
Perc. 1 (Vibes)
Perc. 2 (Mar.)
Perc. 3 (Cym.)
Hp.
Pno.
pp
f
3 soli
Vln. II (div)
(3 soli) Vla. (div)
(3 soli)
f
f
(3 soli)
f
f
pp
f
pp
f
3 soli
ff
pp
ff
pp
ff
pp
ff
pp
ff
ff
fp
fp
ff
fp
pp
pp
fp
Vc. (div)
3 soli
pp
(3 soli)
pp
3 soli
Vln. I (div)
Cb.
ff
23
II. Lilith, begone q = 96
1 Flute 2
English Horn
Bb Clarinet
Oboe
Bb Bass Clarinet
1 Bassoon 2
1, 3 Horn in F 2, 4
1 Trumpet 2
1 Trombone 2
Tuba
pp
Violin II (div)
Viola
Violoncello
pizz fp
ppp
Glockenspiel always l.v.
mp
med. yarn mallets, no motor
mf
ff
Crotales
f
p p
Tri.
Glock.
ppp
fp
3
ppp f
3
3
ppp f
mf
ppp
ppp
pp
pp
pp
pizz
f
mf
pp
3
3
ord.
mf
mp
mf
mp
p
mp
p
fp
3 3 3
arco
pp
pp
pp
ff
mf
mf
p
ppp
pp
f
Contrabass
mp
mf
p
f
3
f inside piano - strike strings with palm
f
ppp
pp
p
3
f
3
always l.v.
f
ppp p ppp p
ppp
pp
pp
3
Violin I (div)
Crotales always l.v.
Piano
Vibraphone
Harp
pp
mp
Percussion 3
f
Bass Drum always l.v.
Percussion 2
p
Percussion 1
f
3
f
always l.v.
Timpani
A
ppp fp
p
ppp
ppp
ppp
24
7
1
3
pp
Fl. 1
2
Ob.
ppp
pp
2
1, 3
p
3
mf
mp
ppp
mf
f
3
p
3
f
p
pp
2
Perc. 2 (Tri.)
mf
mp
mf
mp
Glockenspiel
always l.v. mp
f
mf
mf inside piano
pp
pp
Vln. II (div)
Vla.
Vc.
arco
f
mp
f
fp
ppp fp
pp
mp
pp
ppp
pizz
arco
pizz
pp
fp
mf
ppp
fp
arco
pizz
ppp
ppp
arco
mf
mp
mf
pp
pp
Vln. I (div)
ppp
Tbn.
Cb.
1
Pno.
ppp
2
Hp.
C Tpt.
Perc. 3 (Glock)
1
Perc. 1 (BD)
p
3
ppp
sub. p
p
Hn.
Timp.
f
sub. p
3
2, 4
Tba.
3
p
f
3
pp
pp
1 Bsn.
f
B. Cl.
mf
pp
ppp
Cl.
f
E.H.
p
B
To Picc.
f
f
pp
ppp
pizz
mf
25
C accel.
12
Picc.
Fl. 1
Ob.
E.H.
ppp
f
q = 112
pp
f
ppp
f
pp
ppp
pp
ff
ff
1
Hn.
2, 4
C Tpt.
2
Tbn.
Timp.
Perc. 1 (BD)
p
p
f
p
f
p
2. p
straight mute
pp
Tam-tam
always l.v.
4.
p
pp
f
pp
sub. p
f
f
f
ppp
f
straight mute
f
mp
mf
mf
Vln. II (div)
ppp
arco
fp
pp
f
f
pp
fp
f
p
pizz f
fp
mf
p
fp
p
mf
p
mf
mf
ppp
pp
pp
ppp
f
p
B.D.
p
ppp
Triangle
Vln. I (div)
Cb.
remove mute
Vc.
Vla.
p
f
Perc. 3 (Glock)
Pno.
p
Perc. 2 (Tri.)
Hp.
mf
f
pp
Tba.
remove mute
ppp
p
2
f
ppp
harmon mute (half stem)
1
p
p
1
harmon mute (half stem)
ff
pp
1, 3
ff
2
p
B. Cl.
Bsn.
ff
pp
Cl.
f
fp
p
26
D 18
Picc.
Fl. 1
pp
ppp
Ob.
ppp
f
pp
B. Cl.
2
3
pp
Hn.
p
f
3
p
1. solo
f
ppp
solo
ppp
1
f
pp
2, 4
p
pp
1, 3
3
f
Bsn.
3
mf
1
Cl.
solo
E.H.
C Tpt. 2
(straight) 1
pp
Tbn.
2 (straight)
p
pp
Tba.
Timp.
Perc. 1 (BD)
f
f
p
ppp
p
3
f
T.-t.
mp
mp
pizz
pizz
f
arco solo
mp
ppp
mp
f
fp
ppp
pizz
3
mf
3
f
f
mf
f
p
mp
mf
ppp
Cb.
p
3
3
p
f
Vln. II (div)
Vc.
pp
ppp
f
3
p
ppp
pp
Vla.
p
ppp
Vln. I (div)
pp
Bass Drum
Perc. 3 (Glock)
Pno.
Perc. 2 (Tri.)
Hp.
fp
27
E Picc.
24
pp
Fl. 1
Ob.
1
1, 3
Hn.
1 C Tpt.
Tba.
Timp.
Perc. 1 (BD)
Hp.
Pno.
mf
mf
p
3. p
pp
p
pp
pp
3
ppp
mf
mf
f
inside piano
Vla.
Vc.
Cb.
ppp
3
fp
arco
pp
mf
mp
pp
3
mf
mf
mf
3
ppp
mp
mp
mp
p
mp
ppp
pp
mf
mf
mp
pp
arco pp
ppp
mp
f
3
pp
3
p
f
p
Vln. II (div)
pp
ff
pp
mf
mp
arco
p
fp
3
mp
3
3
mf
mf
p
mp
ord.
Vln. I (div)
3
3
3
f
ppp
fp
3
p
Tam-tam
Perc. 2 (Tri.)
Perc. 3 (T.-t.)
ppp p
mf
Tbn. 2 (straight)
p
mf
p
mp
1.
f
p
mp
pp
3
(straight) 1
2, 4
2
f
solo
3
p
3
Bsn.
B. Cl.
2
solo
Cl.
E.H.
3
p
p
3
3
3
mf
(non trem.)
3
mf
mf
ppp
p
ppp
p
28
F 31
Picc.
Fl. 1
Ob.
E.H.
1 Bsn. 2
1, 3
Hn.
1
mp
(straight) 1
2 (straight)
Timp.
sub. p
open
p open
p
f
f
f
f
f
f
f
pp
f
Perc. 3 (T.-t.)
Pno.
sub. p
Vln. I (div)
sub. p
Vla.
mp
sub. p
Vc.
3
3
f
3
3
f
f
mf
mf
f
mf
f
sul pont.
f
f
pizz
ff
3
mp
pp
3
mf
ord.
mp
mp
sul pont.
mp
3
3
inside piano
3
3
mp
f
mp
f
3
f
f
mf
mp
f
ff
f
f
f
f
f
mp
Vln. II (div)
Cb.
p
p
p
f
3
Perc. 2 (Tri.)
Hp.
pp
f
pp
pp
p
f
f
f
Perc. 1 (BD)
remove mute
f
pp
f
remove mute
f
p
pp
f
p
f
f
f
3
mp
3
sub. p
Tbn.
Tba.
C Tpt. 2
f
f
mp
f
mp
sub. p
2, 4
3
sub. p
3
sub. p
B. Cl.
Cl.
q = 72
poco rit.
3
3
3
arco
mp
29
G 38
Picc.
Fl. 1
3
f
mp
3
f
mp
f
f
sub. p
sub. p
f
3
mf
B. Cl.
1
f
pp
Ob.
E.H.
Cl.
Bsn. 2
1, 3
Hn. 2, 4
1 C Tpt. 2
1 Tbn.
Tba.
Timp.
Perc. 1 (BD) Perc. 2 (Tri.)
Perc. 3 (T.-t.)
Hp.
Pno.
Vln. II (div)
Vla. (sul pont.)
Vc. (sul pont.)
Cb.
3
3
mf
f
pp
mf
f mp
f
f
f
open
ppp
ppp
fff
with both hands
fff
ord.
f
3 3 ord.
f
ff
f
single hand
f
f
mf
mp
3
ppp
mf
3
pizz
pizz
pizz
3
3
ff
ppp
mp
ff
Vibes
3
mf
ff
ppp
ppp
p
ff
ff
p
f
3
fp
pp
p
3
pp
ppp
pp
ff
f
sub. p
open
mp
f
3
3
3
f
f
3
f
f
p
Vln. I (div)
3
3
2
3
f
3
ff
p
p
p
30
H
46
Picc.
Fl. 1
Ob.
p
Cl.
B. Cl.
1
Hn.
1 C Tpt. 2
1 Tbn. 2
Tba.
Timp.
Perc. 1 (BD)
3
f
p
f
3
p
Vln. I (div)
Vln. II (div)
3
sub. p
pp
f
3
pp f
mp
mp
3
mf
Glockenspiel
mp
f
mf
Vla.
Vc.
p
mp T.-t.
3
mp
ord.
mp
3
f
ff
3
pp
3
pp
pp
arco
p
f
pizz
pp
3
f
mp
mp
f
mp
mp
3
3
p
p
p
mp
3
3
f sub. p
f
3
pp
f sub. p
pp
3
pp
Cb. (pizz)
p
f
pp
pp
mf
Pno.
p
p
Hp.
3
f
3
Perc. 3 (T.-t.)
f
Vibraphone
Perc. 2 (Vibes)
p
2
2, 4
f
Bsn.
1, 3
pp
ppp
E.H.
pp
f
arco f
p
31
51
Picc.
Ob.
Cl.
p
3
ppp
ppp
f
3
5
ppp
mf
ppp
q = 50
pp
p
mp
ppp
mp
3
ppp
f
3
rit.
ppp
f
mp
ppp
1
f
ppp
B. Cl.
E.H.
2
Fl. 1
Bsn.
p
ppp
pp
ppp
ppp
2, 4
1
1, 3 Hn.
C Tpt. 2
1 Tbn. 2
Tba.
Timp.
Perc. 1 (BD)
Hp.
Pno.
pp
ppp (no attacca)
Perc. 2 (Vibes)
Perc. 3 (T.-t.)
p
Tam-tam
Vln. I (div)
pp
f
mf
mf
mp
mp
pp
mp
pp
Vln. II (div)
Vla.
Vc.
arco
f
Cb.
ppp
f
p
p
pp
pp
32
III. The Inanimate Spider q = 50
1
ff
Flutes 2
5
5
p f
5
p f
p
f
mp
1
2
5
f
1 Bassoons
p f
p f
p 5
p f
f
p f 5
p f
5
p f
p
p
p
f
p
5
5
p
2
Tuba
2, 4
1 C Trumpets 2
1 Trombones
Timpani
Percussion 1
Tam-tam
Triangle always l.v.
mp
Glockenspiel always l.v.
Percussion 3
p
straight mute
Percussion 2
mp
ppp
p
pp
p
p
always l.v.
Vibraphone
med. mallets
Violin II
Viola
Violoncello
Contrabass
Harp
Piano
Violin I
f
F Horns
p f
mp
p
5
f
1, 3
5
p f
p
5
p
5
5
f
p
f
2
p f
5
5 f
5
5
5
pp
5
f
5
5
Bb Clarinets
mf
f
p f
pp
English Horn
p
5
5
p f
f
p f
p
5
5
f
Oboe
5
p
f
33
A
4
1 Fl. 2
Ob.
E.H.
1
Più mosso q = 56
f
1
p
p
f
1, 3
f
(straight) 1
p
f
p
f
pp
5
f
f
5
p
f
p
p f
pp
mp
f
pp
f
p
p
5
5
p
f
f
f
5
p
5
5
5
5
5
p
f
pp
mf
p
pp
p f
p
f
f
5
p
5
p
5
f
5
5
5
1.
pp
f
p
p
p
5
5
p
5
f
f
mp
f
p
5
p
2, 4
f
5
p
Hn.
f
p
p
Bsn. 2
5
5
f
f
f
Cl. 2
5
mp
C Tpt. 2
1
Tbn. 2
Tba.
Timp.
Perc. 1 (T.-t.)
Perc. 2 (vibes)
Perc. 3 (glock)
f
p
Vln. II
Vla.
Vc.
Cb.
Hp.
Pno.
Vln. I
f
34
B
7
1
f
Fl.
5
p
f
5
f
5
p
f
5
f
p
f
p
p
5
1
f
p
f
p
5
f
5
1
5
f
p
f
p
f
p
solo pp
pp
f
pp
pp
Cl. 2
p
E.H.
Ob.
p
2
f
5
f
5
p
f
5
f
f
p
p
pp
p
Bsn. 2
1, 3
pp
mp
pp
1
mp
pp
2.
p
1 Tbn. 2
Timp.
Perc. 3 (glock)
Hp.
Pno.
mf
p
f
pp
p
mf
always l.v.
mf
f p
Vln. II
Vla.
LMLOLMML
gli
ss.
pp
Tri.
f
con sord sul tasto
pp
f
p
p
con sord
con sord
f
f
Vc.
f
Vln. I
Cb.
Perc. 2 (vibes)
pp
Perc. 1 (T.-t.)
pp
Tba.
p
C Tpt. 2
pp
f
f
(1.)
Hn. 2, 4
con sord
sul tasto
f
f
p
p
p
35
C
11
1
Ob.
E.H.
1
3
3
f
mp
3
mp
3
p
3
p
Fl. 2
3
3
mf
3
3
3
mf
f
3
3
f
mp
3
p
3
f
3
mp
3
p
3
mp
f
mp
pp
solo
pp
3
f
3
pp
f
pp
mp
Cl. 2
pp
1
2
1, 3 Hn. 2, 4
mp
f
Bsn.
f
p
pp
pp
f
ppp
pp
pp
mp
ppp
pp
p
2.
2
Tba.
C Tpt. 2
1 Tbn.
Timp.
f
Hp.
Vln. I (con sord)
Vla. (con sord)
Vc. (con sord)
Cb.
ord.
f
pp
mf
ord.
f
pp
mp
mf
Cym.
p
f
3
f
p
3
p
mf
mf
p
p
f
p
f
mp
p
ord.
p
f
f
p
f
ppp
pp
f
pp
pp
f inside piano (strike strings with palm)
f
Vln. II (con sord)
mp
Pno.
always l.v.
f
Triangle
Perc. 2 (Tri.)
Perc. 3 (glock)
mp
pp
pp
Perc. 1 (t-t.)
p
pp
mf
1
3. pp
f
p
mf
mf
mf
p
p
36
D rit.
15
1
q = 50
5
f
Fl.
2
Ob.
pp
p
pp
2
1
p f
5
f
5
p
5
p
f
p
5
f
p f
p
f
p
f
5
p
5
f
f
5
p
f
f
5
p
p f
f
p f
5
p f
5
p
p
pp
5
mf
5
f
p
p
5
p
p f
5
5
5
p
5
p f
f
5
pp
mp
f
p
p f
p f
mp
f
Cl.
5
mp
pp
1
f
5
p f
accel.
5
p f
mp
E.H.
pp
f
5
f
5
p
f
pp
Bsn. 2
1, 3
(3.)
Hn.
2, 4
pp
1
1 Tbn. 2
Tba.
Timp.
Perc. 1 (cym.)
Pno.
Vln. I (con sord)
Cb.
3
3
3
pppp
5
mf
f
Vibraphone
mp
f
Small Sus. Cymbal
5
pp 5
f
ppp
f
p
p
5
p
strum up and down
pp
p
5
f
ppp
pp
pp
pp
Vc. (con sord)
pp
Vla. (con sord)
Vln. II (con sord)
Hp.
(2.)
pp
Perc. 2 (Tri.)
Perc. 3 (glock)
pp
C Tpt. 2
mp
pp
37
E
20
1 Fl. 2
Ob.
E.H.
1 Cl. 2
q = 60
f
5
Bsn. 2
pp
f
5
f
5
p
f
p
ppp
pp
5
p
5
p
5
p
5
f
p
f
5
p f
5
p f
p f
p
f
pp
f
f
p
p
1.
pp
pp
2
Tba.
1 Tbn.
Perc. 1 (cym.)
Perc. 2 (vibes)
mf
Perc. 3 (glock)
mf
Pno.
Vln. I
(con sord)
(con sord)
Vla. (con sord)
mf
p mf
p mf
p mf
p mf
Vc. (con sord)
Cb.
5
p mf
mp
f
pp
5
p mf
5
p mf
5
p mf
pp
5
p
p
5
mf
ord.
always l.v.
f
p
5
mf
pp
5
f
mp
p
5
mf
senza sord.
f
mp
pp
f
mp
f
pp
pp
mp
mf
mp
pp
mf
p
inside piano
Tam-tam
p
Vln. II
mp
pp
Hp.
pp
Timp.
pp
2
3
C Tpt.
p
5
1
5
f
sub. p
ppp
p
p f
5
5
f
f
p
f
5
p f
f
5
ppp
f
mp
p
f
5
pp
f
p
f
p
ppp
2, 4
pp
Hn.
mp
1, 3
pp
pp
p
f
1
senza sord.
pp
5
38
F
24
1 Fl.
2
f
5
p
f
5
p
p
f
5
p
mf
5
p
mp
5
f
p
mf
5
5
ppp
mp
E.H.
1
pp
mf
5
p
Cl. 2
1
pp
mp
mf
5
5
ppp
5
ppp
Ob.
p
p
pp
mp
5
Bsn. 2
1, 3
(1.)
Hn. 2, 4
1
3
mp
3
pp
C Tpt. 2
1 Tbn. 2
Tba.
Timp.
Perc. 1 (T.-t.)
pp
Pno.
pp
5
5
5
5
5
5
5
5
ppp
mp
pp
mp
pp
Vc. (con sord)
mp
Vla. (con sord)
Cb.
Vln. I
Vln. II
ppp
Hp.
p
Perc. 2 (vibes)
Perc. 3 (glock)
pp
pp
pp
5
39
27
1 Fl.
2
mp
mp
5
ppp
5
mp
ppp
mp
5
5
ppp
ppp
Ob.
E.H.
1 Cl.
2
pp
pp
1 Bsn. 2
1, 3
Hn. 2, 4
1 C Tpt. 2
1 Tbn. 2
Tba.
Timp.
Perc. 1 (cym.)
Hp.
Pno.
Vln. I
p
5
5
5
mp
5
5
5
5
5
5
5
5
5
ppp
Vln. II
Vla. (con sord)
Vc. (con sord)
Cb.
Perc. 3 (glock)
Perc. 2 (vibes)
40
IV. The Trojan Horse
1
q = 96
Flute 2
Oboe
English Horn
3
mf
pp
pp
mf
pp
flt.
pp
mp 3
mp
3
flt.
mp
fp
ord.
fp
pp
Bb Bass Clarinet
Bassoon
Contrabassoon
Bb Clarinet
1, 3 F Horns 2, 4
1 Trumpet 2
1 Trombone 2
Tuba
Timpani
l.v. always pp
3
Vibraphone
Percussion 1
Glockenspiel always l.v.
Percussion 2
Percussion 3
Bass Drum
Harp
Piano
Violin I (div)
always l.v.
3
3
mp
motor off
bowed
mp
mf
f
3
mf
3
Violoncello (div)
Contrabass
3
3
mf
mp
3
3
3
pp
pizz
mp
pp
pp
3
3
f
f
pp
mf
mf
p
p
pp
pizz
mp
pizz
mp
f
pizz
Mar.
Tam-tam
mp
Viola (div)
mf
3
3
3
3
med. mallets
pp
pp
3
pp
mp
3
p
p
mp
pp
3
3
3
3
Violin II (div)
mp
mp
mp
41
A ord.
1 6
3
Fl.
mf
p
pp
mp
3
B. Cl.
Bsn.
Cbsn.
1, 3
Hn. 2, 4
1. stopped 3
mp
3
pp mf
pp
pp
1. harmon mute
C Tpt. 1, 2
Tbn. 1, 2
Tba.
Timp.
Perc. 1 (Vibes)
3
pp
Marimba
f
pp
3
3
3
3
ppp
mp
mp
pp
pp
mf
Cb. (pizz)
mf
mp
pp
mp
(pizz)
3
pp
pp
3
3
3
3
pp
pp
3
3
3
pp
mp
p
pp
mf
mfp
mfp
f
mp
mp
3
pp
3 3
3
f
mp
p
3
3
3
3
mp
arco
3
f
arco
pp
pp
3
mf
arco
3. pp
f
p
Vc. (div)
mp
pp
pp
mp
pp
3
pp
mp
p
3
1. mute (1. & 3.)
pp
Vln. II (div)
Vla. (div)
mp
p
pp
mp
mf
3
Vln. I (div)
3
3
3
3
mf
med. yarn mallets
Pno.
3
p
Hp.
3
pp p
p
3
p
Perc. 3 (T.-t.)
Perc. 2
Cl.
pp
pp
3
mp
3
pp
E.H.
Ob.
ord.
2
p
flt.
pp
pp
pp
pp
pp
42
B 1
pp
mf
ppp
3
E.H.
B. Cl.
Bsn.
(straight) 1, 3
Perc. 1 (Vibes)
Pno.
pp
pp
mf
3
pp
3
mp
3
always l.v.
mf
pp
3
3
mp
pp sub mf
pp
mp
pp
2. straight mute
pp
Bass Drum
pp
mp
mf
3
B.D.
3
3
pp
3
mf
p
mf
f
pp
3
mp
f
3
p
tutti
pp sub.
f
mp
pp
mp
pp
pp
mp
arco 3
f
pp
pp
pp
3
Glock.
Vib.
pp
3
3
pp
p
3
pp
pp
solo
3
pp
to straight mute
f
mp
pp
Vln. II (div)
mp
mp
flt.
insert straight mute (1. & 2.)
no trill
p
ord.
pp
p
p
3
f
mp
mp
3
3
3
pp sub
remove mute (1. & 3.)
3
mp
p
pp
Crotales
p fp
pp
3
pp
pp
Cb.
bucket mute 1.
p f p ord.
f
pp
3
mf
Vc. (div)
ppp
3
pp
pp
Vla. (div)
mp
p
Vln. I (div)
f
3
pp
flt.
pp
3
timbre trill 1.
p
mf
Hp.
Perc. 2 (Mar.)
Perc. 3 (T.-t.)
1.
5
pp
Tbn. 1, 2
C Tpt. 1, 2 (harmon)
pp
ppp
f
2, 4
Timp.
Hn.
Tba.
pp
Cl.
Fl. 2
ord.
flt.
11
pp
pp
mp
pp
mp
mp
pp
pizz
f
p
arco
pp
43
C 16
flt.
1
mp
p
Fl.
Ob.
Cl.
3
3
pp
B. Cl.
Cbsn.
p
mf 3
pp
p
p
mf
mp
p
C Tpt. 1, 2
Hp.
Pno.
Vln. I (div)
Vla. (div)
mp
pp
mp
pp
pp
p
pp
p
pp
1. pp
mp
pp
3. pp
p
3
mp
3
3
mf
always l.v.
3
pp
3
ppp
mp Bass Drum
ppp
3
mp
3
mp
3 3
f
3
3
3
3 3 3
Bass Drum
f
mf
pp
p
mf
mf
pp
pp
mp
pp
mf
ppp
pp
mf
mf
ppp
mf
pp
pp
ppp
Cym.
ppp
mp
mp
Cb.
p
3
Vc. (div)
pp
Vln. II (div)
Glockenspiel (always l.v.)
Perc. 3 (B.D.)
Vibraphone
Perc. 2 (Glock)
open (1. & 3.)
Perc. 1 (Vibes)
pp
pp
Timp.
mp
pp
ppp
pp
Tba.
pp
p
2, 4
Tbn. 1, 2 (straight)
Hn.
mp
1, 3
pp
mf
3
mp
3
3
Bsn.
ord.
pp
E.H.
2
ord.
pp
p
p
pp
44
D q. = 72 Più mosso
22
1
Fl.
2
Ob.
E.H.
Cl.
B. Cl.
1, 3
pp
pp
C Tpt. 1, 2
Tba.
Timp.
Hp.
Pno.
2.
pp
ppp
pp
3
3
p
f
p
ord.
mf
Vc. (div)
mp
mf
mf
mp
ord.
sul pont
p
sul pont
p
sul pont
f
p
ord.
p
p
p
p
f
ppp
ppp
sul pont
p
p
sul pont
p
p
p
p
ord.
f
ord.
f
sul pont
p
sul pont
p
arco
ord.
f
ppp
sul pont.
f
p
p
pp
ppp
mp
f
p
ppp
Vib.
ppp
ppp
f
pizz
ppp
f
f
mp
l.v.
f
pizz
mf
p
mf
pp
ppp
pizz
sul pont
mf
p
ord.
pp
mp
ppp
f
l.v.
mf
f
p
Vla. (div)
Cb.
ord.
f
mf
Vln. II (div)
pp
remove mute (1. & 2.)
pp
ppp
ff
mf
mp
mf
pp
mf
pp
touch vibrating cymbal surface with triangle beater (sizzle effect)
mf
f
mf
mf
pp
ppp
f
mp
Vln. I (div)
pp
pp
mp
p
3 3
Perc. 2
pp
mp
Med. sus. cym.
Perc. 3 (B.D.)
pp
Perc. 1 (B.D.)
pp
pp
pp
pp
1.
pp
mp
mp
2, 4
Tbn. 1, 2 (straight)
mp
Hn.
pp
mp
3
mp
pp Cbsn.
ppp
pp
Bsn.
flt.
ord.
p
f
f
p
p
45
1 28
Fl.
2
pp
pp
pp
pp
pp
1, 3
C Tpt. 1, 2
Tba.
Vibraphone
Pno.
(sul pont.)
pp
mp 1.
Vla. (div)
(sul pont.)
(pizz)
Cb. (pizz)
mp
ord.
ord. p
2. pp
arco
mp
3
p
3
3
3 3 3
3
mf
ff
pp
pp
mp
mf
3 3
mf
f
pp
p
f
pp
f
3
3
f
f
p
ff
mp
3
mfp
3
mf
3
mp
mf
pp
mp
pp
pp
mp
mfp
3
mp
f
sul tasto
f
mp
(ord.)
mp
p
pp
p
mp
f
3 3
pp
mf
pp
mp
p
p
f
f
3
3
pp
mf
p
f
3
p
ord.
mf
mp
pp
p
3
p
mf
mfp
pp
p
mf
Vc. (div)
1. straight mute (1. & 2.)
pp
1. open (1. & 2.)
f
3
3
3 f
f
mf
pp
Vln. II (div)
(sul pont.)
Vln. I (div)
p
f
mp
Perc. 2
Hp.
pp
3
pp
pp
Perc. 1 (B.D.)
Timp.
Perc. 3 (B.D.)
2, 4
Tbn. 1, 2
mp
mp
Hn.
3
ord.
p
pp
E.H.
Cbsn.
Bsn.
B. Cl.
Ob.
Cl.
accel.
e = e
pp
mfp
mfp
mf
46
34
1 Fl.
2
q = 156
pp
3
Bsn.
Cbsn.
Ob.
p
E.H.
3
p
Cl.
3
p
B. Cl.
1, 3
p
mf
p
mf
p
C Tpt. 1, 2 (straight)
pp
Tbn. 1, 2
Timp.
Perc. 1 (B.D.)
Pno.
pp
mp
pp
3
pp
mf
1. pp
pp
mp
pp
2.
2.
pp
pp
mp
pp
mp
mp
pp
mf
pp
ff
pp
mf
bowed
Med. sus. cym.
p
f
mp
pp
1.
pp
mp
3.
3
mp
Mar.
mf
Vibes
f
ff
3
3
pp
3
mf
pp
mf
pp
pizz
f pizz
3
p
3
p
p
3 3
mf
3
mf
3
f
mp
pp
f
3
3
mp
pp 3
mp pizz
mp pizz
pp
arco
mf
arco
mf
mf
f
f
f
p arco p
arco
p
f
pp
f
f
f
f
arco
f
p
mf
p
3
mf
p
mp
3
mp
pp
mp
pp
3
mp
pp
f
pp
pp
mp
pp
Cb.
Vc. (div)
Vln. I (div)
Vla. (div)
Vln. II (div)
mf
(open)
f
p
pp
p
pp
p
= 120
pp
Hp.
Perc. 2 (Vibes)
Perc. 3 (B.D.)
mp
pp
2, 4
p
Hn.
Tba.
3
mf
pp
mf
mf
3
p
Fq
rit.
E
pp
pp
47
1 40
Fl. 2
Ob.
E.H.
Cl.
B. Cl.
pp
Bsn.
pp
Cbsn.
1, 3 Hn. 2, 4
C Tpt. 1, 2 (straight)
Tbn. 1, 2
Tba.
Timp.
pp
pp
pp
3
p
mf
pp
fp
3
p
mf
fp
bucket mute (1. & 2.)
2.
pp
mp
pp
(med. mallets)
mp
p
pp
1.
pp
mf
Vibraphone
mf
3
f
3
mf
mf
3
loco
3
p
mf
f
pizz
f
pizz
pp
mp
pizz
mp
3
3
f
mp
pp
f
pp
pp
f
f
3
3
mf
mp
mf
3
mp
pp
mp
pp
p
pp
pp
3
pp
pp
pp
bowed
p
pp
p
f
pp
straight mute (1. & 2.)
mp
mp
pp
Marimba
mf
mf
pp
3
pp
pp
pp
Cb.
pp
pp
Vc. (div)
Vla. (div)
p
mp
5
Perc. 3 (B.D.)
Vln. II (div)
Perc. 2 (Mar.)
Vln. I (div)
Perc. 1 (Vibes)
Pno.
mf
Hp.
mf
mp
mp
mp
pp
mp
mp
pp
mp
pp
3
3
48
G 1 46
pp
mf
Fl.
2
Ob.
E.H.
B. Cl.
3
pp
Bsn.
3
p
pp
Cbsn.
1, 3 Hn.
2, 4
mp
pp C Tpt. 1, 2 (straight)
Tbn. 1, 2 (bucket)
Tba.
Timp.
Perc. 2 (Mar.)
Perc. 3 (B.D.)
mp mp
Vln. I (div)
(pizz) Vla. (div) (pizz)
Vc. (div)
Cb. (pizz)
3
p
pp
2.
pp
med. mallets
mf
soft-med mallets
mf
mp
mp
3
3
mp
mf
non trem.
pp
arco
pp
pp
mf
mf
remove mute
pp
mp
mf
p
3
mp
mp
pp
p
3
3 3 3
pp
mf
3
mf
pp
mf
pp
mf
pp
f
pp
mp
pp
mp
mf
mp
pp
mp
pp
arco
f
pp
f
pp
f
mp
mp
mf
mf
pp
f
mp
pp
1.
3
p
mf
pp
mp
1. pp
2. pp
3
3
pp
mf
pp
p
3
pp
3
p
pp
pp
(f )
mf
pp
mp
mf
Vln. II (div)
pp
Pno.
pp
mf
pp
3
mf
mp
3
pp
pp
pp
Hp.
bowed
Perc. 1 (Vibes)
pp
mf
pp
pp
3
fp
mp
2.
pp
pp
pp
p
pp
pp
mf
f
mp
mf
mp
Cl.
pp
mf
pp
pp
pp
pp
pp
pp
pp
arco
pp
pp
49
1
ord.
51
Fl.
flt.
fp
3
2
f
pp
mp
Bsn.
Cbsn.
mp
f
mp
3
p
mf
f
fp
f
stopped
pp
pp
p
pp
Pno.
harmon mute
mp
pp
pp
Vln. I (div)
f
mp
pp
Cb.
3 3
mf
non div.
mf
p
p
3
3
non div.
3
3
pp
f
Vc. (div)
mf
Vla. (div)
p
Vln. II (div)
mp
pp
f
mf
mp
pp
pp
Hp.
mf
Perc. 3 (B.D.)
pp
p
mf
mp
mp
mp
pp
1.
pp
Perc. 2 (Mar.)
C Tpt. 1, 2
Perc. 1 (Vibes)
3
fp
Timp.
f
Tba.
f
2, 4
Tbn. 1, 2 (bucket)
pp
mf
Hn.
fp
1, 3
3
pp
p
pp
p
mf
B. Cl.
3
Cl.
E.H.
f
Ob.
ord.
mf
mf
mf
mf
mf
pp
mf
pp
mf
pp
pp
pp
pp
pp
50
H 56
1
3
mf
Fl.
2
Ob.
pp
p
E.H.
Cl.
B. Cl.
Bsn.
Cbsn.
pp
mf
3
pp
2, 4
C Tpt. 1, 2
1, 3 Hn.
Tbn. 1, 2 (bucket)
Tba.
Timp.
Perc. 1 (Vibes)
Perc. 2 (Mar.)
Perc. 3 (B.D.)
Hp.
Pno.
Vln. I (div)
Vln. II (div)
Vc. (div)
Cb.
pp
pp
mp
mf
mp
pp
mp
pp
pp bowed
mp
pp
pp
Vla. (div)
mf
mf
pp
pp
f
ff
mf
pp
pp
pp
mf
mf
pp
pp
mf
mf
pp
51
I 1 61
Ob.
E.H.
Cl.
B. Cl.
Bsn.
Fl. 2
pp Cbsn.
pp
2, 4
C Tpt. 1, 2
1, 3 Hn.
Tbn. 1, 2 (bucket)
Tba.
Timp.
Perc. 1 (Vibes)
Hp.
Pno.
Vln. I (div)
1.
pp
mf
pp
Vla. (div)
Vc. (div)
pp
Vln. II (div)
Cb.
pp
Perc. 2 (Mar.)
Perc. 3 (B.D.)
mf
mf
mf
sul tasto pp
mf
mf
pp
sul tasto
pp
sul tasto
sul tasto pp
sul tasto
pp
Glock.
52
rit.
1
Ob.
E.H.
Cl.
B. Cl.
Bsn.
66
Fl. 2
Cbsn.
mf
pp
pp
mf
2, 4
C Tpt. 1, 2
1, 3 Hn.
Tbn. 1, 2 (bucket)
Tba.
Timp.
Perc. 1 (Vibes)
Hp.
Pno.
Vln. I (div)
mf
pp
pp
pp
mf
3
mf
3
3
mf
Glockenspiel
p
mp
p
p
Vla. (div)
(sul tasto) Vc. (div)
(sul tasto)
(sul tasto)
(sul tasto)
Vln. II (div)
Cb. (sul tasto)
med. mallets
mf
Perc. 2 (Mar.)
Perc. 3 (Glock)
mf
3
mf
mf
mf
sul pont
pp sul pont
mf
pp
mf
pp