Fahey: Impressions

Peter Fahey

IMPRESSIONS for orchestra

_____________________ Peter Fahey

IMPRESSIONS for orchestra I. Prelude II. Monody III. Tintinnabulation 2007, revised 2012

FULL SCORE _______________________________________________________________________________________________________________________________________________________________________

INSTRUMENTATION 3 Flutes (flutes 1 & 2 doubling piccolo; flute 3 doubling piccolo & alto flute) 3 Oboes 3 Clarinets in Bb (clarinet 3 doubling bass clarinet in Bb) 3 Bassoons (bassoon 3 doubling contrabassoon) 4 Horns in F 3 Trumpets in C 2 Tenor Trombones Bass Trombone Tuba 3 Percussion Percussion 1: glockenspiel; large crash cymbal; side drum; bass drum Percussion 2: glockenspiel; suspended cymbal (regular Turkish); tam-tam; whip Percussion 3: xylophone; large crash cymbal; 2 suspended cymbals (1 regular Turkish, 1 Chinese); side drum

Timpani Harp Piano (doubling celesta) Strings

The score is written in C. Duration: approx. 12’

ACO Online Library version // Š 2012 Peter Fahey (www.peterfahey.com)

Peter Fahey

Score in C

IMPRESSIONS for orchestra

I. Prelude

q = 108-112

F Horn 1

  





 



trill) A (timbral         



ppp

F Horn 2

F Horn 3

 



 





 





    

blow tonelessly through instrument





 







 



C Trumpet 1







 “ pp ”

C Trumpet 2

C Trumpet 3

 











“ pp ”

Tenor Trombones 1 & 2

Bass Trombone

 



  







Percussion 2

  





  





*s. f.        “ ff ”

Violin I

*s. f.

3  3         “ ff ”

*s. f.

bowed (double bass bow), rich sound



pp

“ ff ”

3

II             “ ff ” 3

*s. f.

“ ff ”

  

II

3

3

  

3

Viola

*s. f.

    “ ff ”



* s. f.

  3    “ ff ”

p

3 3           3

3

p

3

     p “ ff ”

   

3    



“p”

 



 



pp

II

       III

 3



   



arco





p

“ ff ”

3

  s. f.           “ ff ” 3

pp

arco saltando

        





3

  



s. f.

       “ ff ”

         pp

   s. f.    

arco



pp



3



“ ff ”

 3            pp

slow gliss. to an indefinite pitch; keep fingers same distance apart so that harmonic keeps changing ("seagull effect")

    



   





s. f.

  “ ff ”

*silent fingering (s. f.): finger the notes without bowing or plucking the strings. Press down on the strings with greater pressure than normal to make the notes more audible. © 2012 Peter Fahey (go to www.peterfahey.com for more information)

arco, behind the bridge

s. f.

3 3 IV     3                 p “ ff ”

p

3

III  3             

  3             

pizz. (l. v.) s. f.

 

      

s. f.

pizz. (l. v.)

3

III

  





s. f.         “ ff ”

      

3      

III s. f.

pizz. (l. v.)

III

“p” blow tonelessly through instrument plunger mute

arco

pp

3

       



fz

 



pp

“ ff ”



blow tonelessly through instrument plunger mute

arco, behind the bridge

pizz. III (l. v.) s. f.

“ ff ”

3 III                   

“ ff ”

   

pp

*s. f.

Double Bass

3

arco              

IV

“ ff ”

Violoncello



 s. f. 3 3                                     “ ff ” pp

s. f.   3                        

*s. f.



“ ff ”

s. f.

arco, behind the bridge



“ ff ”



     

 

behind the arco bridge saltando



          *s. f.

“ ff ”





Sus. cymbal scrape with triangle beater

arco s. f. 3      3                         

II



A s. f. IV   s. f. 3 3 3                                       3  3 3 “ ff ” pp

pp

3  

  (l. v.)   



Violin II

       

    

  

arco

3       



  



3

3



“ ffz ”



3

3

3

“p”

                   

            3





arco

3

III

     “ ffz ”

fz



s. f.                       p

    

 



pizz. (l. v.)

3

“p”

 





“ ffz ”



“ fz ”

Large crash cymbal Percussion 1

“p”

“ fz ”





    



blow tonelessly through instrument





“ ffz ”



    

“ pp ”

 

     “ fz ”





    





blow tonelessly through instrument





“ ffz ”

blow tonelessly through instrument





blow tonelessly through instrument

“p”

 



    

“p”

F Horn 4



“p” “ ffz ” blow tonelessly through instrument

 



fz



“ ff ”

         I   3



    III

3



2

  

6

 Picc. 3 (fl. 3)   Fl. 1

 

Fl. 2



Cl. 1 & 2

 

p

ppp

p

 



ppp blow tonelessly through instrument

  



 “p”

B. Cl. (cl. 3)

Hn. 1

“p”



Tbns. 1 & 2

  



Timp.





 



 Perc. 1 Perc. 3





 

    



 



 





 



 



 





 

“ ffz ”

“ ffz ”









  

“ ffz ”

 

harmon mute (stem half out)





p



 





  

(plunger mute)

  

(plunger mute) (toneless)

pizz. (l. v.) III

s. f.

3

II

3

pizz. (l. v.) s. f.

“ ff ”

p

s. f.

p

 

 

    

3

3

pizz. (l. v.)

         3

p

“ ff ”



II s. f.



3

s. f.

“ ff ” pizz. (l. v.)

 

p

“p” (toneless)

“ ffz ”

 



     

     



mf



  

3

               

 



pp s. f.





“ ff ” 3

    II

3



I



 



 



 

  

IV

III



III

  



   

arco

pp

III

   

arco

p





      arco

  

“ ff ”

“p”

   

“p”

    

 

pizz. (l. v.)





pp

            “ ff ”

pizz. (l. v.) III

pizz. (l. v.)     

3

 

mp

 



3

q

( )

3

  3

 

“ ff ”

       I

3

3

3

3

“ ff ” s. f.

   

3

mp

“ ff ”

“ ff ”

 



arco

pp

 

 pizz. (l. v.)   s. f. 3                                    arco

pizz. (l. v.) III s. f. p

bow on the corner of the bridge (see violin 1, bar 11)

pizz. (l. v.) s. f.   3                               3 mp 3

 

bow on the corner pizz. of the bridge (l. v.)

III

pp

   

mp

    

pp

  

    

III   s. f. 3            “ ff ”

pp

arco

    

f. IV    s.                               3 s. f.

 

col legno battuto (behind the bridge)



pp

III

 II      

col legno battuto (behind the bridge)

  3                   p 3

pp

3

pp



 

 

arco

3



         

3

    3                3



p

3

(s.f.)

s. f.





 3 

3

“ ff ”

3

pizz. (l. v.)



B

   

3

3         

p “ ff ” 3 arco saltando

3

p



arco

3 IV                     3

s. f.

 

fz

3                   

  







3

pizz. (l. v.)

3       

s. f.



 

p

3

“ ff ”





  

 



s. f.

pp

 



bowed crash cymbal



behind the arco bridge saltando

arco





        3



“ ffz ”



 



“ ffz ”



                              “ ff ”  

3

       

  



“p”

3

IV

       

III

  



II

s. f.

“ ff ”

pizz. (l. v.) s. f.

II               3



“ ffz ”

“ ffz ”

“ ffz ”

p



 s. f.     II             3   

     



  





“p” sim.



arco

s. f.

(s.f.) II

  

fz

behind the bridge

arco saltando

 



“ p”

“p” (toneless)

II s. f. s. f.  3 3 III  II                                               “ ff ” “ ff ” 3 3  pp pp “ ff ”

   

Vln. II

Db.



     

p s. f.



  

“p”

 



 

(toneless)

  



  

    

blow tonelessly through instrument

(toneless)

  



   

                         p “ ff ” pp

 

fz

Large crash cymbal bowed (double bass bow), rich sound



“ ff ”

 

Vc.

   

  







fz



(s. f.)

Vla.

 

 







  

pp

3     3          3

Vln. I

“ ffz ”

 



pizz. (l. v.) IV

“p”



  

pp







mf bowed crash cymbal

arco

      

 







p



    

 



 

 

strike body of timp. with hard stick

p

ppp

“ ffz ”

“ ffz ”

  









 



  

“ ffz ”

“ ffz ”

B. Tbn.







p



“ ffz ”



    

ppp

 

 

“p”

  

 

sim.





“ ffz ”

 

 



“t________________f” p fz



 

    

“ ffz ”

“p”

 

  

p



fz

“p” sim.

  

  



ppp

  

partially cover the embouchure hole and articulate phonetic into instrument

 



“p” sim.

 

 





 

 



“p” sim.

  



 



 



 

“p”

blow tonelessly through instrument

 

 

 

M



 

Tpt. 3

h.



“p”

Tpt. 2

 ( )



 

Tpt. 1

p

p

 

Hn. 4



multiphonic (indeterminate)



  

Hn. 3





“ ffz ”



Hn. 2





ppp

 

B



q

( )



pizz. (l. v.)

II

I

mp



mp

 

(h) arco slow gliss. to an indefinite pitch (as before)

   

pp

glis s.





11

  Picc. 3 (fl. 3)  

Fl. 1

 



to flute





ppp













ppp

Hn. 1

   

(toneless)





  

Tpt. 1

Tpt. 2

Tpt. 3

Tbns. 1 & 2

B. Tbn.



“ fz ” “ p ”

(toneless)

  

“ pp ”

 



 



 



   





















  







blow tonelessly through instrument

      

(toneless)









   







      





 



 

“p”

 

pp







“ fz ” “ p ”

 3  III           “ ff ”



3

   

“ ff ” strike strings with hand



II





   

  

mp

f I s. f.



 



 

 

C 





  











“ fz ”

bow tonelessly on the bridge



    



“p”











“p”

   



   

“ fz ”



 (l. v.)   







  s. f.III   3 3                “ ff ” “ ff ”

  





  





arco II I

s. f.

     

                 

pp

3

3





s. f.

     

IV

   

arco saltando

3



 s. f.      III 3                             “ ff ” pp ("hammer on") s. f. IV

 II  

3



“ ff ”





pizz. (l. v.) IV

 

s. f.



   

p



3

“ ff ”

   3     

s. f.



    3



“ ff ”





        I

s. f.

“ ff ”







I

3

   

    3



arco

s. f.

“ ff ”

 

III









pp

pizz. (l. v.) II



   II      



3

III

s. f.



3

“ ff ”

“ fffz ” III

arco

s. f.

“ fffz ”

“ ff ”



fz

bow on the tailpiece, close to the tuning mechanisms, with a good amount of pressure to produce a dry rattling sound. (The bow may be held in the fist.)

“ fz ”

bow tonelessly on the bridge

IV

   

“ fz ”



p



p



“p”

pizz. (l. v.) IV



p

  





p

bow tonelessly on the bridge

3                 “ ff ”



  bow on the tailpiece  







bowed crash cymbal















p

 

mp

III





fz





“ ffz ”

“f ”

ppp

strike strings with hand 3





pizz. (l. v.) III



  

“f ”

ppp

Vla. s. f.



  



ppp

s. f.

f

“p”



II

“ fz ”

  



ppp

  

f



    

(toneless)



“ fz ”

Vln. II

    





“ ffz ”

Side drum (snare on)



   



“ fz ”

 

“ fz ” “ p ”

“ fz ”

  

  



  







“ fz ”

“p”

   

  



(toneless)



“ fz ”

(plunger mute)





bow on the corner of the bridge

 

 “p”

   



“ fz ”

(toneless)

“ fz ”

   

  

 “p”

(plunger mute)



  

(toneless)



“ fz ”

(toneless)



   

“ fz ”

(toneless)



bow on the right-hand corner of the bridge while resting the lower part of the bow against the body of the instrument (toneless bowing sound)

Vln. I



fz





“p”

  



“p”

  

ppp

 



(toneless)

  





“p”











ppp

“t_f” fz













  

pp

“p”

 



   

“ ffz ”











“p”

  Perc. 1  

Db.

 

   

“ fz ” “ p ”



   



 

“ ffz ”

   



“ pp ”

Vc.



“ fz ” “ p ”

(toneless)

 

  



“ ffz ”

   





 Tba.  

Perc. 3



“ ffz ”

   

(toneless)

  



“ fz ” “ p ”

“ pp ” Hn. 4







   

“ pp ”

Hn. 3







“ pp ” Hn. 2



3



Flute (3)

ppp

ppp

  Fl. 2   



C





   

p





   

 

3



  



    III





  II  





s. f.

 



3

“ ff ” s. f.     “ ff ”

4 18

 Fl. 1 



Fl. 2



Fl. 3

 



p



    3    



3

ppp

 

“ ff ”



p



ppp

 

“ ff ”

3

                 key clicks



p





“p”

ppp

 

M

 



“p”



fz







 



     

  



“p”



“ fz ” “ p ”













“p”



  



“ fz ” “ p ”







 



     





  



“p”



Tbns. 1 & 2



3           

key clicks



“t____________f” p fz

3

“ ff ”



 







 







 







 

“ ffz ”

(toneless) plunger mute Tpt. 3

3

“ ffz ”

     

 



“ fz ” “ p ”

“ ffz ”









(toneless; flutter tongue) senza sord. flz.

 

“p”

B. Tbn.







    

    p



fz

D

        





“ ff ” (s. f.) III

  Vln. II





IV 3

 



      

  

3

IV

  

“p”

3





3

Vc.

 

II

     

Db.

 







I

IV











ppp

                3

 







I

 p



arco

IV

 p

arco



 p

ppp

           3

I

            

3

3

3

 p

ppp



 

 

 

 







3

 

           II           III

3







 







 



 

3

pp

3



 





                

3

               3 “ ff ”

(s. f.)



III 3

arco, behind the s. f. bridge III ("hammer-on") II

(s. f.)

 

ppp

        3

3

(s. f.)

 



arco

IV

II

3



arco

III 3                       3 s. f.

 

“ fz ”

Vla.

    

 

“ fz ”

  



pp

       



  

“p”

                     3 

s. f.

      

 



bow on the inner part of one of the tuning pegs on the right hand side of the peg box to produce a toneless hissing sound



arco   I            



III s. f.  3                      “ ff ”  pp

III

3





arco saltando

s. f.

 

IV

3



   



                   pp

s. f. II

("hammer-on") s. f.



arco saltando

3      3           3

Vln. I



(toneless; flutter tongue) senza sord. flz.

 

“p”

Tam-tam bowed (double bass bow)

Perc. 2

 

 3                



(toneless) plunger mute



“ch_f” fz

“ ff ”



(toneless) plunger mute Tpt. 2

  

“ ff ”





3

3  3             

“f ”

key clicks

“ ff ”

q)

multiphonic (indeterminate)





“ ff ”

h



   

“f ”

key clicks

“t_f” jet whistle: cover the embouchure fz hole completely with the mouth and blow forcefully into the tube key clicks for an airy harmonic gliss.



   

jet whistle

3

3 3 3                        

pp

Tpt. 1

3                        

key clicks

(

B. Cl. (cl. 3)

D

key clicks: cover the embouchure hole completely with the tongue or lip and slap down on the keys (the sounding pitch will be a major seventh below the written pitch).

3

3

strike strings with hand





     f





  

5

E key clicks

 3            Fl. 1       24

Fl. 2

3

  





jet whistle





“p”

“ch_f” fz

Fl. 3

Cl. 1 & 2

  

Hn. 2

Hn. 3

Tpt. 1

  



jet whistle





“p”

“t___________________f” fz p

    







  

 

“ fz ”

 





3

5

  

    

(toneless)





   

    

  

     







 









 



to clarinet





 





 



 



 



“ fz ”



 



 



 

  

 



  

harmon mute (stem half out)









  



“ fz ”

B. Tbn.

     







   

“ fz ”

Perc. 1

Perc. 2

Perc. 3

   



p

 

  

 



“f”

“f”





Vc.

Db.

      

 

“ ff ”

           “ ff ”





     



ppp

  







ppp

      

behind the bridge

p

          p  saltando                    

p behind the bridge



        

p

II

s. f.

“ ff ”



arco

s. f.









  3

pp

3

     

arco

pp



“ ff ”

       3   

s. f.

“ ff ”

3

    

s. f. III

            

pp

IV

          3

 

3



“ ff ”



3



        pizz. (l. v.) III

   p

s. f. IV

    “ ff ”

3

 

         pp arco

         



3

pp

“ ff ”

  3         arco

s. f.

    

3

3

“ ff ”

pizz. (l. v.) s. f. IV III

      

        

“ ff ”

3

3  3         

s. f.



pp



pp

        

             arco



pp

3         

     

s. f.   3                        

p

3

3



 

3

           

3

 3   

 

slow gliss. to an indefinite pitch (as before)

gliss.

 

arco saltando

“ ff ”

s. f.

  







Side drum (snare on)

 



s. f.

III

  3    

“ ff ” 3

 

     

 

3

      

      

p



pp

3



p



fz

III

s. f.

ppp

     

s. f.

p





s. f.    3               “ ff ”  



3

3                “ ff ”

ppp

    Vla.

   

III

3



 

saltando

s. f.

s. f. III

    



  







p

“ ff ”

P       



“ ffz ”

Sus. cymbal scrape with triangle beater



E   

T

Vln. II

fz





  

gliss.

“p”



a brushing motion on the surface of the strings (II & III) with the wood of the bow - move the bow rapidly and loosely from side to side (rather than up and down), like a windscreen wiper, between the vicinity of the fingerboard (tasto) and the the bridge (pont.) P T



 

“ fz ”

 



       Vln. I

“p”



 

VII

I flz.

VII

I

  (l. v.)  

bowed crash cymbal





“ ffz ”

  

pp



“p”

gliss.

 

 

“ fz ”





pp



  

gliss.

“p”

  



  

VII

 

  

gliss.

pp

fz

I flz.

VII

I

 



p

Tbns. 1 & 2



“ fz ”

(toneless)

  

     

  

“ch________________f” fz p

“ch_f” fz

                 



key clicks

     

“p” Hn. 1



“ fz ”

“p”

B. Cl. (cl. 3)

    







pp



molto sul pont.





pppp

3 3            3

 

          

saltando

strike strings with hand

  

f



IV

  

3





arco molto sul pont.

      3

pppp poco a poco cresc.

6

F 28

 Fl. 1 

  









Fl. 3

    

flz.

 

pp



Cl. 1

(toneless)

“p”



Cl. 2



(toneless)







 





 





 





  



“ fz ”





fz

  



   



 

 



    





 









Timp.



p





p



fz



3              3

pppp

     





3        

    IV (s. f.)



 





arco molto sul pont.

        3

pppp

Vla.

      





       





3

poco a poco cresc.

         poco a poco cresc. 3

3

3

               pppp poco a poco cresc.

  3       

3

     

 

 



  

 

   

 

 plunger mute

         

(plunger)

 





       

p



 









mf

F

pizz. (l. v.) II

  



 

                molto sul pont.                 3

      

ord.



 



3

       

molto sul pont.

          3

3

3

   

3         





  



3       

  



      



3

    

3      

 

    



molto sul pont.







 

    

 

3

    

3          

3        

      

ord.

3



 



  

      

 

ord. molto sul pont. 3       3            

     ord.

 





     

      

       

molto sul pont.

      





 molto sul pont.                          

ord.

3

3

3

molto sul pont.

   



 

ord. saltando

arco molto sul pont.

3

3

     



 



ord.  3               ord.



 

            3 3

     

plunger mute

p

  



molto sul pont.

       

3

arco molto sul pont.





 



3

3         



 

     

3



fz



3

poco a poco cresc.

poco a poco cresc. molto sul pont.

pppp



3

saltando

pppp

 

mf

3

molto sul pont.

pp



3

3

  



mf

p

            

     

   

fz

 

                     poco a poco cresc.

arco

  



       

   

3         

pppp

 

     

arco molto sul pont.

(s. f.)



 

   

poco a poco cresc.







pppp

    

strike body of instrument with hard stick

p

      

     

 



fz

    







 



molto sul pont.

pp

Db.

f

 

 



p

 

poco a poco cresc.

arco





 

fz



  3 

(sus. cymbal) scrape

molto sul pont.

Vc.







  



fz



"squawk": same as clarinet 1

p

  



 

Vln. II

f

 



  



 



 Perc. 2     Perc. 3   

Vln. I



    



plunger mute

B. Tbn.



 

  

p

plunger mute (1 & 2)

Tbns. 1 & 2

"squawk": detach the mouthpiece from the body of the instrument and suck air through the back of the mouthpiece. A large amount of pressure is required.

 



p





Tpt. 3



  



harmon mute (stem half out)

Tpt. 2

“ fz ”

  





 



fz

Tpt. 1

 



p

 



fz

Hn. 3



 



“ fz ”

(toneless)

   

Hn. 2



 



  

“p”

Hn. 1

“p”

  

“ fz ”

“p” Cl. 3

jet whistle

fz

  





  



“ch___________________f” p fz

“ch_f” fz

 

   

ord.

3          

3         

 

3 3 3                              

7 32

  Fl. 1   Fl. 2

Fl. 3

Cl. 1

Cl. 2



  

flz.

 

p flz.

  

p

  

     

Hn. 2

Hn. 3

Hn. 4

Tpt. 1

Tpt. 2



  

sim.

Tbns. 1 & 2

 

f (toneless)

   









“f ” (toneless)

  

Tba.

“f ” (toneless)

  

“f ”

       



     fz       



  

Vln. I



  

Glockenspiel



mf cresc.

  

Glockenspiel hard sticks



   

  

mf 3

 

 





3









 



“p”







 





  

cresc.





mf

        3



 



molto sul pont.



mf

 



(ord.)

3 3              mf

    



molto sul pont.

                 3

        3

      



3

3

                  mf

            mf    (ord.)             mf

(ord.)

(ord.) saltando

(ord.) saltando

3          

 

               mf

    3

 

     



strike strings

  with hand    f

f

      



f

     



“ fz ”



(behind the f bridge)

       f



 

    

 

“ fz ”

(toneless)



“p”

“ fz ”



 





 





 “p”



q

   



 

   



 



 



 

( )

(toneless) I

gliss.

q

( )

gliss.

VII

“ fz ” VII

“ fz ” (toneless)

 “p”

 

   “ fz ”













 







 







 

molto sul tasto



 

 

 

 

 

 

 

 

 

    

 

 

            ppppp

 

 

 

 

 

 

 

molto sul tasto    

 

 

 

 

 

 

 

 

ff

        

  

ff

  



     

 

 

ppppp

ff

molto sul tasto

 

ppppp molto sul tasto

ppppp molto sul tasto

ppppp

molto sul tasto

ff

molto sul tasto ppppp

ff

           

ppppp

ff

       

    



   

                   





“p” “ fz ” (toneless)

ff

        

f

 

“ fz ”

(toneless)

 



(toneless) I

G              

    



    



“ fz ”

ff

               saltando                      saltando                         (ord.)           f  mf  (ord.)             mf

 





   

     p ffz                                    

saltando







 

      

(ord.)

    

(toneless)

“ fz ”

 

6



   

   

5





“p” (toneless)

  

3









 

 



(toneless) plunger mute

 





“p”



 



 



  

3

 







 

 



   

“ fz ”



“p”

Side drum (snare on)

 



“p”

   

3

“t_________f” “p” “ fz ”



   



“p” (toneless)



“ fz ”

“ fz ”



(plunger)

    





   

(plunger)





   

   

(articulate phonetic into instrument)



 



 



     ff      ff      ff  





(ord.)

              

   





“ fffz ”

“p” toneless air sound

“p” toneless air sound

  



 

 





3

Db.









                    5 ff 3        3                 



Vc.



      

mf cresc.

  

Vla.



 



  

Vln. II



“ fffz ”

toneless air sound



“p”

 

  



“ fff ”



 Perc. 3    Cel.

  

    

    









 

“f ”







  

“f ”

jet whistle



  

“ fff ”



“ fffz ”



3

  

 

    



hard sticks    Perc. 1    

Perc. 2

 

“ fff ”



“f ”

   

    

“f ” (toneless)

  





“ fff ”



jet whistle

    

"squawk": same as clarinets 1 & 2 sim. 3

fz

B. Tbn.





jet whistle



 

fz “t_f”

    

fz

Tpt. 3

    

fz

  

sim.



 Cl. 3     Hn. 1



fz

 

  

 

G     

     ff

molto sul tasto

 

ppppp

         ff

 

molto sul pont.

ppppp

 

8 37

  Fl. 1    Fl. 2

 

     

(sim.)

“cha” fz



   

 



H 



  

jet whistle





Fl. 3



 







(toneless)











 



 



(toneless)



     

“p”

Cl. 2

 



 





“p”

Cl. 3

  



 





  



 





  



  





       











Hn. 2



 













“ fz ”



(toneless; flutter tongue) flz.









 



 









Tpt. 1-3

Tbns. 1 & 2

    

 



 



(toneless) (plunger)

 

“p”



       



(toneless)



“p”

    





“ ffz ”







(toneless) I



gliss.

“p”



(toneless; flutter tongue) senza sord.flz.

      

“ fz ”

“p”

 

      



 

      



 



 



 



 



 



 



 



 

      

flz.

“ fffz ”

      

flz.

“ fffz ”

      

flz.

  “p”

“ fffz ”

 

    

“p”

“ ffz ” “ p ”

(q) (toneless; flutter tongue) VII I flz.

VII



“ fffz ”

 

(toneless; flutter tongue)





 

“ fffz ”

 

(toneless; flutter tongue)







“ fz ” “ p ”

 





“ fffz ”

“p”

Hn. 4

 

      

(toneless)

 

(toneless; flutter tongue)







“ fffz ”

“p”

Hn. 3



      

(toneless)

“p”

 

 

 

 

“p”





(articulate phonetic into instrument)

“p”

   



 

“cha” fz



   

 

“ fz ”



“ fz ”



jet whistle

“p”



“ fz ”

(toneless)



“p”

Hn. 1



“t_________f” “p” “ fz ”

“ fz ”

(toneless)



   

“ fz ”

(toneless)

“p”

Cl. 1



“ p ” “ fz ”

“cha” fz

“p”

 

(articulate phonetic into instrument)

    

     

flz.

“ fffz ”

(sim.) I flz.

 



gliss.

“ ffz ”

VII

gliss.

“p”

      “ fffz ”

q

( )

B. Tbn.

 



 







(toneless) I



gliss.

“p”

 Tba.  



 





(toneless; flutter tongue) VII I flz.

     

VII

“ fz ”



    





gliss.

“p”

“ ffz ”





Perc. 1

Perc. 2

Perc. 3

  



 



  



      Vln. I          Vln. II         Vla.          Vc.       Db.   







p Sus. cymbal scrape with triangle beater





p

                                 

  



 

fz



fz

 

   

p









  

fz

Tam-tam bowed (double bass bow) rich sound (l. v.)



p

   

fz

Sus. cymbal









p

 

 

 

 

 

 

 

 

 

           

           

“ fz ”

“p”

gliss.

       “ fffz ”

      “ fffz ”

    

 

(l. v.)      



 

 



 

             

             

p



             



fz

Side drum (snare on) rimshot

   



p scrape with back (ring) of wire brush

 

 

flz.

    



H  

“p”

VII

solo

Large crash cymbal bowed (double bass bow) rich sound



 

(toneless; flutter tongue) flz.

“p” Large crash cymbal bowed (double bass bow) rich sound

(sim.) I flz.



fffz

fz

                              



 

(put bow down for start of second movement)



 

(put bow down for start of second movement)

       

             

II. Monody q = c. 80

  Flute 1   

Flute 2

Alto Flute (fl. 3)

Oboe 1

Bb Clarinet 1

Bb Clarinet 2

Bb Bass Clarinet (cl. 3)

Bassoon 1

  



  



  



  



  



   

ppp



   



  



(ord.)

F Horn 4

ppp

C Trumpet 1

ppp



  







ppp

plunger mute

Tenor Trombone 1

 

ppp





plunger mute

 Tenor Trombone 2  





 



   

p

p

   



p

p





 



p



p

()    









p





 (plunger)



  

(plunger)



 

    



 





( )

   

 



( )

 



p

   Harp  









ffz (all harp harmonics sound 8va above written pitch)



 

  

 

 

3

p

 

p



 

p

 

  

  

 3   

  

  

  

 



 



 





 



p

3

p



p

 



 



  





 



 



  





 



 





  

    

      







(sempre l. v.)

3

A

















 



 



pizz.

















 



 



     f

 change bow adlib.      III

Viola

ppp

   

III

Violoncello

change bow ad lib.

ppp







I change bow ad lib.

Double Bass

  

ppp









p





ppp







p

 

put bow down



h.

(

 









p

p









ppp

  



p





 

3

  

first 2 desks only III pizz. (sempre l. v.)

 

q)

first 2 desks only pizz. I (sempre l. v.)



 



 

mp (louder if necessary. Notes should be clearly audible)

  pizz.  Violin I     f Violin II

3

   

3       

ppp

3



   

sempre legato

  ppp 





 





 

  



p

 3   

p



 

  

3       

  

 



sempre legato





p

sempre legato



p

 

ppp

(D§, C§, Bb/Eb, F§, G§, A§) sempre l. v.

  



 

()   

   

  

  



flz.









  

 

  





sempre legato

 

 

      

 

p

 



sempre legato





p

 

p

 

p

  

(alto flute)

  

flz.

  

(flutter tongue) flz.

  



 



p

   









p

  

   



  

ppp

   







p

   





p

sempre legato                p

  



ppp



   

   

 

(timbral trill)





 

(flutter tongue) flz.



    



 

p















sempre senza vib. plunger mute

C Trumpet 2







 

A

   

p

(flute)





sempre senza vib. plunger mute

  

 

p possibile

(ord.)    

ppp







ppp

F Horn 3





  

   F Horn 1   

F Horn 2



(flute)

9

3

          mp 

mp

10



 

flz.      

  

Fl. 2

flz.        

flz.

12

 Fl. 1 

 

    

 



 

B. cl.    

  



Cl. 1

Cl. 2

3



  



  

 

Tpt. 1



Tpt. 2



Tpt. 3

3

3

 

Hn. 2



             





3

Tbn. 1





   





             

 

 





  



 



        3



  





  



    

 

ppp

 

3        



    

     

 



     3

senza sord. (timbral trill)

         p

 

   









 

 



p

ppp

p

 

 



3

  

     

  

3

3

        p

 

       

    p   

( )

3

  

3

p

(harmon mute)



 



3

senza sord. (timbral trill)



 

  

  

    

  

  

     

  

3



 

3

   





 

  



 

 

  

  

 

 



3

 

flz.

  

   

3   



  

   



    

3

 

 





flz.

flz.

3    

    





( )

 

   

3

3       

    

harmon mute





3        

    

3           







  

3           

     

( )

Hn. 1



 

   

flz.

      

flz.

flz.        

    

   





flz.

   

 

A. fl.

     

(harmon mute)









     3

ppp

     

harmon mute

Tbn. 2

Hp.









 Vla. 











   



 



 

             

 



 



      

   

  

 



3

( )

ppp











 



 





 



       



3

  



  

 



mp

      





p

    

 



    

first 2 desks only

first 2 desks only

Vc.

 



first 2 desks only

 









mp

q

( )

Db.









 



  

pizz. (l. v.) I



mp





 

q



( )







3

  

flz.

   Fl. 1    18

Fl. 2

A. fl.

Cl. 1

Cl. 2

     

         

flz.

 

 

       3

Hn. 2

Hn. 3

Hn. 4

Tpt. 1

Tpt. 3

Tbn. 1

 





 



 





 



 

   

  



 





 



 

 



 





 



 



 





 



 



 





 



 



3       



   



   

   

   





 

    

 

 



      

 3

3

  

 

 



      

   



 



 



 

 





 



 





 





 



 





   



 



    

   



 



 

 

 

   

  



      

flz.





( )

Hn. 1

 

  

flz.

    



3

 B. cl.    

  

 

 

3    

 

C  

 

flz.

 

11

B

 





 



 





 





 





 





ppp





ppp





ppp



     



 

 



 

ppp

  

    

 

      





 



 



 



 





 



 



 



 



 



 





 



 

   

 



 



 



 





 



 

 



 



 





 



 

      



 



 





 



 

   

3 3          

   

C        

 



 

( )



   

 



p

 

   

   



(harmon mute)

Tbn. 2



  

( )

ppp



p

 

harmon mute



 B. Tbn.      Hp.  

( )

ppp

 

    3

     

   

   



p



B   Vln. I  

 



pizz.

 

 

ppp

Vln. II

 

 



pizz.

 

 

ppp

Vla.

  

   

first 2 desks only

3



 

tutti pizz.

 

ppp

          3

   

         

       3

         

 

3

 

p

 

         

 

3 3 3               

   

p

    

  

  

 



      p

      

 

 

 

first 2 desks only

 Vc.  



 





 







12

D 25

Fl. 1

  

 





 



  



      

     

ppp A. fl.

 

 





 



p

 



3       

       



ppp Cl. 2

 

 





 



p

    

 



ppp B. cl.

  

   3 Hn. 1     ( )



( )

Hn. 2

Hn. 3

 



  



      

3        

  

pp

3

          



     

3



    

pp



          Hn. 4      3

        Vln. I     

 3         

 3   

 

  



 

   

3

 

 3    





      



  

 

    

    

D  3            

3      

 

    

 

    

3      

 

3 3 3                    

  Vla.    

  

 

3

3

  

 

3    

  

 





                3





p

 

  

          

3

pp

 

 

pp

( )

Vln. II



p

   

 



 

ppp

() 3       

 

 



 

3



 



 



 

 



 



 

 



 



 

 



 



 

  

   3              

 

      3            

   

3         

  

  

 

 



  

32

  Fl. 1      

Fl. 2

A. fl.

Cl. 1

Cl. 2

 

   

     flz.

 





ppp

 



      

 3  

     Vln. I      

 

    

Vln. II

Vla.

 3       

      

3       

 

 

   

 

  

       3

    p





 

    



flz.

 

ppp

   

    

   

   

  

 3             

    

  

   

   





 

3



      5

 

        3    

p

   



      

  

ppp

3     

3                

  

E      

p

p

3    

  

3        

 



          ppp

3       

 

 

 3   

3             

 



    

B. cl.

  

3   3         

3      

 

 

 

    3

 



ppp



  3     





  

   



 

 

E   3     

 

 3   

      

      

 

 

 

 

   

 

 

 

3

 

13 39

   Fl. 1      Fl. 2

A. fl.

Cl. 1

Cl. 2

B. cl.

 

3

flz.

ppp

Hn. 2

Hn. 3

Hn. 4

       

 

Vla.

Vc.

ppp

ppp

        

    

3

         

 



 

 



  



  

     

3



  



3

      

          



 



 



  

 3 



 



3





to piccolo





     



 

  

 

 

   

 



3

ppp

p

 

 



 



 



   

 

 

 



 

to piccolo

 



 

 



 

 



 

 



 



 3   





 



 3   





 

(ord.)





p

(ord.)



  

 

   

 

 

 



 



 



 

p



ppp

p

F    

  tutti, div.    

ppp

  

3     

45

   Hn. 1            

   



3

    

 

   

 

 

 

 

                  







3            

  

 

3

 



p

 

p

     

3

   

  

   



mp decresc.

3    

( )

Hn. 2

    





   

 

ppp



p

3         

3      

 

ppp

 3   

  

          3



ppp

 





p



 

 

     to clarinet     

   

 

    3       



ppp

3



       

 

             

 

               



 

 



3

 

 



   

p ppp

ppp

 

        



 

  

  

      



3          

        3  

 

3

      

3

  

 

p

  

p

   

      



      Vln. I           3 Vln. II

 

3



to piccolo         

flz.

p

   

  

 

      

 

3

Hn. 1

 

   

F

    

   

  



   

5

 



 

mp decresc.

Hn. 3

                                                               ppp

p



p

3    

( )

Hn. 4

ppp

     

ppp

    

p

   

più p

ppp



3

    

ppp

più p

      

ppp

p

ppp

3

   

  

mp decresc.

Vln. I

Vln. II

Vla.

  

 

3

      

   

3

    Vc.

3                     

3         

 

 

   

3                   

poco a poco cresc.

       poco a poco cresc.

                            3 3 3 

  

q

( )



 

poco a poco cresc.



 

   

  

                       3 3

   



3 3                    

  3                   

poco a poco cresc.

                

 

    

 

3

3

            

3



  

poco a poco cresc. 3

    

3

   

     3

 

 

mp

mp

                3



          3

 

 

3

mp



 

mp

3        3

mp

14 52

Picc. 1

Picc. 2

 







G   



p



  



  



    



Picc. 3

Hn. 1







   

( )

Hn. 2

Hn. 3



   

  

 

    

 

   





p

ppp

  

  

  

  

  

  

3

p

   



pp

    

ppp



( )

   

 

p



ppp

mp

   



3

p





 



 



 

 



 



 

 



 

 



 

 

   

 





      

  

 

           

  

    

  

 

 

  



poco

 



 





ppp



     p

Tpt. 2

plunger mute

 





    

   

3

p

Tpt. 3

Cel.









Vla.



  



 

           

   

     

 

   

 

  

 

   

  

  

      

(use both hands)





p poco a poco cresc.

        3

 

                          3 3

 

    

G   

   

 

   

 

3

p poco a poco cresc.

            3



p poco a poco cresc.



  

p poco a poco cresc.

Vc. 3                         3

ppp

p poco a poco cresc.

   

 

  

(senza sord.)

 



  



        Vln. I        

Vln. II

 



3         

più mp

p



senza sord. (mellow tone) Tpt. 1

mp

 

p

  

  

p

   



poco

ppp

p

       

poco

3

p

più p

   

3

flz.

 



     

3

flz.

p



  

 

3                                      p

Hn. 4





 

             

3

p

  

     

    

p poco a poco cresc.

3

 

 

   

3

 3

  

3 

 

più p





ppp









3

3

(senza vib.)

3

p

3 3              

mf p

    

 

  

 

 

   

      

 

   



  

3        

  

3         

3

3

 

 

 

 

   

15

H flz.

  Picc. 1    58

 

p

mf

   

Cl. 1

Cl. 2

Cl. 3

Bsn. 1

p

 

    

  

 

    

  

 

 





 

 

    

fz

mp

5

    



mp

     

             5

fz

3

fz

mf

 

                  p

6

6

6

      



 



 



  



 



 



  

 

 



 



  

   

 



 



p

5

7

  

 

Cbsn. (bsn. 3)

  



 

   5

   5



 





p

Hn. 1

   

   



Hn. 2

  

 

  

  

mf



Hn. 3

 

Hn. 4

Tpt. 1

 



Tpt. 3

    



  

 

Tbn. 1

Tbn. 2

      mf

p

3



 



 (senza sord.)   

 

    

Vln. II

   

Vc.



   

      



 

 

       

 Db.  

3



f

 

  

5

6

 



 

5

fz







   



   

ffz

5





 

 

  p   Bass drum  



   

 

   



   



 3      

 

     

 

 

 

 

3

3



H   f

3

     mf

 

ff



     







 

 6

 

 

5

  

 

f

mf



6

  

 



 

 

     

 



 

ff

   



5



  

  

   

ff

5

  



 

 

   



ff

f



 

   

5

 

mf





ff

5

 

5



f

5



ff





6

 

  



ffz

f

   





ffz

5



6

f

 

5





 

  

 

     

 

f



ffz



6

 

7







ffz



 

fz

p

 

 

  

 





mp

    



pp



 

    

5

mf

    

 

   



ff

 

6

5



        

5





 

     

pick up bow



 

pick up bow



 

pick up bow



 

 



 

 



 

 

f

 

    f

   I

  

 

6

5

(senza sord.)

   

    

( )



    

p (senza sord.) I

   

h

   

 

 

  

   

     



mp



(senza sord.) I (with F attachment)





 

5

   

6

   



    

   

    



5

7



     

6

 

5



  





fz

   

p



Vln. I

 

    

3

 

  Perc. 1   

5

f

fz

  

 

 Tba.  

Vla.

  

più mf

 



 

    

7

ff

6

fz

mf

  



Cel.



3

 



 

B. Tbn.

  

( )

p

3

mf



        



 

3



   

 

fz

  

3





            

mf

  

    

6

 

    

ffz

 

 

     





 



 

     mf

5

fz



mf

Tpt. 2

 

mf

  



3

mf

   

fff

ff

   

f

   



                         mf

 



f

5



  



 

 

7

     

7





ff

              6

 



mf

Bsn. 2

  

6

          7

mp

  

5

mf

5

p

          6

         





ff

7

6

                   p

 



 

Ob. 3

 

mf

 

Ob. 2

flz.

 

 

Ob. 1

  

p flz.

 

flz.

Picc. 3

   

mf

  

Picc. 2

  

q.

( )



    

q

( )





( )

q

(

arco

 

 

h.)

f



f

 

p

    ffz







 

16



I 61   Picc. 1  





 





 







 







Picc. 2

Picc. 3

Ob. 1

Ob. 2

Ob. 3

Cl. 1

Cl. 2















 





    





    fff       













fff

fff











fff

Cl. 3

Bsn. 1

Bsn. 2

Cbsn. (bsn. 3)

 

fff

  

fff



   



     





fff

      

Tpt. 2

Tpt. 3

Tbn. 1

        

   

fff

     fff     

fff

 





 

 







 

 





 

 



 

 





 

 





 

 





 

 





 

 



 

 

to bassoon





 

 





 

 

  











 

























 

























 

 











(ord.)



ppppp











(ord.)

ppppp



 





ppppp

ppppp

   ppppp



ppppp







     

fff

Tpt. 1



ppppp

     Hn. 1    fff      Hn. 2  

Hn. 4

 







fff

Hn. 3







ppppp

 





ppppp



ppppp



 



 





ppppp

ppppp

 

 

 



 

 

 

 



(ord.)



























plunger mute











ppppp













ppppp





 

plunger mute







ppppp

 



ppppp



 



 



ppppp





ppppp







 



ppppp

       fff           

 

ppppp





 

 

 

 

 

 

 

 

 

 

      



      









     fff      Perc. 1   















 















 

 

      















 

 

Tbn. 2











plunger mute



ppppp

fff

B. Tbn.

 Tba.  

fff

fffz

Whip

Perc. 2

fffz

I arco     Vln. I

div.

change bow ad lib.

ppppp

arco   

change bow ad lib.

ppppp









    





    

 

change bow ad lib.

arco: sul tasto, senza vib.

Vln. II

ppppp div. uni arco: sul tasto, senza vib.

ppppp div. arco

   Vla.

div.

ppppp arco: sul tasto, senza vib.

      

arco: sul tasto, senza vib.

ppppp arco: sul tasto, senza vib. (not a harmonic!)

  

 ppppp



 







change bow ad lib.







   

 

 

   

  



  

 



 





 



 







 

 















ppppp



ppppp

change bow ad lib.

 

 

   

 

 



ppppp

 







change bow ad lib.



   

ppppp







ppppp







ppppp



 

 





 



ppppp



    





change bow ad lib.





 

   

plunger mute

ppppp





 

ppppp

 





   

ppppp unis. arco: sul tasto, senza vib. (not a harmonic!)

Db.

change bow ad lib.

change bow ad lib.

ppppp

Vc.





 

 

 

  

 

  

 

   

 

   

 

17

III. Tintinnabulation q = c. 108 Piccolo

          Flute 1  



      



mf

5

    3

Flute 2



      3

3

mf

Glockenspiel miniature brass mallets

    



   



    



    

Glockenspiel miniature brass mallets

   

  Harp



mf

      

 

pp

fz

  











 

3

mf (l. v.)



3







5

        



3

    









   

   

     

  













   

   

3

3

mf



        



5

(sempre l. v.)

(l. v.)

mf

    

       



mf







mf

Percussion 2









3

        



mf

     

mf

 Flute 3    

Percussion 1



Piccolo 

5

ppp

Piccolo

   

      





    

3







3



      3



f

(use both hands)



 Celesta    

pp



  



      

mf

        



5

mf

     



q = c. 108 div. con sord. II

h.

q

(

h

    

h)

(





(II)





mf

II

 



ppp

mf

Violin I con sord. II

 

h

 



(





h)





II







mf

h

( )

con sord. II



  

div.



h

h)



(II)

(



 mf

ppp

Violin II

h

( )

  





con sord.

 

II





 mf

II



18

       

5

Picc. 1

  

3

 

Picc. 3



    3

    3





Cl. 1 & 2



     5

p

             

   

Picc. 2

 

6







mf



      



5







3



5

ppp

            



    

 

A



      

        3



6



  



   5

fz



(niente)



mf

 

 

mf

pp



 







mf

(niente)

B. cl.





          



6



Bass clarinet (timbral trill)





        mf



(niente)

 Hn. 1 & 2







p possibile



mf

  

ppp



p possibile

Hn. 3 & 4



         mf

p possibile (timbral trill)











p possibile

Perc. 1

Perc. 2

Hp.

Cel.

  



 

       

  

  





pp

h.)

 

 

h.)

 

 

 





       

   mf

 q



 

Vln. I

(









   

      

mf

  



5

      







   

     3



    



         



3



5

3



   

pp

A  





mf

mf





mf



     

 

      

5

     



mf













mf Vln. II

h

 

( )



Vla.

 

con sord.



 



  







mf (

Db.





  





h

   

con sord. III









mf

con sord.

Vc.



   







h

h

h)

 

 

 

mf



 

(con sord.) (ord.)

   

           9

Picc. 1

mf

  

Picc. 3

5





Picc. 2

3





3

5

ppp

       

        



      

  

 

     



         



3

5





Cl. 1 & 2





mf

19

      

    



mf 5

5

                 



5





     



5







  





   3

3



  



mf

Bsn. 1 & 2















mf

    



ppp

ppp

 









    

ppp

             mf

ppp





mf

ppp

ppp

Tpt. 1

mf

ppp

      

Hn. 3 & 4



mf

ppp

Hn. 1 & 2

 





ppp



ppp



mf

ppp



harmon mute (stem half out) (+)





ppp





Tpt. 2





harmon mute (stem half out)





ppp





Tpt. 3







harmon mute (stem half out)





ppp



Tbns. 1 & 2

B. Tbn. & tba.

Perc. 1

Perc. 2

Hp.













     





ppp

p possibile

mf



ppp

p possibile

mf

ppp

 





 





   

         



5

5







 

   

5















 



ppp

     5



 

       



 









        











 

mf

Db.



    



mf sul pont.



 

(con sord.) IV

 

ppp





bisbigliando

sul pont.



  

mf



(con sord.) (ord.)

Vc.

p possibile



mf

  Vla.  

ppp



     





   

    



   

Cel.



mf





  

p possibile



(+)

 

mf



B

20 13

Picc. 1

  

Picc. 2

Picc. 3

Cl. 1 & 2



  

  















1.





       

     3



Bsn. 3

Hn. 1 & 2

   



      



mf

 

     

       

       3



3

3



mf















Tpt. 1



Tpt. 2



Tpt. 3



  



Perc. 1

Perc. 2



   

ppp

mf





ppp

mf



  





  



fz











ppp

  ppp

(ord.)

 

(ord.) mf

















 



 











 





a2

mf

ppp



con sord.



ppp

mf









 

    





 



    

      



   





   









5

     





     



   

bisbig.













ppp

fz



 

 

pp

 



 

(con sord.)





(ord.)

molto sul pont.

  



ppp



Vln. II

(con sord.)





molto sul pont.

(ord.)

  



ppp

Vc.

Db.





   

mf

div. (con sord.) ord.







   



(con sord.) sul tasto

 





 

IV

ppp





(remove mutes)





(remove mutes)







mf



(remove mutes)



   

    

     



mf

  

(con sord.) sul tasto

fz

      





mf

fz

(con sord.) ord.

Vla.





fz

B Vln. I

ppp













 



fz

    Hp. 

Cel.



5

mf

mf



3



   

mf



ppp

3

   

mf

   



      mf



ppp

B. Tbn.

fz



fz

(+)



Tbns. 1 & 2



5

mf

 



  

pp

(ord.)

(ord.) ppp

Hn. 3 & 4

 

 





5

    







            

ppp



      



ppp





 

 

fz



5



fz





 



ppp

Bsn. 1 & 2

5

ppp

ppp

B. cl.

  



    

    17

Picc. 1

5

ppp

  

Picc. 2



Picc. 3



       6









 

3

Hp.

   

 











ppp

  



    







  







 







mf

senza sord.















  





  



        





  







 







   3

fz

    



(remove mutes)





(remove mutes)













 

senza sord.



(ord.)





ppp

 mf

 

senza sord.











  mf

 

 

(ord.)



mf

ppp senza sord. II

 



III

  ppp

  

mf

pp





mf





5



  





     







ppp

 

fz

ppp





ppp







 



3

  







mf

Db.

    

fz

       



   



ppp

fz

mf

Vc.



 

ppp

 Vln. I  

5

 

fz



Cel.   

Vla.

mf

ppp

  



  

Vln. II

fz

ppp







       



f

   

 







 

ppp

fz

Perc. 2

        

6

 

ppp

Perc. 1



    

 

 







ppp

B. Tbn. & tba.

6

  

pp

ppp

Tbns. 1 & 2





  

  Hn. 1

Hn. 3 & 4

   

3



        mf

mf

         



21

a2

 Bsn. 1 & 2  

Hn. 2







Cl. 1 & 2

 

       

22 20

Picc. 1

 



      6



Cl. 1 & 2

               p



Picc. 3







Picc. 2

3

fz

 

mf

5



 



mf

 

mf

3

        3





3

ppp











ppp

mf

harmon mute

(+)

ppp







Perc. 1

Perc. 2









  

Cel.



  

(+)

    

 











  

  

    

ppp  



 

ppp

















fz





bisbig.

Hp.



  

ppp

 

  

fz

plunger mute Tbn. 2

mf

  

ppp











(+)



fz

con sord. (straight mute)



  

fz



plunger mute





con sord. (straight mute)

ppp





fz







    

ppp









    





 

 





3

     

  





 

    



5

  







5

 

mf

ppp

 

 

mf

 

Vc.

Db.

molto sul pont.







 

mf



    



C

 

senza sord.

 





senza sord.

Vla.

   

fz

 Vln. I 

Vln. II

  

 

ppp













Tbn. 1



5



ppp



ppp

        

3

ppp





3







mf

Tpt. 3

   

      

    

Tpt. 2







ppp

mf

Tpt. 1



6



ppp

    Hn. 1

Hn. 2



            

  





 



       

ppp

ppp

Bsn. 1 & 2



5



mf

B. cl.

C

             







 molto sul pont.





ppp

ord.

 

 

mf

ppp

ord.



  ppp

mf

 

 









23

Picc. 1

 





Picc. 3

      

fz

mf

    

 

Picc. 2

  

       6

      5

5

 



      

3



 



 





pp





Bsn. 1 & 2

  

f

     



5

 

         Hn. 1 & 2   



 







Tpt. 3

 Tbns. 1 & 2  

Perc. 2

Hp.

Cel.

Vln. I

  







harmon mute (stem half out)



 





  fz









 

 

 









sul pont.







  



      5



  





   





  





 



 

fz

 

 

   

poco a poco cresc.

  

 



  

   



   

sul pont.

 



 

 

ppp

f

non div.







 



     



5

poco a poco cresc.



pp

       

f

 

 

 

sul pont.

 

f

ppp





5

ppp







 

 



ppp

f

I





 

fz



   



fz

Db.



 

  

(ord.)

     





mf

fz

Vc.



 

 

fz

Vla.





ppp

3

fz

Vln. II





fz

(+)

pp



  



pp harmon mute (stem half out)(+)



 

 

poco a poco cresc.



pp

    



    

  



f

     

 

pp

(senza sord.)



ppp

Perc. 1

 

  

ppp



3



  



pp

Tpt. 2

 

pp

f





f



 

ppp

Tpt. 1

   

ppp

    

Hn. 3 & 4

 

ppp

mf

ppp



f

5

ppp f

 

 

           6



ppp





ppp

   



6







3

mf poco a poco cresc.

f

    mf

     



fz

5

ppp

Bsn. 3

5

      