The Light-Bringer (Symphony No. 1) for Orchestra
Michael-Thomas Foumai
Masters thesis submitted in partial fulfillment of the requirements for the degree of Master of Music (Music: Composition) at The University of Michigan, 2011 Date of Composition: 4/2010 – 12/2010, Composed in Residence (Ann Arbor, MI)
Instrumentation Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 Bb Clarinet 1 Bb Clarinet 2 Bass Clarinet Bassoon 1 Bassoon 2 Contrabassoon F Horn 1 F Horn 2 F Horn 3 F Horn 4 C Trumpet 1 C Trumpet 2 C Trumpet 3 Trombone 1 Trombone 2 Bass Trombone Tuba Timpani Percussion 1 (Crash Cymbals, Suspended Cymbals (Bass Bow), Slap Stick) Percussion 2 (Tam-tam (Bass Bow), Bass Drum) Percussion 3 (Xylophone, Glockenspiel, Chimes, Snare Drum, Toms (2)) Harp Violin 1 Violin 2 Viola Violoncello Double Bass
Duration: 12:00
Program Note In the Judeo-Christian tradition, there are narratives that chronicle the falling of angelic beings from Heaven. Of the most notorious angels to have fallen is Lucifer. Lucifer is described as having been one of the archangels who strived "to make his throne higher than the clouds over the earth.” For these actions, Michael, the Archangel suppressed Lucifer and his angels in the War of Heaven. Lucifer was cast down, with his angels into the inferno: “Now war arose in heaven, Michael and his angels fighting against the dragon; and the dragon and his angels fought, but they were defeated and there was no longer any place for them in heaven. And the great dragon was thrown down, that ancient serpent, who is called the Devil and Satan, the deceiver of the whole world - he was thrown down to the earth, and his angels were thrown down with him.” Revelation 12:7-9 The title of this piece is taken from the translation of Lucifer’s Latin name meaning Light-Bringer. Although based on an extra musical ideal, the work does not entirely serve a programmatic linearity but rather a basis to construct a symphonic structure. In researching the subject of, there revealed a vast ideology of symbolisms that one could use to meaningfully translate into musical expression. Of the most dominant of these symbolisms is the Number of the Beast, six hundred and sixty six from the Book of Revelation: “And that no man might buy or sell, save he that had the mark, or the name of the beast, or the number of his name. Here is wisdom. Let him that hath understanding count the number of the beast: for it is the number of a man; and his number is Six hundred threescore and six.” Revelation 13:17-8 While the number has commercially been associated to the Anti-Christ, Son of Satan, for the purposes of this work, I understood it as being another representation of Lucifer. With that pretext in mind, the number six is embedded within the structure of the work: This can be heard on a small level with musical motives and sonorities being repeated six times, melodic and harmonic intervals of 6ths and its inversion, a melody or harmony of six pitches, a progression of six chords. On a larger level, the work is built on six major sections with the main climax occurring roughly 666 seconds (11 min and 6 seconds) into the work. On a visual and performance level, tempo markings are all multiples of six. The work is in one continuous-arch form movement. It begins with six repeated attacks repeated three times. This motive is subjected to a series of continuous variation. From start to finish, I strived to compose a work that would stand on it’s own musicality free from extra musical scaffolding but to also express musically the fall of Lucifer.
The Light-Bringer
Score in C
(Symphony No. 1) Stark, q=108 Piccolo Flute 1 & 2
Oboe 1 & 2
Clarinet in Bb 1 & 2
Horn in F 1 & 2
Trumpets in C 1& 2
Trombone 1 & 2
Stark, q=108 a2
Percussion 3 Harp
p
Viola
Violoncello
Double Bass
(h=54)
div.
pp
div. pp
Stark, q=108 Violin I Violin II
(h=54) Stark, q=108 ff Percussion 1 Percussion 2
Timpani
Tam-tam
ff marcato sempre
(h=54)
ff marcato sempre ff marcato sempre
Bass Trombone ff marcato sempre Tuba
ff marcato sempre ff marcato sempre
Trumpet in C 3
a2 ff marcato sempre
Horn in F 3 & 4
Bassoon 1 & 2
Bass Clarinet in Bb
Contrabassoon
(h=54)
MICHAEL-THOMAS FOUMAI (2010)
p
mf
p
f
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© 2010 Michael-Thomas Foumai. All Rights Reserved (ASCAP) www.michaelfoumai.com
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f
f
f
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f
mp
mp
p
pp
pp
div.
pp
pp
pp
2
Picc.
Fl. 1 & 2
Ob. 1 & 2
Cl. 1 & 2
B. Cl.
Bsn. 1 & 2
Cbsn.
9
Hn. 1 & 2 (F)
Hn. 3 & 4 (F)
mf
mf
mp
mp
Tbn. 1 & 2
B. Tbn.
Tpt. 1 & 2 (C)
Tpt. 3 (C)
Tba.
Timp.
Perc. 1 Perc. 2 Perc. 3
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
mf
mf
mf
mf
mf
mf
(Tam-tam)
p
mf
mf
pp
pp
p
p
pp
f
f
f
mp
mp
mp
mp
mp
f
f
mp
pp
pp
p
p
mp
p
mf
mp
mp
mf
mf
a2
mp
A Picc. 18
3
(q=108)
Fl. 1 & 2
Ob. 1 & 2
Cl. 1 & 2
B. Cl.
Bsn. 1 & 2
Cbsn.
(q=108)
A Hn. 1 & 2 (F) Hn. 3 & 4 (F)
Tpt. 1 & 2 (C)
Tpt. 3 (C)
Tbn. 1 & 2
B. Tbn.
Tba.
A Timp.
Perc. 1 Perc. 2 Perc. 3 Hp.
Vln. II
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Vla.
pp
Vc.
pp
Db.
pp
p
p
p
p
mf
mf
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p
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div.
A div. Vln. I
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p
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(q=108)
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(q=108)
4
Picc. 26
Fl. 1 & 2
Ob. 1 & 2
poco accel.
Cl. 1 & 2
B. Cl.
Bsn. 1 & 2
Cbsn.
Hn. 1 & 2 (F) Hn. 3 & 4 (F)
Tpt. 1 & 2 (C)
Tpt. 3 (C)
Tba.
Hp.
ff
Vla.
ff ff
Vc.
ff
Db.
ff
ppp cresc.
Vln. I Vln. II
pp
pp
pp
molto
molto
molto
molto
molto
f cresc.
f
pp
pp
f
f
f
poco accel.
poco accel.
f
pp
Perc. 1 Perc. 2 Perc. 3
pp
poco accel.
Timp.
B. Tbn.
Tbn. 1 & 2
p
p
p
p
p
B Più mosso, q=120 Picc. 32
5
(h=60)
Fl. 1 & 2
Ob. 1 & 2
Cl. 1 & 2
B. Cl.
Bsn. 1 & 2
Cbsn.
B Più mosso, q=120 Hn. 1 & 2 (F) Hn. 3 & 4 (F)
Tpt. 1 & 2 (C)
f
Tpt. 3 (C)
f
Tbn. 1 & 2
B. Tbn.
Tba.
Hp.
pp
ff sempre
Db.
mf
p
p
mf
pp
pp
pp
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ff sempre
ff sempre
ff sempre
unis.
unis.
B Più mosso, q=120 Vln. I ff sempre Vln. II ff sempre div. Vla. Vc.
pp
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B Più mosso, q=120 Timp.
Perc. 1 Perc. 2 Perc. 3
(h=60)
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(h=60)
(h=60)
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6
Picc.
Fl. 1 & 2
Ob. 1 & 2
Cl. 1 & 2
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39
B. Cl.
Bsn. 1 & 2
Cbsn.
Hn. 1 & 2 (F)
Hn. 3 & 4 (F)
f
f
p
1.
p
mp
p
mp
1.
3.
p
p
Tpt. 1 & 2 (C)
Tpt. 3 (C)
Tbn. 1 & 2
B. Tbn.
Tba.
Perc. 1 Perc. 2 Perc. 3 Timp.
f
Vln. I
Hp.
Vln. II
Vla.
Vc.
Db.
f
f
p
mp
mp
mp
mp
f
cresc.
cresc.
cresc.
cresc.
cresc.
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f
cresc.
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cresc.
cresc.
f
f
cresc.
f
f
mp
f
cresc.
cresc.
f
mp
non. div.
47
Picc.
Fl. 1 & 2
rit.
Cl. 1 & 2
Cbsn. Hn. 1 & 2 (F) Hn. 3 & 4 (F) Tpt. 1 & 2 (C)
Tpt. 3 (C)
Tbn. 1 & 2
Vln. I Vln. II
Vla.
Vc.
Db.
cresc.
cresc.
cresc.
cresc.
cresc.
poco
poco
cresc.
poco
sim.
sim.
sim.
rit.
sim.
sim.
sim.
poco
poco
poco
poco
poco
poco
rit.
poco
poco
f
a2
Timp. Perc. 1 Perc. 2 Perc. 3
Tba.
Hp.
B. Tbn.
Bsn. 1 & 2
B. Cl.
Ob. 1 & 2
7
rit.
8
Picc. 54
Fl. 1 & 2
Ob. 1 & 2
Cl. 1 & 2
B. Cl.
Bsn. 1 & 2
Cbsn.
Hn. 1 & 2 (F) Hn. 3 & 4 (F) Tpt. 1 & 2 (C)
(q=54)
p sub.
Tpt. 3 (C)
ff
p sub.
ff
(q=54)
p sub.
ff ff
Tba.
Perc. 2 Perc. 3
Hp.
(q=54)
Perc. 1
Vc.
Db.
(Tam-tam) Cr. Cym
(q=54)
non div. fff fff fff non div.
fff
non div.
fff
div.
(
)
(
)
(
)
(
)
(
)
molto
molto
pp
molto
to Sus. Cym.
molto
pp
molto
to Bass Dr. f
pp
pp
f pp
pp
fff
pp
pp
Vla.
Vln. I Vln. II
ff
pp
pp
ff
pp
ff
pp
ff
ff
p sub.
pp
Timp.
pp
ff
p sub.
ff
B. Tbn.
Tbn. 1 & 2
pp
ff
f
ff
ff
p sub.
pp
pp
pp
pp
pp
q=144 C Vigorously, Picc. 60
a2
Fl. 1 & 2
Ob. 1 & 2
Cl. 1 & 2
ff
a2 ff a2
ff
ff
B. Cl.
ff
ff Cbsn. ff C Vigorously, q=144 a2 Hn. 1 & 2 (F) Bsn. 1 & 2
a2
ff
Hn. 3 & 4 (F)
Tpt. 1 & 2 (C)
Tpt. 3 (C)
Tbn. 1 & 2
B. Tbn.
Tba.
C Timp.
a2
ff
a2
ff
ff ff Vigorously, q=144 ff (choke sempre)
Perc. 1 f sempre Bass Dr. Perc. 2 f sempre Perc. 3 Sus. Cym.
w/ sticks
Hp.
C Vigorously, q=144
Vla.
Vc.
Db.
Vln. I Vln. II
p 3
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3
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p 3
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p
3
ff
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ff sempre ff sempre
LMLOLLLL
mf mf mf mf mf mf ff sempre ff sempre ff sempre
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(unis.)
(a2) a2
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glis
ff
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7
7
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gliss.
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ff ff ff
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7
f
p
f
a2
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f sempre
f (unis.)
ff sempre
f
9
(unis.)
ff sempre
p
molto
p
molto
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7
7
molto
7 molto p
10
Picc. 64
Fl. 1 & 2
Ob. 1 & 2
Cl. 1 & 2
ff ff ff
ff
B. Cl.
Bsn. 1 & 2
Cbsn.
Hn. 1 & 2 (F) sfz
Hn. 3 & 4 (F)
Tpt. 1 & 2 (C)
sfz sfz
Tpt. 3 (C)
sfz
B. Tbn. Tba.
Tbn. 1 & 2
Timp. (Sus. Cym.) Perc. 1 Perc. 2 Perc. 3 Hp.
f
sfz
sfz
sfz
sfz
f
p
p
p
f
sfz
f f
sfz
sfz
(e=e) (2+3)
ff
ff
ff
f
sfz
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sfz
(e=e) (2+3)
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f
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p
p
sfz
(e=e) (2+3)
sfz
ff
ff
Db.
sfz
Vln. I sfz ff Vln. II sfz ff Vla. Vc.
(e=e) (2+3)
f
68 Picc.
f
Fl. 1 & 2
Ob. 1 & 2
loco
f
f
Cl. 1 & 2
f
6 3
ff
ff
ff
ff
Cbsn.
Bsn. 1 & 2
Hn. 1 & 2 (F)
Hn. 3 & 4 (F)
Tpt. 1 & 2 (C)
gliss.
gliss.
p
p
1.
p
Tpt. 3 (C)
Tbn. 1 & 2
B. Tbn.
f
f
molto
f
p
f f
sfz
f
p
gliss
p
.
f
6
3
sfz sfz
(3+2)
11
(3+2)
sfz
sfz
6
ff
sfz 6 3 ff
a2 a2 f
f
3
sfz
ff
f
1.
f
Xylo.
f
MMLOMMMM
f
sfz
Vln. I
Db.
a2
Perc. 2 Perc. 3
Vc.
Perc. 1
Vla.
a2
sfz
f
sfz
sfz
sfz sfz f
Timp.
Vln. II
f
sfz
ff
Tba.
Hp.
sfz
6 3
B. Cl.
3
3
sfz
sfz
3
6
(3+2)
(3+2)
12
73 D Picc.
Ob. 1 & 2
Cl. 1 & 2
Fl. 1 & 2
B. Cl.
sfz
Bsn. 1 & 2
a2
sfz
Cbsn. sfz
D Hn. 1 & 2 (F)
1.
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mf
1.
1.
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f
Hn. 3 & 4 (F)
Tpt. 1 & 2 (C)
Tpt. 3 (C)
sfz B. Tbn. sfz Tba.
Tbn. 1 & 2
sfz
D Timp. Perc. 1 (Bass Dr.) Perc. 2 Perc. 3
Hp.
f
Vln. II
f
sfz
p sf
sfz
Db.
sfz
Vc.
f
Vla.
D Vln. I
p
sf
mf mf
f
f f
mf f f
Picc. f Fl. 1 & 2
E
molto
81
fp
Ob. 1 & 2
Cl. 1 & 2
B. Cl.
f
Cbsn.
mf
Hn. 1 & 2 (F)
f Bsn. 1 & 2
f
sf
sf
f
Tpt. 1 & 2 (C)
Tpt. 3 (C)
Hn. 3 & 4 (F)
Tbn. 1 & 2
B. Tbn.
Tba.
Timp.
Perc. 1
Perc. 2 Perc. 3
Hp.
sfz
sfz
sfz
sfz
f
Vc.
Db.
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mf
mf
sfz
sfz
E
E
sfz
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pizz.
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Vln. I fp f Vln. II fp f Vla.
f
molto
loco
13
f
pizz.
f
mf
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pizz.
mf
pizz.
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f
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14
Picc.
87
Fl. 1 & 2
Ob. 1 & 2
Cl. 1 & 2
B. Cl.
Cbsn.
3
3 3
poco
poco
poco
poco
Bsn. 1 & 2
3
f
f
f
a2
f
a2
a2
f
p
p
Tpt. 1 & 2 (C)
Tpt. 3 (C)
Tbn. 1 & 2
B. Tbn.
Tba.
a2
p
f
Timp.
Perc. 1 Perc. 2 Perc. 3
Hp.
f
a2
f
f
f
MNMOMLMN
f
mf
Vln. I mf f arco Vln. II f mf f Vla. f arco Vc. f mf arco Db. mf
ff
sfz
ff marcato ff marcato ff marcato
ff marcato ff marcato ff marcato ff marcato
ff marcato
(2+3)
ff
div.
div.
ff marcato
ff marcato
ff marcato
ff marcato
sfz
sfz
sfz
sfz
sfz
sfz
sfz
f
sfz
ff marcato
sfz
(Bass Dr.)
div.
sfz
sfz
(2+3)
arco
f
sfz
sfz
ff marcato
(Xylo.)
sfz
ff
(2+3)
sf
sf
a2
f
ff ff
f
Hn. 1 & 2 (F) Hn. 3 & 4 (F)
(2+3)
sfz
sfz
sfz
sfz
F
Picc.
1.
93
sf
mf
Fl. 1 & 2
sf
1.
mf
Cl. 1 & 2
B. Cl.
Bsn. 1 & 2
Cbsn.
F Hn. 1 & 2 (F)
Hn. 3 & 4 (F)
Tpt. 1 & 2 (C)
Tpt. 3 (C)
Tbn. 1 & 2
mf
mf
sf
a2
a2
mf
mf
F Vln. I
sf
sf sf
a2
sfz sfz
Db.
sfz
sfz
sfz
unis.
unis.
unis.
f
a2
sfz
f
mf
mf
f
f
f
f
f
sfz
sfz sfz
sfz (Sus. Cym.) f
sfz
(a2)
sf Vc.
15
(a2)
sf
sfz
sfz
sfz
sfz
a2
sf
Perc. 2
Perc. 1
+2
F Timp.
Vla.
sf
Tba.
Vln. II
+2
Hp.
sf
Perc. 3
a2
B. Tbn.
sf
mf
Ob. 1 & 2
poco
poco poco
sfz
sfz
f f
sf
sf
sf
16
101 Picc. Fl. 1 & 2 Ob. 1 & 2 Cl. 1 & 2 B. Cl.
Bsn. 1 & 2
Cbsn.
Hn. 1 & 2 (F)
Hn. 3 & 4 (F)
Tpt. 1 & 2 (C)
Tpt. 3 (C)
ff
ff ff
ff
(q=q)
ff
(q=q)
Tba.
Timp.
Perc. 1 Perc. 2 (Xylo.) Perc. 3
Hp.
(Sus. Cym.)
LMLOLLML
sfz
sfz
Db.
sfz
(q=q)
to Sn. Dr.
p
sfz
Vc.
f
Vln. I sfz Vln. II Vla.
a2
a2
f marcato
a2
f marcato
f marcato
f
(q=q)
f marcato
f
f
f marcato
B. Tbn.
f marcato
Tbn. 1 & 2
ff
ff
110
Picc.
Fl. 1 & 2
Ob. 1 & 2
Cl. 1 & 2
B. Cl.
Bsn. 1 & 2
Cbsn.
Tbn. 1 & 2
Timp. Perc. 1
Perc. 2
Perc. 3
Hp.
Sn. Dr.
f più a2
f più
3
3
G
f
(Bass Dr.)
G
ff più
ff più
ff più
div.
3
ff più
molto
17
ff molto
ff molto
f (Snare Dr.)
G molto molto
molto
molto
ff molto
molto
ff molto
molto
3
f
molto
pp
molto
f più
molto
molto
Vln. I
Db.
Vc.
Vla.
a2
Vln. II
B. Tbn.
Tpt. 3 (C)
Tpt. 1 & 2 (C)
Hn. 3 & 4 (F)
Hn. 1 & 2 (F)
Tba.
G
ff molto
3
3
3
div.
ff molto div.
ff molto div.
ff molto
18
119 Picc.
sfp
Fl. 1 & 2
sfp
Ob. 1 & 2
sfp
Cl. 1 & 2
sfp
sfp
sfp
sfp
p p
p
p
p
(Sn. Dr.)
Vln. II
sfp
sfp
Db.
f marcato
a2
(2+3)
a2
p
ff
sfp
sfp
sfp
sfp
sfp
sfp
ff
p
pp
loco
ff
ff
ff
ff
(2+2+3)
p
ff
ff f f ff
div. ff ff
unis.
ff marcato
ff marcato
(2+3)
ff più
pp
ff
pp
ff
ff più unis. ff più
(2+3)
unis.
(2+3)
pp
ff
(2+3) (2+2+3) H (3+2) unis.
(2+3)
(2+2+3)
H (3+2) ff (Sus. Cym.) f (Bass Dr.) f
sfp
MMMOMNNM
ff più
ff
ff
(2+3) ff più ff più a2 ff più a2
sf sf a2 ff f marcato ff f marcato f marcato
f marcato a2 f marcato
H (3+2) a2
sfp
mf
pp
sfp
sfp
Vc.
Vla.
Vln. I
ff
ff
ff
(2+2+3)
(2+3)
ff
Perc. 1
Hp.
Perc. 3
Timp.
Perc. 2
sfz
Tba.
B. Tbn.
sfp
sfp
Tbn. 1 & 2
sfp
sfp
sfp
sfp
Tpt. 3 (C)
sfp
sfp
Hn. 1 & 2 (F)
Tpt. 1 & 2 (C)
Bsn. 1 & 2
Hn. 3 & 4 (F)
sfp
B. Cl.
Cbsn.
H (3+2)
(2+3+2)
127 Picc. Fl. 1 & 2
molto molto molto
Ob. 1 & 2 Cl. 1 & 2 B. Cl. Bsn. 1 & 2 Cbsn.
Hn. 1 & 2 (F)
(2+3+2)
Hn. 3 & 4 (F)
Tpt. 1 & 2 (C)
Tpt. 3 (C)
Tbn. 1 & 2 B. Tbn. Tba. Timp.
Hp.
Vln. I Vln. II
Vla.
ff
pp
molto molto molto molto
molto molto molto molto
molto molto
molto
gliss.
ffp
ffp
(2+3+2)
p
p
p
p
ff
ff
(h=72)
ff
Vc. Db.
ff
ff
ff
p
ff
a2 p fff a2
p p p
fff
p
ff
ff
ff
ff
p p p
p
ff
p
p
p
p
ff
p
ff
ff
ff
ff
p
p
ff
p
ff
p
ff
ff
p
ff
p
p
ff
ff
p
p
to Glock.
ff
molto molto
(h=72) molto ff ff molto molto
ff
p
ff
ff
p
ff
ff
ff
p
ff
p
fff
p
ff
ff
ff
19
(h=72) ff ff ff
(2+3+2)
Perc. 1 Perc. 2 Perc. 3
(h=72)
sfz
sfz div. sfz
sfz
ff
ff unis.
ff
ff
ff
sfz
sfz div. sfz
sfz
ff ff
unis.
ff
ff
ff
20
136
Picc.
Fl. 1 & 2
Ob. 1 & 2
Cl. 1 & 2
B. Cl.
Bsn. 1 & 2
Cbsn.
ff
Tpt. 1 & 2 (C)
Tpt. 3 (C)
Tbn. 1 & 2
B. Tbn.
Tba. Timp.
Perc. 2 Perc. 3 Perc. 1
Vln. I
Vln. II
Vla.
Vc.
p
ff
ff
p
p
ff
p
ff
p
ff
3
3
3
3
p
p p
p
(Bass Dr.)
sfz
3 3 3
poco
mf
3
mf
3
I (h=q) q=72
ff
p
p p
p
p
unis.
molto
MMLOMNMM
sfz div.
mp
sfz div.
I (h=q) q=72
div.
molto
p
unis. p
unis.
div.
ff
sfz
p
pizz. p
unis. p
sfz
unis.
ff
ff
poco
I (h=q) q=72
3
3
ff
mf
ff
ff
3
unis.
div.
ff
ff
ff
ff
ff
ff
p
ff
ff
ff
div. sfz div. sfz
I (h=q) q=72
sfz
Db.
p
p
ff
Hp.
ff
Hn. 1 & 2 (F) Hn. 3 & 4 (F)
Fl. 1 & 2
p
Bsn. 1 & 2
Hn. 1 & 2 (F)
w/ st. mute
p
Tpt. 3 (C)
Tbn. 1 & 2
B. Tbn.
Perc. 3
gliss.
pp w/ st. mute
pp
mf
p
3 pp
p
p
Db.
pp
pp
cresc.
mf
pp
div.
div. f
f
3
f
unis.
f
mf
mf
unis.
fp
3
3
3
mf
mf
mf
pp
mf
Vc.
pp
mf
p
p
cresc.
3
Vla.
p 3
pp
pp 3
p
p
3
Vln. II
f
1.
3
p
pp
3
f
3
Vln. I p
3
3
mf
poco
gliss.
Hp.
f
poco
p
3
f
3
Perc. 1 Perc. 2
w/ st. mute
p w/ st. mute
3
mf
f
3
w/ harmon
3
3
pp
3
mf
poco
f
Tpt. 1 & 2 (C)
Timp.
3
mf
3
Hn. 3 & 4 (F)
Tba.
p
poco Cbsn.
p
B. Cl.
1.
Cl. 1 & 2
p
Ob. 1 & 2
ss.
21
gli
Picc.
3
145
Glockenspiel p
Eb
cresc.
22
152
Picc.
Fl. 1 & 2
Ob. 1 & 2
Cl. 1 & 2
B. Cl.
Cbsn.
Tpt. 1 & 2 (C)
Tpt. 3 (C)
Tbn. 1 & 2
B. Tbn.
cresc.
Timp. Perc. 1 Perc. 2 Perc. 3
Vln. II
Vla.
arco p cresc.
p
div.
div.
poco
(Glock.)
3
unis.
f
f
mf
mf
mf
poco
6
poco
p
p
6
mf
mf
3
p
p
poco rit.
F§
p
mf
p
mf
p
3
6
6
poco rit.
poco
cresc.
cresc.
Db.
cresc.
Vc.
3
5
poco
p
Vln. I
poco
Tba.
Hp.
f
poco
3
f
cresc.
Hn. 3 & 4 (F)
3
Hn. 1 & 2 (F)
3
cresc.
Bsn. 1 & 2
f
poco rit.
poco rit.
div.
pp sub.
pp sub.
pp sub.
pp sub.
ppp
ppp
ppp
ppp
J Più mosso q=84 Picc.
23
157
p
Fl. 1 & 2
Ob. 1 & 2
Cl. 1 & 2
B. Cl.
Bsn. 1 & 2
mp
p
Tpt. 1 & 2 (C)
Tpt. 3 (C)
Tbn. 1 & 2
B. Tbn.
Tba.
poco
poco
p
p
J Più mosso q=84
3
3
3
3
pizz.
3
3
3
3
div. pizz.
3 Db. 3
3
mf
a2
3
p
f
f
pp
+2
3
f
a2
3
p
3
3
3
3
3
3 3
B§ C# mp
mf
pp
f
Bb
p
arco
pp
arco unis.
pp
p
p
p
pp
pp
pp
pp
poco
pp
poco
pp
pp
pp
unis. arco
pp
poco
poco
p
pp
mp
mp
pp
pp
p
pp
p
mp
p
p
3
pp
J Più mosso q=84
pizz.
Vc.
p
Vln. I
Vla.
Perc. 2
Vln. II
p
poco
Perc. 1
Hp.
poco
J Più mosso q=84 Timp.
Perc. 3
3
mp
1.
Cbsn.
Hn. 3 & 4 (F)
3
1.
Hn. 1 & 2 (F)
1.
1.
mp
mp
mp
24
166
Picc.
Fl. 1 & 2
Ob. 1 & 2
Cl. 1 & 2
B. Cl.
Bsn. 1 & 2
Cbsn.
Hn. 1 & 2 (F)
ff
3
7
molto
3 6
p
mf
6
6
p
Tba.
Timp.
Perc. 1
Perc. 2 Perc. 3
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
p
p
1.
1.
f
3
3
f
mf
mf
fp
fp
3
mf poco
3
3
poco
3
6
f
p
6
3
p
p
poco
3
3
poco
3
3
poco
3
f
p
(Sus. Cym.) pp
MMLOLMLN p
mf
f
p
p
w/ harmon mute
a2 p
mf
mf
f
f
mf
B. Tbn.
Tbn. 1 & 2
f
Tpt. 3 (C)
f
mf
fp
Tpt. 1 & 2 (C)
3
6
fp
Hn. 3 & 4 (F)
molto
3
3
molto
p
3
mf
3
p
to Cr. Cym.
p
p
p
mf
p
mf
pp
pp
pp
pp
pp
3
3
mf div.
3
mf
poco
3
poco
6
3
f
p
p
p
6
f
3
p
unis.
p
(rubato) rit.
171
Picc.
Fl. 1 & 2
Ob. 1 & 2
Cl. 1 & 2
B. Cl.
Bsn. 1 & 2
Cbsn.
Tpt. 1 & 2 (C)
p
p
poco
p
poco
p
p
p
(rubato) rit.
25
Hn. 1 & 2 (F) Hn. 3 & 4 (F)
K A tempo q=84
p
K A tempo q=84
Tpt. 3 (C)
Tbn. 1 & 2
B. Tbn.
Tba.
Timp. Perc. 1 Perc. 2 Perc. 3
(rubato) rit.
Hp.
Vln. II
Vla.
Vc.
Db.
Vln. I
(rubato) rit.
mf
K A tempo q=84
MNMOLNNM
p
p
f espress.
f espress.
cresc. poco
K A tempo q=84
molto
p
3 3 3 3
sim.
sul G molto
(Glock.)
3
poco
3
26
Picc. 179
Fl. 1 & 2
p
Ob. 1 & 2
B. Cl.
Bsn. 1 & 2
Cbsn.
Hn. 1 & 2 (F)
Hn. 3 & 4 (F)
Tpt. 1 & 2 (C)
Tpt. 3 (C)
p
p
p
p
mf
mf
Tba.
Hp.
Vln. I
Vln. II
Vla.
Vc.
Db.
poco
3
3
3
3
3
sul D
3
3
3
f
f più unis. ord. sul D
f
f più
3
3
3
3
3
mp
p
3
3 mp
p
sim.
3
unis. ord. sul G
mf
p
mf
senza sord.
p
mp
senza sord.
senza sord.
p
mp
mf
p
3
p
p
mf
p
mf
B. Tbn.
Perc. 3
p
(Glock.)
Perc. 2
mf
Perc. 1
p
Timp.
p
Tbn. 1 & 2
mf
mf
p
mf
p
Cl. 1 & 2
3
mp
3 mp
186
Picc.
Fl. 1 & 2
Ob. 1 & 2
Cl. 1 & 2
p
B. Tbn.
Timp. Perc. 2
Vln. I
f
Vln. II
mp
Vla.
f
Vc.
Db.
mp
a2
pp
NNMOMNNM
p
mf
ff
mf
pizz.
f
f
molto
molto
molto
molto
molto
3
3
L Più mosso, q=96 3 3 3 3
3 3
3 3 3 3
3 3
3
molto 3
molto
molto
molto
molto
molto
f
f
molto
molto
f
f
f
mf
f
L Più mosso, q=96 3 3 f
ff
f
f
pp
3
f
3
fp
f
27
f
senza sord.
pp
f
L Più mosso, q=96 f f
pp
f
pp
mf
mf
L Più mosso, q=96
f
senza sord.
Perc. 1
Hp.
pp senza sord.
Perc. 3
mf
mf
mf
mf
a2
mf a2
Tbn. 1 & 2
Tba.
Tpt. 3 (C)
Tpt. 1 & 2 (C)
a2
p
mf
p
Hn. 1 & 2 (F) Hn. 3 & 4 (F)
Bsn. 1 & 2
B. Cl.
Cbsn.
marcato
marcato 3
3
3
3
3 3 3 marcato 3 3 3
3 3 3 3
f
arco
f
marcato
marcato
3 3
3
3
28
Picc. 193
ff
Fl. 1 & 2
3
3
3
3
ff 3
Cl. 1 & 2
3
3
3 3 3
3
3
3
3
3
3
3
3
3
3
3
B. Cl. ff Bsn. 1 & 2 ff Cbsn.
3
ff 3
3
ff
Hn. 1 & 2 (F) ff Hn. 3 & 4 (F) ff Tpt. 1 & 2 (C) ff Tpt. 3 (C) ff Tbn. 1 & 2 ff B. Tbn. ff Tba.
3
3
3
ff
3
f Perc. 3
Perc. 2
Hp.
Vla.
3
3
div. 3
3
3
3
ff
3
3
3
3
Db.
3
ff
3
3
3
3
3 3
3
3
3
3
3
3
3
3
3
3
3
3
sfp
sfp
3
3
3
pp
3 3 3
3
3
3
3
sfp
sfp
3
3
3
3
3
3
3 3 3
3
3
3
f
molto espress.
molto espress.
molto espress.
poco rit. f
f
sfp
sfp
a2 sfp a2
3
3
poco
3
poco
3
3
poco
3
3
3 3 3 3 3 3 ff 3 div. ff 3
3
div.
ff 3
Vc.
Vln. I Vln. II
to Tam-tam
3
3 Timp. 3 3 3 3 3 3 3 Cr. Cym. to Sus. Cym. Perc. 1
(B.D.) f
3
poco rit.
3
3
3
3
3
p
3
3
3
p
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3 3 3 3 3 3 3
3
ff
Ob. 1 & 2
unis. molto vib. sul G
p
p
poco rit.
p
p
p
p
poco rit.
div.
molto espress.
unis.
molto vib. sul G
unis.
div.
molto espress.
molto espress.
molto espress.
molto espress.
div.
M q=84 200 Picc. fff Fl. 1 & 2 fff a2 Ob. 1 & 2 fff a2 Cl. 1 & 2
fff
B. Cl.
fff
Bsn. 1 & 2 Cbsn.
fff
fff
f più
f
f
Tpt. 3 (C)
Tbn. 1 & 2
Tba.
poco
poco
f
M q=84 Vln. I fff Vln. II fff
fff
Vla.
Vc.
Db.
fff
fff
f
div.
f f Tam-tam
unis.
molto
ff
molto molto
ff
ff
molto
p p mf Perc. 2 Perc. 3
molto
ff
ff
M q=84 Timp. f Perc. 1
Hp.
molto
MMMOMMMM
1.
mf
pp sub. div.
pp sub.
pp sub.
pp sub. pp sub.
poco 1. 3
5
dim.
3
to Toms
mf
mf
3
3
p
mp
ff molto molto ff
f
molto
molto
poco
f
f
B. Tbn.
M q=84 Hn. 1 & 2 (F) f più Hn. 3 & 4 (F)
Tpt. 1 & 2 (C)
29
(
)
(
)
(
)
(
)
(
)
p
30
N
Picc. p 3 Fl. 1 & 2 207
7
fp
B. Cl.
3
3
poco
N Hn. 1 & 2 (F) Hn. 3 & 4 (F)
Tpt. 1 & 2 (C)
Tbn. 1 & 2
B. Tbn.
Tba.
Hp.
Vln. I
p w/ st. mute
mf
p
mf
p
p
N
ppp
ppp
ppp
ppp
ppp
pp
3
MNLOMMNM
3
3
cresc.
(q=84)
3
mf
3
pizz.
3
pizz.
mp
3
3
3
poco rit.
3 D#
f
poco rit.
mf unis.
mf unis. arco mf
3
3
3
3 3 3 3 3
mp div. pizz.
cresc.
mp
cresc.
3
cresc.
3
3
unis.
mf
3
1.
3
3
3
3
poco rit.
cresc.
(q=84)
mp
a2
mp
mp
w/ st. mute
1.
Vc.
(q=84)
mf
1.
a2
mp cresc.
Vla.
mp cresc.
1.
cresc.
mp
mp
Vln. II
Db.
Perc. 1
Perc. 3
N Timp.
Perc. 2
Tpt. 3 (C)
poco
mf
Bsn. 1 & 2
Cl. 1 & 2
Cbsn.
Ob. 1 & 2
pp
f
poco rit.
(q=84)
mf
mf
f
f
O A tempo, q=84 Picc. 215
f
Fl. 1 & 2
Ob. 1 & 2
f
a2
Cl. 1 & 2
f
a2
f
3
poco
3
poco
3
mf 3 cresc. 3 3 3 3 3 3 a2 3 3 mf 3
3
3
3
mf
cresc.
O A tempo, q=84 3 Hn. 1 & 2 (F) f 3 Hn. 3 & 4 (F) f Tpt. 1 & 2 (C) f
Tpt. 3 (C)
Tbn. 1 & 2
3 3
f senza sord. f
3 f 3 Tba. f O A tempo, q=84 3 Timp. f Perc. 1 Perc. 2 3 Toms Perc. 3
B. Tbn.
Hp.
f
3
3 3
3
3
3
3
3
3
3
3 3
3
3
3
3
3
3
3
accel.
3
f
3
3
3
accel.
to Xylo.
f
unis. arco
3
3
3
poco
poco
accel.
3 3
3
poco
mf 3 3 3 3
Vc.
3
O A tempo, q=84 Vln. I f Vln. II Vla.
f
31
3
senza sord.
3
3
poco
3
3
3
3
B. Cl. 3 3 3 Bsn. 1 & 2 3 3 3 3 cresc. 3 3 3 3 3 3 3 3 Cbsn. 3
accel.
unis. arco
3
3
3
3
3
3
cresc.
3
3
3
3
3
3
3
3
3 Db. 3 3 3 3
mf
3
3
3
3
cresc.
3
3
3
3
3
32
Picc.
223
Fl. 1 & 2
Ob. 1 & 2
Cl. 1 & 2
3
3
3
3
3
3
3
3
3 3 3 3 3 3
B. Cl.
Bsn. 1 & 2
3
3
3
3
3
3
Hn. 3 & 4 (F)
Tpt. 1 & 2 (C)
Tbn. 1 & 2
B. Tbn.
Tba.
Timp. Perc. 2 Perc. 3 Perc. 1
Hp.
Vln. I Vln. II
Vla.
Vc.
Db.
3
3
3
3
3
3
3
f
3
f
3
f
3 3
f
q=96
3
3
3
3
3
3
3
3
3 f
3
3
loco
sffz
3
3
3
3
3
sffz
sffz
3
3
3
3
3
3
3 3 3 3
3
3 3
3
3
3
3 3
3
3
3
f
3
f
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3
3
poco
poco
3
poco
3
3
poco f f
3
3
3
f
sffz
sffz
3
poco
loco
3
3 3 3
3
3
3
3
3
q=96 3
3
3
q=96
3
3
3
3 3
3
3
3
ff
f
3
3
(Sus. Cym.)
3
3
ff
3
3
a2
3
3
3
3
3
ff
ff
f
3
3
3
3
3
f
3
3
ff
3
sffz
Hn. 1 & 2 (F)
sffz
Cbsn. 3 3 sffz 3 3
Tpt. 3 (C)
3
3
3
sffz
3 sffz
3
q=96
3 3
3
3
3
3
3
3 3
3
3
3
3
3
3
3
3
3
3
3
3
3 3
( K
Picc.
230
Fl. 1 & 2
Ob. 1 & 2
Cl. 1 & 2
B. Cl.
Bsn. 1 & 2
Cbsn.
Hn. 1 & 2 (F)
Hn. 3 & 4 (F)
Tpt. 1 & 2 (C)
( K
Tpt. 3 (C)
3 sfz
= e) P (q=145) 3 sfz 3 sfz sfz 3 e
e
Perc. 3
Hp.
Vln. I
3
Vla.
f
3
3
3
sfz
3
3
3
3
3
3
3
3
3
3
3
3
sfz
sfz
sfz
sfz
sfz
sfz sfz sfz
sfz
f
sfz
sfz
sfz
sfz sfz sfz sfz
sfz sfz
sfz
sfz
sfz sfz
sfz sfz sfz
sfz sfz
f
Xylo.
f
33
fp 3
f
sfz
sfz
sfz
sfz
Vc.
Db.
sfz sfz
a2
( K e = e) P (q=145)
3
Vln. II
= e) P (q=145) 3 sfz
e
3
3
sfz
sfz
sfz
3 3
Perc. 2
B. Tbn.
Perc. 1
3
sfz
sfz
( K
Timp.
Tbn. 1 & 2
sfz
3
Tba.
sfz
= e) P (q=145)
sfz
sfz
sfz
sfz
sfz
poco
sfz
34
Picc.
Fl. 1 & 2
Ob. 1 & 2
Cl. 1 & 2
235
B. Cl.
Bsn. 1 & 2
Cbsn.
pp
Hn. 1 & 2 (F)
a2
pp a2
pp
fp
fp
pp
pp
fp
Tpt. 1 & 2 (C)
Tpt. 3 (C)
Hn. 3 & 4 (F)
Tbn. 1 & 2
Timp.
Vln. I
Vln. II
Vc.
Db.
pp
fp
(Tam-tam)
fp
mf
pp
3
p
poco
mp
poco
mp Vla.
pp
fp
Perc. 2
Hp.
pp
Perc. 1
Perc. 3
pp
B. Tbn.
Tba.
mp
mf
pp
mf
poco
poco
poco
mp
p
mp
mp
p
mp
240
Picc.
Fl. 1 & 2
35
Q
B. Cl.
Bsn. 1 & 2
Ob. 1 & 2
Cl. 1 & 2
Cbsn.
Hn. 1 & 2 (F)
Hn. 3 & 4 (F)
Q
pp
fp
pp
B. Tbn.
w/ st. mute
pp
fp
Perc. 3
Hp.
Q
Vln. I
Q
poco
Vc.
mf
to Slap Stick
MNMOMMMM
f
mf
p
poco
mf
Db.
p
Vla.
f
p
scrape (Sus. Cym.)
f
Vln. II
Timp.
fp
Tbn. 1 & 2
Perc. 2
Perc. 1
fp
Tba.
pp
Tpt. 3 (C)
Tpt. 1 & 2 (C)
mf
poco
36
Picc.
245
Fl. 1 & 2
Ob. 1 & 2
B. Cl.
Bsn. 1 & 2
pp
1.
pp
f
1.
pp
pp
pp
fp
fp
poco
pp
poco
fp
a2
1.
f
f
pp
Cl. 1 & 2
Cbsn.
mp
pp
Hn. 1 & 2 (F)
Hn. 3 & 4 (F)
Tpt. 1 & 2 (C)
Tpt. 3 (C)
Tbn. 1 & 2
Timp.
pp
mp
Vln. I
poco
p
mp
Vln. II
Vla.
Vc.
Db.
Perc. 2
Hp.
senza sord.
Perc. 1
Perc. 3
pp
B. Tbn.
Tba.
p
mf mp
mf mp
pp
pp
pp
fp
fp
pp
251
Picc.
Fl. 1 & 2
Ob. 1 & 2
Cl. 1 & 2
f
mf
mf
mf
p
p
p
p
mf
mf
p
(Tam-tam)
f f
f
f
p
p
p
p
f
p
p
p
f
mf
f
mf
f
R
R
p
p
mf
Perc. 2
mf
Perc. 1
mf
p
Timp.
Hp.
Tba.
Perc. 3
B. Tbn.
pp
Tbn. 1 & 2
pp
Tpt. 3 (C)
Tpt. 1 & 2 (C)
Hn. 1 & 2 (F) Hn. 3 & 4 (F)
p
Bsn. 1 & 2
B. Cl.
Cbsn.
37
R
p
R Vln. I cresc.
Vln. II
poco
Vc.
Db.
Vla.
mp
div.
mf
mf
poco
mf
mf mp poco
p
p
unis. pizz. f pizz. f
mf
38
Picc.
257
f
(1.)
B. Cl.
Bsn. 1 & 2
Perc. 1
Perc. 2
Fl. 1 & 2
Ob. 1 & 2
Cl. 1 & 2
Cbsn.
Hn. 1 & 2 (F)
Hn. 3 & 4 (F)
Tpt. 1 & 2 (C)
Tpt. 3 (C)
Tbn. 1 & 2
B. Tbn.
Tba.
Timp.
Perc. 3
Hp.
f
w/ st. mute pp
pp
pp
pp
(Xylo.)
mf
MMMOLNMM
1.
w/ st. mute
w/ st. mute
f
f cresc. mf
cresc. f
Vla.
Vc.
Db.
Vln. I Vln. II
cresc.
f
262
Picc.
Fl. 1
Fl. 2
Cl. 1 & 2
pp
Hn. 1 & 2 (F) Hn. 3 & 4 (F)
Tpt. 1 & 2 (C)
pp
Tba.
Perc. 2 Perc. 3
Hp.
Vln. I
Vc.
Vla.
Db.
f
S
w/ st. mute
f
f
sf
S
f
f
S ff ff
ff
f w/ st. mute
f
f
f
w/ st. mute
f
Slap Stick
f più
f
Vln. II
Timp. Perc. 1
f più f più
B. Tbn.
pp
Tbn. 1 & 2
pp
Tpt. 3 (C)
39
S
pp
Bsn. 1 & 2
B. Cl.
Cbsn.
Ob. 1 & 2
to Sus. Cym.
pp
pp
pp
40
268 Picc.
Fl. 2
Ob. 1 & 2
Cl. 1 & 2
Bsn. 1 & 2
Hn. 3 & 4 (F) Tpt. 1 (C)
Tpt. 2 (C)
Tpt. 3 (C)
Tbn. 1 & 2
Perc. 1 Perc. 2 Perc. 3 Timp.
Vc.
Db.
Sus. Cym.
f
p
p
mf
(Xylo.)
(Tam-tam)
pp
pp
arco
p arco
p
f sempre
p
f sempre sul pont.
f sempre sul pont.
pp
p
mf
f sempre sul pont.
arco
mf
f
p
mf
f
p
sul pont.
Vln. I
Vla.
1.
sf
Tba.
sf
B. Tbn.
Hn. 1 & 2 (F)
Vln. II
B. Cl.
Hp.
sf
Fl. 1
Cbsn.
T
275
Picc.
ff ff
Fl. 1 & 2
Ob. 1 & 2
Cl. 1 & 2
f
ff
ff a2 Bsn. 1 & 2 ff Cbsn.
B. Cl.
ff
41
ff
T Hn. 1 & 2 (F) Hn. 3 & 4 (F)
Tpt. 1 (C)
Tpt. 2 (C)
Tpt. 3 (C)
Tbn. 1 & 2
senza sord.
f f
a2
f
a2
senza sord.
Tba.
T Timp.
Perc. 1
Perc. 2 Perc. 3
Hp.
ff ff
ff
f pp
pp
ff
pp
ff
pp
ff
to Bass Dr.
f
ff
f
pp
ff
ord.
T Vln. I
ord.
Vln. II
ord.
Vla.
ord.
Vc.
Db.
ff
ff
ff
pp
ff
ff
ff
B. Tbn.
f
42
Picc. 281
Fl. 1 & 2
Ob. 1 & 2
Cl. 1 & 2
Bsn. 1 & 2
Cbsn.
ff
ff
Timp. Perc. 1
Perc. 2
ff
f
ff
ff
Tba.
ff
B. Tbn.
f
ff
Tbn. 1 & 2
f
f
Hn. 1 & 2 (F)
Tpt. 3 (C)
Tpt. 1 & 2 (C)
B. Cl.
Hn. 3 & 4 (F)
Bass Dr.
f
f
f
ff
f
f
ff
f (Xylo.)
f
Vln. I
Vln. II
Vla.
Db.
ff div. ff ff
arco
f
f
ff ff senza sord.
(x=x)
ff
ff senza sord.
senza sord.
ff
f
(x=x)
p
f
Vc.
Hp.
(x=x)
Perc. 3
(x=x)
ff a2
Picc. 287
Fl. 1 & 2
ff
Ob. 1 & 2
ff
Cl. 1 & 2
B. Cl.
Bsn. 1 & 2
ff
Cbsn.
Hn. 1 & 2 (F) Hn. 3 & 4 (F) Tpt. 1 & 2 (C)
Tbn. 1 & 2
ff
ff
ff
Tpt. 3 (C)
senza sord. ff Tba.
B. Tbn.
ff
Timp. ff Perc. 1 ff Perc. 2 ff Perc. 3 Hp.
ff
Vln. II
Vla.
Vc.
ff
Db.
ff
accel.
ff ff
Vln. I ff
U
U U
mf 1.
ff
43
2.
mf
accel.
accel.
mf
ff
a2
mf
mf
f
to Sn. Dr.
U
mf
ff
ff
ffp cresc. ffp cresc. ffp cresc. ffp cresc.
ffp cresc.
ff
p
accel.
ff
ff
f
ff
ff
ff
ff
44
sfz sfz sfz
294 q=168
Picc.
Fl. 1 & 2
Ob. 1 & 2
Cl. 1 & 2
B. Cl.
Bsn. 1 & 2
Cbsn.
Hn. 1 & 2 (F)
sfz
Tpt. 1 & 2 (C)
Tpt. 3 (C)
Tbn. 1 & 2
B. Tbn.
Tba.
Perc. 1 Perc. 2 Perc. 3
Hp.
Vln. I
f
q=168
Vln. II
Vla.
sfz
sfz
sfz
sfz
sfz
sfz
f
f
sfz
f
mf
f
mf
f
sfz
sfz
div. div.
sfz
f
f mf f mf f mf f mf f mf
div.
sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz
sfz sfz sfz
sfz
div.
sfz sfz sfz
sfz
sfz
sfz sfz
sfz
(Sus. Cym.) sfz sempre sfz Sn. Dr.
Db.
q=168
Vc.
sfz
q=168
f
Timp.
sfz sfz
f f f f f
Hn. 3 & 4 (F)
sfz sfz sfz
300
Picc.
Fl. 1 & 2
Cl. 1 & 2
Bsn. 1 & 2
Hn. 3 & 4 (F)
Tpt. 1 & 2 (C)
Tpt. 3 (C)
B. Tbn.
Perc. 2 Perc. 3 Perc. 1
sfz sempre
sfz sempre
sfz sempre sfz sempre
sfz sempre
Tba.
Tbn. 1 & 2
sfz sempre
Hn. 1 & 2 (F)
Hp.
B. Cl.
Timp.
sfz sempre
sfz sempre
sfz sempre sfz sempre
sfz sempre
sfz sempre
sfz sempre
non. div. sfz sempre
Db.
sfz sempre
sfz sempre
ff
ff
ff
ff
ff
ff
ff
div. div. div.
div.
(Bass Dr.) fff
ff ff
45
ff ff
sfz sempre
Vc.
non. div. Vln. I sfz sempre non. div. Vln. II
Vla.
sfz sempre sfz sempre
Ob. 1 & 2
Cbsn.
46
304
Picc.
Ob. 1 & 2
Cl. 1 & 2
B. Cl.
Bsn. 1 & 2
Hn. 1 & 2 (F) Hn. 3 & 4 (F) Tpt. 1 & 2 (C)
Tbn. 1 & 2
B. Tbn.
Timp.
Perc. 3
Hp.
ff
ff
ff
ff
ff (Sus. Cym.)
Vln. I Vln. II Vla. Vc. Db.
Perc. 1 Perc. 2
Tpt. 3 (C)
Tba.
Fl. 1 & 2
Cbsn.
unis.
ff
Picc. 311
Fl. 1 & 2
Ob. 1 & 2
Cl. 1 & 2
B. Cl.
Bsn. 1 & 2
Cbsn.
Tpt. 1 & 2 (C)
Tpt. 3 (C)
Tbn. 1 & 2
B. Tbn.
Tba.
Timp.
Perc. 2
Hp.
(2+3)
(Sn. Dr.)
ff
f
Vln. II
Vla.
Vc.
Db.
(2+3)
(2+3)
p
Vln. I
(2+3)
(Bass. Dr.)
Perc. 1
Perc. 3
Hn. 1 & 2 (F) Hn. 3 & 4 (F)
f
V
47
(q.=h) accel.
mp cresc. 2. mp cresc. V
(q.=h) accel.
mp cresc.
mp cresc.
mp cresc.
mp cresc. V
(q.=h)
sfz
to Toms
V accel.
(q.=h)
mp cresc.
accel.
mp cresc.
mp cresc.
p cresc.
fp cresc.
fp cresc.
48
Picc.
318
Fl. 1 & 2
Ob. 1 & 2
Cl. 1 & 2
B. Cl.
Bsn. 1 & 2
Cbsn.
Hn. 1 & 2 (F)
Tpt. 1 & 2 (C)
Tpt. 3 (C)
Tbn. 1 & 2
B. Tbn.
Timp.
mp cresc.
Hn. 3 & 4 (F)
Tba.
mp cresc.
f cresc.
f
f cresc.
f cresc.
f cresc.
f cresc.
f cresc.
f cresc.
f cresc.
f cresc.
f
ff
ff
ff
ff ff
mf cresc.
mf
mf cresc.
f cresc.
a2
mp cresc.
Vln. I
Db.
Vc.
f cresc.
Perc. 2 Perc. 3
Vla.
Vln. II
Perc. 1
Hp.
Picc.
Fl. 1 & 2
Ob. 1 & 2
Cl. 1 & 2
B. Cl.
Bsn. 1 & 2
Cbsn.
Hn. 3 & 4 (F) Tpt. 1 & 2 (C)
Tbn. 1 & 2
B. Tbn.
Tba.
Perc. 1
Perc. 2
Perc. 3
Hp.
Vln. I Vln. II
Vla.
Vc.
Db.
sfp
sfp sfp
sfp
sfp
(Sus. Cym.)
MMLOMMMM
f
in 2
molto
molto molto
3
3
ff
ff
ff
ff
3
3
3
a2
3
3
3
3
3
3
3
3
3
3
3
3
3
ff
fff
fff
3
3
(Bass Dr.)
Toms
3
3
3
3
3
ff
3
3
3
fff
ff
fff
W h=72 fff
3
3
3
3
ff
molto
ff
W h=72
ff
ff
sfp
ff
ff
sfp
fff
sfp
a2
sfp
W h=72 a2
fff
ff
49
fff
sfp
sfp
a2
fff
a2
in 2
sfp
in 2
Timp.
Hn. 1 & 2 (F)
Tpt. 3 (C)
W h=72 fff
in 2
325
3
3
3
3
50
Picc. 331
Fl. 1 & 2
Ob. 1 & 2
Cl. 1 & 2
B. Cl.
Bsn. 1 & 2
3
Tpt. 1 & 2 (C)
3
3
Hn. 1 & 2 (F) Hn. 3 & 4 (F)
3
3
Cbsn.
(Sus. Cym.) Perc. 1 (Bass Dr.) Perc. 2 (Toms) Perc. 2 Timp.
Hp.
Vln. I
Vln. II
Vla.
Vc.
a2
a2
5
sfz sempre
sfz sempre
pp
fff più
3
3
fff più
3
Db.
fff più
5
fff più
sfz sempre
3
3
5
3
3
3
3
3
3
3
5
3
molto
3
3
Snare Dr.
3
fff
3
3
3
sfz sempre
fff 3
5 fff marcato molto
5
fff marcato bells up
bells up
molto
B. Tbn. Tba.
Tbn. 1 & 2
molto
molto
Tpt. 3 (C)
molto
335
Picc.
Fl. 1 & 2
Ob. 1 & 2
Cl. 1 & 2
B. Cl. Bsn. 1 & 2 Cbsn.
Hn. 1 & 2 (F) Hn. 3 & 4 (F)
Tpt. 1 & 2 (C)
Tpt. 3 (C)
Tbn. 1 & 2
Vln. I
Vln. II
Vla.
Vc.
molto
molto
3
3
3
3
p
p
p
fff
p
X Glorious, q=54
Tam-tam
MNMOMMMM
molto
pp
non div.
fff
non div.
fff
div.
fff
p
fff
molto (
) molto
( )
molto
molto
div.
( ) ( molto
)
non div.
p
ff
f pp
fff
molto
fff
molto
fff
molto
fff
X Glorious, q=54 non div. ( )
fff
to Chimes fff
fff
fff
Cr. Cym.
fff
p
fff
fff
fff
p
fff
p
fff
p
fff
fff
fff
3
fff
X Glorious, q=54 fff fff
51
fff
p
fff
p
fff
p
fff
p
molto
fff
Db.
3
molto molto
molto
X Glorious, q=54
molto
3
3
Timp. Perc. 1 Perc. 2 Perc. 3 Hp.
B. Tbn. Tba.
molto
( ) molto (
) molto
( )
div.
molto
( ) molto
( ) molto
52
Picc.
342
Fl. 1 & 2
p
fff
p
B. Cl.
p
Bsn. 1 & 2
Cbsn.
fff
p
Tba.
Timp.
Perc. 2
Vln. I Vln. II
non div.
Vla.
Vc.
Db.
pp
pp
pp
pp
pp
Chimes
fff
p
molto molto
div.
molto
molto molto
div.
pp
pp
pp
pp
p
gliss. gliss.
p
dim. div.
gliss. gliss.
to Bass Drum
fff
Hp.
pp
pp
fff
Perc. 1
Perc. 3
pp
pp
pp
pp
B. Tbn.
fff
fff
Hn. 3 & 4 (F) Tpt. 1 & 2 (C)
Tbn. 1 & 2
Hn. 1 & 2 (F)
Tpt. 3 (C)
fff
p
fff
p
Cl. 1 & 2
Ob. 1 & 2
pp
dim.
dim.
dim.
gliss. gliss.
pp
dim. div.
gliss. gliss.
gliss.
Fl. 1 & 2
Ob. 1 & 2
Cl. 1 & 2
rit.
B. Cl.
Bsn. 1 & 2
350
Picc.
Cbsn.
Hn. 1 & 2 (F)
Hn. 3 & 4 (F)
Tpt. 1 & 2 (C)
Tpt. 3 (C)
Tbn. 1 & 2
B. Tbn.
Tba.
Timp.
rit.
rit.
dim.
Perc. 2
Hp.
Vln. I
dim.
rit.
Perc. 1
Perc. 3
ppp
Bass Dr. ppp
ppp
Vln. II
Vla.
Vc.
pp
Db.
pp
dim.
53
ppp
April-December 2010 Ann Arbor, MI