Graphic Design Portfolio by andrew cucco

Andrew Cucco â&#x20AC;˘ graphic design portfolio

ILLUSTRATIONS

pp. 3-5

LAYOUT and

Typography

pp. 6-13

Package Design

pp. 14-19

pp. 20-23

L ionel 10

MESSI

Poster Design

Illustration based on photo done with focus on hand-drawn vectors.

ARGENTINA

Poster design

Illustration based on photo done with focus on hand-drawn vectors.

Bergen Community College presents The Bergenstages production of

The 1940â&#x20AC;&#x2122;s Radio Hour by

Walton Jones

Directed by Jim Bumgardner Music Directed by Jess Abrams Choreographed by Diana Ciappina

Anna Maria Ciccone Theatre Nov. 30, Dec. 1, 6, 7 & 8 at 7:30 PM Matinees on Dec.1 & 8 at 2:00 PM Sign-interpreted performance on Friday, Dec. 7

Tickets: $ 12.00 General Admission $ 7.00 Students, Seniors (65+) and all of BCC Tickets available in Room A-130 or online at http://tickets.bergen.edu For information and reservations call 201-447-7428

Poster design

Poster entered in contest for a play held by Bergen Community College.

ABCDEFG HIJKLMNOP QRSTUVWXYZ 0123456789 !@#$%^&*() ,./;’[]\-= <>?:”{}|_+ Font Design - DoubleLine

DoubleLine is a font I designed using the the website www.FontStruct.com. It’s available free to download at http://fontstruct.com/fontstructors/screaminglimes/public Pictured above is the full font including A-Z, puncuation and special characters. On the right are examples of the font in use.

速

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-New York Times

writer

John Polnin

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-Sun Times editor Fahad Rouf Quiduntotam fugitataqui oditem aut eume coritibus, ut que dic tem moditatur. Bea doloris dolupta tiscienis ipiene sit laborep elibusant molorro explit aut evelia con nimi, ullectum es aut est, secest, et quas del magnis mod quisitis explit porpos eum id etur a ea dolorecuscia quos.

-Print writer/designer Michelle DiLullo

US $14.99/CAN $14.78 ISBN 978-0-12-345678-9

left

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handed

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left handed

Seymour Chwast: Xero modionempore ilipsam, ommolupis eos vellessunt acepeli taspidemos delluptatum arci dolessinvere volupienit idis nulpa suntorro voles est, nonsedi genectium ut hillautem. Met volessuntiis dolupta tecatis quia dolore si si aut arion endusam nusdaest voleces molut alitium quodi blaborp orerio. Nam alibus, et ped et hition perfero remquatent experspedio qui offic tentur, solut aperae suntiaectur? Niendit officietur?

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Seymour Chwast

Maecenas diam elit, vehicula id congue condimentum, auctor ultrices libero. Quisque in orci nisl. Pellentesque habitant morbi tristique senectus et netus et malesuada fames ac turpis egestas. Nunc at massa in nunc blandit accumsan non at libero. Praesent vel ipsum tellus, vel accumsan lacus. Sed molestie nibh non nibh volutpat varius. Sed ac elit augue, in elementum nisl.

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published by

PENGUIN GROUP (USA) Inc. 375 Hudson Street New York, NY 10014-3657

Seymour Chwast

jacket design and illustration by Andrew Cucco

Book jacket design

The concept of this project was to design a book jacket for a book about a famous graphic designer. The design was to reflect his past work (Seymour Chwast of Pushpin Studios).

BOOZE BROADS AND BANDS

featuring

LAST MINET

FREE SHOW! 21 and up

Thursday May 31st 9PM - close

PUTA DE MAI VIOLET CAVA ANAIS HOUR

The Lamp Post Bar and Grille 382 2nd Street Jersey City NJ

Flyer (left) and magazine ad (right)

Flyer and magazine ad designed for a friend of mine, who is a band promoter.

HHHS Classmate Memory Book We are putting together a 50 year Memory Book of all our classmates. Everyone will have their own color page for a selection of their life’s golden memories captured in photos with brief stories that they would like to share. Please limit photos to four. (We know that’s not enough, but that’s all space allows - see page to your right.) Please include your contact information as well.

HASBROUCK HEIGHTS HIGH SCHOOL – CLASS OF ‘62 50 Reunion th

Dear Classmates: It’s 2012 and that means the 50th reunion of the Hasbrouck Heights High School Class of 1962 is almost here. A fun-filled weekend is planned with events you will long remember. Friday, October 19 – Cocktail party - 8:00 pm until ? $30.00 per person – A gathering of friends from all HHHS classes. Location: to be determined. Hot and cold hors d’oeuvres with a cash bar. Saturday, October 20 – 8:00 pm to Midnight - $75.00 per person. Including a cocktail hour and dinner buffet with a cash bar in the Grand Ballroom of the Holiday Inn, Route 17, Hasbrouck Heights. Our favorite DJ, Teen Angel, will provide great music for reminiscing and dancing. A block of Deluxe rooms have been reserved at a discounted rate of $99 for our classmates who wish to spend a night or two. You can reserve your accommodations by calling the Holiday Inn at (201) 288-9600. Mention that you are part of the HHHS Class of ’62 reunion. Reservations are on a first come basis. The room rate will increase to a minimum of $119 when the block of rooms are gone.

Please let us know which nights you will be attending. We require a $50.00 per person deposit no later than May 15, 2012. Make checks payable to HHHS Class of 1962 and send to Marie Viducich at 257 Springfield Avenue, Hasbrouck Heights, NJ 07604.

For the most expidient production, we ask that you email digital photos (or scans of prints if possible) with descriptions of a few of your life’s highlights. Please let us know who is in what picture. If you do not have access to email, you may send prints with a self-addressed stamped envelope for return of photos.

The weekend promises to be great! We will also try to include a tour of the high school and town. Who wouldn’t want to visit the athletic field or Woodland Park again, or have lunch at Fishers? We have so many memories to share, don’t miss out on the fun.

HHHS Class of 1962 Reunion Committee

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Pictures and story can include work history, leisure activities, children, grandchildren, pets, and travel experiences. You can also share memories from high school such as:

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Did you have a favorite teacher or HHHS tradition? Was there a secret crush? Who?

If you have questions, comments or suggestions, please contact: Audrey (Shelko) Sherry (asherry@aol.com) or Marie (Magrini) Viducich (viducich@gmail.com). As a souvenir of the evening, we are creating a Memory Book. Please send photos, stories, HHHS memories, updates and any other information you would like included in the book to: Lois (Holle) Schneider 623 McCarthy Drive, New Milford, NJ 07646

MARY SMITH

Was there an embarrassing moment that now is just funny? What are you most proud of in your high school days?

Start sending photos and copy for the Memory Book no later than JULY 1ST. Email to: JDredbird@aol.com

or mail to address: Lois Holle Schneider 623 McCarthy Drive New Milford, NJ 07646

Please be aware that payment for our 50th Reunion is due by July 1ST Checks should be made payable to HHHS Class of ‘62. Return the bottom portion of this page along with your check to: Marie Magrini Viducich 275 Springfield Avenue Hasbrouck Heights, NJ 07604 Your Name:

Address:

Phone:

Email: Friday Night Cocktail Party, $35 per person

Total number of people: Total amount $:

Saturday Night Dinner, $100 per person

Total number of people:

Memory Book (optional) $25 per copy

Total amount $: Book amount $:

Total Amount Enclosed

Flyer (left) and request form (right)

The following design is for the 50th Reunion for the Hasbrouck Heights High School class of 1962. Included are a flyer and request form for a Memory Book (similar to year book but for reunions).

Zhao Renhui by Jeffrey Kastner

IN AUTUMN 2009, I got an e-mail from a young artist named Zhao Renhui. He wanted to share some images he had made on a recent trip he’d taken with an organization called the Institute of Critical Zoologists (ICZ). Zhao had joined the group, he wrote, on a journey to the tiny, uninhabited island of Pulau Pejantan in the South China Sea, a few hundred kilometers off the coast of the Indonesian province of West Kalimantan. Pulau Pejantan, Zhao explained, had only recently been surveyed for the first time, and its unique ecosystem—a central semitropical forest ringed with towering white sand dunes—had been found to contain extraordinarily rare geologic features and unique fauna, many examples of which he had photographed, despite the almost constant fog that he said blanketed the landscape as the result of its location in the doldrums along the Sunda Trench. The images he sent—of a school of “Pacific Lantern Fish” surfacing along a coastline, their illuminated eyes flashing beneath the dark water; a cheetahlike “Iriamondi Cat” reclining in a canyon between talcumpowder hills; an erupting “Black Geyser” shooting a fan of ebony liquid out of a shadowy depression in the pale soil—were entirely convincing and, at the same time, utterly unbelievable, in both the figurative and the

literal senses of the word. After some back-and-forth, it became clear that though the island was real, and Zhao had indeed visited it with the ICZ (an easy enough thing for him to do, since it turns out he’s the institute’s only member), the images themselves were in fact meticulously crafted constructions. They did not depict the island in its actual state but were instead designed to function together as a kind of fantastical stand-in for it, one that—in keeping with Zhao’s larger conceptual program—expertly mobilized the strategies of observation and documentation in order to recast the scientific-research mission as an insurrectionist sci-fi travelogue, a mode of producing knowledge about the natural world that owes more to Borges than to Attenborough. Over the past several years, the two of us have maintained a correspondence of sorts, consisting of e-mails and packages arriving in Brooklyn every few months from various locations around East Asia (the twenty-nine-year-old Zhao currently splits his time between London and his native Singapore). The packages contain scrupulously produced publications made under the auspices of the institute, such asICZ Phylliidae Studies, 2009, which focuses on “walking leaves,” an ancient family of insects whose bodies precisely resemble bits of foliage, and The Whiteness of a Whale, 2010,

conceptual formulation that, as Carrie Lambert-Beatty wrote of parafiction in 2009, is “oriented less toward the disappearance of the real than toward the pragmatics of trust.” With Zhao, there are some stable facts, and they seem to be these: An animal rights activist from an early age, he moved to London in 2007 to study at the Camberwell College of Arts, and in 2008 received a grant to photograph the conditions of animals in European zoos and circuses. At the end of a month spent visiting more than a dozen such environments, he realized he “was more interested in watching humans watch animals” than in watching animals himself. Zhao started the ICZ while at Camberwell in 2008— though the institute’s website (criticalzoolo gists.org), a crucial nexus for the many interpenetrating feints of the artist’s program, dates its beginnings to 1996 and the merger of the Japanese “Nagasaki Animal Center” and a Chinese research institute called “Zhong Yao Dong Wu Xue Guan”—and in the four years since, he has stopped making work under his own name, placing all his activities beneath the aegis of the organization whose sprawling multinational “staff ” is culled from a retinue of the artist’s friends and features various pseudonymous characters depicted in both found and staged images. Drawing always on Zhao’s constructed photographs, the ICZ has from the beginning oscillated between the kinds of “documentary” projects Institute of Critical Zoologists, Rewilding, Siberian Tiger Forest Park,China, 2007, color represented by the Pulau Pejantan images and a range photograph, 23 5/8 x 23 5/8”. From the series “Medicinal Tigers,” 2007. of sly, Swiftian “research” programs whose data- and image-rich mode of conceptual double entendre—on offer in ideas such as the proposed farming of tigers for medicinal purposes to reduce poaching (“Medicinal Tigers,” 2007), the results of research into purported sightings of a rare cetacean near “metamaterial” camouflage cloaks that secret observers in the field the Japanese city of Omishima. Even after all this time with the work, (“The Blind,” 2008–10), and a process that induces biostasis to extend I still cannot say with conviction precisely where the line between truth the life spans of endangered animals (“Acusis,” 2008)—is designed and falsehood lies in Zhao’s practice, so skillfully does his art marshal the to simultaneously inhabit and dismantle certain familiar structures of visual and discursive patterns of the master narratives it infiltrates. His environmentalism, animal husbandry, and zoological research. books imitate the large-scale style and syntax of scientific publications but are riddled in their details with strategic absences, opacities, and other The most recent correspondence I received from Zhao included a clues to their operational instability—“data” presented in ways that mimic catalogue published by the ICZ late last year documenting the activities of but never fully correspond to accepted scientific procedures; pictures that something called the “Glacier Study Group,” which purportedly conducted purport to show things that can’t necessarily be seen in them; uncertain an Arctic ice survey. In the full set on the ICZ’s website, the images are so epistemic frameworks (members of the “Phylliidae Study Group,” master carefully pitched between reality and artifice that their subtle incongruities breeder “Hiroshi Abe” laments in his catalogue note, were skeptical of a ring even purer. I know that none of them—depicting, for example, a particular claim of his because “due to the low quality of the video, [they lone polar bear standing on an ice floe, a pair of white foxes sheltering could hardly] make out the species from the green foliage” that surrounded behind a rock—show what is real, or at least considered real in the context it). Like the walking leaf ’s, the parafictional camouflage of Zhao’s work of the orthodox nature photograph. Yet they are, in some ineffable yet allows it to blend seamlessly into its informational surroundings; like fundamental way, faithful documents: The enormous bleached stag antlers Ahab’s vexing quarry, it symbolizes a kind of perpetually receding goal, one protruding from the frozen sea do persuasively propose the body beneath, that embodies an array of anxieties and desires that trouble contemporary just as the image of a man in wildly unsuitable attire leaping from a chunk considerations of “nature” in our anthropocenic age. of ice into the frigid Arctic waters suggests both the aspirations and the limits of our “natural” condition as vividly as any documentary image We increasingly speak of a parafictional turn in contemporary art, possibly could. but just how any such turn will finally differ in practice from previous modernist repurposings of historiographic, allegorical, and archival Jeffrey Kastner is a frequent contributor to Artforum. methodologies remains inconclusive. With its wry grotesqueries and exuberant enthusiasms, Zhao’s work, for its part, sidesteps didacticism—it might be best understood as standing in line with Colbertian “truthiness,” a

Leading article layout

The aim of this project was to design a layout for a leading article in a magazine with heavy focus on text formatting and style sheets.

“The first step toward your academic future”

SATMAX PLUS Logo and Power Point template

SATMAX Plus is a class taught through power point. It’s designed to help high school students prepare for the SAT and taught at Steven’s Institute of Technology. I was recruited to design the logo, intro page (above) and Power Point template (pictured right).

Info Writing Reading Math

STANDARD PLAYING CARDS

Clo

Cards y t i ud C

♠♥♣♦ Cloud City Cards

This project’s objective was to design a deck of playing cards and the box it’s packaged in. Above is the template and design for the box. On the right is a picture of the box assembled along with several of the cards. The backing of the cards is emulated in the back of the package. Each of the face cards are designed holding their respective symbols.

Trick or Treat Latex condoms are intended to prevent pregnancy, HIV/AIDS, and other sexually transmitted infections. CAUTION: this product contains natural rubber latex which may cause allergic reactions.

assorted premium lubricated latex condoms

24 assorted premium lubricated latex condoms

SURPRISE PACK

assorted premium lubricated latex condoms

a random bewitched assortment of all different shapes, colors, flavors and sensations

SURPRISE PACK

Trick or Treat

UNKNOWN PLEASURES A SURPRISE IN EVERY BOX

UNKNOWN PLEASURES

•

Latex condoms do not completely eliminate risk of pregnancy and sexually transmitted infections (STIs)

•

To get the most protection from latex condom, use one correctly everytime you have sex.

•

There are many STIs. A latex condom can reduce the risk of STI transmission to or from the head of the penis. However some STIs can also be spread by other sexual contact.

•

If you believe you have an STI contact a health care provider.

Store in a cool dry place (below 100°F) and avoid exposure to direct sunlight. Do not use oil based lubricants such as ones made with petroleum jelly, mineral oil, or cold cream, as these may damage the condom.

The number one condom brand in the universe! Distributed and manufactured by the Trick or Treat company, Pittsburgh PA Made in the U.S.A

Trick or Treat Trick or Treat Condoms

The catch of this project was to design a package for a product of our choosing but the name had to be Trick or Treat. The product itself also had incorporate the idea of the spontaneity of the term. Pictured above is the design and on the right is the package printed and assembled.

In the ever turbulent world of punk rock music, New York City claims the Ramones and Los Angeles proudly boasts PENNYWISE, the most significant hardcore band to emerge from SoCal punk’s second wave. A thriving, ground-breaking punk rock band for over 20 years, the Hermosa Beach group has seen members come and go but it’s relentless, in-your-face, middle finger in the air, anthem-chanting sound has never wavered one iota. The genesis of PENNYWISE can be traced back to the South Bay 1988 when punk couldn’t be less popular and metal ruled the roost. The four original members of PENNYWISE immediately crafted a style all its own—a tidal wave of California hardcore, melodic surf punk and optimistic anthems that went against the seek-and-destroy ethos of its era. PENNYWISE would go on to build an international following through relentless touring. A no nonsense band best-known for its pounding rant “Fuck Authority,” searing soul-searcher “Alien” and its ode to brotherhood, “Bro Hymn,” an autobiographical song that pays tribute to its founding bass player, Jason Thirsk, after his tragic death in 1996. The band recently enjoyed its most significant success to date, with their top 20 single, “The Western World” which dominated at KROQ 106.7, L.A.’s No. 1 modern rock station. Most recently, Ignite vocalist Zoli Teglas joined the PENNYWISE fold replacing the band’s former vocalist Jim Lindberg. Teglas, a longtime friend and tour mate, made his PENNYWISE debut playing a handful of local shows including the 2009 Smokeout Festival and a sold out Holiday Benefit concert for Amnesty International at Long Beach Arena. Founding guitarist Fletcher Dragge called Teglas a “natural choice” to take over vocal duties for the band. Bassist Randy Bradbury explains, “What started out as a temporary position was just too good to put an end to. Zoli brings to the table a tremendous vocal ability, creativity, and a die hard work ethic. There is a

bond that makes this change feel like it was simply meant to be, and considering the recent unfortunate events, having Zoli join the band is a well needed shot of positive energy.”

PENNYWISE

Teglas was excited to take the stage with his friends, noting, “I’m stoked to be singing with Pennywise. I’m a huge fan of the band and am super grateful to share the stage with my long time friends Fletcher, Byron and Randy.” Left without a singer during summer of ’09 some questioned the future of PENNYWISE but they should have known better. Calling it quits was never in the cards for the remaining members. “There was a time after we lost Jason that we thought about giving up, but we would have been hypocrites,” Dragge noted. “Our music has always been about persevering against all odds. We love this, we love going on the road. There’s nothing more important to me than being on stage in front of our fans and having them sing our lyrics back at us and feel the energy. This has become so much bigger than just us as a band. It’s become a family and a brotherhood of people that I feel depend on us. I’m still here to continue to deliver the message as are Byron and Randy. Our motto is to follow your dreams and pursue them. Don’t waste time because if you’re wasting time on something you’re not into, then you’re not living. We’re going to go out there and have fun doing what we love until it stops being fun.” A punk rock Hall of Fame band if there ever was one, the story of PENNYWISE is hardly done. With a brash new chapter of the band’s story unfolding before our very eyes, a new record is in the works, as are a U.S. and overseas tours. PENNYWISE doesn’t play by the rules, it plows straight ahead and makes its own. “We’ve always done things our own way,” Dragge declares, “and we’ve never taken no for answer. We’ve been a punk band for over 20 years, and we’ve traveled the world, and we’ve had a lot of people tell us what we could and couldn’t do. Tell me what we can’t do, and I’ll try twice as hard to do it. That’s the one thing this band has taught me; if you want it bad enough, you can have it.”

ALL OR NOTHING

what’s the fucking problem with this world today we’ve become what they wanted and now you’re done when will you stand up and say we’re living with decisions of the fabled minds the limits are intended and it throws back time a poisoned disease common place it seems it’s taking control of our lives we’ll never know, until we try the time is now it’s all or nothing we owe our lives it’s do or die we must believe it’s all or nothing why don’t you take a look around you the answers lie in your mind it’s up to each and every one of us until the day that we die we only need to motivate and realize alleviate the century and you redefine defeat the disease so you can break free from the struggles you hold deep inside we’ll never know until we try the time is now it’s all or nothing we owe our lives it’s due or die we must believe it’s all or nothing we...we’ll never know, unless we really try you...you will never see, that there’s too much on line i...i’m still confused, but now i’m hoping that we’re never gonna slow down i believe that we can move on conquer all those and right all these wrongs i believe that we can stay true true to ourselves and find something new find something new we’ll never know until we try the time is now it’s all or nothing we owe our lives it’s do or die we must believe it’s all or nothing i believe that we can move on conquer all those and right all these wrongs i believe that we can stay true true to ourselves and find something new find something new

(left to right)

Zoli Telgas - Byron McMackin - Randy Bradbury - Fletcher Dragge

All songs written and arranged by Pennywise. Recorded at Total Access Studios, Redondo Beach, CA. Photography by Dierdra James. Art direction and illustration by Andrew Cucco.

Pennywise CD cover 18

Pictured above is the insert for a CD single design. The back insert can be seen in the picture to the right (top).

BURGER PLANET

Burger Planet Logo and ID kit design The objective here was to design a logo for a company beginning with hand drawn sketches and developing into an ID kit including a letterhead, envelope, and business card. Concept sketches for BP logo (above) and digital concepts for logo {below).

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Burger Planet Logo and ID kit design (cont.) (From left to right clockwise) Letterhead, envelope, business card, and logo.

zombie nation I was recruited to design a logo, business card, and temporary webpage for a clothing company called â&#x20AC;&#x153;zombie nationâ&#x20AC;?.

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BURGER PLANET

Logo Designs Various logo designs