Adam Partridge Auctioneers | Studio Ceramics The Jack Blackburn Collection by adampartridge

STUDIO CERAMICS THE JACK BLACKBURN COLLECTION The Cheshire Saleroom Macclesfield, UK 29th July 2022

Jack Blackburn (1940 – 2021)

live in a world of things, even at the most “ Weaustere level of existence. It is the things we choose, use and value that determines certain aspects of our lives.

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STUDIO CERAMICS

THE JACK BLACKBURN COLLECTION

The Cheshire Saleroom, Macclesfield, UK Friday 29th July 2022 at 10am Viewing:

Thursday 28th July 2002 10.00am – 5.30pm and morning of sale

Enquiries:

Jason Wood +44 (0) 7763 475442 jason@adampartridge.co.uk

Condition reports:

All images and condition reports available online at www.adampartridge.co.uk and the-saleroom.com

Bidding:

bidding@adampartridge.co.uk

Further info:

macclesfield@adampartridge.co.uk +44 (0) 1625 431 788

To bid via the internet please register with www.adampartridge.co.uk or the-saleroom.com

Ceramics photography and catalogue design:

Daca Studio dacastudio.com

The Cheshire Saleroom Withyfold Drive Macclesfield Cheshire SK10 2BD Tel: Email: Web:

+44 (0) 1625 431 788 macclesfield@adampartridge.co.uk www.adampartridge.co.uk

ORDER OF SALE Studio ceramics British

1 – 262

French 263 – 413 Other European 414 – 432 Japanese, Korean and Australian

433 – 442

Pot Luck 443 – 496 Books and magazines

497 – 512

Pictures 513 – 519 Furniture 520 – 529 Textiles 530 – 534

All purchases are subject to a buyer’s premium of 20% of the hammer price, inclusive of VAT.

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Lots marked with an ARR symbol are potentially subject to Artist’s Resale Right/Droit de Suite royalty charges.

INTRODUCTION Adam Partridge Auctioneers’ summer auction of 2022 is devoted to the collection of the late Jack Blackburn. Jack had a passion for British and French studio ceramics and was well known as the founder of ‘Pots from France’. For more than twenty-five years Jack, with his partner Margot Bartlett, curated biannual selling exhibitions of pots made by many of the leading French ceramists. The work was varied, with an emphasis on functional ware balanced by a choice of fine individual pieces, and displayed in the informal and unconventional setting of Jack’s house and garden. Jack lived at Bankside Cottage in Youlgreave, Derbyshire, which one newspaper critic dubbed ‘The English home of French pottery’. Jack and Margot had both been collectors for many years but since becoming semi-retired from their jobs in theatre education, the couple decided to invest in ‘a few pots’, as Margot put it, ‘instead of a new frock or a CD player.’ Their forays to France at least twice a year clocked up thousands of miles (and wrote off several estate cars) returning each time fully laden with some 300 pots made by up to 20 potters. At the Bankside exhibitions, and other pottery fairs in the UK, the pots were sold at little more than the potters would charge themselves, sufficient to cover the purchase cost and their travelling expenses only. As well as works by highly regarded French potters like Claude Champy, Jean-Francois Fouilhoux, Christine Fabre, Caroline Barbet, Pascal Geoffroy, Jean-Nicolas Gerard, Jerome Galvin, Camille Virot, Jean-Pierre Viot and Jack’s personal favourite Brigitte Penicaud, Jack’s collection also features several hundred pots by British, European, Japanese and Korean ceramists like Takeshi Yasuda, John Maltby, Janet Leach, William Marshall, Colin Pearson, Ewen Henderson, Patrick Sargent, Philip Eglin, Richard Batterham, Geoffrey Fuller, Robin Welch, Claudi Casanovas, Ken Matsuzaki, Nobuo Okawa, Shiro Tsujimura and Ree Soo-Jong. The auction concludes with a selection of Jack’s books, pictures, furniture (including Japanese Tansu and Edward Teasdale chests) and a collection of Bhutanese textiles.

Jason Wood, the auction’s curator, writes: Jack first approached me about selling his collection through auction some years ago. He was battling various cancers but still determined to get to France whenever the opportunity arose. We talked about how useful it would be for me if he could find the time to start an inventory of his collection, especially the French pots. But it was always going to be at ‘un moment futur indéterminé’. He wrote: ‘I’ll consider my archive logging when I am back on the chemotherapy. In the meantime the plan is to get to Provence – I meet the haematology team at the weekend and will leave immediately. It’s a, what the hell! Live while you can situation.’ When he began collecting in August 1985, Jack did start an inventory of sorts. Among the many files and boxes of archives was a little black book listing every pot bought or gifted in the ten years to 1995, along with snippets of information and asides, some of which are reproduced in this catalogue. In his first six years of collecting Jack recorded 85 pots by 31 different potters (18 through personal contact) and an average monthly expenditure of £30. In the next four years the collection grew by 129 pots by 53 potters (of which 28 were new) while the average monthly expenditure increased to over £150. So the total, by August 1995, stood at 214 pots by 59 potters. The works were mostly British with some French, Japanese and American. Over the course of the last couple of years of his life, Jack had started to compile a photographic inventory of what was now a collection of over 600 pots. But sadly his illness meant he couldn’t complete it. I found a note which read: ‘STOPPED photographing when life became too hectic. September 2021. Adieu!’ He died in November. Preparing for this auction, therefore, has involved a considerable amount of research in order to identify as many of Jack’s pots as possible. This has not been easy and there will inevitably be things that have been missed – hence the section of the sale we’re calling ‘Pot Luck’. The first task was to separate the collection proper from his stock of ‘Pots from France’. Then it was a case of trawling through Jack’s archives to help pin down the attributions and provenance of hundreds of mainly French ceramics. (The British and Asian pots were more straightforward, though there were a few new names among these too.) There was also the task of tracing the wherabouts of several pieces that had made it to Jack’s inventory but could no longer be found. Some losses were recorded: a Geoff Fuller bowl, ‘Broken when I knocked it off a table’; a John Maltby cup bought in 1992: ‘Gone walkabout? Who knows why and when?’ In the garden there were frost-damaged pieces: a Charles Bound chawan cracked in two and the remnants of a large shallow Jean-Pierre Chollet bowl smashed when Jack lost his balance and stepped back on it. In the kitchen, the cupboards and shelves were full of chipped teabowls and teapots with cracked lids, all bearing witness to constant usage. At the Blackburn home there was always a good excuse for another cup of tea. So as well as the catalogue descriptions, much time has been spent on condition reports.

Remembering Jack Jack’s daughters, Cathy and Susie, write about the many ways their Dad enriched their and others people’s lives: Dad was born in Leeds during the war to Sid and Amy Blackburn. His father was a prisoner of war so Jack didn’t meet him properly until the war had finished. Dad has a younger brother, Dennis, who was born after Sid’s return, and the four of them lived in a fairly remote spot on Otley Chevin near Leeds. Dad always spoke fondly of this time. As a child, Dad was studious and read a lot. He was very proud to get a place at grammar school and went on to train as a teacher, which is where he met his future wife, our mother, June. Dad got a place at Cambridge University to study English. Again, he was incredibly proud of this achievement, as he was the first person in his family to go to university. Dad always said that he wanted other people from a similar background to him to get the same opportunities as him. With that in mind, he has generously left his house in France to Fitzwilliam College – the college that he went to – to provide scholarships for students from disadvantaged backgrounds. Dad also leaves a legacy through all the people that he introduced to the two passions of his life – drama and pots. He was so enthusiastic about both these areas when he spoke about them, that he inspired others to share that passion. His legacy is all the potters that he supported and the beautiful pots that sit in so many people’s homes. It is also the many people that he introduced to theatre and performance. He was always able to get the best out of people – even if his methods were sometimes unconventional. He has a lasting legacy in the books that he wrote. He always wrote. We found countless notebooks and scrappy bits of paper in every corner of the house, with his many musings and snippets of poetry written on them. In his latter years he was determined to finally publish his books and working on them certainly kept him going. There are two yet to be published so watch this space!

“Jack was such a rare spirit – so brilliant, full of ideas, and so determined to keep on exploring and expressing himself. He inspired so many people and brought a lot of beauty into the lives of so many of us.”

“I have wonderful memories of Jack over the past few decades, and more, of trips over to his exhibitions of French ceramics. His enthusiasm and passion for crafted work was a wonderful education for me. He will be missed by all of us, definitely a one off!”

Dad loved drama, film, art, poetry, beautifully crafted items. Even when he gardened, it wasn’t just gardening – he was inspired by feng shui and the ancient art of Japanese gardening. Typical Dad! Countless books would be bought on any new creative interest and he would study them in detail. But the thing we will remember the most about our Dad is his positive attitude to life. When Margot, his much loved partner of many years, was diagnosed with cancer, his determination to make every day a positive and inspiring one was a delight to see. Every week he would take a different piece of art or an object to her hospital room to enrich her day, give her something new to look at and take her mind off her illness. Throughout the many years of his own illness, Dad showed the same fortitude and never let it stop him from doing anything. He still travelled to France – a country that he saw as a second home – driving many hundreds of miles to his house in Provence. We would cross our fingers and pray that he would make it back without the need for hospitalisation or a car accident – he was a terrible driver.

Dad had years of regular trips to various hospitals for treatment for his cancers, but remained upbeat and positive. He saw every medical trip as a new, interesting experience that, in some strange way as he described it, enriched his life. He constantly praised the NHS and the care that they gave him. He never complained and he made every extra day that their treatment gave him count. We will remember Dad as someone whose positive attitude to life and the adversity that it can sometimes throw your way, should be a blueprint for our own lives. We remember him as someone who has taught us and others to value creativity and to take pleasure in the small things in life. Finally we would like to take this opportunity to thank all the people who have encouraged and supported Dad in his various endeavours, and through the many years of his illness.

In traditional Japanese aesthetics, “wabi-sabi is a strong reaction against

the dominant sensibilities of both the past and our modernist times. It is an ancient concept that looks for idiosyncratic solutions, recognising that all things are impermanent, all things are imperfect. Wabi-sabi encourages one to stop preoccupation with success in terms of wealth, status, power and luxury. It suggests, rather, that we should enjoy the unencumbered life – get rid of everything that is unnecessary. Me? – Me? Help!

I have thousands of books, hundreds of pots, a smart phone, an Apple i-pad, a Philips razor, a Newhome cooker, a Dyson vacuum cleaner, a Bosch central heating unit and a certain amount of modular Ikea furniture. All branded goods and state of the art. I also have crumbling plaster, faded paintwork, an ageing bathtub, a cracked window pane and damp-rotted window frames and dusty surfaces. I wear torn shirts, usually two sometimes three at a time, and I cut my own hair. Wabi-sabi is comfortable with contradiction and ambiguity. And so am I.

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“My mind’s eye roves around Bankside every day, indoors and outside, remembering conversations, laughter, challenge, dispute, debate, alongside the intense pleasure of holding a pot – one of his treasures, a prospective purchase or even just whichever teabowl he has chosen to serve my tea in.”

rice bowl, the ‘chawan’, is the size “ofThea pair of cupped hands, it will usually have a foot to ensure good balance, and it sits comfortably in the palm of one hand. It will hold enough rice for a meal, or a splash of water to wash in, or soil to grow seedlings, or as a cover for sun fresh berries, or simply for a shared drink.

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Studio Ceramics British 1 RICHARD BATTERHAM (1936-2021)

A large stoneware tazza covered in green ash and kaki glaze, diameter 23cm. £250-£350 † 2 RICHARD BATTERHAM (1936-2021)

A stoneware fluted tazza covered in green ash and tenmoku/cobalt breaking to kaki glaze, the green ash glaze pooling to the well, diameter 17.5cm. Provenance: Purchased from the artist, 1992. Jack Blackburn: An exciting different glaze effect, product of an experiment adding a little cobalt to the tenmoku. ‘Once I’d have thought it a sin to put anything in tenmoku,’ says R.B. ‘Look at the colours’. £180-£220 † 3 RICHARD BATTERHAM (1936-2021)

A small stoneware tazza covered in green ash glaze with cobalt tinted rim, diameter 13.5cm. Provenance: Purchased from the artist, 1993. £80-£120 †

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4 RICHARD BATTERHAM (1936-2021)

A stoneware cut sided bowl covered in green ash and kaki glaze, diameter 18cm. Provenance: Purchased from the artist, 1991. £200-£300 † 5 RICHARD BATTERHAM (1936-2021)

A large stoneware twin handled pan covered in green ash and kaki glaze with chatter marks to the interior, diameter 31cm (including handles). Provenance: Purchased from the artist, 1992. £180-£220 † 6 RICHARD BATTERHAM (1936-2021)

A stoneware cut sided butter dish covered in green ash glaze, diameter 14cm.

7 RICHARD BATTERHAM (1936-2021)

A stoneware jug covered in tenmoku breaking to kaki glaze with green ash rim and interior, height 14cm, and a matching smaller example (2). £120-£180 † 8 MAY LING BEADSMOORE (born 1970)

A soda glazed stoneware cup, impressed MLB mark, height 8cm, and an Andrew Mason cup commemorating Art in Clay 2021 (2). £25-£35 † 9 TERRY BELL-HUGHES (born 1939)

A stoneware chawan with relief decoration covered in ash and celadon glaze, impressed TH mark, diameter 14cm. £40-£60 †

Provenance: Purchased from the Chestnut Gallery, Bourton on the Water, 1989. Jack Blackburn: Purchased after I had twice visited Batterham’s home in Dorset, but on each occasion failed to pluck up the courage to knock on his door. I made a third visit in the summer of 1990, with personal recommendation and encouragement from John Maltby, R.B.’s best friend, but again failed to make contact. On the fourth trip in 1991 Margot accompanied me and she was prepared to boldly go where I had failed before. Was we robbed or was we robbed? But a pleasant conversation with the Master Potter. £100-£150 †

10 VIDA BEWLEY (born 1951)

‘The Ousel-Cock’ and ‘Good Master CobWeb’, two earthenware sculptures of Bottom and a Faerie Hare from the artist’s Midsummer Night’s Dream series, tallest 18.5cm (2). £50-£70 † 11

SEBASTIAN BLACKIE (born 1949) Two wood fired stoneware sake ‘whisky schnapps’ cups, tallest 7cm (2). £40-£60 †

STEVE BOOTON (born 1957) A stoneware chawan partially covered in shino glaze, impressed SB mark, diameter 13cm, and a smaller example covered in black slip and crawling shino glaze (2). £40-£60 †

14 CHARLES BOUND (born 1939)

A wood fired stoneware chawan covered in shino glaze, impressed mark, diameter 14cm. Provenance: Purchased from the Booth House Gallery, Holmfirth, 1991. £100-£150

STEVE BOOTON (born 1957) A stoneware yunomi partially covered in shino glaze, impressed SB mark, height 9cm, and a sake cup side fired on shells, height 5.5cm (2). £30-£40 †

15 CHARLES BOUND (born 1939)

A wood fired stoneware chawan partially covered in grey glaze with incised crosses picked out in tenmoku and cobalt glaze, diameter 14.5cm. Provenance: Purchased from the artist, 1992. Jack Blackburn: From a sale at the kiln with lots of visitors including Bill Ismay and Maggie Barnes. £100-£150 16 CHARLES BOUND (born 1939)

A wood fired stoneware chawan partially covered in white and tenmoku glaze, impressed mark, diameter 16.5cm.

Provenance: Purchased from the artist, 1991. £100-£150

17 CHARLES BOUND (born 1939)

A wood fired stoneware chawan covered in shino glaze, impressed mark, diameter 14cm. £100-£150 18 CHARLES BOUND (born 1939)

A wood fired stoneware chawan covered in tenmoku and kaki glaze, impressed mark, diameter 15cm. Provenance: Purchased from the artist, 1991. £100-£150 19 CHARLES BOUND (born 1939)

A wood fired stoneware chawan covered in shino and tenmoku glaze, impressed mark, diameter 12.5cm.

£100-£150

20 CHARLES BOUND (born 1939)

A wood fired stoneware yunomi partially covered in tenmoku and white glaze, impressed mark, height 12.5cm. £80-£120 21 CHARLES BOUND (born 1939)

A wood fired stoneware yunomi covered in shino glaze, impressed mark, height 9.5cm. Provenance: Purchased from the artist, 1990. £80-£120 22 CHARLES BOUND (born 1939)

A wood fired stoneware yunomi covered in grey glaze with pinkish hues, impressed marks, height 9.5cm. £80-£120 23 CHARLES BOUND (born 1939)

A graduated trio of wood fired stoneware footed bowls partially covered in grey glaze, impressed marks, largest diameter 19.5cm (3). 24

£120-£180 24 CLIVE BOWEN (born 1943)

A slipware biscuit barrel covered in honey glaze with impressed decoration, height 16.5cm. Provenance: Purchased from the artist, 1991. Jack Blackburn: C.B. said ‘There is the loft: see what you can find in there amongst the odds and ends’. £80-£120 † 25 CLIVE BOWEN (born 1943)

A large slipware jug covered in treacle glaze with trailed and impressed decoration, height 27.5cm. Provenance: Purchased from the artist, 1990. Jack Blackburn: Discussed Takeshi and Geoff Fuller with C.B. over a cup of tea when he returned from retrieving errant chickens scattered by a rogue badger. £120-£180 †

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26 CLIVE BOWEN (born 1943)

A slipware chalice covered in honey glaze with green decoration, height 12cm. Provenance: Purchased from the artist, 1996. £80-£120 † 27 CLIVE BOWEN (born 1943)

A slipware jug covered in chestnut glaze with trailed decoration and honey top, height 15.5cm, and a smaller jug covered in honey glaze (2). £60-£80 † 28 CLIVE BOWEN (born 1943)

A large slipware mug covered in honey glaze with applied decoration, height 14cm, and a small dish, diameter 15cm (2). £40-£60 †

29 DYLAN BOWEN (born 1967)

A large slipware platter/wall plaque covered in pale yellow glaze with iron trailed decoration, painted signature, diameter 46.5cm. £150-£200 † 30 DYLAN BOWEN (born 1967)

A slipware plate covered in chestnut glaze with yellow trailed decoration, diameter 31cm. £70-£100 † 31 BEN BRIERLEY (born 1964)

A wood fired stoneware platter partially covered in streaky white, pink and blue glaze, impressed mark, diameter 30cm, and a yunomi with impressed decoration, height 10.5cm (2). £40-£60 †

SANDY BROWN (born 1946) A large stoneware teapot covered in polychrome glaze, height 23.5cm. Provenance: Purchased from Primavera, Cambridge, 1994. Jack Blackburn: ‘You are getting a bargain there,’ said the lady, ‘and a very fine teapot,’ says I. £80-£120 †

SANDY BROWN (born 1946) A stoneware plate covered in polychrome glaze, painted signature, diameter 21.5cm, and a matching yunomi, height 9cm (2). £40-£60 †

SANDY BROWN (born 1946) A stoneware bowl covered in polychrome glaze, painted signature, diameter 17cm, and a smaller example (2).

£30-£40 † 35 TERRENCE BUNCE

A stoneware bottle covered in white and tenmoku glaze, incised TB mark, height 27.5cm, and a smaller example (2).

SETH CARDEW (1934-2016) for Wenford Bridge Pottery A stoneware milk jug and cover covered in grey glaze with iron bird decoration, impressed SC and pottery marks, height 18cm.

£70-£100 †

Provenance: Purchased from the artist, 1991. Jack Blackburn: Fresh from the kiln at Wenford Bridge, pots are being unloaded as we arrive. A splendid display en masse which woos my imagination and my purse.

36 ARA CARDEW (born 1962) for

Wenford Bridge Pottery A small stoneware teapot covered in olive green glaze with iron butterfly decoration, impressed AC and pottery marks, height 12cm. Provenance: Purchased from the artist, 1991.

£60-£80 † 38

Jack Blackburn: Still warm from the kiln when I bought it. £40-£60 †

SETH CARDEW (1934-2016) for Wenford Bridge Pottery A stoneware mug covered in grey glaze with iron bird and cobalt decoration, impressed SC and pottery marks, height 11.5cm. Provenance: Purchased from the artist, 1991. £30-£40 †

SETH CARDEW (1934-2016) for Wenford Bridge Pottery A stoneware bowl covered in grey crackle glaze with iron fish decoration, impressed SC mark, diameter 20.5cm, and a smaller example that can also serve as a lid to the larger bowl (2). Provenance: Purchased from the artist, 1991. £60-£80 †

SIMON CARROLL (1964-2009) An earthenware teabowl covered in coloured slips and glazes with impressed decoration, painted SC mark dated 2005, height 10.5cm. £100-£150 †

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SIMON CARROLL (1964-2009) An earthenware teabowl covered in coloured slips and glazes with impressed decoration, painted SC mark dated 2005, height 10cm. £100-£150 †

MICHAEL CASSON (1925-2003) A stoneware jar and cover washed with iron glaze with cobalt spot decoration. impressed MC mark, height 33.5cm. Provenance: Purchased from the Howard Gallery, Wirksworth, 1993. Jack Blackburn: My Basmati rice jar. £180-£220 †

43 KEVIN DE CHOISY (1954-2020)

An earthenware teabowl covered in Whieldon type glaze with impressed decoration, impressed de C mark, height 10cm. £25-£35 † 44 DEREK CLARKSON (1928-2013) 41

A porcelain bowl covered in silky white glaze, impressed DC mark dated 1994, diameter 10cm. Provenance: Purchased from the Round House Gallery, Tutbury, 1990. £30-£40 †

45 NIC COLLINS (born 1958)

A wood fired stoneware bowl covered in shino glaze, incised signature, diameter 17cm, and another example side fired with a green ash pool, diameter 16cm (2). £70-£100 † 46 NIC COLLINS (born 1958)

A wood fired stoneware twin handled bowl covered in shino glaze, incised signature, diameter 20.5cm (including handles). £70-£100 † 46

47 EMMANUEL COOPER (1938-2012)

A porcelain teabowl covered in pale blue glaze with bronze rim and cobalt and Venetian red highlights, impressed E mark, height 9cm. £250-£350 † 48 GILLES LE CORRE (born 1956)

A stoneware chawan covered in polychrome glaze, impressed mark, diameter 13.5cm, and a matching yunomi, height 9cm (2). £40-£60 † 49 TREVOR CORSER (1938-2015) for Leach Pottery

A stoneware yunomi covered in tenmoku, kaki and nuka glaze, impressed TC and pottery marks, height 10cm. £40-£60 † 47

50 EDDIE CURTIS (born 1953)

A stoneware chawan with textured surface covered in shino glaze, impressed EC mark, diameter 13cm. £150-£200 † 51

MARGARET CURTIS (born 1955) A stoneware chawan with textured surface partially covered in celadon glaze, impressed MC mark, diameter 12.5cm. £120-£180 †

MIKE DODD (born 1943) A large stoneware bowl covered in green ash glaze with incised decoration, incised mark, made 1981-86, diameter 25.5cm.

£60-£80 †

Provenance: Purchased from Booth House Gallery, Holmfirth, 1991. £120-£180 † 53

MIKE DODD (born 1943) A stoneware lugged bottle covered in iron glaze with paddled decoration and high silica ash top, impressed MJD mark, height 17cm.

MIKE DODD (born 1943) A stoneware lobed teapot covered in willow ash glaze, impressed MJD mark, height 13cm.

MIKE DODD (born 1943) A stoneware caddy covered in green ash and granite glaze with incised and impressed decoration, impressed MJD mark, height 11cm. Provenance: Purchased from Rufford Craft Centre, 1988. Jack Blackburn: My Darjeeling tea caddy.

Provenance: Purchased from the Chestnut Gallery, Bourton on the Water, 1993. £150-£200 †

MIKE DODD (born 1943) A stoneware yunomi covered in willow ash glaze with incised decoration, height 10cm, and another example with kaki decoration, height 9.5cm (2).

£40-£60 † 59

MIKE DODD (born 1943) A stoneware bowl covered in pale green ash and granite glaze, impressed MJD mark, diameter 14.5cm. £40-£60 †

£40-£60 † 55

MIKE DODD (born 1943) A stoneware lobed coffee pot covered in pale green ash glaze, impressed MJD mark, height 16cm. Provenance: Purchased from Rufford Craft Centre, 1988. £60-£80 †

MIKE DODD (born 1943) A stoneware brush pot covered in pale green ash glaze with incised decoration, impressed MJD mark, height 11cm. £30-£40 †

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MIKE DODD (born 1943) A stoneware faceted bowl covered in river iron over Shap granite glaze, diameter 13.5cm. Provenance: Purchased from the Chestnut Gallery, Bourton on the Water, 1992. Jack Blackburn: A gift from Margot, who discussed the exhibition with Mike D. and bought this piece as a master exemplar on the potter’s recommendation. £80-£120 †

JACK DOHERTY (born 1948) A porcelain footed bowl covered in soda vapour glaze, impressed JJ mark, diameter 12cm. £60-£80 †

PHILIP EGLIN (born 1959) A large earthenware plate covered in white glaze with cobalt painted nude figures of a mother and child, impressed mark dated 2007, diameter 42.5cm. £700-£1000 † 21

PHILIP EGLIN (born 1959) ‘Reclining Nude Giving Suck’, an earthenware sculpture covered in yellow lead glaze, length 29cm. Provenance: Purchased from the Oxford Gallery, 1996. Jack Blackburn: We talk, we strike a bargain, love at first sight. £800-£1200 †

64 DEREK EMMS (1929-2004)

A stoneware teapot covered in tenmoku and kaki glaze, impressed DE mark, height 15cm, and a porcelain cup and saucer covered in celadon glaze (2). £60-£80 † 65

PHILIP EVANS (born 1959) A small stoneware oval cup with textured surface covered in pink and red glaze with gold leaf, impressed E mark, height 5.5cm. £25-£35 †

66 RAY FINCH (1914-2012) for Winchcombe Pottery

A stoneware charger covered in tenmoku and kaki glaze with meander decoration, impressed WP. mark, diameter 34cm. £100-£150 † 22

67 RAY FINCH (1914-2012) for Winchcombe Pottery

Three salt glazed teabowls with different decoration, impressed WP. marks, tallest 8cm (3). £70-£100 † 68 RAY FINCH (1914-2012) for Winchcombe Pottery

A stoneware coffee pot covered in tenmoku breaking to kaki glaze with combed decoration, impressed WP. mark (partially glaze filled), height 24cm, and a small Winchcombe jug (2). Provenance: Purchased from the artist, 1992. £50-£70 †

69 BEN FOSKER (born 1960)

A slip decorated earthenware sculpture of a horse, length 24.5cm. £70-£100 † 70 DAVID FRITH (born 1943) for Brookhouse Pottery

A stoneware charger covered in tenmoku and kaki glaze with lattice decoration to the rim, impressed DF and pottery marks, diameter 34.5cm. Provenance: Purchased from the Howard Gallery, Wirksworth, 1995. £80-£120 † 71 DAVID FRITH (born 1943) for Brookhouse Pottery

A stoneware cup and saucer covered in celadon glaze with kaki and cobalt checkerboard decoration, impressed DF and pottery marks, saucer diameter 13.5cm, and a jug probably by Frith, height 13cm (2).

£30-£40 † 72 GEOFFREY FULLER (1936-2022)

‘Herne the Hunter’, a slip decorated earthenware sculpture of a horse and phantom rider, height 35cm, length 26cm. £250-£350 †

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73 GEOFFREY FULLER (1936-2022)

‘Man with 3 Birds’, a slip decorated earthenware figure, painted signature dated 2004, height 32cm. £180-£220 † 74 GEOFFREY FULLER (1936-2022)

‘Hare-Skin Woman “Pelt”’, a slip decorated earthenware figure, painted signature dated 2007, height 19.5cm. £150-£250 † 75 GEOFFREY FULLER (1936-2022)

A slip decorated earthenware sculpture of a bird perched in a tree, painted GF mark dated 2005, height 15cm. £100-£150 † 76 GEOFFREY FULLER (1936-2022)

‘Lurcher’, a slip decorated earthenware sculpture, painted signature dated 1997, height 19.5cm. £120-£180 † 77 GEOFFREY FULLER (1936-2022)

‘Perched Bird’, a slip decorated earthenware sculpture, painted signature dated 2004, height 11cm. £80-£120 †

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78 GEOFFREY FULLER (1936-2022)

‘Ferret’, a slip decorated earthenware sculpture, painted signature dated 2000, length 10.5cm. £100-£150 † 79 GEOFFREY FULLER (1936-2022)

‘Running Fox’, a slip decorated earthenware sculpture, painted signature dated 1999, length 12.5cm. £80-£120 † 80 GEOFFREY FULLER (1936-2022)

A large slip decorated earthenware dish on tripod feet, diameter 31cm. Provenance: Purchased from the artist, 1992. £150-£250 †

81 GEOFFREY FULLER (1936-2022)

A slip decorated earthenware dish with leaping hare motif, diameter 28cm. From the Three Stags Pottery standard ware range, thrown by Pat Fuller and decorated by Geoff. Provenance: Purchased from the artist, 1990. £120-£180 † 82 GEOFFREY FULLER (1936-2022)

A slip decorated earthenware plate with leaping hare and fox motifs, diameter 30cm, and a matching smaller plate (2). From the Three Stags Pottery standard ware range, thrown by Pat Fuller and decorated by Geoff. £150-£200 †

83 GEOFFREY FULLER (1936-2022)

A slip decorated earthenware cup form with quatrefoil rim, diameter 15cm (including side handle). Provenance: Purchased from Rufford Craft Centre, 1988. £120-£180 † 83

84 GEOFFREY FULLER (1936-2022)

A slip decorated earthenware cup form with quatrefoil rim, diameter 14cm (including side handle).

JANE HAMLYN (born 1940) A salt glazed pot, impressed JH mark, height 9.5cm. £25-£35 †

Provenance: Purchased from the artist, 1991. £100-£150 † 85 GEOFFREY FULLER (1936-2022)

A slip decorated earthenware basket, height 15.5cm. Provenance: Purchased from the artist, 1992. £150-£200 † 86 GEOFFREY FULLER (1936-2022)

A small slip decorated earthenware basket, height 8cm, and two cups possibly by Fuller (3). £70-£100 † 87

JOHN GIBSON (born 1952) A stoneware conical bowl decorated with fish, impressed marks, diameter 13.5cm. £15-£25 †

89 LISA HAMMOND (born 1956) for Maze Hill Pottery

A stoneware sake bottle covered in shino glaze, impressed pottery and oakleaf marks, height 12.5cm, with signed box and cloth. Provenance: The oakleaf indicates it was made for an exhibition at the Oakwood Gallery, Edwinstowe. £80-£120 † 90 LISA HAMMOND (born 1956) for Maze Hill Pottery

A stoneware chawan covered in shino glaze, incised LH mark, diameter 12cm, and a small jug, impressed LH and pottery marks, height 10cm (2). £100-£150 †

91 EWEN HENDERSON (1934-2000)

A chawan of mixed laminated stoneware and bone china clays covered in eruptive glaze with surface staining, diameter 13cm. Provenance: Purchased from Galerie Marianne Heller, Heidelberg,1995. £600-£800 †

92 EWEN HENDERSON (1934-2000)

‘Neptune’s Teabowl’, a chawan of mixed laminated stoneware and bone china clays covered in eruptive glaze with surface staining, diameter 12.5cm. Provenance: Purchased from Galerie Marianne Heller, Heidelberg, 1994. £600-£800 † 93 ASHLEY HOWARD (born 1963)

‘Sparse Notation’, a large porcelain vessel covered in white glaze with enamel floral decoration, impressed AH mark, height 28.5cm. £200-£300 † 94 ASHLEY HOWARD (born 1963)

‘Capture’, a small porcelain vessel covered in white glaze with enamel dragon decoration, impressed AH mark, height 9.5cm. £70-£100 † 93

95 DAVID LLOYD JONES (1928-1994)

A large stoneware twin handled jar and cover covered in tenmoku breaking to kaki glaze with copper red and white decoration and kintsugi gold lacquer repair to the cover, impressed LJ mark, height 41cm. £150-£200 † 96 DAVID LLOYD JONES (1928-1994)

A large stoneware straight sided bowl covered in tenmoku breaking to kaki glaze, impressed LJ mark, diameter 29.5cm. Provenance: Purchased from the artist, 1992. £100-£150 † 97 DAVID LLOYD JONES (1928-1994)

A stoneware twin handled jar and cover covered in oatmeal glaze with copper red and white decoration, impressed LJ mark, height 14cm, and a small porcelain bowl covered in celadon glaze, diameter 11.5cm (2). £70-£100 † 98 WALTER KEELER (born 1942)

A salt glazed jar and cover with splayed foot, impressed mark, height 20.5cm. Provenance: Purchased from Rufford Craft Centre, 1995. 95

£80-£120 † 99 WALTER KEELER (born 1942)

A small salt glazed jug, impressed mark, height 13cm. £80-£120 †

100 WALTER KEELER (born 1942)

An earthenware mug covered in Whieldon type glaze, impressed mark, height 10cm, and a smaller salt glazed mug (2). Provenance: Purchased from Rufford Craft Centre, 1995. Jack Blackburn: One of the first six to be offered for sale of this brand new departure into earthenware. £70-£100 † 101 RICHARD LAUNDER (born 1953)

A wood fired stoneware teabowl, height 10cm. Provenance: Purchased from Bedales School, Petersfield, 1993. £70-£100 † 101

102 RICHARD LAUNDER (born 1953)

A wood fired stoneware teabowl with impressed decoration, height 10cm. Provenance: Purchased from the CPA Gallery, London, 1996. £70-£100 † 103 DAVID LEACH (1911-2005) for Lowerdown Pottery

A stoneware cylindrical vase covered in kaki glaze with willow tree decoration, impressed DL and pottery marks, height 17cm. Provenance: Purchased from the artist, 1990. £60-£80 † 104 DAVID LEACH (1911-2005) for Lowerdown Pottery

A stoneware teapot with cane handle covered in speckled grey glaze with foxglove decoration, impressed DL and pottery marks, height 14.5cm (excluding handle). £70-£100 † 105 DAVID LEACH (1911-2005) for Lowerdown Pottery

A stoneware jug covered in tenmoku breaking to kaki glaze, impressed DL mark, height 12cm, and a matching small Lowerdown cup (2). £40-£60 †

102

103 30

106

JANET LEACH (1918-1997) for Leach Pottery A large red stoneware jar and cover partially covered in green ash glaze with paddled decoration, impressed JL and pottery marks, made circa 1980, height 24cm. Provenance: Purchased from the artist, 1992. Exhibited: ‘Janet Leach: Her Life and Work’, Leach Pottery, St Ives, 2010. Literature: Illustrated in Josie Walter, ‘Pots in the Kitchen’ (The Crowood Press, 2002). Jack Blackburn: Janet Leach sold me this pot as a second. It is a rare example of a lidded pot by her. ‘Use it for cooking’, says Trevor Corser. I used it for lamb stews, etc. £250-£350 †

107

JANET LEACH (1918-1997) for Leach Pottery A black stoneware lugged bottle with white and tenmoku glaze pours, impressed JL and pottery marks, height 21cm. Provenance: Purchased from the artist, 1993. Jack Blackburn: My red wine carafe. £400-£600 †

108

JANET LEACH (1918-1997) for Leach Pottery A grogged porcelain bottle covered in celadon glaze with tenmoku pours, impressed JL and pottery marks, height 23cm. Provenance: Purchased from the artist, 1992. Jack Blackburn: My olive oil bottle. £200-£250 †

107

108

109

JANET LEACH (1918-1997) for Leach Pottery A stoneware lugged pot partially covered in green ash glaze with white glaze and incised decoration, impressed JL and pottery marks, height 12.5cm. Provenance: Purchased from the artist, 1993. Jack Blackburn: I fill the pot with natural yoghurt and serve it to friends and paying guests with fresh fruit. £180-£220 †

110

JANET LEACH (1918-1997) for Leach Pottery A stoneware teabowl covered in green ash glaze with kaki bird decoration, impressed JL and pottery marks, height 10cm.

109

Provenance: Purchased from the artist, 1993. £100-£150 † 111

JOHN LEACH (1939-2021) for Muchelney Pottery A small stoneware bowl covered in white and tenmoku glaze forming a swirling pattern to the well, impressed JHL and pottery marks, diameter 12.5cm, and a large Muchelney mug, height 11.5cm (2). £60-£80 †

112

JIM MALONE (born 1946) A very large stoneware baluster jug covered in tenmoku breaking to kaki glaze with impressed decoration and green ash rim, impressed JM and A (for Ainstable) marks, height 41cm. £300-£400 †

113

JIM MALONE (born 1946) A stoneware jug covered in green ash glaze, impressed JM mark, height 22cm. £80-£120 †

112

114

JIM MALONE (born 1946) A stoneware faceted jug covered in sea green ash glaze, impressed JM and A (for Ainstable) marks, height 17cm. £40-£60 †

115

JIM MALONE (born 1946) A stoneware jug covered in kaki glaze with green ash rim, impressed JM and A (for Ainstable) marks, height 14cm. Provenance: Purchased in Lichfield, 1991. £50-£70 †

116

JIM MALONE (born 1946) A stoneware chawan covered in white and grey glaze with incised decoration and cobalt rim, impressed JM and A (for Ainstable) marks, diameter 12.5cm. Provenance: Purchased from the artist, 1993. £100-£150 †

117

116

JIM MALONE (born 1946) A stoneware chawan covered in white glaze with impressed decoration, impressed JM and A (for Ainstable) marks, diameter 15cm. Provenance: Purchased from the artist, 1992. £80-£120 †

118

JIM MALONE (born 1946) A stoneware chawan covered in tenmoku breaking to kaki glaze with copper blue streaks, impressed JM and A (for Ainstable) marks, diameter 13.5cm.

119

£80-£120 †

JIM MALONE (born 1946) A stoneware chawan covered in kaki and green ash glaze with wax resist and running tenmoku glaze decoration, impressed JM and A (for Ainstable) marks, diameter 15cm. £80-£120 †

120

JIM MALONE (born 1946) A stoneware yunomi covered in green ash glaze with incised decoration picked out in copper blue, impressed JM and A (for Ainstable) marks, height 10cm. Provenance: Purchased from the artist, 1991. £60-£80 †

121

JIM MALONE (born 1946) A stoneware yunomi covered in green ash and kaki glaze with incised decoration picked out in copper blue, impressed JM and A (for Ainstable) marks, height 10.5cm, and another smaller example (2). £70-£100 †

122 122

JIM MALONE (born 1946) A stoneware teapot with side handle covered in pale green ash glaze with incised decoration, impressed JM and A (for Ainstable) marks, height 12.5cm. £60-£80 †

123

JOHN MALTBY (1936-2020) A large stoneware spade vase decorated with a stylised bird flying over reeds, painted signature, height 33cm, width 27.5cm. £2500-£3500 †

“I buy Maltby pots because John is approachable, talkative, prolific and affordable, and because he wants to be an English KENZAN.” 35

124

JOHN MALTBY (1936-2020) ‘Return to Harbour’, a large stoneware boat form decorated with a stylised fishing village, painted signature, height 18.5cm, width 22.5cm. Provenance: Purchased from the artist, 1993. £1000-£1500 †

125

JOHN MALTBY (1936-2020) An elongated stoneware cup form decorated with stylised boats and nets, painted signature, height 15cm, width 27.5cm. £800-£1200 †

125

126

JOHN MALTBY (1936-2020) A stoneware cup form with large side handle decorated with a stylised landscape, painted signature, height 11.5cm, width 25cm. £700-£1000 †

126

127

JOHN MALTBY (1936-2020) ‘Reflections’, a stoneware cup form decorated with stylised boats, painted signature, height 17.5cm. Provenance: Purchased from the Hart Gallery, Nottinghamshire, 1994. £600-£800 †

127

128

JOHN MALTBY (1936-2020) ‘Seaport Quay with Nets and Lobster Pots’, a stoneware cup form decorated with a stylised fishing village, painted signature, height 13.5cm. Provenance: Purchased from the artist, 1993. £450-£650 †

129

JOHN MALTBY (1936-2020) ‘Night Bird’, a stoneware cup form with strap handle decorated with a stylised bird, painted signature, height 12.5cm. Provenance: Purchased from Leeds Art Gallery, 1990. £350-£450 †

130

JOHN MALTBY (1936-2020) ‘Clematis on Trellis’, a stoneware cup form decorated with stylised flowers, painted signature, height 11.5cm. Provenance: Purchased from Rufford Craft Centre, 1992. £300-£400 †

131

128

JOHN MALTBY (1936-2020) A stoneware cup form decorated with stylised boats and nets, impressed M mark, height 9.5cm. Provenance: Purchased from the artist, 1997. £120-£150 †

129

130

132

JOHN MALTBY (1936-2020) A stoneware flask form decorated with a stylised landscape, impressed M mark, height 20.5cm. £500-£700 †

133

JOHN MALTBY (1936-2020) A tall stoneware basket form decorated with a stylised flowers, painted signature, height 43cm. £1000-£1500 †

134

JOHN MALTBY (1936-2020) ‘The Angel at Blythburgh’, a stoneware basket form decorated with a stylised church, painted signature, height 32.5cm. Provenance: Purchased from the Bluecoat Display Centre, Liverpool, 1994. £600-£800 †

135

JOHN MALTBY (1936-2020) A small stoneware basket form decorated with a crosses, painted signature, height 18cm. Provenance: Purchased from the Amalgam Gallery, London, 1991. £200-£250 †

134

135

136

JOHN MALTBY (1936-2020) ‘Basket on the Tilt’, a stoneware basket form decorated with stylised flowers, painted signature, height 23.5cm. Provenance: Purchased from the Aberystwyth Arts Centre, 1991. Jack Blackburn: Ungainly, which seduced me with its cheapness and strangeness. The girls won’t fight over this pot in the inheritance. I can’t settle to place it myself. Is this a good pot? An ‘ethical’ pot? Or what pot? Filled with roses it is a workable pot. Mrs Maltby tells us John said these should be filled with lemons. £600-£800 †

137

JOHN MALTBY (1936-2020) A stoneware jug form with large side handle decorated with a stylised harbour and lighthouse, painted signature, height 23.5cm. Provenance: Purchased from the artist, 1990. £400-£600 †

137

138

JOHN MALTBY (1936-2020) A large stoneware teapot decorated with crosses, painted signature, height 26cm. £350-£550 †

139

JOHN MALTBY (1936-2020) ‘Blythburgh Church’, a stoneware teapot decorated with a stylised landscape and church, impressed M mark and painted signature, height 23cm, and a certificate of authenticity signed by John Bedding. Provenance: Purchased from St Ives Ceramics, 2005. £300-£500 †

138

139

140

JOHN MALTBY (1936-2020) ‘English Garden’, a stoneware teapot with cane handle decorated with stylised flowers, painted signature, height 17.5cm (excluding handle). Provenance: Purchased from Rufford Craft Centre, 1992. £300-£500 †

140 43

141

JOHN MALTBY (1936-2020) ‘Gothic Flowers and Star’, a stoneware teabowl decorated with an abstract design, impressed M mark, height 9cm. Provenance: Purchased from the artist, 1989. £150-£250 †

142

JOHN MALTBY (1936-2020) A stoneware cup decorated with an abstract design, height 8cm. £80-£120 †

143

JOHN MALTBY (1936-2020) ‘King and Bird’, a tall stoneware sculpture on a metal stand, painted signature dated 2010, height 41.5cm. Provenance: Purchased from Gallery Top, Rowsley, 2010. £1000-£1500 †

141

142

143 44

144

JOHN MALTBY (1936-2020) ‘Queen and Boat’, a stoneware sculpture on a wooden base, impressed M mark and painted signature dated 2013, height 27cm. £700-£1000 †

144

145

JOHN MALTBY (1936-2020) ‘Knight and Shield’, a stoneware sculpture on a wooden base, impressed M mark and painted signature dated 2012, height 19.5cm. £400-£600 †

145 45

146

JOHN MALTBY (1936-2020) A stoneware sculpture of a mother and child on a wooden base, impressed M mark and painted signature dated 2013, height 19.5cm. £250-£350 †

147

JOHN MALTBY (1936-2020) ‘Theatre’, a stoneware sculpture on a wooden base, painted signature, height 26.5cm, width 30.5cm. £1200-£1800 †

146

147 46

148

JOHN MALTBY (1936-2020) ‘2 Figures (Iron)’, a metal and stoneware sculpture on a metal stand, painted signature, height 31cm. £1800-£2200 †

149

JOHN MALTBY (1936-2020) ‘Doll’, a stoneware plaque mounted on board, impressed M mark and painted signature dated 2005, plaque 18 x 17cm, board 26 x 24cm. £300-£500 †

150

JOHN MALTBY (1936-2020) A large square stoneware dish decorated with stylised flowers, painted signature, 28.5 x 28cm. £250-£350 † 150

151

JOHN MALTBY (1936-2020) ‘City at Night’, a stoneware footed dish decorated with a stylised cityscape, impressed M mark, 21 x 20cm. Provenance: Purchased from Gallery Top, Rowsley, 1996. £300-£500 †

152

JOHN MALTBY (1936-2020) ‘Window Box’, a stoneware footed dish decorated with stylised flowers, painted signature, 25 x 14cm. Provenance: Purchased from Rufford Craft Centre, 1992. £180-£220 †

151

152

153

JOHN MALTBY (1936-2020) ‘Harbour in the Evening’, a stoneware footed dish decorated with a stylised boat and lighthouse, painted signature, 29 x 10cm. Provenance: Purchased from the artist, 1989. Jack Blackburn: The very first Maltby. As ever, John played reluctant to sell. Then 12 pounds! We enjoyed a loud conversation. £180-£220 † 153

154

JOHN MALTBY (1936-2020) A stoneware plaque decorated with a stylised boat and three contrasting land forms, painted signature, 21.5 x 16.5cm. Provenance: Purchased from the artist, 1992. £150-£200 †

155 ANDREW MARSHALL (born 1952)

A slipware jug, impressed AM mark, height 11cm. Provenance: Purchased from the Anderson Gallery, Broadway, 1993. £15-£20 † 156 WILLIAM MARSHALL (1923-2007)

154

A large stoneware bowl covered in white and pitted pale blue/grey glaze with wax resist decoration and copper green spots to the well, impressed WM mark, diameter 29.5cm. Provenance: Purchased from the artist. Jack Blackburn: Bill and his wife always looked forward to visits from ‘Our friends in the North’. Privilege. £250-£350 †

156

1992. I have my first “February invitation to visit Bill at Abbey Cottage, Lelant. We

spend two hours with a most energetically stimulating and committed old man whose years belie his passionate involvement with Mingei values and the natural environment of west Cornwall. ‘This is the wheel Bernard used to throw porcelain. He never thought it would work but I’m still using it.’

”

157 WILLIAM MARSHALL (1923-2007)

A tall stoneware bottle covered in tenmoku breaking to kaki glaze with wax resist decoration, impressed WM mark, height 36.5cm. Provenance: Purchased from the artist, 1993. Jack Blackburn: Bill admits ‘I hate pricing these things but I can’t charge less for this one. I nearly set it aside for my Amalgam exhibition but then decided I had enough tenmoku, so you can have it if you wish.’ £400-£600 †

158

158 WILLIAM MARSHALL (1923-2007)

159

159 WILLIAM MARSHALL (1923-2007)

A tall stoneware slab bottle covered in greenish tenmoku breaking to kaki glaze with white pours, impressed WM mark, height 33cm.

A tall stoneware jug covered in kaki and running green ash glaze with impressed decoration, impressed WM mark, height 27cm.

Provenance: Purchased from the artist, 1992.

Provenance: Purchased from the artist, 1995.

£400-£600 †

£250-£350 †

160 WILLIAM MARSHALL (1923-2007)

A stoneware coffee pot covered in tenmoku breaking to kaki glaze, impressed WM mark, height 17.5cm. Provenance: Purchased from the artist. £100-£150 † 161 WILLIAM MARSHALL (1923-2007)

A stoneware teapot with cane handle covered in white glaze with copper green pours, impressed WM mark, height 13.5cm (excluding handle). Provenance: Purchased from the artist. £250-£350 † 162 WILLIAM MARSHALL (1923-2007)

A stoneware chawan covered in green ash and nuka glaze, impressed WM mark, diameter 15cm. Provenance: Purchased from the Penwith Gallery, St Ives, 1991. £180-£220 † 163 WILLIAM MARSHALL (1923-2007)

A stoneware chawan covered in tenmoku and cobalt glaze with kaki spot decoration, impressed WM mark, diameter 13.5cm. 161

Provenance: Purchased from the artist. £180-£220 † 164 WILLIAM MARSHALL (1923-2007)

A stoneware chawan covered in tenmoku breaking to kaki glaze with copper green pours and spots, impressed WM mark, diameter 17cm. Provenance: Purchased from the artist. £180-£220 †

163

164

165 WILLIAM MARSHALL (1923-2007)

A stoneware chawan covered in brushed slip with iron decoration, impressed WM mark, diameter 15cm. Provenance: Purchased from the artist, 1993. £120-£180 166 WILLIAM MARSHALL (1923-2007)

A stoneware chawan covered in brushed slip with copper green pours and spots, impressed WM mark, diameter 16.5cm. Provenance: Purchased from the artist. £180-£220 †

165

166

167 WILLIAM MARSHALL (1923-2007)

A stoneware chawan covered in brushed slip with copper green pours and spots, impressed WM mark, diameter 13.5cm. Provenance: Purchased from the artist. £180-£220 † 168 WILLIAM MARSHALL (1923-2007)

A stoneware chawan covered in brushed slip with copper green spots, impressed WM mark, diameter 14cm. Provenance: Purchased from the artist. £180-£220 † 169 WILLIAM MARSHALL (1923-2007)

169

A stoneware yunomi covered in nuka over tenmoku glaze with copper green spots and impressed decoration, impressed WM mark, height 10cm. Provenance: Purchased from the artist, 1992. Jack Blackburn: My first visit to Lelant. £150-£200 † 53

170 WILLIAM MARSHALL (1923-2007)

A stoneware yunomi covered in brushed slip with iron decoration, impressed WM mark, height 10cm. Provenance: Purchased from the artist. £150-£200 † 171 WILLIAM MARSHALL (1923-2007)

A stoneware yunomi covered in brushed slip with copper green pours and spots, impressed WM mark, height 10cm. Provenance: Purchased from the artist. £150-£200 †

170

172 WILLIAM MARSHALL (1923-2007)

A stoneware yunomi covered in iron rich glaze with copper green pours, impressed WM mark (partially glaze filled), height 10cm. Provenance: Purchased from the artist. £150-£200 † 173 WILLIAM MARSHALL (1923-2007)

A stoneware yunomi covered in white glaze with copper green spots and incised decoration, impressed WM mark, height 10.5cm. Provenance: Purchased from the artist. £150-£200 † 172

174 WILLIAM MARSHALL (1923-2007)

A stoneware yunomi covered in brushed slip with copper green spots, impressed WM mark, height 10cm. Provenance: Purchased from the artist. £120-£180 † 175 WILLIAM MARSHALL (1923-2007)

A stoneware yunomi covered in brushed slip with copper green spots, impressed WM mark, height 10cm. Provenance: Purchased from the artist. £80-£120 †

173

176 WILLIAM MARSHALL (1923-2007)

A stoneware yunomi covered in tenmoku breaking to kaki glaze with nuka rim and impressed decoration, impressed WM mark, height 10.5cm. Provenance: Purchased from the Wills Lane Gallery, St Ives, 1997. £150-£200 † 177 WILLIAM MARSHALL (1923-2007)

A stoneware yunomi covered in tenmoku and cobalt glaze with iron rich rim and wax resist decoration, impressed WM mark, height 10.5cm. Provenance: Gift from the artist. £150-£200

176

177

178 WILLIAM MARSHALL (1923-2007)

180 ARCHIE McCALL (born 1951)

A stoneware yunomi covered in tenmoku breaking to kaki glaze with incised decoration, incised WM mark, height 8.5cm.

A deep stoneware bowl covered in polychrome glaze with gold lustre, painted signature, diameter 11.5cm.

Provenance: Purchased from the artist.

£60-£80 †

£120-£180 †

Provenance: Purchased from Aberystwyth Arts Centre, 1991.

181 URSULA MOMMENS (1908-2010) 179 WILLIAM MARSHALL (1923-2007)

A small stoneware bowl covered in brushed slip with copper green spots, impressed WM mark, diameter 9.5cm, and a porcelain egg cup (2).

A stoneware bowl covered in celadon glaze with incised decoration, impressed UD mark, diameter 13cm. £50-£70 †

Provenance: Bowl purchased from the artist; egg cup a gift from the artist. £100-£150 †

182 AKI MORIUCHI (born 1947)

A stoneware bowl form with heavily textured surface, impressed mark, diameter 11cm. Provenance: Purchased from Gallery Top, Rowsley, 1996. £80-£120 † 183 AKI MORIUCHI (born 1947)

A stoneware lugged vessel and cover with heavily textured surface, impressed mark, height 10cm. £80-£120 † 184 ELSPETH OWEN (born 1938)

A small smoke fired earthenware bowl with cobalt ring to the well, diameter 8cm. £60-£80 †

182

183

185 COLIN PEARSON (1923-2007)

A tall square stoneware winged form covered in bronze glaze, impressed mark, height 40.5cm. £1200-£1800 †

186

186 COLIN PEARSON (1923-2007)

190

A porcelain winged bowl covered in celadon glaze with pink blushes, impressed mark, diameter 13cm (including wings).

PHIL ROGERS (1951-2020) A stoneware yunomi partially covered in green ash glaze with hakeme top, impressed PR mark, height 10cm. £60-£80 †

Provenance: Purchased from Rufford Craft Centre, 1994. £300-£500 † 187

JONATHAN ROBERTS A stoneware twin handled dish washed in pale green ash glaze, diameter 27cm, and a matching bowl, pot and ladle (4). £60-£80 †

188

191

PHIL ROGERS (1951-2020) A salt glazed cut sided jar and cover, impressed PR mark, height 11.5cm. Provenance: Purchased from Booth House Gallery, Holmfirth, 1989. Jack Blackburn: My honey pot. £60-£80 †

PHIL ROGERS (1951-2020) A salt glazed lugged bottle with feldspar inclusions side fired on shells with tenmoku decoration and running green ash rim, impressed PR mark, height 19.5cm. £100-£150 †

189

PHIL ROGERS (1951-2020) A salt glazed chawan partially covered in hakeme glaze, impressed PR mark, diameter 13.5cm. £70-£100 †

189 58

192

PATRICK SARGENT (1956-1998) A large wood fired stoneware pedestal bowl covered in shino and ash glaze with shell impressions to the well, diameter 26.5cm. Provenance: Purchased from the Harlequin Gallery, Greenwich, 1994. £300-£500 †

193

PATRICK SARGENT (1956-1998) ‘The First Mule’, a wood fired stoneware bowl covered in shino and ash glaze with incised finger nail decoration, diameter 12cm. Provenance: Purchased from the Tithe Barn Gallery, Ashford in the Water, Derbyshire, 1990. Jack Blackburn: From the first firing of his new kiln, The Mule. which he had recently finished constructing in Switzerland. His title. Why? Why ask me! It felt good to hand. Purchased on the day I met and shared a bowl of soup with Bill Ismay who recognised this as ‘yes, a good pot.’

192

£150-£200 †

193

194

PATRICK SARGENT (1956-1998) A wood fired stoneware yunomi covered in shino and ash glaze with incised decoration, height 11.5cm. Provenance: Purchased from the Harlequin Gallery, Greenwich, 1994. Jack Blackburn: I stood holding the bowl for a long time. ‘Can’t you decide?, asked Bill Ismay. There’s a photograph of the holding moment. £150-£200 † 194 59

195

PATRICK SARGENT (1956-1998) A wood fired stoneware chawan covered in shino and ash glaze with impressed decoration, diameter 13cm. £150-£200 †

196

PATRICK SARGENT (1956-1998) A wood fired stoneware yunomi covered in shino and ash glaze with impressed decoration, height 10cm. £150-£200 †

197

PATRICK SARGENT (1956-1998) A wood fired stoneware pouring bowl covered in green ash glaze with pronounced ribbing, diameter 13.5cm. £150-£200 †

195

198 Attributed to PATRICK SARGENT (1956-1998)

A wood fired stoneware bowl covered in shino glaze with impressed shell decoration to the well, diameter 16.5cm. £120-£180 † 199 CHUCK SCHWARTZ (1935-2019)

A wood fired stoneware bowl covered in shino glaze, diameter 17.5cm. £80-£120 † 196

200 KEITH SMITH (born 1946)

A stoneware chawan covered in green ash and tenmoku glaze with incised decoration, impressed KS mark, diameter 12cm. £40-£60 † 201 KEITH SMITH (born 1946)

A stoneware yunomi covered in green ash and tenmoku glaze with incised decoration, impressed KS mark, height 10cm, and a porcelain bowl covered in celadon glaze, diameter 13.5cm (2). Provenance: Purchased from the artist, 1995. £50-£70 †

199

202

PETER SMITH (born 1941) A slip decorated earthenware jug, impressed PS and body type marks, height 14cm. £80-£120 †

203 BARRY STEDMAN (born 1965)

A large rectangular slip decorated slab vessel, inscribed BS mark, height 31.5cm. £200-£300 †

202

203 61

204 BARRY STEDMAN (born 1965)

A large oval slip decorated vessel, incised BS mark, height 25cm. £200-£300 † 205 ERIC STOCKL

A stoneware vase covered in ochre glaze with iron spots and tenmoku rim, height 21.5cm. Provenance: Purchased from the artist, 1991. £30-£50 † 206 YO THOM (born 1973)

A stoneware teapot covered in celadon glaze with incised decoration, impressed Y mark, height 13cm. Jack Blackburn: My most favoured young Japanese potter. £40-£60

204

207 YO THOM (born 1973)

A stoneware jug covered in carbon trap shino glaze with impressed decoration, impressed Y mark, height 10.5cm, and a small pourer covered in celadon glaze with incised decoration (2). 206

£30-£40 208 YO THOM (born 1973)

A stoneware chawan covered in indigo slip with sgraffito decoration, impressed Y mark, diameter 11cm. £30-£40 209 YO THOM (born 1973)

A stoneware cup covered in indigo slip with sgraffito decoration, impressed Y mark, height 5cm. £15-£25

210 YO THOM (born 1973)

A wood fired stoneware chawan covered in shino glaze with cobalt and iron decoration, impressed Y mark, diameter 11.5cm. £50-£70 211 YO THOM (born 1973)

A wood fired stoneware dish on tripod feet with shell impressions, impressed Y mark, diameter 15cm, and a smaller example (2). £25-£35 212

MARIANNE DE TREY (1913-2016) A porcelain cup partially washed in copper red glaze, impressed dTe mark (glaze filled), height 8cm. Provenance: Purchased from the artist, 1989. £30-£40 †

210

213 RUTHANNE TUDBALL (born 1948)

A soda glazed stoneware jug with folded spout covered in orange slip and trailed green ash, impressed RAT mark, height 24.5cm. £50-£70 †

214 RUTHANNE TUDBALL (born 1948)

A soda glazed stoneware teapot on tripod feet with folded spout covered in blue/black slip and green meander decoration, impressed RAT mark, height 16cm. £60-£80 † 215 RUTHANNE TUDBALL (born 1948)

A soda glazed stoneware chawan covered in blue/black slip with green ash highlights, impressed RAT mark, diameter 12.5cm, and a faceted yunomi, height 9.5cm (2). £40-£60 † 216 RUTHANNE TUDBALL (born 1948)

A soda glazed porcelain cup and saucer partially washed with green ash, impressed RAT marks, cup height 7cm, and a stoneware plate (2). £25-£35 † 214

217

217 ROBIN WELCH (1936-2019)

218

219 ROBIN WELCH (1936-2019)

A tall stoneware vessel covered in bronze glaze decorated with yellow, orange and white rectangular panels, impressed RW mark, height 33.5cm.

A stoneware bowl covered in mottled green glaze decorated with orange and white rectangular panels, impressed RW mark, diameter 14.5cm.

£300-£500 †

Provenance: Purchased from Rufford Craft Centre, 1994.

218 ROBIN WELCH (1936-2019)

A tall stoneware vessel covered in grey glaze decorated with a bronze rim and bronze strips with enamel, impressed RW mark, height 30cm.

£80-£120 † 220 ROBIN WELCH (1936-2019)

Provenance: Purchased from the artist, 1994.

A stoneware bowl covered in grey and rusty glaze decorated with black, white and blue enamel, impressed RW mark, diameter 11.5cm.

£250-£350 †

£100-£150 †

221 ROBIN WELCH (1936-2019)

A stoneware cylindrical vessel covered in bands of glazes and enamels, impressed RW mark, height 12cm. £120-£180 † 222 ROBIN WELCH (1936-2019)

A stoneware cylindrical vessel covered in bands of glazes and enamels, impressed RW mark, height 9.5cm. £120-£180 † 223 ROBIN WELCH (1936-2019)

A stoneware cylindrical vessel covered in bands of glazes and enamels, impressed RW mark, height 11cm. £120-£180 †

222

223

224 ROBIN WELCH (1936-2019)

A stoneware cylindrical vessel covered in white glaze with enamel decoration, impressed RW mark, height 9.5cm. £120-£180 † 225 RACHEL WOOD (born 1962)

A small stoneware cup covered in coloured slips and glazes, incised W mark, height 5cm. £20-£30 † 224

226 TAKESHI YASUDA (born 1943)

A very large stoneware twin handled ‘pillow dish’ covered in sansai glaze, impressed marks and printed label, diameter 48cm (including handles). £500-£700

“

In 1989 my interest in studio ceramics was barely born. It was casual, inquisitive and based on relative ignorance of the craft. I had never wanted to make a pot. However, I was drawn to a Takeshi Yasuda exhibition in the Peak District village of Ashford in the Water a short drive form my home. I was in no way expecting the knockout blow which the sansai glazed functional ware of this Japanese potter gave me...

227 TAKESHI YASUDA (born 1943)

A tall stoneware twin handled ‘pillow dish’ covered in sansai glaze, printed label, diameter 33cm (including handles). £300-£500

...They were so impressive, beautifully realised pots whose formal language and innate sensuality cried out to be physically experienced, handled, used and contemplated at leisure. The work had a directness of statement, honesty, and revealed a passionate engaged evidence of its hand-made individuality and distinctive quality. Words are inadequate, you just have to hold one. His ceramic ware has been the benchmark which has largely defined my approach to collecting contemporary studio pots.

”

228 TAKESHI YASUDA (born 1943)

A large stoneware ‘pedestal dish’ covered in sansai glaze, printed label, diameter 36cm. Provenance: Purchased from the Ruskin Gallery, Sheffield, 1995. £300-£500

Takeshi Yasuda and Jack Blackburn enjoying tea

229

229 TAKESHI YASUDA (born 1943)

A large stoneware twin handled ‘sprung bottom bowl’ covered in sansai glaze, diameter 33cm. Provenance: Purchased from the Tithe Barn Gallery, Ashford in the Water, Derbyshire, 1989. Jack Blackburn: My first Takeshi, commissioned after the one I saw at the Tithe Barn exhibition – which had grabbed my immediate attention and occupied my mind obsessively – had sold. £300-£500 230 TAKESHI YASUDA (born 1943)

A stoneware twin handled ‘sprung bottom bowl’ covered in green ash glaze with chun pours, impressed mark, diameter 29.5cm. Provenance: Purchased from the Oxford Gallery, 1992. Jack Blackburn: Good to give the pot its first function at Susie’s wedding the day after its purchase. Tomato salad, set against the green.

230

£250-£450 69

231 TAKESHI YASUDA (born 1943)

A stoneware ‘platter with single handle’ covered in green ash glaze with chun pours, impressed mark, diameter 30.5cm. £250-£350 232 TAKESHI YASUDA (born 1943)

A stoneware twin handled ‘shallow sprung bottom bowl’ covered in green ash glaze with chun pours, diameter 24.5cm. Provenance: Purchased in St Ives, 1991. £250-£350

231

232

234

233 TAKESHI YASUDA (born 1943)

A large rectangular stoneware dish with pie crust rim covered in green ash glaze with chun pours, 38.5 x 34cm. £180-£220 234 TAKESHI YASUDA (born 1943)

A stoneware water pot covered in green ash glaze with chun pours, height 21.5cm. Provenance: Purchased from the New Craftsman Gallery, St Ives, 1991. Jack Blackburn: A kiln filler? Experiment? A love/hate pot. More loving than hating, and a beautiful pourer for all its strangeness. Cathy unpacks this (and a flat dish) and says ‘Dad! The washing machine! New clothes! Fuel!?! Your bills!?’ Then we make coffee in the one and savoury rice piled high in the other. £180-£220 70

235 TAKESHI YASUDA (born 1943)

A stoneware bucket covered in green ash glaze with chun pours, height 26cm, and a similar basket form, height 25cm (2). Provenance: Purchased from the Oxford Gallery, 1993. £120-£180

236 TAKESHI YASUDA (born 1943)

A stoneware pitcher covered in nisai glaze with impressed button decoration, impressed mark (glaze filled), height 24cm. Provenance: Purchased in South Molton, Devon, 1989. Jack Blackburn: ‘This is better, a stronger jug’, Takeshi’s recommendation. £250-£350 237 TAKESHI YASUDA (born 1943)

A stoneware jug covered in nisai glaze with sprigged decoration, height 23cm. £200-£300 238 TAKESHI YASUDA (born 1943)

A stoneware bellied jug covered in nisai glaze with sprigged decoration, partial printed label, height 23cm. £200-£300

236

237

238

239 TAKESHI YASUDA (born 1943)

A stoneware bucket covered in nisai glaze, signed partial printed label, height 31.5cm. £250-£350 240 TAKESHI YASUDA (born 1943)

A stoneware bucket covered in sansai glaze, height 25.5cm. Provenance: Purchased from the Craft Centre and Design Gallery, Leeds, 1991. £250-£350 241 TAKESHI YASUDA (born 1943)

A stoneware teapot covered in sansai glaze with impressed button decoration, height 24cm. Provenance: Purchased in South Molton, Devon, 1990. £180-£220

239

240

241 72

242 TAKESHI YASUDA (born 1943)

A stoneware teapot covered in sansai glaze with impressed button decoration, impressed mark, height 14cm. Provenance: Purchased from Godfrey and Watt, Harrogate, 1992. £150-£200 243 TAKESHI YASUDA (born 1943)

A stoneware plate covered in nisai glaze with raised slip trailing, impressed mark, diameter 19cm, and a near pair of porcelain creamware plates (3). Provenance: Purchased from the Oxford Gallery, 1996. £50-£70 244 TAKESHI YASUDA (born 1943)

A stoneware bowl covered in sansai glaze with raised slip trailing and kintsugi gold lacquer repair, diameter 16.5cm, and a matching bowl covered in green ash glaze with chun pours, also with kintsugi repair (2).

242

Provenance: Purchased from the Howard Gallery, Wirksworth, 1989. £100-£150

245 TAKESHI YASUDA (born 1943)

A stoneware bowl covered in sansai glaze with raised slip trailing, diameter 16.5cm, Provenance: Purchased from the Tithe Barn Gallery, Ashford in the Water, Derbyshire, 1990. £80-£120 246 TAKESHI YASUDA (born 1943)

A stoneware yunomi covered in sansai glaze with raised slip trailing, height 10cm, and a larger yunomi covered in green ash glaze with chun rim (2). £70-£100 247 TAKESHI YASUDA (born 1943)

A stoneware yunomi covered in nisai glaze with raised slip trailing, height 9cm. Provenance: Purchased from Tony Birks, Sherborne, Dorset, 1994. 245

£60-£80 248 TAKESHI YASUDA (born 1943)

A stoneware yunomi covered in sansai glaze with raised slip trailing, impressed mark, height 9.5cm. Provenance: Purchased from the Oxford Gallery, 1996. £60-£80

249

249 TAKESHI YASUDA (born 1943)

A large porcelain creamware ‘bowl on foot’, printed label, diameter 35.5cm. £250-£350 250 TAKESHI YASUDA (born 1943)

A tall porcelain creamware cylindrical vase with pronounced ribbing, printed label, height 27.5cm. £180-£220

250 74

251

251 TAKESHI YASUDA (born 1943)

254 TAKESHI YASUDA (born 1943)

A porcelain creamware sauceboat, height 16.5cm, and a smaller creamer (2).

A small porcelain creamware dish with handle, printed label, diameter 17.5cm, a yunomi on foot and a goblet (3).

£120-£180

252 TAKESHI YASUDA (born 1943)

255 TAKESHI YASUDA (born 1943)

A graduated trio of porcelain creamware pedestal bowls, printed label to largest, largest diameter 17cm.

A porcelain creamware yunomi, printed label, height 10cm, and another example (2).

£180-£220

£100-£150

253 TAKESHI YASUDA (born 1943)

256 TAKESHI YASUDA (born 1943)

A porcelain creamware pedestal bowl, diameter 15cm, and another example (2).

A porcelain long leaf platter/wall hanging covered in celadon glaze, printed label, 57 x 25.5cm.

£150-£200

£250-£350

256

257

257 TAKESHI YASUDA (born 1943)

A large porcelain ‘free form bowl’ covered in celadon glaze, printed label, diameter 36.5cm. £300-£500 258 TAKESHI YASUDA (born 1943)

A tall porcelain jug covered in celadon glaze, from the Iceberg series, height 27.5cm. £200-£300 259 TAKESHI YASUDA (born 1943)

A porcelain jug covered in celadon glaze, from the Iceberg series, height 17.5cm. £120-£180

258

259 76

260 TAKESHI YASUDA (born 1943)

A stoneware jug covered in grey glaze with raised slip trailing, height 28.5cm. Provenance: Purchased from the Chestnut Gallery, Bourton on the Water, 1993. £180-£220 261 TAKESHI YASUDA (born 1943)

A stoneware bowl covered in grey glaze with raised slip trailing, diameter 18.5cm. £120-£180 262 A group of British studio ceramics by different makers

including a Richard Andrews jar and cover, St Ives Pottery jar and cover, Coxwold Pottery egg cup, Art in Clay spoon rest, etc, various marks, tallest 12.5cm (5). Provenance: Andrews purchased from Primavera, Cambridge, 1990. £40-£60

260

Pots From France

paid for trips to France by selling “We Pots from France ” hand-made pots had become “Buying important to me, it fitted my life-style,

and fascinated my curiosity about individual creativity. Perhaps we could sell them. At Margot’s suggestion we began a series of exhibitions of French ceramics at Bankside. They proved successful. Pots! – exhibited in the house, the garden, the pavilion, the terrace – living, lived-in contexts, to which visitors responded with the most positive enthusiasm. We began to make money and established a business partnership.

However, it was the contacts, both potters and purchasers, who truly enriched our lives. The learning – what makes a good pot – a pot that is exceptional. The learning – the sheer size and variety of France which I had felt I knew already. The learning – of a whole new vocabulary appropriate to the techniques and aesthetic of ceramics. The learning – the courage of those people who devote their lives to hand-making pots, their instinct for a personal, individual, investment in their work, that goes beyond mere technical skill. 78

”

French 263 ERIC ASTOUL (born 1954)

A wood fired porcelain vessel encrusted with ash and pierced with three holes, incised mark, height 15.5cm. Provenance: Purchased from the artist, 1995. Jack Blackburn: One of the most successful French ceramic artists with a Europe wide reputation for his Terre Brute pieces. £80-£120 264

SUZY ATKINS for Poterie du Don A stoneware cup with altered rim covered in pale green glaze with black and gold lustre decoration, incised signature, height 9cm. Provenance: Purchased from the artist, 1994. £15-£25

265

SUZY ATKINS for Poterie du Don A stoneware cup covered in speckled pinkish red glaze with black and gold lustre decoration, incised signature, height 7cm. Provenance: Purchased from the artist, 1992. £15-£25

266

263

SUZY ATKINS for Poterie du Don A porcelain cup covered in celadon glaze with pinkish hues with incised decoration picked out in gold lustre, incised signature, height 6.5cm, and a salt glazed cup with similar decoration (2). £30-£40

267

Poterie du Don A salt glazed oil lamp, impressed pottery mark, height 23cm (including brass fitting), and a small salt glazed coaster (2). £25-£35

268

Poterie du Don A large salt glazed pan, impressed pottery mark, diameter 37cm (including handles), and a matching casserole (2). Provenance: Purchased from the pottery, 1989. £40-£60

269 CAROLINE BARBET

A monumental wood fired stoneware conical bowl with smoky surface, diameter 64cm, height 44cm. Jack Blackburn: Based in the Provencal pottery village of Dieulefit, Caroline is exploring the extreme possibilities of hand-built and turned stoneware bowls working from a tiny base. This bowl is one of her smaller pieces. £400-£600 †

270 CAROLINE BARBET

A very large wood fired stoneware conical bowl with smoky surface, diameter 53.5cm, height 40cm. £350-£550 †

272

271 DOMINIQUE BOGINO

An earthenware twin handled dish covered in iron glaze with black linear decoration, impressed DB mark, diameter 23cm (including handles).

273 GISELE BUTHOD-GARCON (born 1954)

A raku chawan covered in white glaze and gold lustre, impressed GBG mark, diameter 12cm. £80-£120 †

Jack Blackburn: Dominique works in Apt, the town nearest to my house in Provence, where she makes a varied a very successful range of traditional earthenware decorated with amazing freehand skill. One of our bestsellers. £15-£25 † 272 ANNE BULLIOT (born 1961)

A large raku dish form, 37.5 x 29cm. Jack Blackburn: One of the younger generation of leading French ceramists, Anne was offered a show at the prestigious Chateauroux Biennale on the basis of her graduate exhibition at the school of Art and Design in Strasbourg, where she now teaches. Since then she has pursued the interaction of rugged and smooth surfaces on an evolving series of thrown and built forms. She believes in allowing her raku-fired clay ‘to speak’ with the minimum of gestural interference, and without any superfluity of decoration. £250-£350 †

273

274 GISELE BUTHOD-GARCON (born 1954)

A raku chawan covered in white glaze with gold and copper lustre, impressed GBG mark, diameter 13.5cm. £100-£150 † 275 GISELE BUTHOD-GARCON (born 1954)

A raku yunomi covered in silver and copper lustre with incised decoration, impressed GBG mark, height 9cm. Provenance: Purchased in St Vincent la Poterie, Provence, 1993. £100-£150 274

276 GISELE BUTHOD-GARCON (born 1954)

A raku chawan partially covered white crackle glaze and gold lustre, impressed GBG mark, diameter 12.5cm. £80-£120 † 277 GISELE BUTHOD-GARCON (born 1954) 275

A raku chawan covered copper and gold lustre, impressed GBG mark, diameter 11.5cm. £100-£150 †

278

MARIANNE CASTELLY A grogged porcelain chawan covered in white glaze with splashes of black and copper red, diameter 16cm. Jack Blackburn: Some Japanese and French potters like to accept pots which are purposely irregular in form and surface texture, which can be more interesting to handle and to use imaginatively. Marianne’s delicately made porcelain bowls with splashes of vibrant colour are such pieces. They are delicately alive, just right. £60-£80 †

279

MARIANNE CASTELLY A stoneware chawan covered in white glaze, diameter 13.5cm, and a smaller example (2). £60-£80 †

280

MARIANNE CASTELLY A grogged porcelain conical bowl covered in white glaze with copper red decoration, diameter 14cm.

278

£25-£35 † 83

284

281

MARIANNE CASTELLY A near pair of grogged porcelain conical bowls covered in white glaze with copper red decoration, largest diameter 13cm (2). £30-£40 †

282

MARIANNE CASTELLY A near pair of grogged porcelain cups covered in white glaze with polychrome decoration, tallest 9cm (2). £25-£35 †

283

MARIANNE CASTELLY A near pair of small grogged porcelain cups covered in white glaze with polychrome decoration, tallest 5cm (2). £15-£25 †

284 CLAUDE CHAMPY (born 1944)

A square stoneware footed platter covered in white crackle and black glaze with impressed finger decoration, incised signature, 34 x 32cm. £150-£200 †

285 CLAUDE CHAMPY (born 1944)

A rectangular stoneware footed platter/wall hanging covered in pink crackle and black glaze with impressed finger decoration, incised signature, 47.5 x 28cm. £250-£350 †

286 CLAUDE CHAMPY (born 1944)

A large stoneware vessel with altered rim and folded body covered in pink, black and grey glaze with impressed finger decoration, incised signature, height 39cm. £500-£700 † 287 CLAUDE CHAMPY (born 1944)

A large stoneware vessel of splayed form with folded body covered in pink, black and blue glaze, incised signature, height 24cm, width 31.5cm. £400-£600 †

286

287

288 CLAUDE CHAMPY (born 1944)

A large stoneware chawan covered in black, blue/grey and white glaze with pinkish hues, incised signature, diameter 17cm. Provenance: Purchased from the artist, 1996. £180-£220 † 289 CLAUDE CHAMPY (born 1944)

A large stoneware chawan covered in black, white and pink glaze with deeply incised decoration, incised signature, diameter 15cm. Provenance: Purchased from the artist, 1994. Jack Blackburn: We strike up a friendship ‘parce que vous parlez francais assez bien, et elle est une belle Ecossaise.’ £180-£220 †

289

290 CLAUDE CHAMPY (born 1944)

A large stoneware yunomi covered in black, white and pink glaze with deeply incised decoration, incised signature, height 10.5cm. £150-£200 † 291 CLAUDE CHAMPY (born 1944)

A stoneware chawan covered in black and pink glaze with incised decoration, incised signature, diameter 13.5cm. Provenance: Purchased from European Ceramics, Knaresborough, 1993. £150-£200 †

290

291

292 CLAUDE CHAMPY (born 1944)

A stoneware chawan covered in black, grey and white glaze with incised decoration, incised signature, diameter 13.5cm. Provenance: Purchased from the artist, 1994. £150-£200 † 293 CLAUDE CHAMPY (born 1944)

A small stoneware bowl covered in black and pink glaze, incised signature, diameter 14cm. Provenance: Gift from the artist, 1994. Jack Blackburn: Claude made bowls to give to his copains at his 50th birthday party in September. This is one of that series. £120-£180 † 292

294 CLAUDE CHAMPY (born 1944)

A large porcelain chawan covered in celadon glaze with deeply incised decoration, incised signature, diameter 15.5cm, and a matching smaller bowl (2). £180-£220 † 294

295 CLAUDE CHAMPY (born 1944)

A stoneware teapot covered in black, blue and pink glaze with incised decoration, incised signature, height 15.5cm. £120-£180 †

295 88

296

296 NANI CHAMPY-SCHOTT (born 1959)

A large raku slab dish covered in iridescent pink and white glaze, incised CS mark, length 63.5cm. £250-£350 † 297

JEAN-PIERRE CHOLLET (born 1939) A stoneware chawan covered in blue/grey ash glaze with iron rim, impressed JPC mark, diameter 13cm. Jack Blackburn: After fifteen years of developing his potting skills whilst pursuing his career as a nuclear scientist, JeanPierre decided to become a full time potter in 1987, setting himself the target of a one man show in a major Parisian gallery within ten years. He achieved his goal after seven. Jean-Piere makes confident pots, frequently covered with generous unctuous shino, iron or ash glazes, which have a magisterial presence. He is an outstanding example of what an autodidact can achieve. £100-£150 †

297

298

JEAN-PIERRE CHOLLET (born 1939) A stoneware chawan covered in streaky iron rich glaze, impressed JPC mark, diameter 12.5cm. £100-£150 †

299

JEAN-PIERRE CHOLLET (born 1939) A stoneware chawan covered in shino glaze, impressed JPC mark, diameter 11cm. £100-£150 †

298

299

300

JEAN-PIERRE CHOLLET (born 1939) A stoneware chawan covered in sea green ash glaze with iron rim, impressed JPC mark, diameter 11.5cm. Provenance: Purchased from the artist, 1995. £100-£150 †

301

JEAN-PIERRE CHOLLET (born 1939) A curved porcelain blade with iron decoration, impressed JPC mark, height 10cm. £25-£35 †

302

MICHEL COHEN A wood fired stoneware yunomi covered in shino and green ash glaze with incised decoration, height 8cm. £30-£40 †

300

303

303 DAPHNE CORREGAN (born 1954)

‘Triptych’, an earthenware installation of two shouldered forms covered in white pigment with incised decoration and a domed vessel covered in black pigment, incised signatures dated 2007, tallest 30cm (3). Jack Blackburn: Daphne was born in the United States, but has lived in France since childhood, and studied design and ceramics at Toulon, Marseille and Aix en Provence. She teaches design and ‘The Object’ at the University of Monaco.

306 ERIC DESPLANCHE

A salt glazed jug, incised signature, height 23cm, and a matching deep bowl, diameter 25.5cm (2). Jack Blackburn: Eric is one of the few salt glaze potters in France. The vibrancy and strength of his colours give his precisely thrown pieces a defining impact. £50-£70 †

£500-£700 † 304 DALLOUN for La Borne

An earthenware chawan covered in peach and white glaze with copper red and iron decoration, incised signature, diameter 11.5cm. £50-£70 † 305 ALAIN DEJARDIN

A lustreware champagne cooler covered in iridescent glaze, painted mark, height 25.5cm, and a Martine Leveque lustreware bowl, painted signature, diameter 10.5cm (2). Jack Blackburn: Alain is a lustreware potter living and working in South West France. One of the very few potters who create this type of work which requires four separate firings. £60-£80 †

305 91

310

307 ERIC DESPLANCHE

A salt glazed bottle with side handle, incised signature, height 21.5cm, and a matching mug (2). £30-£40 † 308 RICHARD DEWAR

A salt glazed chawan with white, yellow and green decoration, incised signature, diameter 12cm. £35-£45 † 309 FRANCOISE DUFAYARD (born 1960)

A slip decorated earthenware faceted cup, incised signature, height 8cm, and a smaller example (2). Jack Blackburn: Known for her magnificent large square platters, Francoise’s smaller wheel thrown functional pieces have an authoritative sense of strong form and decoration. £25-£35 †

310

PIERRE DUTERTRE (born 1956) A stoneware charger/wall hanging covered in white glaze and decorated in black glaze with five figures, painted signature dated 2003, diameter 47.5cm. Jack Blackburn: Not far from the Cote d’Azur, Pierre, together with his wife Claude, runs a picturesque workshop full of convivial friendship and a congenial working atmosphere shared with the two or three students who always become part of the family. His home plays open house to friends and visiting potters from the entire world. Pierre works in stoneware. But the really special thing about his work is the painting. And his chosen motifs are unusual: Pierre paints flowers because, as he says, he loves flowers. His ceramic forms are classical, often functional, enlivened by the freedom of the painterly decoration derived from the source of his inspiration, the flowers, foliage and gardens of the Mediterranean region of France where he was born. £220-£280 †

311

PIERRE DUTERTRE (born 1956) A rectangular stoneware footed platter/wall hanging covered in shino glaze with copper red and black glaze decoration, painted signature dated 1995, 35.5 x 28cm. Provenance: Purchased in Bandol, 1995. £200-£250 †

312

PIERRE DUTERTRE (born 1956) A pair of long rectangular stoneware tiles washed in shino glaze and decorated with flowers, kintsugi gold lacquer repair to one, painted signature dated 2009, length 75cm (2). £120-£180 †

311

313

PIERRE DUTERTRE (born 1956) A stoneware bowl covered in black, green and white glaze, painted signature, diameter 19cm. £70-£100 †

314 313

PIERRE DUTERTRE (born 1956) A stoneware chawan covered in white glaze with copper red and cobalt decoration, painted signature dated 1995, diameter 13cm. £40-£60 †

315

PIERRE DUTERTRE (born 1956) A stoneware chawan covered in black and white glaze with copper red decoration, incised signature, diameter 13cm. £25-£35 †

314

316 CHRISTINE FABRE (born 1951)

A raku vessel and bronze cover both with textured surfaces with a bronze rod piercing the cover and one wall of the vessel, impressed CF mark to vessel and incised mark dated 2009 to cover, height 19.5cm. Jack Blackburn: Christine works in raku, creating unusual forms, incorporating wood, feathers, cord and found objects. Her vessels seem to come from an alternative culture. £300-£500 †

317 CHRISTINE FABRE (born 1951)

A raku caddy covered in pale turquoise glaze, impressed CF mark, height 14.5cm. Provenance: Purchased from European Ceramics, Knaresborough, 1994. Jack Blackburn: My Earl Grey caddy. Sometimes words fail me. 317

£100-£150 †

318 CHRISTINE FABRE (born 1951)

A raku vessel covered in turquoise glaze with metal lugs tied with string, impressed CF mark, height 10.5cm. £120-£180 † 319 CHRISTINE FABRE (born 1951)

A group of three raku yunomi with latex bands, impressed CF mark to one, height 9cm (3). Jack Blackburn: Christine had not made functional ware for 30 years until I invited her to create a series of 33 ‘mugs’. She asked if I wanted colour and decoration – I said yes. These are the last of the 33. £100-£150 † 320 318

MARIE FANTINO A porcelain souvenir vase from ‘Printemps des Potiers 2012’, incised signature, height 13cm, a stoneware souvenir bird vase from the same event in 2014, probably by Mellie Branchereau, and a stoneware souvenir cup again from the same event in 2010 (3). £20-£30 †

321 FANNY FERRE (born 1963)

‘Femme Loup’, an earthenware sculpture of a wolf woman, height 36.5cm. Provenance: Purchased in Bandol, 2017. £300-£500 †

322 WAYNE FISCHER

A small porcelain vessel with carved surface washed in pastel lilac glaze, incised signature, height 9cm. £40-£60 323 LAURENT FONTAINE

‘La Ruche/Beehive’, a stoneware lugged sculptural form, height 20cm. £100-£200 † 324 CLAUDE CHAMPY (born 1944)

A porcelain vessel on tripod feet with folded body and torn rim covered in celadon glaze, incised signature, diameter 21cm.

324

£200-£300 † 325

JEAN-FRANCOIS FOUILHOUX (born 1947) A jagged stoneware bowl covered in silky celadon glaze, impressed JFF mark, diameter 15.5cm. Jack Blackburn: Jean-Francois is known especially for his celadon pieces. All his career he has been obsessed with the challenge – to discover the secrets of the glaze and the processes developed by Chinese ceramists in the course of their quest to reproduce the magic and flow of jade. Jean-Francois carves harmonious yet robust forms to create a dynamic which compliments the quietness of his glazes. £80-£120 †

326

JEAN-FRANCOIS FOUILHOUX (born 1947) A jagged stoneware bowl covered in silky celadon glaze, impressed JFF mark, diameter 14cm. £80-£120 †

325

326

328

327 YOSHIMI FUTAMURA (born 1959)

328

A small stoneware chawan with textured exterior covered in white glaze and oatmeal interior, incised signature, diameter 9.5cm. Jack Blackburn: Born in Japan, Yoshimi moved to France in 1986 where she has established a studio in Paris. The aesthetic she works in remains profoundly Japanese. The clay, rich in its mineral content, remains the basis of her practice which produces pieces of rugged material presence. In recent years Yoshimi has shown pieces at the ceramic market in Paris, which are the product of a different sensibility, including beautifully delicate, small teabowls, vases and platters.

JEROME GALVIN A diptych of two large ‘sherds’ of tin glazed earthenware platters decorated with cobalt and copper red floral designs, painted signature to one, largest diameter 28.5cm (2). Jack Blackburn: At the age of sixteen, Jerome left school to train in the art of traditional faience. The tradition supports an aesthetic of refined elegance of form and delicately precise illustrative decoration. His personal work is provocative. The pots he throws and forms have a loose, generous controlled casualness. Meticulous perfection is not his game. Likewise his decoration is searching, often a bit scary, sexually explicit and political, yet settled, within a context of patterns, design motifs and sequences that honour the tradition of faience.

£80-£120

£120-£180 † 329

JEROME GALVIN A tin glazed earthenware rectangular slab dish on tripod feet decorated in cobalt and copper red glaze with the head of a big cat, painted signature dated 2016, 18.5 x 14cm. £25-£35 †

330

JEROME GALVIN A tall tin glazed earthenware chalice form decorated with cobalt designs, incised signature dated 2016, height 23.5cm. £100-£150 †

331

JEROME GALVIN ‘D’Amour’, a tin glazed earthenware pot decorated with cobalt and copper red floral design and graphic type, incised signature, height 14cm. £70-£100 †

332

JEROME GALVIN A large tin glazed earthenware chawan decorated with cobalt designs, diameter 15.5cm. £80-£120 †

333 JEROME GALVIN

‘Jack’, a tin glazed earthenware bowl decorated with a cobalt fish and graphic type, painted signature dated 2016, diameter 14.5cm.

330

£60-£80 † 334

JEROME GALVIN ‘Bol’, a tin glazed earthenware bowl decorated with a cobalt floral design and graphic type, painted signature dated 2012, diameter 11cm. £30-£40 †

335

JEROME GALVIN A tin glazed earthenware yunomi decorated with a cobalt design, incised signature dated 2016, height 10.5cm. £40-£60 †

336

JEROME GALVIN A tin glazed earthenware bowl decorated with a cobalt design, incised signature dated 2016, diameter 12cm.

331

£40-£60 † 337

JEROME GALVIN A tin glazed earthenware cup decorated with a cobalt design, painted signature, height 7.5cm, and a smaller example (2). £30-£40 †

338

STEPHANIE GAMBY A Limoges porcelain bowl with cobalt decoration, inscribed mark, diameter 11cm. Jack Blackburn: Stephanie is one of the new generation of female potters who explore the potential of very finely thrown wares decorated using screen printing.

339

PASCAL GEOFFROY (born 1951) A tall stoneware caddy covered in shino crackle glaze with cobalt and copper red decoration, impressed mark (glaze filled), height 20.5cm. Jack Blackburn: Vultures flap by Pascal’s studio on the edge of the Larzac plateau. It is here, in this especially individual small area of South West France, that he built the first anagama kiln in the region, and has pursued an exciting exploration of Terre Brute and minimally glazed stoneware. This is his passion, which complements the varied range of shino glazed production ware which he produces with his wife Martine. £60-£80 †

£20-£30 † 99

340

PASCAL GEOFFROY (born 1951) A stoneware chawan covered in shino glaze with iron decoration, incised signature, diameter 13.5cm. £100-£150 †

341

PASCAL GEOFFROY (born 1951) A stoneware faceted chawan covered in shino glaze, impressed mark, diameter 12cm. £100-£150 †

342

PASCAL GEOFFROY (born 1951) A stoneware faceted chawan covered in shino glaze, impressed mark, diameter 11.5cm. £100-£150 †

341

343

PASCAL GEOFFROY (born 1951) A stoneware chawan covered in shino glaze with cobalt and copper red decoration, diameter 12cm. £100-£150 †

342

344

PASCAL GEOFFROY (born 1951) A stoneware chawan with textured surface covered in shino glaze, impressed mark, diameter 12.5cm. £100-£150 †

345

PASCAL GEOFFROY (born 1951) A stoneware cup covered in shino glaze, impressed mark, height 6.5cm. £30-£40 †

346

PASCAL GEOFFROY (born 1951) A stoneware cup covered in shino glaze with iron decoration, height 7.5cm, and a smaller example with wax resist decoration (2). £35-£45 †

343

100

347

PASCAL GEOFFROY (born 1951) A tall wood fired stoneware cylindrical vessel covered in shino glaze, side fired on shells, impressed mark, height 52cm. £180-£220 †

348

PASCAL GEOFFROY (born 1951) A square stoneware footed platter covered in shino crackle glaze, 19 x 18cm, and a smaller tray (2). £60-£80 †

349

JEAN-NICOLAS GERARD (born 1954) A slipware jar and cover with sgraffito decoration, height 22.5cm. Jack Blackburn: Found his work at a Camille Virot event, but it was the dynamic, the energy, the spontaneity of gesture in the earthenware of Jean-Nicolas that sparked my interest and imagination. Went straight to his pottery and bought several pieces for the first ‘Pots from France’ exposition. The show opened with about forty pots. The pride of place was one of Jean-Nicolas’ smaller square platters. Would it sell? We loved it anyway and the forth person to enter the exhibition, a neighbour, saw it, looked again and said, ‘That’s mine!’ Since then JeanNicolas has become a very good friend, as well as a mainstay of our exhibitions. Now he’s universally ... the man!!! £150-£200 †

350

JEAN-NICOLAS GERARD (born 1954) A slipware teapot with cane handle, sgraffito and finger spot decoration, incised signature, height 13cm (excluding handle). £80-£120 † 347

349

350

101

351

JEAN-NICOLAS GERARD (born 1954) A slipware bottle with sgraffito and finger spot decoration, incised signature, height 28.5cm. £100-£150 †

352

JEAN-NICOLAS GERARD (born 1954) A square slipware footed dish/wall hanging with sgraffito decoration, incised signature, 31 x 30cm. £120-£180 †

353

JEAN-NICOLAS GERARD (born 1954) A slipware candle holder with finger spot decoration, incised signature, length 33cm. £50-£70 †

354

JEAN-NICOLAS GERARD (born 1954) A large slipware beaker with sgraffito decoration, incised signature, height 11cm, and a similar example with finger spot decoration (2). £40-£60 † 351

355

JEAN-NICOLAS GERARD (born 1954) A slipware bowl, incised signature, diameter 12.5cm, and a smaller example (2). 358

£35-£55 † 356

JEAN-NICOLAS GERARD (born 1954) A slipware mug, incised signature, height 10cm, and a smaller example inscribed ‘Vive le Printemps des Potiers’ (2). £35-£55 †

357

MARIE-LAURE GUERRIER (born 1955) A porcelain jar and cover of domed form covered in oil spot glaze, incised signature and ML mark, height 13cm, diameter 19cm, and two similar bowls by different makers (3). £80-£120 †

359 HAGUIKO (FUKUYAMA) (born 1948)

A raku bowl with stepped rim, copper green and wax resist decoration, impressed mark, diameter 11cm.

JEAN-NICOLAS GERARD (born 1954) A set of six small slipware beakers with different decoration, incised signatures, tallest 6.5cm (6).

Jack Blackburn: Born in Japan, Haguiko moved to France in 1972 and has designed and built a modernist inter-relating house/ studio with her partner Jean-Pierre Viot on the outskirts of Paris. Politically committed to cross-culturalism, Haguiko has organised a series of French-Japanese ceramic exchanges and exhibitions.

£80-£120 †

£80-£120 360

SVEIN HJORTH-JENSEN (born 1946) for La Borne A large square stoneware footed dish/wall hanging covered in kaki, blue, tenmoku and white glaze with kintsugi gold lacquer repair, impressed S mark and incised signature and pottery mark, 40 x 39.5cm, and a La Borne salt glazed faceted cup, height 9cm (2). £100-£150 †

361 YVES LAMBEAU 359 102

A porcelain bowl covered in crystalline glaze, incised signature, diameter 11.5cm, and a similar example (2). £30-£40 †

362 YVES LAMBEAU

366 DAVID MILLER (1942-2008)

A small porcelain bowl covered in crystalline glaze, incised signature, diameter 9cm, and a similar example (2). £20-£30 †

A slip decorated earthenware cut sided chawan covered in green, yellow and black decoration, painted DM mark, diameter 12.5cm. £70-£100 †

363 YVES LAMBEAU

A near pair of porcelain bowls covered in crystalline glaze, incised signatures, diameter 11cm, and a smaller matching example (3). £40-£60 †

367 DAVID MILLER (1942-2008)

A slip decorated earthenware cup covered in yellow, black and blue decoration, painted DM mark, height 7cm, and a small pin dish (2). £40-£60 †

364 HELENE LATHOUMETIE

A porcelain jar and cover with fretwork decoration to the rim and a glass knob to the cover, height 12cm, and a pair of matching cups and saucers, painted signatures, height 10cm (3). Jack Blackburn: Helene won the Peers Award at Art in Clay with her exquisitely precise, imaginatively created and decorated porcelain ware. £80-£120 † 365 DAVID MILLER (1942-2008)

A slip decorated earthenware chawan covered in polychrome decoration, painted DM mark, diameter 12cm. £70-£100 †

366

365

103

368 ANNIE D’OREFICE

A tall stoneware bottle and stopper covered in bands of yellow and black glaze with gold lustre and impressed decoration, impressed mark, height 44cm. Jack Blackburn: Living in the Beaujolais region of France, Annie has developed a sophisticated range of decorative and functional stoneware using gold with her glazes to add definition to the form. £80-£120 † 369 ANNIE D’OREFICE

A stoneware bowl covered in iron and white crackle glaze with gold lustre to the rim, impressed mark, diameter 12cm. £25-£35 † 370 ISABELLE PAMMACHIUS for Boisbelle

A stoneware chawan covered in green and white glaze, incised mark, diameter 12cm, and a small Boisbelle bowl (2). £25-£35 † 371 CATHERINE PARDIGON

A stoneware teapot covered in pale green glaze, incised signature, height 12.5cm. Jack Blackburn: Catherine produces a precisely thrown range of stoneware whose impact is brilliantly enlivened by her mastery of earth-toned glazes. £25-£35 †

368

372

JEAN-NOEL PEIGNON An earthenware chawan with heavily textured surface covered in white glaze with polychrome decoration, impressed P mark, diameter 10cm, and a similar example (2). Jack Blackburn: Jean-Noel is a large man who decorates Provencal earthenware with the most colourful abundance of floral decoration. More recently he made a series of ‘bols’ with grapply surface and rich colour which I find exciting, individual and a pleasure to use. £30-£40 †

373 373

JEAN-NOEL PEIGNON An earthenware chawan with heavily textured surface covered in white glaze with red and black decoration, impressed P mark, diameter 12cm, and a smaller example (2). £40-£60 †

104

374 BRIGITTE PENICAUD (born 1954)

A stoneware bowl with applied porcelain slip covered in polychrome glaze, diameter 15cm, and a similar example covered in green ash glaze (2). Jack Blackburn: My favourite French potter. Brigitte left school at sixteen to work in a small production pottery where she mastered the skills of perfect throwing, turning and firing to order. However, by her mid-twenties, she wanted never again to produce another perfect pot. Renowned today for the natural free flowing spontaneity of her throwing, and the instinctive approach to decoration which distinguishes her practice, she now produces an exciting unique body of work.

375

£100-£150 † 375 BRIGITTE PENICAUD (born 1954)

381

A stoneware bowl covered in polychrome glaze, diameter 17.5cm, and a similar example (2). £100-£150 †

JEAN POTIER A pair of slip decorated earthenware cups, painted JP marks, height 5cm, and a matching square plate, 17 x 17cm (3). £25-£35 †

376 BRIGITTE PENICAUD (born 1954)

A stoneware bowl covered in polychrome glaze, diameter 17.5cm.

382

£60-£80 †

£30-£40 †

377 NANOUK ANNE PHAM (born 1937)

A stoneware chawan covered in white glaze with cobalt, copper green and iron decoration, incised signature, diameter 12.5cm, and a smaller bowl with similar decoration (2).

383 VINCENT POTIER (1954-2011)

A stoneware footed bowl with wax resist decoration and gold lustre rim, impressed VP mark, diameter 12.5cm.

£40-£60 † 378

379

SYLVIE PIAUD (born 1964) A stoneware bowl covered in polychrome glaze, incised signature, diameter 12cm.

Provenance: Purchased from the artist, 1993. £50-£70 † 384

£40-£60 †

JUSTINE RIBERA for Les Petites Porcelaines A porcelain bowl covered in white glaze with impressed decoration, sprigged pottery mark, diameter 14cm, and a smaller example (2).

JEAN POTIER A pair of slip decorated earthenware pocket vases, painted JP marks, height 21cm (2).

Jack Blackburn: Justine’s immaculate skill speaks for itself. The formal purity of her designs and delicate sensibility are outstanding.

Jack Blackburn: Jean decorates his traditional earthenware forms with either the olive of the vine, the two products which symbolise the South of France. He works in a forest outside Salon en Provence and leads a simple, almost self-sufficient life, relying on solar energy and basic tools.

£35-£45 †

£50-£70 † 380

JEAN POTIER A pair of small slip decorated earthenware mugs, painted JP marks, height 6cm, a pair of matching square plates, 16.5 x 16.5cm, and a rectangular plate, 21.5 x 12.5cm (5).

JEAN POTIER A slip decorated oval earthenware vase, painted JP mark, height 21cm.

385

JUSTINE RIBERA for Les Petites Porcelaines A porcelain tray covered in white glaze with pinkish hues and applied roses, sprigged pottery mark, diameter 28cm, a matching pair of plates, diameter 19cm, and a small coaster (4). £50-£70 †

£30-£40 † 105

386 NADEGE RICHARD

A pair of porcelain bowls decorated with butterflies, incised signatures, diameter 12.5cm, and a similar bowl decorated with a peacock (3). Jack Blackburn: Nadege is a young potter who has developed a practice of surreal amusing juxtaposition of transfer images on to her porcelain bowls, jugs and vases. £40-£60 † 387 NICOLAS ROSCIA

A stoneware chawan covered in polychrome glaze, diameter 11.5cm. £40-£60 † 388 NICOLAS ROSCIA

A stoneware chawan covered in polychrome glaze, diameter 13cm. £40-£60 † 387

389 NICOLAS ROSCIA

A stoneware chawan covered in polychrome glaze, diameter 12cm. £40-£60 †

388

389

106

390 HERVE ROUSSEAU (born 1955) for Boisbelle

A large wood fired stoneware box and cover, side fired on shells, incised pottery mark, height 29.5cm. £350-£450 † 391 HERVE ROUSSEAU (born 1955) for Boisbelle

A wood fired stoneware partially fluted bowl, impressed H mark, diameter 11.5cm. Provenance: Purchased from the artist, 1994. £50-£70 † 392 GEORGES SYBESMA (born 1960)

A porcelain yunomi with carved surface washed in celadon glaze, incised signature, height 8cm. £60-£80 † 393 GEORGES SYBESMA (born 1960)

A porcelain chawan with carved surface covered in pale green glossy glaze with iron decoration, incised signature, diameter 12.5cm. £60-£80 †

390

391

107

394 GEORGES SYBESMA (born 1960)

A porcelain chawan with carved surface covered in celadon glaze with iron decoration and a glassy pool to the well, incised signature, diameter 12.5cm. £60-£80 † 395 GEORGES SYBESMA (born 1960)

A porcelain chawan with carved surface covered in celadon glaze, incised signature, diameter 13cm. £60-£80 † 396 TAKESHI YASUDA (born 1943)

A porcelain bowl with altered body covered in silky white glaze, diameter 17cm. This and the next lot were originally attributed to the French potter Maryse Tavernier. Our thanks to Takeshi Yasuda for identifying these works as his.

394

£120-£180 †

397 TAKESHI YASUDA (born 1943)

A porcelain chawan with altered body covered in silky white glaze, diameter 13cm, and a smaller example (2). £150-£200 † 398 CATHERINE VANIER (born 1943)

A stoneware footed bowl partially covered in bands of iron glaze with cobalt decoration, incised signature, diameter 15cm. £80-£120 †

398

399 CATHERINE VANIER (born 1943)

A stoneware chawan with cobalt, copper red and green decoration on yellow ground, incised signature, diameter 13cm. £80-£120 † 400 Attributed to CATHERINE VANIER (born 1943)

A stoneware chawan covered in iron glaze with cobalt decoration on yellow ground, diameter 12.5cm. £70-£100 †

399 108

402

401 CATHERINE VANIER (born 1943)

402

405

A stoneware plate with cobalt and iron decoration on yellow ground, incised signature, diameter 20cm, and a small dish.

JEAN-PIERRE VIOT (born 1936) A raku chawan covered in iridescent pinkish orange glaze with wax resist decoration, impressed JPV mark, diameter 11.5cm.

£50-£70 †

£150-£200 †

JEAN-PIERRE VIOT (born 1936) A large raku chawan covered in grey glaze with wax resist and gold lustre decoration imitating kintsugi repair, impressed JPV mark, diameter 16cm. Jack Blackburn: Originally trained in architecture, Jean-Pierre has worked on major building projects creating ceramic walls, fountains and architectural features. More often sculpting on a ‘domestic’ scale he is continually exploring the idea of the Japanese teabowl, with an ever-changing investment in the potential of the form and of the raku firing process. For many years, as curator of the Chateauroux Biennale, Jean-Pierre has travelled the world selecting work for what is one of the most important international ceramic events in Europe. £180-£220 †

403

405

JEAN-PIERRE VIOT (born 1936) A porcelain chawan covered in shino glaze with incised decoration, impressed JPV mark, diameter 13cm.

406

JEAN-PIERRE VIOT (born 1936) A small raku chawan covered in pinkish grey glaze with wax resist decoration, impressed JPV mark, diameter 11cm, and a matching cup form, height 8cm (2). £120-£180 †

407

JEAN-PIERRE VIOT (born 1936) A raku slab vessel covered in black glaze with yellow rim, impressed JPV mark, height 16cm. £50-£70 †

408 CAMILLE VIROT (born 1947)

A raku chawan covered in black glaze with reddish hues, impressed mark (glaze filled), diameter 15cm. Provenance: Purchased from the artist, 1994. £200-£300 †

£120-£180 † 404

JEAN-PIERRE VIOT (born 1936) A raku chawan covered in black and white glaze with splashes of copper red decoration, impressed JPV mark, diameter 12cm. £100-£150 †

109

409 CAMILLE VIROT (born 1947)

A raku chawan covered in pale green glaze with pinkish hues, impressed mark, diameter 15cm. Provenance: Purchased from the Hart Gallery, Nottinghamshire, 1991. Jack Blackburn: I went to a John Maltby exhibition and returned with this, the first peice of raku I collected and wondering why? £200-£300 † 410 CAMILLE VIROT (born 1947)

A raku chawan covered in shino glaze, impressed mark, diameter 13cm. Provenance: Purchased from the artist, 1994. £200-£300 † 411 CAMILLE VIROT (born 1947)

409

A raku chawan covered in pitted pink and white glaze, impressed mark, diameter 13.5cm. Provenance: Purchased from the Hart Gallery, Nottinghamshire, 1992. Jack Blackburn: this pot is a love/hate vessel and will take a lot of use, handling and time to become accepted. But its presence is undeniable. £200-£300 † 412 CAMILLE VIROT (born 1947)

A raku bowl covered in pitted white, pink and green glaze with deeply incised decoration and white crackle to the well, impressed mark (glaze filled), diameter 17cm. £150-£250 † 413

SEUNGHO YANG (born 1955) for La Borne A stoneware teapot with a textured bark like surface, missing the cover, impressed marks, height 7cm. Provenance: Purchased from Galerie Marianne Heller, Heidelberg, 2000. £60-£80

411

110

410

Other European 414 HORST KERSTAN (1941-2005)

A raku bowl covered in white crackle glaze with copper red and turquoise spots, impressed K mark and incised signature, diameter 16cm. £200-£300 † 415 HORST KERSTAN (1941-2005)

A raku bowl covered in pitted yellow crackle glaze with copper red and green spots, impressed K mark and incised signature, diameter 15.5cm. £200-£300 † 414 416 HORST KERSTAN (1941-2005)

A raku jar and ebony cover covered in yellow crackle glaze with gold lustre and copper red and green spots, impressed K mark and incised signature, height 8cm. £180-£220 † 417 HORST KERSTAN (1941-2005)

A wood fired salt glazed bowl partially covered in green ash glaze, diameter 13cm. £180-£220 † 418 THERESIA HEBENSTREIT (1950-2015)

‘The 3rd Sister’, a stoneware beaker decorated with a woman’s face, incised signature, height 12cm. Provenance: Purchased from Galerie Marianne Heller, Heidelberg, 1994. £30-£40 † 419

415

MARKUS KLAUSMANN (born 1960) A small wood fired stoneware pot, height 5.5cm. £20-£30 †

420 UWE LOELLMANN (born 1955)

A small wood fired stoneware jar and wooden cover, impressed mark, height 10cm. £50-£70 † 421

JOHANNES PETERS A slipware teapot covered in cream slip with cobalt decoration, height 15cm. Jack Blackburn: The second best seller in ‘Pots from France’ expositions, so I have a few of his pieces. Although German he was an apprentice to Jean-Nicolas Gerard, and we discovered him at a small French village market – his first public outing. £80-£120 †

421

111

422

JOHANNES PETERS A slipware twin handled bowl covered in cream slip with cobalt decoration, diameter 26.5cm (including handles). £60-£80 †

423

JOHANNES PETERS A square slipware slab dish covered in yellow slip with cobalt decoration, 22.5 x 22cm. £120-£180 †

424 ELKE SADA (born 1965)

423

A large earthenware Capriccio bowl decorated with coloured slips, incised signature dated 2010, diameter 29.5cm. £180-£220 † 425 ELKE SADA (born 1965)

426 REGINE SCHONEMANN for Keramik

A graduated trio of earthenware Capriccio beakers decorated with coloured slips, painted and incised signatures dated 2014 and 2016, tallest 13.5cm (3). £120-£180 †

Mecklenburger Vogel A salt glazed beaker, impressed mark and pottery label, height 9cm. £15-£25 † 427 NIEK HOOGLAND (born 1953)

A slipware bowl covered in yellow and green slip with iron decoration, diameter 14.5cm. £30-£40 †

424

112

428 CLAUDI CASANOVAS (born 1956)

A bowl formed of mixed laminated stoneware and porcelain clays, diameter 20cm. £700-£1000 †

113

429

429 CLAUDI CASANOVAS (born 1956)

A bowl formed of mixed laminated stoneware and porcelain clays, diameter 16.5cm. Provenance: Purchased in Bandol, 1997. £600-£800 † 430 CLAUDI CASANOVAS (born 1956)

A teabowl formed of mixed laminated stoneware and porcelain clays, height 8.5cm. £200-£250 † 431 CLAUDI CASANOVAS (born 1956)

A stoneware vessel with heavily textured surface grogged with porcelain, height 10cm. £250-£350 † 432 Attributed to YANIK POTVIN

A brace of earthenware dead rats covered in white glaze, length 39cm (2). £60-£80

114

431

Japanese, Korean and Australian 433 KEN MATSUZAKI (born 1950)

A stoneware chawan partially covered in oribe glaze with iron decoration, impressed mark, diameter 11.5cm, with signed box. Provenance: Purchased from St Ives Ceramics, 2006. £200-£300

433

434 KEN MATSUZAKI (born 1950)

A stoneware sake cup covered in green ash and shino glaze, impressed mark, height 4.5cm, with signed box. £80-£120 434

435 NOBUO OKAWA (born 1949)

An earthenware teabowl covered in a greenish tenmoku glaze, made 1997, diameter 17.5cm. Provenance: Purchased from Galerie Besson, London, 1998. £100-£150

435

115

436

SHIRO TSUJIMURA (born 1947) A stoneware (Devon clay) summer teabowl covered in white glaze, diameter 13.5cm Tsujimura was invited to visit England for a short residency in Devon in 1993. Exhibited: ‘Totally Teabowls’, Oakwood Gallery, Edwinstowe, 2004. Provenance: Purchased from the Oakwood Gallery, 2004. Jack Blackburn: It is perhaps the simplest, most humble and quiet, maybe the best of my many bowls. It is certainly the most favoured. Glazed in the simplest possible way: casually dipped, or wiped with a handful of dried grass, in the plainest dull, yet warm, white glaze. £120-£180

437 World Ceramic Exposition Foundation

A pair of stoneware cups on lacquered plastic saucers, mother of pearl and painted marks, height 8.5cm, with presentation box (2).

436

£25-£35 438 Obori-Soma ware from the Meigetsu kiln,

Namie, Fukushima Perfecture, Japan ‘The Fukushima Teapot’, a small pierced double skinned stoneware teapot covered in green crackle and iron glaze decorated with a sacred running horse, painted mark, height 10cm, and a matching cup (2). Provenance: Purchased in Bandol, 2012. Jack Blackburn: I am installing the international ceramic exhibition of Le Printemps de Potiers at Bandol a matter of a few weeks after the horrendous Fukushima nuclear disaster. There is a rumour of a guest visitor – a traditional potter from that devastated region. The man’s home, studio and livelihood are all destroyed. The elderly, renowned potter and his young assistant arrive with a selection of work and we contrive a space in the entrance hall which makes an adequate display area. The work is not essentially my taste, but it is undeniably masterly. I red spot a small teapot and appropriately tiny teabowl. I cannot recall the potter’s name. I have no record of it. £50-£70

438

116

439 Mashiko ware

A small stoneware cup covered in tenmoku and kaki glaze with copper green splashes, height 5.5cm. £10-£15 440 ’Finger’s Cave’

A pair of raku sculptures gouged out with fingers, Japanese marks, tallest 6.5cm, and a stoneware stand with a different Japanese mark, diameter 18cm (3). £15-£25 441 Attributed to REE SOO-JONG (born 1948)

A Buncheong stoneware bottle covered in thickly brushed slip with green ash glaze to the rim and running down the neck, height 13.5cm. £400-£600 442 JANE SAWYER, Melbourne, Australia

A slipware teabowl covered in white slip with copper red and green decoration, impressed JS mark and pottery label, made 1995-2000, height 9cm, and a similar beaker (2). £30-£40

441

Pot Luck 443 GEOFFREY FULLER (1936-2022)

A slip decorated earthenware chicken bowl, diameter 34cm, and a matching rectangular basket and square bowl (3). £180-£220 † 444 A group of French studio ceramics comprising a large

slip decorated earthenware bowl, incised signature, diameter 34.5cm, and two matching mugs, tallest 9cm (3).

446 A group of French studio ceramics comprising a

stoneware plate covered in white glaze, incised mark, diameter 23.5cm, and two smaller similar plates, the larger one by a different maker (3). £30-£40 447 A group of French studio ceramics by different

makers comprising a large stoneware platter partially covered in green ash and iron glaze, diameter 34.5cm, two plates and a square tile (4). £30-£40

£50-£70 445 A French oval stoneware fish kettle, length

27.5cm (including side handles), and a slipware jar and cover decorated with a semi nude female, height 19cm (including metal handle) (2). £30-£40

117

448 A French earthenware rectangular tile/wall hanging

with abstract decoration, 31.5 x 24.5cm. £50-£70 449 Two French porcelain bowls by the same maker both

with stepped and jagged rims covered in celadon glaze, painted SP marks, largest diameter 15.5cm (2). £50-£70 450 NANI CHAMPY-SCHOTT (born 1959)

A raku chawan covered in black glaze with iridescent copper green and red highlights, incised CS mark, diameter 10cm, a matching cup and a porcelain cup, height 5.5cm (3). £100-£150 † 451 Three French bowls by the same maker comprising

one stoneware and two porcelain bowls, impressed C marks and incised signatures, stoneware bowl dated 1995, largest diameter 15.5cm (3).

448

£60-£80 452 Three French oval stoneware bowls probably by

the same maker, largest diameter 12.5cm (3). £60-£80 453 Two French stoneware bowls by the same maker,

incised marks, largest diameter 15cm (2). £50-£70 454

PASCAL GEOFFROY (born 1951) A wood fired stoneware conical bowl covered in shino glaze with shell impressions, impressed mark, diameter 16cm, and a cup covered in tenmoku and green ash glaze (2).

449

£70-£100 † 455 A French porcelain jar and cover, incised

mark, height 11cm, and a bowl by a different maker, impressed mark, diameter 12cm (2). £50-£70

450

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456

456 Three French raku bowls by different makers,

461 Four French stoneware bowls covered in

one possibly by Genevieve Gay, incised marks, largest diameter 13.5cm (3).

shino glaze by the same maker, impressed marks, largest diameter 16cm (4).

£60-£80

£70-£100

457 A group of French studio ceramics by different

makers comprising a stoneware bowl, pair of porcelain cups and a stoneware plaque, painted marks, bowl diameter 16.5cm (4). £40-£60 458 A group of French studio ceramics by different makers

comprising a stoneware chawan, yunomi and two bowls, incised marks, largest diameter 15.5cm (4). £70-£100 459 A group of French studio ceramics by different

makers comprising three wood fired stoneware bowls, an oval pot and small bottle, impressed and incised marks, tallest 14.5cm (5). £60-£80 460 Three French wood fired stoneware bowls by different

makers, incised marks, largest diameter 13.5cm (3).

462 Two French stoneware bowls by different makers,

incised marks, largest diameter 12.5cm (2). £20-£30 463 A French slipware lugged pot, incised

signature, height 15cm, and a slipware bowl and mug by different makers (3). £40-£60 464 A near pair of French porcelain plates by the same maker

with trailed and impressed decoration, impressed and painted marks, one dated 2006, diameter 28cm (2). £50-£70 465 Two small French stoneware bowls by different

makers, incised marks, largest diameter 9cm, and a near pair of porcelain cups by the same maker, incised marks, tallest 4cm (4). £20-£30

£60-£80

460

119

466

466 Five French stoneware beakers by the same

maker, impressed C marks, tallest 9.5cm (2). £60-£80 467 HAGUIKO (FUKUYAMA) (born 1948)

‘Nuage/Cloud’, a sculptural form, impressed mark, diameter 13.5cm, and a group of French studio ceramics by different makers comprising two stoneware bowls and three cups (one porcelain), impressed and incised marks, largest diameter 13.5cm (6). Jack Blackburn: Haguiko gave me the Cloud in 2012 to mark and commemorate Margot’s death. £30-£40 468 A group of French stoneware vessels by the same

maker, incised marks, largest diameter 22cm (7). £40-£60 469 A stoneware teapot with porcelain cover and wire

handle, impressed mark, height 21cm, and a small porcelain teapot by a different maker, height 13cm (2). £30-£40 470 A square stoneware lugged vase, height 20.5cm,

and a jar and cover by a different maker (2). £20-£30 471 A graduated trio of stoneware bowls by the

same maker, largest diameter 17cm (3). £40-£60 472 Four stoneware cups by the same maker, tallest 8cm (4). £20-£30 473

Six small stoneware cups by the same maker, tallest 6cm (6). £20-£30

120

474 A group of slipware ceramics by different makers

comprising a basket, five cups, four bowls and a sculpture of a seated figure, painted, impressed and incised marks, tallest 16cm (11). £30-£40 475 A grogged stoneware vase of altered form, height

24cm, and a grogged porcelain bowl with torn rim by a different maker, impressed mark, diameter 11cm (2). £40-£60 476 A wood fired stoneware bottle, impressed and incised

marks, height 25.5cm, and three similar bowls by different markers, largest diameter 14.5cm (4). £40-£60 477 A salt glazed jug, impressed mark, height

13cm, and a small jug, tall mug and small porcelain mug by different makers (4). £20-£30 478 A large stoneware dish with torn rim,

impressed mark, diameter 34cm, and a similar plate by a different maker (2). £50-£70 479 A wood fired stoneware chawan covered in shino

and green ash glaze, impressed mark, diameter 13.5cm, and a matching pot by the same maker (2). £30-£40 480 A group of porcelain studio ceramics by different

makers comprising a cylindrical vase, chawan, beaker, small dish and pair of spoons, impressed and painted marks, tallest 20cm (6). £30-£40

485

481 A near pair of porcelain bowls with gold

487 Three raku bowls by different makers,

lustre bands to the footrings, painted signatures, largest diameter 16cm (2).

largest diameter 14cm (3). £20-£30

£30-£40 488 A salt glazed dish, impressed P mark, diameter 22cm, 482 DEBORAH LOLLIVIER

and two stoneware dishes by different makers (3).

A rectangular stoneware tray decorated with a fish, incised mark, 28.5 x 17.5cm, and a square earthenware plate by a different maker (2). £20-£30 †

£20-£30 489 Three stoneware bowls by different makers,

incised marks to two, largest diameter 16cm, and an earthenware bowl (4).

483 Four porcelain bowls by different makers, painted

£40-£60

and impressed marks, largest diameter 15.5cm (4). £50-£70

490 A group of stoneware and porcelain bowls

by different makers, incised, impressed and painted marks, tallest 14cm (9).

484 Five stoneware bowls by different makers, the smallest

possibly by Sylvie Piaud, largest diameter 16.5cm (5).

£60-£80

£60-£80 491 485 Four stoneware bowls by different

makers, largest diameter 16cm (4).

Six stoneware cups by different makers, impressed mark to one, tallest 8cm (6). £20-£30

£70-£100 492 486 Five stoneware bowls by different makers, impressed

marks to two, largest diameter 14cm (5).

Six stoneware sake cups by different makers, impressed mark to one, tallest 6.5cm (6). £40-£60

£60-£80 493 A smoke fired pebble form, incised

TRH mark, diameter 13.5cm. £20-£30

486 121

494 A stoneware sculpture of a seated male figure with

applied and detached porcelain roses, the figure’s foot, shoulders and one rose picked out in cobalt, inscribed CA label, length 36cm, height 23.5cm. £150-£250

494

495 A porcelain sculpture of a female figure, possibly

Diana the Huntress, partially covered in celadon glaze, the skirt formed of an inverted tea cup and the base of three saucers, height 42cm. £100-£150 496 ROS SMITH (born 1959)

‘See No Evil, Hear No Evil, Speak No Evil’, an earthenware sculpture of three monkey like figures on a distressed laminated plywood sheet, height 8cm, sheet length 39.5cm (3). £80-£120 †

495

496 122

DROPPING THE POT For Jack Blackburn ‘See’, he says, ‘the way the heat has swept up the pot, the dusting of ash low down, the discrete application of salt, the trick of not letting the glaze run all the way down, this salmon pink that comes only from the firing.’ He finds the French potter’s words: ‘Raku yields so as to gain tension.’ Thumb in a Virot bowl, he lifts it casually, like an old friend, swirls his other hand around it, saying, ‘see the glaze is like a woman’s diaphanous dress, whereas the black raku is masculine, built up, layer upon layer on white clay.’ ‘But what’, I ask, ‘if you drop one?’ ‘In June’, he says, ‘I dropped the coffee pot of a potter who’d died in February. I was rushing and it broke to smithereens. It was expensive, but they are for using. I grieved for that pot, but at least dropping the pot meant something.’ Terry Gifford, November 1996 Published in ‘Whale Watching with a Boy and a Goat’ (Redbeck Press, 1998).

123

124

Books and magazines 497 ’The Works of Shoji Hamada 1921-1969’

(Tokyo, 1969), English and Japanese text by Bernard Leach and Shoji Hamada, 127 colour plates, in original case and box. £120-£180 498 ’Bernard Leach’ (Tokyo, 1966), English

and Japanese text by Soetsu Yanagi and Shoji Hamada, 32 colour plates, 95 black and white plates, in original box. £120-£180 499 A collection of books and

pamphlets mostly on British studio ceramics (33). £100-£200 500 A collection of books

and pamphlets on French studio ceramics (26). £60-£80 501 A collection of books

497

and pamphlets on Japanese studio ceramics (22). £60-£80 502 ’Ceramics: Art and Perception’, a run

from issue 14 (1993) to 63 (2006) missing issues 48-50 and 59, and three Bonhams auction catalogues including ‘Dame Lucie Rie: Sale of a Lifetime’ (1997). £80-£120 503 ’Studio Pottery’, a run from issue 1 (1993) to 30

(1997), missing issues 25-27, and John Houston ‘The Abstract Vessel: Ceramics in Studio’ (1991). £30-£40 504 ’La Revue de la Ceramique et du

Verre’, an incomplete run from issue 51 (1990) to 173 (2010) (22). £30-£50

498 125

505 ’Studio Pottery’, a presentation pack of four

stamps designed by Tony Evans featuring works by Bernard Leach, Elizabeth Fritsch, Lucie Rie and Hans Coper, pack no. 184, October 1987. £10-£20 506 Three books on traditional Japanese

furniture and cabinetry (3). £20-£30 508

507 Three books on traditional Bhutanese

textiles and culture, and a small collection of Bhutanese stamps and first day covers (4). £20-£30

509 510

508 ’Helmut Newton’, edited by June Newton (Taschen

2009), including book stand and ‘Making Of’ booklet with translations, in original box. £80-£120

510 ’Vincent van Gogh: The Letters – The Complete

Illustrated and Annotated Edition’, edited by Leo Jansen, Hans Luijten and Nienke Bakker, 6 volumes and a CD (Thames and Hudson, 2009), in original case and box. £200-£300

509 ’Hokusai’, by Matthi Forrer (Prestel

Verlag, 2010), in original box. £40-£60

511 Four large format books on Freud, da

Vinci, Durer and Caravaggio (4). £50-£70 512 ’The Norton Facsimile. The First Folio of Shakespeare’

(Norton, 1996) in original case, and five Folio Society books on a range of subjects (6). £80-£120 126

Pictures 513 KATE WALTERS

An oil and pastel on paper study of female figures drawn on both sides of the paper, 64 x 47cm, framed and glazed. £100-£200 † 514

MAXWELL DOIG (born 1966) ‘Stiltman’, a signed and dated limited edition print, 1987, edition 1/3, 64 x 49cm, framed and glazed. Jack Blackburn: The stiltman is stretching awkwardly, teetering unbalanced at the point of a tottering tumble, tensioned, naked, attempting the desperately dangerously near possible ...a tricksy balancing act. ‘Stiltman’ could be a metaphor for my life. £100-£200 † 513

515

MAXWELL DOIG (born 1966) ‘Two Figures Climbing’, a signed and dated limited edition etching, 1987, edition 1/4, 52 x 43.5cm, Hart Gallery label verso, framed and glazed. Provenance: Purchased from the Hart Gallery, Nottinghamshire, 2012. £100-£200 †

516 FREDERIC WIOLAND (born 1966)

Two pastel on paper landscape studies, signed and dated 2008, 69 x 49cm, framed and glazed (2). £80-£120 † 514

517 BRIGITTE BONNAIRE

An oil on canvas study of a group of figures, signed lower right, 50 x 70cm, and a small study ‘Portrait No. 9’, 30 x 40cm (2). £60-£80 † 518 Five Indian prints, two mounted together,

largest 10 x 20.5cm, framed and glazed (4) £30-£40 519 Two small signed and dated wood block

prints both inscribed GR 1929 lower left, 7 x 9.5cm, framed and glazed (2). £30-£40 515 127

Furniture 520 EDWARD TEASDALE (born 1945)

A cargo crate made of reclaimed scorched elm wood with sliding lid and a pair of wraparound leather straps, 90 x 45 x 50cm. £200-£300 † 521 EDWARD TEASDALE (born 1945)

A large wavy chest made of planked panels of reclaimed lime-washed wood on block feet with hinged lid, 232 x 45.5 x 46cm. Provenance: Purchased from the Craft Centre and Design Gallery, Leeds. Jack Blackburn: I am drawn to the combination of a simple handmade aesthetic allied to the ecological principles of the maker’s practice. The outstanding design feature of this particular box, which so enhances its strong, simply stated presence, is its wave form: that of a stretched, elongated S. It is a hefty piece to carry down Bankside and then on arrival we find the box is too long to manipulate up and around the narrow staircase. The only solution is to remove the study window. This done I call up the heavy gang and we haul the box up to the second storey with ropes, manhandle it through the window space, and then up the six stairs into the top room, but only after having to remove the banister.

520

£1000-£1500 †

521

128

522

522 EDWARD TEASDALE (born 1945)

A wavy chest made of planked panels of reclaimed lime-washed wood on block feet with three detachable lids, 232 x 29 x 32cm.

523 EDWARD TEASDALE (born 1945)

A long sculptural form made of scorched reclaimed wood, impressed leaf mark dated 1993, 90 x 11 x 6cm. £100-£150 †

Provenance: Purchased from the artist. Jack Blackburn: I contacted Edward Teasdale to discuss the possibility of commissioning a second wave chest of the same length, but half the size of the first one, a size and scale about which Ed expressed some doubts. He was more persuaded when I explained my intention to use this box for the storage of some of the more special examples of my collection of chawan, the bowls used in the Japanese tea ceremony, which traditionally must be quiet, unassuming, have a natural grace, be lacking in any sophisticated artifice. Gaining in value with use. Fitting Ed’s aesthetic. £800-£1200 †

523

129

My Tansu provided me with “ innumerable storage options. Because Japanese traditionally lived at floor level everything is designed to be used and aesthetically right from a low fixed perspective. Tansu have neither legs nor stands or any form of extraneous support; they live foursquare on the ground in harmony with the wood frame structure of the traditional Japanese house. The back, sides and top are left unadorned, all the aesthetic effect depends on the design, ironware of the front, the quality and finish of the wood. Larger pieces have carrying handles, a legal requirement in case of fire or earthquake.

524

”

524 A Japanese Tansu chest of four long

drawers and two short drawers behind a door, iron handles, corner fittings and lock plates, 95 x 42 x 104.5cm. Provenance: Purchased from Tansu, Batley. £400-£600 525 A Japanese Sendai Tansu clothes chest of

four long drawers, two short drawers, and three further short drawers behind a door, iron handles, corner fittings and lock plates, 106 x 42 x 90.5cm. Provenance: Purchased from Tansu, Batley. £600-£800

525

130

526 A Japanese Tansu paper chest of

eight long drawers and three short drawers, iron handles, corner fittings and lock plates, made circa 1880 (Meiji Period), 86.5 x 35.5 x 83.5cm, with a certificate of authenticity. Provenance: Purchased from Tansu, Batley, 2010. £500-£700

526

527 A Japanese Samurai armour box with hinged lid and a

pair of padded animal skin shoulder straps, iron handles, corner fittings and lock plates, made circa 1730 (Edo Period), 43 x 43 x 59cm, with a certificate of authenticity. Provenance: Purchased from Tansu, Batley, 2010. Jack Blackburn: Probably the most valuable thing I have ever owned. The Tansu team invited me to their retirement, Everything Must Go, closing down sale. The piece needed a lot of work. I negotiated hard and managed a reduction of 75% on the book price. They were generous to me, after all I had been one of their earliest and most regular customers – not the richest, but they liked me. £700-£1000 528 A bamboo matcha whisk and water ladle for

the traditional Japanese tea ceremony (2). £20-£30 529 A circular wooden stand on metal

splayed tripod feet, height 94.5cm. 527

£25-£35

131

Textiles 530 A collection of kira, the Bhutanese

national dress worn by women (6). £120-£180 531 A collection of rachu, the Bhutanese ceremonial

shoulder scarf worn by women (6). £70-£100 532 A collection of kera, the Bhutanese belt

worn by women and men (5). Jack Blackburn: The red kera was specially woven for one the King’s sisters, a princess, by one of the most renowned weavers in Bhutan, the wife of the Dzongda (chief administrator) of Lhuntse, the remote eastern region where the most accomplished weaving is created. The Dzongda himself was a cousin of the King. I suggested I would like to buy the red kera. But that would not be possible. Later, when I took out my Swiss Army knife to cut ... I don’t remember what, the wife was wide-eyed curious. She wanted the knife. And I wanted the kera. She spoke to her husband. He nodded and said I could take the kera, but must give her the knife plus 100 ngultrums. She passed it to me, making sure that I understood the princess would be very disappointed, and realised that it would take a long time to weave another of that quality.

530

£70-£100

531

532

132

533 A gho, the Bhutanese national

dress worn by men, and a kabney raw silk scarf (2). £60-£80 534 A Bhutanese rug, three

scarves and four bags (8). £40-£60

the 1980s Bhutan was a “ Inlargely closed country. I was there

as a guest, with freedom to travel more or less anywhere, for no other reason than that my wife June was there as one of a group of nine teachers from England located in primary schools throughout the country to develop a more useful and nationally appropriate programme of child education. An incredibly proud, never conquered, people, determined to preserve their independence and particular Buddhist based culture, it was an astonishing privilege for me to be in the country. There was so much to learn and experience from their everyday lives, their beliefs and customs, their art and architecture, all set against the high Himalayas. On my second visit I had grown accustomed to and informed about the importance and quality of Bhutanese weaving. I began to buy examples of their craft.

”

533 133

GLOSSARY OF CATALOGUING TERMS Any statement as to authorship, origin, date, age, provenance and condition is a statement of opinion and not to be taken as a statement of representation of fact. 1.

A picture catalogued with the forename(s) and surname of the artist is in our opinion a work by the artist. (When the artists forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named).

“Attributed to” is in our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category.

“Studio of” is in our opinion a work by an unknown hand in the studio of the artist which may or may not have been executed under the artist’s direction.

“Circle of” is in our opinion a work by an as yet unidentified but distinct hand closely associated with the named artist but not necessarily his pupil.

“Style of....Follower of” is in our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil.

“Manner of” is in our opinion a work in the style of the artist and of a later date.

“After” is in our opinion a copy of a known work of the artist.

The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

The terms bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

10. Dimensions are given height before width.

DROIT DE SUITE ROYALTY CHARGES Lots marked with an ARR symbol † are potentially subject to Artist’s Resale Right/Droit de Suite royalty charges.

IMPORTANT NOTICES 1. CONDITIONS OF BUSINESS. All business is governed by the Auction Conditions of Business, as displayed in the saleroom and at www.adampartridge.co.uk. A copy of these conditions is available upon request. 2. BUYER’S PREMIUM All purchases are subject to a buyer’s premium of 20% of the hammer price, inclusive of VAT. 3. PAYMENT & COLLECTION All purchases must be paid for and collected at the buyer’s risk and expense by 5pm on Friday 5th August 2022. Collection by appointment only. Items that are suitable for posting will be charged at our standard rate, or you can arrange your own courier, by appointment only. Details will be sent after the auction.

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All lots not collected will be removed to storage, shall remain at the risk of the buyer and be subject to storage charges at the stated rates. No lots shall be removed by the buyer until full payment has been made. Methods of payment – cash, bank transfer, certified cheque, debit card, credit card in pounds sterling (payments of less than £200 only). NO CREDIT ALLOWED. 4. REGISTRATION Prospective purchasers are required to provide their name, full address and contact details. ID may also be required. 5. VIEWING All lots are sold as seen. Viewers handling goods on display will be fully responsible for any damage or breakage.

There is still time to consign for our next auction

28th

October 2022

STUDIO CERAMICS Inviting entries until 26th September 2022

Appointments nationwide Jason Wood +44 (0) 7763 475442 jason@adampartridge.co.uk

Edmund de Waal

The Cheshire Saleroom Withyfold Drive Macclesfield Cheshire SK10 2BD Tel: Email: Web:

+44 (0) 1625 431 788 macclesfield@adampartridge.co.uk www.adampartridge.co.uk