02
02
02
HELLO.
CONTENTS
ENVIRONMENTAL DESIGN IN ANTIQUITY
SECTION i | BACKGROUND INFOR SECTION ii | VILLA RECONSTRUCT RECONSTRUC SECTION iii | CLIMATE ANALYSIS SECTION iv | DAYLIGHT ANALYSIS SECTION v | RADIATION ANALYSIS SECTION vi | INDOOR COMFORT SECTION vii | CONCLUSION
RMATION TION CTION
S S
02
ARCHEOLOGY AND ARCHITECT ENVIRONMENTAL DESIGN IN ANTIQUITY
ARCHEOLOGY
STRUCTURE ARCHITECTURE
CULTURE
TURE
CULTURE STRUCTURE
SECTION i | BACKGROUND I
INFORMATION
BAY OF NAPELS
N
10 KM
NAPELS
MT. VESUVIO ERCOLANO
POMPEII
CASTELLAMMARE DI STABIA
BAY OF NAPELS
ANCIENT HISTORY AND CULTURE
900 BC
GREEK | PARTHENOPE
300 BC 250 BC
SAMNITE WARS | SAMNITES
PUNIC WARS | CARTHAG
ERUPTION
79 AD
80 BC
GE
SOCIAL WAR | ROME
07
VILLA ARIANNA EXCAVATION HISTORY
REDISCOVERY/ N
1744
BOURBON
NAME
2006
1950
UMD COURSE
2002
RAS FOUNDATION
08
University of Marylan
Architectural Recording for Arc
UNIVERSITY OF MARYLAND History of Course (Past)
ARCHITECTURAL University ofRECORDING Maryland FOR ARCHA Architectural Recording for Archaeology
History of Course (Past)
Pompeii 2006
Pompeii 2006
Garden 2008
Garden 2008
EDM 2010
GARDEN EXCAVATION
2008
Evan Hauptmann lecturing in the unfinished Central Baths of Pompeii
POMPEII
ED
Evan Hauptmann lecturing in the unfinished Central Baths of Pompeii
2006
T
THIRD SEASON 1 June to 21 June 2008
nd
chaeology
AEOLOGY EDM 2010
LIDAR 2015
LIDAR 2015
THIRD SEASON 1 June to 21 June 2008
2014
LIDAR SURVAY
2010
DM SURVAY
09
ARCHITECTURAL RECORDING SURVEYING METHODS
STEP 1: An Electronic Distance Measuring (EDM) device is used to outline basic wall features. The device registers these points based on distance from existing control points.
STEP 1: EDM
STEP 5: In Photoshop, AutoCAD DWGs are imported and used to line up LiDAR images. The LiDAR acts as an underlay to distort and stitch non-orthographic photos into a uniform orthographic image.
STEP 5: PHOTOSHOP
22
STEP 2: AutoCAD is utilized to connect di�erent EDM jobs and create a composite 3D vector model. Wall elevation outlines are cut from this model.
STEP 2: AUTO CAD
FOR ARCHEAOLOGY
STEP 4: Photographs are taken of the entire wall elevation.
STEP 3: The LiDAR machine scans surface areas and overlays raster images on top. These scans are post-processed, which helps create 3D raster images from which orthographic views can be taken.
STEP 3: LIDAR
STEP 4: PHOTO
STEP 3.1: SCENE
A
B
DETAIL: A D C
DETAIL: D
STEP 6: The Photoshop stitches are linked into Illustrator where detailed vector wall elevations can be drawn. This is one of the nal products that can be used for recording wall elevations and continuing research on archaeological sites.
STEP 6: ILLUSTRATOR
23
10
ARCHITECTURAL RECORDING ARCHEOLOGY
LIGHT DETECTION AND RANGING (LIDAR) ARCHEOLOGY
V I L L A _ S A N _ M A R C O V I L L A _ S A N _ M A R C O
Surveying ancient Roman Villas in Castellammare Di Surveying ancient Roman in Castellammare Di Stabia brought me an new appreciation for inVillas intricacies Stabia brought me an new appreciation of architecture and construction. Specializing in wall for in intricacies of building architecture and strengthened construction. Specializing in wall construction and phases my construction building strengthened my observation skills. Additionallyand learning twophases methods observation Additionally learning of surveying EDM and Li-DARskills. provided me with skills in two methods of surveying EDM and Li-DAR provided a variety of surveying equipment. Comparing the two me with skills in a variety of surveying Comparing the two processes and their associated learningequipment. curves and post processes and their associated learning processing time intensity allowed me to gain under- curves and post processing intensity allowed me to gain understanding of the history and time profession of archaeology. standing of the history and profession of archaeology.
FARO LIDAR 3D SCANNER
BAY OF NAPLES
STEP SCAN STEP 1: 3: LIDAR SCAN
BAY OF NAPLES
STEP 3.1 : MODEL STEP2: MODEL
STEP 1: LIDAR SCAN
PAGE 1_ARCHAEOLOGY PAGE 1_ARCHAEOLOGY
STEP2: MODEL
STEP 1: LIDAR SCAN STEP 1: LIDAR SCAN
STEP 3: SCAN
FOR ARCHEAOLOGY
)
STEP 1: LIDAR SCAN STEP 1: LIDAR SCAN
STEP 3: SCAN
STEP2: MODEL
STEP2: MODEL STEP 3.1 : MODEL
11
VILLA SAN MARCO_PAGE 2 VILLA SAN MARCO_PAGE 2
ENIVIRONMENTAL DESIGN IN ANALYSIS MEATHODS
SCENE
RECAP
REVIT
RHINO
ANTIQUITY
LADYBUG/ HONEYBEE
.EPW
WEATHER DATA
GRASSHOPPER
12
RECONS SECTION ii | VILLA RECONST
STRUCTION TRUCTION
VILLA ARIANNA
SITE PLAN AND RECONSTRUCTION
GARDEN
35 m
2ND COMPLEX
RECONSTRUCTION PRIMARY COMPLEX 2ND COMPLEX/ GARDEN
02
VILLA ARIANNA PROGRAM PLAN
4
4 4
3
4
7
4 4 4
3 4 4
5 5 5
17 m
5
7
6
4
2
4
1
7
ATRIUM 1 TABLINUM 2 6
6
7
TRICLINIUM 3 DIAETA 4 AMBIENTI 5 BATH COMPLEX 6 CUBICULO 7 SLAVE SPACE
02
VILLA ARIANNA
RECONSTRUCTION | PHASING
OPUS RETICULATUM (YELLOW TUFFA)
OPUS RETICULATUM (GRAY TUFFA)
OPUS QUASI RETICULATUM
BASE OF DOOR JAM
4TH STYLE FRESCO
SLAVE SPACE FRESCO
2ND STYLE FRESCO
FILLED IN DOOR JAM
02
VILLA ARIANNA
RECONSTRUCTION | VITRUVIUS PROPORT
SECTION PLAN
ATRIUM
.25L
.75L L
SECTION PLAN
X .15L
.3L .3L
X
TIONS TRICLINIUM .75T T
X
X
.25T
02
VILLA ARIANNA
PRIMARY COMPLEX RECONSTRUCTION 3D MODEL
NORTH EAST VIEW
ATRIUM
TR
TRICLINIUM
RICLINIUM
18
A. CLIM TECH
SECT
MATIC ANALYSIS SLIDE
TION iii | CLIMATE ANALYSIS
CLIMATE ANALYSIS
BACKGROUND INFORMATION
UNIVERSAL THERMAL CLIMATE INDEX TEMPERATURE, WIND SPEED, AND HU TEMPERATURE.
TEMPERATURE | DEGREES CEL
09 COLD STRESS
17
X TAKES INTO ACCOUNT DRY BULB UMIDITY TO DETERMINE PERCEIVED
LSIUS
7
26 HEAT STRESS
20
CLIMATE ANALYSIS
UNIVERSAL THERMAL CLIMATE INDEX JAN 1 - DEC 31
PLAN VIEW
26
17
09 C
21
CLIMATE ANALYSIS
UNIVERSAL THERMAL CLIMATE INDEX HEAT STRESS
PLAN VIEW
26
17
09 C
21
CLIMATE ANALYSIS
UNIVERSAL THERMAL CLIMATE INDEX COLD STRESS
PLAN VIEW
26
17
09 C
22
CLIMATE ANALYSIS
UNIVERSAL THERMAL CLIMATE INDEX COLD STRESS
PLAN VIEW- ANALYSIS PERIOD
26
17
09 C
23
CLIMATE ANALYSIS
UNIVERSAL THERMAL CLIMATE INDEX JAN 1 - DEC 31
3D VIEW
24
CLIMATE ANALYSIS
UNIVERSAL THERMAL CLIMATE INDEX GRASSHOPPER DEF.
LADYBUG UTCI
25
CLIMATE ANALYSIS
UNIVERSAL THERMAL CLIMATE INDEX GRASSHOPPER DEF.
LADYBUG UTCI
26
CLIMATE ANALYSIS
SUN PATH VS. UTCI AND RADIATION JAN 1 - DEC 31
RADIATION
630
26
330
17
30 Wh/sm
09 C
UTCI
27
CLIMATE ANALYSIS
SUN PATH VS. UTCI AND RADIATION JAN 1- DEC 31
3D VIEWS
630
26
330
17
30 Wh/sm
09 C
28
CLIMATE ANALYSIS
SUN PATH VS. UTCI AND RADIATION COLD STRESS
PLAN VIEW
RADIATION
630
26
330
17
30 Wh/sm
09 C
UTCI
29
CLIMATE ANALYSIS
SUN PATH VS. UTCI AND RADIATION COLD STRESS
ANALYSIS PERIOD: APR. - OCT.
RADIATION
630
26
330
17
30 Wh/sm
09 C
UTCI
30
CLIMATE ANALYSIS
SUN PATH VS. UTCI AND RADIATION HEAT STRESS
ANALYSIS PERIOD: APR. - OCT. COND. STATEMENT: RAD. > 630 Wh/sm
RADIATION
630
26
330
17
30 Wh/sm
09 C
UTCI
31
CLIMATE ANALYSIS
SUN PATH VS. UTCI AND RADIATION HEAT STRESS PLAN VIEW
ALL
COLD APR.-OCT.
630
26
330
17
30 Wh/sm
09 C
COLD
HEAT APR.-OCT. RAD.>630
32
CLIMATE ANALYSIS
SUN PATH VS. UTCI AND RADIATION ALL
COLD APR.-OCT.
COLD
26
17
HEAT APR.-OCT. RAD.>630
09 C
33
CLIMATE ANALYSIS
SUN PATH VS. UTCI AND RADIATION
GRASSHOPPER DEF.
LADYBUG SUN PATH
34
CLIMATE ANALYSIS
SUN PATH VS. UTCI AND RADIATION GRASSHOPPER DEF.
LADYBUG SUNPATH
35
CLIMATE ANALYSIS WIND ROSE VS. UTCI JAN 1 - DEC 31
1.5-18% FREQU
16
8.5
0.0 M/S
UENCY
36
CLIMATE ANALYSIS WIND ROSE VS. UTCI APR. 1 - OCT. 31
1.5-18% FREQU
16
8.5
0.0 M/S
UENCY
37
CLIMATE ANALYSIS WIND ROSE VS. UTCI APR. 1 - OCT. 31
1.5-18% FREQU
11
5.5
0.0 M/S
UENCY
38
CLIMATE ANALYSIS WIND ROSE VS. UTCI APR. 1 - OCT. 31 WIND SPEED
1.5-18% FREQUENCY
11
34
5.5
17
0.0 M/S
00 CC
UTCI
1.5-18% FREQUENCY
39
CLIMATE ANALYSIS WIND ROSE VS. UTCI HEAT STRESS WIND SPEED
1.5-18% FREQUENCY
08
26
04
17
00 M/S
09 CC
UTCI
1.5-18% FREQUENCY
40
CLIMATE ANALYSIS WIND ROSE VS. UTCI APR. 1 - OCT. 31 WIND SPEED
0.5-6.0% FREQUENCY
08
26
04
17
00 M/S
09 CC
UTCI
0.5-6.0% FREQUENCY
41
CLIMATE ANALYSIS
SUN PATH VS. UTCI AND RADIATION
GRASSHOPPER DEF.
LADYBUG WIND ROSE
42
CLIMATE ANALYSIS
SUN PATH VS. UTCI AND RADIATION GRASSHOPPER DEF.
LADYBUG WINDROSE
43
SECTION iv | DAYLIGHT ANA
ALYSIS
DAYLIGHT ANALYSIS
BACKGROUND INFORMATION
NATURAL DAYLIGHTING CAN IMPROV QUALITY FROM BOTH PHYSICAL AND THUS LIGHTING IS DIRECTLY RELATED
DAYLIGHT | LUX (LUMEN/SM
.1K NOT MUCH
.
W
VE IINDOOR ENVIRONMETAL D MENTAL STANDPOINTS. D TO APPROPRIATE PROGRAM.
M)
.5K
WORKING
1K SOCIALIZING/ DINING
45
DAYLIGHT ANALYSIS 100-1000 LUX
AUGUST 1 AT 9AM
NORTH EAST VIEW
1K
.5K
.1K LUX
46
DAYLIGHT ANALYSIS 100-1000 LUX
AUGUST 1 AT 12PM
NORTH EAST VIEW
1K
.5K
.1K LUX
47
DAYLIGHT ANALYSIS 100-1000 LUX
AUGUST 1 AT 3PM
NORTH EAST VIEW
1K
.5K
.1K LUX
48
DAYLIGHT ANALYSIS 100-1000 LUX
AUGUST 1 AT 6PM
NORTH EAST VIEW
1K
.5K
.1K LUX
49
DAYLIGHT ANALYSIS 100-6000 LUX
AUGUST 1 AT 9AM
NORTH EAST VIEW
6K
3K
.1K LUX
50
DAYLIGHT ANALYSIS 100-6000 LUX
AUGUST 1 AT 12PM
NORTH EAST VIEW
6K
3K
.1K LUX
51
DAYLIGHT ANALYSIS 100-6000 LUX
AUGUST 1 AT 3PM
NORTH EAST VIEW
6K
3K
.1K LUX
52
DAYLIGHT ANALYSIS 100-6000 LUX
AUGUST 1 AT 6PM
NORTH EAST VIEW
6K
3K
.1K LUX
53
DAYLIGHT ANALYSIS QUANTIFIED IN LUX
GRASSHOPPER DEF.
HONEYBEE DAYLIGHT
54
SECTION v | RADIATION ANA
ALYSIS
RADIATION ANALYSIS BACKGROUND INFORMATION
THERE EXISTS AN INHERENT PARADO HEAT GAIN THROUGH SOLAR RADIATI
RADIATION | KILOWATT HOU
60 SHADED
3
OX BETWEEN DAYLIGHTING AND ION IN HOT CLIMATES.
URS PER SQUARE METER
300
600 OVER EXPOSURE
56
RADIATION ANALYSIS 60-600 KwH/sm APR. 1 - OCT. 31
NORTH EAST VIEW
600
300
60 KwH/sm
57
RADIATION ANALYSIS 60-600 KwH/sm APR. 1 - OCT. 31
NORTH WEST VIEW
600
300
60 KwH/sm
58
RADIATION ANALYSIS 60-600 KwH/sm APR. 1 - OCT. 31
SOUTH WEST VIEW
600
300
60 KwH/sm
59
RADIATION ANALYSIS 60-600 KwH/sm APR. 1 - OCT. 31
NORTH EAST VIEW
600
300
60 KwH/sm
60
RADIATION ANALYSIS 60-600 KwH/sm APR. 1 - OCT. 31
HEAT STRESS
600
300
60 KwH/sm
61
RADIATION ANALYSIS 60-600 KwH/sm APR. 1 - OCT. 31
COLD STRESS
600
300
60 KwH/sm
62
RADIATION ANALYSIS QUANTIFIED IN KwH/SM
GRASSHOPPER DEF.
LADY BUG RADIATION ANALYSIS
63
RADIATION ANALYSIS QUANTIFIED IN KwH/SM
GRASSHOPPER DEF.
LADY BUG RADIATION ANALYSIS
64
SECTION vi | INDOOR COMFO
ORT
INDOOR COMFORT
BACKGROUND INFORMATION
INDDOR ENVIRONMENTAL COMFORT WELL AS EXPECTED CLOTHING AND A DIRECTLY RELATED TO PRODUCTIVITY
INDOOR COMFORT | DEGRE
09
1
T IS TAKES INTO ACCOUNT UTCI AS ACTIVITY IN A SPACE. COMFORT IS Y
EES CELSIUS
17
28 - 8.8% LOST PRODUCTIVITY
66
INDOOR COMFORT
OPERATIVE TEMPERATURE APR. 1 - OCT. 31
NORTH EAST VIEW
26
17
09 C
67
INDOOR COMFORT
OPERATIVE TEMPERATURE APR. 1 - OCT. 31
NORTH EAST VIEW
22
21
20 C
68
INDOOR COMFORT
OPERATIVE TEMPERATURE AUG. 15
NORTH EAST VIEW
26
17
09 C
69
INDOOR COMFORT
OPERATIVE TEMPERATURE AUG. 15
NORTH EAST VIEW
22
21
20 C
70
INDOOR COMFORT
OPERATIVE TEMPERATURE COMPARISON
NORTH EAST VIEW AUG.
APR
R. - OCT.
22
21
20 C
71
INDOOR COMFORT
OPERATIVE TEMPERATURE APR. 1 - OCT. 31
ZONE 1
26
17
09 C
72
INDOOR COMFORT
“COOLING LOAD” (KwH/SM) APR. 1 - OCT. 31
NORTH EAST VIEW
4.5
3.2
2.0 KwH/sm
73
INDOOR COMFORT QUANTIFIED IN KwH/SM
GRASSHOPPER DEF.
HONEY BEE ENERGY MODEL
EPW. WEATH
CONTEXT M PROGRAM DATA AND ZONE MASSES
ZONE GAZING
HR FILE
RUN
READ
VISUALIZE IN ZONES
MASSES
74
INDOOR COMFORT QUANTIFIED IN KwH/SM
GRASSHOPPER DEF.
HONEY BEE ENERGY MODEL
75
CONCLUTION
SECTION vii | CONCLUSION
CONCLUTION
CLIMATE AND ARCHITECTURE WIND ROSE
SUN PATH
WIND ROS
SE
SUN PATH
77
CONCLUTION
RESULT - FUNCTIONAL AND CULTURAL DAYLIGHT
RADIATION
PROGRA
AMMATIC HIERARCHY
COLONNADE
78
HOT AND DR
THE TRUE POWER OF ENVIRON ENVIRONMENT DRIVING ETHO
buildings close for
light colors minimize
RESULT - FUNCTIONAL AND CULTURAL
small windows can
YEMEN
HOTAND ANDHUM DR HOT
ENVIRONMENT DRIVING ETHO
buildings to close for overhang protec
lightground colors and minimize off wind
ENVIRONMENT DRIVING ETHO
HOT AND DR small can light windows construction
buildings close for
YEMEN INDONESIA
light colors minimize
HOT HOTAND ANDHUM DR COLD C
small windows can
overhang to protec buildings close few windows tofor m
IMPACT ON
YEMEN
‹#› 32 | September 2016
NEW ENGLAND, USA YEMEN INDONESIA
Programming | © Fielding Nair International
off ground and wind light colors minimize thermal resistant m
HOT AND HUM light construction small windows can minimize surface ar
overhang to protect
off ground and wind
HOT AND HUM COLD C
light construction
IMPACT ON
overhang to protec few windows to m
INDONESIA
‹#› 32 | September 2016
NEW ENGLAND, USA INDONESIA
Programming | © Fielding Nair International
off ground and wind thermal resistant m
COLD CL light construction minimize surface ar
few windows to m
thermal resistant m
COLD C
minimize surface ar
IMPACT ON
few windows to m
‹#› 32 | September 2016
NEW ENGLAND, USA
Programming | © Fielding Nair International
‹#› 32 | September 2016
NEW ENGLAND, USA
thermal resistant m
minimize surface ar
RY CLIMATE
NMENTAL DESIGN OS
r mutual shading
e heat absorption still lighting interior
DUBAI
RY CLIMATE MID CLIMATE
OS
r from mutual ct rain shading and sun
e heat dow forabsorption ventilation
OS
RY stillCLIMATE lighting interior
for humid nights
r mutual shading
e heat absorption
MID CLIMATE RY CLIMATE CLIMATE
DUBAI INDONESIA
still lighting interior
rain shading and sun r from mutual heat loss Nctminimize CULTURE
dow forabsorption ventilation e heat materials (wood)
MID for CLIMATE humid nights
DUBAI
stillto lighting interior re volume ratio
t from rain and sun
dow for ventilation
MID CLIMATE CLIMATE
for humid nights
SWITZERLAND
DUBAI Singapore AmericanINDONESIA School
Singapore
from rain and loss sun heat Nctminimize CULTURE
dow for ventilation materials (wood)
LIMATE fortohumid re volumenights ratio
minimize heat loss
materials
CLIMATE
(wood)
INDONESIA
SWITZERLAND
Singapore AmericanINDONESIA School Singapore
re to volume ratio
heat Nminimize CULTURE
materials
loss
SWITZERLAND
(wood)
Singapore American School
re to volume ratio
Singapore SWITZERLAND
Singapore American School
79
ENIRONMENTAL DESIGN PAST, PRESENT, FUTURE
UNDERSTAND WHAT SUSTAINABLE DESIGN IS AND WHY IT IS IMPORTANT
SUPPORT ANA OF D (FUNCTIONALY) SUPPORT CONCEPTS PER FROM AN OPERATIONS AND PUBLIC RELATIONS STANDPOINT
ALYSIS DESIGNS RFORMANCE
STRATEGIES TO REACT TO ANALYSIS AND IMPROVE PERFORMANCE
SUPPORT (CULTURALY) UNDERSTAND THE TRUE POWER OF EVIRONMENTAL DESIGN 02
CREDITS AND SPONSORES
SURVEYOR: Richard Williams Deutsch
PHOTOGRAPHER : Artur Marques Kalil
BCT Architects
HISTORIAN: Prof. Thomas Noble Howe
LEAD SURVEYOR: Luke Petrocelli
HISTORIAN: Prof. Robert Lindly Vann
GRAPHIC DESIGNER: Marissa Taddeo
ME: Adan Jose Ramos
HISTORIAN: Prof. Ian Sutherland
THANK YOU.
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