Winfred Rembert: Caint to Caint

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W infred R embert

Caint to Caint

Can’t see when you go to work,

Can’t see when you get back

W infred R embert Caint to Caint www.adelsongalleriesboston.com 520 HARRISON AVENUE BOSTON, MA 02118 617 832 0633 A D E L S O N G A L L E R I E S B O S T O N FEBRUARY 1 - MARCH 31, 2013 front cover: Caint to Caint (Can’t see when you go to work, can’t see when you get back) , 2008 Dye on carved and tooled leather 31 1/2 x 27 3/4 inches left: In the Ditch , (Detail) 2009 Dye on carved and tooled leather 35 1/2 x 28 inches

Caint to Caint

right: Loading Cotton , (Detail) 2009 Dye on carved and tooled leather 40 1/2 x 31 3/4 inches

Adelson Galleries Boston is pleased to present Caint to Caint, a solo exhibition of Winfred Rembert (b. 1945).  The artwork will be on display from Friday, February 1st, 2013 through March 31st, 2013 in our South End gallery at 520 Harrison Avenue.

The title of the show is based on Winfred Rembert’s painting, “Caint to Caint (Can’t see when you go to work, can’t see when you get back),” referring to working in the cotton fields before sunrise until after sunset during his days in Cuthbert, Georgia in the 1950s and 60s.  Winfred continues this work ethic - working from the early morning to late at night telling his life’s story on leather sheets.

Having survived the hardships of bigotry, near lynching, and jail, Winfred has seen some of the ugliest moments in American history.  He retells these memories with a method that he learned in prison when he witnessed a man carving leather wallets.  He began practicing this technique, and later in his life, at the suggestion of his wife Patsy, Winfred took the practice to a new level by carving his life story into sheets of tanned leather that he colors with dye.  He does not simply depict the horror of his past; rather, he recaptures the feeling and vision of Cuthbert, Georgia in the 1950s and 60s.  One sees segregated pool halls, church and town scenes that seem antiquated, yet they existed during this man’s generation.  His amazing life story is not only an inspiration, but also an important part of American History.

The new documentary, All Me: The Life and Times of Winfred Rembert, will be showing at the Brattle Theater in Cambridge on Wednesday, February 27th from 5:30 - 7:30 PM.

There is a checklist
with prices at the back of this catalog.
Picking Cotton / Colors , 2010
4
Dye on carved and tooled leather 35 1/4 x 30 3/4 inches

I’ve Got the Holy Ghost , 2010

Dye on carved and tooled leather 24 1/4 x 38 inches Buck Ross’ Whiskey Still , 2004
5
Dye on carved and tooled leather 29 x 51 inches Winfred’s Baptism , 1999 Dye on carved and tooled leather
6
23 1/2 x 29 1/2 inches

Saturday Shopping Day , 2000

Dye on carved and tooled leather

24 3/4 x 34 inches

7
Bubba Dukes and Feet’s Pool Hall (Winfred Dancing) , 2002
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Dye on carved and tooled leather 24 1/2 x 29 1/2 inches Jeff’s Pool Room , 2003 Dye on carved and tooled leather 23 1/4 x 35 inches Cross the Tracks, Andrew Street , 2001
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Dye on carved and tooled leather 19 1/4 x 32 inches Winfred’s Pool Room , 2007
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Dye on carved and tooled leather 30 1/2 x 25 3/4 inches Mixed Emotions (A Cottonfield) , 2008
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Dye on carved and tooled leather 24 1/4 x 35 1/2 inches Loading Watermelons , 2012
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Dye on carved and tooled leather 20 1/4 x 30 3/4 inches

Cross the Tracks, Cuthbert , 2010

Dye on carved and tooled leather 47 1/4 x 30 1/2 inches Rocking in Church , 2011
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Dye on carved and tooled leather 33 1/2 x 27 1/2 inches

Black Playground , 2003

Dye on carved and tooled leather

31 1/2 x 35 inches

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Pregnant in the Cotton Field , 1996-1997

Dye on carved and tooled leather

31 3/4 x 20 1/2 inches

Civil Rights - I Have a Dream , 1998

Dye on carved and tooled leather 34 x 22 inches

15
The Laughing Barrel , 2010 Dye on carved and tooled leather
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32 1/2 x 36 inches

Blakely Street, Cuthbert, Georgia , 2009

Dye on carved and tooled leather

32 x 42 1/2 inches

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Street Scene / Yellow Taxi , 2008 Dye on carved and tooled leather
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27 1/2 x 34 1/4 inches Hamilton Ave. , 2006 Dye on carved and tooled leather
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21 x 27 3/4 inches Loading Cotton , 2009 Dye on carved and tooled leather 40 1/2 x 31 3/4 inches Picking Cotton with Boss Men , 2007-2008
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Dye on carved and tooled leather 56 3/4 x 28 1/2 inches Maybell’s Family , 2008 Dye on carved and tooled leather
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27 3/4 x 31 1/4 inches Mixed Pickers , 2010 Dye on carved and tooled leather
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28 3/4 x 35 1/2 inches

All Me #2 , 2005

Dye on carved and tooled leather 21 1/2 x 24 1/2 inches

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Caint to Caint (Can’t see when you go to work, can’t see when you get back) , 2008

Dye on carved and tooled leather

31 1/2 x 27 3/4 inches

24
Black Masterson , 2001 Dye on carved and tooled leather
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27 3/8 x 32 inches Wilson Bros. Rolling Store , 2009 Dye on carved and tooled leather
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23 x 30 inches

Dye on carved and tooled leather

39 1/2 x 28 1/2 inches

Dye on carved and tooled leather

35 1/2 x 28 inches

Cracking Rocks , 2011 In the Ditch , 2009
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Water Break - Picking Cotton , 2012 Dye on carved and tooled leather
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27 1/4 x 31 3/4 inches Picking Cotton , 2011 Dye on carved and tooled leather
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26 1/2 x 27 inches

Chain Gang Picking Cotton , 2011

Dye on carved and tooled leather

30

30
x 32 3/4 inches Cotton Wagon Race , 2012 Dye on carved and tooled leather
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28 x 31 inches Mama’s Post Card , 2009 Dye on carved and tooled leather 26 1/4 x 32 1/2 inches Blue Jacket Jazz Band , 2011
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Dye on carved and tooled leather 23 1/2 x 34 inches Leaning on the Everlasting Arms , 2007 Dye on carved and tooled leather
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26 1/2 x 42 3/4 inches

Biography

A native of Cuthbert, Georgia, Winfred Rembert spent his childhood as a fieldworker in the pre-civil rights South. Brought up by his great-aunt (“Mama”), Rembert paints stories that look back to his youth in the days of segregation. Despite the often grim working conditions he encountered (not to mention a near-lynching and years spent on a prison chain gang), Rembert’s works focus on the joyous aspects of black life in the 1950s South — the strong family and community bonds, the cultural vibrancy, and the many colorful characters that lifted the spirits of those who had little choice but to labor in the region’s cotton and peanut fields.

Marked by tactile surfaces, saturated colors, and lively, rhythmic patterning, Rembert’s works are painted on leather sheets that he hand tools and then dyes. These energetic compositions — with their engaging narratives of life in the rural South — have brought Rembert comparisons to noted African-American artists Hale Woodruff, Jacob Lawrence, Horace Pippin, and Romare Bearden. Rembert, who is self-taught, lives and works in New Haven, Connecticut. His paintings are represented in a number of important public and private collections, and were the subject of a major exhibition at the Yale University Art Gallery in 2000.

next page:

Saturday Shopping Day , (Detail) 2000

Dye on carved and tooled leather 24 3/4 x 34 inches

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Photo courtesy of Ducat Media

W infred R embert

Caint to Caint

FEBRUARY 1 - MARCH 31, 2013

All Me #2 , 2005 SOLD page 23

Black Masterson , 2001 $25,000 page 25

Black Playground , 2003 $25,000 page 14

Blakely Street, Cuthbert, Georgia , 2009 $30,000 page 17

Blue Jacket Jazz Band , 2011 $20,000 page 32

Bubba Dukes and Feet’s Pool Hall (Winfred Dancing) , 2002 $20,000 page 8

Buck Ross’ Whiskey Still , 2004 $30,000 page 5

Caint to Caint

(Can’t see when you go to work, can’t see when you get back) , 2008 $20,000 page 24

Chain Gang Picking Cotton , 2011 $20,000 page 30

Civil Rights - I Have a Dream , 1980 $20,000 page 15

Cotton Wagon Race , 2012 $25,000 page 31

Cracking Rocks , 2011 $20,000 page 27

Cross the Tracks, Andrew Street , 2001 $20,000 page 9

Cross the Tracks, Cuthbert , 2010 $25,000 page 13

Hamilton Ave. , 2006 $18,000 page 19

In the Ditch , 2009 $20,000 page 27

I’ve Got the Holy Ghost , 2010 $25,000 page 5

Jeff’s Pool Room , 2003 $25,000 page 9

Leaning on the Everlasting Arms , 2007 $30,000 page 33

Loading Cotton , 2009 $30,000 page 20

Loading Watermelons , 2012 $20,000 page 12

Mama’s Post Card , 2009 $25,000 page 32

Maybell’s Family , 2008 $25,000 page 21

Mixed Emotions (A Cottonfield) , 2008 $20,000 page 11

Mixed Pickers , 2010 $30,000 page 22

Picking Cotton , 2011 $20,000 page 29

Picking Cotton with Boss Men , 2007-2008 $35,000 page 20

Picking Cotton / Colors , 2010 $30,000 page 4

Pregnant in the Cotton Field , 1996-1997 $25,000 page 15

Rocking in Church , 2011 $20,000 page 13

Saturday Shopping Day , 2000 $25,000 page 7

Street Scene / Yellow Taxi , 2008 #25,000 page 18

The Laughing Barrel , 2010 $30,000 page 16

Water Break - Picking Cotton , 2012 $25,000 page 28

Wilson Bros. Rolling Store , 2009 $25,000 page 26

Winfred’s Baptism , 1999 $25,000 page 6

Winfred’s Pool Room , 2007 $30,000 page 10

W

Caint to Caint

Published for the exhibition February 1st, 2013 through March 31st, 2013
of the Adelson Galleries
by Alexander Stevovich - Transomnebulism Fonts: Myriad Pro Nyala © Adelson Galleries Boston, 2013 A D E L S O N G A L L E R I E S B O S T O N www.adelsongalleriesboston.com 520 HARRISON AVENUE BOSTON, MA 02118 617 832 0633
Photography
by John Bigelow Taylor Courtesy
Designed
infred
R embert

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