ADITYA MANDLIK PORTFOLIO

15 14 13 12 architectural portfolio aditya mandlik

DESIGN IS HOW IT WORKS - STEVE JOBS

3

CURRICULUM VITAE ADITYA MANDLIK (student) date of birth: 19/08/1994 address: 1203/a-wing, satellite tower, film city road, goregaon-(east), mumbai-400063, india. contact information E-MAIL : adityamndlik@gmail.com MOBILE NO. : +91 9920050971

SOFTWARE SKILLS 3RD YEAR (FSAS) PROJECT SELECTED TO REPRESENT COLLEGE ON ALL INDIA PLATFORM... SHOTLISTED IN TOP 10

ADOBE PHOTOSHOP

ADOBE INDESIGN FIRST REAL LANDSCAPING PROJECT

AUTODESK AUTOCAD STARTED THIRD YEAR ARCHITECTURE

CGPI- 7.53

iMOVIE WON SPECIAL MENTION FOR G-SEN design TROPHY, NATIONAL ASSOCIATION OF STUDENTS OF ARCHITECTURE (NASA)

GOOGLE SKETCHUP CGPI- 7.93

STARTED SECOND YEAR ARCHITECTURE

CGPI- 8.24

LUMION STARTED FIRST YEAR ARCHITECTURE

12th STD

AUTODESK REVIT

10th STD

LANGUAGES ENGLISH

HINDI

MARATHI

PHOTOGRAPHY EXHIBITION NORTH-WEST ZONE SKATING CHAMPION

HOBBIES t-shirt painting skating swimming

sketching travel

born

photography music

2015

2014

2013

2012

2012

2012

2010

2008

2006

1994

football

basketball

designing

15

14

13

A PAUSE

PHOTOGRAPHES

SKETCHES

FIRST YEAR

SECOND YEAR

THIRD YEAR

PROFESSIONAL PRACTICE

CONTENTS

12 14-13

DS AHAI

FSCS

SFFDH

BD

15-14

ID CCIH

IDC

HHIK

NG MESH

G-SEN

[p:10-19]

[p:38-39]

[p:6-9]

[p:30-35]

[p:36-37]

[p:20-29] ACADEMIC PROJECTS COMPETITIONS

5

PROFESSIONAL PRACTICE

7

A PAUSE design brief was to landscape the site making it suitable enough to promote social interaction and reduce undesired activities like illegal parking and drug activities without changing the existing context.

design response the design was conceptualised keeping in focus the mindframe of the people travelling through the local trains to their jobs everyday, so as to take fullest advantage of the site in making it into a beautiful green buffer.the ground was proposed to be painted in beautiful and attractive fluidic forms. the landscape portions were oriented in a way to avoid all the unwanted activities.

client : MUMBAI MUNICIPAL CORPORATION

PROCESS

CHURCHGATE MAP SHOWING THE ENTIRE EXTENT OF CHURCHGATE WITH THE SITE HIGHLIGHTED WITH A GREEN PATCH

THE SITE

MODULATING LEVELS

LANDSCAPING AND COLOURING THE SITE

ADDING TREES

BIRD’S EYE VIEW ONCE THE DESIGN IS EXECUTED

CONTEXT MAP SHOWING ALL THE SURROUNDING BUILDINGS

EXISTING SITE

LOCATION

DESIGN INTERVENTION

9

ACADEMIC THIRD YEAR

11

AFFORDABLE HOUSING AND INSTITUTION design brief was to redesign housing in bdd chawls, worli, Since the existing living conditions have deteriorated. the major challenge was to make affordable for the people along with making it socially active and healthy.

ROAD NETWORK

RESIDENTIAL UNITS

AMENITIES

DESIGN SITE

LEGEND :-

HOUSING MODULE

DESIGN SITE

PLAY GROUND

RESIDENTIAL UNITS INSTITUTION

ROAD NETWORK AROUND THE SITE

CONCEPT DEVELOPMENT

CONVENTIONAL IMAGE OF A HOUSE

IS IT LIKE THIS ANYMORE?

NOW HOUSE IS A FLAT

AND MANY TOGETHER FORM A BUILDING

WHICH LOOKS SIMILAR TO TISSUE.

SMART TISSUE IS FORMED WITH SMART CELL, NEURON

FORM DEVELOPMENT

CONVENTIONAL BUILDING

SPLIT IN TO 3 SEGMENTS

3 SEPARATE ENTITIES

HEIGHTS REARRANGED BASED ON HOUSING REQUIREMENTS

SECTION AA’

CONNECTING...

0

CREATING VOIDS

2.5

10 5

TYPICAL FLOOR PLAN

WEST SIDE ELEVATION

0

2.5

10 5

INSTITUTION building, which catered to study and research in new tecniques of affordable construction, was designed by catgorising and re-arrangingthe fuctional requirements into public ,semi-public, and private spaces with simultaneous play of open, semi-open and closed spaces

FORM DEVELOPMENT

BLOCK

VERTICAL AND HORIZONTAL SEGMENTATION

CREATING OPEN/SEMI-OPEN SPACES

BREAKING THE MONOTONY

SPATIAL ZONING

PRIVATE SEMI-PUBLIC

PUBLIC

CONFERENCE ROOM (WITH AN AV), CLASSROOM (4NOS.), REPROGRAPHICS ROOM, LIBRARY, GENERAL MANAGER ROOM PRIVATE

SEMI-PUBLIC

MANAGERIAL STAFF, ADMINISTRATION, DATA COLLECTION ROOM, VP AND CEO OFFICE, CANTEEN

PUBLIC

RECEPTION, EXHIBITION SPACE, INDOOR CONSTRUCTION LAB

CONSTRUCTION TECHNIQUE

PARKING FOR TWO WHEELERS

LIFT

ADDING BLOCKS TO THE STRUCTURAL GRID

ENTRANCE

SECURITY CABIN

STAIRWAY

DOUBLE STACKED PARKING

CREATING BEAM COLUMN GRID

DOUBLE STACKED PARKING

PARKING FOR TWO WHEELERS

OUTDOOR CONSTRUCTION LAB

6M WIDE

PARKING, SECURITY CABIN, OUTDOOR CONSTRUCTION LAB

PARKING LAYOUT

FIRST FLOOR PLAN

THIRD FLOOR PLAN

SECOND FLOOR PLAN

PROCESS MODELS,FOR THE INSTITUTE

SECTION BB’

0

1 0.5

5 2

WEST SIDE ELEVATION

13

FUELLING STATION AND AUTOMOBILE SHOWROOM BRIEF:

STUDY

PHILOSOPHY

DESIGN

ARCHITECT

FUELLING STATION AND AUTOMOBLIE SHOWROOM

DESIGN

RESPONSE:

PHILOSOPHY UN

ARCHITECT

DE

ENERGY

RS

CARS

FOOD

LIFE

SPEED

TA

ND

IN

G

SANTIAGO CALATRAVA

BIRD

FUTURISTIC

CUSTOMISING AREA AND SALES OFFICE

SCULPTURE

SPEED

SYMMETRY

UNIT REPETION

NATURE AS INSPIRATION

WILL BE GUIDING ELEMENTS TO THE FORM

PANTRY + CHANGING ROOMS + DISCUSSION ROOMS 65SQM ADMINISTRATION 15SQM SERVICE STATION 40SQM

TOILETS AUTOMOBILE SHOWROOM

760SQM

64SQM

REARRANGING FORM RESPONDING TO THE SITE CIRCULATION

WALK-IN MINI STORE 80SQM PLACING THE STRUCTURE ON THE SITE

P

SKELETON:

HUGE CANTILEVERED COLUMNS

WILL BUCKLE ON ACTION OF EXTERNAL LOAD ON IT.

CREATING A LONG FOUNDATION ALONG THE LENGTH OF THE CANTILEVER TO COUNTEREACT THE LOAD

P

RE-GROUPING

0

PANTRY + CHANGING ROOMS+ DISCUSSION ROOM

ADMINISTRATION

5

1 0.5

2

WALK-IN MINI STORE

0

SECTION AA’

5

1 0.5

2

HOW THE SHOWROOM CARS ARE CHANGED.

BLUE LINE INDICATES THE PART OF THE SLAB WHICH IS ATTACHED WITH THE HELP OF CABLES TO A PULLEY SYSTEM PLACED IN THE ROOF.

NOW THIS PULLEY SYSTEM IS MOUNTED ON TRACKS ON WHICH THE PULLEY WHEEL ROLES DOWN TO WOUND THE TENSILE CABLES AROUND IT, HENCE LIFTING THE ENTIRE FLOORING SYSTEM UPWARDS.

SIMULTANEOUSLY WITH THE HELP OF HYDRAULICS A RAMP (INDICATED BY RED LINE)IS PUSHED UP BY 1M JOINING THE BOTTOM SLAB LEVEL.

AND THEN THE CAR CAN BE REPLACED

BY THE OTHER.

BIRD’S EYE VIEW

15

GROUND FLOOR PLAN

WORKING DRAWING

ELEVATIONS

SECTIONS

17

ICONICDESIGN COMPETITION design brief

was to design an iconic structure in your city.

design response Cricket in India dates back to the country’s independence, such is its historicity. It not only provides great entertainment for its viewers but also is a very prestigious sport for the nation. Yet, this sport does not have a stadium to house its magnanimity. Football stadiums all around the world are known for its architectural marvels. Where do cricket stadiums stand on this platform?

CONCEPT OF ICONISM

Mumbai lies in hot and humid climatic zone where the southern sun is harsh, hence unwanted .

Therefore this design intervention aims to cutoff this direction of sun.

Hence, the southern portion of the structure is pulled up and climatically treated.

The final derivation of the form.

archmedium:MESH design brief MEDELLIN EXPERIMENTAL SOCIAL HOUSING will mainly accommodate a group of homes that take into account the current variety of people or families living in one place (single-parent families, classic families, students, people working from home, etc.). aside from this, new housing will have to offer an important part of public space, viewing this as areas for relating to others and recreation.

design response we propose to regenerate the city through a hybridization of uses in the historic downtown area. currently, the center of the city is mostly given tertiary use (office buildings and commerce). this project revolves around implementing new residential use and reformulating the adjacent public spaces in a way that includes housing.

VIEW THROUGH THE MESH

UNDERSTANDING MEDELLIN

DIFFERENT MODULE SIZES

VARIOUS VIEWS TO THE BUIDINGS

30sqm module

60sqm module

90sqm module

19

ACADEMIC SECOND YEAR

21

HOLIDAY HOME IN KARJAT PROCESS

design brief was to design a weekend home. The house design would be an expression of the client’s, and his/her family’s character as individuals and a family as a whole. Understanding the client profile briefly would be an important part of this expression. The design would aim at looking beyond the basic space requirements and aim at developing residential “Architecture”.

MODELS

VIEW 1

the site was located in karjat right in the middle of the valley covered with lush green landscape on all four sides.

SITE PLAN

client I was my own client for this project. it was a lavish house completely based on taking advantage of the beautiful site.

OPEN TERRACE

BEDROOM 1

JACUZZI BEDROOM 3 BEDROOM 2

VIEW 2

FIRST FLOOR PLAN

VIEW 3

KITCHEN

TOILET

THEATRE

LIVING ROOM

SWIMMING POOL OPEN DECK

MASTER BEDROOM

BAR

VIEW 4

GROUND FLOOR PLAN

NORTH SIDE ELEVATION

ID

interiors of a 2bhk apartment

design brief was to design the interiors of a 2BHK appartment,based on the client profile.

views of the children’s bedroom

client the client I was catering to was a hypothetical person who is an abstract artist with a family of four people including him and his wife and their two kids.

views of the master bedroom

views of the living room

views of the kitchen

SECTION AA’

view of the master bedroom

looking at the client’s paintings with abstract forms, inspired me to design furniture in fluidic forms but yet simple suiting his choice.

A

A’

FURNITURE LAYOUT

23

G-SEN TROPHY, NASA

(2013-14)

about: the G-SEN TROPHY is a design trophy of a national level competition, NASA (National Association of Schools of Architecture).

This trophy involves documentation, analysis and redesign with an integrated approach to the design process. It aims to understand and appreciate the existing built form of a building and redesign on that basis satisfying given theme.

theme: CONTEXTUALITY Time, Space & People

role: I was part of the design team, head of the graphics team , and was the audio-visual presentation head.

design brief: The design competition brief uses 3 seemingly unconnected theoretical constructs to present a common thread which may be used to weave a mesh of probable answers in the form of design solutions, to address the enigma of living conditions of the Urban Poor.

Architects are programmed to flourish in the “re-invent the wheel” paradigm. Can we take the idea of the “ordinary”, the idea of “Chalega”, the idea of “open source architecture” and improve the lives of people through design solutions which need not go through the creaky machinery of the government and the planning departments?

What we need now is to combat the situation with an onslaught of inspired solutions from within the architectural student community (in whose purview this firmly lies). Contextuality is then really a study of who and what we are, as a PEOPLE, and how through design, we can create an ingenious mechanism which will bring about a humane India.

25

27

NG

Documentation of a structure designed

by NARI GANDHI, madh island

archmedium: SFFDH VIEWS OF DIFFERENT SPACES

design brief: San Francisco today has one of the most prestigious and well equipped fire departments of the United States and the world.

ARCHmedium proposes the creation of this fire station for the city of San Francisco that serves not only to centralize and improve the service but also as a gift and token of appreciation from the city to this department.

The new center should not only be a practical space designed to respond to the needs of firefighters, but must become an icon of the city which rose from the ashes and a reminder of the tragedy, a building that not only the people of San Francisco but the entire world associates with the image of the fire department.

The site chosen to locate the project is situated on the currently unused docks 30-32 of the bay of San Francisco.

RECREATIONAL AND VIEWING GALLERY

EXHIBITION SPACE - GALLERY

MUSEUM GALLERY

29

ACADEMIC FIRST YEAR

31

a documentary film DABBA SERVICE challenge was to understand the importance of a ‘PROCESS’ by documentation of a process which stands shear impotance in the lives of people. as a response I chose to document one of the most efficient and important processes in the city called DABBA SERVICE. dabba service is a process carried out by a union of dabbawallas or the tiffinwallas. they are known for their efficiency and hence were awarded SIX SIGMA AWARD, by forbes magzine. they hold an error rate of 1 in 2,00,000 dabbas which is truly remarkable.this remarkable process was documented in a form of a movie called DABBA SERVICE.

still images from DABBA SERVICE

BD

BASIC DESIGN

challenge of the project was to expand figure on ground and vice versa with a pre-decided proportions to achieve visual balance, hence understanding relationships between negative and positive elements in a composition .

process the exercise involved developing a series of two dimensional compositions with a geometric/ abstract form (the figure) on a base (the ground). this was first done on 2d surface which were then composed on a cube in a way to keep the flow of the form continious.

OPTION 1

MODELS

OPTION 1

OPTION 2

OPTION 2

33

COMMUNITY CENTER IN HADI design brief was to facilitate with a comunity center to hadi, an island near GOA. This community center would consist of facilities like a school, community kitchen, a public toilet, health care, a gram panchayat office, a bank and a small store catering to basic but essential things.

Site was almost in the centre of the island making it easily accessible for the people dwelling on the island.

design brief the design was conceptualised with a crab claw form of orientation of the built masses with a two way acces to the space. Both these entrances were sloped so as to make it easy for the old and the handicapped people to access any desired ammenity.The central core was designed in a way to cater to saabji-mandi in the morning and community seating or community gatherings for rest of the times. All the structual massesare to the periphery of this community space

ROOF PLAN

FLOOR PLAN SITE MODEL

PLAN

(INDICATING LEVEL CHANGE)

LANDSCAPE PLAN

BIRD’S EYE VIEW 1

SECTION 1

SECTION 2

BIRD’S EYE VIEW 2

35

v

SKETCHES

VIGHNAHAR TEMPLE

FORT IN SANGLA VALLEY

05

05 15

QUTUB MINAR CAMPUS

18

04

MAHAGANPATI TEMPLE 19 10 14 HOLOCAUST JEWISH MEMORIAL

27

10 14

10 14

10 14

37

v

PHOTOGRAPHY

a

c

VENICE 2013

VENICE BIENNALE 2013

b

DHARAVI 2013

d

ART GALLERY, BRUSSELS 2014

39

CONTACT INFORMATION E-MAIL : adityamndlik@gmail.com MOBILE NO. : +91 9920050971

41

15 14 13 12