The Glover Prize Catalogue

Page 22

09 Josh Foley TAS

Houdini Oil, acrylic ink & synthetic polymer paint on canvas 153 x 185 cm $12,500 Some notes taken throughout the creation of this work include: Information age landscape. Detail is textual. Flying pigs... The sky is inhabited once more. The Tasmanian landscape is a computer program made in Inida (Spelling intentionally incorrect. The label on the roll of canvas, used for the work specified it was made in Inida and I thereby began to speculate on the significance of the fact that in some ways part of this landscape was manufactured in a factory in the Northern Hemisphere) This is a Frankenstein landscape of Tasmania, stitching together a gothic past, echoes of Gondwana land, the continuing juxtaposition of industrial schematics with ongoing colonial desires, and an emergent reality that is mediated and manipulated by exponentially increasing technological trickery with the communicative and physical distances of space and time shrinking as an outcome. Luddite self-portrait...

20 Glover Prize 2021

61487_glover 2021 catalogue.indd 22

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40 Peter Watts

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page 53

32 Neil Taylor

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page 45

31 Paul Snell

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page 44

38 James Walker

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page 51

30 Peta-Jayne Smith

1min
page 43

23 Rodney Pople

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page 36

22 Tony Pepe

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page 35

20 Keith Lane

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page 33

13 Elaine Green

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page 26

17 Rachel Howell

0
page 30

19 Laurence King

0
page 32

18 Melissa Kenihan

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page 31

09 Josh Foley

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page 22

06 Tim Coad

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page 19

2020 Judges

4min
pages 12-13

05 Faridah Cameron

0
page 18

Curators Introduction

8min
pages 8-11

02 Joshua Andree

0
page 15

01 Steven Alderton

1min
page 14

Message from the Principal Partner

2min
pages 6-7

04 Jane Burton Taylor

1min
page 17

Message from the Chair

2min
page 5
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