ADRIENN GORNYITZKI
PO RT FO LIO
CONTENT Budapest armour . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4-9 Illusion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10-13 River . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14-19 Tapestry . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20-23 Sports . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24-39 Ethnology . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40-47 She shirt competiton . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48-55 Internship-Fashion illustrations. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56-67 Drawings, Paintings, Graphics. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .68-69
4
5
2011 FALL
DESIGN DEPARTMENT
BUDAPEST ARMOR PARTNER: ERDEI GERGŐ PROJECT: CREATION OF AN OBJECT THAT CAN PROTECT US FROM PROBLEMS IN BUDAPEST MY TOPIC: SPACE MAKER- PROTECTING OUR PRIVATE SPACE An ‘armor’ that is worn on our bust to keep distance from the crowd in the city. New buildings and their geometric design inspired us to create this object. We can use this armor in a crowded space – in subways or escalators – when we want to hide from the rest of the world.
FOTÓ: MARTIN VANDA, MODELL: ERDEI ZSÓFIA
6
7
8
9
10
11
2013 SPRING
DEPARTMENT OF CLOTHES DESIGN
ILLUSION CONSULTANT OF CLOTHES DESIGN: TIBOR KISS PROJECT: MAKING CLOTHES FROM NEOPRENE TO CREATE AN ILLUSION MY TOPIC: DECONTRUCTION
Deconstruction is a kind of illusion that seems to be unstable but is still able to fulfill its function. The main inspiration came from architecture. I started with silhouettes drawn on paper sheets, which were later cut up into pieces. By applying collage technique and experimenting with the pieces, the final design of the dress was gradually developed and realized in neoprene.
FOTÓ: KALÁSZI BENJÁMIN, MODELL: GRILL MARIKA
12
13
14
15
DEPARTMENT OF CLOTHES DESIGN
RIVER CONSULTANT OF CLOTHES DESIGN: EDIT SZŰCS PROJECT: MAKING A COLLECTION USING TEXTILE EXPERIMENTS INSPIRED BY A RIVER. MY TOPIC: ANTELOPE CANYON The design was inspired by the Antelope canyon that was shaped by a river. I visited the place a few months earlier.
FOTÓ: VISONTAI MÁRTON, MODELL: GALÁCS VERA
2014 FALL
16
17
18
19
20
21
2014 FALL DEPARTMENT OF WEAVING DESIGN
TAPESTRY CONSULTANT OF WEAVING DESIGN: IDA LENCSÉS PROJECT:IMAGO- THE PROCESS OF GRADUAL CHANGE INTO SOMEONE OR SOMETHING. MY PROJECT: ZION NATIONAL PARK The rocks in the Zion National Park have always been changing and creating face-like shapes, which are looking at us today.
FOTÓ: PERNESS NORBERT
22 23
24
25
2015 SPRING DEPARTMENT OF CLOTHES DESIGN
SPORTS CONSULTANT OF CLOTHES DESIGN: EDIT SZŰCS PROJECT: WE HAD TO WORK WITH A PARTNER STUDYING LEATHER DESIGN. EACH PAIR WAS ASSIGNED ONE SPORT FOR INSPIRATION. MY TOPIC: GOLF I worked together with Dóra Szentmihályi. Our collection was inspired by honeycomb structures which can be observed on the surface of golf balls. Concepts: - geometric shapes in sewing patterns, - redesigning the basic golf shirt, - cutting geometric shapes in clothes, to reveal parts of the body - using leather, transparent and not transparent fabric - using white, green, and gray colors: white is used to show the elegancy, clearness an simplicity of golf, green refers to the green lawn and grey was inspired by the golf putter.
FOTÓ: PERNESS NORBERT, MODELL: BRÁZ NOÉMI
26 27
28
29
30
31
32
33
FOTÓ: DONKA PANNA, MODELL: KLAUDIA SZARAPKA, ESZTHER HERCZEG
34 35
36
37
38
39
40
41
2015 SRING
FOTÓ: VISONTAI MÁRTON
DEPARTMENT OF WEAVING DESIGN
MY TOPIC: AFRICAN MASAI ETHNOLOGY
ETHNOLOGY
CREATIVE OBJECTS: We had to experiment with various kinds of materials, using various waving techniques in the first part of the task. My work was inspired by Masai coiffure, head decorations, earnings and clothes patterns. I purposely chose five squares and subsequently install them on wooden frames. The objects were decorated by different waving techniques and expressed various impressions.
CONSULTANT OF WEAVING DESIGN: ANNAMÁRIA SIMÁNDI-KÖVÉR PROJECT: APPLYING WEAVING TECHNIQUES AND COMBINING THESE WITH TRADITIONS IN DIFFERENT CULTURES.
TEXTILE COLLECTION: In the second part of the task, we had to create a textile collection, which could be used in interiors. The collection had to be useful for everyday using and had to be a normal textile with something special. My textile collection was inspired by Masai clothes. I applied the colors of their garments to my textile which I made in a weaving machine. I also used the patterns of Masai garments in my redesigned collection. cvv v
42
43
44
45
46
47
48
49
2015 SPRING DEPARTMENT OF CLOTHES DESIGN
SHE SHIRT COMPETITION CONSULTANT OF CLOTHES DESING: EDIT SZ키CS PROJECT: DESIGN OF SHIRTS IN TWO CATEGORIES: BASIC, FREE TIME CATEGORY AND ELEGANT, FORMAL CATEGORY. SUBSEQUENTLY, WE HAD TO SEW THE MODEL WHICH WAS CHOSEN BY A PARTNER COMPANY MY TOPIC: FREE TIME CATEGORY - applying deconstruction of shapes inspired by geometric form, - using hidden button technique, - cutting geometric shapes in clothes, to show parts of the body
FOTÓ: PERNESS NORBERT, MODELL: OMG MODELL ÜGYNÖKSÉG, PETRA
50 51
52
53
54
55
57
56
2015 FALL INTERNSHIP PROGRAMME IN SUSANA ALVAREZ COMPANY
FASHION ILLUSTRATOR SEVILLE, SPAIN, SEPTEMBER 2015- FEBRUARY 2016 ABOUT THE COMPANY: SUSANA ALVAREZ is a designer of her own brand SUSANA ALVAREZ Berlin, specializing in limited edition collections tailored garments, and also the director of a second line business LABORATORIUM (exclusive courses of design, pattern and sewing). Her work is timeless, edgy, chic and fun. She is a designer with independent style. She designs limited editions in which fuses art and design, and clarifies the uniqueness of the garment. Her designs are characterized by precise selection of patterns, emphasis on comfort, deep knowledge of fabrics, the effort to achieve perfection of the finished part and of her personal quest for excellence. I am very much obliged for the possibility to learn the importance of punctuality and precision in design and realization.
Firstly, my task was to design and draw artistic illustration for the company, and Ms. Alvarez’ portfolio. I granted my permission to her and allowed the studio to use my drawings with my signature.
59
58
FLAMENCO ILLUSTRATION Furthermore, I did fashion illustration for her courses of pattern and sewing. Ms. Alvarez asked me to do some illustration for the flamenco courses and for the children clothes courses. I also drew pictures of children which were displayed on the company’s webpage and used as wall paper ornaments in the studio.
60
61
TECHNICAL DRAWINGS My biggest project was to create the technical drawings about her 2014 collection in Adobe Illustrator™. All pieces of her collection were drawn by me. Her main requirement was to be punctual and to take care of all details which made it more professional.
62
63
ARTISTIC DRAWING Finally, I drew the collection and placed the drawings on figures to show the clothes in real life. I drew deer faces for the figures because Susana likes animals – this is her logo/trademark. She believes in freedom so she gave permission to use any technique freely which I wanted. She thinks that people do their best when they have space and freedom to express themselves.
64
65
MOOD BOARDS I also made mood boards of each look where I placed the artistic drawings about the garments and the technical drawing as well to present her looks and at the same time the whole collection.
66
67
SEWING I also participated in pattern making and learned new sewing techniques. One example which we made together with my colleague.
68
69
DRAWINGS, PAINTINGS, GRAPHICS Some of my drawings, graphics, paintings which I made in my younger ages.
PORTFOLIO 2016