Dolce Aqua

Page 1

Dolce Aqua Interior Architectural Design 3 l Project 2 : Well Being

Advan Beryl (1706044465)


Table of Content Table of Content

1

Preface

2

Defining Well Being

3

Reading the Existing

7

Site Exposition On-Site Findings Technological Idea Choosing the Site

Experimental Research Air : Experiment Framework Experiment Data Experiment Synthesis Water : Experiment Framework Experiment Data Experiment Synthesis

Developing Programming The Narrative of Visceral Cleansing Affordance Tracing

8 10 12 14

15 16 17 21 22 23 25

26

Form Development

27 28 34

Introducing : Dolce Aqua

38

Final Programming Diagram Materiality Structure Intervention Exposing the Atmosphere Collection of Drawings

References

39 43 44 48 49

50

1


At its best, human ability to maintain the order of the four folds are what kept them grounded in their existence, it's what give their lives a meaning. To separate the human existence and the environment surrounding it life is impossible. The environment, being one of the four folds protected, are the spaces in which them dwells and live their life, this environment consist of layers of interior, starting from outside the human skin through boundaries that form space. However, as our technology progresses, we interfere how the environment around us is constructed. We use nature based energy source, we exploit and mine the earth, we find new materials, new way of producing things, and thus we change our way of living in a more compact, and fast paced environment that the city exhibits. If done without caution and consciousness, this rapid shift of movement and production can be dangerous to the environment.

Preface

A damaged environment means there are unhealthy layers of interiors, as the interior is the closest proximity to human skin, this impact our being. Across the time, our concern about well being has grown, along with the ever changing notion of environment surrounds us. Technology however, can be responsible as the main reason of the damaged environment, and also can be a catalyst, that helps us reach well being, In this project, we will focus on the catalyst aspect as we integrate the technological idea and the programming to reach the desired definition of well being.

2


Human

four folds

surroundings

survive

Environment

sensual exchange

taste

second skin

Interior

live through space and time

status of designer

cultural geography sense of territory anthropology

Defining Well Being To define the well being, we must first understand the process of how human reach well being, which best expressed in the diagrams aside

catalyst

building reuse

ultimate goals

Technology

habits

ageing

history

isolation subjectivity

lifestyle human behavior

pattern of consumption

Building

intervention

Well Being

safety

insertion

health

installation

comfort

privacy

3


Defining Well Being The definition of well being is heavily tied to its context. In this project, the existing site is an apartment and office complex. The Nifarro park complex is located in the middle of Pasar Minggu neighborhood, it is surrounded by houses and public facilities such as mosque, food stalls, gas station and much more. The user of this complex is mostly office worker and temporal dweller from the apartment, which they only occupy on w e ekdays .

As they dwell the spaces inside the complex, there are fulfillment of human needs that take place, this needs are various, and can be very individually different. One of the need that we will shed light on this project is spiritual needs. from the on site observation, we can conclude that the Niagara park complex itself is unable to fulfill these needs. we often see them looking for nearby mosque every Friday prayer, or if we freed our definition of spiritual wellbeing and religion, the complex itself, as an integrated living space is not responding to the user's need of solitude and tran- q uility.

These two aspects are crucial in the fast paced notion of urban living. As we're constantlysurrounded by other people, and rarely have time to ourselves to reflect our lives. The importance in the fulfillment of spiritual needs, to reach spiritual well being are essential to our life. Spiritual well being itself is explored in this project, as explored on the diagram next to this page and translated to the programming of the spaces inside Dolce Aqua

4


human beings

spirituality

individual social institution

values

beliefs

success of the society

behavioral pattern

spiritual well being

spiritual development making judgement

victory

failure

good bad

choice making

blessing

perception of truth

satisfy human needs

feelings of pleasure

supreme values inner freedom

meaning of life

implementation of values

transformation of the souls

habits and rules

steps

self actualization

products of life

attitude

way of thinking

social attitudes and norms

principle

spiritual path

activity

system of values behavioral goals

religious study self development

needs

pattern

factors of human spiritual states

cognizance needs

surrounding world

one self

positive value of person and

events

social needs meaning of one’s self

life for other people and do something for them

5


the soul

sequence of cleansing

the causality between the soul and the body

Transforming The Soul In the diagram aside, we can conclude that in order to transfor the soul, we must be clean. To cleanse the mental, physical, and social is to reach spiritual well being.

the body

6


Reading The Existing As we expose the information and findings of the site, there are some aspects that we concentrate in order to find the technological idea and unlock the site potential. This finding also functions as consideration for choosing the project's site.

7


Nifarro Park Apartement location size

Pasar Minggu, Southern Jakarta 2,9 ha

completion date 1July 2017 architect consultant PT Art Design Indonesia structure consultant PT Davysukamta & Partners

pasar minggu raya street nifarro park complex

The Nifarro park complex contains 2 buildings, there are ITS tower which is used as an office, and there are Nifarro apartment which contains 2 towers, Eboni and Mahoni and a pedium that connects both tower. The office and apartment shares the same basement that spread out across the complex underground, the basement contains 2 levels, which are semi basement and basement 1. In the future, this complex will be integrated together with hotel that will be placed on the east side of the complex, the site for the hotel is now unoccupied and a lot of ferns overgrown on the site.

8


Eboni Tower

Nifarro Park Apartment ITS tower

Mahoni Tower

Surroundings Visualization

the nifarro park complex keyplan

9


The Current The building complex has drastic height difference than the surrounding neighborhood. This makes them more fragile to the rapid wind current at higher heights, considering the Nifarro Apartment and ITS Tower is the only high rise building around the neighborhood of residential-low rise h o u s e s .

PM AM

On Site Findings After several site visits and analysis done, i decided to focus on the current of fluid, in which this case is air, that occurs around the Nifarro Park Complex.

PM AM

10


+ + + +

-

- - -

+++

+

-

-

- - - - - - -

-

+ + + +

+++ -- + -

-

The Site

-

The interaction between the wind current and the building facade creates two distinct zoning area in which the wind moves faster than its regular speed

The two rapid currents serves as the source of energy that are used for the technology to work, therefore the site is chosen by the amount of availability of the energy on site

Therefore, the site have potentials of two rapid wind currents that acts as the main energy source for this project to be reproduced and use as the medium of the technological idea proposed.

11


Technological Idea

The two currents of air that occurred on

distance

site are the result of differential pressure formed on the building facade, air is a fluid, one of the characteristic of fluid is that it flows from high pressure to low

height

pressure. By creating different proximity of surfaces, we can create different

fluid density

points of pressure, thus arranging the way the fluid flows, creating new cur-

time

varying variables desired outcomes

rent with certain velocity. This best expressed by the bernoulli’s equation b eside :

d v= t

pressure

velocity

12


1

surface area1 > surface area2 velocity1 < velocity2 pressure1> pressure2

Fluids and Surface

2

The fluids have this characteristic in which, when they hit a solid surface, they form pressure, the amount of pressure formed

1

+ + +

depends on the velocity of the fluids that hit the surface. In this diagram, the pressure is symbolized as negative and positive, to symbols the high and low pressure point, because fluids moves from high to low pressure, and through this difference of pressure, their velocity change also, responding to the surface shape and

pressure

-2 -

2

1

implementation on the nifarro park complex

13


shadow from ITS Tower at 09.00 AM

shadow from the nifarro apartment at 09.00 AM

+ + + + + + + +

fast wind

the site itself have the affordance to combat high temperature using the shading from the surrounding building, and using the fast wind current formed in between the building. the basement has really humid and hot micro climate, this is caused by the wind ventilation not really functioning properly on the basement. this occurs worse in level basement 2, due to this condition, there are no human activity there beside parking their car/motorcycle

The Choosen Site

14


Experimental Research The collectiion of experimental procedure are done to explore the potentials of the technological idea proposed , while findings variables that can be manipulated in order to construct the interiors.

15


Air: Experimen t Framewor k

fluid type : air extracting outcome

pressure created measured from

distance/ proximity

v= d t

velocity

time pressure

height

density

to extract the variables used on the experiment, the bernoulli equation mentioned before are used as a guide to construct the framework of this experiment, starting by dividing the experiment into 2 sections based on the fluid types, which are water and air. then there are qualities that are being counted and there are different treatment of the fluids according to how they flow and the dynamics in their process of their flow

experiment model plan tracing

+ +

1

-

+ + + - + + +

2

wind velocity

measured from

average time needed for marbles to move from spot

3

wind qualities measured from

wind outcome effect on pinwheel rotation

scale of control :

1

dispersed wind movement, not moving the pinwheel

2 some

dispersion with various stops, and unconstant wind movement

3 some

directed, some stops, but constant wind movement

4

directed, no stops, and constant wind movement

16


Air: Experimen t Data

model plan and pressure formed

variables at play

- - - - - - - - - - - - -

horizontal and vertical planefront depth

model section and pressure formed (if necessary)

average marble time in second

wind quality

not moving

1

2,7

4

+ + + - - - - - - - - + + +

horizontal and vertical planemiddle depth

+ + +

horizontal and vertical planeback depth

°

+ + +

1,5

4

+

17


Air: Experimen t Data

model plan and pressure formed

variables at play

- - - - - - - - - - - - -

horizontal and vertical planefront depth

model section and pressure formed (if necessary)

average marble time in second

wind quality

not moving

1

2,7

4

+ + + - - - - - - - - + + +

horizontal and vertical planemiddle depth

+ + +

horizontal and vertical planeback depth

°

+ + +

1,5

4

+

18


Air: Experimen t Data

variables at play

model plan and pressure formed

model section and pressure formed (if necessary)

average marble time in second

wind quality

1,9

3

3,0

2

1,5

4

45° tilted planenear distance

+

+ + + +

135° tilted planenear distance

135° tilted planefar distance

- - - -

+ + +

- - - - - - - -

+ +

19


variables at play

(if necessary)

- - + + + - + + +

- + + +

vertical and horizontal planemiddle depthdifferent height

+ -

vertical and 135° tilted planenear distancedifferent height

+ +

- + + +

+ + + +

+ + + +

+ + + +

+ - + -- + + -

+ + +

horizontal planedepth-different height

++

Air: Experimen t Data

model section and pressure formed

model plan and pressure formed

+ + + +

+ + + +

+ + + +

average marble time in second

wind quality

3,4

3

1,7

3

1,9

4

- + + + +

+ + + +

- - - - - -

+ + + +

+ + + +

+ - - + -

20


Air: Experimen t Synthesis

fast and directed

fast and dispersed

air and its correlation to the current velocity

slow and directed

slow and dispersed

21


Water: Experimen t Framewor k

fluid type : water

experiment model plan tracing

+

d v=t

velocity

measured from

+

distance/ proximity

+

p ressure cre a ted

+

1

+

extracting outcome

-

time pressure

height

density

2

w a ter qualities measured from

water outcome f r o m flowing through the r o u g h a n d varying existing terrain

22


Water: Experiment Data vertic al flo w

+

+ + -+ + -+ -+

+ -+ + - - -+ + - --+ +

+ -+ - + + +

-

--++ +- - + -+ - -+ +--

+ + + + + -++-+ +- - + -- +- +- -

+ +- + + -+ + + - + ++ -+ + - + ++ +23


Water: Experiment Data h o rizo n tal flo w

+

+-+ - +

+

-- + +

-

- -+-

+ +

+-

++- + + + +

--

-+

+ +

-

-

+- + + + +

+- +

+ + -

-+ + +- + -

+

24


Water: Experimen t Synthesis

descending directed and ascendingdispersed

water and its correlation to the current velocity dispersed

vertical dispersed and horizontal directed

directed

25


Developing Programming After we are able to control the desired outcome of the experiment, we can extract spatial strategies that can be applied to the programming. The programming itself, must be complex as it is the ultimate tools to reach the desired well being.

26


As we learned before that in order to reach spiritual well being, we must be clean. In that sense, this entire programming are consist of cleansing rituals, which there are physical, mental, and social cleanse.

act 1: exposition

act 2: physical cleanse

climax: mental cleanse

act 4: physical cleanse

act 5: social cleanse

The Narrative of Visceral Cleansing

the act of leaving all of the user’s p ossession behind, disconnecting with the outside alarm, avoiding anydisr u p t i on the user is well aware of their mental and body c o n d i t i o n through body scanning, in which they are let relaxed, giving them time to unwind after a long day of work and at the same time to be mindfull of their beings

the user take small steps of cleansing through the interconnectedness between their body and water, this help them wash the negative energy that lies on their skin, as well on their mind through yoga, the user are refreshed, it moves physical parts of the bodies, in which they stretch, all thorough cleansing of the tension felt on parts of the body

walking meditation allows the user to peregrinate the earth, in which they reconnect with nature, at the same time preparing mind- f ullnes s single focus meditation aimed the user to reach mindfullness, the state of being that are calm, siganling the end of the mental cleanse p roces s i on

bathing, the ultimate form of physical cleansing are used to signalize the transformation of the physical body, from the dirty to the clean and r e freshe d

socializing, while d i s c o n n e c ti ng from the outside distraction are cultivation of cleansing the human social needs, they can focus on topics to talk to, at the same time fulfilling their social d emand

27


the descending contour of the surface from the burning can also be used for laying down on the surface, as it responds to the body contour

the descending contour of the surface from the burning can be used as a relaxed sitting position for body scanning

activity affordance 28


the larger the void created by the burning of the styrofoam, the more it can accomodate people sitting around the void, allowing space for social interactions

the void, filled with water, can help the user’s meditation procession, the pool of water can become the object to focus on the single focus meditation.

30


seen vertically, the decreasing contour can be used as surface to sit down, at the same time allowing visual contact from the void created next to the user

the decreasing contour can also be used as surface to stretch the user legs, help them relax after walking meditation

29


seen vertically, the decreasing contour can be used as surface to sit down, this time, the user’s leg can stretch out and the curve follow the curve of their body

seen vertically, the bent part of the burned styrofoam can also used as sitting position, but with the user’s leg left hanging under

31


affordance synthesis act 1: exposition

act 2: physical cleanse

smaller proportion of the void and the surface created

the decreasing of the contour is used to respond the body contour

brisk rinsing

leaving posession

the similar one void on one plane of styrofoam

the similar one void on one plane of styrofoam, as this would make the yoga procession more intimate

more bigger proportion of the void and the surface created

yoga

body scan

the void responds the yoga movement the user do

32


climax: mental cleanse

act 4: physical cleanse

act 5: social cleanse

eating together

bathin g

walking meditation the various countour on surface evocate various sensation on the user’s feet as they meditate

single focus meditation

the concave void can be used as sitting medium for them to sit together

the use of the void as pool of water, using them as object of focus for every user to focus on during they meditate

by using the void created in the middle of the surface, the user can shower from the water dripping from the void

the large void enables the user to sit down and start interacting together, wether they are eating or not, they still spend time socializing together

33


34

Model 1

m Developmen t

For


Model 2

35


Model 3

36


Model 3 37


Introducing: Dolce Aqua

a space for serenity, seeking tranquility, and visceral cleansing of the body using both water and air as the technological medium, thus controlling the desired proximity of the surfaces to reach spiritual well being.

38


Act 3: Mental Cleanse

Walking Meditation Space Single Focus Meditation Room

Walking Meditation Space Single Focus Meditation Room

Act 4: Physical Cleanse Bathing Room

Act 5: Social Cleanse Socializing Space

Body Scanning Room Changing Clothes Room Storage Room

Act 2: Physical Cleanse

Body Scanning Room Changing Clothes Room Storage Room

Act 1: Exposition

39


The socializing space are filled with descending contours with a communal middle ground that aims to sparks conversations in groups of individuality.

The holes constructed inside the concrete sculpture are used for storage purposes

In the bathing room, the same constructed concrete are used to place mirrors and place the amenities for bathing.

The walking meditation space are consisted of contours and rough texture to give sensation to the user’s feet, the descending contours are acheived from the development model 2. The plane orientation are the same and the proximity between plane are controlled to get the desired wind quality.

In the brisk cleansing space, the water is used as the main cleansing medium, in this room, the water is used within vertical and horizontal plane to create various water flow, to accomodate each and individual user needs of brisk water cleansing.

The body scanning room are consisted of different orientation of planes to get the desired wind movement, meanwhile providing individual space for the user, the constructed concrete also responds to the user’s body so that it helps them find their own individual contour to meditate the s p a ce

40


In this room we can see the contour used to construct ramp for the vertical access as well as using it to give various sensation to the user’s feet.

The walking mesitation space in this area is mostly straight contoured, but more focusing on giving various texture for the feet to follow.

The similar orientation plane on this drying room are used to create fast and dispersed wind quality to dry the user body after brisk c leansing.

The single focus meditation space contains different orientation planes to get the desired wind qualities, meanwhile providing individual boundaries for each user to help them free from distractions while m e ditating.

41


The ground floor are dedicated to Yoga activity only, therefore, the room is spacious, as it accomodate groups of people to do yoga together, the wind quality are depends on the surrounding, as it uses the existing rapid wind currents to do this activity.

42


Materiality Overall, Dolce Aqua consist of 4 main materials, which is timber, concrete, stone bricks, and rammed earth.

House and Restaurant by Junya Ishigami

Precedent

This Architectural Project are made from cast in concrete and uses the soil for the framing of the design, resulting in a texture and composition of space in between the void that the concrete and soil created.

43


Structure Intervention

4

1

the elevated and ascending/ descending surface also serves as a ramp to help the user reach switching from levels to levels, while mantaining ergonomic at the same time

elevated levelling

this elevated levelling help segregrate the user from the access flow and the meditation activity, so that the flow of the pople don’t disturb the user meditating, the elevated levelling are made from light wight steel frame

5

3 2

3

removing the floor slab

by deleting of the existing slab, it enables the wind to move more thoroughly form floor to floor, helping them to be the medium in which the technological ideas are used.

elevated levelling with ascending / descending countour

casting the concrete and timber frame as partition

the concrete structure is strengthen by the timber intervention and it help bind the concrete to the intervention and existing structure, making them can help to hold loads too

elevated partition

the elevated partition is constructed from timber framingwith combination of block of terracota bricks that have smaller holes, enabling the wind to more fasten in their movement

6

casting the concrete and timber frame as furniture

the curvious countour of the concrete formed by its pre fabricated mold can be utilized as a surface that responds to the basic human needs like sitting, or resting, as this helps them meditating, and body s cannin g

44



Semi Basement Structure ture Intervention vention

21

4 1

4 1

51

4 1 1

5

31

46


Ground d Structure ure Intervention ention 1

31

47


Ambiance view from the body scanning room

view from the brisk cleansing room

3 48


Skala 1 : 150

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R.Ganti -

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PRODUCED BY AN AUTODESK STUDENT VERSION

Basement 1 Layout Plan

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PRODUCED BY AN AUTODESK STUDENT VERSION

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ITS tower

Nifarro Park Apartement

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BENGKIRAI DECKING WOOD 90x180mm

Basement 1 Floor Plan Skala 1 : 150

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LEGENDS

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CAST IN SITE CONCRETE VARIOUS

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TEAK PARKET 50x200mm

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wall mounted LEDstrip

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enclosed ceiling luminate

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PRODUCED BY AN AUTODESK STUDENT VERSION


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PRODUCED BY AN AUTODESK STUDENT VERSION

Semi Basement Layout Plan

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R.Meditasi

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LEGENDS

ITS tower

Nifarro Park Apartement

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PRODUCED BY AN AUTODESK STUDENT VERSION


PRODUCED BY AN AUTODESK STUDENT VERSION

Skala 1 : 150

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LEGENDS

6000

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BENGKIRAI DECKING WOOD 90x180mm

6000 24000

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CAST IN SITE CONCRETE VARIOUS

6000

D

TEAK PARKET 50x200mm

PRODUCED BY AN AUTODESK STUDENT VERSION

Semi Basement Floor Plan

29600

9000 8100 8100 4400

PRODUCED BY AN AUTODESK STUDENT VERSION

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ROMAN GRANITTILE 400x400mm

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wall mounted LEDstrip

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floor LEDstrip

enclosed ceiling luminate

wall mountedlight

PRODUCED BY AN AUTODESK STUDENT VERSION


29600

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Skala 1 : 150

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LEGENDS wall mountedlight enclosed ceiling luminate

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Skala 1 : 150

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Ground Floor Layout Plan

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ITS tower

Nifarro Park Apartement

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PRODUCED BY AN AUTODESK STUDENT VERSION


9000 17100

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Skala 1 : 150

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LEGENDS

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CAST IN SITE CONCRETE VARIOUS

B

6000

TEAK PARKET 50x200mm

24000

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6000

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PRODUCED BY AN AUTODESK STUDENT VERSION

Ground Floor Floor Plan

8100

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Skala 1 : 150

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6000

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24000

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17100

Ground Floor Lighting Plan

8100

PRODUCED BY AN AUTODESK STUDENT VERSION

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6000

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LEGENDS

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wall mounted LEDstrip

LEDstrip

floor LEDstrip

enclosed ceiling luminate

wall mountedlight

PRODUCED BY AN AUTODESK STUDENT VERSION


9000

Skala 1 : 150

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6000

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6000

24000

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6000

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PRODUCED BY AN AUTODESK STUDENT VERSION

17100

Ground Floor Ceiling Plan

8100

PRODUCED BY AN AUTODESK STUDENT VERSION

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LEGENDS

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enclosed ceiling luminate

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A’HH

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+9.31

+0.00

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8100

29600

PRODUCED BY AN AUTODESK STUDENT VERSION

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West Facade Skala 1 : 150


References 1. Scott, F. (2008). On Altering Architecture. London: Routledge, pp. 1-19, 92-166 2.Brand, S. (1994). How Building Learn: What Happen After They’re Built. New York: Viking, pp. 12–23 and pp. 178-209 3. Brooker, G. and Stone, S. (2008). Form + Structure. Lausanne: AVA Publishing, pp. 100-121 4.Brooker, G. and Stone, S. (2004). Re-readings: Interior Architecture and the Design Principles of Remodelling Existing Buildings. London: RIBA Enterprises 5. Jencks, C. (2012). Can Architecture Affect Your Health? Arnhem: ArtEZ 6.Keeble, T. (2013). Technology and the Interior, in: Brooker, G., Weinthal, L. (Eds.), The Handbook of Interior Architecture and Design. Bloomsbury Academic, London, pp. 528–543. 7.Zardini, M., Borasi, G. and Campbell, M. (2012) Imperfect Health. Montreal: Canadian Centre for Architecture, pp. 15-37 and pp. 97-116 8.Power, J. (2014). Interior Space: Representation, Occupation, Well-Being and Interiority. Temes de disseny [en línia], Núm. 30, p.10-19. 9.Smith, D., Metcalfe, P. and Lommerse, M. (2012). Interior Architecture as an Agent for Wellbeing. Journal of the HEIA, 19(3), pp.2-9. 10.Siegel, J. (2011). Engineering the Indoor Environment, in: Weinthal, L. (Ed.), Toward a New Interior: An Anthology of Interior Design Theory. New York: Princeton Architectural Press, pp. 348–357. 11. Caan, S. (2011). Rethinking Design and Interiors. London: Laurence King Pub, pp. 35-80. 12. AD Vol. 79 No.3. (2009). Energies: New Material Boundaries. London: John Wiley & Sons 13.Tabujara, Jr. (2017). General Physics: K-12 Compliant Worktext for Senior High School. Tokyo: JFS Publishing Services 14. Tvorogova, N. D. (2011). Spiritual Well-Being. Psychology in Russia, 4, 1–12. 15.Grossmeier, J. (2019). Editor’s Desk: Addressing Spiritual Well-Being in the Workplace. American Journal of Health Promotion, 33(7), 1081–1093. 16.Chowdhury, R. (2018). Religiosity and Voluntary Simplicity: The Mediating Role of Spiritual Well-Being. Journal of Business Ethics, 152(1), 149–174. doi: 10.1007/s10551-016-3305-5

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STATEMENT OF ORIGINALITY OF WORKS The undersigned below : Full name NPM Date of birth Faculty / University Major

: : : : :

Advan Beryl Primana 1706044465 Nov em ber 13th 1999 Faculty of Engineering/Universitas Indonesia Interior Architecture

Hereby declare that the work with the title “Dolce Aqua� has never been published and has not been included in competitions at Regional, National or International level before and does not contain plagiarism in it. Thus this statement was made in a conscious state and without any element of coercion from anyone.

Denpasar, December 30th 2019

Advan Beryl Prima Primana


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