Dolce Aqua Interior Architectural Design 3 l Project 2 : Well Being
Advan Beryl (1706044465)
Table of Content Table of Content
1
Preface
2
Defining Well Being
3
Reading the Existing
7
Site Exposition On-Site Findings Technological Idea Choosing the Site
Experimental Research Air : Experiment Framework Experiment Data Experiment Synthesis Water : Experiment Framework Experiment Data Experiment Synthesis
Developing Programming The Narrative of Visceral Cleansing Affordance Tracing
8 10 12 14
15 16 17 21 22 23 25
26
Form Development
27 28 34
Introducing : Dolce Aqua
38
Final Programming Diagram Materiality Structure Intervention Exposing the Atmosphere Collection of Drawings
References
39 43 44 48 49
50
1
At its best, human ability to maintain the order of the four folds are what kept them grounded in their existence, it's what give their lives a meaning. To separate the human existence and the environment surrounding it life is impossible. The environment, being one of the four folds protected, are the spaces in which them dwells and live their life, this environment consist of layers of interior, starting from outside the human skin through boundaries that form space. However, as our technology progresses, we interfere how the environment around us is constructed. We use nature based energy source, we exploit and mine the earth, we find new materials, new way of producing things, and thus we change our way of living in a more compact, and fast paced environment that the city exhibits. If done without caution and consciousness, this rapid shift of movement and production can be dangerous to the environment.
Preface
A damaged environment means there are unhealthy layers of interiors, as the interior is the closest proximity to human skin, this impact our being. Across the time, our concern about well being has grown, along with the ever changing notion of environment surrounds us. Technology however, can be responsible as the main reason of the damaged environment, and also can be a catalyst, that helps us reach well being, In this project, we will focus on the catalyst aspect as we integrate the technological idea and the programming to reach the desired definition of well being.
2
Human
four folds
surroundings
survive
Environment
sensual exchange
taste
second skin
Interior
live through space and time
status of designer
cultural geography sense of territory anthropology
Defining Well Being To define the well being, we must first understand the process of how human reach well being, which best expressed in the diagrams aside
catalyst
building reuse
ultimate goals
Technology
habits
ageing
history
isolation subjectivity
lifestyle human behavior
pattern of consumption
Building
intervention
Well Being
safety
insertion
health
installation
comfort
privacy
3
Defining Well Being The definition of well being is heavily tied to its context. In this project, the existing site is an apartment and office complex. The Nifarro park complex is located in the middle of Pasar Minggu neighborhood, it is surrounded by houses and public facilities such as mosque, food stalls, gas station and much more. The user of this complex is mostly office worker and temporal dweller from the apartment, which they only occupy on w e ekdays .
As they dwell the spaces inside the complex, there are fulfillment of human needs that take place, this needs are various, and can be very individually different. One of the need that we will shed light on this project is spiritual needs. from the on site observation, we can conclude that the Niagara park complex itself is unable to fulfill these needs. we often see them looking for nearby mosque every Friday prayer, or if we freed our definition of spiritual wellbeing and religion, the complex itself, as an integrated living space is not responding to the user's need of solitude and tran- q uility.
These two aspects are crucial in the fast paced notion of urban living. As we're constantlysurrounded by other people, and rarely have time to ourselves to reflect our lives. The importance in the fulfillment of spiritual needs, to reach spiritual well being are essential to our life. Spiritual well being itself is explored in this project, as explored on the diagram next to this page and translated to the programming of the spaces inside Dolce Aqua
4
human beings
spirituality
individual social institution
values
beliefs
success of the society
behavioral pattern
spiritual well being
spiritual development making judgement
victory
failure
good bad
choice making
blessing
perception of truth
satisfy human needs
feelings of pleasure
supreme values inner freedom
meaning of life
implementation of values
transformation of the souls
habits and rules
steps
self actualization
products of life
attitude
way of thinking
social attitudes and norms
principle
spiritual path
activity
system of values behavioral goals
religious study self development
needs
pattern
factors of human spiritual states
cognizance needs
surrounding world
one self
positive value of person and
events
social needs meaning of one’s self
life for other people and do something for them
5
the soul
sequence of cleansing
the causality between the soul and the body
Transforming The Soul In the diagram aside, we can conclude that in order to transfor the soul, we must be clean. To cleanse the mental, physical, and social is to reach spiritual well being.
the body
6
Reading The Existing As we expose the information and findings of the site, there are some aspects that we concentrate in order to find the technological idea and unlock the site potential. This finding also functions as consideration for choosing the project's site.
7
Nifarro Park Apartement location size
Pasar Minggu, Southern Jakarta 2,9 ha
completion date 1July 2017 architect consultant PT Art Design Indonesia structure consultant PT Davysukamta & Partners
pasar minggu raya street nifarro park complex
The Nifarro park complex contains 2 buildings, there are ITS tower which is used as an office, and there are Nifarro apartment which contains 2 towers, Eboni and Mahoni and a pedium that connects both tower. The office and apartment shares the same basement that spread out across the complex underground, the basement contains 2 levels, which are semi basement and basement 1. In the future, this complex will be integrated together with hotel that will be placed on the east side of the complex, the site for the hotel is now unoccupied and a lot of ferns overgrown on the site.
8
Eboni Tower
Nifarro Park Apartment ITS tower
Mahoni Tower
Surroundings Visualization
the nifarro park complex keyplan
9
The Current The building complex has drastic height difference than the surrounding neighborhood. This makes them more fragile to the rapid wind current at higher heights, considering the Nifarro Apartment and ITS Tower is the only high rise building around the neighborhood of residential-low rise h o u s e s .
PM AM
On Site Findings After several site visits and analysis done, i decided to focus on the current of fluid, in which this case is air, that occurs around the Nifarro Park Complex.
PM AM
10
+ + + +
-
- - -
+++
+
-
-
- - - - - - -
-
+ + + +
+++ -- + -
-
The Site
-
The interaction between the wind current and the building facade creates two distinct zoning area in which the wind moves faster than its regular speed
The two rapid currents serves as the source of energy that are used for the technology to work, therefore the site is chosen by the amount of availability of the energy on site
Therefore, the site have potentials of two rapid wind currents that acts as the main energy source for this project to be reproduced and use as the medium of the technological idea proposed.
11
Technological Idea
The two currents of air that occurred on
distance
site are the result of differential pressure formed on the building facade, air is a fluid, one of the characteristic of fluid is that it flows from high pressure to low
height
pressure. By creating different proximity of surfaces, we can create different
fluid density
points of pressure, thus arranging the way the fluid flows, creating new cur-
time
varying variables desired outcomes
rent with certain velocity. This best expressed by the bernoulli’s equation b eside :
d v= t
pressure
velocity
12
1
surface area1 > surface area2 velocity1 < velocity2 pressure1> pressure2
Fluids and Surface
2
The fluids have this characteristic in which, when they hit a solid surface, they form pressure, the amount of pressure formed
1
+ + +
depends on the velocity of the fluids that hit the surface. In this diagram, the pressure is symbolized as negative and positive, to symbols the high and low pressure point, because fluids moves from high to low pressure, and through this difference of pressure, their velocity change also, responding to the surface shape and
pressure
-2 -
2
1
implementation on the nifarro park complex
13
shadow from ITS Tower at 09.00 AM
shadow from the nifarro apartment at 09.00 AM
+ + + + + + + +
fast wind
the site itself have the affordance to combat high temperature using the shading from the surrounding building, and using the fast wind current formed in between the building. the basement has really humid and hot micro climate, this is caused by the wind ventilation not really functioning properly on the basement. this occurs worse in level basement 2, due to this condition, there are no human activity there beside parking their car/motorcycle
The Choosen Site
14
Experimental Research The collectiion of experimental procedure are done to explore the potentials of the technological idea proposed , while findings variables that can be manipulated in order to construct the interiors.
15
Air: Experimen t Framewor k
fluid type : air extracting outcome
pressure created measured from
distance/ proximity
v= d t
velocity
time pressure
height
density
to extract the variables used on the experiment, the bernoulli equation mentioned before are used as a guide to construct the framework of this experiment, starting by dividing the experiment into 2 sections based on the fluid types, which are water and air. then there are qualities that are being counted and there are different treatment of the fluids according to how they flow and the dynamics in their process of their flow
experiment model plan tracing
+ +
1
-
+ + + - + + +
2
wind velocity
measured from
average time needed for marbles to move from spot
3
wind qualities measured from
wind outcome effect on pinwheel rotation
scale of control :
1
dispersed wind movement, not moving the pinwheel
2 some
dispersion with various stops, and unconstant wind movement
3 some
directed, some stops, but constant wind movement
4
directed, no stops, and constant wind movement
16
Air: Experimen t Data
model plan and pressure formed
variables at play
- - - - - - - - - - - - -
horizontal and vertical planefront depth
model section and pressure formed (if necessary)
average marble time in second
wind quality
not moving
1
2,7
4
+ + + - - - - - - - - + + +
horizontal and vertical planemiddle depth
+ + +
horizontal and vertical planeback depth
°
+ + +
1,5
4
+
17
Air: Experimen t Data
model plan and pressure formed
variables at play
- - - - - - - - - - - - -
horizontal and vertical planefront depth
model section and pressure formed (if necessary)
average marble time in second
wind quality
not moving
1
2,7
4
+ + + - - - - - - - - + + +
horizontal and vertical planemiddle depth
+ + +
horizontal and vertical planeback depth
°
+ + +
1,5
4
+
18
Air: Experimen t Data
variables at play
model plan and pressure formed
model section and pressure formed (if necessary)
average marble time in second
wind quality
1,9
3
3,0
2
1,5
4
45° tilted planenear distance
+
+ + + +
135° tilted planenear distance
135° tilted planefar distance
- - - -
+ + +
- - - - - - - -
+ +
19
variables at play
(if necessary)
- - + + + - + + +
- + + +
vertical and horizontal planemiddle depthdifferent height
+ -
vertical and 135° tilted planenear distancedifferent height
+ +
- + + +
+ + + +
+ + + +
+ + + +
+ - + -- + + -
+ + +
horizontal planedepth-different height
++
Air: Experimen t Data
model section and pressure formed
model plan and pressure formed
+ + + +
+ + + +
+ + + +
average marble time in second
wind quality
3,4
3
1,7
3
1,9
4
- + + + +
+ + + +
- - - - - -
+ + + +
+ + + +
+ - - + -
20
Air: Experimen t Synthesis
fast and directed
fast and dispersed
air and its correlation to the current velocity
slow and directed
slow and dispersed
21
Water: Experimen t Framewor k
fluid type : water
experiment model plan tracing
+
d v=t
velocity
measured from
+
distance/ proximity
+
p ressure cre a ted
+
1
+
extracting outcome
-
time pressure
height
density
2
w a ter qualities measured from
water outcome f r o m flowing through the r o u g h a n d varying existing terrain
22
Water: Experiment Data vertic al flo w
+
+ + -+ + -+ -+
+ -+ + - - -+ + - --+ +
+ -+ - + + +
-
--++ +- - + -+ - -+ +--
+ + + + + -++-+ +- - + -- +- +- -
+ +- + + -+ + + - + ++ -+ + - + ++ +23
Water: Experiment Data h o rizo n tal flo w
+
+-+ - +
+
-- + +
-
- -+-
+ +
+-
++- + + + +
--
-+
+ +
-
-
+- + + + +
+- +
+ + -
-+ + +- + -
+
24
Water: Experimen t Synthesis
descending directed and ascendingdispersed
water and its correlation to the current velocity dispersed
vertical dispersed and horizontal directed
directed
25
Developing Programming After we are able to control the desired outcome of the experiment, we can extract spatial strategies that can be applied to the programming. The programming itself, must be complex as it is the ultimate tools to reach the desired well being.
26
As we learned before that in order to reach spiritual well being, we must be clean. In that sense, this entire programming are consist of cleansing rituals, which there are physical, mental, and social cleanse.
act 1: exposition
act 2: physical cleanse
climax: mental cleanse
act 4: physical cleanse
act 5: social cleanse
The Narrative of Visceral Cleansing
the act of leaving all of the userâ&#x20AC;&#x2122;s p ossession behind, disconnecting with the outside alarm, avoiding anydisr u p t i on the user is well aware of their mental and body c o n d i t i o n through body scanning, in which they are let relaxed, giving them time to unwind after a long day of work and at the same time to be mindfull of their beings
the user take small steps of cleansing through the interconnectedness between their body and water, this help them wash the negative energy that lies on their skin, as well on their mind through yoga, the user are refreshed, it moves physical parts of the bodies, in which they stretch, all thorough cleansing of the tension felt on parts of the body
walking meditation allows the user to peregrinate the earth, in which they reconnect with nature, at the same time preparing mind- f ullnes s single focus meditation aimed the user to reach mindfullness, the state of being that are calm, siganling the end of the mental cleanse p roces s i on
bathing, the ultimate form of physical cleansing are used to signalize the transformation of the physical body, from the dirty to the clean and r e freshe d
socializing, while d i s c o n n e c ti ng from the outside distraction are cultivation of cleansing the human social needs, they can focus on topics to talk to, at the same time fulfilling their social d emand
27
the descending contour of the surface from the burning can also be used for laying down on the surface, as it responds to the body contour
the descending contour of the surface from the burning can be used as a relaxed sitting position for body scanning
activity affordance 28
the larger the void created by the burning of the styrofoam, the more it can accomodate people sitting around the void, allowing space for social interactions
the void, filled with water, can help the userâ&#x20AC;&#x2122;s meditation procession, the pool of water can become the object to focus on the single focus meditation.
30
seen vertically, the decreasing contour can be used as surface to sit down, at the same time allowing visual contact from the void created next to the user
the decreasing contour can also be used as surface to stretch the user legs, help them relax after walking meditation
29
seen vertically, the decreasing contour can be used as surface to sit down, this time, the userâ&#x20AC;&#x2122;s leg can stretch out and the curve follow the curve of their body
seen vertically, the bent part of the burned styrofoam can also used as sitting position, but with the userâ&#x20AC;&#x2122;s leg left hanging under
31
affordance synthesis act 1: exposition
act 2: physical cleanse
smaller proportion of the void and the surface created
the decreasing of the contour is used to respond the body contour
brisk rinsing
leaving posession
the similar one void on one plane of styrofoam
the similar one void on one plane of styrofoam, as this would make the yoga procession more intimate
more bigger proportion of the void and the surface created
yoga
body scan
the void responds the yoga movement the user do
32
climax: mental cleanse
act 4: physical cleanse
act 5: social cleanse
eating together
bathin g
walking meditation the various countour on surface evocate various sensation on the userâ&#x20AC;&#x2122;s feet as they meditate
single focus meditation
the concave void can be used as sitting medium for them to sit together
the use of the void as pool of water, using them as object of focus for every user to focus on during they meditate
by using the void created in the middle of the surface, the user can shower from the water dripping from the void
the large void enables the user to sit down and start interacting together, wether they are eating or not, they still spend time socializing together
33
34
Model 1
m Developmen t
For
Model 2
35
Model 3
36
Model 3 37
Introducing: Dolce Aqua
a space for serenity, seeking tranquility, and visceral cleansing of the body using both water and air as the technological medium, thus controlling the desired proximity of the surfaces to reach spiritual well being.
38
Act 3: Mental Cleanse
Walking Meditation Space Single Focus Meditation Room
Walking Meditation Space Single Focus Meditation Room
Act 4: Physical Cleanse Bathing Room
Act 5: Social Cleanse Socializing Space
Body Scanning Room Changing Clothes Room Storage Room
Act 2: Physical Cleanse
Body Scanning Room Changing Clothes Room Storage Room
Act 1: Exposition
39
The socializing space are filled with descending contours with a communal middle ground that aims to sparks conversations in groups of individuality.
The holes constructed inside the concrete sculpture are used for storage purposes
In the bathing room, the same constructed concrete are used to place mirrors and place the amenities for bathing.
The walking meditation space are consisted of contours and rough texture to give sensation to the userâ&#x20AC;&#x2122;s feet, the descending contours are acheived from the development model 2. The plane orientation are the same and the proximity between plane are controlled to get the desired wind quality.
In the brisk cleansing space, the water is used as the main cleansing medium, in this room, the water is used within vertical and horizontal plane to create various water flow, to accomodate each and individual user needs of brisk water cleansing.
The body scanning room are consisted of different orientation of planes to get the desired wind movement, meanwhile providing individual space for the user, the constructed concrete also responds to the userâ&#x20AC;&#x2122;s body so that it helps them find their own individual contour to meditate the s p a ce
40
In this room we can see the contour used to construct ramp for the vertical access as well as using it to give various sensation to the userâ&#x20AC;&#x2122;s feet.
The walking mesitation space in this area is mostly straight contoured, but more focusing on giving various texture for the feet to follow.
The similar orientation plane on this drying room are used to create fast and dispersed wind quality to dry the user body after brisk c leansing.
The single focus meditation space contains different orientation planes to get the desired wind qualities, meanwhile providing individual boundaries for each user to help them free from distractions while m e ditating.
41
The ground floor are dedicated to Yoga activity only, therefore, the room is spacious, as it accomodate groups of people to do yoga together, the wind quality are depends on the surrounding, as it uses the existing rapid wind currents to do this activity.
42
Materiality Overall, Dolce Aqua consist of 4 main materials, which is timber, concrete, stone bricks, and rammed earth.
House and Restaurant by Junya Ishigami
Precedent
This Architectural Project are made from cast in concrete and uses the soil for the framing of the design, resulting in a texture and composition of space in between the void that the concrete and soil created.
43
Structure Intervention
4
1
the elevated and ascending/ descending surface also serves as a ramp to help the user reach switching from levels to levels, while mantaining ergonomic at the same time
elevated levelling
this elevated levelling help segregrate the user from the access flow and the meditation activity, so that the flow of the pople donâ&#x20AC;&#x2122;t disturb the user meditating, the elevated levelling are made from light wight steel frame
5
3 2
3
removing the floor slab
by deleting of the existing slab, it enables the wind to move more thoroughly form floor to floor, helping them to be the medium in which the technological ideas are used.
elevated levelling with ascending / descending countour
casting the concrete and timber frame as partition
the concrete structure is strengthen by the timber intervention and it help bind the concrete to the intervention and existing structure, making them can help to hold loads too
elevated partition
the elevated partition is constructed from timber framingwith combination of block of terracota bricks that have smaller holes, enabling the wind to more fasten in their movement
6
casting the concrete and timber frame as furniture
the curvious countour of the concrete formed by its pre fabricated mold can be utilized as a surface that responds to the basic human needs like sitting, or resting, as this helps them meditating, and body s cannin g
44
Semi Basement Structure ture Intervention vention
21
4 1
4 1
51
4 1 1
5
31
46
Ground d Structure ure Intervention ention 1
31
47
Ambiance view from the body scanning room
view from the brisk cleansing room
3 48
Skala 1 : 150
A
B
R.Ganti -
C
D
PRODUCED BY AN AUTODESK STUDENT VERSION
Basement 1 Layout Plan
29600
PRODUCED BY AN AUTODESK STUDENT VERSION
9000 8100 8100 4400
PRODUCED BY AN AUTODESK STUDENT VERSION
U
scale 1 : 500
LEGENDS
E
ITS tower
Nifarro Park Apartement
5
4
3
2
1
PRODUCED BY AN AUTODESK STUDENT VERSION
29600
PRODUCED BY AN AUTODESK STUDENT VERSION
9000 8100 8100
B
BENGKIRAI DECKING WOOD 90x180mm
Basement 1 Floor Plan Skala 1 : 150
A
LEGENDS
C
CAST IN SITE CONCRETE VARIOUS
D
TEAK PARKET 50x200mm
PRODUCED BY AN AUTODESK STUDENT VERSION
4400
PRODUCED BY AN AUTODESK STUDENT VERSION
E
ROMAN GRANITTILE 400x400mm
5
4
3
2
1
PRODUCED BY AN AUTODESK STUDENT VERSION
Skala 1 : 150
A
B
C
D
PRODUCED BY AN AUTODESK STUDENT VERSION
Basement 1 Lighting Plan
29600
PRODUCED BY AN AUTODESK STUDENT VERSION
9000 8100 8100 4400
PRODUCED BY AN AUTODESK STUDENT VERSION
E
LEGENDS
5
4
3
2
1
wall mounted LEDstrip
LEDstrip
floor LEDstrip
enclosed ceiling luminate
wall mountedlight
PRODUCED BY AN AUTODESK STUDENT VERSION
Skala 1 : 150
A
6000
B
6000
24000
C
6000
D
PRODUCED BY AN AUTODESK STUDENT VERSION
Basement 1 Ceiling Plan
29600
PRODUCED BY AN AUTODESK STUDENT VERSION
9000 8100 8100 4400
PRODUCED BY AN AUTODESK STUDENT VERSION
6000
E
LEGENDS
5
4
3
2
1
wall mounted LEDstrip
LEDstrip
enclosed ceiling luminate
wall mountedlight
PRODUCED BY AN AUTODESK STUDENT VERSION
Skala 1 : 150
-
PRODUCED BY AN AUTODESK STUDENT VERSION
Semi Basement Layout Plan
29600
PRODUCED BY AN AUTODESK STUDENT VERSION
9000 8100 8100 4400
PRODUCED BY AN AUTODESK STUDENT VERSION
R.Meditasi
U
scale 1 : 500
LEGENDS
ITS tower
Nifarro Park Apartement
5
4
3
2
1
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
Skala 1 : 150
A
LEGENDS
6000
B
BENGKIRAI DECKING WOOD 90x180mm
6000 24000
C
CAST IN SITE CONCRETE VARIOUS
6000
D
TEAK PARKET 50x200mm
PRODUCED BY AN AUTODESK STUDENT VERSION
Semi Basement Floor Plan
29600
9000 8100 8100 4400
PRODUCED BY AN AUTODESK STUDENT VERSION
6000
E
ROMAN GRANITTILE 400x400mm
5
4
3
2
1
PRODUCED BY AN AUTODESK STUDENT VERSION
Skala 1 : 150
A
6000
B
6000 24000
C
6000
D
PRODUCED BY AN AUTODESK STUDENT VERSION
Semi Basement Lighting Plan
29600
PRODUCED BY AN AUTODESK STUDENT VERSION
9000 8100 8100 4400
PRODUCED BY AN AUTODESK STUDENT VERSION
6000
E
LEGENDS
5
4
3
2
1
wall mounted LEDstrip
LEDstrip
floor LEDstrip
enclosed ceiling luminate
wall mountedlight
PRODUCED BY AN AUTODESK STUDENT VERSION
29600
9000 8100 8100
A
Skala 1 : 150
6000
C
6000
D
PRODUCED BY AN AUTODESK STUDENT VERSION
B
6000 24000
6000
E
LEGENDS wall mountedlight enclosed ceiling luminate
LEDstrip
floor LEDstrip
wall mounted LEDstrip
1
2
3
4
5
PRODUCED BY AN AUTODESK STUDENT VERSION
4400
Semi Basement Ceiling Plan
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
9000
Skala 1 : 150
A
6000
B
17100
PRODUCED BY AN AUTODESK STUDENT VERSION
6000
24000
R.Yoga + 0.00
C
6000
D
PRODUCED BY AN AUTODESK STUDENT VERSION
Ground Floor Layout Plan
8100
PRODUCED BY AN AUTODESK STUDENT VERSION
6000
U
scale 1 : 500
LEGENDS
E
ITS tower
Nifarro Park Apartement
3
2
1
PRODUCED BY AN AUTODESK STUDENT VERSION
9000 17100
PRODUCED BY AN AUTODESK STUDENT VERSION
Skala 1 : 150
A
LEGENDS
6000
CAST IN SITE CONCRETE VARIOUS
B
6000
TEAK PARKET 50x200mm
24000
C
6000
D
PRODUCED BY AN AUTODESK STUDENT VERSION
Ground Floor Floor Plan
8100
PRODUCED BY AN AUTODESK STUDENT VERSION
6000
E
3
2
1
PRODUCED BY AN AUTODESK STUDENT VERSION
9000
Skala 1 : 150
A
6000
B
6000
24000
C
6000
D
PRODUCED BY AN AUTODESK STUDENT VERSION
17100
Ground Floor Lighting Plan
8100
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
6000
E
LEGENDS
3
2
1
wall mounted LEDstrip
LEDstrip
floor LEDstrip
enclosed ceiling luminate
wall mountedlight
PRODUCED BY AN AUTODESK STUDENT VERSION
9000
Skala 1 : 150
A
6000
B
6000
24000
C
6000
D
PRODUCED BY AN AUTODESK STUDENT VERSION
17100
Ground Floor Ceiling Plan
8100
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
6000
E
LEGENDS
3
2
1
enclosed ceiling luminate
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
LEGENDS scale 1 : 500
A’HH
PRODUCED BY AN AUTODESK STUDENT VERSION
+9.31
+0.00
-4.25
-7.50
9000
8100
8100
29600
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
A
4400
Section A-A’ Skala 1 : 150
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
+9.31
+0.00
-4.25
-7.50
8100
8100
29600
PRODUCED BY AN AUTODESK STUDENT VERSION
9000
4400
West Facade Skala 1 : 150
References 1. Scott, F. (2008). On Altering Architecture. London: Routledge, pp. 1-19, 92-166 2.Brand, S. (1994). How Building Learn: What Happen After They’re Built. New York: Viking, pp. 12–23 and pp. 178-209 3. Brooker, G. and Stone, S. (2008). Form + Structure. Lausanne: AVA Publishing, pp. 100-121 4.Brooker, G. and Stone, S. (2004). Re-readings: Interior Architecture and the Design Principles of Remodelling Existing Buildings. London: RIBA Enterprises 5. Jencks, C. (2012). Can Architecture Affect Your Health? Arnhem: ArtEZ 6.Keeble, T. (2013). Technology and the Interior, in: Brooker, G., Weinthal, L. (Eds.), The Handbook of Interior Architecture and Design. Bloomsbury Academic, London, pp. 528–543. 7.Zardini, M., Borasi, G. and Campbell, M. (2012) Imperfect Health. Montreal: Canadian Centre for Architecture, pp. 15-37 and pp. 97-116 8.Power, J. (2014). Interior Space: Representation, Occupation, Well-Being and Interiority. Temes de disseny [en línia], Núm. 30, p.10-19. 9.Smith, D., Metcalfe, P. and Lommerse, M. (2012). Interior Architecture as an Agent for Wellbeing. Journal of the HEIA, 19(3), pp.2-9. 10.Siegel, J. (2011). Engineering the Indoor Environment, in: Weinthal, L. (Ed.), Toward a New Interior: An Anthology of Interior Design Theory. New York: Princeton Architectural Press, pp. 348–357. 11. Caan, S. (2011). Rethinking Design and Interiors. London: Laurence King Pub, pp. 35-80. 12. AD Vol. 79 No.3. (2009). Energies: New Material Boundaries. London: John Wiley & Sons 13.Tabujara, Jr. (2017). General Physics: K-12 Compliant Worktext for Senior High School. Tokyo: JFS Publishing Services 14. Tvorogova, N. D. (2011). Spiritual Well-Being. Psychology in Russia, 4, 1–12. 15.Grossmeier, J. (2019). Editor’s Desk: Addressing Spiritual Well-Being in the Workplace. American Journal of Health Promotion, 33(7), 1081–1093. 16.Chowdhury, R. (2018). Religiosity and Voluntary Simplicity: The Mediating Role of Spiritual Well-Being. Journal of Business Ethics, 152(1), 149–174. doi: 10.1007/s10551-016-3305-5
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STATEMENT OF ORIGINALITY OF WORKS The undersigned below : Full name NPM Date of birth Faculty / University Major
: : : : :
Advan Beryl Primana 1706044465 Nov em ber 13th 1999 Faculty of Engineering/Universitas Indonesia Interior Architecture
Hereby declare that the work with the title â&#x20AC;&#x153;Dolce Aquaâ&#x20AC;? has never been published and has not been included in competitions at Regional, National or International level before and does not contain plagiarism in it. Thus this statement was made in a conscious state and without any element of coercion from anyone.
Denpasar, December 30th 2019
Advan Beryl Prima Primana