Advanced Media Product Guide 2013 by Advanced Media Trading

2013

Founded in Dubai in 2002, AMT continues to serve highly specialised professional segments in the media industry and is dedicated to providing the finest video and photography products available in the market today. With deep roots in turn-key project implementation, AMT offers the best value added solutions, catering for both public and private sectors in TV broadcasting, film production, studios, museums, expeditions, journalism and sports.

‫ادﻓﺎﻧﺴﺪ ﻣﯿﺪﯾﺎ ﻫﯽ اﻟﴩﮐﻪ اﻟﺮاﺋﺪه و اﻻﮐرث ﺷﻬﺮه ﺑﺎﻟﴩق اﻻوﺳﻂ ﺑﺘﻘﺪﯾﻢ ﺣﻠﻮل ﻟﻠﻤﺤﻄﺎت اﻟﺘﻠﻔﺰﯾﻮﻧﯿﻪ‬ ‫و ﴍﮐﺎت اﻻﻧﺘﺎج اﻟﺘﻠﻔﺰﯾﻮﻧﯽ و ﺟﻤﯿﻊ اﳌﺘﻌﺎﻣﻠﯿﻦ مبﻌﺪات اﻟﺼﻮت و اﻟﺼﻮره مبﺎ ﯾﺤﻘﻖ ﺻﻮره اﮐرث اﺣﱰاﻓﯿﻪ‬ .‫ﺑﺎﺳﺘﻌامل اﻻدوات اﳌﺒﺘﮑﺮه‬ ‫ ﻧﺼﺐ و راه اﻧﺪازی ﺗﺠﻬﯿﺰات و ﺳﯿﺴﺘﻢ ﻫﺎی ﺗﻮﻟﯿﺪ و‬- ‫ ﻃﺮاﺣﯽ‬- ‫ﺗﺠﺮﺑﻪ و داﻧﺶ ﺗﺨﺼﺼﯽ در ﻣﺸﺎوره‬ ‫ را ﺑﻪ ﯾﮑﯽ از ﻣﻌﺘﱪﺗﺮﯾﻦ و‬Advanced Media ‫ﭘﺨﺶ ﺗﻠﻮﯾﺰﯾﻮﻧﯽ و ﺗﺼﻮﯾﺮ و ﺻﺪای ﺣﺮﻓﻪ ای‬ .‫ﺑﺰرﮔﱰﯾﻦ ﺗﺎﻣﯿﻦ ﮐﻨﻨﺪﮔﺎن ﺗﺠﻬﯿﺰات ﺣﺮﻓﻪ ای اﯾﻦ ﺻﻨﻌﺖ در ﺧﺎورﻣﯿﺎﻧﻪ ﺗﺒﺪﯾﻞ منﻮده اﺳﺖ‬

Contents

Broadcast & Professional Video Camcorders Player / Recorder Hard Disk Recorder Memory Cards Battery / Charger On Camera Lighting Camera Case Optics Monitors Tripods Camera Support System Chroma-key Switchers / Mixers Underwater-housing Teleprompter Lighting Lighting Support Professional Audio Interfaces Media storage NLE On-Air Archiving Wireless camera Up-Link Microwave

4 15 17 19 20 21 22 24 33 35 41 54 55 60 61 63 67 74 84 87 92 97 99 100 102 103

Photography Digital Camera Optics Lighting & Studio Lightmeter Tranceiver Lighting Accessories Tripods Monopods Heads Phtography Support Accessories Camera Cases Studio Accessories Professional Camera Support Under Water Housing

104 110 118 120 121 122 128 130 132 134 136 137 157 160 183

Contacts

186

Ultra compact

Wiﬁ remote (optional) ND ﬁlter

Professional Video

4K Camera Systems No. 410, 4th floor. Al Khaleej Center, Bur Dubai P.O.Box: 44156, Dubai-UAE Tel.: +9714 3529977 Fax: +9714 3529976 Email: info@amt.tv

F65

Super 35mm 8K CMOS sensor SRMASTER camera

Features: Super 35mm CMOS sensor with 20 Mega pixels The F65 features superb image quality in HD/2K and True 4K. There is a choice of format composition as required, including 1.85:1, 1.78:1, 1.66:1, 1.33:1, 2.35 spherical, 1.3x anamorphic, or 2x anamorphic cropped. The F65 has a 14-stop latitude, high sensitivity and ultra-low noise. It offers filmic colour reproduction with an unrivalled colour gamut. Compact and light-weight Smaller and lighter than the F35, the F65 allows for even easier handling for applications such as Steadicam. Records on to SRMemory with dockable SR-R4 SRMASTER Portable Recorder The SR-R4 is a 4K recording system specifically designed for Sony’s new top-of-the-line F65 cinematography camera. It takes full advantage of the ultra high-speed SRMemory platform to record super-rich RAW data from the F65 at speeds as fast as 5 Gbps. SRMemory is unique – nothing can match its combination of capacity, sustained data throughput, security and portability. It opens up completely new ways for end-users to work. With huge transfer speeds up to 5 Gbps, SRMemory media also has massive capacity up to 1TB for long recording times. Wide range of interfaces for on-set workflow The F65 provides 16bit RAW output for recording onto SRMemory in the dockable SR-R4. Other interfaces include monitoring via HD-SDI and HD viewfinder with LUT, camera remote connector, LAN connecter, WiFi Camera Control and Cooke /i support. Rotary shutter The optional mechanical rotary shutter eliminates the rolling-shutter effect common to CMOS sensors. Built-in ND Filters Four Neutral Density Filters are supplied with the Rotary Shutter option. Records at up to 120 FPS The camera features higher frame rate recording up to 120P, which is especially useful on productions such as commercials that require a slow motion effect.

PMW-F55

Super 35mm 4K CMOS sensor compact CineAlta camera records HD/2K/4K on SxS memory plus 16-bit RAW 2K/4K output

Sony 4K sensor for gorgeous, super-sampled HD, 2K and 4K The PMW-F55 CineAlta camera shoots spectacular images with its 8.9 megapixels (effective) Sony 4K image sensor. You get superb dynamic range, the widest colour gamut, and pristine image quality, whether you shoot in HD, 2K or 4K. Multiple recording formats includes HD/2K/4K on SxS memory and 16-bit RAW 2K/4K on AXSM™ media Multiple recording formats include MPEG-2 HD422, MPEG4 SStP*, XAVC 2K*/HD, XAVC QFHD*/4K and 16-bit RAW 2K/4K**. You can have simultaneous recording on internal high-speed SxS PRO+ memory cards and RAW 2K/4K recording on sleek AXSM™ memory cards using the optional bolt-on AXS-R5 recorder, designed specifically to attach seamlessly to the F55 and F5 cameras. There is also high speed shooting up to 240 fps RAW 2K and 60 fps in RAW 4K recording onto the AXS-R5.

PMW-F5

Super 35mm 4K CMOS sensor compact CineAlta camera records HD/2Kon SxS memory plus 16-bit RAW 2K/4K output

Professional Video

Sony 4K sensor for gorgeous, super-sampled HD and 2K The PMW-F5 CineAlta camera shoots spectacular images with its 8.9 megapixels (effective) Sony 4K image sensor. You get superior, super-sampled pictures with noticeably higher contrast, rich colour reproduction and greater clarity. The camera offers robust built-in recording modes, all with vibrant 4:2:2 colour. Irresistible options include the amazing precision of 16-bit linear RAW 2K/4K recording and high speed shooting at up to 120 fps without cropping. Multiple recording formats includes HD/2K on SxS memory and 16-bit RAW 2K/4K on AXSM™ media Multiple recording formats include MPEG-2 HD422, MPEG4 SStP*, XAVC 2K*/HD and 16-bit RAW 2K/4K**. You can have simultaneous recording on internal high-speed SxS PRO+ memory cards and RAW 2K/4K recording on sleek AXSM™ memory cards using the optional bolt-on AXS-R5 recorder, designed specifically to attach seamlessly to the F55 and F5 cameras. There is also high speed shooting up to120 fps XAVC 2K/HD* internally and 120 fps RAW 2K onto the AXS-R5.

Key features: Shoulder Mount XDCAM EX Camcorder Three 2/3-inch type Exmor™ CMOS Sensors 1920 x 1080 HD Recording Using the “MPEG-2 Long GOP” Codec Selectable Recording Modes including DVCAM Recording New Nonlinear Recording Media, “SxS PRO” - For Greater Efficiency, Operability, and Reliability 23.98P Native Recording Cache Recording Function

PMW-500

Three 2/3-inch Power HAD FX CCD sensors XDCAM HD422 camcorder record ing full HD (plus SD option)

PMW-F3K

Super 35mm Exmor CMOS sensor with 35mm, 50mm and 85mm lenses

CineAlta camcorder recording full HD / SD The PMW-F3 is part of the CineAlta 24P family of digital cinematography products and its support for multiple frame rates includes a filmic 23.98P as well as S-Log workflows. Sony’s Exmor™ Super35 CMOS sensor was designed with the benefit of two decades experience in Digital Cinematography, pioneering digital HD acquisition for feature films and broadcast TV through the legendary CineAlta product range. It brings a true ‘film look’ and superior image quality into reach for independent movies, pop promos, commercials and other applications, as well as making the PMW-F3 an ideal B-camera for high-end feature film production. The PMW-F3K is supplied with three high quality Sony lenses and an industry standard PL Mount adaptor providing compatibility with industry standard 35mm lenses. (Also available is the lens-less PMWF3L.) Exceptional flexibility is a key feature of the F3 along with with multiple workflow options. XDCAM EX’s proven high-speed, intuitive workflow offers seamless integration with leading nonlinear editing software - as standard. In addition, a 10bit 4:2:2 HD-SDI output opens up hybrid recording possibilities with a variety of external recording devices. And from April 2011, a Dual Link HD-SDI option will enable 10bit RGB uncompressed signal output - ideal for the high-end film production.

PMW-350K

Available in two versions: PMW-350K (with Lens) and PMW350L (without Lens)

Product Highlights 2/3”-Type Power HAD CCDs XDCAM HD (MPEG-2 4:2:2 @ 50 Mb/s) Captures to SxS Memory Card Records in UDF & FAT Formats MXF or MP4 File Wrappers HD/SD-SDI Slow & Quick Motion Pool Feed Input Recording 50-Pin Rear Interface Hypergamma

PMW-320K

Three 1/2-inch type Exmor CMOS sensors XDCAM EX camcorder with 16x zoom HD lens recording full HD / SD

Product Highlights 3 1/2” Exmor CMOS Sensors Fujinon 1/2” HD Lens Full HD 1920 x 1080 23.98P Native Recording HD/SD/DVCAM 1080/720, Interlace/Progressive XDCAM EX Solid State Workflow Uses SxS Memory Cards NTSC/PAL 4-channel Audio

Professional Video

PMW-TD300

3D XDCAM EX shoulder camcorder with dual three 1/2-inch type Exmor CMOS sensors recording Full HD / SD, 3D or 2D

Product Highlights Dual Integrated 7x Zoom Lenses Dual Exmor 3CMOS 1/2” Full HD Sensors Glasses-Free 3.5” LCD Screen Intuitive Manual Convergence Control 3.9’ Minimum Convergence Distance 35 Mb/s MPEG-2 Recording @ 1920 x 1080 4x SxS Card Slots (L/R Synchronized) HDMI & Dual HD-SDI Out Genlock In & Time Code In/Out Redundant Recording in 2D Mode The PMW-TD300 XDCAM EX Shoulder-Mount 3D Camcorder from Sony is a dual-lens, shoulder-mount camcorder that records left-eye/ right-eye full HD video to SxS cards (not included). The camera uses the familiar XDCAM EX workflow; the only wrinkle is that dual lenses and dual Exmor 3xCMOS sensors are capturing dual synchronized streams of HD video, which are recorded as separate MPEG-2 files (35 or 25 Mb/s) to cards that are dedicated to either the left or the right eye.

HSC-300

Sony is now proud to introduce the new HSC-300 HD/SD System Camera equipped with newly developed digital triax technology, which allows systems to be configured with conventional triax. The HSC-300 camera supports versatile applications for HD with a high-quality SD output. It uses the latest 14-bit A/D conversion circuit as well as the superb 2/3-inch Power HAD™ FX CCDs to bring out high picture quality. Power HAD FX CCD for high sensitivity 14-bit A/D (Analog to Digital) conversion Digital triax operation Newly developed Focus Assist Functions System Compatibility Low profile chassis design and Large lens operation.

PMW-200

Three 1/2-inchExmorCMOS sensors XDCAM camcorder recording Full HD 422 at 50 Mbps

HXC-100

Opening a New World of HD Production

Sony’s standard-definition (SD) and high-definition (HD) production cameras have been widely accepted by a great number of video professionals around the world, due to their excellent picture performance and system versatility. The HXC-100 is equipped with a newly developed three 2/3-inch type 2.2-megapixel HD CCD. Based on Sony HAD sensor technology and the latest on-chip lens structure, this new CCD offers a high sensitivity of F11 at 2000 lx. In addition to this performance, a wide variety of capturing modes including 1080/50i and 720/50P. Power HAD FX CCD for high sensitivity 14-bit A/D (Analog to Digital) conversion Digital triax operation Newly developed Focus Assist Functions Simple System Configuration Robust Design

Product Highlights Three 1/2” Exmor CMOS Sensors MPEG HD422 at 50 Mbps HD422 1080p at 24 & 30 fps HD422 720p at 24, 30 & 60 fps Fujinon Lens with 14x Zoom Ratio Four Channels of 16-bit Audio Articulated LCD with 852x480 Resolution Timecode & Genlock Input Cache Recording Up to 15 Seconds Dual ExpressCard SxS Memory Card Slots The Sony PMW-200 XDCAM HD422 Camcorder is the successor to Sony’s well respected PMW-EX1/R camcorder. It supports the 50 Mbps MPEG HD422 codec and MXF recording. The PMW-200 is equipped with three 1/2” Full HD 1920 x 1080 Exmor CMOS sensors, which support 1000 TV1 high resolution, F11 (2000 lx) high sensitivity, low 56dB noise and a wide dynamic range. It works for SD/HD recording and features a 14x zoom lens with a unique focus ring mechanism.

Professional Video PMW-100 PMW-150 PMW-200

PMW-150

Three 1/3-inch Exmor CMOS sensors compact XDCAM camcorder recording Full HD 422 at 50 Mbps

Compatible with XDCAM Disc & EX Formats DVCAM Recording Less Than 1.8 Kg with Battery & Card The Sony PMW-100 XDCAM HD422 Handheld Camcorder offers broadcast-quality 50 Mb/s MPEG-2 recording at 1920 x 1080 in a very compact form factor. Even loaded with an SxS card and the packaged Li-ion battery, the PMW-100 weighs slightly less than 1.8 Kg.

NEX-EA50EH

NXCAM Large Format Sensor camcorder with E-mount lens system

Product Highlights Three 1/3” Exmor CMOS Sensors Sony 20x Power Zoom Lens XDCAM HD422 Format at 50Mbps Articulated LCD with 852x480 Resolution DVCAM for SD Recording and Playback Two SxS Memory Card Slots Play and Record UDF and FAT Cards Built-in ND Filters (1/4, 1/16, 1/64) Signal-to-Noise Ratio 54 dB Wi-Fi Remote Capability The Sony PMW-150 XDCAM HD422 Camcorder features three 1/3” Exmor CMOS sensors and a 20x power zoom lens. PMW-160 utilizes the XDCAM HD422 format at 50Mbps.

PMW-100

One 1/3” Exmor CMOS XDCAM HD422 Handy Camcorde

Product Highlights Includes 18-200mm Servo Zoom Lens Records Full HD 1080p up to 60 fps Exmor APS-C CMOS Sensor Lossless Digital Zoom Effect Accepts E-mount Lenses Two XLR Audio Inputs SD/MS Memory Card Slot FMU Slot for Flash Memory Unit Still Photographs at 16 Megapixels Hot Shoe for Traditional Flash Units

NEX-FS700E

4K “Exmor” Super 35 CMOS sensor

Product Highlights 1/2.9” CMOS Sensor (1920 x 1080) XDCAM 422 MPEG-2 Codec at 50 Mb/s 10x Zoom Lens - 40-400mm (35mm Equiv) 3.5” LCD Screen (852 x 480 Pixels) HD-SDI & HDMI Outputs Dual XLR Inputs / Timecode & Genlock I/O Dual ExpressCard SxS Card Slots

Professional Video

Product Highlights 4K Exmor Super 35mm CMOS Sensor Capture 1920 x 1080/60p Video Includes 18-200mm Lens NXCAM Recording Format (AVCHD) LCD 3.5” Screen with VF Attachment Up to 960 fps Super Slow Motion ISO 500 (0 dB) to ISO 16,000 (30 dB) Dual XLR, HDMI & 3G/HD-SDI Connectivity FMU Port Supports Optional Memory Future 4K Upgrade

PMW-EX3

Three 1/2-inch type Exmor CMOS sensors XDCAM EX camcorder with interchangeable lens system recording full HD / SD

The Sony NEX-FS700 Super 35 Camcorder is a fully professional largesensor video camera. Hot on the heels of the FS100, this compact, highly modular camera uses a very similar-sized Super 35 CMOS sensor as the FS100. But as a marked improvement over that earlier model’s sensor, the FS700 features a native 4K resolution sensor.

NEX-FS100

NXCAM Super 35mm Sensor Camcorder Product Highlights Interchangeable 1/2” Lens System 3x 1/2” Exmor CMOS Sensors 1080p 24p HD-SDI Interface 2/3” Lens Capability 8-Pin Remote Connection 16GB SBP-16 SxS Memory Card Included The Sony PMW-EX3 is a flash-memory based high definition camcorder capable of a variety of frame rates and resolutions using Sony’s new XDCAM-EX intraframe codec. A “big-brother” to the PMW-EX1, the PMW-EX3 ups the ante by providing an interchangeable lens mount. The mount allows users to put a variety of professional lenses on the camera, including 1/2” and 2/3” bayonet mounts (with optional adapter).

Product Highlights Includes 18-200mm Zoom Lens Exmor Super35 CMOS Sensor E-Mount Interchangeable Lens System Uncompressed 4:2:2 & RGB Output via HDMI NXCAM Recording Format (AVCHD) Embedded Timecode 3.5” XtraFine LCD Screen 1920 x 1080p Slow & Quick Motion Dual XLR Audio Memory Stick, SD/SDHC/SDXC Recording The NEX-FS100 Super 35mm Sensor Camcorder is Sony’s first affordable and fully professional large-sensor video camera. This compact, highly modular camera comes equipped with a stabilized 11x zoom lens while using the same S35-size CMOS sensor as the higher-end PMW-F3. Unlike smaller, broadcast-style sensors or the larger “full-frame” sensors of some DSLRs, the NEX-FS100’s imaging area matches that of standard Hollywood film cameras, providing complete compatibility with cine-style film lenses (via optional adapters) as well as any of Sony’s E-Mount lenses.

HVR-S270E

The HVR-S270E is a brand new HDV shoulder mount camcorder with an interchangeable lens system, native progressive recording, and solid-state memory recording. A variety of lenses can be attached to the HVR-S270E, which is equipped with a universal standard 1/3-inch bayonet mount mechanism for the quick changing of lenses. Switchable Recording and Playback- HDV1080i/DVCAM/DV 1/3-inch type 3 ClearVid CMOS Sensor System The HVR-S270E offers cutting-edge features, such as the technology of “Exmor™” developed by Sony, which utilizes the full potential of the 3 ClearVid CMOS Sensor system. Wide Range of Lenses Carl Zeiss Lens for HD Video as Standard Alpha Lens Compatibility 25p HDV Native Progressive Recording Modes

Professional Video

HXR-NX70E

Compact Dust and Rain-proof Camcorder with 1/2.88-in Exmor R™ CMOS Sensor

Rain & Dust Resistant Full HD 1920 x 1080 50/25p AVCHD Recording at 28Mbps Ultra Wide 26.3mm Sony G Lens Built-in 96GB Flash Memory Uses Memory Stick or SD Cards XtraFine 3.5” Touchscreen LCD Assignable Lens Ring Detachable Handle with Dual XLR Input Infrared NightShot In low light conditions, its Exmor R™ CMOS sensor delivers roughly double the sensitivity of conventional CMOS sensors, while an ultrawide angle 26.3mm Sony G Lens™ lets you capture more of the action in close shooting situations. You can also ‘geo-tag’ your precise location with built-in GPS, while 96 Gigabytes of embedded Flash Memory provides up to 40 hours of storage capacity - ideal when operating in remote locations.

HXR-NX30E

HXR-NX5E

Three 1/3-inch Exmor CMOS sensors NXCAM AVCHD camcorder with GPS recording full HD / SD

3 1/3” CMOS Sensors 1080i/1080p/720p AVCHD (@24Mbps) Wide Angle 20x G-Lens HD-SDI & HDMI Output SMPTE Time Code In/Out Dual XLR Inputs Simultaneous HD/MPEG-2 SD Capture Uses Memory Stick PRO Duo / SDHC Cards Built-in GPS Sony’s first professional AVCHD camcorder redefines the performance and features expected of this product class. It records stunning quality 1920 x 1080 images at 24Mbps (50i or 25p), as well as supporting 720/50p and Standard Definition recording. Sony’s “G Lens” and Exmor™ technology provide excellent resolution, colour and contrast, as well as exceptional low-light sensitivity.

HVR-Z7E

1/3-inch typr 3 ClearVid CMOS sensor with Exmor technology HDV camcorder with interchangeable lens system recording HD / SD

1/2.88-inch Exmor R CMOS sensor ultra-compact NXCAM camcorder recording full HD with Balanced Optical SteadyShot™

1/2.88” ExmorR CMOS Image Sensor Ultra-Wide Zeiss 10x Optical Zoom Lens Shoots AVCHD Up to 1080/50p at 28 Mbps Balanced Optical SteadyShot Stabilizer Integrated Viewfinder & 3.0” LCD Monitor Capture Stills While Shooting Video2 x XLR Inputs & Pro Audio Controls Built-In 96GB Flash Memory Capacity SD and Memory Stick Pro Duo Card Slot Built-In Projector & Built in Stereo Mic Palm-sized camcorder with outstanding picture quality Advanced image stabilisation.

Interchangeable Lens Capability 1/3” Exmor CMOS Sensors 1080i 25p A variety of video lenses can be attached to the HVR-Z7E, which is equipped with a universal standard 1/3-inch bayonet mount mechanism for the quick changing of lenses. Added to this a streamlined nonlinear editing workflow can be achieved using the supplied memory-recording unit, which provides HDV/DVCAM/DV file recording on a standard CompactFlash® solidstate memory card. This offers customers varying levels of flexibility and hybrid operation which is becoming an important requirement in video production. The HVR-Z7E also features 25p HDV native progressive recording mode and HDMI output.

Professional Video

HVR-Z5E

1/3-inch type 3 ClearVid CMOS sensor HDV camcorder recording HD / SD

1080i MiniDV Compatible CMOS Sensor Photo Mode The Sony HVR-HD1000P Digital High Definition HDV PAL Camcorder is a PAL HDV camcorder specifically designed for videographers looking for an affordable shoulder-mounted camera. Ideal for event work and wedding videography, the camera is equipped with a ClearVid CMOS sensor, capable of recording 1080i high definition footage on a standard MiniDV tape! Additionally, the HVR-HD1000P comes fitted with a 10x Carl Zeiss Vario-Sonnar lens with Super SteadyShotTM image stabilization, ensuring operators get the perfect shot every time.

NEX-VG900

Full-Frame Interchangeable Lens Camcorder 3CMOS ClearVid Exmor Sensors miniDV Cassette 1080p 25p 20x G-Lens Dual Record with 1.2MP Still Capture HDV/DV Switchable Dual-Record Mode The Sony HVR-Z5P Professional HDV PAL Camcorder is the highlyanticipated successor to the acclaimed HVR-Z1P. The camera improves upon its predecessor in a variety of areas, including overall performance and range of features. CinemaTone technology enhances both gamma and color, providing exceptional images that exhibit a beautiful film-like aesthetic. What makes the camera unique is its ability to shoot to both tape and compact flash simultaneously when using the HVR-MRC1K compact flash memory recording unit.

HXR-MC1500E

Shoulder Mount AVCHD PAL Camcorder

1/4â&#x20AC;? Exmor R CMOS Image Sensor Fast f/1.8-3.4 Lens with 12x Zoom Ratio HD 1080/50i and 720/50p Resolution 64GB of Internal Memory Memory Stick and SD/SDHC/SDXC Slot AVCHD Compression Format User Configurable Manual Lens Ring Optical SteadyShot with Active Mode MPEG-2 for SD Recording Format DVDirect and Direct Copy

Product Highlights 24.3MP FullFrame 35mm Exmor CMOS Sensor E-Mount Lens Compatibility A-Mount Lens Compatibility via Adapter Quad Capsule Microphone & 5.1 Sound Tru-Finder OLED Electronic Viewfinder Cinematone Gamma / Color Picture Effect Modes Seesaw Lever Smooth Zoom Uncompressed 1080 HDMI Output

Includes adapter for more lens options.

The Sony NEX-VG900 Full-Frame Interchangeable Lens Camcorder is the first Handycam camcorder with a 35mm sensor to fully exploit the artistic potential of interchangeable lenses. With a resolution of 24.3 effective megapixels, the camcorderâ&#x20AC;&#x2122;s Exmor CMOS sensor is around 40 times larger than its equivalent in standard consumer camcorders and more than twice the size of the APS-C sensor found in other interchangeable lens Handycam models.

HVR-HD1000E With a wider view, surprising low-light sensitivity and robust defocusing capabilities thanks to an ultra-shallow depth of field, you can tell your story in dramatic fashion. The NEX-VG900 also captures full-frame, 24 megapixel still photos, with RAW format support for all the post-processing flexibility and quality expected from a proclass type camera. The sensor also allows the creation of distinctive bokeh (attractive defocus) effects; high sensitivity for extremely clear, low-noise images; and effortless reproduction of smooth, true tonal gradation.

Professional Video

NEX-VG30

Interchangeable Lens HD Camcorder and Lens

Product Highlights Sony 18-200mm f/3.5-6.3 Power Zoom Lens Exmor APS-C Sized 16.1MP CMOS Sensor Direct Power Zoom with Variable Speed XGA OLED Tru-Finder EVF with Eye Sensor Quad Capsule Spatial Array Microphone Microphone Jack with Audio Level Control Vegas Movie Studio Platinum 12 Download High Res 16MP RAW and JPEG Stills @ 6fps Compatible with Sony E-Mount Lenses Comprehensive Manual Controls

The Sony NEX-VG30 Camcorder with 18200mm f/3.5-6.3 Power Zoom Lens is an interchangeable lens camera for cinematic video and DSLR quality photographs, Includes an 18-200mm featuring a 16.1MP Exmor APS-C sized CMOS sensor, an XGA OLED Tru-Finder EVF, a Quad Capsule Spatial Array Microphone, a BIONZ image processor and the Sony E-mount for Sony E-Mount lenses.

Sony’s Brand-new DVCAM Camcorder Delivers Eye-opening Picture Quality an Enhanced Functionality The DSR-PD175P is simply the best standard definition handheld camcorder ever produced by Sony. It uses the same chassis as the state-of-the-art HVR-Z5E HDV Camcorder introduced in 2008 with many of the same advanced features, including the all-new high performance Sony G-Lens which combines a ClearVid array and advanced Exmor image-processing technology for class leading picture quality and low light performance.

The weight distribution and control layout of this chassis has set new ergonomic standards for handheld operation, while operational flexibility is further enhanced by support for the HVR-MRC1K Compact Flash Solid State recorder. In every respect, the DSR-PD175P is a natural successor to the legendary DSR-PD170P Camcorder for customers who need the highest performance and latest technology but don’t currently have a requirement for High Definition.

HXR-NX3D1 NXCAM 3D Compact Camcorder

Full HD Stereoscopic 3D Camcorder Dual 1/4” Exmor R CMOS Sensors Dual Sony G Lenses (10x Optical in 3D) 96 GB Internal Memory & Card Slot LCD Shows Glasses-Free 3D Full 1920 x 1080 in 3D and 2D 3D Modes: 60i, 50i, 24p (28 Mb/s) 2D Modes: 60p, 50p, 60i, 50i, 24p, 25p Auto or Manual Convergence Adjustment Detachable Handle with Dual XLR Inputs

NEX-VG30 presents a significant upgrade from Sony’s NEX-VG20, adding a seesaw lever for power zoom, a Multi Interface shoe, a much improved electronic viewfinder, Picture Effects and the option for an external XLR adapter

DSR-PD175P The Sony HXR-NX3D1 NXCAM 3D Compact Camcorder is literally two camcorders in one, facilitating the capture of high-definition stereoscopic 3D video at full 1920 x 1080 resolution. The camera borrows several elements from Sony’s NXCAM line, such as the HD native Exmor R CMOS sensor (1/4”, with ClearVid pixel array), the 12x Sony “G” lens (10x in 3D mode), and solid-state recording of AVCHD in many formats. (For the HXR-NX3D1, the imaging elements are, of course, doubled.) But as a single-body handheld 3D camcorder, the professional NX3D1 brings several innovations to the table for this emerging class of camcorders.

Professional Video

EOS-1D C

Cinema EOS Camera

The Canon EOS-1D C* represents a breakthrough in cinematography in a DSLR specifically designed for video, that is incredibly flexible, rugged and compact. Offering onboard 4K image capture, industrystandard codecs and interfaces, and incredible low light performance, the EOS-1D C helps make 4K filmmaking as creative as you want it to be. Product Highlights: 18.1Mp CMOS Sensor 4K Cinematic Quality Video 1920 x 1080 Full HD Video Dual DIGIC 5+ Image Processors 3.2” LCD Screen Eye-Level Pentaprism Viewfinder Dual CF Card Recording Media Canon EF Lens Mount Magnesium Alloy Body 61-Point High Density Auto Focus

The Cinema EOS C500 / C500 PL 4K Digital Cinema Camera capitalizes on the groundbreaking ergonomic design of the EOS C300 / C500 PL camera, and offers a Super 35mm, 8.85-megapixel CMOS image sensor, DIGIC DV III Image Processor and an expansive range of recording and output options specifically for 4K and 2K image acquisition. Addressing the discrete needs of cinema and TV, the EOS C500 / C500 PL offers two forms of 4K origination - productions can dynamically select DCI (SMPTE 2048-1:2011 standard) or the alternative television-centric Quad-HD (SMPTE 2036-1:2009 and ITU-R BT.1769 standards) source image formats.

The EOS C500 / C500 PL features uncompressed Canon RAW output for both 4K and 2K recording. The Canon RAW output is delivered to external recording systems via built-in dual 3G-SDI ports. Dual uncompressed HD-SDI out ports supports external live monitoring. HD content can be written to dual onboard CF cards simultaneously to provide proxy video for offline NLE systems.

EOS C300 / EOS C300 PL Cinema EOS Camera

EOS C500 / EOS C500 PL Cinema EOS Camera

Product Highlights Super 35mm-Size CMOS Sensor EF / PL Lens Mount for Broad Compatibility Canon XF Codec - 4:2:2 50 Mb/s MPEG-2 1920 x 1080i60 & True 24p Recording Rotating 4”, 1.23 Mp LCD Monitor HD-SDI Output, XLR Inputs Dual CF Card Slots Timecode I/O, Genlock In & Sync Out Canon Log Gamma Modular Design: Removable Grip & Monitor Product Highlights 4K RAW (4096 x 2160) Output EF / PL Lens Mount for Broad Compatibility 8.8 Mp Super 35mm-Size CMOS Sensor Also Puts Out 2K, Quad HD & Full HD 2x 3G-SDI Outputs 50 Mb/s Proxy HD Recording to CF Card 10-Bit 4K RAW at Up to 60p 10-Bit 4K Half RAW at Up to 120p 12-Bit 2K 4:4:4 Signal at Up to 60p Canon Log Gamma

Featuring a unique Super 35mm Canon CMOS sensor, revolutionary Canon DIGIC DV III Image Processor and 50 Mbps 4:2:2 codec, the EOS C300 provides outstanding cinema quality movie capture. Compact, modular and compatible with Canon’s existing line-up of EF and new EF Cinema lenses as well as accessories from third parties, the stunningly simple to operate EOS C300 / C300 PL is designed to please cinematographers for any production large and small, on location or in the studio, from shoestring to Hollywood budgets. The EOS C300has a Canon EF lens mount and is compatible with all of Canon’s new EF Cinema lenses and current EF lenses, including compact primes, super telephotos, specialty tilt-shift, macro and

Professional Video

fisheye - over 60 in all. Designed with SMPTE HD production standards, its MPEG-2 codec is an internationally recognized standard compatible with major NLE applications while additional features such as Canon Log ensure seamless integration with existing production workflows, making post-production easy.

The EOS C300 PL offers compatibility with virtually every cinema lens in production today, while its compact and modular design and compatibility with third-party accessories enable it to meet virtually any production need while keeping costs down. Designed with SMPTE HD production standards, its MPEG-2 codec is an internationally recognized standard compatible with major NLE applications while additional features such as Canon Log ensure seamless integration with existing production workflows, making post-production easy. And with an entire support infrastructure designed to help you get the most from your equipment before, during and after production,

EOS C100

Cinema EOS Camera

for external recorders, remote operation, and complete manual control over both video and audio recording.

XF305

High Definition Camcorder

Product Highlights 3 Native 1920 x 1080 CMOS Sensors 50Mbps MPEG-2 Recording 4:2:2 Color Sampling 60p, 60i, 30p, 24p MXF File Format Dual CF Card Slots 18x HD L-Series Zoom Multiple Bit Rates, Resolutions Dual XLR Inputs HD/SD-SDI, SMPTE Time Code, Genlock Canon continues to innovate and develop image acquisition products for the most demanding professional. The Canon XF305 Professional Camcorder features 50Mbps MPEG-2 4:2:2 recording to Compact Flash

XF300

High Definition Camcorder

Product Highlights Super 35mm 8.3MP CMOS Sensor EF Lens Mount with EF Contacts HDMI Outputs a Non-Compression Signal Dual SDHC/SDXC Memory Card Slots ISO 320 and up to ISO 20000 Wide DR and Canon Log Gamma Reduced Rolling Shutter Skews Built-in ND Filters with Manual Controls Two XLR Audio Connectors Peripheral Illumination Correction The Canon EOS C100 Digital Video Camera is the latest addition to the Cinema EOS family, bringing together the renowned technology of Canon CMOS sensors, DIGIC DV III Image Processor, and EF lens compatibility in a smaller, lighter body. Modular and compatible with a host of Canon and third-party accessories, the EOS C100 brings true cinema quality to independent event videographers and video production organizations. The EOS C100 sports the Super 35mm Canon CMOS Sensor and Canon DIGIC DV III Image Processor of the C300 and records at 24Mbps using an AVCHD codec for easy integration in existing production workflows. Operability and customization make the EOS C100 an ideal camera for one-person operation while providing expanded professional capabilities such as HDMI output with embedded Time Code, support

Product Highlights 3 Native 1920 x 1080 CMOS Sensors 50Mbps MPEG-2 Recording 4:2:2 Color Sampling 60p/60i, 30p, 24p MXF File Format Dual CF Card Slots 18x HD L-Series Zoom Multiple Bit Rates, Resolutions Dual XLR Inputs HDMI, Component, Composite Outputs The XF300 Professional Camcorder represents Canonâ&#x20AC;&#x2122;s entry into professional solid state video acquisition. Following on the heels of its widely respected XH line of tape-based camcorders, the XF300 takes advantage of the latest HD technology--along with Canonâ&#x20AC;&#x2122;s newly developed MPEG-2 4:2:2 codec--to record Full HD video to affordable Compact Flash cards.

Professional Video

XF100

HD Professional Camcorder

is further enhanced with the addition of XLR inputs and an external microphone holder. A Genuine Canon 10x HD Video Lens delivers a wide, flexible zoom range (35mm equivalent range 30.4mm-304mm) and smooth, pleasing backgrounds thanks to an 8-blade iris. And an infrared mode allows users to capture video in conditions with little or no ambient light, a situation which would make other camcorders useless.

Blackmagic Design Cinema Camera High Definition Camcorder

XF105

High Definition Camcorder

Product Highlights 2.5K Image Sensor 12-bit RAW, ProRes and DNxHD Formats 13 Stops of Dynamic Range 23.98, 24, 25, 29.97, 30p Frame Rates MFT Lens Mount LCD Touchscreen with Metadata Entry SDI Video Output and Thunderbolt Port Mic/Line Audio Inputs Records to Removable SSD Drives Includes DaVinci Resolve and UltraScope

Product Highlights 1/3” CMOS Sensor 50Mbps MPEG-2 Recording 4:2:2 Color Sampling 60p/60i, 30p, 24p MXF File Format Dual CF Card Slots 10x HD Zoom Lens Multiple Bit Rates & Resolutions Dual XLR Inputs HD/SD-SDI, SMPTE Time Code, Genlock Compact in size, light weight and fully featured, the Canon XF105 Professional Camcorder can be tailored to fit a wide range of individual needs. While sharing many of the capabilities of the Canon XF305 and XF300 Professional Camcorders, including the Canon XF Codec and Compact Flash (CF) recording, the XF105 offers some exciting new features of its own.

XA10

High Definition Camcorder

The new ultra compact XA10 Professional Camcorder is designed for situations where mobility is critical while shooting. This feature-rich, professional model records Full HD 1080p using an AVCHD codec. The ultimate professional camcorder for run-and-gun shooting, the compact XA10 includes a detachable handle for low-angle shooting and portability. With the handle attached the XA10’s functionality

The Blackmagic Design Cinema Camera with MFT Mount brings to filmmakers a tool that many have waited for, for quite some time. Recording to a 2.5K image sensor, the camera is capable of recording 12-bit RAW DNG files, as well as ProRes and DNxHD formats to built-in removable SSD drives (not included), while delivering 13 stops of dynamic range. The Blackmagic Cinema Camera is a complete system with built-in recorder and monitoring, so it’s perfect for displacing video-only cameras for work such as weddings and sporting events. And as a complete system it can help save money for those budget strapped productions.

To handle the high data video output, Blackmagic includes a full version of DaVinci Resolve, its premier color correcting software for Mac and Windows. Also included is a copy of UltraScope. When connected to a computer via Thunderbolt, the software provides technically accurate waveform monitoring, displaying six live scope views on a single monitor.

Player / Recorder

HDW2000/20

HDCAM Studio Editing Recorder

SD-SDI Interface AES/EBU Interface i.LINK Interface Analogue Interfaces RS-422A Control HD and SD Reference Inputs Time Code Input/Output Built-in Signal Generator Tape and Head Cleaner for Reliable Operation Built-in 2.7-inch LCD Monitor Digital Slow Motion and Jog Sound (in DVCAM mode) Audio Level Control

HVR-M35E

HDV compact recorder with native progressive recording HDCAM recording and playback Selectable frame rates The HDW-2000/20 can record and replay at 1080/50i, 1080/59.94i, 1080/25P, 1080/29.97P, 1080/23.98P and 1080/24P. Built-in down converter No compromise in editing performance Broadcast quality slow motion High quality picture search and jog Compact chassis Surround sound Both Dolby-E and AC-3 are handled as standard.

HDW-D1800

HDCAM recorder with CineAlta 24P record feature and MPEG IMX and Digital Betacam playback

HD/SD-SDI Output Multi-format Playback/Recording Capability HDV1080i: 60i/50i/24p/30p/25p DVCAM/DV: 60i/50i * No i.LINK output for HDV720p Dual-size Cassette Mechanism Four Channel Audio Data Playback Down-conversion Capabilities HDV/DV IN TC 2.7-inch LCD Monitor Edge Crop Adjust Custom Repeat

PMW-50 HDCAM recording and playback Selectable frame rates The HDW-D1800 can record and replay at 1080/50i, 1080/59.94i, 1080/25P, 1080/29.97P, 1080/23.98P and 1080/24P. Compatible replay of standard definition digital cassettes Built-in up and down converters The HDW-D1800 has a built in HD to SD downconverter and a built-in SD to Optional 1080/50i to 720/50P converter New control panel with built-in LCD display Editing via 9-pin remote control Broadcast quality slow motion High quality picture search and jog Optional HDV input via i.LINK Compact chassis Surround sound.

Dual SxS PRO rugged, portable deck

HVR-1500 Digital HD Video Tape Recorder

Switchable Recording - HDV 1080i/ DVCAM/DV and 60i/50i Playback Compatibility with DV (25 Mb/s) Family Formats Long Recording Time Down-conversion Capability HD-SDI Interface

Compact SxS portable playback/recording unit 3.5-inch display Compliant with the most popular video formats. The PMW-50 supports all formats, from XDCAM EX family and XDCAM HD422 as standard. (UDF & FAT 32 format HD422/420 & DVCAM). The unit is .MXF and .MP4 files compliant, offering flexibility for broadcast and corporate operations. Direct recording on SxS cards via HD/SD-SDI inputs SD, MS , XQD cards and SxS Media support Multiple inputs and outputs The PMW-50 features HD/SD-SDI inputs along with a variety of outputs: analogue composite, HD/SD-SDI, HDMI, analogue audio, headphone, iLink and USB.

Player / Recorder

HVR-M25AE

HDV compact recorder with LCD screen and HDMI connection

Sony AXS-R5 Recorder HDV/DVCAM/DV Compatible Dual-size Cassette Mechanism The HVR-M25AE accepts both standard and mini size HDV, DVCAM, and DV cassettes without using any special adaptor. Down-conversion Capabilities 50/60Hz Switchable HDV/DV IN TC 2.7” 16:9 LCD Monitor HDMI Output Duplicate Plus Edge Crop Adjust Custom Repeat Time code settings

HVR-M15AE HDV compact recorder

HDV/DVCAM/DV Compatible Dual-size Cassette Mechanism Down-conversion Capabilities Compact & Simple Design HDV/DV IN TC Menu button Auto Repeat TC Reset

Product Highlights Enables 16-bit 4K and 2K RAW Recording “Bolt-Onto” PMW-F55 and F5 Cameras Facilitates “Off-Line/On-Line” Workflows Supports High Speed Frame Rates Uses AXSM Memory Cards The Sony AXS-R5 Recorder enables 16-bit RAW 4K and 2K video recording on the PMW-F55 and PMW-F5 CineAlta cameras. With its “bolt-on” design, the recorder attaches to the rear of the camera for a sleek, tightly integrated form factor. Users can simultaneously record RAW files to the AXS-R5 recorder and 2K/ HD with the camera’s built-in recorder. You get matching time code, start frame, stop frame, file names and other metadata for seamless conforming in post.

GV-HD700E HDV Video Walkman VCR Highly portable tape replacement.

The GV-HD700E HDV Video Walkman offers the ability to record SD resolution and playback HDV resolution, view content on its built-in 7” TFT 16:9 LCD screen, or output 1080i/720p signals to an HDTV through the HDMI output. This versatile deck is designed with professional features like x.v.Color Technology, crystal clear still/slow-motion playback, MiniDV SP/LP record/playback, IEEE1394 (DV) interface, component output, and 12-Bit/16-Bit PCM digital audio recording.

The Ki Pro established a new paradigm in tapeless recording. Revolutionizing how footage tracks from production to editorial, Ki Pro captures Apple ProRes 422 files at your choice of quality level direct from the source, which can then be used in most editing systems without the need for additional import or transcoding steps. Just remove the Storage Module from the Ki Pro, connect direct to the editing computer and once the files are transferred they are immediately ready for use in the NLE software.

Hard Disk Recorder

From Lens to Post. In a Flash.

Ki Pro Mini speeds your footage from camera to editorial, connecting to virtually any SD or HD camera and capturing files in Apple ProRes 422 and Avid DNxHD formats at your choice of quality level, direct to removable CompactFlash media. Lightweight and rugged, Ki Pro Mini is designed for a life in the field. The Mini Mounting Plate attaches to the sides of the Ki Pro Mini and provides almost endless mounting possibilities when used in combination with battery plates, hot shoe mounts, articulated arms and more.

Debayer and ProRes encode to on-board SSD Realtime pass-through of RAW data via Thunderbolt™ Uncompressed and debayered 4K monitoring output Dedicated HD monitoring via SDI and HDMI Record to edit-friendly 4K, 2K, or HD ProRes files on removable AJA Pak media Offload ProRes files to your non-linear edit system via AJA Pak Dock 4K workflow Camera outputs 4K RAW over SDI Ki Pro Quad accepts 4K RAW over SDI Ki Pro Quad performs debayer processing of RAW Debayered image is used for on-board compressed recordings to SSD media Debayered image is used for 4K monitoring output Debayered image is used for scaled/cropped HD monitoring via SDI and HDMI RAW signal is passed from camera to Ki Pro Quad and out via Thunderbolt™ to computer/storage Further manipulation of RAW is made possible via software tools HD, 2K, and 4K compressed recordings made to SSD media may be used directly in popular non-linear editors

HyperDeck Shuttle

The world’s smallest uncompressed video recorder! The ultimate tape alternative.

For video facilities transitioning from tape to file-based workflows for recording and playback, Ki Pro Rack offers high-quality, ‘ready-to-edit’ file capture, designed to get material from source to editorial as quickly as possible. With a wealth of professional connections, Ki Pro Rack will fit right into your existing cabling and routing system (without the requirement for special converters) and record 10-bit Apple ProRes and Avid DNxHD files at your choice of quality level direct to removable hard disk or SSD Storage Modules, eliminating the need for time-consuming logging and capturing. The files can be used in most editing systems without the need for additional transcoding or importing processes.

4K/Quad HD/2K/HD Solid State Recorder.

HyperDeck Shuttle dramatically improves the quality of video cameras and is the perfect portable field recorder for live production switchers! It’s also the ultimate solution for digital signage. HyperDeck Shuttle gives you the quality and flexibility of compressed ProRes or DNxHD and uncompressed recording direct to common low cost SSDs in the smallest possible size! HyperDeck Shuttle is compact, affordable and battery powered so it’s perfect as a field recorder.

HyperDeck Shuttle bypasses your camera’s compression and records from SDI and HDMI direct into the highest quality video possible! SSDs are cheap and fast, so you can edit directly from the SSD media itself.

HyperDeck Studio

Professional broadcast decks that use fast solid state disks

Preliminary features 4K/Quad HD/2K/HD Solid State Video Recorder Supports 10-bit 4:4:4 and 10-bit 4:2:2 RAW support

HyperDeck Studio disk recorders let you record the highest quality uncompressed and compressed ProRes and DNxHD video formats using fast 2.5” SSDs. Designed with familiar VTR controls, HyperDeck Studio includes innovative features that extend beyond the capabilities of traditional decks. Dual SSD slots let you record continuously, when one disk is full recording automatically continues on the next SSD. You can

Hard Disk Recorder

mount an SSD recorded using HyperDeck Studio on to any computer to access your files, so you don’t need multiple decks to work with your media! There are two great HyperDeck Studio models to choose from.

HyperDeck Studio Pro

ARRIRAW Option for Gemini 4:4:4

Professional broadcast decks that use fast solid state disks

Canon 4K Cinema Raw Option for Gemini 4:4:4

HyperDeck Studio Pro records 4:2:2 SD/HD and 2K, all in full uncompressed quality. Use ProRes or DNxHD compression for high quality HD video in file sizes that provide 5 times longer recording. HyperDeck Studio Pro features 3Gb/s SDI, HDMI and analog component connections, plus professional XLR audio and built-in Thunderbolt connectivity. It includes a built-in power supply for convenience and the 1 rack unit size fits easily into any studio or portable rack!

Stereo 3D Option for Gemini 4:4:4

nano Flash

nanoFlash is the world’s smallest, lightest, lowest-power, professional HD/SD recorder/player.

Gemini 4:4:4

The Gemini 4:4:4 is a professional, high-definition video recorder that fits in the palm of your hand. Gemini 4:4:4 functions as a high-quality monitor, a recorder, and a playback device. As a recorder, Gemini 4:4:4 records in the ultimate highest quality possible—uncompressed, which can easily be incorporated into virtually any workflow using your favorite CODEC. Gemini 4:4:4 is also capable of recording, combining, and playing back 3D video (with paid upgrade).

The nanoFlash from Convergent Design represents a huge leap forward in tapeless workflows. Easily mounted to your camera, nanoFlash is designed to record higher quality images than the camera itself, by capturing never-compressed video/audio from the HD-SDI or HDMI output. nanoFlash utilizes the very high-quality Sony XDCAM 422 CODEC, recording the video/audio onto affordable and readily available Compact Flash Media, at up to 160Mbps (Long-GOP) or 220 Mbps (I-Frame). The footage can be stored in either Quicktime (MOV), MXF, or MPG file formats, providing near-universal NLE support as well as DVD / Blu-Ray authoring formats.

SxS PRO+ Memory Card

Product Highlights

Gemini 4:4:4 records to specially certified and tested 1.8” solid-state hard drives

128 / 64 GB Capacity Max. Read Speed: 1.6Gbps Max. Write Speed: 1.5Gbps Optimized for 4K Video Capture Up to 400 min Recording Time Fits into ExpressCard Slot For XDCAM or XDCAM EX Camcorders

Memory Cards

The Sony SxS PRO+ Memory Card is designed for high-speed video recording with XDCAM and XDCAM EX camcorders, such as the F5 and F55 CineAlta 4K models. It’s also compatible with other cameras equipped with ExpressCard slots.

SxS PRO™ Memory Card

SxS PRO™ is based on the SxS™ memory card specification*, developed for high speed data transfer. The new memory card improves workflow efficiency by reducing transfer times for large data files such as highdefinition video, enabling rapid transfer speed of 800 Mbps**. Its compact size contributes to the design of much lighter and smaller camcorders while excellent reliability gives users more opportunity to shoot footage in the harshest of conditions. Sony SxS PRO was developed for increasing the efficiency of workflow, fulfilling the demand from professional camcorders or non-linear video editing systems, for higher performance and reliability. SBP8 (8GB) / SBP16 (16GB) / SBP32 (32GB) / SBP64 (64GB)

SxS-1 Memory Card The SxS-1 (SBS-32G1) is fully compliant with theb ExpressCard™ industry standard and features high capacity and super fast data transfer speed. Videographers can store up to 32GB of footage enough for up to 100 minutes of full HD 1920 x 1080 video at 35 Mbps or 140 minutes of 1440 x 1080 video at 25 Mbps.* Large data files such as high definition video can be transferred at up to 800 Mbps* - for efficient non-linear video editing. It’s also extremely compact and reliable to ensure faultless on-location performance in the harshest of environments. (*The speed is measured on XDCAM EX camcorder)

PHU120R

Wise S2 Express Card 64GB / 32GB Compatible Camera( DVCProHD, DVCPro50, DVCPro & HDV)

The S2 card uses ExpressCard technology. It’s designed for XDCAM EX series camcorders without type record & long recording flexibility. • Featuring high reliability and compact size, the card also offers a high transfer speed USB2.0 to PC or Mack without card reader. Upgraded PC card standard with rapid transfer speed Compliant with the Express Card specification Performs well and more dependably due it’s perfectly efficient workflow. A convenient non-linear design for video editing systems. External express card reader unneeded and available for USB2.0 port Record approximately 228min of video record on HQ mode full HD 1920 x 1080 video at 35 Mbps and 310 min on SP mode 1440 x 1080 video at 25 Mbps.

CF Card 32, 64, 128GB

Lightning with Hi speed For camcorders Video Full HD For Hi Speed and high capacities

SDHC Card 32, 64, 128GB

Sony Portable Camera Hard Hard Disk Unit This HDD drive offers 120GB* of storage or up to 520 minutes of record time at 25Mbps. With this increased capacity a user can shoot over 4 hours of uninterrupted footage. With true 1920 x 1080 image sensors and true 1920 x 1080 recording, Sony’s XDCAM EX camcorders are among the industry’s most versatile.

Compliant with SD card association card 3.00 specification Secure – Built in write protect switch prevents accidental data loss Compatible – SDHC host devices, not compatible with standard SD-enabled devices/ readers File Format – SDHC File Format – FAT32

Battery / Charger

S-8U62 Intelligent Li-ion battery with multiple protective circuit design, compatible with SONY PMW-EX1 camera. It has a four-level remaining power indicator, a 14.4V D-tap power socket, and 63Wh larger capacity. Specification: / Applicable Camera SONY PMW-EX1 / Voltage 14.4V / Capacity 63Wh Dimension 41.5x69.7x93.0mm / Weight 0.42Kg / Applicable Batteries SONY BP-U60/U30

S-8970 Working well on HDV camera. Lithium-ion battery with build-in multiple protective circuit design, without memory effect , accurately calculates remaining power within minutes. Specification Voltage 7.2V / Capacity 47.5Wh / Weight 0.28kg / Dimension 70.5 x 38.5 x 60mm / Applicable SONY HDV-FXIE HVR-Z1C DSR-PD190P DSR-PD150P Compatiblity Sony NP-970

Operation Temperatur 0-40 &degC

S-8160S Voltage 14.4V Capacity 88Wh

S-8110S

Voltage: 14.4V Capacity: 126Wh Dimensions: 165 x 90 x 51mm Weight: approx. 0.9 Kg Operation Temperatur: 0-40°C

SC-304A

S-3602F 1. 2-channel charger: charge two batteries simultaneously. 2. 2-channel adaptor: supply power to camera and focus light simultaneously. 3. One channel charger and the other channel adaptor: charge one battery and supply power to camera simultaneously. Input AC100~240V,50/60Hz Output(charger) DC 8.4V,2A x 2 Output(Adaptor) DC 8.4V,2A x 2 Weight 0.36Kg Dimension 136 x 110 x 47mm Applicable Batteries S-8970/8770;SONY NP- F970/770/550

Gold Mount Charger Input: AC 100V-240V 50/60Hz Output: DC 14V-20V, 1.9A×2 Applicable battery: Gold mount battery Dimension: 223×230×66mm Weight: 1.6kg

SC-3802S

S-8080 1. Li-ion battery, no memory effect and environmental protection. 2. Indicate the remaining power by LED. 3. Build-in intelligent control circuit, multiple protections of temperature, current and voltage. Voltage 14.4V Capacity 88Wh Dimension 165 x 90 x 51mm Weight approx 0.8 Kg

2-channel Portable Charger Portable two-channel sequential charger. With Power Adapter function. Works with SONY V-Lock mount batteries. Available for Ni-Cd, Ni-MH and Li-ion batteries. CE approved.

On-Camera Lights

S-2040

Chip Array LED - Chip Array LED - 80W equivalent output - Single shadow, glareless - Cool touch - 5000K color temperature - 5600K and 3200K filter - Color rendering index: 85 - 6-17V wide input voltage - Interchangeable DV mount and battery - Screw and cold shoe mount

CM-LBPS900 LED Light

Professional grade 5-LED light / Energy saving and environmental friendly design with maximum powre consumption at approximately 10W. / Wide range of irradiation with homogeneous light distribution (90 degree for brand light and 45 degree for spotlight) / High luminous efficiency maximum at 900 lux or 400lux in 1 meter distance / Two intensity levels switch / 250g Light weight (excluding battery) / Switchable color temperature at 4500K or 3200K using the built-in filter / High beam/spotlight setup using the built-in condense lens / Long life LED lightbulb abotu 10,000 hours usage / Built-in top-mount cold shoe adapter

CM-LBPS1800 HVL-LBP

LED Light

LED Battery Video Light

The new HVL-LBP LED Light System features a wider uniform light for 16:9 aspect and 600 lx @ 1m brightness! Powered by InfoLithium â&#x20AC;&#x153;L Seriesâ&#x20AC;? battery, the battery operation time is approximately 3 hours with the NP-F970 battery! Supplied accessories include Diffuser/Condensing lens system and battery adaptor.

Professional grade 10-LED light / Energy saving and environmental friendly design with maximum powre consumption at approximately 18W. / Wide range of irradiation with homogeneous light distribution (90 degree for brand light and 45 degree for spotlight) / High luminous efficiency maximum at 1800 lux in 1 meter distance / Adjustable dimmer to control different intensity of brightness / 420g Light weight (excluding battery) / Switchable color temperature at 4500K or 3200K using the built-in filter / High beam/spotlight setup using the built-in condense lens / Long life LED lightbulb abotu 10,000 hours usage

Camera Cases

for camcorders such as the Sony Canon XL series, JVC HD series and all other HDV models with a large accessory set-up. It can also fit an HDSLR rigged with video accessories.

Kata D-Light Capsule-181 DL Case (Black)

Fits Various Camcorders w/ AccessoriesAnti-rip Nylon ExteriorTST Rib StructureAluminum Skeleton StaveAeriform Interior DividersYelloop Interior LiningLens Pillow and Rain CoverInterconnected HandleRemovable Shoulder Strap with Pad

CC-193 PL

The CC-193 PL Compact Case is the professional solution for camcorders such as the Sony F3, Panasonic AF100 and similar sized models, OR an HDSLR rigged with video

CC-195 PL

Kata D-Light Capsule-185 DL Case (Black)

The CC-195 PL Compact Case is the professional solution for camcorders such as the Canon XL series, JVC HD series and similar sized models, OR an HDSLR rigged with video accessories.

kata VA-002-1A

Kata D-Light Capsule-183 DL Case (Black) The CCC-1A is designed to hold a medium to large pro camcorder with battery & lens installed and is engineered to be a lightweight and highly protective case due to the thermoformed laminated foam layers.

KT VA-222-2A Fits Various Camcorders w/ AccessoriesAnti-rip Nylon ExteriorTST Rib StructureAluminum Skeleton StaveAeriform Interior DividersYelloop Interior LiningLens Pillow and Rain CoverInterconnected HandleRemovable Shoulder Strap with Pad

CC-197 PL

The CC-197 PL Compact Case is the professional shoulder bag solution

The MCC-2A is designed to hold a large pro camcorder with battery & lens installed and is engineered to be a lightweight and highly protective case due to the thermoformed laminated foam layers. Included dividers and support cushions enable customization of the space to meet specific needs.

Camera Cases

Kata Pro-Light Bumblebee-220 PL Backpack

Kata DVG-59 Camcorder Guard

For Sony PMW-EX3 CamcorderThermo Pressed Fabric LaminationSemi-rigid Closed Cell FoamIncludes Flexible Viewfinder Sleeve

Fits 2-3 D-SLR Camera 8 Lens KitFits Small HDV Camcorder KitHolds Computer with Screen up to 17â&#x20AC;?

VA-801-15

CRC-15 is quick and easy to set up, featuring pull tight cords, Hook & Loop strips all along the rim for rapid opening and closing, and a full size transparent window to monitor all controls when working.

Kata CG-3 Camera Glove

- for Sony DVW-700, DVW-707, DVW-709, DVW-790WS, HDW-700, HDW-750, HDW-790 & MSW-900P Camcorders

Camera Glove-13

Camcorder Glove for Sony DSR400 and DSR 450 (see KATA Web Bag Chooser).

Optics

Compact Prime CP.2 Lenses

productions.

Compact and Lightweight lenses with Interchangeable Mount System.

Compact Zoom CZ.2 lenses Get closer to the action. One of the most important aspects of a successful production is the

competence and diversity of your team. Whether you’re shooting a commercial where exquisite color rendition and high contrast is important, or a tense, dramatic sequence in low light situations for a feature film, Compact Prime lenses offer you the performance you need to get the scene right. With a wide range of focal lengths, fullframe coverage, fantastic image quality, great flare suppression and precise focusing through the large rotation angle, Compact Prime lenses give you a flexible set of tools to make your film shine. With its long history in both photo and cine lenses, Carl Zeiss is dedicated to supporting filmmakers and allowing you to benefit from the highest possible image quality in any situation. - Interchangeable Mount - Full frame coverage (CP.2 18mm only APS-H) - Robust cine style housing with the ability to utilize follow-focus - Standard focus and iris gear positions - Five different mounts available (PL, EF, F, E and MFT mount) - Conistent front diameter (except of 50 Macro) - Longer focus rotation and a manual focus and iris - Calibrated focus scales

Application Switching between traditional film and digital PL cine cameras and HDSLR cameras is no longer an issue. The Compact Prime CP.2 lenses’ improved functionality means improved ergonomics compared to standard SLR lenses, standard housing dimensions, standard focus and iris gear positions, a consistent front diameter, a robust construction, longer focus rotation and a manual focus, thereby providing the flexibility users demand. With precision and speed - Compact Prime CP.2 lenses are the perfect tool for Independent filmmakers, professional still photographers expanding their services or large studios using HDSLR’s as a second camera for TV and feature film

The new Compact Zoom CZ.2 lenses are as versatile as they are powerful and incorporate features never seen before on lenses of this kind. They are handy, compact, ready for 4k and even offer full-frame coverage. With their zoom lengths of 28 – 80 mm and 70 – 200 mm, they give you a wide range of creative options. Their compact size and light weight make them the ideal companions for even the most ambitious applications, including handheld, Steadicam and projects in confined spaces. And thanks to their robust, cine-style housing (which also allows for the use of a follow-focus system), their full-frame coverage and interchangeabale mounts, they will be reliable partners for years to come.

Interchangeable mount • Full-frame coverage (36 x 24 mm) • No focus shift over the zoom range • Robust cine-style housing • Round iris • Great flare suppression • Calibrated focus scales

Optics

Compact Prime CP.2 15 mm/T2.9

Aperture range T 2.9 to T 22 Close focus distance 1 0.3 m / 12” Horizontal angle of view Full-Frame 100° APS-H 90° Super 35 79° Normal 35 73° APS-C 73° MFT 60° Length 86 mm / 3.39’’ Front diameter 114 mm / 4.5” Weight 0.9 kg / 2.0 lbs

Compact Prime CP.2 18 mm/T3.6

Aperture range T 3.6 to T 22 Close focus distance 1 0.3 m / 12” Horizontal angle of view Full-Frame2 – APS-H 80° Super 35 69° Normal 35 63° APS-C 64° MFT 51° Length 80 mm / 3.15” Front diameter 114 mm / 4.5” Weight 0.9 kg / 2.0 lbs

Compact Prime CP.2 21 mm/T2.9

Aperture range T 2.9 to T 22 Close focus distance 0.24 m / 10” Horizontal angle of view Full-Frame 81° APS-H 71° Super 35 61° Normal 35 55° APS-C 56° MFT 45° Length 80 mm / 3.15” Front diameter 114 mm / 4.5” Weight 1.0 kg / 2.2 lbs

Aperture range T 2.1 to T 22 Close focus distance 0.3 m / 12” Horizontal angle of view Full-Frame 54° APS-H 47° Super 35 39° Normal 35 35° APS-C 35° MFT 28° Length 80 mm / 3.15” Front diameter 114 mm / 4.5” Weight 1.0 kg / 2.2 lbs

Compact Prime CP.2 25 mm/T2.9

Compact Prime CP.2 50 mm/T2.1

Aperture range T 2.9 to T 22 Close focus distance 0.17 m / 7” Horizontal angle of view Full-Frame 72° APS-H 62° Super 35 53° Normal 35 47° APS-C 48° MFT 38° Length 80 mm / 3.15” Front diameter 114 mm / 4.5” Weight 0.9 kg / 2.0 lbs

Aperture range T 2.1 to T 22 Close focus distance 0.45 m / 18” Horizontal angle of view Full-Frame 40° APS-H 34° Super 35 28° Normal 35 25° APS-C 25° MFT 20° Length 80 mm / 3.15” Front diameter 114 mm / 4.5” Weight 0.9 kg / 2.0 lbs

Compact Prime CP.2 28 mm/T2.1

Compact Prime Macro CP.2 50 mm/T2.1

Aperture range T 2.1 to T 22 Close focus distance 0.24 m / 10” Horizontal angle of view Full-Frame 65° APS-H 57° Super 35 48° Normal 35 43° APS-C 43° MFT 34° Length 80 mm / 3.15” Front diameter 114 mm / 4.5” Weight 1.0 kg / 2.2 lbs

Compact Prime CP.2 35 mm/T2.1

Aperture range T 2.1 to T 22 Close focus distance 0.24 m / 10” Horizontal angle of view Full-Frame 40° APS-H 34° Super 35 28° Normal 35 25° APS-C 25° MFT7 20° Length 132 mm / 5.19” Front diameter 134 mm / 5.3” Weight 1.35 kg / 3.0 lbs

Compact Prime CP.2 85 mm/T2.1

Optics

Aperture range T 2.1 to T 22 Close focus distance 1 m / 3’3” Horizontal angle of view Full-Frame 24° APS-H 20° Super 35 17° Normal 35 15° APS-C 15° MFT7 12° Length 80 mm / 3.15” Front diameter 114 mm / 4.5” Weight 0.9 kg / 2.0 lbs

Compact Prime CP.2 35 mm/T1.5 Super Speed

Compact Zoom CZ.2 28–80 mm/T2.9

Compact Prime CP.2 100 mm/T2.1 CF

Aperture range T 2.1 to T 22 Close focus distance 0.7 m / 2’6” Horizontal angle of view Full-Frame 20° APS-H 17° Super 35 14° Normal 35 13° APS-C 13° MFT7 10° Length 132 mm / 5.19” Front diameter 114 mm / 4.5” Weight 1.49 kg / 3.3 lbs

Aperture range T 1.5 to T 22 Close focus distance 0.3 m / 12” Horizontal angle of view Full-Frame 54° APS-H 47° Super 35 39° Normal 35 35° APS-C6 35° MFT7 28° Length8 91 mm / 3.58” Front diameter 114 mm / 4.5” Weight 1.1 kg / 2.4 lbs

Compact Prime CP.2 50 mm/T1.5 Super Speed

Compact Prime CP.2 135 mm/T2.1

Aperture range T 2.1 to T 22 Close focus distance 1 m / 3’3” Horizontal angle of view Full-Frame 15° APS-H 13° Super 35 11° Normal 35 9° APS-C 9° MFT7 7° Length 149 mm / 5.86” Front diameter 114 mm / 4.5” Weight 1.6kg / 3.5 lbs

Aperture range T 2.9 to T 22 Focal range 28–80 mm Close focus distance 0.83 m / 2’8” Horizontal angle of view Full-Frame 25–66° APS-H 21–57° Super 35 18–48° Normal 35 16–43° APS-C 16–43° MFT 5–14° Length 196 mm / 7.72” Front diameter 95 mm / 3.7” Weight 2.5 kg / 5.5 lbs

Compact Zoom CZ.2 70–200 mm/T2.9 Aperture range T 1.5 to T 22 Close focus distance 0.45 m / 18” Horizontal angle of view Full-Frame 40° APS-H 34° Super 35 28° Normal 35 25° APS-C 25° MFT7 20° Length 80 mm / 3.15” Front diameter 114 mm / 4.5” Weight 0.9 kg / 2.0 lbs

Compact Prime CP.2 85 mm/T1.5 Super Speed

Aperture range

Close focus distance 1 m / 3’3” Horizontal angle of view Full-Frame 24° APS-H 20° Super 3 17° Normal 35 15° APS-C 15° MFT 12° Length 80 mm / 3.15” Front diameter 114 mm / 4.5” Weight 0.9 kg / 2.0 lbs

T 1.5 to T 22

Aperture range T 2.9 to T 22 Focal range 70–200 mm Close focus distance 1.52 m / 5’ Horizontal angle of view Full-Frame 10–29° APS-H 9–24° Super 35 7–20° Normal 35 6–18° APS-C 6–18° MFT 5–14° Length 250 mm / 9.84” Front diameter 95 mm / 3.7” Weight 2.8 kg / 6.2 lbs

Optics

KJ17ex7.7B Series ENG Lenses

HJ22ex7.6B Series ENG Lenses

The KJ20x8.2B is Canon’s widest (8.2 mm) lens in the affordable 20x zoom class, and it covers a generous range of focal lengths, particularly when combined with its built-in 2x extender expanding its 8.2mm-164mm focal length to 16.4mm-328mm.

KJ20x8.2B KRSD ENG Lenses The KJ17ex7.7B is the first of a new family of second generation 2/3-inch HDgc portable HD lenses. The new design reflects design refinements to the first generation line of HDgc lenses originally introduced in 2006.

The HJ22ex7.6B is the longest focal length portable HDTV production lens offered by Canon (without an image stabilization system). It is a smaller and lighter replacement for the former highly popular HJ21ex7.8B lens. It is a strategic member of the family of HD portable EFP lenses – that collectively offers an unusually broad range of creative options.

KJ22ex7.6B Series ENG Lenses

HJ17ex7.6B Series ENG Lenses

The HJ17ex7.6B is a cost-effective new 2/3-inch portable HD lens specifically intended to support the emerging industry interest in high definition electronic newsgathering. It is a key new member of a family of HD portable lenses intended to support the broadening of HDTV production. This particular lens is intended for producers and broadcasters having as their foremost priority an affordable lens-camera system that offers performance tailored for HDTV newsgathering.

The KJ22ex7.6B is part of a new family of second generation 2/3-inch HDgc portable HD lenses. The new design reflects design refinements to the first generation line of HDgc lenses originally introduced in 2006. The HDgc line of lenses had been specifically developed to achieve a price performance ratio that was commensurate with the new line of cost-effective HD camcorders being introduced by all major camera manufacturers in response to the broadcast industry’s rapidly growing interest in transitioning to HDTV newsgathering, HD reality shows, and other lower-budget HD productions.

KJ20x8.5B KRSD ENG Lenses

KJ10ex4.5B IRSE ENG Lenses

HJ14ex4.3B Series ENG Lenses

The HJ14ex4.3B is the new successor to the long-acclaimed wide angle HJ11ex4.7B portable HDTV production lens offered by Canon. The enthusiastic acceptance of the latter all over the world since its introduction in 2001 encouraged Canon to pursue a further expansion of creative capabilities with a new-generation lens that facilitated an even wider angle of view, while also extending the focal range. Imaging performance has been significantly advanced by mobilizing the most contemporary of optical glasses, optical coating materials and processes, and powerful new optical design tools.

As HD camera equipment continues to spread to all facets of professional video production, Canon has been expanding its HDgc lineup of cost-effective lenses for advanced professionals. To help meet this increasing demand for affordable high-quality HD ENG lenses, Canon is proud to introduce the KJ20x8.2B KRSD, achieving outstanding optical performance with a light weight of 1.25 kg and wider-angle focal length of 8.2mm.

The world’s major professional video manufacturers have introduced a diverse range of low-cost tapeless HD camcorders and tapebased HDV professional camcorders. Various design strategies have been adopted by the manufacturers to decisively drive down the costs of these HD acquisition systems. They include different image format sizes, subsampled imagers, and contemporary digital recording techniques. In support of these products Canon designed an entire family of cost-effective HD ENG/EFP lenses that seek to match both the performance and the costs of these diverse and still-emerging HD acquisition systems.

KJ20x8.2B IRSD ENG Lenses

Canon has introduced a new family of portable HDTV lenses for EFP, ENG, and a range of corporate and business industrial applications. In so doing, an important hierarchy in HD optics was created. It is important because of the highly innovative developments by the world’s major professional video manufacturers in their recent introduction of a diverse range of new low-cost tapeless HD camcorders and tape-based HDV professional camcorders.

KJ13x6B KRS ENG Lenses

The world’s major professional video manufacturers have introduced a diverse range of low-cost tapeless HD camcorders and tape-based HDV professional camcorders.

Optics

The B4 2/3” broadcast lens to Sony PMW-F3 package is a useful way of utilizing all of your B4 mounted lenses on the Sony PMW-F3 as well as APS-C sized sensor cameras such as the Canon 7D MKII and the new Canon C-300

MTF EFFECT

Nikon G to Sony E Mount Adaptor

B4 2/3” to Sony PMW-EX3 Adaptor

A modular Electronic Canon EF adaptor system This Product allows the use of any Nikon mounted lens on the Sony NEX-3, NEX-5, NEXVG10 and the new SONY NEX-FS100 cameras

Nikon G to Sony PMW-EX3 Adaptor

A modular Electronic Canon EF adaptor system. EF Full Exposure Control Terminal One box, with a choice of 3 mounts, Sony PMW-F3, Sony NEX FS–100 and Panasonic AGAF 101 (these 3 mounts are sold seperately) Designed and built in England Adjusts aperture in 1/8th stop increments. Displays focal length as well as aperture. Displays focal length while zooming Displays aperture ramping while zooming (for lenses with non constant aperture) Powered by standard AA batteries, enough for a full days shooting Low battery warning Timed auto shut-down Illuminated display Will now power lens stabilisation Compatible with most Canon EF lenses*, ALL Ziess lenses and most third party lenses

PL to Sony E Mount Adaptor The MTF Services Ltd PL to Sony E Mount Adaptor allows you to connect 35mmPL lenses to Sony cameras. When attached to the lens, it adds a magnification factor of 1.11x. It is compatible with the Sony NEX-3, NEX-5, NEXVG10 and NEX-FS100 cameras. Allows you to connect 35mmPL lenses to Sony cameras Offers a magnification factor of 1.11x

B4 2/3” to Sony F3 adaptor

The MTF Services Ltd B4 2/3” to Sony PMW-EX3 Adaptor offers mounting of 2/3” broadcast lenses on the EX3, and allows the lens to be operated in full manual mode. It introduces a magnification factor of 1.375x. Offers mounting 2/3” broadcast lenses on the EX3 Allows the lens to be operated in full manual mode Introduces a magnification factor of 1.375x

Powered B4 to Sony PMWEX3 Adaptor

The worlds first Nikon G to EX3 adaptor. Now you can have aperture control for your Nikon G lens Simply turn the blue ring to adjust aperture. This adaptor incorporates a built in control ring allowing you to visually adjust lens aperture.

Nikon G to Sony HVR-Z7 Adaptor

This adaptor will allow you to mount 2/3” broadcast lenses directly onto the EX3

Canon FD to Sony F3 Adaptor

The worlds first Nikon G to 1/3” bayonet adaptor. Now you can have an aperture ring for your Nikon G lens. Simply turn the blue ring to visually adjust lens aperture.(Patent pending) Although designed for G series lenses, This adaptor is compatible with ALL Nikon lenses including DX series and the following cameras JVC GY-HD 1xx through to 2xx series cameras, The new JVC GY-HM700, Sony HVR-Z7, Sony HVR-S270, and the new Panasonic HXP300 camera.

Nikon to Sony EX3 Adaptor This adaptor allows you to Fit any Canon FD lens to Sony’s new PMW-F3 camera.

Perfect for shooting extreme telephoto, this adaptor allows the use of the full range of

Optics

Nikon and Nikon mounted lenses on the new Sony PMW-EX3 camera.

Nikon to Sony F3 Adaptor WHV-075

Wide Angle Conversion Lens

HDx35 B4/PL Optical Adap

This adaptor incorporates a built in control ring allowing you to visually adjust lens aperture.

PL to Sony E Mount Adaptor

Zunow debuts the new WHV-075 Wide Converter for compact HD camcorders. 0.75x conversion. 82/72 mm dual mount. This lens can be used up to 14x zoom. (Ideal for Panasonic AG HPX 171). Filter size: 95mm. Comes standard with 82 mm Adapter ring and carrying pouch. Optional: Rubber hood HU-104

This Product allows the use of any 35mm format PL mounted lens on the Sony NEX-3, NEX-5, NEX-VG10 and the new Sony NEXFS100 cameras

DWA-075 DSLR

Canon EF lens to Sony NEX Speed Booster

The DWA-075SP is the first conversion lens in the Zunow DSLR range. The DWA-075SP screws on the front of the lens, and increases the wide angle by 25%.• Wide angle attachment for DSLR lenses. 77mm screw-thread mount. 0.75x conversion. Not zoom-through. Can also be used on the Sony PMW EX1 and EX3 or Canon XF300/305. Comes standard with carrying pouch and rubber hood HU-104

OIC-35 Director’s Viewfinder

Wide Angle Attachment

PL-5D Increase maximum aperture by 1 stop. Increase MTF. Makes lens 0.71x wider. Optics designed by Caldwell Photographic in the USA (patent pending). Electronic integration of aperture diaphragm, controlled by or from the camera body. Partial autofocus support for late-model (post2006) Canon-brand lenses. Powered by camera body. No external power source required. The tripod foot is detachable and compatible with Arca Swiss, Markins, Photo cam ball heads. High performance 32-bit processor and efficient switched-mode power supply.

The HDx35 is an optical doubler with a 2.5 stop light loss, for use with the Arri ALEXA, Phantom HD Gold (1920x1080), RED One, Epic – (all 4K formats), Sony SRW-9000PL, PMW-F3, and FS100 (PL mount adapter required)

Positive Lock Mount for EOS 5D Mark II

The director’s viewfinder OIC-35 (Optical Image Control) is an indispensable device for every DOP or Director. The OIC-35 is a precision device, which was conceived for daily film set use. The housing is of light alloy and fitted with a 54 PL - mount. The optical light path in connection with the interchangeable Arriflex 435/535 ground glasses allows the operator to see the complete format unrestricted in the eyepiece.

The Mark Vb Director’s Viewfinder Zunow debuts the new WHV-075 Wide Converter for compact HD camcorders. 0.75x conversion. 82/72 mm dual mount. This lens can be used up to 14x zoom. (Ideal for Panasonic AG HPX 171). Filter size: 95mm. Comes standard with 82 mm Adapter ring and carrying pouch. Optional: Rubber hood HU-104

The Mark Vb Director’s Viewfinder accurately defines choice of lenses, angles and coverage in a wide variety of formats for both film and

Optics

video. It enables filmmakers to communicate their visions to each other quickly and with complete accuracy, allowing the time saved to be used on the art of filmmaking. 12:1 Zoom Ratio Ring: Smooth zooming from wide angle to telephoto. Focal lengths are viewed in windows located on the barrel of the viewfinder. The zoom range for the various formats is as follows: Zoom Ranges Film 16mm film: 8.5-100mm Super 16 film: 10.5-125mm 35mm film: 18-200mm 35 Anamorphic film: 35-420mm Video 2/3” video: 8.5-75mm

Director’s Viewfinder 11x Size L

Combo Scene Slate The best way of identifying the beginning or end of a scene. Our Combo slate is manufactured by Alan Gordon and made of heavy duty acrylic. It measures 11” x 9.25” x 1/8”. ENGRAVED letters and dividing lines provide a superior alternative to silk screened lettering ensuring durability. The Clap sticks are machined from Alder wood specially selected for its distinctive pitched “clap.” Black on white. Fits all standard front boxes. Sold with a mesh storage bag and 1 dry erase marker.

Scorpion

Director’s Viewfinder accurately defines choice of lenses, angles and coverage in a wide variety of formats for both film and video. It enables filmmakers to communicate their visions to each other quickly and with complete accuracy, allowing the time saved to be used on the art of filmmaking. Key Features: Multi-coated optical elements Small and lightweight Durable strip hanger Eye piece lock ring Includes most film and TV formats Includes all standard aspect ratios including 16:9 standard filter thread

The Scorpion rig is the ultimate solution to DSLR shoulder mounted shooting with an EVF. At the center of the Scorpion is our highly adjustable DSLR Baseplate, which allows you to mount any DSLR to the rig and mount your rig onto a tripod. The baseplate attaches to your tripod using the standard tripod plate screws; (2) 1/4” 20 and (1) 3/8” 16. You can also easily quick release your camera from the rig by turning the red knob on the side of the baseplate and pulling up on your camera. This unique feature allows you to quickly switch between using the camera on its own or as part of your rig.

Z-DSLR-SNP DSLR Sniper Contains: Mini Baseplate with 6” and 8” rod, Quick-Release Adapter, Zgrip Z-Mount, Shoulder Pad with 12” and 8” rod, Studio 15mm Minimount, (2) Minimount, Z-Finder, Strap, Z-Focus with a .8 pitch gear, ZipGear Universal, GunStock with 1/2” thread, 1” Rod Extension

Z-INDIE Indie Baseplate Kit Contains: Universal Baseplate with 12” rods, Doublemount with 7” rods, Red Plate, Wireless Plate, Zround Mount, Zicromount III, Zamerican V3 Large Arm, Zmount II, Shoulder Pad with 7” rods, Zgrips, Zoffset, and Battery Plate

Optics

Z-NEWS

complete with a dual filterstage for two independently rotating 4x4 filters, making it large enough for most DV/HDV camera lenses, yet compact enough for handheld work.

Chrosziel FollowFocus StudioRig

Newsman Baseplate Kit Contains: Universal Baseplate with 12” rods, Shoulder Pad with 7” rods, Zoffset, Z-lite Double Kit with 7” rods, and Zgrips.

Studio Rig Follow Focus, versions for video and film lenses. For smooth and precise focus moves due to our fluid damping module and gear units and bearings with the lowest tolerances: It allows play and jerkfree focus moves even for permanent direction changes. We abstain from using switchable gear boxes for the sake of play-free preciseness. Instead, we use two gear boxes for the different focus markings of film and video lenses. Film lenses, prime lens and “Cine style” video lenses typically display an adjustable range of 200º from close-up to infinity. The Studio Rig Cine translates the rotation on the hand wheel in a way to lens focus ring that approx. one turn covers the range. The focus of the video lenses rotate only approx. 100º to 145º between close-up and infinity.

MB 456 Academy - compact Kit for Sony PMW – F3

Kit for Sony PMW-F3, for lenses with outer Ø 95-125mm: MatteBox 456 Academy Double, for cameras with full format chip, with Double - Rotating-Filter Stage, french flag (402-26),2 filterholders multi-format 5x5/4x5.650 (510-01), 16:9 matte insert, bracket for Ø15 mm rods and clamp adaptor Ø130mm. 401-415HD Heavy Duty rod support and 411-68 Flexi-Insertring. This Mattebox also has a clamp-on-mount Ø 130mm for lens diameter 95mm to 125mm. (image shows FollowFocus and SR-R1 recorder adapter, not included in the kit)

CMB-R20 Sunshade for Sony PMW-EX3

Three filters, up to 14mm focal length Academy format.

Production MatteBox for cameras with 16x22mm chip or film format. Carbon-Design, lightweight and impact resistant. Lightweight and ultra compact, ideal for handheld shooting. But also no compromise due to the Triple-Rotating-Filterstage, equipped with 3 equally sized multiformat filter holders (510-01) 5x5” / 4x5.65”. True 14mm MatteBox - By using 5x5 filters, two rotate unrestrictedly and the first one can be rotated by 40°. The front stages (first and the second one respectively) are automatically held in place when the next further back is rotated.

The new Carbon-Design, light weight and impact resistant.

The CMB-R20 system brings professional shading and filtering solutions to the Sony PMW-EX3. The affordably priced CMB-R20 mattebox is loaded with the benefits operators have come to expect from Chrosziel. The CMB-R20 is a true 16:9 housing sporting a sleek rectangular design. A full-size French Flag is included for more precise manipulation of light.Dual Rotating Filterstages The CMB-R20 mattebox comes

The MB 456 Academy with rod adaptor and SunShade function, clamp-on Ø 130mm.

Optics

ALADIN MKII

8 channel wireless remote control system

The wireless remote follow focus.

ALADIN MKII’s has set it’s mark in the high competitive domain of S3D and Steadicam. At the heart of it’s multipurpose powers, lays an ease to use, sophisticated layout promising the world renown German precision engineering. No wonder camera pros, distributors and even competitors testing Chrosziel‘s new remote lens control have agreed that ALADIN MKII leads the pack. Feature List Future proof robust hardware design 8 freely assign able motor sockets also useable as spare sockets in case of a defective channel Menu driven setup with a multi color OLED Display Modularity of the components meets the needs of the different users and allows later upgrades Rf-communication at the 400/800 MHz band allowing save connection, also over long distances Controlled Functions: Focus/Iris/Zoom Base(Inter Axial), Angulation (Convergence),with highly precise digital encoder motors plus Start & Stop Smooth zoom movements with precise joystick control Fluid-like focus hand wheel and iris slider Control of a local eye-light through a motor channel and interface possibility to a DMX-source Build-In features for S3D- applications (lens & RIG control) Meta data logging to USB to a *.cvs file Internal synchronize able time code generator Internal power supply for powerful motor control Automatic maximum power level adjustment during end-stop calibration to handle stiff or easy-going lenses Adjustable backlash compensation for each single motor USB & 2x RS232/RS422 Interface Easy Software update via USB- Stick Different levels for motor torque pre-selectable

DigiFOX is a reliable companion for recording with a moving camera. Whether using a crane, dolly or stabilizer, the DigiFOX wireless remote follow focus is simply and quickly ready to use. It transmits the control signal as a digital data package to motors with incremental encoders. Only the DigiFOX also controls internal focus motors as well as the start/stop signal of the Panasonic HDV camcorder HVX200, HPX171 and others. 16 transmission channels are selectable within the 434 MHz – frequency band (US & UK versions 457 MHz) Range* approx. 300m/330yards outdoors and approx. 80m / 90yards in buildings Light weight, compact receiver (8x4x9.5 cm / 3x1.6x3.7 inch, weight 260 g / 9.2 ounces) Compatible with external motors with incremental decoders and internal focus servo motors of many EB lenses from Canon and Fujinon Automatic calibration of the end settings and power provision for the motor dependent on the lens’s mechanical performance Resolution 32 bit, integrated ON/OFF or start/stop recording function “Electronic gear” for spreading or compressing of the translation ratio between the hand wheel and motor reaction Memory of the last settings if the battery must be changed. Also controls the dimmer module from the Aladin system Integrated serial interface RS 232 for easy software upgrades or connecting to PC or PDA 1.5 V D-cell included Lowest power consumption, a battery usually last for an entire day. Option: Rechargeable battery, charger for 110-240 V AC, 33 VA, with all international plug adapters signal: AG-HVX200, AG-HPX171, AG-HMC150 series; AG-DVX100BE, AG-DVX100B, AG-DVX100E, AG-DVX100A, AG-DVC80, AG-DVC30

Monitors

high performance in the mid-market sector, the LMD-2341W model incorporates a full HD resolution (1920x1080 pixels) in a 16:9 wide screen aspect ratio LCD panel. This LCD panel displays high brightness and contrast images together with a superior viewing angle of 178 degrees.

PVM-X300

30-inch 4K TRIMASTER™ LCD professional monitor

The PVM-X300 has a 30-inch 4K LCD panel (4096 x 2160) capable of displaying over four times Full HD resolution in a single screen. The professional LCD monitor incorporates Sony’s exclusive TRIMASTER™ technology architecture, achieving excellent colour and picture quality reproduction, which makes this monitor ideal for 4K cinema production (onset monitoring, dailiesand editing), 4K live production (camera control, program preview) and real-time 4K presentation.

LMD2451W

24” WUXGA (1920 x 1200) Widescreen LCD Monitor

The LMD-2451W is a 24-inch LCD professional video production monitor positioned at the top of the LUMA series. The monitor offers the latest DSP (Digital Signal Processor), the market-proven ChromaTRU color matching technology, and the high functionality for which Sony professional video monitors are renowned. The monitor accepts a variety of signals in both analog and digital, and HD and SD formats. Digital HD-SDI and SD-SDI interfaces are provided as options.

LMD1510W

15.6-inch Widescreen Entry-level LCD Monitor

The LMD-1510W is a 15.6-inch WXGA (1366 x 768) multi-format professional monitor specifically designed to provide reference video monitoring solution for entry-level video applications. A 10-bit processor ensures accurate picture reproduction with less image artefacts. Combined with a high purity filter, the LMD-1510W provides excellent colour depth for precise colour reproduction. Equipped with a HDMI interface as standard, this entry-level monitor is an ideal match for professional and semi-professional High Definition applications

PVM740

7.4” OLED Monitor

The PVM 740 is another leap in Sony imaging technology. Using the new OLED (Organic Light Emitting Diode) technology, blacks are black. Contrast is mesmerizing and your picture never looked so good. Incorporating Sony’s “STE” (Super Top Emission) structure, the PVM 740 can display extremely wide gamut colors and repel panel glare so that “on set” or “in the field” viewing is simple and accurate. The PVM 740 also includes other features that make it the favorite for view and framing camera images.

LMD-940W

LMD2341W

23-inch* Wide Screen High Grade LCD Monitor

The LMD-940W is a high-grade type monitor incorporating a newly designed 3G SDI capability. With this feature, the LMD-940W is able to accept 50P and 60P video signals using only one single SDI cable. The small size format of the LMD-940W allows usage in various applications such as ENG/EFP, OB Van, Editing Systems and Monitor Walls. The LMD-2341W is a wide screen, slim and robust monitor. It provides high grade picture quality for high quality preview monitoring. It is specifically designed to integrate seamlessly with digital galleries and can also be used as desktop monitor for editing. Redefining

Monitors

S-1070C 7” LCD Monitor 7-Inch HDMI TFT Monitor

LMD-1530W

Since its introduction in 2003, Sony’s LMD Series has offered professional monitors in a variety of types and sizes, suitable for applications in the studio and in the field.

Specification: Input: 1 HDMI: HDMI in 1 BNC: Composite in 2 RCA: L, R stereo audio in Output: 1 BNC : Composite loop through out Signal format: HDMI: 480I / 576I / 480P / 576P / 1080I50 / 1080I60 / 720P50 / 720P60 / 1080P50 / 1080P60 Composite: PAL/ NTSC LCD panel

LMD1751W

High Resolution 8-inch Dual-screen Color LCD Monitor

M-1080B

17-inch WXGA (1280 x 768) High Grade LUMA Monitor

The LMD-1751W is a 17-inch LCD professional video production monitor positioned at the top of the LUMA series. The monitor offers the latest DSP (Digital Signal Processor), the market-proven ChromaTRU color matching technology, and the high functionality for which Sony professional video monitors are renowned. The monitor accepts a variety of signals in both analog and digital, and HD and SD formats.

Specification: Display(Viewing area) 8-inchx2 Dimension: 485x130x70mm Resolution: 800xRGBx480 Aspect Ratio: 16:9/4:3 Color System: PAL/NTSC Input: DC 12V Power Consumption: 24W Signal Input: SVideo/YUV/Composite TALLY: R/G/Y Three color Power Consumption: 24W Signal Input: S Video / YUV / Composite TALLY: R/G/Y Three color, self-powered

S-1071HF

7-inch waveform HDSDI/HDMI monitor

EVF-035W-3G

Features: - 1024×RGB×600 - 16:9 / 4:3 adjustable - HD/SD-SDI, HDMI, Composite video inputs - HDMI converted to SDI output by a Build-in Converter - Waveform (Y/Cb/Cr/R/G/B), with full scale - Vector scope - R G B Histogram - Peaking focus assist (red/blue switch) - False color, Blue only, Zebra - Underscan / Overscan switch - Canon DLSR scale zoom-in - Customer editable video TITLE - Audio meter (SDI 16-ch, HDMI 2-ch) - SDI time code

Specifications: Magnesium Housing-Light Weight Retina LCD Display; 3,54” (960x640, 16:9) 160˚(H) / 160˚(V) HDMI Input & Output Various Scan Mode Lens Shutter for protection of the EVF LCD Monitor Internal Colourbar + Pluge Pattern HDMI~HDMI A. Loop Through SDI~SDI A. Loop Through Phone Jack for Calibration

Heads

DELTA

Maxima Payload Capacity : 22 kg Weight : 3,5 kg Pan range: 360 Tilt range: +/- 90 with sliding base plate +70/60 with qiuck attachment plate Counter balance: Continuous Fluid darg: Continuous Bowl diameter: 100 mm temp, range: -40 /+60 C (-40 /,+158 F) Payload Capacity : Weight : Pan range: Tilt range: Counter balance: Fluid darg: Bowl diameter: temp, range:

52 kg 15 kg 360 +/- 90 Continuous Continuous Mitchell/150 mm -40째/+60째C(-40째/+158째F)

GAMMA

Payload Capacity : 16 kg Weight : 3,5 kg Pan range: 360 Tilt range: +/- 90 with sliding base plate +90/70 with qiuck attachment plate Counter balance: Continuous Fluid darg: Continuous Bowl diameter: 100 mm temp, range: -40 /+60 C (-40 /,+158 F)

MASTER

FOR SONY/CANON

LASER Payload Capacity : Weight : Pan range: Tilt range: Counter balance: Fluid darg: Bowl diameter: temp, range:

30 kg 6,5 kg 360 +/- 90 Continuous Continuous Flat Mitchell/150 mm -40 /+60 C (-40 /,+158 F)

C60S / C40S

Payload Capacity : Weight : Pan range: Tilt range: Counter balance: Fluid darg: Bowl diameter: temp, range:

12 kg 3 kg 360 +/- 90 Continuous Continuous 100 mm -40 /+60 C (-40 /,+158 F)

FOCUS HD

Payload Capacity : 40 kg Payload Capacity C60S: 50 kg Weight : 11 kg Pan range: 360 Tilt range: +/- 65 Counter balance: 7 STEPS + 0 Counter balance: 4 STEPS + 0 Fluid darg: 7+7 Bowl diameter: Flat Mitchell/150 mm temp, range: -40 /+60 C (-40 /,+158 F)

Payload Capacity : Weight : Pan range: Tilt range: Counter balance: Fluid darg: Bowl diameter: temp, range:

12 kg 2.5 kg 360 +/- 90 Continuous Continuous 100 mm -40 /+60 C (-40 /,+158 F)

Heads

Delta Rosso

working height:

15cm

weight:

3.6kg

load capacity:

16kg

plate type:

357PLV

501 HDV PRO FLUID VIDEO HEAD Payload Capacity : Weight : Pan range: Tilt range: quick attachment plate Counter balance: Fluid darg: Bowl diameter: temp, range:

22 kg 3.5 kg 360 +/- 90° with sliding base plate; +70°/-60° with Continuous Continuous 100 mm -40 ~ 158°F (-40 ~ 60°C)

Taking its inspiration from our top professional video head models, the 501HDV features a fixed counterbalance spring set for a typical weight of camera and accessories of 2.5kg that helps ensure both smoother tilt movements and greater equipment safety even when tilt locks are inadvertently left off. The easy-to-reach on/off switch allows the counterbalance system to be disengaged or re-engaged for different filming setups. With its improved design, the 501HDV head offers more ergonomics with locks and knobs that allow a more solid grip and better fingertip control.

509HD

working height:

11.5cm

weight:

1.6kg

load capacity:

6kg

plate type:

501PL

MVH 502HD PRO VIDEO HEAD

The 509HD is the result of an important technical evolution - the perfect synthesis between an innovative “bridge architecture”. A new bridge leading the videographer and photographer to even better results with today’s high-definition cameras. A unique Advance Balancing Recorder feature can record the perfect balanced position for your camera equipment so that the position can be recalled later on. This electronic ABR feature reduces the time needed for setting up and balancing your camera system on the tripod head. working height:

17cm

weight:

3.8kg

load capacity:

13kg

plate type:

509HLV

Full smoothness control while shooting thanks to the variable fluid mechanisms. Ideal for latest camcorder and HDSLR cameras supplied with external accessories (4kg max capacity with Ø75mm half ball connection).

working height:

15cm

weight:

load capacity:

4 kg

plate type: 504PLONG

1.8 kg

HI HAT 529B

504HD SYSTEMS

The Manfrotto 504HD Fluid Video Head introduces a revolutionary new design that improves performance while reducing weight, as well as offering a soupçon of style. The head’s patented Bridging Technology allows for a wider top plate and longer sliding plate that add stability and balance to a set of state-of-the-art professional features. With its ability to support up to 16.5 lbs, the 504HD can be used with a variety of video and photo cameras. The newly designed counterbalance system includes four presets--from 0 to 16.5 lbs--enabling proper balance no matter what the camera’s size or weight.

maximum height:

15cm

weight:

load capacity:

4 kg

minimum height: 504PLONG

1.8 kg

Manfrotto’s new Hi-Hat enables you to get shots from the dog’s perspective. The 529B has adjustable leg angles to mount the camera in the tightest or lowest of locations - and thanks to the built - in spreader you can simply use the 529B on any even surface. The feet are rubber-padded to protect delicate surfaces and have a hole so that the 529B can be screwed to a ladder, apple-box or a sheet of wood. Recommended Heads: 526 519 (with 319 adapter) 516 (with 500BALLSH adapter) 503 (with 500BALLSH adapter) 501HDV (with 500BALLSH adapter)

Tripods

351MVB2 / 351MVCF

515MVB / 350MVB

LIGHTWEIGHT VIDEO TRIPOD

maximum height:

150 cm

weight:

3.5 kg

load capacity:

13 kg

minimum height:

63cm

closed length:

70.5 cm

maximum height:

156 cm

weight:

3.5 kg

load capacity:

15 kg

minimum height:

32 cm

closed length:

72 cm

501HDV+755xbk KIT Head: 501hdv, Tripod: 755xbk

546GBK / 351MVB LIGHTWEIGHT VIDEO TRIPOD

maximum height:

156 cm

weight:

3.5 kg

maximum height:

150.5 cm

weight:

3.53 kg

load capacity:

15 kg

minimum height:

32 cm

load capacity:

5.4 kg

minimum height:

58.0 cm

closed length:

72 cm

701HDV,547BK KIT

542ART / 532ART

Head: 701HD, Tripod: 547BK

ART CARBON FIBER PRO VIDEO TRIPOD

maximum height:

152 cm

weight:

4 kg

maximum height:

217.5 cm

weight:

6.1 kg

load capacity:

15 kg

minimum height:

40 cm

load capacity:

9 kg

minimum height:

40 cm

closed length:

73 cm

Tripods

509HD, 545BK KIT Head: 516, Tripod: 545BK

501HDV,546GBK KIT Head: 501HDV, Tripod: 546GBK