Advanced Media Product Guide 2013 - second edition by Advanced Media Trading

2013

Second Edition

Advanced Media Trading LLC is one of the Middle East’s largest suppliers of broadcast, professional video and photography equipment and accessories. Headquartered and founded in Dubai, U.A.E in 2002, Advanced Media conducts business all over Middle East and North Africa and is engaged in every aspect of the broadcast, professional video and photography industry including sales, consultancy, installation, training, service and maintenance. Advanced Media’s showroom & offices are conveniently located at 4th floor, Al Khaleej Center, Al Mankhoul Road, Bur Dubai. The showroom provides a ‘hands-on’ experience with the opportunity to test a wide range of products and associates are always on hand to offer professional support and advice. Advanced Media deliver a ‘showroom’ shopping experience through their website, allowing customers to view and purchase a wide selection of products at their own convenience. Moreover, with a dedicated team of professional and certified staff, Advanced Media offers one of the best service centers in the Middle East for broadcast, professional video and photo equipment and accessories.

‫أدﻓﺎﻧﺴﺪ ﻣﻴﺪﻳﺎ ﻫﻲ اﺣﺪى اﻟﴩﻛﺎت اﻟﺮاﺋﺪة ﰲ اﻟﴩق اﻷوﺳﻂ ﰲ ﻣﺠﺎل ﺗﻘﺪﻳﻢ اﻟﺤﻠﻮل‬ ‫ﻟﻠﻤﺤﻄﺎت اﻟﺘﻠﻔﺰﻳﻮﻧﻴﺔ وﻟﴩﻛﺎت اﻹﻧﺘﺎج اﻟﺘﻠﻔﺰﻳﻮين وﺟﻤﻴﻊ اﳌﺘﻌﺎﻣﻠني مبﻌﺪات اﻟﺼﻮت‬ . ‫ وذﻟﻚ ﻟﺘﺤﻘﻴﻖ ﺻﻮرة أﻛرث اﺣﱰاﻓﻴﺔ ﺑﺎﺳﺘﺨﺪام اﻷدوات اﳌﺒﺘﻜﺮة‬،‫واﻟﺼﻮرة‬ ‫ وﺑﺨﻄﻰ ﺛﺎﺑﺘﺔ ﻟﺘﺼﺒﺢ ﻣﻘﺼﺪاً ﻟﻠﺒﺎﺣﺜني ﻋﻦ ﻣﻌﺪات‬۲۰۰۲ ‫اﻧﺘﻘﻠﺖ اﻟﴩﻛﺔ ﻣﻨﺬ ﺗﺄﺳﻴﺴﻬﺎ ﻋﺎم‬ ‫ ﻟﻴﺠﺪ‬،‫ وﻋﲆ اﻟﺪوام ﻋﻤﺪﻧﺎ ﻟﻨﻘﻞ اﳌﺴﺘﺠﺪات ﰲ ﻫﺬا اﻟﺤﻘﻞ‬،‫ﺗﺼﻮﻳﺮ اﻟﻔﻴﺪﻳﻮ أو اﻟﺘﺼﻮﻳﺮ اﻟﺜﺎﺑﺖ‬ .‫اﻟﺰاﺋﺮ ﻟﺼﺎﻟﺔ اﻟﻌﺮض اﻓﻜﺎر ﺟﺪﻳﺪة وﻣﺘﻨﻮﻋﺔ‬ ‫ﻳﺘﻮزع إﻫﺘامﻣﻨﺎ اﻵن ﻋﲆ ﺗﺤﺪﻳﺚ وﺗﻄﻮﻳﺮ اﻟﺒﻴﻊ ﻋﱪ اﳌﻮﻗﻊ اﻹﻟﻜﱰوين ﻣﻦ ﺧﻼل إﺿﺎﻓﺔ ﻛﺎﻓﺔ‬ ‫ ﺑﺎﻹﺿﺎﻓﺔ ﻟﺘﻮﺳﻌﺔ‬،‫اﳌﻌﻠﻮﻣﺎت اﻟﻼزﻣﺔ ﻟﻠﺤﺼﻮل ﻋﲆ ﺗﺠﺮﺑﺔ ﻣﺸﺎﺑﻬﺔ ﻟﻠﴩاء ﻣﻦ ﺻﺎﻟﺔ اﻟﻌﺮض‬ ‫وﺗﺤﺪﻳﺚ ﻣﺮﻛﺰ اﻟﺼﻴﺎﻧﺔ واﻟﺪﻋﻢ اﻟﻔﻨﻲ اﻟﺬي أﺻﺒﺢ وﺳﻴﻠﺔ ﻟﺘﺄﻛﻴﺪ ﺧﺪﻣﺔ ﻣﺎ ﺑﻌﺪ اﻟﺒﻴﻊ وﻓﻖ‬ .‫أﻋﲆ اﳌﻌﺎﻳﺮ‬

Contents

Broadcast & Professional Video Camcorders Player / Recorder Hard Disk Recorder Memory Cards Battery / Charger On Camera Lighting Camera Case Optics Monitors Heads Tripods Camera Support System Chroma-key Switchers / Mixers Underwater-housing Teleprompter Lighting Lighting Support Professional Audio Interfaces Media storage NLE On-Air Archiving Wireless camera Up-Link Microwave

4 15 17 20 21 21 22 24 33 36 38 42 66 67 72 73 74 78 85 96 98 104 109 111 112 114 115

Photography Digital Camera Optics Lighting & Studio Lighting Accessories Lightmeter Tranceiver Tripods Monopods Heads Phtography Support Accessories Camera Cases Studio Accessories Professional Camera Support Under Water Housing

116 123 131 135 139 140 141 143 145 147 149 150 170 173 188

Professional Video

4K Camera Systems F65

Super 35mm 8K CMOS sensor SRMASTER camera

Features: Super 35mm CMOS sensor with 20 Mega pixels The F65 features superb image quality in HD/2K and True 4K. There is a choice of format composition as required, including 1.85:1, 1.78:1, 1.66:1, 1.33:1, 2.35 spherical, 1.3x anamorphic, or 2x anamorphic cropped. The F65 has a 14-stop latitude, high sensitivity and ultra-low noise. It offers filmic colour reproduction with an unrivalled colour gamut. Compact and light-weight Smaller and lighter than the F35, the F65 allows for even easier handling for applications such as Steadicam. Records on to SRMemory with dockable SR-R4 SRMASTER Portable Recorder The SR-R4 is a 4K recording system specifically designed for Sony’s new top-of-the-line F65 cinematography camera. It takes full advantage of the ultra high-speed SRMemory platform to record super-rich RAW data from the F65 at speeds as fast as 5 Gbps. SRMemory is unique – nothing can match its combination of capacity, sustained data throughput, security and portability. It opens up completely new ways for end-users to work. With huge transfer speeds up to 5 Gbps, SRMemory media also has massive capacity up to 1TB for long recording times. Wide range of interfaces for on-set workflow The F65 provides 16bit RAW output for recording onto SRMemory in the dockable SR-R4. Other interfaces include monitoring via HD-SDI and HD viewfinder with LUT, camera remote connector, LAN connecter, WiFi Camera Control and Cooke /i support. Rotary shutter The optional mechanical rotary shutter eliminates the rolling-shutter effect common to CMOS sensors. Built-in ND Filters Four Neutral Density Filters are supplied with the Rotary Shutter option. Records at up to 120 FPS The camera features higher frame rate recording up to 120P, which is especially useful on productions such as commercials that require a slow motion effect.

PMW-F55

Super 35mm 4K CMOS sensor compact CineAlta camera records HD/2K/4K on SxS memory plus 16-bit RAW 2K/4K output

Sony 4K sensor for gorgeous, super-sampled HD, 2K and 4K The PMW-F55 CineAlta camera shoots spectacular images with its 8.9 megapixels (effective) Sony 4K image sensor. You get superb dynamic range, the widest colour gamut, and pristine image quality, whether you shoot in HD, 2K or 4K. Multiple recording formats includes HD/2K/4K on SxS memory and 16-bit RAW 2K/4K on AXSM™ media Multiple recording formats include MPEG-2 HD422, MPEG4 SStP*, XAVC 2K*/HD, XAVC QFHD*/4K and 16-bit RAW 2K/4K**. You can have simultaneous recording on internal high-speed SxS PRO+ memory cards and RAW 2K/4K recording on sleek AXSM™ memory cards using the optional bolt-on AXS-R5 recorder, designed specifically to attach seamlessly to the F55 and F5 cameras. There is also high speed shooting up to 240 fps RAW 2K and 60 fps in RAW 4K recording onto the AXS-R5.

PMW-F5

Super 35mm 4K CMOS sensor compact CineAlta camera records HD/2Kon SxS memory plus 16-bit RAW 2K/4K output

Professional Video

Sony 4K sensor for gorgeous, super-sampled HD and 2K The PMW-F5 CineAlta camera shoots spectacular images with its 8.9 megapixels (effective) Sony 4K image sensor. You get superior, super-sampled pictures with noticeably higher contrast, rich colour reproduction and greater clarity. The camera offers robust built-in recording modes, all with vibrant 4:2:2 colour. Irresistible options include the amazing precision of 16-bit linear RAW 2K/4K recording and high speed shooting at up to 120 fps without cropping. Multiple recording formats includes HD/2K on SxS memory and 16-bit RAW 2K/4K on AXSM™ media Multiple recording formats include MPEG-2 HD422, MPEG4 SStP*, XAVC 2K*/HD and 16-bit RAW 2K/4K**. You can have simultaneous recording on internal high-speed SxS PRO+ memory cards and RAW 2K/4K recording on sleek AXSM™ memory cards using the optional bolt-on AXS-R5 recorder, designed specifically to attach seamlessly to the F55 and F5 cameras. There is also high speed shooting up to120 fps XAVC 2K/HD* internally and 120 fps RAW 2K onto the AXS-R5.

high-quality SD output. It uses the latest 14-bit A/D conversion circuit as well as the superb 2/3-inch Power HAD™ FX CCDs to bring out high picture quality. Power HAD FX CCD for high sensitivity 14-bit A/D (Analog to Digital) conversion Digital triax operation Newly developed Focus Assist Functions System Compatibility Low profile chassis design and Large lens operation.

HXC-100

Opening a New World of HD Production

PMW-F3K

Super 35mm Exmor CMOS sensor with 35mm, 50mm and 85mm lenses

CineAlta camcorder recording full HD / SD The PMW-F3 is part of the CineAlta 24P family of digital cinematography products and its support for multiple frame rates includes a filmic 23.98P as well as S-Log workflows. Sony’s Exmor™ Super35 CMOS sensor was designed with the benefit of two decades experience in Digital Cinematography, pioneering digital HD acquisition for feature films and broadcast TV through the legendary CineAlta product range. It brings a true ‘film look’ and superior image quality into reach for independent movies, pop promos, commercials and other applications, as well as making the PMW-F3 an ideal B-camera for high-end feature film production. The PMW-F3K is supplied with three high quality Sony lenses and an industry standard PL Mount adaptor providing compatibility with industry standard 35mm lenses. (Also available is the lens-less PMWF3L.) Exceptional flexibility is a key feature of the F3 along with with multiple workflow options. XDCAM EX’s proven high-speed, intuitive workflow offers seamless integration with leading nonlinear editing software - as standard. In addition, a 10bit 4:2:2 HD-SDI output opens up hybrid recording possibilities with a variety of external recording devices. And from April 2011, a Dual Link HD-SDI option will enable 10bit RGB uncompressed signal output - ideal for the high-end film production.

Sony’s standard-definition (SD) and high-definition (HD) production cameras have been widely accepted by a great number of video professionals around the world, due to their excellent picture performance and system versatility. The HXC-100 is equipped with a newly developed three 2/3-inch type 2.2-megapixel HD CCD. Based on Sony HAD sensor technology and the latest on-chip lens structure, this new CCD offers a high sensitivity of F11 at 2000 lx. In addition to this performance, a wide variety of capturing modes including 1080/50i and 720/50P. Power HAD FX CCD for high sensitivity 14-bit A/D (Analog to Digital) conversion Digital triax operation Newly developed Focus Assist Functions Simple System Configuration Robust Design

PMW-500

Three 2/3-inch Power HAD FX CCD sensors XDCAM HD422 camcorder record ing full HD (plus SD option)

HSC-300

Sony is now proud to introduce the new HSC-300 HD/SD System Camera equipped with newly developed digital triax technology, which allows systems to be configured with conventional triax. The HSC-300 camera supports versatile applications for HD with a

The PMW-500 is Sony Professional’s first XDCAM HD422 Camcorder with solid state recording. It supports full-HD 422 50-Mbps MXF record and playback based on highly developed MPEG-2 Long GOP compression technology. Uniquely, it can also be switched to record in HD 420 35-Mbps MP4 format which makes for seamless integration when used alongside XDCAM EX models. Product Highlights 2/3”-Type Power HAD CCDs XDCAM HD (MPEG-2 4:2:2 @ 50 Mb/s) Captures to SxS Memory Card Records in UDF & FAT Formats MXF or MP4 File Wrappers HD/SD-SDI Slow & Quick Motion Pool Feed Input Recording 50-Pin Rear Interface Hypergamma

Professional Video

PMW-400K

Three 2/3-inch type Exmor CMOS sensors with 16x zoom HD lens XDCAM camcorder recording Full HD 422 at 50 Mbps

PMW-400L

Three 2/3-inch type Exmor CMOS sensors without lens XDCAM camcorder recording Full HD 422 at 50 Mbps

PMW-300K1

Three 1/2-inch Exmor™CMOS sensors semi-shoulder XDCAM camcorder with interchangeable 14x zoom HD lens system recording Full HD 422 at 50 Mbps

PMW-300K2

Three 1/2-inch Exmor™ CMOS sensors semi-shoulder XDCAM camcorder with interchangeable 16x zoom HD lens system recording Full HD 422 at 50 Mbps

Key features: High sensitivity Full HD sensors Supports all SD / HD 420 or SD / HD 422 on several types of memory cards XAVC ready The PMW-400K is future-proofed to support XAVC 10-bit HD422 recordings, including XAVC Intra frame 10-bit HD422 100Mbps and XAVC Long GOP 10-bit HD422 (low bit rate). Noise reduction Hardware and software flash band correction Wide gain selection WiFi remote High resolution 960 x 540 colour viewfinder Interfaces include SD / HD-SDI and i.Link Digital triax and fibre optional control Supplied with 2/3-inch 16x zoom lens Low power consumption

PMW-320K

Three 1/2-inch type Exmor CMOS sensors XDCAM EX camcorder with 16x zoom HD lens recording full HD / SD

The PMW-300K1 XDCAM camcorder is equipped with three 1/2inch Exmor™ full-HD CMOS sensors, capable of delivering highquality images even in low-light environments. Ample support for interchangeable lensand a robust metal body further ensure that PMW-300K1 is suitable for a wide range of applications. Additionally, the PMW-300K1 offers a convenient remote-control and multi-camera operation capability, which allows use with high-end camera systems. HD 422 50 Mbps recordings ideal for a wide range of shooting conditions with XAVC future-proofing An evolution of Sony’s industry leading PMW-EX3, the PMW-300K1 is able to record 50Mbps HD material in MPEG-2 HD422, meeting broadcast standards around the world, including the European Broadcasting Union’s (EBU) requirements on HD broadcast acquisition for long form programme making. The high bit rate ensures excellent capture of fast moving objects, while its chroma subsampling feature is perfect for a wide range of video encoding areas such as VFX and green screen applications. The camcorder can also be upgraded in the future to support Sony’s revolutionary XAVC codec, extending the lifecycle of the product to ensure maximum return on investment*. * XAVC support for HD will be available in 2014..

PMW-200

Three 1/2-inchExmorCMOS sensors XDCAM camcorder recording Full HD 422 at 50 Mbps

The PMW-320 offers all the advanced creative recording features of the PMW-EX1R compact camcorder, plus enhancements such as a Scene File System and 4 channel audio. The PMW-320L version is supplied without a lens to provide customers with more choice, while the PMW320K version is supplied with a Fujinon HD lens. Product Highlights 3 1/2” Exmor CMOS Sensors Fujinon 1/2” HD Lens Full HD 1920 x 1080 23.98P Native Recording HD/SD/DVCAM 1080/720, Interlace/Progressive XDCAM EX Solid State Workflow Uses SxS Memory Cards NTSC/PAL 4-channel Audio

Professional Video PMW-100 PMW-150 PMW-200

Product Highlights Three 1/2” Exmor CMOS Sensors MPEG HD422 at 50 Mbps HD422 1080p at 24 & 30 fps HD422 720p at 24, 30 & 60 fps Fujinon Lens with 14x Zoom Ratio Four Channels of 16-bit Audio Articulated LCD with 852x480 Resolution Timecode & Genlock Input Cache Recording Up to 15 Seconds Dual ExpressCard SxS Memory Card Slots

PMW-100

One 1/3” Exmor CMOS XDCAM HD422 Handy Camcorde

The PMW-200 is equipped with three 1/2” Full HD 1920 x 1080 Exmor CMOS sensors, which support 1000 TV1 high resolution, F11 (2000 lx) high sensitivity, low 56dB noise and a wide dynamic range. It works for SD/HD recording and features a 14x zoom lens with a unique focus ring mechanism.

PMW-150

Three 1/3-inch Exmor CMOS sensors compact XDCAM camcorder recording Full HD 422 at 50 Mbps

The PMW-150 is compact camcorder with three 1/3-inch-type Full-HD Exmor™ CMOS sensors. It is because of this new sensor that the camcorders achieve sensitivity of F10 and an S/N ratio of 54 dB. Independent focus, zoom (x 20), and iris rings enable precise shooting in many circumstances. And with a high-quality MPEG HD422 (50 Mbps) recording capability, which is widely accepted in broadcast stations and production houses, the PMW-150 help to boost user creativity in many different applications, including news gathering and documentary production.

Product Highlights 1/2.9” CMOS Sensor (1920 x 1080) XDCAM 422 MPEG-2 Codec at 50 Mb/s 10x Zoom Lens - 40-400mm (35mm Equiv) 3.5” LCD Screen (852 x 480 Pixels) HD-SDI & HDMI Outputs Dual XLR Inputs / Timecode & Genlock I/O Dual ExpressCard SxS Card Slots Compatible with XDCAM Disc & EX Formats DVCAM Recording Less Than 1.8 Kg with Battery & Card The PMW-100’s 1/2.9-inch Exmor CMOS sensor and MPEG HD422 codec offers astonishingly high quality HD image capture in a compact, light weight chassis. It’s a perfect partner for the popular PMW-500 XDCAM HD422 shoulder camcorder, with all the benefits of the established XDCAM production workflow for speed and reliability. Advanced features such as slow and quick motion, cache recording and Night Shot also ensure the PMW-100 is a no-compromise choice when used independently.

NEX-FS700K

4K “Exmor” Super 35 CMOS sensor

Product Highlights Three 1/3” Exmor CMOS Sensors Sony 20x Power Zoom Lens XDCAM HD422 Format at 50Mbps Articulated LCD with 852x480 Resolution DVCAM for SD Recording and Playback Two SxS Memory Card Slots Play and Record UDF and FAT Cards Built-in ND Filters (1/4, 1/16, 1/64) Signal-to-Noise Ratio 54 dB Wi-Fi Remote Capability

Product Highlights 4K Exmor Super 35mm CMOS Sensor Capture 1920 x 1080/60p Video Includes 18-200mm Lens NXCAM Recording Format (AVCHD) LCD 3.5” Screen with VF Attachment Up to 960 fps Super Slow Motion

Professional Video

ISO 500 (0 dB) to ISO 16,000 (30 dB) Dual XLR, HDMI & 3G/HD-SDI Connectivity FMU Port Supports Optional Memory Future 4K Upgrade

NEX-EA50EH

NXCAM Large Format Sensor camcorder with E-mount lens system

The Sony NEX-FS700 Super 35 Camcorder is a fully professional largesensor video camera. Hot on the heels of the FS100, this compact, highly modular camera uses a very similar-sized Super 35 CMOS sensor as the FS100. But as a marked improvement over that earlier model’s sensor, the FS700 features a native 4K resolution sensor.

NEX-FS100PK

NXCAM Super 35mm Sensor Camcorder

The NEX-EA50EH is a professional NXCAM Camcorder with a large format Exmor™ APS-C HD CMOS sensor and interchangeable E-mount lens system providing exceptional creative freedom when shooting both Full HD movies and high-quality still photos. It is supplied with the newly developed SEL18200PZ18-200mm Power Zoom E-mount lens providing auto focus, continuous variable iris and Optical Steady Shot™ image stabilization with Active Mode, making it ideal for shooting moving images. Product Highlights Includes 18-200mm Servo Zoom Lens Records Full HD 1080p up to 60 fps Exmor APS-C CMOS Sensor Lossless Digital Zoom Effect Accepts E-mount Lenses Two XLR Audio Inputs SD/MS Memory Card Slot FMU Slot for Flash Memory Unit Still Photographs at 16 Megapixels Hot Shoe for Traditional Flash Units

Product Highlights Includes 18-200mm Zoom Lens Exmor Super35 CMOS Sensor E-Mount Interchangeable Lens System Uncompressed 4:2:2 & RGB Output via HDMI NXCAM Recording Format (AVCHD) Embedded Timecode 3.5” XtraFine LCD Screen 1920 x 1080p Slow & Quick Motion Dual XLR Audio Memory Stick, SD/SDHC/SDXC Recording The NEX-FS100 Super 35mm Sensor Camcorder is Sony’s first affordable and fully professional large-sensor video camera. This compact, highly modular camera comes equipped with a stabilized 11x zoom lens while using the same S35-size CMOS sensor as the higher-end PMW-F3. Unlike smaller, broadcast-style sensors or the larger “full-frame” sensors of some DSLRs, the NEX-FS100’s imaging area matches that of standard Hollywood film cameras, providing complete compatibility with cine-style film lenses (via optional adapters) as well as any of Sony’s E-Mount lenses.

HVR-S270E

The HVR-S270E is a brand new HDV shoulder mount camcorder with an interchangeable lens system, native progressive recording, and solid-state memory recording. A variety of lenses can be attached to the HVR-S270E, which is equipped with a universal standard 1/3-inch bayonet mount mechanism for the quick changing of lenses. Switchable Recording and Playback- HDV1080i/DVCAM/DV 1/3-inch type 3 ClearVid CMOS Sensor System The HVR-S270E offers cutting-edge features, such as the technology of “Exmor™” developed by Sony, which utilizes the full potential of the 3 ClearVid CMOS Sensor system. Wide Range of Lenses Carl Zeiss Lens for HD Video as Standard Alpha Lens Compatibility 25p HDV Native Progressive Recording Modes

Professional Video

HXR-NX5E

Three 1/3-inch Exmor CMOS sensors NXCAM AVCHD camcorder with GPS recording full HD / SD

HVR-Z7E

1/3-inch typr 3 ClearVid CMOS sensor with Exmor technology HDV camcorder with interchangeable lens system recording HD / SD

Interchangeable Lens Capability 1/3” Exmor CMOS Sensors 1080i 25p A variety of video lenses can be attached to the HVR-Z7E, which is equipped with a universal standard 1/3-inch bayonet mount mechanism for the quick changing of lenses. Added to this a streamlined nonlinear editing workflow can be achieved using the supplied memory-recording unit, which provides HDV/DVCAM/DV file recording on a standard CompactFlash® solidstate memory card. This offers customers varying levels of flexibility and hybrid operation which is becoming an important requirement in video production. The HVR-Z7E also features 25p HDV native progressive recording mode and HDMI output.

3 1/3” CMOS Sensors 1080i/1080p/720p AVCHD (@24Mbps) Wide Angle 20x G-Lens HD-SDI & HDMI Output SMPTE Time Code In/Out Dual XLR Inputs Simultaneous HD/MPEG-2 SD Capture Uses Memory Stick PRO Duo / SDHC Cards Built-in GPS Sony’s first professional AVCHD camcorder redefines the performance and features expected of this product class. It records stunning quality 1920 x 1080 images at 24Mbps (50i or 25p), as well as supporting 720/50p and Standard Definition recording. Sony’s “G Lens” and Exmor™ technology provide excellent resolution, colour and contrast, as well as exceptional low-light sensitivity.

HXR-NX70P

Compact Dust and Rain-proof Camcorder with 1/2.88-in Exmor R™ CMOS Sensor

HVR-Z5E

1/3-inch type 3 ClearVid CMOS sensor HDV camcorder recording HD / SD

3CMOS ClearVid Exmor Sensors miniDV Cassette 1080p 25p 20x G-Lens Dual Record with 1.2MP Still Capture HDV/DV Switchable Dual-Record Mode The Sony HVR-Z5P Professional HDV PAL Camcorder is the highlyanticipated successor to the acclaimed HVR-Z1P. The camera improves upon its predecessor in a variety of areas, including overall performance and range of features. CinemaTone technology enhances both gamma and color, providing exceptional images that exhibit a beautiful film-like aesthetic. What makes the camera unique is its ability to shoot to both tape and compact flash simultaneously when using the HVR-MRC1K compact flash memory recording unit.

Rain & Dust Resistant Full HD 1920 x 1080 50/25p AVCHD Recording at 28Mbps Ultra Wide 26.3mm Sony G Lens Built-in 96GB Flash Memory Uses Memory Stick or SD Cards XtraFine 3.5” Touchscreen LCD Assignable Lens Ring Detachable Handle with Dual XLR Input Infrared NightShot In low light conditions, its Exmor R™ CMOS sensor delivers roughly double the sensitivity of conventional CMOS sensors, while an ultrawide angle 26.3mm Sony G Lens™ lets you capture more of the action in close shooting situations. You can also ‘geo-tag’ your precise location with built-in GPS, while 96 Gigabytes of embedded Flash Memory provides up to 40 hours of storage capacity - ideal when operating in remote locations.

Professional Video

HXR-NX30P

1/2.88-inch Exmor R CMOS sensor ultra-compact NXCAM camcorder recording full HD with Balanced Optical SteadyShot™

1080i MiniDV Compatible CMOS Sensor Photo Mode The Sony HVR-HD1000P Digital High Definition HDV PAL Camcorder is a PAL HDV camcorder specifically designed for videographers looking for an affordable shoulder-mounted camera. Ideal for event work and wedding videography, the camera is equipped with a ClearVid CMOS sensor, capable of recording 1080i high definition footage on a standard MiniDV tape! Additionally, the HVR-HD1000P comes fitted with a 10x Carl Zeiss Vario-Sonnar lens with Super SteadyShotTM image stabilization, ensuring operators get the perfect shot every time.

DSR-PD175P

1/2.88” ExmorR CMOS Image Sensor Ultra-Wide Zeiss 10x Optical Zoom Lens Shoots AVCHD Up to 1080/50p at 28 Mbps Balanced Optical SteadyShot Stabilizer Integrated Viewfinder & 3.0” LCD Monitor Capture Stills While Shooting Video2 x XLR Inputs & Pro Audio Controls Built-In 96GB Flash Memory Capacity SD and Memory Stick Pro Duo Card Slot Built-In Projector & Built in Stereo Mic Palm-sized camcorder with outstanding picture quality Advanced image stabilisation.

Sony’s Brand-new DVCAM Camcorder Delivers Eye-opening Picture Quality an Enhanced Functionality The DSR-PD175P is simply the best standard definition handheld camcorder ever produced by Sony. It uses the same chassis as the state-of-the-art HVR-Z5E HDV Camcorder introduced in 2008 with many of the same advanced features, including the all-new high performance Sony G-Lens which combines a ClearVid array and advanced Exmor image-processing technology for class leading picture quality and low light performance.

HXR-MC1500P

Shoulder Mount AVCHD PAL Camcorder

The weight distribution and control layout of this chassis has set new ergonomic standards for handheld operation, while operational flexibility is further enhanced by support for the HVR-MRC1K Compact Flash Solid State recorder. In every respect, the DSR-PD175P is a natural successor to the legendary DSR-PD170P Camcorder for customers who need the highest performance and latest technology but don’t currently have a requirement for High Definition. 1/4” Exmor R CMOS Image Sensor Fast f/1.8-3.4 Lens with 12x Zoom Ratio HD 1080/50i and 720/50p Resolution 64GB of Internal Memory Memory Stick and SD/SDHC/SDXC Slot AVCHD Compression Format User Configurable Manual Lens Ring Optical SteadyShot with Active Mode MPEG-2 for SD Recording Format DVDirect and Direct Copy

HVR-HD1000E

NEX-VG900E

Full-Frame Interchangeable Lens Camcorder

Professional Video

NEX-VG900 Full-Frame Interchangeable Lens Camcorder

Product Highlights 24.3MP FullFrame 35mm Exmor CMOS Sensor E-Mount Lens Compatibility A-Mount Lens Compatibility via Adapter Quad Capsule Microphone & 5.1 Sound Tru-Finder OLED Electronic Viewfinder Cinematone Gamma / Color Picture Effect Modes Seesaw Lever Smooth Zoom Uncompressed 1080 HDMI Output

The NEX-VG900 also captures full-frame, 24 megapixel still photos, with RAW format support for all the post-processing flexibility and quality expected from a pro-class type camera. The sensor also allows the creation of distinctive bokeh (attractive defocus) effects; high sensitivity for extremely clear, low-noise images; and effortless reproduction of smooth, true tonal gradation.

NEX-VG30EH

Interchangeable Lens HD Camcorder and Lens Includes adapter for more lens options.

The Sony NEX-VG900 Full-Frame Interchangeable Lens Camcorder is the first Handycam camcorder with a 35mm sensor to fully exploit the artistic potential of interchangeable lenses. With a resolution of 24.3 effective megapixels, the camcorderâ&#x20AC;&#x2122;s Exmor CMOS sensor is around 40 times larger than its equivalent in standard consumer camcorders and more than twice the size of the APS-C sensor found in other interchangeable lens Handycam models.

With a wider view, surprising low-light sensitivity and robust defocusing capabilities thanks to an ultra-shallow depth of field, you can tell your story in dramatic fashion.

Product Highlights Sony 18-200mm f/3.5-6.3 Power Zoom Lens Exmor APS-C Sized 16.1MP CMOS Sensor Direct Power Zoom with Variable Speed XGA OLED Tru-Finder EVF with Eye Sensor Quad Capsule Spatial Array Microphone Microphone Jack with Audio Level Control Vegas Movie Studio Platinum 12 Download High Res 16MP RAW and JPEG Stills @ 6fps Compatible with Sony E-Mount Lenses Comprehensive Manual Controls

The Sony NEX-VG30 Camcorder with 18-200mm f/3.5-6.3 Power Zoom Lens is an interchangeable lens camera for cinematic video and DSLR quality photographs, featuring a 16.1MP Exmor APS-C sized CMOS sensor, an XGA OLED Tru-Finder EVF, a Quad Capsule Spatial Array Microphone, a BIONZ image processor and the Sony E-mount for Sony E-Mount lenses.

Includes an 18-200mm lens.

NEX-VG30 presents a significant upgrade from Sonyâ&#x20AC;&#x2122;s NEX-VG20, adding a seesaw lever for power zoom, a Multi Interface shoe, a much improved electronic viewfinder, Picture Effects and the option for an external XLR adapter

Professional Video

EOS-1D C

Cinema EOS Camera

The Canon EOS-1D C* represents a breakthrough in cinematography in a DSLR specifically designed for video, that is incredibly flexible, rugged and compact. Offering onboard 4K image capture, industrystandard codecs and interfaces, and incredible low light performance, the EOS-1D C helps make 4K filmmaking as creative as you want it to be. Product Highlights: 18.1Mp CMOS Sensor 4K Cinematic Quality Video 1920 x 1080 Full HD Video Dual DIGIC 5+ Image Processors 3.2” LCD Screen Eye-Level Pentaprism Viewfinder Dual CF Card Recording Media Canon EF Lens Mount Magnesium Alloy Body 61-Point High Density Auto Focus

The Cinema EOS C500 / C500 PL 4K Digital Cinema Camera capitalizes on the groundbreaking ergonomic design of the EOS C300 / C500 PL camera, and offers a Super 35mm, 8.85-megapixel CMOS image sensor, DIGIC DV III Image Processor and an expansive range of recording and output options specifically for 4K and 2K image acquisition. Addressing the discrete needs of cinema and TV, the EOS C500 / C500 PL offers two forms of 4K origination - productions can dynamically select DCI (SMPTE 2048-1:2011 standard) or the alternative television-centric Quad-HD (SMPTE 2036-1:2009 and ITU-R BT.1769 standards) source image formats.

The EOS C500 / C500 PL features uncompressed Canon RAW output for both 4K and 2K recording. The Canon RAW output is delivered to external recording systems via built-in dual 3G-SDI ports. Dual uncompressed HD-SDI out ports supports external live monitoring. HD content can be written to dual onboard CF cards simultaneously to provide proxy video for offline NLE systems.

EOS C300 / EOS C300 PL Cinema EOS Camera

EOS C500 / EOS C500 PL Cinema EOS Camera

Product Highlights Super 35mm-Size CMOS Sensor EF / PL Lens Mount for Broad Compatibility Canon XF Codec - 4:2:2 50 Mb/s MPEG-2 1920 x 1080i60 & True 24p Recording Rotating 4”, 1.23 Mp LCD Monitor HD-SDI Output, XLR Inputs Dual CF Card Slots Timecode I/O, Genlock In & Sync Out Canon Log Gamma Modular Design: Removable Grip & Monitor Product Highlights 4K RAW (4096 x 2160) Output EF / PL Lens Mount for Broad Compatibility 8.8 Mp Super 35mm-Size CMOS Sensor Also Puts Out 2K, Quad HD & Full HD 2x 3G-SDI Outputs 50 Mb/s Proxy HD Recording to CF Card 10-Bit 4K RAW at Up to 60p 10-Bit 4K Half RAW at Up to 120p 12-Bit 2K 4:4:4 Signal at Up to 60p Canon Log Gamma

Featuring a unique Super 35mm Canon CMOS sensor, revolutionary Canon DIGIC DV III Image Processor and 50 Mbps 4:2:2 codec, the EOS C300 provides outstanding cinema quality movie capture. Compact, modular and compatible with Canon’s existing line-up of EF and new EF Cinema lenses as well as accessories from third parties, the stunningly simple to operate EOS C300 / C300 PL is designed to please cinematographers for any production large and small, on location or in the studio, from shoestring to Hollywood budgets. The EOS C300has a Canon EF lens mount and is compatible with all of Canon’s new EF Cinema lenses and current EF lenses, including compact primes, super telephotos, specialty tilt-shift, macro and

Professional Video

fisheye - over 60 in all. Designed with SMPTE HD production standards, its MPEG-2 codec is an internationally recognized standard compatible with major NLE applications while additional features such as Canon Log ensure seamless integration with existing production workflows, making post-production easy.

The EOS C300 PL offers compatibility with virtually every cinema lens in production today, while its compact and modular design and compatibility with third-party accessories enable it to meet virtually any production need while keeping costs down. Designed with SMPTE HD production standards, its MPEG-2 codec is an internationally recognized standard compatible with major NLE applications while additional features such as Canon Log ensure seamless integration with existing production workflows, making post-production easy. And with an entire support infrastructure designed to help you get the most from your equipment before, during and after production,

EOS C100

Cinema EOS Camera

for external recorders, remote operation, and complete manual control over both video and audio recording.

XF305

High Definition Camcorder

Product Highlights 3 Native 1920 x 1080 CMOS Sensors 50Mbps MPEG-2 Recording 4:2:2 Color Sampling 60p, 60i, 30p, 24p MXF File Format Dual CF Card Slots 18x HD L-Series Zoom Multiple Bit Rates, Resolutions Dual XLR Inputs HD/SD-SDI, SMPTE Time Code, Genlock Canon continues to innovate and develop image acquisition products for the most demanding professional. The Canon XF305 Professional Camcorder features 50Mbps MPEG-2 4:2:2 recording to Compact Flash

XF300

High Definition Camcorder

Product Highlights Super 35mm 8.3MP CMOS Sensor EF Lens Mount with EF Contacts HDMI Outputs a Non-Compression Signal Dual SDHC/SDXC Memory Card Slots ISO 320 and up to ISO 20000 Wide DR and Canon Log Gamma Reduced Rolling Shutter Skews Built-in ND Filters with Manual Controls Two XLR Audio Connectors Peripheral Illumination Correction The Canon EOS C100 Digital Video Camera is the latest addition to the Cinema EOS family, bringing together the renowned technology of Canon CMOS sensors, DIGIC DV III Image Processor, and EF lens compatibility in a smaller, lighter body. Modular and compatible with a host of Canon and third-party accessories, the EOS C100 brings true cinema quality to independent event videographers and video production organizations. The EOS C100 sports the Super 35mm Canon CMOS Sensor and Canon DIGIC DV III Image Processor of the C300 and records at 24Mbps using an AVCHD codec for easy integration in existing production workflows. Operability and customization make the EOS C100 an ideal camera for one-person operation while providing expanded professional capabilities such as HDMI output with embedded Time Code, support

Product Highlights 3 Native 1920 x 1080 CMOS Sensors 50Mbps MPEG-2 Recording 4:2:2 Color Sampling 60p/60i, 30p, 24p MXF File Format Dual CF Card Slots 18x HD L-Series Zoom Multiple Bit Rates, Resolutions Dual XLR Inputs HDMI, Component, Composite Outputs The XF300 Professional Camcorder represents Canonâ&#x20AC;&#x2122;s entry into professional solid state video acquisition. Following on the heels of its widely respected XH line of tape-based camcorders, the XF300 takes advantage of the latest HD technology--along with Canonâ&#x20AC;&#x2122;s newly developed MPEG-2 4:2:2 codec--to record Full HD video to affordable Compact Flash cards.

Professional Video

XF105

is further enhanced with the addition of XLR inputs and an external microphone holder. A Genuine Canon 10x HD Video Lens delivers a wide, flexible zoom range (35mm equivalent range 30.4mm-304mm) and smooth, pleasing backgrounds thanks to an 8-blade iris. And an infrared mode allows users to capture video in conditions with little or no ambient light, a situation which would make other camcorders useless.

Product Highlights 1/3” CMOS Sensor 50Mbps MPEG-2 Recording 4:2:2 Color Sampling 60p/60i, 30p, 24p MXF File Format Dual CF Card Slots 10x HD Zoom Lens Multiple Bit Rates & Resolutions Dual XLR Inputs HD/SD-SDI, SMPTE Time Code, Genlock

Blackmagic Design Cinema Camera

High Definition Camcorder

Compact in size, light weight and fully featured, the Canon XF105 Professional Camcorder can be tailored to fit a wide range of individual needs. While sharing many of the capabilities of the Canon XF305 and XF300 Professional Camcorders, including the Canon XF Codec and Compact Flash (CF) recording, the XF105 offers some exciting new features of its own.

XF100

HD Professional Camcorder

XA10

High Definition Camcorder

The new ultra compact XA10 Professional Camcorder is designed for situations where mobility is critical while shooting. This feature-rich, professional model records Full HD 1080p using an AVCHD codec. The ultimate professional camcorder for run-and-gun shooting, the compact XA10 includes a detachable handle for low-angle shooting and portability. With the handle attached the XA10’s functionality

High Definition Camcorder

Product Highlights 2.5K Image Sensor 12-bit RAW, ProRes and DNxHD Formats 13 Stops of Dynamic Range 23.98, 24, 25, 29.97, 30p Frame Rates MFT Lens Mount LCD Touchscreen with Metadata Entry SDI Video Output and Thunderbolt Port Mic/Line Audio Inputs Records to Removable SSD Drives Includes DaVinci Resolve and UltraScope

The Blackmagic Design Cinema Camera with MFT Mount brings to filmmakers a tool that many have waited for, for quite some time. Recording to a 2.5K image sensor, the camera is capable of recording 12-bit RAW DNG files, as well as ProRes and DNxHD formats to built-in removable SSD drives (not included), while delivering 13 stops of dynamic range. The Blackmagic Cinema Camera is a complete system with built-in recorder and monitoring, so it’s perfect for displacing video-only cameras for work such as weddings and sporting events. And as a complete system it can help save money for those budget strapped productions.

To handle the high data video output, Blackmagic includes a full version of DaVinci Resolve, its premier color correcting software for Mac and Windows. Also included is a copy of UltraScope. When connected to a computer via Thunderbolt, the software provides technically accurate waveform monitoring, displaying six live scope views on a single monitor.

Player / Recorder

HDW-2000/20

HDCAM Studio Editing Recorder

Supports network and non-linear operations Records XDCAM HD422 and HD420 at 50/35/25 Mbps XAVC HD recordings support PMW-F55 and PMW-F5 cameras Smooth SD to HD migration Reduction of storage costs Compact size unit Battery powered operation Lower power consumption means long operating time

PMW-50

Dual SxS PRO rugged, portable deck HDCAM recording and playback Selectable frame rates The HDW-2000/20 can record and replay at 1080/50i, 1080/59.94i, 1080/25P, 1080/29.97P, 1080/23.98P and 1080/24P. Built-in down converter No compromise in editing performance Broadcast quality slow motion High quality picture search and jog Compact chassis Surround sound Both Dolby-E and AC-3 are handled as standard.

HDW-D1800

HDCAM recorder with CineAlta 24P record feature and MPEG IMX and Digital Betacam playback

HDCAM recording and playback Selectable frame rates The HDW-D1800 can record and replay at 1080/50i, 1080/59.94i, 1080/25P, 1080/29.97P, 1080/23.98P and 1080/24P. Compatible replay of standard definition digital cassettes Built-in up and down converters The HDW-D1800 has a built in HD to SD downconverter and a built-in SD to Optional 1080/50i to 720/50P converter New control panel with built-in LCD display Editing via 9-pin remote control Broadcast quality slow motion High quality picture search and jog Optional HDV input via i.LINK Compact chassis Surround sound.

PMW-1000

Compact HD/SD SxS memory recording deck

Compact SxS portable playback/recording unit 3.5-inch display Compliant with the most popular video formats. The PMW-50 supports all formats, from XDCAM EX family and XDCAM HD422 as standard. (UDF & FAT 32 format HD422/420 & DVCAM). The unit is .MXF and .MP4 files compliant, offering flexibility for broadcast and corporate operations. Direct recording on SxS cards via HD/SD-SDI inputs SD, MS , XQD cards and SxS Media support Multiple inputs and outputs The PMW-50 features HD/SD-SDI inputs along with a variety of outputs: analogue composite, HD/SD-SDI, HDMI, analogue audio, headphone, iLink and USB.

HVR-M35E

HDV compact recorder with native progressive recording

HD/SD-SDI Output Multi-format Playback/Recording Capability HDV1080i: 60i/50i/24p/30p/25p DVCAM/DV: 60i/50i * No i.LINK output for HDV720p Dual-size Cassette Mechanism Four Channel Audio Data Playback Down-conversion Capabilities HDV/DV IN TC 2.7-inch LCD Monitor Edge Crop Adjust Custom Repeat

Record and playback on SxS memory cards Enhanced XDCAM HD422 workflow even in linear operation

Player / Recorder

HVR-M25AE

HDV compact recorder with LCD screen and HDMI connection

Analogue Interfaces RS-422A Control HD and SD Reference Inputs Time Code Input/Output Built-in Signal Generator Tape and Head Cleaner for Reliable Operation Built-in 2.7-inch LCD Monitor Digital Slow Motion and Jog Sound (in DVCAM mode) Audio Level Control

GV-HD700E HDV Video Walkman VCR

HDV/DVCAM/DV Compatible Dual-size Cassette Mechanism The HVR-M25AE accepts both standard and mini size HDV, DVCAM, and DV cassettes without using any special adaptor. Down-conversion Capabilities 50/60Hz Switchable HDV/DV IN TC 2.7” 16:9 LCD Monitor HDMI Output Duplicate Plus Edge Crop Adjust Custom Repeat Time code settings

HVR-M15AE HDV compact recorder

The GV-HD700E HDV Video Walkman offers the ability to record SD resolution and playback HDV resolution, view content on its built-in 7” TFT 16:9 LCD screen, or output 1080i/720p signals to an HDTV through the HDMI output. This versatile deck is designed with professional features like x.v.Color Technology, crystal clear still/slow-motion playback, MiniDV SP/LP record/playback, IEEE1394 (DV) interface, component output, and 12-Bit/16-Bit PCM digital audio recording.

Sony AXS-R5 Recorder

HDV/DVCAM/DV Compatible Dual-size Cassette Mechanism Down-conversion Capabilities Compact & Simple Design HDV/DV IN TC Menu button Auto Repeat TC Reset

HVR-1500

Digital HD Video Tape Recorder

Switchable Recording - HDV 1080i/ DVCAM/DV and 60i/50i Playback Compatibility with DV (25 Mb/s) Family Formats Long Recording Time Down-conversion Capability HD-SDI Interface SD-SDI Interface AES/EBU Interface i.LINK Interface

Product Highlights Enables 16-bit 4K and 2K RAW Recording “Bolt-Onto” PMW-F55 and F5 Cameras Facilitates “Off-Line/On-Line” Workflows Supports High Speed Frame Rates Uses AXSM Memory Cards The Sony AXS-R5 Recorder enables 16-bit RAW 4K and 2K video recording on the PMW-F55 and PMW-F5 CineAlta cameras. With its “bolt-on” design, the recorder attaches to the rear of the camera for a sleek, tightly integrated form factor. Users can simultaneously record RAW files to the AXS-R5 recorder and 2K/ HD with the camera’s built-in recorder. You get matching time code, start frame, stop frame, file names and other metadata for seamless conforming in post.

Hard Disk Recorder

A revolution From production to post

Sony AXS-CR1

Compact card reader for AXS media

direct from the source, which can then be used in most editing systems without the need for additional import or transcoding steps. Just remove the Storage Module from the Ki Pro, connect direct to the editing computer and once the files are transferred they are immediately ready for use in the NLE software.

From Lens to Post. In a Flash.

With USB 3.0 interface for easy read-only access The affordable AXS-CR1 AXS media reader makes it easy to input 4K RAW and 2K RAW files at high speed on to a PC/Mac with a USB 3.0 interface. Users can transfer 4K RAW data recorded at up to 60 fps and 2K RAW at up to 240 fps. View RAW files on PC/Mac Once on a PC, the RAW files can be screened using Sony’s free RAW Viewer software. The AXS-CR1 is designed to read sleek, high capacity AXSM™ memory cards as used by the AXS-R5 recorder working with PMW-F55 and PMW-F5 camcorders.

SBAC-US20

SxS PRO solid state memory USB 3.0 & 2.0 reader/ writer

Easy high speed transfers from SxS PRO cards The SBAC-US20 SxS PRO memory card reader/writer works on both Windows-based PCs and Macintosh computers via a USB 3.0 interface for high-speed transfer of audio-visual material. The reader is also compatible with a USB 2.0 interface. This compact and portable device comes in handy in many situations on location, for desktop browsing and fully-fledged editing.

Ki Pro Mini speeds your footage from camera to editorial, connecting to virtually any SD or HD camera and capturing files in Apple ProRes 422 and Avid DNxHD formats at your choice of quality level, direct to removable CompactFlash media. Lightweight and rugged, Ki Pro Mini is designed for a life in the field. The Mini Mounting Plate attaches to the sides of the Ki Pro Mini and provides almost endless mounting possibilities when used in combination with battery plates, hot shoe mounts, articulated arms and more. Ki Pro Mini works equally well whether your gear uses SDI or HDMI or a combination of both. The SDI and HDMI outputs are always both active, making the Ki Pro Mini not just a recorder but a useful converter as well. Two XLR analog audio inputs allows on set analog audio to be recorded directly into the ProRes or DNxHD files, meaning less work in the edit to synchronize audio and video from separate sources.

The ultimate tape alternative.

Highly portable tape replacement.

The Ki Pro established a new paradigm in tapeless recording. Revolutionizing how footage tracks from production to editorial, Ki Pro captures Apple ProRes 422 files at your choice of quality level

For video facilities transitioning from tape to file-based workflows for recording and playback, Ki Pro Rack offers high-quality, ‘ready-to-edit’ file capture, designed to get material from source to editorial as quickly as possible. With a wealth of professional connections, Ki Pro Rack will fit right into your existing cabling and routing system (without the requirement for special converters) and record 10-bit Apple ProRes and Avid DNxHD files at your choice of quality level direct to removable hard disk or SSD Storage Modules, eliminating the need for time-consuming logging and capturing. The files can be used in most editing systems without the need for additional transcoding or importing processes.

Hard Disk Recorder

Like Ki Pro, Ki Pro Rack features AJA’s industry leading conversion technology, enabling you to perform broadcast-quality up/down/cross conversion during recording or playback without the need for additional conversion hardware.

4K/Quad HD/2K/HD Solid State Recorder.

HyperDeck Shuttle bypasses your camera’s compression and records from SDI and HDMI direct into the highest quality video possible! SSDs are cheap and fast, so you can edit directly from the SSD media itself.

HyperDeck Studio

Professional broadcast decks that use fast solid state disks

Preliminary features 4K/Quad HD/2K/HD Solid State Video Recorder Supports 10-bit 4:4:4 and 10-bit 4:2:2 RAW support Debayer and ProRes encode to on-board SSD Realtime pass-through of RAW data via Thunderbolt™ Uncompressed and debayered 4K monitoring output Dedicated HD monitoring via SDI and HDMI Record to edit-friendly 4K, 2K, or HD ProRes files on removable AJA Pak media Offload ProRes files to your non-linear edit system via AJA Pak Dock 4K workflow Camera outputs 4K RAW over SDI Ki Pro Quad accepts 4K RAW over SDI Ki Pro Quad performs debayer processing of RAW Debayered image is used for on-board compressed recordings to SSD media Debayered image is used for 4K monitoring output Debayered image is used for scaled/cropped HD monitoring via SDI and HDMI RAW signal is passed from camera to Ki Pro Quad and out via Thunderbolt™ to computer/storage Further manipulation of RAW is made possible via software tools HD, 2K, and 4K compressed recordings made to SSD media may be used directly in popular non-linear editors

HyperDeck Shuttle

The world’s smallest uncompressed video recorder!

HyperDeck Shuttle dramatically improves the quality of video cameras and is the perfect portable field recorder for live production switchers! It’s also the ultimate solution for digital signage. HyperDeck Shuttle gives you the quality and flexibility of compressed ProRes or DNxHD and uncompressed recording direct to common low cost SSDs in the smallest possible size! HyperDeck Shuttle is compact, affordable and battery powered so it’s perfect as a field recorder.

HyperDeck Studio disk recorders let you record the highest quality uncompressed and compressed ProRes and DNxHD video formats using fast 2.5” SSDs. Designed with familiar VTR controls, HyperDeck Studio includes innovative features that extend beyond the capabilities of traditional decks. Dual SSD slots let you record continuously, when one disk is full recording automatically continues on the next SSD. You can mount an SSD recorded using HyperDeck Studio on to any computer to access your files, so you don’t need multiple decks to work with your media! There are two great HyperDeck Studio models to choose from.

HyperDeck Studio Pro

Professional broadcast decks that use fast solid state disks

HyperDeck Studio Pro records 4:2:2 SD/HD and 2K, all in full uncompressed quality. Use ProRes or DNxHD compression for high quality HD video in file sizes that provide 5 times longer recording. HyperDeck Studio Pro features 3Gb/s SDI, HDMI and analog component connections, plus professional XLR audio and built-in Thunderbolt connectivity. It includes a built-in power supply for convenience and the 1 rack unit size fits easily into any studio or portable rack! Industry Standard Formats Create files that are perfect for any broadcast and post production workflow! HyperDeck Studio’s uncompressed video files are recorded in QuickTime format to provide universal compatibility with leading video software. Both HyperDeck Studio models also support Apple ProRes and Avid DNxHD industry standard file compression so you can record directly to your preferred video format. DNxHD and ProRes provide 5 times longer recording than uncompressed HD video, while maintaining 10-bit color.

Memory Cards

Stereo 3D Option for Gemini 4:4:4

Gemini 4:4:4

nano Flash

nanoFlash is the world’s smallest, lightest, lowest-power, professional HD/SD recorder/player.

The Gemini 4:4:4 is a professional, high-definition video recorder that fits in the palm of your hand. Gemini 4:4:4 functions as a high-quality monitor, a recorder, and a playback device. As a recorder, Gemini 4:4:4 records in the ultimate highest quality possible—uncompressed, which can easily be incorporated into virtually any workflow using your favorite CODEC. Gemini 4:4:4 is also capable of recording, combining, and playing back 3D video (with paid upgrade). Built-in 5” touchscreen LCD monitor for both live monitoring and playback, as well as menu navigation Records up to 12-bit RGB 4:4:4 uncompressed as DPX files. Support for S-Log and Log-C (Log-C via future firmware – not included) with user-programmable 1D LUTs. LUTs can be applied to either SDI output Record to two drives in sequence (future support for simultaneous recording, i.e., instant backup – not included) Video can be recorded with or without burned-in LUTs, on individual drive basis Playback controls include Play and Pause (future functions planned – not included) Touch-sensitive menu system with user-defined presets and customizable level of on-screen data Mic input & headphone outputs (3.5mm) Milled aluminum case

nanoFlash from Convergent Design records video, audio and timecode from an HD-SDI stream onto CompactFlash (CF) cards, employing the high quality Sony 4:2:2 MPEG2 codec for compression. Boasting an incredible small size and super low power consumption, nanoFlash stands poised to revolutionize the broadcast video industry. The camera-mountable nanoFlash, a miniaturized version of the award winning Flash XDR, has two CF card slots and embedded audio support only. nanoFlash can be powered from a camcorder battery (6.5-20VDC) and records 1080i60/50, 1080p30/25/24 or 720p60/50 at full raster (1920 x 1080i/p and 1280x720p) 4:2:2 MPEG2 at 50/100 Mbps (Long GOP) or 100/160 Mbps (I Frame only). As both a recorder and player, nanoFlash sports HD-SDI I/O as well as LTC in, wired remote control and a power/start/tally light connector. Records To Readily Available CF Memory Cards 32GB Compact Flash cards, available for a fraction of the cost of other professional video cards, enables 140/70 minutes of record time of high quality 50/100Mbps 4:2:2 footage per load of two cards (bit rates above 100Mbps require the 300X 16GB CF cards). Unlike FireWire based hard disk recorders, which merely copy the native camera video quality, nanoFlash can encode a live camera’s “never compressed” HD SDI output to a much higher quality, higher bitrate with less compression, eliminating most of the mosquito noise and blurring artifacts. Full raster 1920x1080 (as opposed to 1440x1080 or 1280x1080) processing, coupled with 4:2:2 color (instead of 4:2:0), greatly improves horizontal resolution as well as keying and compositing operations.

SxS PRO+ Memory Card

Gemini 4:4:4 records to specially certified and tested 1.8” solid-state hard drives

Product Highlights

ARRIRAW Option for Gemini 4:4:4

Canon 4K Cinema Raw Option for Gemini 4:4:4

128 / 64 GB Capacity Max. Read Speed: 1.6Gbps Max. Write Speed: 1.5Gbps Optimized for 4K Video Capture Up to 400 min Recording Time Fits into ExpressCard Slot For XDCAM or XDCAM EX Camcorders The Sony SxS PRO+ Memory Card is designed for high-speed video recording with XDCAM and XDCAM EX camcorders, such as the F5 and F55 CineAlta 4K models. It’s also compatible with other cameras equipped with ExpressCard slots.

Memory Cards

SxS PRO™ Memory Card

External express card reader unneeded and available for USB2.0 port Record approximately 228min of video record on HQ mode full HD 1920 x 1080 video at 35 Mbps and 310 min on SP mode 1440 x 1080 video at 25 Mbps.

CF Card 32, 64, 128GB

SxS PRO™ is based on the SxS™ memory card specification*, developed for high speed data transfer. The new memory card improves workflow efficiency by reducing transfer times for large data files such as highdefinition video, enabling rapid transfer speed of 800 Mbps**. Its compact size contributes to the design of much lighter and smaller camcorders while excellent reliability gives users more opportunity to shoot footage in the harshest of conditions. Sony SxS PRO was developed for increasing the efficiency of workflow, fulfilling the demand from professional camcorders or non-linear video editing systems, for higher performance and reliability. SBP8 (8GB) / SBP16 (16GB) / SBP32 (32GB) / SBP64 (64GB)

Lightning with Hi speed For camcorders Video Full HD For Hi Speed and high capacities

SxS-1 Memory Card 32/64

SDHC Card

Type Capacity Transfer Speed Interface Recording Time MXF Mode (50Mbps): HQ Mode (35Mbps): SP Mode (25Mbps): Weight Type Capacity Transfer Speed Interface Recording Time MXF Mode (50Mbps): HQ Mode (35Mbps): SP Mode (25Mbps): Weight

32, 64, 128GB

SxS-1 (G1A) 64GB 1.2Gbps ExpressCard34 PCI Express 120 min 180 min 240 min 0.95oz (27g) SxS-1 (G1A) 32GB 1.2Gbps ExpressCard34 PCI Express 60 min 100 min 140 min 0.95oz (27g)

Wise S2 Express Card 64GB / 32GB Compatible Camera( DVCProHD, DVCPro50, DVCPro & HDV)

Compliant with SD card association card 3.00 specification Secure – Built in write protect switch prevents accidental data loss Compatible – SDHC host devices, not compatible with standard SD-enabled devices/ readers File Format – SDHC File Format – FAT32

S-8U63 SWIT S-8U63 is fully compatible with SONY PMW-EX1, EX1R, EX3, F3, PMW 100/200, without DC cable, and can display remaining power info on cameras. The S-8U63 has 63Wh / 4.4Ah capacity, with a 4-level power indicator, and offers a D-tap DC output socket, a 5V/1A USB power output socket for extension use.

S-8970 The S2 card uses ExpressCard technology. It’s designed for XDCAM EX series camcorders without type record & long recording flexibility. • Featuring high reliability and compact size, the card also offers a high transfer speed USB2.0 to PC or Mack without card reader. Upgraded PC card standard with rapid transfer speed Compliant with the Express Card specification Performs well and more dependably due it’s perfectly efficient workflow. A convenient non-linear design for video editing systems.

Working well on HDV camera. Lithium-ion battery with build-in multiple protective circuit design, without memory effect , accurately calculates remaining power within minutes. Specification Voltage 7.2V / Capacity 47.5Wh /

Weight 0.28kg / Dimension 70.5 x 38.5 x 60mm / Applicable SONY HDV-FXIE HVR-Z1C DSR-PD190P DSR-PD150P Compatiblity Sony NP-970

S-3602F 1. 2-channel charger: charge two batteries

simultaneously. 2. 2-channel adaptor: supply power to camera and focus light simultaneously. 3. One channel charger and the other channel adaptor: charge one battery and supply power to camera simultaneously. Input AC100~240V,50/60Hz Output(charger) DC 8.4V,2A x 2 Output(Adaptor) DC 8.4V,2A x 2 Weight 0.36Kg Dimension 136 x 110 x 47mm Applicable Batteries S-8970/8770;SONY NPF970/770/550

Voltage: 14.4V Capacity: 126Wh Dimensions: 165 x 90 x 51mm Weight: approx. 0.9 Kg Operation Temperatur: 0-40°C

SC-304A

LED Battery Video Light

Gold Mount Charger Input: AC 100V-240V 50/60Hz Output: DC 14V-20V, 1.9A×2 Applicable battery: Gold mount battery Dimension: 223×230×66mm Weight: 1.6kg

SC-3802S

S-8080

1. Li-ion battery, no memory effect and environmental protection. 2. Indicate the remaining power by LED. 3. Build-in intelligent control circuit, multiple protections of temperature, current and voltage. Voltage 14.4V Capacity 88Wh Dimension 165 x 90 x 51mm Weight approx 0.8 Kg Operation Temperatur 0-40 &degC

HVL-LBP

2-channel Portable Charger Portable two-channel sequential charger. With Power Adapter function. Works with SONY V-Lock mount batteries. Available for Ni-Cd, Ni-MH and Li-ion batteries. CE approved.

The new HVL-LBP LED Light System features a wider uniform light for 16:9 aspect and 600 lx @ 1m brightness! Powered by InfoLithium “L Series” battery, the battery operation time is approximately 3 hours with the NP-F970 battery! Supplied accessories include Diffuser/Condensing lens system and battery adaptor.

CM-LBPS900 LED Light

S-2040

S-8160S

Voltage 14.4V Capacity 88Wh

S-8110S

Chip Array LED - Chip Array LED - 80W equivalent output - Single shadow, glareless - Cool touch - 5000K color temperature - 5600K and 3200K filter - Color rendering index: 85 - 6-17V wide input voltage - Interchangeable DV mount and battery - Screw and cold shoe mount

Professional grade 5-LED light / Energy saving and environmental friendly design with maximum powre consumption at approximately 10W. / Wide range of irradiation with homogeneous light distribution (90 degree for brand light and 45 degree for spotlight) / High luminous efficiency maximum at 900 lux or 400lux in 1 meter distance / Two intensity levels switch / 250g Light weight (excluding battery) / Switchable color temperature at 4500K or 3200K using the built-in filter / High beam/spotlight setup using the built-in condense lens / Long life LED lightbulb abotu 10,000 hours usage / Built-in top-mount cold shoe adapter

Camera Cases

CM-LBPS1800 LED Light

Kata D-Light Capsule-181 DL Case (Black)

Professional grade 10LED light / Energy saving and environmental friendly design with maximum powre consumption at approximately 18W. / Wide range of irradiation with homogeneous light distribution (90 degree for brand light and 45 degree for spotlight) / High luminous efficiency maximum at 1800 lux in 1 meter distance / Adjustable dimmer to control different intensity of brightness / 420g Light weight (excluding battery) / Switchable color temperature at 4500K or 3200K using the built-in filter / High beam/spotlight setup using the built-in condense lens / Long life LED lightbulb abotu 10,000 hours usage

CN B144

Led Light - Led Torch 144 leds 5400째k

CN-B144 LED Video Light Panel For DSLR and Camcorders Led Torch - 5400째k with filters 3200, minus green and difuser . Compatible with Sony NPF, Panasonic CGA and regular AA Batteries Specifications: Input Voltage: 7.2-12V Power: 8.6W LED Bulbs: 144pcs High Output LED bulbs,Provide higher brightness Illumination (Lum) 1001LM Color Temperature: 5400째k

Fits Various Camcorders w/ AccessoriesAnti-rip Nylon ExteriorTST Rib StructureAluminum Skeleton StaveAeriform Interior DividersYelloop Interior LiningLens Pillow and Rain CoverInterconnected HandleRemovable Shoulder Strap with Pad

Kata D-Light Capsule-185 DL Case (Black)

Kata D-Light Capsule-183 DL Case (Black)

CC-197 PL

Camera Cases

The CC-197 PL Compact Case is the professional shoulder bag solution for camcorders such as the Sony Canon XL series, JVC HD series and all other HDV models with a large accessory set-up. It can also fit an HDSLR rigged with video accessories.

VA-801-15

CC-193 PL The CC-193 PL Compact Case is the professional solution for camcorders such as the Sony F3, Panasonic AF100 and similar sized models, OR an HDSLR rigged with video

CC-195 PL

CRC-15 is quick and easy to set up, featuring pull tight cords, Hook & Loop strips all along the rim for rapid opening and closing, and a full size transparent window to monitor all controls when working.

Kata CG-3 Camera Glove The CC-195 PL Compact Case is the professional solution for camcorders such as the Canon XL series, JVC HD series and similar sized models, OR an HDSLR rigged with video accessories.

kata VA-002-1A

- for Sony DVW-700, DVW-707, DVW-709, DVW-790WS, HDW-700, HDW-750, HDW-790 & MSW-900P Camcorders

Camera Glove-13 The CCC-1A is designed to hold a medium to large pro camcorder with battery & lens installed and is engineered to be a lightweight and highly protective case due to the thermoformed laminated foam layers.

KT VA-222-2A The MCC-2A is designed to hold a large pro camcorder with battery & lens installed and is engineered to be a lightweight and highly protective case due to the thermoformed laminated foam layers. Included dividers and support cushions enable customization of the space to meet specific needs.

Kata Pro-Light Bumblebee-220 PL Backpack

Camcorder Glove for Sony DSR400 and DSR 450 (see KATA Web Bag Chooser).

Kata DVG-59 Camcorder Guard

For Sony PMW-EX3 CamcorderThermo Pressed Fabric LaminationSemi-rigid Closed Cell FoamIncludes Flexible Viewfinder Sleeve

Fits 2-3 D-SLR Camera 8 Lens KitFits Small HDV Camcorder KitHolds Computer with Screen up to 17â&#x20AC;?

Optics

Compact Prime CP.2 Lenses Interchangeable Mount System allows usage of lenses for different camera systems (PL, EF, F, MFT, E mount).

Compact Prime CP.2 Lenses

Compact and Lightweight lenses with Interchangeable Mount System.

One of the most important aspects of a successful production is the

competence and diversity of your team. Whether you’re shooting a commercial where exquisite color rendition and high contrast is important, or a tense, dramatic sequence in low light situations for a feature film, Compact Prime lenses offer you the performance you need to get the scene right. With a wide range of focal lengths, fullframe coverage, fantastic image quality, great flare suppression and precise focusing through the large rotation angle, Compact Prime lenses give you a flexible set of tools to make your film shine. With its long history in both photo and cine lenses, Carl Zeiss is dedicated to supporting filmmakers and allowing you to benefit from the highest possible image quality in any situation. - Interchangeable Mount - Full frame coverage (CP.2 18mm only APS-H) - Robust cine style housing with the ability to utilize follow-focus - Standard focus and iris gear positions - Five different mounts available (PL, EF, F, E and MFT mount) - Conistent front diameter (except of 50 Macro) - Longer focus rotation and a manual focus and iris - Calibrated focus scales

Application Switching between traditional film and digital PL cine cameras and HDSLR cameras is no longer an issue. The Compact Prime CP.2 lenses’ improved functionality means improved ergonomics compared to standard SLR lenses, standard housing dimensions, standard focus and iris gear positions, a consistent front diameter, a robust construction, longer focus rotation and a manual focus, thereby providing the flexibility users demand. With precision and speed - Compact Prime CP.2 lenses are the perfect tool for Independent filmmakers, professional still photographers expanding their services or large studios using HDSLR’s as a second camera for TV and feature film productions.

Compact Zoom CZ.2 lenses Get closer to the action.

The new Compact Zoom CZ.2 lenses are as versatile as they are powerful and incorporate features never seen before on lenses of this kind. They are handy, compact, ready for 4k and even offer full-frame coverage. With their zoom lengths of 28 – 80 mm and 70 – 200 mm, they give you a wide range of creative options. Their compact size and light weight make them the ideal companions for even the most ambitious applications, including handheld, Steadicam and projects in confined spaces. And thanks to their robust, cine-style housing (which also allows for the use of a follow-focus system), their full-frame coverage and interchangeabale mounts, they will be reliable partners for years to come.

Interchangeable mount • Full-frame coverage (36 x 24 mm) • No focus shift over the zoom range • Robust cine-style housing • Round iris • Great flare suppression • Calibrated focus scales

Optics

Compact Prime CP.2 15 mm/T2.9

Aperture range T 2.9 to T 22 Close focus distance 1 0.3 m / 12” Horizontal angle of view Full-Frame 100° APS-H 90° Super 35 79° Normal 35 73° APS-C 73° MFT 60° Length 86 mm / 3.39’’ Front diameter 114 mm / 4.5” Weight 0.9 kg / 2.0 lbs

Compact Prime CP.2 18 mm/T3.6

Aperture range T 3.6 to T 22 Close focus distance 1 0.3 m / 12” Horizontal angle of view Full-Frame2 – APS-H 80° Super 35 69° Normal 35 63° APS-C 64° MFT 51° Length 80 mm / 3.15” Front diameter 114 mm / 4.5” Weight 0.9 kg / 2.0 lbs

Compact Prime CP.2 21 mm/T2.9

Aperture range T 2.9 to T 22 Close focus distance 0.24 m / 10” Horizontal angle of view Full-Frame 81° APS-H 71° Super 35 61° Normal 35 55° APS-C 56° MFT 45° Length 80 mm / 3.15” Front diameter 114 mm / 4.5” Weight 1.0 kg / 2.2 lbs

Aperture range T 2.1 to T 22 Close focus distance 0.3 m / 12” Horizontal angle of view Full-Frame 54° APS-H 47° Super 35 39° Normal 35 35° APS-C 35° MFT 28° Length 80 mm / 3.15” Front diameter 114 mm / 4.5” Weight 1.0 kg / 2.2 lbs

Compact Prime CP.2 25 mm/T2.9

Compact Prime CP.2 50 mm/T2.1

Aperture range T 2.9 to T 22 Close focus distance 0.17 m / 7” Horizontal angle of view Full-Frame 72° APS-H 62° Super 35 53° Normal 35 47° APS-C 48° MFT 38° Length 80 mm / 3.15” Front diameter 114 mm / 4.5” Weight 0.9 kg / 2.0 lbs

Aperture range T 2.1 to T 22 Close focus distance 0.45 m / 18” Horizontal angle of view Full-Frame 40° APS-H 34° Super 35 28° Normal 35 25° APS-C 25° MFT 20° Length 80 mm / 3.15” Front diameter 114 mm / 4.5” Weight 0.9 kg / 2.0 lbs

Compact Prime CP.2 28 mm/T2.1

Compact Prime Macro CP.2 50 mm/T2.1

Aperture range T 2.1 to T 22 Close focus distance 0.24 m / 10” Horizontal angle of view Full-Frame 65° APS-H 57° Super 35 48° Normal 35 43° APS-C 43° MFT 34° Length 80 mm / 3.15” Front diameter 114 mm / 4.5” Weight 1.0 kg / 2.2 lbs

Compact Prime CP.2 35 mm/T2.1

Aperture range T 2.1 to T 22 Close focus distance 0.24 m / 10” Horizontal angle of view Full-Frame 40° APS-H 34° Super 35 28° Normal 35 25° APS-C 25° MFT7 20° Length 132 mm / 5.19” Front diameter 134 mm / 5.3” Weight 1.35 kg / 3.0 lbs

Compact Prime CP.2 85 mm/T2.1

Optics

Aperture range T 2.1 to T 22 Close focus distance 1 m / 3’3” Horizontal angle of view Full-Frame 24° APS-H 20° Super 35 17° Normal 35 15° APS-C 15° MFT7 12° Length 80 mm / 3.15” Front diameter 114 mm / 4.5” Weight 0.9 kg / 2.0 lbs

Compact Prime CP.2 35 mm/T1.5 Super Speed

Compact Zoom CZ.2 28–80 mm/T2.9

Compact Prime CP.2 100 mm/T2.1 CF

Aperture range T 2.1 to T 22 Close focus distance 0.7 m / 2’6” Horizontal angle of view Full-Frame 20° APS-H 17° Super 35 14° Normal 35 13° APS-C 13° MFT7 10° Length 132 mm / 5.19” Front diameter 114 mm / 4.5” Weight 1.49 kg / 3.3 lbs

Aperture range T 1.5 to T 22 Close focus distance 0.3 m / 12” Horizontal angle of view Full-Frame 54° APS-H 47° Super 35 39° Normal 35 35° APS-C6 35° MFT7 28° Length8 91 mm / 3.58” Front diameter 114 mm / 4.5” Weight 1.1 kg / 2.4 lbs

Compact Prime CP.2 50 mm/T1.5 Super Speed

Compact Prime CP.2 135 mm/T2.1

Aperture range T 2.1 to T 22 Close focus distance 1 m / 3’3” Horizontal angle of view Full-Frame 15° APS-H 13° Super 35 11° Normal 35 9° APS-C 9° MFT7 7° Length 149 mm / 5.86” Front diameter 114 mm / 4.5” Weight 1.6kg / 3.5 lbs

Aperture range T 2.9 to T 22 Focal range 28–80 mm Close focus distance 0.83 m / 2’8” Horizontal angle of view Full-Frame 25–66° APS-H 21–57° Super 35 18–48° Normal 35 16–43° APS-C 16–43° MFT 5–14° Length 196 mm / 7.72” Front diameter 95 mm / 3.7” Weight 2.5 kg / 5.5 lbs

Compact Zoom CZ.2 70–200 mm/T2.9 Aperture range T 1.5 to T 22 Close focus distance 0.45 m / 18” Horizontal angle of view Full-Frame 40° APS-H 34° Super 35 28° Normal 35 25° APS-C 25° MFT7 20° Length 80 mm / 3.15” Front diameter 114 mm / 4.5” Weight 0.9 kg / 2.0 lbs

Compact Prime CP.2 85 mm/T1.5 Super Speed

Aperture range

Close focus distance 1 m / 3’3” Horizontal angle of view Full-Frame 24° APS-H 20° Super 3 17° Normal 35 15° APS-C 15° MFT 12° Length 80 mm / 3.15” Front diameter 114 mm / 4.5” Weight 0.9 kg / 2.0 lbs

T 1.5 to T 22

Aperture range T 2.9 to T 22 Focal range 70–200 mm Close focus distance 1.52 m / 5’ Horizontal angle of view Full-Frame 10–29° APS-H 9–24° Super 35 7–20° Normal 35 6–18° APS-C 6–18° MFT 5–14° Length 250 mm / 9.84” Front diameter 95 mm / 3.7” Weight 2.8 kg / 6.2 lbs

And Now

Optics In Advanced Media

Optimo 16-42

SPECIFICATIONS Aperture: Zoom ratio: Wieight (approx.): Length: MOD: Image coverag:

f/2.6 - T2.8 2.7X 4.2 lbs - 1.92kg 190 mm 2 ft - 0.6 m S35 + 31.4mm diagonal

. Perfect homogeneity of colorimetry, contrast and resolution. . Compact and very light (< 1.9 Kg). . Intended for economical digital cameras; not compatible with reflex cameras. . Constant diaphragm over the totality of the course of the zoom (no ramping), no breathing, very bright for a 2.7x ratio. . Precise, ergonomic focus ring, in feet or meters on request. . Image Coverage S35+ format (31.4 mm diagonal). . Available in PL mount. . Compatible with the Optimo 0.75x Wide Angle accessory. . Exists in matched pairs of zoom lenses, rapid tracking adjustment lever. . The precise display of zoom settings and the high-precision mechanism, both as regards fluidity and ergonomics, optimise operatorsâ&#x20AC;&#x2122; reaction time so that they can stay as close as possible to the action.

Optimo 30-80

SPECIFICATIONS Aperture: Zoom ratio: Weight (approx.): Length: MOD: Image coverage:

f/2.6 - T2.8 2.7X 4.2 lbs - 1.92kg 184 mm 2 ft - 0.6 m S35 + 31.4mm diagonal

. Perfect homogeneity of colorimetry, contrast and resolution. . Compact and very light (< 1.9 Kg). . Intended for economical digital cameras, not compatible with reflex cameras. . Constant diaphragm over the totality of the course of the zoom (no ramping), no breathing, very bright for a 2.7x ratio. . Precise, ergonomic focus ring, in feet or meters on request. . Image Coverage S35+ format (31.4 mm diagonal). . Available in PL mount. . Exists in matched pairs of zoom lenses, rapid tracking adjustment lever. . The precise display of zoom settings and the high-precision mechanism, both as regards fluidity and ergonomics, optimise operatorsâ&#x20AC;&#x2122; reaction time so that they can stay as close as possible to the action.

Optics

KJ17ex7.7B Series ENG Lenses

HJ22ex7.6B Series ENG Lenses

The KJ20x8.2B is Canon’s widest (8.2 mm) lens in the affordable 20x zoom class, and it covers a generous range of focal lengths, particularly when combined with its built-in 2x extender expanding its 8.2mm-164mm focal length to 16.4mm-328mm.

KJ20x8.2B KRSD ENG Lenses The KJ17ex7.7B is the first of a new family of second generation 2/3-inch HDgc portable HD lenses. The new design reflects design refinements to the first generation line of HDgc lenses originally introduced in 2006.

The HJ22ex7.6B is the longest focal length portable HDTV production lens offered by Canon (without an image stabilization system). It is a smaller and lighter replacement for the former highly popular HJ21ex7.8B lens. It is a strategic member of the family of HD portable EFP lenses – that collectively offers an unusually broad range of creative options.

KJ22ex7.6B Series ENG Lenses

HJ17ex7.6B Series ENG Lenses

The HJ17ex7.6B is a cost-effective new 2/3-inch portable HD lens specifically intended to support the emerging industry interest in high definition electronic newsgathering. It is a key new member of a family of HD portable lenses intended to support the broadening of HDTV production. This particular lens is intended for producers and broadcasters having as their foremost priority an affordable lens-camera system that offers performance tailored for HDTV newsgathering.

The KJ22ex7.6B is part of a new family of second generation 2/3-inch HDgc portable HD lenses. The new design reflects design refinements to the first generation line of HDgc lenses originally introduced in 2006. The HDgc line of lenses had been specifically developed to achieve a price performance ratio that was commensurate with the new line of cost-effective HD camcorders being introduced by all major camera manufacturers in response to the broadcast industry’s rapidly growing interest in transitioning to HDTV newsgathering, HD reality shows, and other lower-budget HD productions.

ENG Lenses

KJ20x8.5B KRSD ENG Lenses

KJ10ex4.5B IRSE

HJ14ex4.3B Series

The HJ14ex4.3B is the new successor to the long-acclaimed wide angle HJ11ex4.7B portable HDTV production lens offered by Canon. The enthusiastic acceptance of the latter all over the world since its introduction in 2001 encouraged Canon to pursue a further expansion of creative capabilities with a new-generation lens that facilitated an even wider angle of view, while also extending the focal range. Imaging performance has been significantly advanced by mobilizing the most contemporary of optical glasses, optical coating materials and processes, and powerful new optical design tools.

As HD camera equipment continues to spread to all facets of professional video production, Canon has been expanding its HDgc lineup of cost-effective lenses for advanced professionals. To help meet this increasing demand for affordable high-quality HD ENG lenses, Canon is proud to introduce the KJ20x8.2B KRSD, achieving outstanding optical performance with a light weight of 1.25 kg and wider-angle focal length of 8.2mm.

The world’s major professional video manufacturers have introduced a diverse range of low-cost tapeless HD camcorders and tapebased HDV professional camcorders. Various design strategies have been adopted by the manufacturers to decisively drive down the costs of these HD acquisition systems. They include different image format sizes, subsampled imagers, and contemporary digital recording techniques. In support of these products Canon designed an entire family of cost-effective HD ENG/EFP lenses that seek to match both the performance and the costs of these diverse and still-emerging HD acquisition systems.

KJ20x8.2B IRSD ENG Lenses

Canon has introduced a new family of portable HDTV lenses for EFP, ENG, and a range of corporate and business industrial applications. In so doing, an important hierarchy in HD optics was created. It is important because of the highly innovative developments by the world’s major professional video manufacturers in their recent introduction of a diverse range of new low-cost tapeless HD camcorders and tape-based HDV professional camcorders.

KJ13x6B KRS ENG Lenses

The world’s major professional video manufacturers have introduced a diverse range of low-cost tapeless HD camcorders and tape-based HDV professional camcorders.

Optics

Counless Choice Choice with with Counless

MTF Adaptors Adaptors MTF

This adaptor will allow you to mount 2/3” broadcast lenses directly onto the EX3 Technical Details Magnification: Lens Type Mag. Factor B4 2/3” 1.375X Weight: 126 g

MTF EFFECT

A modular Electronic Canon EF adaptor system

A modular Electronic Canon EF adaptor system. EF Full Exposure Control Terminal One box, with a choice of 3 mounts, Sony PMW-F3, Sony NEX FS–100 and Panasonic AGAF 101 (these 3 mounts are sold seperately) Designed and built in England Adjusts aperture in 1/8th stop increments. Displays focal length as well as aperture. Displays focal length while zooming Displays aperture ramping while zooming (for lenses with non constant aperture) Powered by standard AA batteries, enough for a full days shooting

Powered B4 to Sony PMW-EX3 Adaptor

NOW WITH FULL ZOOM SERVO AND AUTO IRIS FUNCTIONALITY. This adaptor will allow you to mount 2/3” broadcast lenses directly onto the EX3. Technical Details Magnification: Lens Type Mag. Factor B4 2/3” 1.375X Weight: 150 g

Nikon G to Sony PMWEX3 Adaptor

The worlds first Nikon G to 1/3” bayonet adaptor. Perfect for shooting extreme telephoto, this adaptor allows the use of the full range of Nikon and Nikon mounted lenses. This adapter works with the following cameras: JVC GY-HD 100 or 200 JVC GY-HM700 Sony HVR-Z7 Sony HVR-S270 Panasonic HPX300 and the new AG-HPX370 Technical Details Magnification: Lens Type Mag. Factor Full Frame 7.2X Nikon DX 4.83X Weight: 60 g

Nikon G to Sony E Mount Adaptor

The worlds first Nikon G to Sony E Mount adaptor. With the introduction of the Sony NEX stills cameras, and NEX-VG10 camcorder later this year, and working closely with Sony UK, we have designed some new products to suit. This Product allows the use of any Nikon mounted lens on the Sony NEX-3, NEX-5 and the new NEX-VG10

Nikon G to Sony PMW-F3

Low battery warning Timed auto shut-down Illuminated display Will now power lens stabilisation Compatible with most Canon EF lenses*, ALL Ziess lenses and most third party lenses

The worlds first Nikon G to EX3 adaptor. Simply turn the blue ring to adjust aperture. This adaptor incorporates a built in control ring allowing you to visually adjust lens aperture. (Patent pending) Although designed for G series lenses, this adaptor is compatible with ALL Nikon lenses including DX series. Technical Details Magnification: Lens Type Mag. Factor Full Frame 5.4 Nikon DX 3.6 Weight: 100 g

B4 2/3” to Sony PMW-EX3 adaptor Nikon G to 1/3” bayonet adaptor

The worlds first Nikon G to Sony PMW-F3 adaptor. Simply turn the blue ring to adjust aperture. This adaptor incorporates a built in control ring allowing you to visually adjust lens aperture. (Patent pending) Although designed for G series lenses, this adaptor is compatible with ALL Nikon lenses including DX series. Technical Details Magnification: Lens Type Mag. Factor Full Frame 1.5X Weight: 145 g

Optics

Canon EF Lens to Sony NEX Speed Booster

Increase maximum aperture by 1 stop. Increase MTF. Makes lens 0.71x wider. Optics designed by Caldwell Photographic in the USA (patent pending). Electronic integration of aperture diaphragm, controlled by or from the camera body. Partial autofocus support for late-model (post2006) Canon-brand lenses. Powered by camera body. No external power source required. The tripod foot is detachable and compatible with Arca Swiss, Markins, Photo cam ball heads. High performance 32-bit processor and efficient switched-mode power supply.

Canon EF Lens to Sony NEX Smart Adapter (Mark III)

This Smart AdapterTM has the following features: True electronic integration of aperture diaphragm - let camera automatically choose aperture in P or S exposure modes, or dial in yourself on the camera body in A or M modes. Powered by camera body. No external power source required. Wide open button (opposite of depth-of-field preview function) makes manual focusing easy. The tripod foot is detachable and compatible with Arca Swiss, Markins, Photo cam ball heads. High performance 32-bit processor and efficient switched-mode power supply.

Smart Adapter™ for mounting EF and EF-S mount lenses on Sony NEX cameras.

Smart Adapter™ III is now also compatible with the full-frame NEX camera VG900, with auto-crop support so that both full-frame and cropped lenses can be used without any configuration. This is not a Speed Booster™ but maximum aperture and focal length remain unchanged. It retains existing features such as a detachable AS-style quick release plate, chrome-plated brass for all mounting surfaces, EXIF, autofocus and image stabilization (IS) lens support. Since its advent in 2012, the Metabones® Smart Adapter™ has become an indispensable tool for the most demanding cinematographers and other professionals, and it has been continuously refined based on customer input.

OIC-35 Director’s Viewfinder

The director’s viewfinder OIC-35 (Optical Image Control) is an indispensable device for every DOP or Director. The OIC-35 is a precision device, which was conceived for daily film set use. The housing is of light alloy and fitted with a 54 PL - mount. The optical light path in connection with the interchangeable Arriflex 435/535 ground glasses allows the operator to see the complete format unrestricted in the eyepiece.

The Mark Vb Director’s Viewfinder

The Pocket Mini - 11x Telescoping Director’s Viewfinder

The Pocket Mini Director’s Viewfinder is a proven, versatile accessory for directors, cinematographers, production designers, set builders and location scouts in the film and television industry. Used as recommended this instrument will improve creativity and flexibility in defining choices of lenses, angles, and coverage on the set or location. Specifications Aspect Ratios: TV (4:3), 1.66, 16:9, 1.85, 2:35, 2.55 S16 range: 10mm - 114mm 35mm range: 18mm - 200mm Anamorphic range: 35mm - 400mm 1/3” sensor range: 3.9mm - 44mm 1/2” sensor range: 5.2mm - 58mm 2/3” sensor range: 7.2mm - 80mm

Combo Scene Slate

The best way of identifying the beginning or end of a scene. Our Combo slate is manufactured by Alan Gordon and made of heavy duty acrylic. It measures 11” x 9.25” x 1/8”. ENGRAVED letters and dividing lines provide a superior alternative to silk screened lettering ensuring durability. The Clap sticks are machined from Alder wood specially selected for its distinctive pitched “clap.” Black on white. Fits all standard front boxes. Sold with a mesh storage bag and 1 dry erase marker.

Expendables The Mark Vb Director’s Viewfinder accurately defines choice of lenses, angles and coverage in a wide variety of formats for both film and video. It enables filmmakers to communicate their visions to each other quickly and with complete accuracy, allowing the time saved to be used on the art of filmmaking. Zoom Ranges Film 16mm film: 8.5-100mm Super 16 film: 10.5-125mm 35mm film: 18-200mm 35 Anamorphic film: 35-420mm Video 2/3” video: 8.5-75mm

We carry a full inventory of expendable products that are necessities for your production activities. Don’t forget to include these indispensable items with your order.

Optics

CMB-R20 Sunshade for Sony PMW-EX3

Kits and light-weight supports for Sony PMW F5 and F55

The CMB-R20 system brings professional shading and filtering solutions to the Sony PMW-EX3. The affordably priced CMB-R20 mattebox is loaded with the benefits operators have come to expect from Chrosziel. The CMB-R20 is a true 16:9 housing sporting a sleek rectangular design. A full-size French Flag is included for more precise manipulation of light.Dual Rotating Filterstages The CMB-R20 mattebox comes complete with a dual filterstage for two independently rotating 4x4 filters, making it large enough for most DV/HDV camera lenses, yet compact enough for handheld work.

MatteBox MB 450W Super Wide Chrosziel camera accessories offer many advantages over similar brands in terms of material, machining and design quality. With Chrosziel light-weight supports for Sony‘s brand-new PMW F5 and F55 for example, it is exceptionally easy to switch fast between 15 mm support systems and 19 mm studio base plates. That is because both light-weight supports also serve as an adapter for base plate Digi Cine (401-F235) featuring 19 mm studio rods. The PMW F55 kit contains: MatteBox MB 602 with four-filter stage (which can be adjusted extremely precise even during filming), a foldable french flag with a pair of adjustable side wings, a 165 mm diameter rear plate, and a 165:142,5 mm intermediate ring (610-14), two 5.65 x 5.65“ filterholder inserts (610-01-565), a 114 mm diameter rubber bellows ret. ring (610-66), a 110 mm rubber bellows ret. ring (610-11), a 136 mm diameter ring (for typical Digi Cine zoom lenses) (410-58), complete bridge plate DigiCine with 19 mm diameter rods made of steel or carbon fiber (no extra costs) (401-F235), and base plate LWS Sony F5/F55 (401-96-01).

Kit for Sony PMW – F3

Kit for Sony PMW-F3, for lenses with outer Ø 95-125mm: MatteBox 456 Academy Double, for cameras with full format chip, with Double - Rotating-Filter Stage, french flag (402-26),2 filterholders multi-format 5x5/4x5.650 (510-01), 16:9 matte insert, bracket for Ø15 mm rods and clamp adaptor Ø130mm.

MatteBox 450W Super Wide MatteBox for wide-angle lenses, with DoubleRotating Filter Stage, incl. french flag (45011), 2 filterholders multiformat 4x4/4x5.650 (410-31), bracket for Ø15mm rods & clamp adapter Ø130mm.

MB 456 Academy - compact

Three filters, up to 14mm focal length Academy format.

Production MatteBox for cameras with 16x22mm chip or film format. CarbonDesign, lightweight and impact resistant. Lightweight and ultra compact, ideal for handheld shooting. But also no compromise due to the Triple-RotatingFilterstage, equipped with 3 equally sized multiformat filter holders (510-01) 5x5” / 4x5.65”. True 14mm MatteBox - By using 5x5 filters, two rotate unrestrictedly and the first one can be rotated by 40°. The front stages (first and the second one respectively) are automatically held in place when the next further back is rotated.

401-415HD Heavy Duty rod support and 411-68 Flexi-Insertring. This Mattebox also has a clamp-on-mount Ø 130mm for lens diameter 95mm to 125mm. (image shows FollowFocus and SR-R1 recorder adapter, not included in the kit) The new Carbon-Design, light weight and impact resistant.

Optics

The MB 456 Academy with rod adaptor and SunShade function, clamp-on Ø 130mm.

StudioRig Cine Single complete

StudioRig Cine Single Wheel, Follow Focus with 1 handwheel, incl. scale + focus lever.

Chrosziel FollowFocus StudioRig

Menu driven setup with a multi color OLED Display Modularity of the components meets the needs of the different users and allows later upgrades Rf-communication at the 400/800 MHz band allowing save connection, also over long distances Controlled Functions: Focus/Iris/Zoom Base(Inter Axial), Angulation (Convergence),with highly precise digital encoder motors plus Start & Stop Smooth zoom movements with precise joystick control Fluid-like focus hand wheel and iris slider Control of a local eye-light through a motor channel and interface possibility to a DMX-source Build-In features for S3D- applications (lens & RIG control) Meta data logging to USB to a *.cvs file Internal synchronize able time code generator Internal power supply for powerful motor control Automatic maximum power level adjustment during end-stop calibration to handle stiff or easy-going lenses Adjustable backlash compensation for each single motor USB & 2x RS232/RS422 Interface Easy Software update via USB- Stick Different levels for motor torque pre-selectable

The wireless remote follow focus.

Studio Rig Follow Focus, versions for video and film lenses. For smooth and precise focus moves due to our fluid damping module and gear units and bearings with the lowest tolerances: It allows play and jerkfree focus moves even for permanent direction changes. We abstain from using switchable gear boxes for the sake of play-free preciseness. Instead, we use two gear boxes for the different focus markings of film and video lenses. Film lenses, prime lens and “Cine style” video lenses typically display an adjustable range of 200º from close-up to infinity. The Studio Rig Cine translates the rotation on the hand wheel in a way to lens focus ring that approx. one turn covers the range. The focus of the video lenses rotate only approx. 100º to 145º between close-up and infinity.

ALADIN MKII

8 channel wireless remote control system

ALADIN MKII’s has set it’s mark in the high competitive domain of S3D and Steadicam. At the heart of it’s multipurpose powers, lays an ease to use, sophisticated layout promising the world renown German precision engineering. No wonder camera pros, distributors and even competitors testing Chrosziel‘s new remote lens control have agreed that ALADIN MKII leads the pack. Feature List Future proof robust hardware design 8 freely assign able motor sockets also useable as spare sockets in case of a defective channel

DigiFOX is a reliable companion for recording with a moving camera. Whether using a crane, dolly or stabilizer, the DigiFOX wireless remote follow focus is simply and quickly ready to use. It transmits the control signal as a digital data package to motors with incremental encoders. Only the DigiFOX also controls internal focus motors as well as the start/stop signal of the Panasonic HDV camcorder HVX200, HPX171 and others. 16 transmission channels are selectable within the 434 MHz – frequency band (US & UK versions 457 MHz) Range* approx. 300m/330yards outdoors and approx. 80m / 90yards in buildings Light weight, compact receiver (8x4x9.5 cm / 3x1.6x3.7 inch, weight 260 g / 9.2 ounces) Compatible with external motors with incremental decoders and internal focus servo motors of many EB lenses from Canon and Fujinon Automatic calibration of the end settings and power provision for the motor dependent on the lens’s mechanical performance Resolution 32 bit, integrated ON/OFF or start/stop recording function “Electronic gear” for spreading or compressing of the translation ratio between the hand wheel and motor reaction Memory of the last settings if the battery must be changed. Also controls the dimmer module from the Aladin system Integrated serial interface RS 232 for easy software upgrades or connecting to PC or PDA 1.5 V D-cell included Lowest power consumption, a battery usually last for an entire day. Option: Rechargeable battery, charger for 110-240 V AC, 33 VA, with all international plug adapters

Monitors

PVM-X300

30-inch 4K TRIMASTER™ LCD professional monitor

High-purity deep colour reproduction Uniformity of image across screen Selection of four I/P modes Maximum flexibility with lightweight compact design Easy-to-use control panel Variety of standard inputs Audio monitoring Time code display Automatic adjustment of white balance External remote control

LMD-1751W

17-inch WXGA (1280 x 768) High Grade LUMA Monitor

The PVM-X300 has a 30-inch 4K LCD panel (4096 x 2160) capable of displaying over four times Full HD resolution in a single screen. The professional LCD monitor incorporates Sony’s exclusive TRIMASTER™ technology architecture, achieving excellent colour and picture quality reproduction, which makes this monitor ideal for 4K cinema production (onset monitoring, dailiesand editing), 4K live production (camera control, program preview) and real-time 4K presentation.

The LMD-1751W is a 17-inch LCD professional video production monitor positioned at the top of the LUMA series. The monitor offers the latest DSP (Digital Signal Processor), the market-proven ChromaTRU color matching technology, and the high functionality for which Sony professional video monitors are renowned. The monitor accepts a variety of signals in both analog and digital, and HD and SD formats.

LMD-2341W

LMD-1530W

23-inch* Wide Screen High Grade LCD Monitor

The LMD-2341W is a wide screen, slim and robust monitor. It provides high grade picture quality for high quality preview monitoring. It is specifically designed to integrate seamlessly with digital galleries and can also be used as desktop monitor for editing. Redefining high performance in the mid-market sector, the LMD-2341W model incorporates a full HD resolution (1920x1080 pixels) in a 16:9 wide screen aspect ratio LCD panel. This LCD panel displays high brightness and contrast images together with a superior viewing angle of 178 degrees.

Since its introduction in 2003, Sony’s LMD Series has offered professional monitors in a variety of types and sizes, suitable for applications in the studio and in the field.

LMD-1510W

15.6-inch Widescreen Entry-level LCD Monitor

PVM-1741

17-inch Professional OLED Picture Monitor

Sony OLED panel with full HD and RGB 10-bit driver TRIMASTER EL offers highest picture quality Superb Black Performance Wide colour gamut

The LMD-1510W is a 15.6-inch WXGA (1366 x 768) multi-format professional monitor specifically designed to provide reference video monitoring solution for entry-level video applications. A 10-bit processor ensures accurate picture reproduction with less image artefacts. Combined with a high purity filter, the LMD-1510W provides excellent colour depth for precise colour reproduction. Equipped with a HDMI

Monitors

interface as standard, this entry-level monitor is an ideal match for professional and semi-professional High Definition applications

S-1071HF

7-inch waveform HDSDI/HDMI monitor

LMD-940W

The LMD-940W is a high-grade type monitor incorporating a newly designed 3G SDI capability. With this feature, the LMD-940W is able to accept 50P and 60P video signals using only one single SDI cable. The small size format of the LMD-940W allows usage in various applications such as ENG/EFP, OB Van, Editing Systems and Monitor Walls.

PVM-741

7.4-inch TRIMASTER EL OLED monitor with 2x 3G/HD/SD-SDI inputs and smart functions.

Features: - 1024×RGB×600 - 16:9 / 4:3 adjustable - HD/SD-SDI, HDMI, Composite video inputs - HDMI converted to SDI output by a Build-in Converter - Waveform (Y/Cb/Cr/R/G/B), with full scale - Vector scope - R G B Histogram - Peaking focus assist (red/blue switch) - False color, Blue only, Zebra - Underscan / Overscan switch - Canon DLSR scale zoom-in - Customer editable video TITLE - Audio meter (SDI 16-ch, HDMI 2-ch) - SDI time code

S-1070C 7” LCD Monitor 7-Inch HDMI TFT Monitor

The PVM-741 is a high-performance, 7.4-inch (188-mm)* OLED (organic light-emitting diode) monitor backed by TRIMASTER EL™ technology. By optimally combining Sony’s OLED display panel technology with a 10-bit panel driver and Sony’s processing technology, the PVM741 monitor achieves superb picture quality – unparalleled black performance, a wide colour gamut, and quick pixel response with virtually no motion blur.

S-1090H

Specification: Input: 1 HDMI: HDMI in 1 BNC: Composite in 2 RCA: L, R stereo audio in Output: 1 BNC : Composite loop through out Signal format: HDMI: 480I / 576I / 480P / 576P / 1080I50 / 1080I60 / 720P50 / 720P60 / 1080P50 / 1080P60 Composite: PAL/ NTSC LCD panel

M-1071A

rack mount Audio/Video LCD monitor

8.9-inch 3GSDI&HDMI LCD monitor

Features: - 8.9-inch LCD - 1280×RGB×768 - 16:9 / 4:3 adjustable - 3G/HD/SD-SDI, HDMI, Composite video, Stereo audio - SDI embedded audio output via 3.5mm earphone socket and speaker - Front and rear 3-color TALLY light - Underscan / Overscan switch - Canon DLSR scale zoom-in - Video flip - Customer editable video TITLE

Specification: - 7-inch LCD, 1024×RGB×600 - 16:9 / 4:3 adjustable - HD/SD-SDI, HDMI, CVBS input - 3.0-inch antimagnetic coaxial speaker - 16-ch VU/PPM audio meters display - Lissajous patterns display - Audio peak wave display - Pair audio Selectable output - 3-color TALLY light - Underscan / Overscan switch - Customer editable video TITLE - Video zoom-in - Video flip - 19-inch 3RU rack mount

Monitors

DVF-L350

LCD 3.5-inch colour HD digital viewfinder

Light Weight Retina LCD Display; 3,54” (960x640, 16:9) 160˚(H) / 160˚(V) HDMI Input & Output Various Scan Mode Lens Shutter for protection of the EVF LCD Monitor Internal Colourbar + Pluge Pattern HDMI~HDMI A. Loop Through SDI~SDI A. Loop Through Phone Jack for Calibration

Z-Finder EVF Pro Higher resolution, higher contrast LCD digital viewfinder for CineAlta cameras

The DVF-L350 colour HD digital viewfinder offers LCD quality for CineAlta cameras with a digital interface, such as the PMW-F55 and PMW-F5. Take a major step forward in operating with the incredible image of this 3.5-inch* LCD viewfinder. Compared to previous Sony viewfinders, the DVF-L350 has higher resolution (960 x 540) plus ten times the contrast. And the eyepiece flips up for direct monitoring.

DVF-EL100

OLED 0.7-inch colour HD digital viewfinder

Amazing OLED digital viewfinder for CineAlta cameras

The DVF-EL100 HD digital viewfinder offers amazing OLED quality for CineAlta cameras with a digital interface, such as the PMW-F55 and PMW-F5.Don’t let the small size fool you.This 0.7-inch* viewfinder has the incredible clarity of 1280 x 720 High Definition.And resolution is just the beginning.Thanks to OLED technology, you get superb brightness, contrast and response.

EVF-035W-3G

Specifications: Magnesium Housing-

The Zacuto Electronic Viewfinder (EVF) is a 3.2” high resolution monitor designed to be used in conjunction with any Z-Finder model. The EVF is compatible with all cameras that have an HDMI output, including most DSLRs, the Panasonic AF-100, Sony F3, Canon C100/300/500, RED ONE, RED Scarlet, RED Epic and many, many more. The EVF is compatible with the Blackmagic Camera (and other SDI only cameras) with use of a converter like the Blackmagic HD-SDI to HDMI mini converter. The EVF allows you to operate with your camera “in-line” with your rod system and an offset viewfinder in front of your eye. We believe this traditional film camera and ENG camera style of shooting is the most stable and comfortable. Now we can work this way with any camera. The EVF enhances the stability of any set up, gives you better resolution and focus ability, allows you to get your eye where it most comfortably needs to be, enables low mode shooting, and shortens a shoulder mounted camera package. With an external viewfinder, you’re no longer trapped behind the back of your camera. You can have your camera on a dolly or crane or in a car or anywhere and have the EVF in your hand.

Z-Finder Pro 2.5x for 3.2” Screens

The Z-Finder Pro 2.5x for 3.2” screens is our standard Z-Finder Pro 2.5x packaged with a Z-Finder 3.2” Mounting Frame for Small Body DSLRs. This frame is compatible with small body cameras with 3.2” screens like the Canon 5D MIII and the Nikon D800. This is not a new Z-finder. The Z-Finder Pro 2.5x for 3.2” screens is an optical viewfinder that allows DSLR cameras to have the correct form factor for video. This Z-finder will magnify the LCD screen by 2.5x and has a diopter for specific focus tuning. It cuts out any extraneous light and offers an initial point of stability by pressing your eye against our comfy, large eyecup. The Z-finder Pro 2.5x for 3.2” screens comes with a 40mm diameter Zacuto optical designed lens, anti-fog coated protective covers, and a mounting system designed for 3.2” LCD screens. The diopter allows you to dial in the focus to match your eye. If you need extra focal points you can use the included Z-Finder Extender Frames. These are semi-permanent stackable frames that attach to the body of the Z-Finder Pro and extend the Z-Finder glass further away from the LCD screen for people who are farsighted. rosette items that will combine to outfit your camera rig with hand grips.

Heads

DELTA

Maxima Payload Capacity : 22 kg Weight : 3,5 kg Pan range: 360 Tilt range: +/- 90 with sliding base plate +70/60 with qiuck attachment plate Counter balance: Continuous Fluid darg: Continuous Bowl diameter: 100 mm temp, range: -40 /+60 C (-40 /,+158 F) Payload Capacity : Weight : Pan range: Tilt range: Counter balance: Fluid darg: Bowl diameter: temp, range:

52 kg 15 kg 360 +/- 90 Continuous Continuous Mitchell/150 mm -40째/+60째C(-40째/+158째F)

GAMMA

Payload Capacity : 16 kg Weight : 3,5 kg Pan range: 360 Tilt range: +/- 90 with sliding base plate +90/70 with qiuck attachment plate Counter balance: Continuous Fluid darg: Continuous Bowl diameter: 100 mm temp, range: -40 /+60 C (-40 /,+158 F)

MASTER

FOR SONY/CANON

LASER Payload Capacity : Weight : Pan range: Tilt range: Counter balance: Fluid darg: Bowl diameter: temp, range:

30 kg 6,5 kg 360 +/- 90 Continuous Continuous Flat Mitchell/150 mm -40 /+60 C (-40 /,+158 F)

C60S / C40S

Payload Capacity : Weight : Pan range: Tilt range: Counter balance: Fluid darg: Bowl diameter: temp, range:

12 kg 3 kg 360 +/- 90 Continuous Continuous 100 mm -40 /+60 C (-40 /,+158 F)

FOCUS HD

Payload Capacity : Payload Capacity C60S: Weight : Pan range: Tilt range: Counter balance: Counter balance: Fluid darg: Bowl diameter: temp, range:

40 kg 50 kg 11 kg 360 +/- 65 7 STEPS + 0 4 STEPS + 0 7+7 Flat Mitchell/150 mm -40 /+60 C (-40 /,+158 F)

Payload Capacity : Weight : Pan range: Tilt range: Counter balance: Fluid darg: Bowl diameter: temp, range:

12 kg 2.5 kg 360 +/- 90 Continuous Continuous 100 mm -40 /+60 C (-40 /,+158 F)

Heads

Delta Rosso

working height:

15cm

weight:

3.6kg

load capacity:

16kg

plate type:

357PLV

501 HDV PRO FLUID VIDEO HEAD Payload Capacity : Weight : Pan range: Tilt range: quick attachment plate Counter balance: Fluid darg: Bowl diameter: temp, range:

22 kg 3.5 kg 360 +/- 90° with sliding base plate; +70°/-60° with Continuous Continuous 100 mm -40 ~ 158°F (-40 ~ 60°C)

Taking its inspiration from our top professional video head models, the 501HDV features a fixed counterbalance spring set for a typical weight of camera and accessories of 2.5kg that helps ensure both smoother tilt movements and greater equipment safety even when tilt locks are inadvertently left off. The easy-to-reach on/off switch allows the counterbalance system to be disengaged or re-engaged for different filming setups. With its improved design, the 501HDV head offers more ergonomics with locks and knobs that allow a more solid grip and better fingertip control.

509HD

working height:

11.5cm

weight:

1.6kg

load capacity:

6kg

plate type:

501PL

MVH 502HD PRO VIDEO HEAD

The 509HD is the result of an important technical evolution - the perfect synthesis between an innovative “bridge architecture”. A new bridge leading the videographer and photographer to even better results with today’s high-definition cameras. A unique Advance Balancing Recorder feature can record the perfect balanced position for your camera equipment so that the position can be recalled later on. This electronic ABR feature reduces the time needed for setting up and balancing your camera system on the tripod head. working height:

17cm

weight:

3.8kg

load capacity:

13kg

plate type:

509HLV

Full smoothness control while shooting thanks to the variable fluid mechanisms. Ideal for latest camcorder and HDSLR cameras supplied with external accessories (4kg max capacity with Ø75mm half ball connection).

working height:

15cm

weight:

load capacity:

4 kg

plate type: 504PLONG

1.8 kg

HI HAT 529B

504HD SYSTEMS

The Manfrotto 504HD Fluid Video Head introduces a revolutionary new design that improves performance while reducing weight, as well as offering a soupçon of style. The head’s patented Bridging Technology allows for a wider top plate and longer sliding plate that add stability and balance to a set of state-of-the-art professional features. With its ability to support up to 16.5 lbs, the 504HD can be used with a variety of video and photo cameras. The newly designed counterbalance system includes four presets--from 0 to 16.5 lbs--enabling proper balance no matter what the camera’s size or weight.

maximum height:

15cm

weight:

load capacity:

4 kg

minimum height: 504PLONG

1.8 kg

Manfrotto’s new Hi-Hat enables you to get shots from the dog’s perspective. The 529B has adjustable leg angles to mount the camera in the tightest or lowest of locations - and thanks to the built - in spreader you can simply use the 529B on any even surface. The feet are rubber-padded to protect delicate surfaces and have a hole so that the 529B can be screwed to a ladder, apple-box or a sheet of wood. Recommended Heads: 526 519 (with 319 adapter) 516 (with 500BALLSH adapter) 503 (with 500BALLSH adapter) 501HDV (with 500BALLSH adapter)

Tripods

351MVB2 / 351MVCF

515MVB / 350MVB

LIGHTWEIGHT VIDEO TRIPOD

maximum height:

150 cm

weight:

3.5 kg

load capacity:

13 kg

minimum height:

63cm

closed length:

70.5 cm

maximum height:

156 cm

weight:

3.5 kg

load capacity:

15 kg

minimum height:

32 cm

closed length:

72 cm

501HDV+755xbk KIT Head: 501hdv, Tripod: 755xbk

546GBK / 351MVB LIGHTWEIGHT VIDEO TRIPOD

maximum height:

156 cm

weight:

3.5 kg

maximum height:

150.5 cm

weight:

3.53 kg

load capacity:

15 kg

minimum height:

32 cm

load capacity:

5.4 kg

minimum height:

58.0 cm

closed length:

72 cm

701HDV,547BK KIT

542ART / 532ART

Head: 701HD, Tripod: 547BK

ART CARBON FIBER PRO VIDEO TRIPOD

maximum height:

152 cm

weight:

4 kg

maximum height:

217.5 cm

weight:

6.1 kg

load capacity:

15 kg

minimum height:

40 cm

load capacity:

9 kg

minimum height:

40 cm

closed length:

73 cm

Tripods

509HD, 545BK KIT Head: 509 HD, Tripod: 545 BK

501HDV,546GBK KIT Head: 501HDV, Tripod: 546GBK