INSIDE STORY
Described as “the Nova Scotian Giantess,” Anna was more than a woman of great height. The Anna Swan Museum in the Creamery Square Heritage Centre, Tatamagouche, displays artifacts from Anna’s 41 years and recounts the story of her life. Her great grand-nephew, Dale Swan, volunteers there, and speaks of her fondly. He reminds visitors that Anna wasn’t a “freak,” a term widely used during her life, but a person, a human being of great character. “A real lady,” he says.
“Anna developed into a refined lady wholly devoid of the vulgarity of the ordinary show person.” — P.T. Barnum
Dale grew up in the same house as his paternal grandfather, Selden Swan, Anna’s nephew. Selden never met the giantess as she had passed before his birth but, being part of a family of storytellers, he knew of her. Dale enjoyed these oral histories and became even more interested in Anna when on a class trip in grade 12 he saw Anna’s shoe on display at the Citadel. Dale The North Shore
went on to become a teacher, something Anna had dreamt of for herself. When Anna left her home with her customized furniture crafted by her father and the comfort of friends who accepted her differences to attend Normal School in Truro in 1861, to become a teacher, things were different. The furnishings in the average-sized home of her Aunt and the desks at school were uncomfortable. Being constantly questioned or mocked for her appearance, Anna chose to return to New Annan. Her parents encouraged tolerance and urged her to rise above the taunts. Her maternal Grandmother Graham, from Scotland, agreed, “Stand tall, lass and be proud of your highland ancestry.” Anna didn’t let the hardships in Truro squelch her dreams. In 1862, she agreed to become part of P.T. Barnum’s American Museum on Broadway in New York, but not to be gawked at or to be the centre of amusement. Those things she’d already encountered. She went because it was good employment to the sum of $23 a week (equivalent to $598 in 2021) plus she was provided living quarters, custom clothes of the finest quality, shoes (size 16 ½), and a horse-drawn carriage, built to fit, so she could see the city. Anna was also provided with a tutor three hours a day so she could continue her studies. She loved literature, and as part of her performances she would give lectures, read poetry, play piano, and perform in plays. Her cheery disposition and many talents were appreciated by onlookers. “Anna developed into a refined lady wholly devoid of the vulgarity of the ordinary show person,” said P.T. Barnum in a newspaper account (exact publication and date unknown). Anna made friendships among the members of the museum, never questioning their differences. An article in the local newspaper of Seville, Ohio, recounts Anna and her husband inviting many of these “curiosities,” as they were called by onlookers, to their home for the Christmas holidays. “The conjoined twins, Millie-Christine McKoy, with the stage name of the Two-Headed Nightingale because of their beautiful singing voices, were Anna’s best friends,” says Dale Swan. When Anna toured the United Kingdom and Europe with Barnum, and later with the W. W. Coles Circus her pleasant demeanour created bonds. She met Queen Victoria on several occasions. Anna’s wedding dress, a present from the Queen, was fabricated from 100 metres of satin and 50 metres of lace. Martin van Buren Bates, also a giant, and Anna were married in 1871 in London, England. In 1874 the couple returned to North America and settled in Seville, Ohio, building a home designed to accommodate their stature. But not without consideration for average-sized folks. Their dining room table had one end high enough for themselves, the other suitable for regular-sized guests. Teaching Sunday School became one of Anna’s passions. The children loved to sit in her large lap as she read stories. A local newspaper recounts one Christmas, Anna hired a carpenter to build a giant shoe, reminiscent of the nursery rhyme, which she filled with gifts for the children.
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