Fure - Something to Hunt - Score

Something to Hunt

for septet

by Ashley Fure (2014)

Oboe Alto/Soprano Saxophone Bb Clarinet Violin Viola Cello Double Bass

Commissioned for Dal Niente by the Darmstadt Stipendienpreis

ii

Performance Notes Winds in the score are notated at pitch while transposed in parts. Strings are transposed in both score and parts. Accidentals hold throughout the bar.

Something to Hunt will need amplification in all but the tiniest of spaces. instruments should be amplified with DPA microphones.

String

Strings Scordatura Violin:

Viola:

Cello:

Double Bass:

String IV on the double bass should be detuned so low that it beats rhythmically like a propeller when bowed softly, and beats loudly against the fingerboard when bowed with heavy pressure. Pitch is an irrelevant factor here: detune the string to a point of tension where this rhythmic beating is most forceful and stable.

iii

Additionally, two thin plastic cards should be stacked on top of one another and taped to the 4th string of the double bass, right at the end of the fingerboard.

By flapping against each other and against the string, these cards should add a snare-like buzz to the sound when the string is plucked. In the score, this technique is referred to as “rattle pizz.�

Clef All strings are notated with a traditional 5-line staff and a staff indicating bow position and movement. The lines of the bow clef can be interpreted as such:

Within the bow clef, diagonal lines indicate diagonal bowing, curved lines indicate circular bowing, and horizontal lines indicate (normal) horizontal bowing at the indicated position. There is no vertical bowing in this piece.

Within the bow clef, bow speed correlates roughly to slope. Thus diagonal lines that descend or ascend more sharply indicate a faster bow gesture than lines that descend or ascend more progressively. For example, in the following gesture, the bow attacks at the top of the fingerboard, slides sharply downward over the course of an 8th note, then slowly continues its slide toward the end of fingerboard.

Cup Twang The viola requires one auxiliary object: a small, porcelain espresso cup to be used like a guitar slide. A few important things about this cup: it should have smooth, nearvertical edges; it should be as thin and delicate as possible; and it must have a handle.

iv

For “cup twang,” hold the espresso cup by the handle and place as lightly as possible against the indicated string. Cup should barely touch the string, allowing each pizzicato to resonate as fully as possible. Move the cup along the string in the indicated trajectory while plucking with the left hand to produce a pitch-bent pizzicato.

Open String Tremolo: Triangles symbolize the highest note possible on an indicated string. In an “open string tremolo,” fingers are placed directly in front of the bridge, sandwiching the bow between the bridge and the fingers. Fingers then lightly stop and release the string, producing a tremolo between the high stopped notes and the open strings.

Harmonic Tremolo: Lightly press and release the strings at the indicated harmonic, producing a tremolo between the harmonic and the open string. In this example, the technique occurs across strings II, II, and IV of the violin. Flutter fingers erratically, so that shifts between harmonic and open strings do not occur in sync across all three strings.

: Slap the palm against the strings to mute their resonance.

: A forceful down-bow that ricochets against the string. Always let ricochet naturally die out.

At Fingers: bow directly in front of fingers (so close the bow and fingers touch), wherever they are stopping the string.

v

Bow Behind: Bow directly behind the fingers (so close the bow and fingers touch), wherever they are stopping the string.

MSP: Molto Sul Pont. Bow directly at the bridge, producing a flux of high, light partials. +: Plus sign noteheads indicate left hand pizzicati. These often occur simultaneously with bowed gestures.

Harmonic Notation: Harmonics are indicated with their string and partial number. III-7 refers to the seventh partial of the third string, fingered at the indicated position.

Soft Propeller: On the double bass, bow string IV softly to produce a soft, rhythmic motor-like sound. Always let naturally die out upon release.

Hard Propeller: On the double bass, bow string IV with heavy pressure so that it beats rhythmically against the fingerboard. Always let naturally die out upon release.

Winds Teeth on Reed: On the saxophone, triangle noteheads indicate teeth on reed gestures.

They are notated on a three line staff, indicating (roughly) low, middle, and high registers (within the context of this technique).

Lip Gliss: on the oboe, this is a pitch bend produced solely with the lips.

Multiphonics in the saxophone part refer to “The Techniques of Saxophone Playing,” by Marcus Weiss.

Multiphonics in the oboe part refer to “The Techniques of Oboe Playing,” by Peter Veale.

vi

by Ashley Fure (2014)

Something to Hunt q = 66

Oboe

Sax

Clarinet

4 &4

÷ 44 Ó .

4 &4

Alto Sax Teeth on Reed

extremely quiet flutter tongues, coming in and out of audibility

‰ — y æJ æ ∏ p ≥

Arco

Violin

4 & 4 Ó.

roll to

slow glissando upward

y æ

y æ

CL

≤

fast slow

j œ ‰g œ w g œœ Ó . fπ

‰

Viola

B 44

Cello

? 44

Double Bass

? 44 1

+ J

w Œ

+

Œ.

+ J

w Ó.

+

5

&

O

÷ y æ

S

,

y æ

y æ

y æ

y æ

y æ

&

C

5

hold bow still against string

Vln

w+ & J ‰ Ó

+ w J . ‰ Ó

+

w Ó.

+ w J ‰ Ó

5

Vla

B 5

Vc

?

5

DB

?

2

+ 3

˙ Ó

j Œ. œ + J ‰ Œ

10

O

&

S

÷ y æ

C

&

y æ

y æ

y æ

10

Vln

& Ó.

‰ +J

Ó.

+

Ó.

10

Vla

B 10

Vc

?

10

DB

?

3

j ‰ œ +J

Ó.

‰ +J

Ó.

14

O

S

& y ÷ æ

∑

switch to soprano

&

Ó. Ó.

= >œ ‰ J π

{ >œ ‰ # œJ 'f '

Soprano Sax (118)

= >œ ‰ J p

14

Vln

& Ó

Ó

j œ 3

+

Ó.

14

Vla

B 14

Vc

?

14

DB

?

4

‰ +œJ f

w w w w

18

O

S

C

&

w

slow lip gliss

u

w

w & w

w w

w

w

&

=

u , œ ˙.

poco vib.

w

w

p

n

w w ,

˙

n

18

Vln

& 18

Vla

B 18

Vc

?

18

DB

?

5

˙

w w

w w

w

w

p

23

O

S

C

&

w

p

,

w & w &

j

w

Πn

w w

w w

n

w

n

˙.

w

w

P

w w

n

23

Vln

& 23

Vla

B 23

≤

MSP

Vc

?

∑

III-7

Œ

√

d ˙o ˙

n 23

fast

œ œ

≥

ST

œ œ w π

DB

?

6

≤

slow

MSP

√

œ

d ˙o ˙

œ œ œ œ

27

O

S

C

& w & w

w w

˙ ˙

Ó

switch to alto

n

& 27

Vln

& 27

Vla

B 27

≤ MSP

ST

Vc

?

√

w

œ

d ˙o ˙

≥

≤

ST

œ œ œ œ

27

DB

?

7

MSP

√

w Œ.

+ Ó J

œ

d ˙o ˙

œ œ œ œ

31

O

S

& Ó

&

Alto Sax

‰ |œ . #œ.

(66)

ww ∏

n

C

half breath/ half tone

‰ œj w d

Ó.

&

≥

n

CL 31

battuto attack and then tratto

æ œœ .. ÷ —æ—J ‰ p n

˙˙ ∏

Œ

˙.

≤

≥

Vln

Ó.

&

‰ j œ w œ w > P π ≥

31

fast

Vla

31

j œœ w ‰ gœ gœ fπ

Ó.

B ≥

≤ MSP

ST

Vc

?

√

w Œ.

+ ‰. + Œ J R

œ

slow

d ˙o ˙

˙. ˙.

œ œœ œ œœ

≤

≤

≥

˙

œ . œœ œœ . œ . œ g œ. g œ. ß

≥

≤

ST

œ œ œ œ

31

DB

?

8

√

w Œ.

o d˙

MSP

+ ‰. + Œ J R

œ Œ.

˙ + J Ó

œ œ œ œ

35

O

&

S

÷ Ó

C

‰ . m— — æRæ p

— æ

‰ m— y æJ æ p

Ó n

& 35

≤

Vln

& ww 35

≥

≥

≤

CL

35

œ

œ. œ

≥

œ

œ œ g œ gœ œ ß

w Ó

‰

√

w Œ.

o d˙

MSP

Vc

+ J Œ

+

œ Ó

˙

n

≤

Ñ ˙.

R ‰. Ó

˙. ˙. Œ roll to

Ñ 3

Œ.

Ñ

≥

œ g œœ gœ ß

œ œ œ œœ œ œ œ œ œ œ œg œ œgœ gœ gœ ß ß

≤

‰ +J œ‰ . œ +R w Œ.

35

DB

?

9

≤

≤

ST

œ œ

o d˙

MSP

√

+ ‰. + ‰ + J R J

≥

œ œ œ œ œ jg œ œ œ Ó gœ ß ≥ ≥

Arco

œ. Ñ œ Jœ œ

≥

≤

ST

?

Ñ J

Ó

≥

≤

Vla

œ Bœ œ g œœ gœ ß

π

œ w œ œgœ w œ œ g œœ ß

˙. ˙. roll to

y æ p

œ Œ.

œ œ

˙ + +œ œ J ‰. R Œ

39

O

&

S

÷

C

#œ ‰ œJ P

no vib.

Ó. Ó

Ó

3

— æ

n

±. æ

π

Ó.

& roll to

roll to

1/2 CL

— æ æ

dœ ‰ J p ≥

Arco

39

≤

Vln

& ww ≤

39

≥

j œœ ˙˙

œ. œ. roll to

≥

CL

≤

Vla

B 39

˙ ≥

œœ œ œ œ œ œg œ gœ ß

œ

P

≤ MSP

Vc √

w Œ.

+ ‰. + Œ J R

œ

≥

œ +œ œ œ +œ

ST

?

≤

d ˙o ˙

ww

˙˙ . . ≤

œ

≥

œœ œœ œœ

≥

≤

œ +œ œ œ +œ 3

w Ó

‰

≥

≤

ST

œ œ œ œ

39

DB

?

10

w Πp

MSP

. ≈ +J . ‰ +R +

√

œ

d ˙o ˙

+ J

Œ

œ œ

+ œ +œ

ww

43

O

S

C

&

œœ J ‰ Ó. n

÷ Ó. ˙

&

n˙

— — ‰ æJ æJ ‰ Ó . n P

— æ

Ó.

n

œ J ‰ Ó.

±. æ P

Œ

n

n

43

At Fingers

≤ ≥

≤ ≥

≥

≤

Vln

j ‚œ Ow œ w F

& ˙˙ ....

‚œg œœ ww œ g œœ π ß

O˙ .... ˙ ..

≥

Vla

43

≥

œ œœ gg œ gg œ F MSP

Vc

?

+˙ .. ‰ + Œ .

J

‰

Ñ J

Ó.

j +œ . ˙ ≈ g++œœ .. g+œ . Í

≥

≤ MSP o ˙ d Œ √

ST

ST

√

œ œ + w+ ‰ + ‰ . + + J R ‰ J P

n

43

œ . ++œœ g +œ g +œ ß

≤ o d˙

MSP

œ œ

˙

≥

Arco

43

˙. + B J Œ ‰ Ó

j œœ gœ gœ F

j œ œ. œ œ.

œœ . .

œ œ

Óœ . ˙

≈œ + œ+

extremely slow microtonal gliss; line indicates fingered position of double stop

DB

?

∑

Rattle Pizz always let buzz naturally die out

‹‹ p

Ó.

∑ 11

Ó

‰ ‹j Œ ‹

Ó

Ó

3

‹‹

48

O

S

& j ‰# # œœ ww |œ w (15)

Ó.

÷

π

n

C

Ó.

& roll to

CL

≥

roll to

Arco

≤

48

roll to

CL

≥

roll to

roll to

Arco

≤

‰ d œJ

half breath/ half tone

n

CL

≤

Vln

œ & œ

˙˙

œ œ œœ

≥

≥

48

Vla

B 48

œ ≥

+œ œ . g ++œœ g +œ ß

˙˙

œ œ

≥

j +œ œ g++œœ g +œ ß

+œ œ +œ œ g ++œœ g++œœ g +œ g +œ ß ß

ST

Vc

?

w+ .

+ ‰. + Œ J R

√

œ Œ.

≥

œ œ œœ

≤ MSP o d˙

œœ + ˙˙+ + + J

ww+

3

≥

≥

œ +œ ˙ g ++œœ g +œ ß

œ +œ g++œœ g +œ ß

≥

+

œ œ

˙ + ‰ . + œ‰ œ + w J J Œ.

R

DB

‰ ‹j ‹ 12

≤ o d˙

MSP

√

+ + J

‰ +J

Œ.

+ J

w

ST

48

? Ó.

œ œŒ .

+œ

˙ Œ

œ œ

‰ +J ‰œ œ +J

52

Ó.

O

&

S

w & w w

w w w

˙ .. ˙ ˙.

w

w

˙.

C

&

√ dœ w ‰ J P

P

Œ √ dœ w ‰ J n P n

≥

52

e

Vln

w & w Ó roll to

+ 3

+

Ó

3

˙˙ . . Œ

+

œœ œœ gg œ gg œ ß

Ó

CL

52

˙.

œ œœ gg œ gg œ ß ≥

Vla

B 52

w Œ

+

‰

+ J

+ w R ‰. Œ.

+ J

≥

ST

Vc

?

√

w‰ + Ó J

‰ +J

œ Ó

≤ MSP o d˙ ˙

Ó

+ 3

˙ .. Œ

+

≥

‰

+ J

Œ

>j +œ F

ST

œ œ

‰ +J œŒ œ

w + Ó ‰ J

‰ ‹j Œ ‹

Ó

MSP

‰ +J

52

DB

? ‰ jÓ ‹‹

‰ ‹j Ó ‹

13

‰ ‹j ‰ . ‹r ‹ ‹ F

∑

56

O

&

S

&

C

&

√ w

w

poco vib.

÷

√ w

m— — . ‰ æJ æ P π

Ó. w

m— — æJ æ P

— æ π

— m— — æ æ æ P

± æ π

56

Vln

& 56

Vla

B 56

yy

MSP

Vc

?

Œ

≥ ˙˙

n 56

~~~~~~~~~~~~~~ ≤ œœ œœ F ORD

DB

?

Ó.

Arco

soft propeller

‰ j œ w n

14

P

w

π

60

O

S

C

# œœ .. # ‰

Ó

& —. ÷ æ

m— ± æJ æ P

π

n

±. æ Ó

&

ww

‰

d œ.

— — — æ æ æ P

# ˙˙

P

w

Ó

n

Ó. n

˙

P CL ≥

n

60

n

Ó ≤

battuto accent on attack

Vln

&

ww > F

œ œœ œœ œ

˙˙ . .

p

≥

60 Cup Twang

Vla

B

+. +.

F

60

yy

MSP

Vc

?

Œ

≤ ˙˙

n 60

~~~~~~~~~~~~~~ ≥ œœ œœ +œ .

F

DB

?

w

w 15

j + Œ + ≤ j

≥

j +œ œ

+ + ≤

≤

≥

j

+œ

j + Ó +

Œ.

j

≥

j œ +œ .

≤ j

≥

+œ .

+ +

3

≤ j

≥

j +œ

64

O

&

S

÷

j œ ˙ +œ ˙

Œ.

(2a)

n

C

j œ ˙ +œ ˙

Œ.

&

≥

≤

64

π

n

π

œ œ œœ œœ

˙. ˙.

Ó.

œ œ

Ó.

n

n

≤

≥

P 3 ≈ ˙˙ .. ++ + + + + +œœ .. œœ

Vln

& ww

œ œ

ww

64

Vla

slide off string, l.v.

B Π64

≤

Vc

?

+ + ≥

j

œ

+œ

j + +

Œ. ≤ j

≥

≤

≤

≥

j

œ +œ œ + œ

+ + + ≈ ‰ J F

Ó

3

˙

≤

≥ 3

+œ + ˙

≤

≥

+œ

+˙

d œ≤o ˙

œ. œ

III-7

5

√

+ ˙. +

+

œ.

œ oœ ˙

64

Rattle Pizz

DB

?

∑ 16

‹‹ ..

F

j ‹‹ Ó

68

O

&

S

& Ó

3

œ ˙ +œ ˙ n

C

& Ó

+ œœ ˙˙

3

Œ

˙. ˙. p

68

Œ

‰ = œœ ..

w w

Ó

‰ œ. + œ.

w w

n

n

p

n

p ≤

Vln

Ó +œœ + g + ≈ + + + + g + œœ F ß

> Ó ww

& w w

Ó

n

˙. ˙. p ≥

n

(2b)

68

≈

˙.

‰ j ‰. r Œ + œ + ++œœ g +œ g+œ ß

++

≈ ˙++ + + slide off string, l.v.

Vla

B Π68

Vc

?

≥ √

œ.

+ + 3

≤ d œo

+ ‰. R Œ

≥ œ

≤ œ.

œo

≥ œ.

Œ

≤ œo

+. ≈ J Ó

≥ √

˙

œ.

‰ ‹j Œ ‹

Ó

+

Ó

3

≤

d œo

≥

≤ œo

œ.

+.

3

≥

≤

3

√

˙

d œo

+ J

Œ. ≥ 3

˙

68

DB

?

3

17

‹‹

Ó

‰ ‹j Œ ‹

≤ oœ

+ ‰. R Ó ≥ 5

˙

+ ‰ J

≤ o √ ˙ .

√ + œ. ‰ P

72

O

S

& Ó

œ

k n

& ww

+œ ‰ J P

Ó

w w

˙.

t

Πn

œ œ

Ó. n

C

& ww 72

Vln

w w

≥

≤

Ó +œ & g ++œœ g +œ ß

≈ + + + +

˙.

˙+..

Ó.

œ œ

n

≤ ≥

≥

j + + œœ ++œœ J g œ g +œ g œ g +œ ß

+.

≤

≤ ≥ ≤ ≥

œ œœ ++œœ œ . œœ ++œœ . œœ ++Óœœ g œg+œ .. g œ g +œ g œ g +œ g œg+œ . g œ g +œ g œ g +œ ß ß ß

≈ + + +œ . + œ g œœ gœ

˙

72

Vla

B 72

Vc

Ó ≥

?

yy

≈

++ + +

P

+ + +

f

3

Ó

≤

≥

≥

≤

≥

≤

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ≥ ≤ ≥ ≤ ˙˙ œœ œœ ˙˙ ˙˙ œœ œœ ˙˙ œœ œœ œ . + œ œ œ œ . + œ œ +œ œ + + p P π P p P

œ

72

DB

? Ó

≤

3

‹‹

Ó

3

‹‹

Œ

‹‹

j ‹‹ Œ .

Œ.

18

j ‹‹ Œ

‹‹

76

O

S

√ #œ.

w

& Ó

‰

& Ó

#œ. ‰ = œœ .. + œ.

ww w w

‰ œ. + œ.

w w

(2c)

& Ó 76

Vln

n

≥

Ó. ++œœ &g+œ g+œ ß

P

n

n

C

y

F F

+

˙+... Œ

∑

Œ

ww w w

ww w w

w w

w w

= ˙.

u

P

n

n

≤ ≥ ≤ ≥

≤ ≥

≤ ≥

≤ ≥

≈ + + + + œ +œ . œ +œ g œœ gg++œœ .. gg œœ gg++œœ g œ +œ . œ +œ Rß ß

œ œœ ++œœ g œ g+œ g œ g +œ ß

œ œœ ++œœ g œ g+œ g œ g +œ ß

œ œœ ++œœ g œ g +œ g œ g +œ ß

≤ ≥ œ g œœ ++œœ ˙ g œœ gg++œœ ß

√

≥

76

≥

≥

≥

Vla

slide off string, l.v.

j ++ Œ

B +. +. f

++

Œ

76

yy

Vc

?

œ

76

≤ ˙˙ .. p

~~~~~~~~~~~~~~

≥

++ ≤

++ ≥

5

++ ++ gg ++ Œ

++ ≤

≥

œ + œ . +œ œ +œ œ . + œ œ œ F

œœ

+

≤j



Œ

+

Œ

+

Œ

+

yy ≥ ˙˙

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ≤j ≤j ≤j  ≥  ≥  ≥ ≤ j œœ œœ œœ .. œœ œœ .. œœ

‹‹

Œ

DB

?

‹‹ ..

j ‹‹ Œ

‹‹

Ó.

‰ ‹j Œ ‹ 19

‹‹

Œ

‹‹

Œ.

j ‹‹

+ œ√ ˙ . ‰ J

80

O

&

S

&

C

π

∑ √ œ ˙. ‰ J π ≥

& roll to

Arco

(only high partial hiss)

80

≤

Vln

w & ∏

w

w

œ œ +œ ˙ . f ≥

80

Vla

j +œ œ ‰ œœ œ Í

B 80

MSP

Vc

n

only high partials

> ≥ ‰ œ ˙.

J f fast

?

80

DB

? Ó

Ó

‰ ‹j Œ ‹ P

Ó

3

‹‹

Ó

3

20

‹‹

Œ

‹‹

‹‹

5

Œ

‹‹

≈ ‹j . Ó . ‹ .

F

slow

∏

84

O

&

(√) w

t j ‰ # # œœ ww \œ w π (15)

S

C

& Ó. &

(√) w

84

≤

Vln

&

˙.

84

Vla

B Ó.

84

w w w

≥

œ œ +œ

ß

≥

≤ w

˙.

œ œ +œ œ ß

≥

≥

j +œ œ ‰ œœ œ Í

j +œ œ ‰ œœ œ F

Ó.

Ó.

n

Vc

? ˙ ..

w w w

j œ w

˙ ..

Ó.

n

≤

DB

≤ ‰ j œ w

Arco soft propeller

n

21

≥

yy ~~~~~~~~~~~~~~~~~~~~~~~~~~ ≤ j ≥ ≤j ≥  j  j œ ˙ .... œ œ ˙ œ P ST

Ó.

≤

œ j+ œ œ œ j+œ œ +œ œ +œ œ +œ œ +œ +œ +œ ß ß

84

?

≥

F

88

O

S

C

Ó.

& w & w w

w w w

+ œœ ww ‰. R 'f '

n

+œ w ‰. R p

Ó.

&

≥ ≥

88

MSP

Vln

88

œ . >œ w II

+œ . +œ˙

& ≤

≥

≤

≥

≤

≥

≥

≤

≤

≥

≤

≥

≤

≥

≤

f

≥

≥ ≥

≥

FII

MSP

Vla

œ +œ œ œ +œ B œœj++œœ œœj++œœ +œ +œ ß ß

88

Vc

p

(98b)

Ó.

∑

r

œ w ‰. R π

> +œ. #œ w I

+œ . +œ ˙ ++œœ .. +œ. ß

œj+œ œ œ j +œ œ j +œ œ œj +œ œ j+œ œ œj +œ œ +œ œ +œ œ +œ œ +œ œ +œ œ +œ œ +œ œ +œ œ +œ œ +œ œ +œ œ +œ + œ + œ œ œ œ + + +œ + ß ß ß ß ß ß

F

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~yy hold highest notes ≤j ≥ ≤j ≥ ≤j ≥ ≤j ≤j ≤j ≤j  j  ≥  ≥  j   ≥  ≥ ? œ. œ ˙ œ ˙ œ œ œ .. œ œ œ œ ˙ œ œ ˙ .. Œ œ. œ ˙ œ ˙ œ œ œ œ œ œ œ ˙ œ œ ˙ n

88

DB

?

œ.

≤ j œ ˙ p

l.v.

œ

Ó.

F

≥ ˙ p

Ó

22

l.v.

F

Ó

‰

œ. p

∑

l.v. hard propeller

ƒ

93

O

&

S

&

C

&

w

w

w

w

ww

ww

ww

˙˙ ....

w

w

w

w

poco vib.

P

m —. æJ æ F P ÷—

m— — æJ æ ß

m— æ ß

— m— ææ ß

——± æææ ß

P

93

At Fingers

Vln

&

w

w

w

w

Ó.

II-3 III-3 IV-3

·· ˜˜ ~~ · ˜ ≤ j ‚ ‰‚ ‚ n

93 At Fingers

Vla

B

w

w

w

w

Ó.

≥

I-open II-3 III-open

‚œ ‰ œ J n

93

yy ≤ ~~~~~~~~~~ Œ ˙ .. ˙

Vc

?

n

f

∑

Ó.

yy

~ ≥ ≤ ≈ œ œ œœ F

93 dashed line means hold fingers still at indicated position

DB

?

Ó.

23

‰ . ‹r ‰ . ‹r‰ ‹j ‰ . ‹r ‰ ‹j ‰ . ‹r‰ ‹j ≈‹ ‹ ‰ . ‹r ‹ ‹ ‹ ‹ ‹ ‹ ‹ ‹‹ ‹ f

Rattle Pizz

99

O

&

S

÷ ± æ

C

3

m— ± æ æ ß

3

m— æ ß

— æ

Ó

π

& ≥

99

Vln

± æ

‰ — ± æJ æ ∏

≤

≥

≤

≥

≤

≥

≤

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ≤ ≥ ≤ ≥ ≤ ≥ ≤ ≥ 3 ≤ ≥ 3 3 3 3 ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ ‚‚ OO ‚‚ OO ‚‚ OO ‚‚ OO ‚‚ OO ‚‚ & ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ O ‚ O ‚ O ‚ O ‚ O ‚ F P F P F P P F ≥ ≥ 99 ≤ ≤ ≤

Vla

O˙ B ˙ f

99

Vc

‚œ ‚œ ‚œ .. ‚œ O˙ œ œ œ. œ ˙ P

f

3

‚œ O˙ œ ˙ P

‚œ ‚œ O˙ .. œ œ ˙.

O˙ ˙

f

O˙ ˙ P

While continuing open string tremolo, fingers gliss from bridge toward the double octave harmonic.

Bow follows gliss, bowing directly in front of fingers.

yy ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ≥ ≤ ≥ ≤ ≥ ≤ ≥ ≤ ≥ ≤ ≥ ≤ ≥ ≤ ≥ ≤ ≥ ≤ ≥ ≤ ≥ ≤ ≥ ≤ ≥ ≤ ? œ . . . . . . . œ œ œ œ. œ œ œ œ. œ œ œ œ. œ œ. œ œ œ œ œ œ œ œ œ œ. œ œ œ œ œ œ. œ œ. œ œ œœœ œ œœ œœ œœœ œ œœ œ œ œœœ œœœœœ œ œ œœœ œ œœ œ 99

DB

? Œ.

r j ‹‹ ‰ . ‹‹ Œ

Œ.

r j ‹‹ ‰ . ‹‹ Œ 24

Ó

3

‹‹

Ó

3

‹‹

‰ . ‹r ‰ ‹j ‰ . ‹r ‰ ‹j ‹ ‹ ‹ ‹

103

O

S

C

&

Ó

÷ ± æ

± æ

&

Ó

# # ˙˙

p

n

= œ. ‰

P

At Fingers

f

n

≥

103

≤ ‰ ‚œ .. œ.

Ó

to soprano — ‰ switch Ó.

Jæ n

103

‚‚‚ & ‚‚ ‚‚ ‚‚ ≈ Ó .

F

n

F

n

Vln

œœ J ‰ Ó.

œ J ‰ Ó. n

≥

‚œ +œ Ó œ ƒ

At Fingers

Vla

‚œ . ‚œ l.v.

B œ .. œ Ó . f

103

Vc

yy

Œ

O˙ .. ˙.

ƒ

n

double octave harmonic

~~~~~~ ≥ ≤ ≥ ? œ œ œ ≈ Ó . œœœ 103

DB

? ≈ ‹‹ ‹‹ Ó .

25

‚œ œ ‰ Ó.

J

≥

≥ ‰ +œJ

Ó

3

+œ Ó

107

O

S

C

&

Ó.

÷

Ó.

&

Ó.

&

= >œ ‰ J

w

{ >œ ‰ # œJ

w w

=> ‰ œJ

w

n

Soprano Sax

(118)

u π

n

n

'f '

π

107 At Fingers

Vln II-open III-3 IV-open

‰ +œJ Œ

& Ó 107

≥ ≤ ≥ ≤ ≥ ≤ ‚œ .. ‚œ ‚œ ‚œ ‚œ œ‚œ œ‚œ œ‚œ ‚œ œ.œ œ œœ œ f

At Fingers

Vla II-open III-3 IV-open

B 107

Bow Behind fingers -->

Vc II-8+5 III-8+5 IV-open

?

≥ ≤ ≥ ≤ ≥ ≤ ‚œ .. ‚œ ‚œ ‚œ ‚œ ‚œ ‚œ ‚œ ‚œ œ.œ œ œ œœ œ œ œ f ≤ ≥ ≤ ≥ ≥ ‚‚ . .

œ.

F

107

‚‚ ‚‚ . ‚‚ ‚‚ ‚‚ œ .. œ œ œ J

ORD

DB

? Ó

Arco

‰

soft propeller

œ. ∏

w

w 26

hard propeller

œ > f

œ œ ˙ >

œ

111

O

S

C

&

w

˙

Ó.

œ œ Œ.

J

Ó.

œ J Œ.

Ó.

n

w & w

˙ ˙

w

˙

&

œ J Œ.

n

n

111

Vln

≥ ≤ ≥ ≤ ≥ ≤ ≥ ≤ ≥ ≤ œ œœ œ & ‚œ .. ‚œ ‚œ ‚œ ‚œ ‚œ ‚œ ‚œ ‚œ ‚œ .. ‚œ ‚œ ‚œ ‚œ ‚œ Œ . œ. œ œ œœ œ œ. œ œ œœ

≤ ≥

111

?

p

n

{ >œ ‰ # œJ

w w

(118)

'f '

n

= >œ ‰ J

w

p

n

≥ ≤ ≥ ≤ ≥ ≤ ‚œ .. ‚œ ‚œ ‚œ ‚œ œ‚œ œ‚œ œ‚œ ‚œ œ.œ œ œœ œ ƒ

At Fingers

≤ ≥ ≥ ≤ ≥ œ œ œ≤ ≥œ . œ≤ œ ≥œ œ œ≤ B ‚œ .. ‚œ ‚œ ‚œ ‚œ‚œ ‚œ ‚œ ‚œ ‚œ .. ‚œ ‚œ ‚œ ‚œ ‚œ Œ . œ .œ œ œ œœ

Vc

w

At Fingers

111

Vla

= >œ ‰ J

‚‚ . . œ.

≤

‚‚ ‚‚ . ‚‚ ‚‚ ‚‚ œ .. œ œ œ J

≤ ≥ ≤

≥

œ

‚‚ . . œ.

≥ ≤ ≥ ≤ ≥ ≤ ‚œ .. ‚œ ‚œ ‚œ ‚œ ‚œ ‚œ ‚œ ‚œ œ.œ œ œ œœ œ œ œ ƒ Bow Behind bow follows fingers

‚‚ ‚‚ ‚‚ œœ . Œ œ J

√ ≥ ‚‚ . .

j Œ. œ œ >

Ó.

f

≥ ≥ ‚≤ ‚‚ .. ‚≤ ‚ ‚‚ ‚ ‚ J

111

DB

?

œ œ ˙ >

œ œ >

˙

3

27

‰ ‹j ‹ f

Rattle Pizz

115

O

S

C

&

u

w

=

w

w

w & w

w w

w w

w

w

˙

&

u

poco vib.

w w w

,

˙

w

P

n

115

Vln

≥ ≤ ≥ ≤ ≥ & ‚œ .. ‚œ ‚œ ‚œ ‚œ ‚œ ‚œ‚œ œ . œ œ œ œ œ œœ

≤ ≥ ≤ ≥ ≤ ≥ ‚œ ‚œ .. ‚œ ‚œ ‚œ ‚œ ‚œ ‚œ‚œ œ œ . œ œ œ œ œ œœ

≤ ≥ ≤ ≥ ≤ ≥ ≤ ≥ ≤ ≥ ≤ ≥ ≤ œ ‚ œ ‚ œ ‚ œ ‚ œ ‚ œ œ œ œ œ œ œ œ œ œ œ .. .. ‚œ œ‚œ œ‚œ ‚ œ ‚ œ ‚ œ ‚ œ ‚ ‚ œ ‚ œ ‚ œ ‚ œ ‚ œ . œ œ. œ œ œœ

115

Vla

≤ ≥ ≤ ≥ ≤ ≥ ≤ ≥ ≤ ≥ ≥ ≤ ≥ œ œ œ≤ ≥œ . œ≤ œ ≥œ œ œ œ œ œ≤ ≥œ . œ≤ œ ≥œ œ œ≤ ≥œ œ œ≤ B ‚œ .. ‚œ ‚œ ‚œ ‚œ‚œ ‚œ ‚œ ‚œ ‚œ .. ‚œ ‚œ ‚œ ‚œ ‚œ ‚œ ‚œ ‚œ ‚œ .. ‚œ ‚œ ‚œ ‚œ‚œ ‚œ ‚œ ‚œ ‚œ .. ‚œ ‚œ ‚œ‚œ ‚œ ‚œ ‚œ ‚œ œ .œ œ œ œœ œ œ œ œ .œ œ œ œœ 115

Vc

?

√

≥ ≥ ≥ ‚≤ ‚‚ ‚≤ ‚‚ ‚ ‚≤ ‚‚  ‚ ‚ ‚

yy ≥ ≥ ≥  ‚≤ ‚‚ ‚≤ ‚‚  ‚≤ ‚‚ OO ‚ ‚ ‚

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ≥ ≥ ‚‚ . ‚≤ ≥‚ .. ‚≤ ‚‚ ‚≤ ‚‚  ‚≤ ≥‚ . ‚ ‚ ‚ ‚ ‚‚ J J

115

DB

? Œ

‹‹

Œ.

j ‹‹ ‹‹

Ó

‰ ‹j ‹ ‹ ‹ 28

Œ

‰ . ‹r ‰ ‹j ‹ . ‹ ‹ ‹.

j ‹‹ ‹‹

‰ ‹j ‹

119

O

S

C

&

œ

, . ˙

w

j

‰

poco vib.

n n

w & w &

˙

switch to alto

n

w

∑

Ó

w

˙

œ. ∏

‰# # œœ .. \ œ.

Alto Sax

(118)

n

‰ |# œœ .. n

w w w w F

ww F

119

Vln

& ˙O˙

≥ ≤ ≥ ≤ ≥ œ . œ œ . œ ‚œ .. ‚œ ‚œ ‚œ ‚œ ‚œ ‚œ‚œ ‚œ .. ‚œ ‚œ .. ‚œ œ œ œ œ œ œ œ œ .

≥ ≤ ≤ ≥ ≤ ≥ ≤ ≥ ≤ ≥ ≤ ≥ ≤ œ‚œ œ‚œ œ‚œ ‚œ ‚œ ‚œ ‚œ ‚œ ‚œ œ œ œ œ œ ‚ œ ‚ œ ‚ œ ‚ œ ‚ œ .. .. ‚ œ œ. œ œ œœ œ œ . œ œ œ œ œ‚ œ‚ œ‚ œ‚

119

Vla

≤ ≥ ≤ ≥ ≤ ≥ ≤ ≥ ≤ ≥ ≤ ≥ ≥œ . œ≤ œ ≥œ œ œ≤ ≥œ œ B ‚œ .. ‚œ ‚œ ‚œ‚œ ‚œ ‚œ ‚œ ‚œ ‚œ .. ‚œ ‚œ ‚œ ‚œ ‚œ ‚œ œ‚œ œ‚œ œ‚œ œ‚œ œ‚œ œ‚œ .. œ‚œœ‚œ .. œ‚œ ˙˙O . . œ œ.œ œ œ œ œ œ

3

≤ ≥ œœ‚ ˙˙O

3

≤ œœ‚

119

Vc

yy ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ √ ≥ ≥ ≥ ≥ ≥ ≥  ‚≤ ≥‚ ‚ . ‚≤ ‚‚ ‚≤ ‚‚ ‚≤ ‚‚ ‚≤ ‚‚ ‚‚ .. ‚≤ ‚‚ ‚≤ ‚‚ .. ‚≤ ‚ ‚ ≥‚ .. ? ‚‚ .. . ‚ ‚‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚‚ J J J J 119

DB

?

‹‹ ..

j ‹‹ ‹‹

‰ ‹j Œ . ‹

r j j ‹‹ ‰ . ‹‹ ≈ ‹‹ ..

29

Ó

‰ . ‹r‹ ‹ ‹‹ ‹

‹‹ .. ‹‹ Œ

‰ . ‹r‹ ‹ ‹‹ ‹

123

O

S

C

& w

r

n

√ r d >œ œ.

w

w

˙.

w & w w

w w w

w w w

w w w

& ww

ww

ww

˙˙ ..

œœ ..

œ ‚œ

≤ ≥ ≤ ≥ œœœ œ . œœ ‚œ‚œœ‚ ‚œ .. ‚œ‚œ

F

123

Vln

≥ ≤ ≥ ≤ ≥ ≤ ≥ œ œ œ œ œ œ & ‚œ ‚œ ‚œ ‚œ ‚œ ‚œ œ‚œ œ‚œ ˙O˙ .. . ≥

≥

≤ + œ œ‚œ œ‚œ œœ œ

+œ œœ œ

123

Vla

≥ B ˙O˙ .. .

≤ ˙ O˙

5

œ ‚œ ≥

Œ.

j +œ ˙ . œœ œ

123

Vc

≥ ≤ ≥ ≤ ≥ œœ œ œ . œœ ‚œ‚œ‚œ ‚œ .. ‚œ‚œ

≥

œ œ +œ œœ œ

≥

roll to

+œ œœ œ

# >œ P

CL

œ++ + + F

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ √ ≥ ≥ ≥ ≥ ≥ ≥ ≥ ‚≤ ‚‚ ‚≤ ‚‚ Õ‚≤ ‚‚ ‚≤ ‚‚ .. ‚≤ ‚‚ ‚≤ ‚‚  ‚≤ ‚‚ ‚≤ ? ‚‚ .. ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ J J P f P 123

DB

?

‹‹ .. ‹‹ Œ

≈ ‹ ‹ ‹ ‹ ‹‹ ‹ ‹

‹‹ .. ‹‹ Œ

‰ . ‹r‹ ‹ ‹‹ ‹ 30

r j r j r j j ‹‹ .. ‹‹ ‰ ‹‹ ‰ . ‹‹ ‰ ‹‹ ‰ . ‹‹ ‰ ‹‹ ‰ . ‹‹ ‰ ‹‹

127

O

S

C

&

(√) ˙ ..

& &

e

‰

Œ

n

√ ˙.

F

∑

∑

switch to soprano

˙ ..

‰

Œ

n

≥

127

Vln

++œœ ‚œ+ œœ + PS

& ˙O˙ .. .

127

Ó

Œ ≥

Arco

≥

≥

≥

j ++œœ ‰ +œœ +

++œœ ++ œœ

Œ

≥

≥ j ++œœ Œ ++œœ

Œ. ≥

≥

#˙.

P ≥

≥

++œœ ++ œœ

j + œ ‰ +œ Œ ++œœ

roll to

CL

≤

Vla

B

+

+

+ 5

+

+

Œ

127

Vc

+œ ++ œœ +œ f

œ +œ œ +œ ++ œœ ++œœ +œ + œ pß ß

Ó

3

+œ ++ œœ Ó +œ f

3

+œ ++ œœ +œ f

˙

œ++++ +

P

√~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ≥‚ . ≥ ≥ ≥ ≥ ≥ ≥ ≥  ‚≤ ‚‚ ‚≤ ‚‚ ‚≤ ‚‚ ‚≤ ‚‚ ‚≤ ‚‚ ‚≤ ‚‚ ‚≤ OO .. ‚≤ ? ‚. ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ J f P f P f

127

DB

?

r j ‹‹ .. ‹‹ ‰ ‹‹ ‰ . ‹‹ ≈ ‹‹ ‹‹ Ó .

‰ ‹j ‹ . ‹ ‰ ‹j Œ . ‹ ‹. ‹ ‹ 31

r j j j ‹‹ ‹‹ .. ‹‹ ‰ ‹‹ ‰ . ‹‹ ‰ ‹‹

131

O

S

C

&

(√) ˙.

& &

r

Œ

n

˙.

Πn

roll to

œ.

no vib.

†

Ó

‰

†

Ó

‰

n

d œ. n

CL

131

Vln

j + œ & ‰ ++œœ Ó +œ

j + œ ‰ +œ w ++œœ f

131

œ++++ + + + +

+

3

P

+

+ 5

B

+

+ 5

+

+

+ + + + + + 3

3

131

Vc

+

≥

≥

≥

≥

+ + + + + + +œ ++ œœ 3 +œ f

+œ + œœ ++ œ

j +œ ‰ ++œœ ++œ

j +œ ‰ ++ œœ +œ

Vla

+

+

Œ

√ ≥~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ≥ ≥ ≥ ≥ ≥ ≥ ≥ ≥ ‚ ≤ ≥‚ ≤ ≥‚  ‚≤ ‚‚ ‚≤ ‚‚ ‚≤ ‚‚   ‚≤ ‚‚ ‚≤ ‚‚ ‚≤ ‚‚   ‚≤ ‚‚ ‚≤ ‚‚  ‚≤ ≥‚ ‚ . ‚≤ ? ‚ ‚‚ ‚ ‚‚ ‚  ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚ ‚. ‚ J 131

DB

?

r j r j r j r j j j j j ‹‹ .. ‹‹ ‰ ‹‹ ‰ . ‹‹ ‰ ‹‹ ‹‹ .. ‹‹ ‰ ‹‹ ‰ . ‹‹ ‰ ‹‹ ‹‹ .. ‹‹ ‰ ‹‹ ‰ . ‹‹ ‰ ‹‹ ‹‹ .. ‹‹ ‰ ‹‹ ‰ . ‹‹ ‰ ‹‹ 32

135

O

S

C

†

w

w

π

œ

† Ó. †

w

Soprano Sax

n

w

p

n roll to

135

w

π

n

+˙

Ó ≥

≥

≥

++ œœ + œœ + f

++ œœ ++œœ

j + œ ‰ +œ œ + œœ +

+

+

Vln

&

+

roll to

+

+ 5

+

+

CL

135

Ó

‰

#œ.

˙.

π

n

n

d˙

Ó

n

≥

≥

œ + ‰ + Œ + + ++œœ J g+ œ 3 g +œ P f ≥

+œ g++œœ g +œ

+œ g++œœ g +œ f

+œ g++œœ g +œ

roll to

CL

≤

≤

Œ

p

n

w

n

Arco

w

≥

roll to

Arco

≤ œ

≥

œ œ ++œœ g +œ g+œ

roll to

≥

Arco

≤

Vla

B

œ++++ + + + +

+

3

+

+

+

+

5

+

+

5

135

Vc

+

œ

œ œ +œ g ++œœ g+œ

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ √ ≥ ≥ ≥ ≥ ≤ ≥‚ ‚ . ‚≤ ‚ ≥‚ ‚ . Â ‚‚ ‚≤ ‚‚ ‚≤ ‚‚  ‚≤ ≥‚ ‚ .. ‚≤ ‚‚ .. ‚≤ OO ? ‚‚ .. ‚‚ ‚‚ ‚‚ ‚‚ .. . . ‚ ‚ ‚‚ ‚ ‚ ‚ ‚ ‚‚ ‚ ‚ ‚ ‚ J J J 135

DB

?

j ‹‹ .. ‹‹ ‰ ‹‹ ≈ ‹‹ ‹‹ ‹‹ ‹‹

‹‹

‹‹

‰ ‹j ‹ ‹ ‹ 33

‰ ‹j ‹ ‹ ‹

‰ ‹j ‹ ‹ ‹

‹‹

‹‹

Ó

139

O

S

C

†

w

r

w

˙.

Œ

n

† Ó †

w

˙

p

nœ ˙ 3

n

Œ. n

p

w

nœ w J

w

œ

Œ d ˙.

p

n

Ó. n

p

˙.

+œ w ‰ J n

˙

p

Ó

n

139

Vln

& 139

Vla

B 139

SP

MSP

Vc

?

Œ

≤ ˙˙ ..

rich and full

n

139

DB

?

34

≥ ˙˙ F

˙

œ

≤ ˙˙

MSP

≥ œœ œœ

144

O

S

C

† w † Œ.

Ó n

dœ ˙ J

˙.

w

n

˙.

p

n

˙.

P

∑

n

w

p ‰ # œJ

Œ

p

n

w

n

† Ó.

˙

Œ

n

Œ

d˙

Ó

n

n

144

Vln

& 144

Vla

B 144

SP

Vc

?

œœ

˙.

˙

≤ ˙˙

SP

MSP

≥ œœ œœ ˙ .

≤j œœ œœ ..

œ.

MSP

≥j œœ

144

·· ˜˜ ~~~~~~~~~~~~~ Œ # # OO ..

DB

Bow Behind II-7 III-7

?

n

35

P

148

O

S

C

† Œ

b˙.

w

p

n

dw

† †

n

p

n

w

œ

p

Ó.

w n

˙.

Œ

n

Œ

+ ˙.

p

w

p

n

n

148

Vln

& 148

Vla

B 148

SP

?

˙˙

3

œ ˙

œ

SP

MSP

Vc

≤ ˙˙ ..

j ≥ œœ œœ ..

˙

≤ ˙˙

˙

148

DB

·· ˜˜ ~~~~~~~~~~~~~ Œ # # OO ..

Bow Behind II-7 III-7

~~~~~~~~~~~~~~~~~~~~ ? OO .. Πn

n

36

P

152

O

†dw

p

n

S

C

†

˙.

w

n

n

dœ

† Ó.

w

Œ #˙

Ó w

n

p

p

n

p

n

w

d˙

Ó œ

p

n

Ó.

n

Ó

‰

œ.

w

p

n

152

Vln

& 152

Vla

B 152

SP

MSP

Vc

?

œœ

≥ ˙˙

œ

˙

SP

MSP

≤ ˙˙

˙˙

≥ ˙˙

3

œ

w

152

DB

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ OO OO ? OO

n

37

156

O

S

C

†

dw

w

† †

÷

˙

Œ

bœ

p

n

n

w

n

p

Ó n

‰ —j ± . π

Ó. ˙

˙

Œ

light melodic wisps

Ó n

156

Vln

& 156

Vla

B 156

SP

MSP

Vc

? ≤ ˙˙ ..

≥ œœ

≤ œœ

˙.

˙˙ Ó.

156

DB

?

SP

MSP

·· ˜˜ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ OO .. Œ # # OO .. p

38

j ≥ œœ œœ .. ‰ + J π

n

w+

Ó

‰. + R

ORD soft propeller

œ π

w

P

160

O

†

S

÷ Ó

C

†

‰ —.

±

Ó

r Œ. +

jΠ+

‰ —j y .

‰

± ..

160

Vln

& 160

Vla

B 160

Vc

?

+

Ó

‰.

‰.

r Ó. +

‰.

∑

r +

160

DB

?

w

w

w F 39

w p

164

O

S

C

† ÷ Ó.

‰ —j ± . ∏

Œ

∑

∑

∑

† 164

Vln

& 164

Vla

B 164

Vc

?

164

DB

?

x

w

w

w F

w 40

p

˙.

Œ

f