hermeneutics and contemporary criticism for photography (with application on commercial photographic samples )
Abstract The research aims to identify the hermeneutics as an ideology, through the curriculum ontological developed by the German philosopher Heidegger in the first half of the twentieth century. Identify the use of hermeneutics as method, and through the application of some of the photographic work selected from commercial photography produced by researchers. The approach has been chosen hermeneutics as analytical method to be applied in one of the areas of Photography, a commercial photography. It is the most heavily traded types of photos in the present era. The study was divided into three sections, the first definition on hermeneutics and divided into linguistic meaning and the idiomatic meaning of hermeneutics. then explained the philosophy of Heidegger in understanding the artwork through hermeneutics. Addressed the first hermeneutics of as a critical approach, then hermeneutics through the philosophy of Heidegger. Then the second section has dealt art and hermeneutics. Through first hermeneutics in the language of art. Then hermeneutics in spoken language. Then hermeneutics and visual language and concluded this section explain Heidegger analytical Van Gogh painting. Then the third section, which concluded its study applying hermeneutics approach on some commercial photography work. Then identify the results and recommendations of the study.
1