Aida Abbasi +61 450 940 950
Architecture Portfolio Architecture Portfolio +61 450 940
Abbasi
Aida950
Aida Abbasi +61 450 940 950 Selected Work 2022
Experiences
Architecture Portfolio Aida Abbasi ProfessionalSkillsSummary
Architecture Department Bachelor of Architecture - Tabriz University, 09/2012 - 05/2016 Department of Architecture & Civil Engineering University of Tabriz Architectural Graduate at Denton Corker Marshall - Melbourne AikenheadProjects: Centre for Medical Discovery West Melbourne Court and Custody Complex South Geelong & Marshal stations NarreWarren Station Sydeny Western Harobour Tunnel
GraphicVillaShaarProjects:ResidentialforyoungerbrotherDesigner&3DModeller at Madoo Design - Tehran CoupeProjects:of cometions ,and Chahar Bagh Villa
Administration and Customer service at Coolon LED - Melbourne Assembly expert at Aglo Systems - Melbourne
I am passionate about deeply understanding the environments and cultures encapsulating my designs. I be lieve we have a responsibility to design in response to surroundings, to design to help change people and not the planet. As a designer, I seek to create innovative spaces, that support sustainable ethics and are unique to users’ needs. Motivated by human connection I have an internal spark for community design and enjoy designing spaces that encourage human connection to themselves, each other, and their surrounding environment.
Computer Languages:Skills: Autodesk Revit, Maya , Rhino, AutoCAD, Adobe Suite, Adobe Photoshop, Microsoft Office English, Farsi, Turkish, Azeri
Architectural Drafter & Physical Modeler at Next Office - Tehran
Design in essence is change. Through study, volunteering, work, and lived experiences I have come to under stand that design alters the way individuals act, communicate and simply be within a space.
01/2021 to Present 07/2019 to 02/2020 08/2018 to 03/2020 08/2017 to 03/2018 07/2016 to 03/2017
36 Downs Street Brunswick 3056 Phone Number: 0450 940 Aida.abbassi@gmail.com950
Education Master of Architecture - RMIT, 07/2018 - 08/2020
President of Architecture Photography Club - Tabriz University
Aida Abbasi +61 450 940 950
Honours & Awards
2016 Second place at “Archisystems” Workshop at Tehran University
2015 First prize at “Tabriz Photowalk” Photography competition - Tabriz
Photography tutor at Tabriz University
12/2014 to 12/2015
2017 INVITE Exhibition - Contemporary Architects Association - Tehran
09/2015 to 12/2015
2019 The scheme was commended for excellence at the “Harpley Ecosystem“ Competition - RMIT University
2017 First Prize - Young talent in “Sanix Competition” - Tehran
Architecture PortfolioProjectStatus : Professional work experience Project Year : 2021-2022 Office : Denton Corker Marshall Location : Fitzroy, Melbourne In this project, I worked on GA Plans package and Sections Door Types + Door Fame Types package Floor Finishes package Stair ModelledPackagebicycle parking and basement stairs in Revit Statutory Signage package plans Prepared a presentation for OVGA DD report (compiling all deliverables) AIKENHEAD CENTRE FOR MEDICAL DISCOVERY
Aida Abbasi +61 450 940 950 ACMD 10 levels (plus partial basement and roof plant level) 7 levels fitted out (plus basement and roof fit-outs) 3 levels cold shelled (including 200m2 clean room service provision) and option for additional cold shell level (i.e. 11 levels if included) Building functions compromising of: Cafe| Teaching5%+ Training Facilities | 20% Shared Platform Technologies | 22% Laboratory | 13.5% Laboratory Support | 9.5% Workspace + Shared Facilities | 30% Pedestrian canopy link to SVHM
Architecture EntryPortfoliofrom Nicholson Street | Preliminary view to atrium and feature staircase
view from elevators to atrium, feature staircase and Carlton Gardens
Aida Abbasi +61 450 940 950
Preliminary
3.Building.Vertical
Greening Vertical climbing plants have been incorporated into the facade cutouts to contextually connect the building to the adjacent Carlton Gardens, whilst also providing shading to the western elevation.
2. Facade Cutouts Vision glass cutouts follow select gridlines, creating recessed blocks that step up the western and southern face. These break down the mass and enhance visual connections between the streetscape, the CBD, the Carlton Gardens and the Royal Exhibition
1. TheMassingmassing of the new building is determined by a like for like approach with the existing Aikenhead Wing; the 30 x 50m footprint is extruded up 11 levels plus roof top to plant as a rectilinear mass. The building acts as a scale transition from the CBD to the SVHM campus.
Architecture Portfolio
6. Facade Articulation
4. Lecture Theatre + Western Lift
The lecture theatre has been inserted as a block of interference, cantilevered and horizontally juxtaposed to the more dominant vertical mass. The cantilever is unoccupied and is designed to frame views out to the Carlton Gardens, whilst also signposting the western entry and providing an entry canopy.
5. AnAtriuminternal atrium mimics the cutout on the western facade, framing vertical circulation. This space provides a dynamic spine for physical and visual connection between levels.
Aida Abbasi +61 450 940 950
Select glass facade panels on the west and south elevations are articulated, subtly resembling a crystalline form. This abstraction is reflective of the research and learning being undertaken within the building.
MINIMAL VISIONEXTERNALLYEXPRESSEDJOINTSPANEL Facade Type 03Facade Cutout: Detail Axonometric FIXED ZINC PANEL INTERNAL OPERABLEWINDOWZINCPANELFIXEDZINCPANEL Facade Type 05 - Lecture AxonometricRainscreen:TheatreDetail
Aida Abbasi +61 450 940 950 2 3 4 C A39_01013 A39_01014A39_0101 1 A39_01012 ATRIUM STAR STAIR 7 LIFT 3 FFL 44.500 LANDING2362 FLIGHT1960 LANDING580 FOR FLOOR FINISHES, REFER TO A34_FLOOR FINISHES FM10 FM10 STAIR STAIR 8 STAIR 2 3 4 C A39_01513 A39_0151 1 A39_01512 ATRIUM SAR7 STAIR8 LIFT 4LIFT 3 FFL 48.950 ANDING236 FLIGHT 400 LANDNG5 FOR FLOOR FINISHES, REFER TO A34 _FLOOR FINISHES A39_0151 FM10 FM10 LEGEND GENERAL NOTES: ALL COMPONENTS OF INTERNAL + EXTERNAL STAIRS INCLUDING BUT NOT LIMITED TO THE TGSI, STAIR NOSING AND HANDRAILS TO COMPLY WITH AS 1428.1. UNLESS NOTED OTHERWISE. THROUGHOUTCOATING. AS REQUIRED. INDICATIVE EXTENT ONLY NOMINATED WITHIN DOCUMENTATION. CONTRACTOR TO CONFIRM REQUIREMENTS AND STRUCTURAL ADEQUACY PRIOR TO MANUFACTURE/ INSTALLATION. Project Title Client Drawing Title Drawing Status Project Number Project File Print DrawingDateNumber Do not scale from drawing. Use marked dimensions. To be read in conjunction with all other Consultant's drawings. The Architect to be immediately notified of any discrepancies. Copyright on this drawing retained by the Architect Electronic files are subject to the terms of the Denton Corker Marshall Electronic Data Disclaimer. General Notes Issue Date
AIKENHEAD CENTRE FOR MEDICAL DISCOVERY LEVEL 01 -FEATURE STAIR LAYOUT D0130 A39_0100ST VINCENT'S HOSPITAL (MELBOURNE) LIMITED EF BG SCALE 1 50 3 PLAN -STAIR 7 LEVEL 01 SCALE 1 STAIR 7 EXPLODED AXONOMETRIC -SW SCALE 1 50 2 PLAN -STAIR 7 LEVEL 02 D115/02/21WPISSUE FOR COSTING D225/02/22WPISSUE FOR INFORMATION AA BG
Denton Corker Marshall Pty Ltd Level 19, 55 Collins Street Melbourne Victoria 3000 AustraliaT+619012 3600 F +61 9012 dentoncorkermarshall.com3601 0.5 11.5 2.51:50 @ A1 M 1:100 @ A3 Drawn By Checked By DESIGN DEVELOPMENT D2 25/02/22 indicatedAs 25/02/2022 6:56:12 PM
Architecture AA /AN PA AA /AN PA
Denton Corker Marshall Pty Ltd Level 19, 55 Collins Street Melbourne Victoria 3000 TAustralia+6139012 3600 F +61 3 9012 dentoncorkermarshall.com3601 1231:100 @ A1 M 1:200 @ A3 Drawn By Checked By DESIGN DEVELOPMENT D5 25/02/22 1 100 25/02/2022 7:08:06 PM
Aida Abbasi +61 450 940 950 A12_00001 A12_00011 A12_00012 A11_00001 A11_0002 1 A11_00011 A11_00022 EXISTING BUS SHELTER TO BE TEMPORARILY RELOCATED REFER EARLY WORKS. REINSTATED LOCATION TBC WITH AUTHORITIES. EXISTING BUS SHELTER TO BE TEMPORARILY RELOCATED REFER EARLY WORKS. REINSTATED LOCATION TBC WITH AUTHORITIES. ENTRY FACADE CUTOUT 2 3 4 5 6 7 CA 1 8 9 DB 3175 5575 6600 6600 6600 6600 6600 5275 800092509250 VOID SHOWNABOVEDASHED LECTURE THEATRE ABOVE SHOWN DASHED FEATURE STAIR DALY WINGBOLTE WING ENTRY 770 KERB TANKNEUTRALIZING RE-ENTRANTSOUTHERNPROPOSED FOR STAGE DEVELOPMENT2 PROPOSED 2RE-ENTRANTNORTHERNFORSTAGEDEVELOPMENT AIRLOCK00.01 RECEPTION00.02 MALE00.06 FEMALE00.07 AIRLOCK00.19 LOBBY00.14 CORRIDOR00.29 00.26MSB LIN00.32TANK NITROGENNITROGENLIQUIDDEWARROOM00.31LIQUIDDEWARROOM00.31 SUBSTATION00.25 RAMP00.09 TUTORIALSMALLROOM00.17SMALLTUTORIALROOM00.17 FIPEWIS 00.20 WASTE00.34ROOM LOADING BAY 00.35 KITCHENKITCHENFUTURE00.10 BOOSTERFIRE00.4500.45 GAS00.22METER GOODSLOBBYLIFT00.37 CLEANER'SROOM00.40 FIRE STAIR 1 FIRE00.38STAIR 2 00.43 EXHAUSTCW+RW00.39SMOKE HYDHYD PRESSPRESSSTAIRSTAIR STOREDANGEROUSGOODSROOM00.30DANGEROUSGOODSSTOREROOM00.30 LIFT 3 LIFT 4 GOODS LIFT LIFT 1 LIFT 2 BINAREAWASH STAIRUNDERPLINTH OPERATIONALSERVICES00.28 AUTOMATIC DOORS FOR SMOKE EXHAUST INTAKE AIR SHOWN DASHED BICYCLE RAMP + STAIR ACCESS TO BASEMENT EOT 230 RL 39.950 RL 39.550 IT 00.41COMMS FOOTPATH LEVELLED TO ACHIEVE ON GRADE ACCESS TO PLANT ROOMS + LOADING BAY RL 39.680 RL 39.970 RL 40.140 RL 40.350 RL 40.200 RL 40.170 RL 40.350 F.E+WIP00.23 F.E+WIP 00.18 SHOWNCANOPYFREESTANDINGABOVEDASHED TRENCH MESH FLOOR RL 40.400 RL 39.950 RL 40.400 CAFE00.08 134803310LEVEL SHOWNCONTOURSINGREY HYDRANT WIRETENSIONLANDSCAPE ACCESSIBLETOILET00.0500.05 FUTUREFUTURESTORE00.11STORE00.11FUTURECOOLROOM00.12STAFFTOILET00.27 CORRIDOR00.42 ELECTRICALRISERDAS00.44 RL 40.400 RLRL39.95040.000 HYDHYD FOYER00.15 CORRIDOR00.16 CORRIDOR00.04 DISPATCHSHIPPING00.36SHIPPINGDISPATCH00.36 FOYER00.03 BRENAN HALL SITE LEVELS TO BE LEVELLED OUT TO ALIGN TO SITE LEVELS AT SOUTHERN + NORTHERN PACKAGE)REFER(PARTIALLYBRENANBOUNDARIESHALLRETAINEDEARLYWORKS RL 40.950 RL 40.500 RL 40.581 RL 39.500 TRAMWAYS POLE SHOWN INDICATIVELY RETRACTABLE TRAFFIC BOLLARD OXIDISINGGASCYLINDER00.33 FM06 CANOPYABOVEMECH. RL 40.400 RL 40.400 RL 40.400 RL 40.350 1:8 RL 39.950 RL 40.400 RL 40.400 RL 40.400 RL 40.400 RL 39.550 RL 39.550 RL 39.550 SECURITY + STORE00.24 1:14 TOCONNECTIONDALYWINGCANOPY ABOVE SHOWN DASHED FM06 EXHIBITION + DISPLAY00.13 HYDRANT RL 40.150 RL 40.600 RL 40.150 RL 40.600 JU06 JU01 JU15 FM58 JU02AJU02 JU02B RL 40.715 FM06 FM06 FM56 FM56FM56 REFER TO EXTERNAL WORKS PACKAGE FOR BRENAN RETENTIONHALLWALL FM05 FM56 FM56 HYDRANT00.47 RL 39.550 MEETINGJU06ROOM00.21MEETINGROOM00.21HYDRANT00.49 JU06 TUTORIALSMALLROOMRL40.400 GAS + MECH REMOVABLE GUARDRAIL F.E RL 40.335 RL 40.290 RL 40.300 RL 40.600 RL 40.280 12150 NEW BENCH SEAT RL 40.270 RL 39.700 120 121 1 1:491 1 477 1:81 :6 1:49 122 124 NOMINAL DISPATCH DELIVERY VEHICLE ZONE RL 40.150 RL 40.160 FM05 1:48 FM05 FM051:28 SECURITY ACCESSMAINTENANCESCREENONLY RL 40.200 FM72FM72 FM56 FM56 GOODSGOODSDANGEROUSLOBBY00.54DANGEROUSLOBBY00.54 RL 40.650 F.B GENERAL NOTES: TSGI + STAIR NOSING TO PROVIDED TO ALL GENERAL ACCESS RAMPS + STAIRS IN ACCORDANCE WITH AS1428.1 UNO. ALL EXPOSED CONCRETE TO HAVE ANTI-DUSTING SEALANT. CLASS MIN. CONCRETE FINISH TO ALL EXPOSED CONCRETE. ENCLOSED ROOF PLANT PERIMETER, ALL ROOF SLAB PENETRATIONS, RO + HW PLANT ROOMS. CONTRACTORDOCUMENTATIONTO MAKE PROVISION FOR SECONDARY STEEL THROUGHOUT AS REQUIRED. CONTRACTOR TO CONFIRM REQUIREMENTS AND STRUCTURAL ADEQUACY PRIOR TO MANUFACTURE/ INSTALLATION. SIDES OF ALL UNDER BENCH DESK PEDESTALS. 50% OF AB WORSPACE PEDASTAL SIDES TO BE FEATURE COLOUR 01+ 50% TO BE FEATURE COLOUR 02 PC1 CERTIFIED (PC2 CAPABLE) GENERAL NOTES INDICATES PROPOSED NEW BUILDING ADDITIONAL WORKS OCCURRING OUTSIDE THE DEFINED SITE BOUNDARY INCLUDED WITHIN EARLY WORKS AND MAIN WORKS SCOPE E.G. DEMOLITION AND MAKE GOOD EXTENT, NEW NORTHERN LANEWAY PEDESTRIAN VEHICLE CIRCULATION, NEW PEDESTRIAN CANOPY LINK AND NEW SERVICES COMMENCINGNOTE:RETICULATION.WORKS AND REINSTATED TO MATCH EXISTING TO EQUAL OR BETTER. EXISTING DRUIDS IRRIGATION SYSTEM TO BE EXTENDED TO CATER FOR THE BRENAN HALL SOFTSCAPE KITCHEN CAFE BASE BUILD SHOWN. FINAL FIT OUT BY OFOTHERS.CW+RW RISER ON ALL LEVELS. FINISH TO MATCH ADJACENT SIDESWALL. OF ALL UNDER BENCH DESK PEDESTALS. 50% OF AB WORSPACE PEDASTAL SIDES TO BE FEATURE COLOUR 01+ 50% TO BE FEATURE COLOUR 02. THORUGHOUT AS REQUIRED. INDICATIVE EXTENT ONLY NOMINATED WITHIN DOCUMENTATION. CONTRACTOR TO CONFIRM REQUIREMENTS AND STRUCTURAL DateApp Project Title Client Drawing Title Drawing Status Project Number Scale North Point Project File Drawing Number Do not scale from drawing. Use marked dimensions. To be read in conjunction with all other Consultant's drawings. The Architect to be immediately notified of any discrepancies. Copyright on this drawing retained by the Architect Electronic files are subject to the terms of the Denton Corker Marshall Electronic Data Disclaimer.
AIKENHEAD CENTRE FOR MEDICAL DISCOVERY LEVEL G0 -OVERALL PLAN D0130 A10_0000ST VINCENT'S HOSPITAL (MELBOURNE) LIMITED AN PA D115/02/21WPISSUE FOR COSTING D228/04/21WPISSUE FOR COSTING D310/05/21WPISSUE FOR INFORMATION D421/05/21WPISSUE FOR INFORMATION D525/02/22WPISSUE FOR INFORMATION
Architecture Portfolio WEST MELBOURNE COURT AND CUSTUDY COMPLEX Project Status : Professional work experience Project Year : 2021-2022 Office : Denton Corker Marshall Location : West Melbourne In this project I worked on GA Plans package and Sections Modelling Façade Working on façade type diagrams Attending Façade workshops with Preparedconsultantsapresentation for OVGA DD report
Aida Abbasi +61 450 940 950
Architecture Portfolio CIRCULATION | VERTICAL CONNECTIONS PUBLICENTRY L14-16L05L04L02-03L01MEZ.GF PUBLIC RECEPTION SECURITY SCREENING EXTERNAL CO-WORKING L14-16L05-10L04L02-03L01MEZ.GFB01B02 ALLIEDSERVICESENTRY PUBLIC REGISTRY B01B03 JUDICIALENTRY L14-16L08-10L06-07L05L01-04MEZ.GF COURTROOMCOURTROOM JUDICIAL CAR PARK CSV STAFF PUBLIC REGISTRY MAGISTRATES’ CHAMBERS MAGISTRATES’ & CSV BREAKOUT(10) PUBLIC JUDICIAL COURTROOM ALLIED SERVICES
Aida Abbasi +61 450 940 950 SERVICES COURTROOM COURTROOM CUSTODIALSTAFFENTRY CUSTODIALPiCENTRY ALLIED SERVICES CAR WORKSPACEPARK L05-13L04L03L01-02MEZ.GFB01B02-03 CUSTODIAL STAFF CAR PARK L14-16L05-13L04L03L01-02MEZ.GFSECURITYGENERALSCREENINGOFFICE COURTROOMCOURTROOM SHORTDAYPROCESSINGHOLDINGSTAYSHORT STAY INTERVIEWROOMS SHORT STAY RECEPTION DAY INTERVIEWHOLDINGROOMS CARPARKENTRY CARPARKENTRY STAFF LUNCH PLANT ACCESS TO SHORT STAY + DAY INTERVIEWHOLDINGROOMS ACCESS TO HOLDING INTERVIEWROOMS ACCESS TO DAY HOLDING INTERVIEWROOMS CUSTODIAL - STAFF CUSTODIAL - PIC
The Court staff and Magistrates’ workplace floors are located on 6 floors of the building between levels 5 to 10. It is entirely inaccessible from public circulation save for the Register Counter on Level 05 that serves as the front front-facing interface for the public. This workspace takes advantage of being spread vertically over several narrow floorplates along the south facade by affording amenity in terms of abundant soft natural lighting and visual outlook to all staff. An open stair linking all levels facilitates vertical circulation within the workspace, whilst shared formal and informal meeting spaces and amenities dispersed throughout the level encourages movement within the workspace to counter compartmentalization and encourage collaboration and communication.
COURTS INTERIOR DESIGN CONCEPT | VERTICAL ECOSYSTEM
A VERTICAL WORKSPACE
Architecture Portfolio 4.2
MODE | DENTON CORKER MARSHALL WEST MELBOURNE COURT AND CUSTODY COMPLEX
Aida Abbasi +61 450 940 950 7.1.1 COURTROOM FLOORS Typical Courtroom Floor | Plan Perspective COURTROOMCOURTROOM PUBLIC GALLERY JUDICIAL LOBBY AIRLOCK AIRLOCK JUDICIAL CUSTODIALANTEZONE AIRLOCKSECURE thelayoutAllreliefjudicialJudicialmachinesareaPublicwithinandalsoThebeasWhileinscheme,TheFOCALitswell MODE | DENTON CORKER MARSHALL WEST MELBOURNE COURT AND CUSTODY COMPLEX
FLUSH LOUVRESGLAZINGCLEARWITHINTERSTITIALFORVIEWCONTROL
PUBLICSTAFF WORKINGCUSTODY CELLS CUSTODY EXERCISE SPACE
SchematicMODE | DENTON CORKER MARSHALL WEST MELBOURNE COURT AND CUSTODY COMPLEX
FLUSH LOUVRESGLAZINGCLEARWITHINTERSTITIALFORVIEWCONTROL
OPPORTUNITY FOR FRESH AIR INTAKE
STAFF WORKINGCUSTODY EXERCISE SPACE
DAYLIGHT + VIEW CONTROL Horizontal stainless steel cladding bands are carefully peeled away, creating access to daylight and views. Depending on internal function, the position and size of windows is altered. For public and staff, the windows are flush and large format. For custody, the windows are recessed, integrated into a secure wall system, and sightlines controlled by flat horizontal projecting security bars. The following diagrams illustrate the typical arrangement of glass to solid across the primary functions.
FLUSH LOUVRESGLAZINGCLEARWITHINTERSTITIALFORVIEWCONTROL
10.3.2 FACADE DESIGN
Schematic Design Report - Issue 01 — 13/07/2021 54WEST MELBOURNE COURT AND CUSTODY COMPLEX Horizontal stainless steel cladding bands are carefully peeled away, creating access to daylight and views. Depending on internal function, the position and size of windows is altered. For public and staff, the windows are flush and large format. For custody, the windows are recessed, integrated into a secure wall system, and sightlines controlled by flat horizontal projecting security bars.
FLUSH LOUVRESGLAZINGCLEARWITHINTERSTITIALFORVIEWCONTROL
PUBLIC /COMMUNAL SPACES
FROSTED GLAZING CLEAR GLAZING WITH OPPORTUNITYSECURITYBLADESFORFRESHAIRINTAKE
STAINLESSCLADDINGSTEEL STAINLESSCLADDINGSTEEL FROSTED GLAZING CLEAR GLAZING WITH OPPORTUNITYSECURITYFORFRESHAIRINTAKE
Architecture Portfolio
STAINLESSCLADDINGSTEEL STAINLESSCLADDINGSTEEL STAINLESSCLADDINGSTEEL CLEAR SECURITYHORIZONTALGLAZINGBLADES
The following diagrams illustrate the typical arrangement of glass to solid across the primary functions.
DAYLIGHT + VIEW CONTROL
Aida Abbasi +61 450 940 950
Architecture PortfolioProjectStatus : Professional work experience Project Year : 2021-2022 Office : Denton Corker Marshall Location : Narre Warren ,Melbourne In this project, I worked on GA Plans and Sections and Elevations Reflected Ceiling Plans Stair PreparedVisualsRevitTypicalPackageDetailsModellingandGraphicsapresentation for UDAP DD report (compiling all deliverables) WEBB STREET LEVEL CROSSING PROJECT
– A new Narre Warren Station will be built in a similar location to the existing, which is east of the level crossing, together with new platforms constructed beside the elevated rail.
The design strategy is a rail-over solution established from a range of feasibility studies undertaken during the Preliminary Develop ment Work stage.
– Station functions will be contained within new buildings at ground level with vertical transport connecting to the elevated side platforms.
Aida Abbasi +61 450 940 950
– The level crossing at Webb Street will be removed by raising the rail onto an elevated structure above the existing road.
Project NumberDrawing Revised By In ServRev. Date Description Designed CheckedInd. Review Approved 2.55 1:250 7.5 10-2.5 m C:\DCM\Revit\2020\D0337_Webb St_gioia.greco.rvt PM5:41:247/03/2022 1 : WSP-088-D-WPA-SKT-61-NWA-ARC-1201.dwg250GA STATION:WEBBSECTIONSSTREETARCHITECTUREARCHITECTURE P CHOBEAUXN TIGHEN BOURNET EASTAUGHWPA P CHOBEAUXN TIGHEN BOURNET EASTAUGHWPA P CHOBEAUXN TIGHEN BOURNET EASTAUGHWPA 0110 SCALE 1 250 3 CROSS SECTION 0110 SCALE 1 : 250 4 CROSS SECTION 0110 SCALE 1 250 1 CROSS SECTION 0110 SCALE 1 : 250 2 CROSS SECTION A17/12/21BRONZE TAN B11/02/22SILVER TAN C07/03/22GOLD TAN GROUND TOPPLATFORMFLOOR18.50LEVEL25.80OFLIFT30.37 12001 12002 LIFT 01 LIFT 03 GL02 GL02 CL CL CL CL40001550730015504000 A B 12823 RF01 PID3084 RF01 GROUND TOPPLATFORMFLOOR18.50LEVEL25.80OFLIFT30.37 12001 12002 CL CL 155073001550 12511 WAITING ROOM A B STAFF MEALS CL02CL06 3057 CL02CL06 ISSUED FOR TENDER NOT FOR CONSTRUCTION2.55 7.5 10 m 0110 SCALE 1 : 250 4 CROSS SECTION 0110 SCALE 1 : 250 2 CROSS SECTION
12001 12002 CL CL 155073001550 LIFT 01 LIFT 03 GL02 GL02 A B 12823 RF01 PID RF01 GROUND
TOPPLATFORMFLOOR18.50LEVEL25.80OFLIFT30.37
12001 12002 LIFT GL0201 CL CL CL 1550730015504000 A B 12823 RF01 PID3084 GROUND TOPPLATFORMFLOOR18.50LEVEL25.80OFLIFT30.37 12001 12002 CL CL 155073001550CD16 CD16 A B CL06 UNISEX LOCKER KIOSKSTAIR 1 STAIR 2 3650 3057 CL02 CL06CL02 GROUND TOPPLATFORMFLOOR18.50LEVEL25.80OFLIFT30.37 12001 12002 CL CL 155073001550 12511 WAITING A B STAFF MEALS CL02CL06 3057 0 ISSUED FOR In ScaleServ.SheetNo.Franchisee / Lessee Consultant ID# ID# File Name By:Certified LETTERS)(BLOCK(SIGNATURE)(DATE) Up LocationDown LocationDatum North.East. North.East. This
All written dimensions take precedence over scaled dimensions. This drawing is provided only for the information o the person or organisation to whom PTV provides it. It may not be provided to, or used by, any other person without PTV's prior written consent.
Architecture Portfolio GROUND
TOPPLATFORMFLOOR18.50LEVEL25.80OFLIFT30.37 drawing has been prepared by, or compiled from information provided by, persons othern than PTV. To the maximum extent permissible by law, PTV takes no responsibility for and makes no representations in relation to, the completeness, accuracy or quality of any information contained in this drawing. Each user of this drawing releases PTV from all and any loss, damage, cost, expense or liability in relation to the use of, or any reliance on, this drawing or the information contained in it.
Aida Abbasi +61 450 940 950
GA ELEVATIONS T EASTAUGH P CHOBEAUX N BOURNE D SCHNAIDMAN N TIGHE WEBB STREET STATION: ARCHITECTURE A3 ARCHITECTURE WSP-088-D-WPA-SKT-61-NWA-ARC-1102 P CHOBEAUXN TIGHEN BOURNET EASTAUGHWPA P CHOBEAUXN TIGHEN BOURNET EASTAUGHWPA P CHOBEAUXN TIGHEN BOURNET EASTAUGHWPA 01 01 0110 SCALE 1 500 3 NORTH ELEVATION 0102 SCALE 1 500 1 NORTH ELEVATION 0102 SCALE 1 500 2 NORTH ELEVATION A17/12/21BRONZE TAN B11/02/22SILVER TAN C07/03/22GOLD TAN GROUND PLATFORMFLOOR18.50LEVEL25.80 3 18902 RL 18.500 CD12 2100 17442257 CD09 CD09 1200RL 25.157 RL 22.463 RL 20.2444000 37294129 7857 STRUCTURAL COLUMNS SHOWN INDICATIVELY -REFER TO STRUCTURAL ENGINEER'S DOCUMENTATION FOR DETAILS GROUND PLATFORMFLOOR18.50LEVEL25.80 B 18901 RL 20.244 RL 18.500 RL 26.357 4000 7857CD09 174443391775 CD09
Description Designed
This
Project
Project NumberDrawing By In ServRev. Date Description Designed CheckedInd. Review Approved 12 1:100 34-1 m C:\DCM\Revit\2020\D0337_Webb St_gioia.greco.rvt 1 WSP-088-D-WPA-SKT-61-NWA-ARC-1890.dwg100 04/02/22 STAIR 5 SECTION T EASTAUGH P CHOBEAUX N BOURNE A ABBASI N TIGHE WEBB STREET STATION: ARCHITECTURE WSP-088-D-WPA-SKT-61-NWA-ARC-1890A3P CHOBEAUXN TIGHEN BOURNET EASTAUGH P CHOBEAUXN TIGHEN BOURNET EASTAUGH 0101 1880 SCALE 1 100 1 SECTION 1880 SCALE 1 : 100 2 SECTION A11/02/22SILVER TAN B07/03/22GOLD TAN
Up Location Down LocationDatum North.East. North.East. drawing has been prepared by, or compiled from information provided by, persons othern than PTV. To the maximum extent permissible by law, PTV takes no responsibility for and makes no representations in relation to, the completeness, accuracy or quality of any information contained in this drawing. Each user of this drawing releases PTV from all and any loss, damage, cost, expense or liability in relation to the use of, or any reliance on, this drawing or the information contained in it. All written dimensions take precedence over scaled dimensions. This drawing is provided only for the information o the person or organisation to whom PTV provides it. It may not be provided to, or used by, any other person without PTV's prior written consent. NumberDrawing Date Checked Ind. Review Approved 5 10 1:500 1520-5 m 04/02/22 0 ISSUED FOR TENDER NOT FOR CONSTRUCTION Drawn By Designed By Checked By Approval Date In ScaleServ. Sheet Size Sheet No. Approved Ind. Review Franchisee / Lessee Consultant ID# ID# File Name of Up LocationDown LocationDatum North.East. North.East. This drawing has been prepared by, or compiled from information provided by, persons othern than PTV. To the maximum extent permissible by law, PTV takes no responsibility for and makes no representations in relation to, the completeness, accuracy or quality of any information contained in this drawing. Each user of this drawing releases PTV from all and any loss, damage, cost, expense or liability in relation to the use of, or any reliance on, this drawing or the information contained in it. All written dimensions take precedence over scaled dimensions. This drawing is provided only for the information o the person or organisation to whom PTV provides it. It may not be provided to, or used by, any other person without PTV's prior written consent.
C:\DCM\Revit\2020\D0337_Webb St_gioia.greco.rvt PM5:57:267/03/2022 1 500 C WSP-088-D-WPA-SKT-61-NWA-ARC-1102.dwg
Architecture Portfolio GROUND PLATFORMFLOOR18.50LEVEL25.80TOPOFLIFT30.37 5678910 STAIR 1 GL02 CD02CD02 3100027000250003100031000 GL02PA03PA03 FL05 CD16PID MONUMENTAL STATION SIGNAGEMONUMENTAL STATION SIGNAGE GROUND PLATFORMFLOOR18.50LEVEL25.80TOPOFLIFT30.37 1516d CRANBOURNE ROAD 16u 242003000 REFER TO CIVIL TAN FOR GROUND LEVELS INDICATIVE NOISE WALL EXTENT GROUND PLATFORMFLOOR18.50LEVEL25.80TOPOFLIFT30.37 11121315 14 31000227502275022750 REFER TO CIVIL TAN FOR GROUNDCD12LEVELS STAIR 3 0 ISSUED FOR TENDER NOT FOR CONSTRUCTION Drawn By Designed By Checked By Approval Date In ScaleServ. Sheet Size Sheet No. Approved Ind. Review Franchisee Lessee Consultant ID# ID# File Name of By:Certified LETTERS)(BLOCK(SIGNATURE)(DATE)
Revised By In ServRev.
Up LocationDown LocationDatum North.East. North.East.
ALTERNATING
Aida Abbasi +61 450 940 950 38373635343332313029282726474645444342414039 25242322212019181716151413 101112987654321 6 ARC1DRAWINGREF1821 18301 2400250027003840 RLFL0524.465FL05 TC04TC07 4115TC04CLEAR VM01VM01 BN02BN01 FX16 100CLEAR29003100660 FL05FL05FL05 RL 22.425 RL 20.384 TC01 TC03 CLEAR3000 VOID 0 ISSUED FOR TENDER NOT FOR CONSTRUCTION Drawn By Designed By Checked By Approval Date In ScaleServ. Sheet Size Sheet No. Approved Ind. Review Franchisee Lessee Consultant ID# ID# File Name of By:Certified LETTERS)(BLOCK(SIGNATURE)(DATE)
Up LocationDown LocationDatum North.East. North.East. This drawing has been prepared by, or compiled from information provided by, persons othern than PTV. To the maximum extent permissible by law, PTV takes no responsibility for and makes no representations in relation to, the completeness, accuracy or quality of any information contained in this drawing. Each user of this drawing releases PTV from all and any loss, damage, cost, expense or liability in relation to the use of, or any reliance on, this drawing or the information contained in it. All written dimensions take precedence over scaled dimensions. This drawing is provided only for the information o the person or organisation to whom PTV provides it. may not be provided to, or used by, any other person without PTV's prior written consent. Project NumberDrawing Revised By In ServRev. Date Description Designed CheckedInd. Review Approved 12 1:100 34-1 m C:\DCM\Revit\2020\D0337_Webb St_gioia.greco.rvt PM5:43:467/03/2022 1 100 A WSP-088-D-WPA-SKT-61-NWA-ARC-1820.dwg RAIL SYSTEM TO SUPPORT VERTICAL BAGUETTES + RECTANGULAR BAGUETTES IN SETOUT INTERNAL LINING FIXED OFF TOP HATS INSULATION AS REQUIRED STRUCTURAL BEAM TO ENGINEERS SPECIFICATION, REFER TO STRUCTURAL ENGINEERING DOCUMENTATION FOR FURTHER DETAILS 110mm GLASSWOOL INSULATION 11kg/m 0 ISSUED FOR TENDER NOT FOR CONSTRUCTION Drawn By Designed By Checked By Approval Date In ScaleServ. Sheet Size Sheet No. Approved Ind. Review Franchisee Lessee Consultant ID# ID# File Name of By:Certified
LETTERS)(BLOCK(SIGNATURE)(DATE)
All written dimensions take precedence over scaled dimensions. This drawing is provided only for the information o the person or organisation to whom PTV provides it. It may not be provided to, or used by, any other person without PTV's prior written consent.
01/10/22 STAIR 2 ENLARGED PLANS T EASTAUGH P CHOBEAUX N BOURNE D SCHNAIDMAN N TIGHE WEBB STREET STATION: ARCHITECTURE WSP-088-D-WPA-SKT-61-NWA-ARC-1820A3P CHOBEAUXN TIGHEN BOURNET EASTAUGHWPA 0101 SCALE 1 100 1 STAIR 2 ENLARGED PLAN -PLATFORM PART 1 TO MELBOURNE TO PAKENHAM A07/03/22GOLD TAN 100 60 REFER TO STRUCTURAL ENGINEER FOR STRUCTURAL ALTERNATINGREQUIREMENTSVERTICALBAGUETTES 50X60 + 100X50 (SQUARE + RECTANGULAR) EQUALLY SPACED CD05 1328150501050VARIES3980 370 NOM2700380200 10010015050 300 FFL 18.5 RL 18.5 FCL 21.2 100 ANTI-BIRD PERCHING CABLING TO SUPPLIERS RECOMMENDATION FIXED OFF CAPPING NOMINAL POD BASE STRUCTURE25545 POD FOOTINGS REFER TO STRUCTURAL DESIGN 10050150 RAINWATER OVERFLOW ALUMINIUM CAPPING WITH FALL BACK TO BALAST ROOFVAPOUR BARRIER PAINTED COMPRESSED FIBRE CEMENT SHEET FIXED OFF TOP HATS PRIMARY STRUCTURAL POST + GIRTS AS REQUIRED BY STRUCTURAL ENGINEER PROPRIETARY HOOK-ON CLIPS FIXED OFF
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PM5:46:277/03/2022 As
50X60 + 100X50 SQUARE
Revised By In ServRev. Date Description Designed CheckedInd. Review Approved 0.20.4 1:20 0.60.8-0.2 m C:\DCM\Revit\2020\D0337_Webb St_gioia.greco.rvt indicated WSP-088-D-WPA-SKT-61-NWA-ARC-7100.dwg 04/02/22WSP-088-D-WPA-SKT-61-NWA-ARC-7100A3
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WALL DETAILS T EASTAUGH P CHOBEAUX N BOURNE N DABIC N TIGHE WEBB STREET STATION: ARCHITECTURE
P CHOBEAUXN TIGHEN BOURNET EASTAUGHWPA P CHOBEAUXN TIGHEN BOURNET EASTAUGHWPA 0101 SCALE 1 10 2 TYPICAL EXTERNAL WALL PLAN DETAIL SCALE 1 20 1 TYPICAL EXTERNAL WALL SECTION A11/02/22SILVER TAN B07/03/22GOLD TAN
Lastly, I joined the Sydney Harbour Tunnel team couple of months ago, and have been working on Admin, concept design, interior layout, and visualization.
The first two projects were competitions for South Geelong and Marshal Stations. I was part of the R&D team in the early stages of the project. Similar to previous projects, I was responsible for modeling buildings in Revit, working on different packages like GA plans, Stair packages, interior design, visualization, design reports, and participating in various consultant workshops.
Architecture PortfolioOffice :
PROFESSIONAL
EXPERIENCE
at DCM since September 2021, I have worked with the Infrastructure team on 4 different projects, three train stations, and one tunnel project. Unfortunately, I am not able to include my work in those projects as they were highly confidential (except one).
DuringMarshallmyexperience
Denton Corker
Aida Abbasi +61 450 940 950
Inevitably, memorials trigger controversy, but this is what is exciting about them. They stimulate public debate and activate the public sphere. This project is a place for events. A park that aims to revoke numerous excitements by triggering memories and unique qualities. This project is a proposal to draw attention to mental health and its importance of it in our lives, something that we normally forget about as we sink into our daily lives. This building commemorates numerous people’s daily battles. This project is located in Birrarung Marr, on the Yarra River’s north bank next to Federation Square, an indigenous land that is already gathering people together and numerous tragic events embedded. Where the Kulin nation celebrates their ceremonies, and their history and tells us magical stories.
THE EXHAUSTED Project Status : Major project RMIT Project Year : 2020 Supervisor : Jan Van Schaik Location : Federation Square, Birrarung marr, Melbourne Kulin nation 6/33
It’s a place for events that can raise awareness and bring people together to offer an openly accessible space that allows them to leave an offering. The variety that can be found in space forms numerous opportunities to experience the hidden memories of our thelives.concealed boxes of uncanny.
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Architecture Portfolio
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Eachyears.of them is translating emotions, desires, and numerous feel ings to a scene.
An attempt to narrate unheard stories of people who face big chal lenges everyday. As a design tool, these ideograms were generated to tell stories of anxiety and represent the experiments that may occur through emotions and memories. They’re earlier versions of form development where the focus was on speculating the problems of collective anxiety. They’re anxious drawings of a recurring dream of mine for many
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So this project is not one big building but is actually a conglomerate of five various buildings and the journeys hidden in it, which all have been gathered under a canopy, or what I like to call the acknowledgment blanket. An open space where ceremonies, exhibitions, or any unplanned activities can occur. The architectural conse quence of operating under the theme of the acknowledgment blanket l is that exchanges and thresholds where stories not only can be created but also can be heard and shared. The same way this land is educating us.
This is one of the beginning points of engaging with the land. Where the adventure of exploration commences. What people forget when they go through a hard time is the journey they’re taking. This project is creating involvement to test people’s reactions to what they face as they enter peculiar spaces that are designed to stimulate the state of consciousness, dreams, reminisce feelings, and awaken sealed emotions. As anyone enters this space, they have to adapt to what they face. By bending as they pass through a specific part, or stopping by and reading the stories of people written on the floor or the walls. These elements engage people with what they have to offer, with the soothing sound of the wind as it flows down the walls. All these elements leave a trace of thoughts in the unconscious minds.
A shared experience by experiencing something in a mass, side to side, shoulder to shoulder with people, rather than being an individual experience. This is where people can find a space to enjoy being in it individually, and can also decide to share it with others. They can meditate or engage in performance. Like a country that gathers various people with different backgrounds and experiences to build a better society.
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The idea behind this space is to draw attention to what we achieve by demolishing a Wespace.crush down memories to build another one, but what we should do is to celebrate the existence of forgotten moments in our lives.
The focus in creating this space was creating a welcoming atmosphere underneath a table with a white blanket on top. Like a tent, we used to build as a child. It’s a safe and secure space. This space attempts to take us back to childhood memories where nothing was important. The curtains are hindering visitors’ vision as they are observing it from outside. They’re inviting people to come and explore.
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This is what’s happening underneath that safety blanket. There are levels of galleries to dive in joy. There are lots of feelings to share and observe with others. The transparency of the curtains enables people inside and outside to communicate with each other, which leads to creating a connection. The idea of being underneath a giant table with a blanket on top is where precious memories can be evoked and create a moment of connection.
This is what’s happening underneath that safety blanket. There are levels of galleries to dive in joy.
The buildings are where other galleries and restaurants are located; It’s accessible from the lower level and the green canopy on level1. This is where the first idea for this project-shaped- curtains, mysteryrugs - faces, and stories - each of these shapes have a story written on them.
The story of ordinary people who we don’t see or feel. These spaces are where the design focus was on narrative. Each of them is one of the installations inside the galleries which are contrib uting to experimental events.
The theater is located at the closest location to the river to emphasize the connection of people to the land. Numerous plays will occur here, and when the time comes it vanishes in na ture and becomes part of a new story.
The Theater Instalations
www.noahkazane.com+012345678901Architecture Portfolio Right /45 The Galleries Galleries & Resturants The Birrung passwayMarr
So the next thing that was done was mapping out an emotional journey. You can observe how emotional journeys also tie in with themes in the space. The aim is to target the gathered audience by providing a complete sensual experience where unexpected things can happen.
DONT WALK THE ROCK Project Status : Design Studio8 RMIT Project Year : 2020 Tutors : Christine Philips Stas Mantzis Location : Federation Square, Birrarung marr, Melbourne This project (NICC) is an art center that was designed on an ingenious land
www.noahkazane.com+012345678901Architecture Portfolio Right /47 land with a focus on storytelling, gathering communities, and connecting the past and present history of Australia.
HOTEL RETAIL OFFICE RESIDENTIAL NICC
Architecture Portfolio
master plan of the site shows NIIC and surrounding buildings such as residential offices, museums, and retail.
All spaces have a direct connection to nature. Even if they’re under the grassy knoll canopy, they’re connected to it. The canopy is like a blanket that holds the majority of programs together and provides multiple chances for people to interact with outdoor and indoor Thespaces.lastes
Aida Abbasi +61 450 940 950 MSM RESIDENTIAL
Architecture Portfolio
Hotel, retail, offices, and part of the residential are close to the NIIC to have All spaces have a direct connection to nature. Even if they’re under the grassy knoll canopy, they’re connected to it. The canopy is like a blanket that holds the majority of programs together and provides multiple chances for people to interact with outdoor and indoor spaces.
This diagram represents the programs allocated on the whole site.
Gathering : A place to connect people, where new connections can occur.
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Cross or Djuplan: it leads people and forms the entrances to the site.
This design has three main concepts.
Tanderrum : An aboriginal ceremony that celebrates the culture. Where people dance, learn, sing, and Southernlearn.
Architecture Portfolio
Mandy Nicholson an aboriginal lady told us there are 6 layers of country. The country is not physically a thing. It is my body and spirit. The 1st layer is the area below the country where nutrients are. It’s like a mother. It nourish es us
Then there’s the country where we physically walk, do ceremonies. Then wind country. It touches everything that comes out of the body. like language. Then sky and forest country where flying creatures are, the spirits. They are reflected on the ground layer And water country where welcoming ceremonies happen. If you take one layer out of the community, it collapses.
NICC is a symbol of union. It’s a place that people learn from each other. They remember the importance of the connection to the land, to nature.
Aboriginals were very close to nature. They had a great bond with it. They lived on it but didn’t own it. It wasn’t their property. That’s why NIIC has a big gathering space. This place is called Wominjeka hub. It’s a knowledge hub where welcoming, tand eruum, healing ceremonies happen. Where people dance and celebrate. It has a significant potential to bring everyone together even after working hours. All other spaces face this space, at night; people can sit there and watch the stars.
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Architecture Portfolio
The WanyaRam restaurant & bar located next to it provides an opportunity to host various events after working hours and makes that space alive even at night.
The spaces at the ground level are facing the HUB where all ceremonies will take place and people can observe the events by sitting at the outdoor theater, which can host 150-200 people.
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Architecture Portfolio
The skylights bring the light and fresh air to the building. They are stopping points to look up to the sky and remember the bond to Windit. country shapes the form. The natural broken form into pieces of landscape, holds a canopy on my building and holds everything together. As you can see, spaces merge with nature, rising out of the land, not losing their bond to nature, also inviting people to come to visit and observe.
Speaking of stars, I looked at the story of “Djulpan”, the real name of the Southern Cross. It has 5 stars nowadays due to light pollution in big cities; one of them has vanished. In a decade, another one will vanish. So, rather than a southern cross, it will become a southern triangle, but it is not going to stop leading us to how to navigate people now. I took these triangle shapes to divide my spaces. To bring and welcome people to my building. As 6 layers of country work together, the spaces in this building do the same. There are three levels. The ones on the ground level work together. Representing the country, wind and sky country.
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Architecture Portfolio Railways Emu in the sky dancing classroomsArtist studiosDjuplan GalleryNaRam-NaRam Library Research Sky Corridor
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This plan is showing the underground gallery where Djuplan Gallery is. The picture on the right shows the entrance of that gallery, and the picture on the front page of this project is the Djuplan Gallery. A place that represents all layers of the country. It connects to the sky, and what is happening in the country ( the ceremonies, where people walk and dance to the lower layer below country. The corridor in this place connects it to the Yarra River, the history of aboriginal people. Where everything begins.
Architecture Portfolio Eucalyptus camaldulensis(river Study about the arcades Research about Aborginal Study about the arcades of Melbourne and linking city to the site
Aida Abbasi +61 450 940 950 camaldulensis(river red gum) arcades of AborginalMelbourneprotests Aboriginal Massacres of the Northern Territory region
Architecture Portfolio
Aida Abbasi +61 450 940 950 Project Status : Design Studio7 RMIT Project Year : 2019 Location : Brunswick, Melbourne Super Tighter
ThisOfficeRecyclingPoolproject
The factors that we were focused on were: ClinicFactoryLibrary Shop Urban farm Solar farm
focused on designing a house that can offer 13 uses and a building with the same concept but with a difference. designing one of them in a narrow space (5m*20m) , and the other one in a spot without any boundaries.
GymAccommodation Bar
SITESECTION OF THE HOUSE SECTION OF THE 13USE BUILDING FactoryApartments,clinic, Shop Office, School Gym Bar UrbanLibraryfarm, Solar farm Urban farmcinemaBedroomLivingroom Pool Kitchen Backyard
This is a corridor which connects the house to the other side of the road. It’s designed to be an urban farm that can produce various products all year-long. Also, it can become a place to hold parties and events.
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A view from one of the corridors that’s leading to the 13-use building. The focus was on creating a delight ful space by playing with materials, colors, shadows, and lights. A view from the backyard of the house
Architecture Portfolio
A view from the balcony of the office space to the house
As can be seen, there are not many boundaries. The material choice helps us to bring light and natural elements to a building designed in such a nar row space.
SECTION OF THE 13USE BUILDING SECTION OF THE HOUSE
These diagrams show how the 13use building and the house are located on the site. The exploded axos are showing how various elements have been gathered in tiny spaces in a way to achieve the best efficiency. A view from the balcony of the office space to the house
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During this course, we created a series of artworks to activate highly visible construc tion hoardings installed at the Harpley development site in Melbourne’s west.
I researched and interpreted the indigenous and the non-indigenous perspectives of sus tainability, water, and its management in my artwork, speculated on how these interact with contemporary perceptions of urban living.
Architecture HARPLEYPortfolio ECOSYSTEM
Project Status : Elective3 RMIT Project Year : 2019 Tutors : Jan Van Schaik Grace Leone Location : Werribee , Melbourne
Architecture BROLGAPortfolio RETURNING HOME 1 2 3 4 5 6 7 8 (SCALE 1:50 )
We always have to remember that the country is not a physical thing. It’s my body and spirit. The river is like a blood system, like a life source. My drawings follow the natural shape of the river. It’s telling a story, a story about us, our identity, our history, or nature. What we have forgotten. It’s about letting your spirit fly. Firstly, it represents how people are lost in the hustle and bustle of the city; as it goes through the city, it starts to vanish and people tend to go to nature. As much as they get involved in this journey, their bodies start to change. It gets more color and becomes more alive. By merging with nature, a human becomes part of nature and lets its spirit fly as Brolga. A human goes back to her/his nature, and Brolga gets back to the wetlands, to Harpley. Brolga returns home.
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Architecture Portfolio
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Mappingproject02:the City complited as a pair with ( Cheahong Than )
Architecture AsianPortfolio Urbanism
Project Status : Elective3 RMIT Project Year : 2019 Tutors : Vicky Lam Location : Werribee , Melbourne project01: the analysis of precedent complited as a pair with ( Cheahong Than )
Church of The Light By TADAO ANDO Building Type: Churches Location: Ibaraki, Osaka, Japan Non-Western Modernity
1, Andō, Tadao, and Jodidio, Philip. Ando : Complete Works 1975-today. Köln: Taschen, 2018. Print. 2,Andrew, K. “Church of The Light” Archdaily, https://www.archdaily.com/101260/ad-classics-church of-thelight-tadao-ando (accessed March 18, 2019).
• Penetrate Wall : Allow the light and air go through. A Cross represent the sympol religion. The use of thick polished concrete wall creating a strong emotion connecting people to the building • without the ornament, such a clean simple building put people at ease
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1. Image courtesy of https://www.archdaily.com/518304/house-for-trees-vo-trong-nghia-architects
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Vohttps://www.archdaily.com/518304/house-for-trees-vo-trong-nghia-architectsarchitectureau.com/articles/vo-trong-nghia-interview/.TrongNghiasgoalsforurbanizationare
By the look of “The Church of The Light” by Tadao Ando, e can not tell it is really a Church from outside. It is totally opposite to the “Traditional Christian Church” by the size and decoration of ornament. There is nothing like that in this project. However, the uniqueness of this project is simplicity, a tiny rectangle building with a size around 113 m2 constructed by reinforced concrete somehow can present itself as a Church by the “Crosses Void” on the east wall. This “Crosses Void” not only represents a symbol of religion but also functional which allows light and air to penetrate through the building. These design ideas of Ando’s have reflected into nature itself, the use of natural light to create shadow and a thick concrete wall giving value to the empty space inside the building. Creating the pure form of space that only light can see and a place for a spirit itself.
House for Trees VO TRONG NGHIA Building Type: Residential Location: Ho Chi Minh City, VIETNAM 2014 Urban Typologies Vietnam Void Space Garden
2. ArchitectureAU. 2018. Vo Trong Nghia: Making an impact | ArchitectureAU . [ONLINE] Available at: https:// recognized in his project “House for Trees”. Nghia prioritizes vegetation in his designs; to limit the loss, or replace it where unavoidable. An awareness of energy and materials in construction is also evident in the house for trees, as well as the influence of contemporary Japanese architecture through the systematization in construction. Nghia established his own construction company to realize designs that could not otherwise be actualized in Vietnam and uses materials that are abundant, such as bamboo, stone, and earth. House for trees provides a model for bringing greenery to the dense city dwelling to Ho Chi Minh City through the addition of vegetation to the urban housing typologies in Vietnam. The structures in the House for Trees project essentially act as giant concrete pots, with all the living functions beneath the trees. The pots also act as stormwater basins and reduce the rise of flooding in the city.
urban scale need to be done on a small er scale of the urban environment because it focuses on details, and represents more details. It might engage in specific extends. This method may be able to present hidden aspects of city life.
URBAN MappingENVIRONMENTS:methodsonthe
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always been a combination of its cooperation with other fields which is beneficial to understand how it works especially at the beginning of the working process. The urban is sue mapping needs to focus on various aspects of the site, for instance, lighting, public areas usage, social and environmental sustainability, and etc. which focusing on these aspects provide an opportunity to the underside the area’s potentials from differ ent angles. The outcome of this type of research and work will be considered as a specific discipline.
Phnom Penh city is Cambodia’s busy capital, which was a hub for both the Khmer Empire and French colonialists. Moreover, at the city’s heart there lies a massive, art deco Central Market which has influenced daily life and has altered streets, and has created new
works not only is far different from the manual type of analytical data but also focuses on digital analysis, the type, and how the approaches provide a decent way of understanding information. The emergent design processes allow for the use of state-of-the-art-of-the-art digital, biological, and communication technologies that can also be used in various situations. Furthermore, it’s a crucial knowledge during the whole process of mapping the city. City complited as a pair with ( Cheahong Than )
TheEMERGENTcontent.ARCHITECTURE:emergentmethodofresearch
ArchitectureFIELD:has
Mappingproject02:the
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Present AsMarkettheCapital City of the King dom of Cambodia, Phnom Penh plays a critical role as the country’s center of political, economic, and cultural activi ty. Phnom Penh’s rapid urban ization and development have forced the city to spatially ex pand to encompass surround ing suburban areas, as shown in Thefigures.market is one of the major influences shaping the design of Cambodian city housing; the city-owned markets usu ally have a diverse range of businesses and trades inside as well as the surrounding area. The typically residential build ings, especially the ground floors that are close to the market, has been re-purposed and made into a commercial building.
Phnom Penh Urban Expansion 1890 to 1958 Phnom Penh Urban Expansion 1890 to 1994 cont..
Architecture Portfolio P P Due to the increase of urban population, the city has an insufficient number of park ing space providing for the residents, With the unenforced building regulations and lack of zoning, The pedestrian sidewalk has been used as a personal parking lot, and car parking diagonally to the road has become a common issue. The people are forced to walk on the side of the road with on-going traffic, which also poses a dangerous threat to the children.Acorner house typically has a bigger outdoor space than a non-corner house. The cor ner-house owner can also earn extra money by renting it to street food businesses during night-time.
PeopleCommercialstart
adding numerous elements to the facade of buildings to make it as much convenient as they want. The facade’s usage modifies as the func tion of the level changes. On the first level because of changing the function from residential to commercial, we can notice various objects which are added temporarily.
Signage Personlaized WeatherSecurity
Architecture ARTIFICIALPortfolio ARTCRAFTS Project Status : Design Elective RMIT Group project Project Year : 2018 Tutors : Sean Guy Artificial Artefacts Group 2
Architecture Portfolio GEO_4 GEO_5 GEO_6 GEO_7 GEO_8 GEO_9 GEO_1 GEO_1 GEO_2 GEO_3 GEO_4 GEO_5 GEO_6 GEO_2 GEO_3 GEO_4 GEO_5 GEO_6 GEO_7 GEO_8 GEO_9
Architecture Portfolio
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Architecture Portfolio ProjectTITLELESSStatus:Surrealism & Architecture Project Year : 2017 Tutors : Ensieh khamse & Shahryar Gharaei Location : Tehran, Iran
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Architecture Portfolio 82 ORPHAN HOUSE This project was designed at Oudlajan Street, which is one of the ancient streets of Tehran. These days it’s facing various types of problems and the most noticeable one is the drug-addicted people’s gathering there. In this project, by analyzing the potentials of the site, current position, and infrastructure of it, I decided to design an orphan house for people who are forced to work and they’re under Analysispressure.:Accessibility: Site : this analysis defines the important streets around the site . this analysis defines that Oudlajan has a week green surface and due to it’s near to the Baazar there are too much sound pollution there. Project Status : Design Studio 5 Project Year : 2016 Tutors : Elham Salighe Location : Tehran, Iran
Potenitals of site : This analysis defines the topography of the site and slope.
Typology : Development : This analysis defines the typology of the residen tial parts of the site and where and how they’re located at it.
Empety spaces :
This analysis defines the progress of the site during 6 genera tions.
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This analysis defines the empty spaces on the site which are decent places to be developed.
Intervention : To manage and use the surface water and gray water which comes from houses and Industrial shops, we created a river along the main road which we have shown previously. We chose it as it is because we wanted to save the historical places and make minimum destructive actions. This main road has 3 parts that contain 2 pedestrian ways (width:3m for each) and a river between (width:3m) to transfer the water to the lake we designed in the southern part of the area. These are sketches of the development of the site. First of all, the way water pours into the street is altered to go under ground and clean up for future use.
Architecture Portfolio Architecture Portfolio 84
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Architecture Portfolio Architecture Portfolio 86 Sections of one of the islands made on the lake by restoring and resuing the gray water. by these, we had a chance to create a lake in the south part of the site and use it to attract people and develop that part of the site which had high-potential to commit crimes.
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of Tehran by building a lake will make the residential parts of Oudlajan become more at tractive and more likely to live due to the new atmosphere, view of the lake, not being crowded all the time and being safer for its people. Also, it will raise the price of land in this area. Having the gray water and surface water refined will reduce the expenses of the families living there, and it is economic because the water is saved and goes back to the houses or industrial shops.
BlockingOpportunitiestheoldbazaar
Future
By optimizing the roads which accede to the lake, they can become green corridors which attract people to walk there, ride their bikes, meet their friends and...
Architecture Portfolio Architecture Portfolio 88 plans & sectios : there are 6 levels in this building they contain classrooms, restrooms, parking, doormitory, kitchen, offices and ect. in this project i try to create a decent use of each level to not only create a place which in infuses creativity to childern but take care of them from the dangerous area.LEVEL 01 00.00 TIP PARKINGPLANSFLOOR -5.00
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Architecture Portfolio ProjectTITLELESSStatus:Surrealism & Architecture Project Year : 2017 Tutors : Ensieh khamse & Shahryar Gharaei Location : Tehran, Iran
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Architecture PeriodPortfolioof creation of volumePERSPECTIVES ;
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Architecture Portfolio
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Architecture Portfolio 2011CanonCanonNikonLandscapePhotographyPhotographyD90sx1060D-2017
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