AIMAN HAKIM RAHMAN (M.Arch)
Manchester School of Architecture Selected Works from 2019-2023
aiman haki
education
experience
Manchester School Of Architecture (RIBA+LAM), Manchester, Master Of Architecture (Part 2)
Focus Architects and Urban Planners SDN BHD , Assistant Architect
Sept 2021- July 2023
Pass with Distinction and participation in international and local architectural competitions. Participated in variety Architectural and Art Drawing competition.
University of Technology MARA (RIBA+LAM), Malaysia Bachelor of Science (Hons.) in Architecture (Part 1) Sept 2016 - Aug 2020
Vice Chancellors’ Award (ANC) and Dean’s List Award and awarded in 8 semesters in total. Participated in a variety of extra-curricular activities such as urban sketching, art and drawing national competition and the PAM installation team in One Utama.
Oct 2020 – Oct 2021
Under the supervision of PAM and MRT Corporation, provided valuable production assistance for the RTS PAM Façade Design Competition. Furthermore, working closely with Dewan Bandaraya Kuala Lumpur, actively contributed planning and design expertise to the Pelan Tempatan Kuala Lumpur 2040 initiative
Freelance, Remote Working — Part Time Freelancer Aug 2019 – Current
Executed a variety of type projects and ventures. Planned and managed all the work and clients independently, Consulted and resolved all clients’ problems and needs. All the freelance work was compiled in the portfolio.
A+I Design, Malaysia — Internship Trainee Mar 2019 – Jul 2019
Played an important role in several 3D photo rendering and video rendering projects, using Sketchup and Lumion software and implementing post-render enhancements in Photoshop. Utilized legal and building laws in the design project (UBBL). Work as a team and participate in multiple meetings and site visits.
im rahman awards
languages
interest
RIBA Silver Medal Nominee - Master’s Thesis Project (Manchester School of Architecture) - Jun 2023
English Malay Arabic
Travel Backpacking Digital Drawing Photography
Shortlisted in Jicwood Prize 2023 - Master’s Thesis Project
skills
contact
SketchUp, Proficient Adobe Suites, Proficient AutoCAD, Proficient Graphic Design, Intermediate Lumion, Proficient Twinmotion, Proficient Enscape, Intermediate Vray, Intermediate Revit, Novice Photography, Fluent Model Making, Proficient Curating, Proficient Project Management, Novice Hand Sketch, Proficient Technical Detail, Proficient Video Editing, Proficient
Current Address
Nominated to represent the entire Manchester School of Architecture for RIBA Silver Medal Award in 2023.
(Sheppard Robson Architect) - Jun 2023
Shortlisted for the Jicwood Prize, sponsored by Sheppard Robson. Presented our project at the firm.
Shortlisted in Future Architect Award - Master’s Thesis Project (Manchester Society of Architect) - Jun 2023 Participated in MSA student category award 2023 along other shortlisters.
First Place in Student Project Award 2023 - Master’s Thesis Project (Arch Hive) - May 2023 Nominated First Place in 2023 Arch Hive Student Project Award, for the Thesis Project: Embodied The Last Vacation.
Best Drawing in Student Design Awards 2023 Master’s Thesis Project (Architect For Heatlth) - July 2023
Nominated Best Drawing in 2023 Architect For Health Student Design Award, for the Thesis Project: Embodied The Last Vacation.
54 Richmond Grove, Manchester, M130DP
Number
+44 7389768763
aimannaihar@gmail.com
Aiman Hakim Rahman
Instagram ahr.aki
01
02
'Embodied' The Last Vacation
Stairway To Haven Adaptive Reuse Project
Master Thesis Project Oct 2022 - June 2023
Professional Studies 2 Feb 2022 - June 2022
03
04
The Scaff Residential/ Housing Project
Personal Projects Personal Freelance Works
Professional Studies 1 Sept 2021 - Jan 2022
Artwork, Rendering and Architectural Aug 2019 - Now
01 EMBODIED The Last Vacation Our project delves into the concept of “human decay” and “architectural decay”. We conclude that while we are alive, we consume energy and resources, but when we die, we release the energy and resources back to the environment. On the other hand, architecture requires the use of energy and resources, and in Cumbria where our territory of research is, extracting natural resources has been a large industry since the beginning, making it unsustainable for the future. Our thesis concept revolves around how we can genuinely close the loop process of decay or released energy, from human death in infrastructure form, so that all of the energy and resources may be repurposed. We explored a holistic approach by not solely focusing on the physical infrastructure and operational systems of the premises. It delves deeply into the intricate nuances of human behavior, acknowledging the significance of spatial qualities, lighting, emotions, and cultural backgrounds that are inherently intertwined with the experiences surrounding funerals and death. Moreover, the project is keenly aware of the profound emotions and personal connections associated with funeral rituals and the concept of death. Cultural backgrounds, traditions, and beliefs are thoughtfully integrated into the design and implementation processes. By honoring and respecting diverse cultural perspectives, the project aims to create spaces that resonate with individuals from different backgrounds, fostering inclusivity and understanding. By deeply considering these human behavioral aspects and plug it into the designated infrastructure system, the project strives to create an environment that goes beyond mere functionality. It seeks to provide a profound and meaningful experience for individuals navigating the challenging and sensitive moments associated with funerals and the overall concept of death.
03 47
PROGRAMS PROGRAMS
CIRCULATION
MANUFACTURING
EXPORT
DESIGN STATEMENT
The Death of Human and The Birth of Architecture
LIVING
DECAY
The process of represents a pers spiritual separatio death. This is the p deceased decompo into liquid and hu is beneficial to
HUMAN
Prior to death, and while humans were still alive, we used energy and resources to sustain ourselves and survive the meaning of life. When we die, our energy and resources are transferred to another kind of energy.
DECAYNESS INTENSITY
ARCHITECTURE
TIME
Energy and resources contribute to or impact the forms of architectural elements through usefulness, which is summarised into structural, materiality, and the intangible system of building functions.
ABSORBING ENERGY
When building decay has lived its whole lif the scars the world the passage of ti desire to rememb moments, or crea history. A group Decaying is an un
DECA
Amount of decayness during the process. Our thematic research interest. Energy formed and/or used during the process.
RELEASING ENERGY Human death releases energy and resources into the environment, which can benefit the living. For some religions and civilizations, the procedure is sacrosanct, and it can be viewed as the beginning rather than the end of people’s lives. The key assertion of our thesis is the idea of reusing and utilising the energy and resources of the deceased to construct and form new things that may help humanity.
YING
death and decay son’s physical and on from living to process by which the ose and transform uman waste, which the environment.
ys, it has not failed; it fe cycle, embodying d has endured and ime, arousing our ber, relive certain ate an imaginary p “remembering.” navoidable process.
AYING
ENERGY PARTICLE EMITTED/ABSORBED
Prior to death, and while humans were still alive, we used energy and resources to sustain ourselves and survive the meaning of life. When we die, our energy and resources are transferred to another kind of energy.
RELEASING ENERGY
FUNDEMENTAL NATURE
DYING STAGE
DEATH STAGE
The area of where we zoned the spaces and programs above the ground level to symbolise the appreciation of life and to celebrate what have left for us; accommodations, public space, green spaces, spiritual spaces and so on.
The area of where we positioned the spaces and programs sunken halfway to the ground to symbolise the transitional from life to death and to appreciate the death; body holding space, funeral ritual spaces, morgue and so on.
The area of where we positioned the spaces and programs underground to symbolise the death final resting place for the dead and where the processing facilities located at; cemeteries, compost pods, bones processing facilities and so on.
Recreational
LIFE STAGE
Spiritual Transition
Accommodation Medical Transition
Body Holding
Ground Level
Body Holding Compost
Pods
Cemeteries
Level of Activy
Memorial
Infrastructure
OUR ARGUEMENT SEAMLESS TRANSITION & JOURNEY
OUR PROJECT
Zoning the Programs
Our intention of zoning the spatial and programs to symbolise the journey of human life and death. The seamless transition and journey of life and death in architectural spatial design involves creating spaces that support individuals in all stages of life, including the dying and death stages. This approach emphasizes the importance of designing spaces that can adapt to the changing needs of individuals as they age, and that provide a supportive environment for those who are facing the end of life. The seamless transition and journey of life and death in architectural spatial design involves creating spaces that are accessible, flexible, comfortable, supportive, and respectful of privacy and dignity. By designing spaces that can adapt to the changing needs of individuals over time, architects can create environments that support individuals in all stages of life, including the dying and death stages.
THE LINE PALLIATIVE RETREAT
SPIRITUAL TEMPLE
FUNERAL SPACE
THE CATACOMB
CYCLIC FARM
ASIMILATION OF NATURE & USERS
Our Retreat built around the river shore to reflect our design principle of "Proximity to Nature" experienced by the end users. We shift the existing landscape to a wetland to strategically and sustainably mitigate the flooding issue in the area.
Flooding Season Water Level of River Eamont
02
09 01
The Habitat Extended and Merged into the Park. 03
Natural Decayed Material Blends in with Nature.
Under Stilts Area Naturally Forms a Habitat.
04
08
05
06 07
Multi-year Average High Water Line Multi-year Average Low Water Line
05
Mom Ajustable Window Panel for Better Natural Ventilation.
03
04
Natural & Adaptable Materials Blend in with Nature
The Habitat Extended and Merged into the Park.
Greeneries and Landscape to Promote Calmness. 01
Lucy
02 06
Slanted Roof Creating Comfort and Cozy Resting Area for End Users.
John
Ramps Access for the Physically Disabled People.
The Habitat Extended and Merged into the Park. Connection to the Nature & Environment (Therapeutic).
07
Built on Stilts to Minimise the Impacts on the Natural Land.
Legends 01. Living Area/ Foyer. 02. Resident Bedroom. 03. Visitor Bedroom. 04. Kitchen/ Pantry. 05. Worker Unit.
06. Access Ramp. 07. Wetland Habitat. 08. Viewing Deck. 09. Internal Unit Courtyard.
Natural Recycled On-Site Manufactured De De cay P cay er ing iod 1 -2 ( Fu 0 y nct ear ion sW ing S
tat
e)
DECAY REBIRTH - INTERVENTION NEW TECTONICS Multi- Faith Ritual Space l Conceptual Isometric NTS
Decay Foundation The existing Brougham Castle Ruins set as a base for the project where it will be adaptive reused to maintain and add more spatial qualities and programs into it. Most of the ruins are the tower, internal staircase, partial walls and many else that covered with moss and dirt. The brickwall finish may stores high level of decay throughout the time.
Lighting ( Steel Mesh) Mesh metal were be used as a diffuser to soften and distribute the light emitted by lighting fixtures. By positioning mesh metal panels in front of light sources, its generate a soothing, distributed illumination that reduces sharp shadows and creates a more tranquil ambiance.
Intervention (Circulation) Accessible entry and mobility between different levels of the sacred space, such as entrances, chapels, or raised platforms, are provided via ramps or lifts. To assist wheelchair users and others with mobility issues, ramps should have adequate slopes and handrails.
05
06
GROUND FLOOR PLAN OF RITUAL HALL Floor plans scale 1:200 on A3
04 07 06 03
05
08
01
10
11
09
12
13
14 18 15 17
Legends 16
1m
4m 2m
8m
01. Bell Tower 10. Women’s Sitting Area 02. Retreat Unit. 11. Men’s Sitting Area 03. Inner Gate House. 12. Courtyard. 04. Semi-Dry Recreational Park. 13. Reception Kitchen/ Pantry . 05. Conference Room 14. Chapel. 06. Outer Gate-House. 15. Well. 07. Entryway. 16. Tower of League 08. Altar/ Mimbar Area. 17. Moat 09. Semi-Outdoor Reception. 18. Bridge
FIRST FLOOR PLAN OF RITUAL HALL Floor plans scale 1:200 on A3
02
01
03
04
05
Legends 01. Zigzagging Stairs 02. Outdoor Ramp 03. Lift 04. In Space Ramp 05. Stagged Sitting Area Area. 1m
4m 2m
8m
FINAL GOODBYE
Last Gateway l Conceptual Section l NTS
01
02 03
02
04
172
CATACOMB The model was constructed to help us further understand and test the spatial qualities in our design. The model was intended to be interactive, allowing us to explore and test out demonstrations of sustainable burial and funeral practises on a scale.
Legends 01. Viewing Deck. 02. Ramp. 03. Final Goodbye. 04. Feces Collection Point. 05. Milking Area. 06. Milk Storage.
44
THE FARM
Cyclic Material Loop
Farm Animals Harvested for Protein Source.
01
Cow Milk B for Dair 05 03
02
Manure Collection
04
Food Source
Manure Collection
Dig 09 11 10
Enclosed Farm
Feeding Tray
Milking Space
Outdoor Farm
Bio Mass Storage
Bio Mass Collection
Skylight Allows Natural Light Penetration for Better Visual.
Sheep Wool Being PreProcess.
Sheep Wool Being Directed to Construction Material Facility.
Dairy & Protein Product Being Directed to Retreat Facility.
Being Harvested ry Product.
Sheep Wool Being Harvested for Insulation. 06
07
08
Food Waste & Wastewater Biosolids Being Directed from Retreats to this Facility.
n
gestate 09
Bio-Fuel Being Directed into HVAC System for Retreats & Other Buildings
12
CH4
CO2 The Process (Summer) May-Aug
Milk Storage Space Bio Gas Storage
Sheep Wool Packaging
Sheep Shearing Space
01. Enclosed Farm. 02. Outdoor Farming Area. 03. Straw Drying Area. 04. Feces Collection Point. 05. Milking Area. 06. Milk Storage.
07. Sheep Wool Storage. 08. Sheep Shearing Area. 09. Feces Collection Storage. 10. Anaerobic Mixture. 11. Digestor Tank. 12. Fuel Gas Storage Tank.
02 STAIRWAY TO HAVEN In House Food Production and Gastronomy Hub in Grimsby ( Adaptive Reuse )
By envisioning and designing a gastronomy and food waste management facility in Grimsby, the aim was to create a vibrant, inclusive space that not only celebrates the culinary arts but also serves as a catalyst for change in how we approach food consumption and waste. Through this project, hoped to inspire and engage the community, demonstrating the potential for architecture to address pressing social and environmental issues while fostering a deeper appreciation for sustainable practices and local food culture.
03 47
Public Realm Entrance To create an integrated transition between the public and the building, a portion of the entrance’s massing would be chamfered.
Seemless Transition of Levels The main view would be of the water body as well as the planned green promenade between the proposed theatre.
Stairway To Haven The entrance would be possible from the main road, bringing people and fish together in the same space.
Visitors from the main road can really peek
This section of the building is intended to
One of the key features is the source of seafood,
The main stairs also s
components of the programmes and flows
provide visitors with exposure to the seafood
which is fish that are naturally delivered into
consumers and employ
of “making foods” within the building via the
sector as well as the food industry in Grimsby
the facility by their migration route. The fish
food. There are two kind
designated staircase leading to the roof, creating
in particular. Interacting with the exhibits allows
are transferred from outdoor fish farming to
plants on the upper floo
a seemless transition from the landscape to the
visitors to learn more about the industry as well
indoor captivities via the fish ladder before being
on the actual steps.
building in a delicate way.
as how to make meals.
processed into food products.
serves as a platform for
Because of its proximity to food sources, the
The main stairs also serve as a learning platform
There is a designated market where people
yees to plant greenery for
kitchen is located beneath the stairwell to
for guests interested in learning about plants
can buy fresh, artisanal, and sustainable food
ds: hydroponic for tropical
maximise space usage. The majority of the
and herbs. They can also relax because there
ingredients produced in the building itself. This
or and cold climate plants
restaurant’s meals are prepared in the kitchen
are seating areas throughout the indoor garden.
can generate revenue while also educating
by a trained professional chef.
Tranquility and serenity for the older generation,
people about the importance of consuming
and interaction for the younger.
sustainable food sources.
EXISTING STRUCTURAL & PROGRAMS
ORIGINAL STRUCTURAL & PROGRAMS
Loading Deck
Outdoor Sorting Area
ENVIRONMENTAL & SOCIAL APPROACHES
Connection to Surrounding Context
Possible Entrance
Public Realm Entrance
Noise Buffer Zone
Possible Vistas
To create a seamless public realm, the building will interact with the surrounding existing/proposed buildings and green space.
The entrance would be possible from the main road, bringing people and fish together in the same space.
To create an integrated transition between the public and the building, a portion of the entrance’s massing would be chamfered.
The majority of noise pollution comes from vehicles and ports; however, planting trees can minimise the sound towards the building.
The main view would be of the water body as well as the planned green promenade between the proposed theatre.
Zonning & Programming
Utilise Natural Daylight
Stairways to Haven Atrium
Elevated Rooftop Green Space
Seemless Transition of levels
The industrial spaces were located on half of the ground floor for loading, while the public spaces were located on the first floor overlooking the bay for a better view.
The south side of the building will be furnished with a facade that will reduce glare entering the interior.
The entrance would be possible from the main road, bringing people and fish together in the same space.
The majority of noise pollution comes from vehicles and ports; however, planting trees can minimise the sound towards the building.
The main view would be of the water body as well as the planned green promenade between the proposed theatre.
DETAIL SECTIONS
2. 10.
1.
3.
5.
4. 11. 6.
7. 9.
16.
12. Glass Fibre RC Planter Box 13. Bolted to CLT Beam 14. CLT Beam 15. Wool Roof Insulation 16. Soil Substrate
8.
03 THE SCAFF Transient Housing for Offshore Workers To design transient housing in Grimsby for offshore workers (oil and gas, fishermen, or wind energy) and to incorporate the list of readings and references. The temporal character of people, services, and materials movements in this area should affect our designs, prompting us to consider the definition of ‘temporary’ in connection to housing policy.What services and social, cultural, and geographical amenities are required in and around the North Sea coast for a temporary offshore labour force?How does our structure adapt to these requirements? Our examination of group work and its synthesis will serve as a critical and thematic framework for developing a response that fully satisfies user requests and fits within the context of an existing masterplan by Arup (2020). Our residential spaces should be combined with other functions that reflect Grimsby’s local and global contexts and the demands of our defined user groups. 30 Housing units for offshore workers. HOW? By exploring how to create a space for social engagement in order to address the issue with a limited presence of skill and training in the town centre,the ultimate goal may be to propose and design a modular and systematic housing scheme that makes use of prefabricated construction methods that are easily assembled and repurposed to meet the needs of the offshore workers.
03 47
THE SCAFF
THE S-CAPE
Existing Grimsby
To create an integrated transition between
Realising the vision for a vibrant and attractive
In the town centre, there is a dearth of
the public and the building, a portion of the
town centre, offering quality living, learning
educational
entrance’s massing would be chamfered.
and leisure will also be crucial in changing how
There is also a scarcity of space for smaller
the town is externally perceived and in helping
businesses or enterprises to start or expand
The offshore workers who live in the dwelling
to attract and develop new talent and highly
their operations while working in an innovative
will assimilate with the Grimsby people by
skilled personnel to work and live in Grimsby.
and collaborative environment with other
training
organisations.
providing a social active space where they can interact and connect with the Grimsby people.
and
This model of adaptable, shared spaces that naturally encourage innovation is critical to the development of an innovation ecosystem in Grimsby town centre.
opportunities.
MASSING STUDIES ON SITE
1) Empty side
2) Block mass
3) Respect site hierarchy
The existing building on the site is AJ Auto
The blocks of the residential is now erected and
The accommodation block lifted to the same
Garage will be dismentled and moved
sandwiched between to historical buildings.
level of the top Haven Mill to give hierarchy of
somewhere else.
4) Split lift
circulation from for public to private spaces.
5) Intersection between vertical and horizontal
6) Bridge
between public
Social space were created by intersection
Acts as circulation for public access to The
and residential to make sure there is clear
on two aspects; Horizontal (L ocal or
S-cape gateway and the sense of inward
circulation, permeability and transparency fo
neighbourhood) and Vertical (Residential).
enhance the welcoming effect for the people
The lift are separated
rpublic and for the residents. Experimentation
between commercial area and residential
of core and space arrangements will be
area. Suitable space for social, recreational
develope on impact of sun analysis
and learning to bond by sharing their skills and lifestyle.
Component exploded Isometric The module pod is constructed from a kit of parts that can be easily disassembled, reassembled, and replaced. Steelframing is used to reduce the load on the pod for craning. The module structure carries its own dead and live loads, and connects directly to the primary structure The load path goes straight to the primary structure. Each apartment can be rented or purchased as a kit of parts. Users have the ability to personalise their own homes by selecting and combining modular components from the module matrix However, if a user wishes to order an entire home at once, template apartments are also available as a guide.
Scaffolding is a temporary structure Due to the proposal’s transitory , the main structure was inspired by scaffolding, which serves as a temporary framework used to support a work crew and materials needed in the construction, maintenance, and repair of buildings, bridges, and all other man-made structures in real live. Aaron, one of the panel’s structural engineers, proposed that rather than utilising conventional scaffolding, I should use a circular hollow section and assisted me with the calculation of the imposed load. The calculation is as follows and is illustrated in a graphic for ease of comprehension.
MODULE PLUG ON
04 PERSONAL PROJECTS / FREELANCE
As an experienced architect, I bring a wealth of expertise to the table and am readily available for freelance opportunities in the fields of architectural visualization and interior design. My specialization lies in creating high-quality visualizations that serve as powerful tools to effectively communicate design concepts to clients, stakeholders, and collaborators. One of my key strengths is my ability to transform 2D drawings and architectural plans into immersive and realistic 3D renderings. I approach each project with a meticulous attention to detail, ensuring that every aspect of the design is faithfully represented in the visualizations. This not only aids in conveying the aesthetics of a space but also helps in comprehending the spatial dynamics, flow, and functionality. I am deeply passionate about interior design and have a keen eye for curating personalized and functional spaces. My approach to interior design is not merely about aesthetics but also about creating environments that enhance the lives of the occupants. I believe that well-designed interiors should not only look beautiful but should also serve the specific needs and aspirations of the people who inhabit them. In all my freelance endeavors, I am dedicated to delivering work of the highest quality within specified timelines and budgets. I understand the importance of meeting project milestones and staying within financial constraints, all while ensuring that the creative vision remains intact. My commitment to excellence is reflected in every project I undertake, from the initial conceptualization to the final delivery.
PERSONAL PROJECTS / FREELANCE Architectural Visualization As a dedicated freelance visualizer and rendering specialist, I was instrumental in a significant private housing project in Malaysia's vibrant cities of Kuala Lumpur and Seremban. As a third-party visualizer, I was invaluable during the critical planning stages (Stages 0-3) of this residential development. My mission was to help the contractor and their team better understand and conceptualise the intricate design of the housing project. I can transform architectural drawings and plans into photorealistic renderings that bring the project to life because of my exceptional talent and technical expertise. Contribution extended beyond the mere creation of aesthetically pleasing renderings. actively collaborated with the contractor and their team, incorporating their feedback and vision into the visualizations. This collaborative approach ensured that the final visual representations not only met but exceeded expectations, fostering a shared understanding of the project's design objectives. The ability to visualize the project at such a high level of detail and realism significantly facilitated decision-making processes, enhanced communication among team members, and provided invaluable insights into design refinements. Takes pride in contributing to the success of projects by breathing life into design concepts, ultimately transforming them into breathtaking, visual realities.
PERSONAL PROJECTS / FREELANCE Urban Designer As an aspiring architect with a strong interest in urban design, it has embarked on a transformative journey to reshape and improve the cities in which we live. During my architectural studies, I not only excelled academically, but I also committed to practical urban design projects aimed at improving the living experience in urban areas, with a particular emphasis on Malaysia. Throughout involvement in these projects, which include Segamat, Kualau Lumpur, and Taiping, it can demonstrated a remarkable ability to combine artistic creativity with a thorough understanding of urban planning and architecture. Transportation networks, green spaces, public amenities, and architectural aesthetics were all considered in the design solutions, all with the goal of fostering a sense of connectivity and well-being among urban residents. My visionary approach went beyond the drawing board. To ensure that all proposals were not only visionary but also implementable, the project conducted rigorous research, collaborated with local communities, and embraced sustainable design principles. Furthermore, my work in Malaysia demonstrates my commitment to addressing region-specific urban challenges such as traffic congestion, environmental sustainability, and cultural heritage preservation. Malaysian urban design concepts reflect an awareness of the country's unique cultural and historical contexts, adding a layer of authenticity and cultural sensitivity. With a unique blend of architectural insight and visionary thinking, I am poised to continue shaping the future of urban design in Malaysia and beyond."
PERSONAL PROJECTS / FREELANCE Mural Artist & Doodler As a dedicated freelance mural artist, I combine my passion of art with a solid basis in architecture. It not only demonstrates my exceptional artistic talent but also leverages a deep understanding of architectural principles to create visually captivating and spatially harmonious works of art through meticulously crafted murals. Every mural I create serves as a blank canvas for experimentation, allowing me to explore the interplay of colours, forms, and spatial concepts. This distinct approach not only improves my artistic repertoire, but also establishes them as a emerging talent capable of bridging the gap between art and architecture. My freelance journey is about creating immersive visual experiences that evoke emotions and tell stories, not just beautiful murals. With each project, I strive to transform spaces by infusing them with an aesthetic sensibility that is deeply rooted in their architectural context. It aspires to leave a lasting impression through recent artworks by sparking conversations about the intersection of art and architecture in today's dynamic creative landscape. It was poised to make a significant mark in the architecture and art industries, bringing forth a fresh perspective that blurred the lines between these two captivating worlds, with a keen eye for detail and an unwavering commitment to excellence.
