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PUBLISHER’S NOTE 2 Year Anniversary Brings New Format, Growth his issue we at AIRPLAY 360 celebrate our second year. And what a year it’s been. We’ve seen many changes take place and look forward to even more. It was January 2010 when we transformed from an email e-zine to an online magazine. Wow what a difference! By converting to this new magazine format, we have expanded our audience and made AIRPLAY 360 more accessible to independent artists and executives everywhere. I am especially thankful for those of you who over the last two years have grown with us. It is gratifying to know that some of you, not only read our magazine each month, but refer back to it time and time again as a credible resource for your record labels, choirs, workshops and careers. Knowing this validates our efforts and lets us know that AIRPLAY 360 is impacting the industry. In the next year, we intend to continue to provide you with even more inf ormation and tools to nurture your growth as you grow with us. Thanks to all of you. We have to extend a special thanks to our expert columnists, all of whom are recognized as leaders in their particular fields. Attorney Angela D. Green, Dr. Mark A. Williams, Adrian Anderson, Linda “Chocolate” Berthier, Kathy Grant, Dileesa Hunter, Tina Fears, Nicole B. Simpson and Delroy Souden have been faithful in imparting wisdom and s h a r ing t ips t o enh ance yo ur l if e and m in ist r y.
June 2010 / Vol. 2 No. 11
PUBLISHER Ace Alexander EDITORIAL DIRECTOR Louise M. Moore ASSISTANT TO PUBLISHER Jacqueline Hill EDITORIAL ASSISTANT Ashley Hill Michelle Slater EXPERT COLUMNISTS Adrian Anderson Linda “Chocolate” Berthier Tina A. Fears Kathy Grant Angela D. Green, Esq. Dileesa Hunter Nicole B. Simpson, CFP Chris Squire Mark A. Williams, M.D., Ph.D. LOGO DESIGN Aziz Peregrino-Brimah ADVERTISING LTL Entertainment LLC AIRPLAY 360 published monthly www.airplay360.com The Ace Alexander Group, LLC
Copyri ght © 2008-2010 AI RPLAY 360, The Ace Al exa nd er Gro u p LL C and LTL Entertainment LLC. Reproduction, in whole or in part, is strictly prohibited. Readers are free to forward this web magazine to friends and colleagues.
Ace Alexander Publisher/Founder Ace Alexander is an award winning radio personality and national music programmer for Sheridan Gospel Network. He founded AIRPLAY 360 in June 2008 as a complement to his seminar “How to Get Your Music Played on Radio” which was featured at Dr. Bobby Jones Gospel Industry Retreats, Gospel Announcer Guild events and other conferences.
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DISCLAIMER: The articles and resources in AIRPLAY 360 are not intended to be a substitute for professional consultations. While all attempts have been made to verify information provided in this web magazine, neither the author nor the publisher assumes any responsibility for errors, omissions or contrary interpretation of the subject matter herein.
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INSIDE 2nd Anniversary Issue
June 2010
Contents
Need a Financial Boost? Summer May Be the Best Time
19 4
by Nicole B. Simpson
June 2010
AIRPLAY 360
8-9
COVER STORY: The Changing Face of Radio by Chris Squire
10
LEGAL: How You Can Make Money in the Word of Music Licensing by Angela D. Green, ESQ
11
VOCAL HEALTH: Why a Poor Singing Technique Can Harm Your Voice by Mark A. Williams, M.D. Ph.D.
13
VOCAL COACH: Why You Should Be Familiar With The Classical Approach to Music by Dileesa Hunter
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DEVELOPMENT: Promise, Posture, Presence: Own the Stage by Tina A. Fears
16
IMAGING: Defining Your Image Through Innovation by Adrian Anderson
19
FINANCES: Need a Financial Boost? Summer May Be Best Time by Nicole B. Simpson, CFP
20
INTERNATIONAL: French Gospel Music by Way of Jessica Dorsey by Linda “Chocolate” Berthier
21
INTERNATIONAL: Canadian Gospel On The Rise by Kathy Grant
24-25 DIRECTORY: AIRPLAY 360 Industry Resources
Tips on How to Own the Stage!
by Tina A. Fears
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www.ensoundradio.net
www.cjbradio.com
www.praize1029.com
www.thepowerofgospel.com
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www.airplay360.com
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June 2010
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The Changing Face of
RADIO BY CHRIS SQUIRE
s the gospel music industry continues to evolve, it is important that we evolve with the industry. To do this we must recognize the industry trends. I have the unique distinction of operating on both sides of the gospel industry’s proverbial fence, as an artist and as a broadcaster. In my capacity as an artist, I serve as CEO, producer and part-time director of the Stellar Award winning and Grammy Award nominated Wilmington Chester Mass Choir. I’ve had the opportunity to lead the choir from the album/cassette era, to the CD revolution and now through the current digital explosion. O n t h e o t h e r s i d e o f t h e f e n c e in broadcasting, I’ve been involved in just about every phase of the inspirational radio spectrum including sales, programming, promotions, consultancy and management. I’ve watched the inspirational music space go from AM stations playing whatever they wanted to play with the legendary gospel divas leading the way, to FM stations programmed to reach a narrowly focused demographic. During this time, I’ve seen consolidation of radio companies and record companies. What does this mean for the independent artist? It’s simple; there are fewer stations that will take a chance on airing your music and still even 8
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fewer record companies that will sign you to a deal. Here is a fact about every independent recording artist should know. You, the independent artist, are ultimately responsible for the success or failure of your project. (I believe this is also true for artist signed with a record company.) The challenge today for many independent artists is that many of the top recording artists of the past 15 to 20 years are now independent artists. What this means is there are now independents with “name recognition!” Now your small pond has big fish swimming around. So how does the small independent artist compete? The game has changed. If you don’t know what’s happening in the industry in regards to promoting your project, hire someone who does. Pay them on their performance not their promise. Not on their reputation. When you hire someone to work your project, find out if they understand the industry of 2010. Not 2000, not 2005: not even 2009. If they don’t understand the changing environment they will not be able to properly serve you. Years ago every station had it’s own morning show, today many stations only have
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one or maybe two live bodies on the air. (And one of those bodies might be syndicated.) So just because you know the midday host, it still might not get your project played. Learn who the “real” players are. There a r e o n l y a f e w “ r e a l p la ye r s ” in t h e programming area. Just because someone is on the air, does not mean that they can get your record played. You cannot buy a commercial schedule and guarantee your song being played!
“I am a strong believer in traditional or terrestrial radio (AM/FM outlets) but as an independent artist, you cannot ignore the digital space.”
The good news is that good radio stations and companies “get it”! The continued efforts to monetize the digital space will allow those good radio stations to not only weather the transition, but prosper during the transition.
Chris Squire (standing far right) poses with the Wilmington Chester Mass Choir
If you’re an independent artist, terrestrial radio is still important. Yes, it is still the best way to break a new artist. But you’re going to have to expand how you use terrestrial radio.
Relationships might not get your music played but a good relationship can get you closer to making it happen. I am a strong believer in traditional or terrestrial radio, (AM/FM outlets) but as independent artist, you cannot ignore the digital space. Here’s why that’s important. Follow the media money trail. According to a report in the May 19, 2010 edition of Inside Radio, by 2014 the media pie will look like this; newspaper will take 13.3% (down from 21.5% in 2009) online will account for 13.1% (up dramatically from 5.4% in 2009), TV will grab 12.3% and radio will capture 10.7% of the ad dollars. As the media mix continues to shift, you must begin making changes and position yourself accordingly.
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• Can you provide free video clips for the stations website? Think outside of the box. • Can you provide content that the radio s ta ti o n c a n use? The gospel 4-1-1! • Are you available to perform on local showcases? • Can you help produce local showcases? Remember this WILL NOT guarantee you a place in the rotation. But it will give you a better insight on how the process works. Don’t be afraid of change.
Chris Squire is CEO and producer of the Wilmington Chester Mass Choir. In the broadcast industry, he has worked in various capacities in including corporate VP, consultant, general manager, general sales manager, program director, promotions and creative director and account executive.
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How You Can Make Money in the World of Music Licensing s an independent artist you must think of new and innovative ways to get your name and music to the public. Many have found success with YouTube, MySpace, Facebook and Twitter to name a few. Have you thought about making some money while you introduce yourself to the public? Welcome to the world of music licensing.
“Where it might take months to clear a song connected to a major label, with an Indie artist, the music supervisor may get clearances needed within a few days.� There are vast opportunities available for Indie artists to license their music for films, commercials, TV, direct to DVD movies and electronic games and toys. Whenever music is used for any project, that music supervisor must get clearance to use the song. This clearance is given through a Master Use and/or Synchronization License. If a major label is involved, that music supervisor will 10
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have to deal with up to three different copyright owners, i.e. writer, publisher, and record label. Sometimes music supervisors are given a short period of time in which to obtain music clearance. With a major label, they may find it difficult to obtain those clearances within the time frame given. The beauty of the indie artist is that in most cases those three copyright owners are one in the same. Therefore, where it might take months to clear a song connected to a major label, with an Indie artist, the music supervisor may get the clearances needed within a few days. There are many variables that need to be considered before coming to a final license agreement. However, two major points are the license fee and the license duration. When you look at all the moving parts in the world of music licensing it can get confusing. So, please seek some help before you venture off into this side of the music business. The articles and/or legal tips provided by Angela Green, Esq. are for informational purposes only, concerning general legal principles. You should consult your legal counsel for answers to specific legal questions. Angela Green is an entertainment attorney in Memphis, Tennessee and part owner of Key II Entertainment, an artist management company. She is also founder and CEO of Positioned for Millions, a music publishing and registration service – www.positionmenow.com.
How a Poor Singing Technique Can Harm Your Beautiful Voice u s cle T e n s i o n Dysphonia is a condition that loosely describes the inappropriate contraction of muscles of the voice box during speech and/or singing. It frequently develops as a result of the patient's attempt to speak or sing through an illness that has affected the voice. It can also occur from poor singing technique, adoption of new singing styles or genres, or from singing or speaking in a pitch range that is uncomfortable for the patient. Symptoms may include, most notably, tightness and/or pain in the throat after prolonged, and sometimes short, periods of voice use. Frequently, a patient might notice they have neck pain or throat tightness and pain at the end of the day after using the voice frequently.
There can also be loss of pitch and dynamic vocal range or hoarseness. The symptoms should be evaluated by a laryngologist who can usually diagnose this in the office and subsequently refer the patient for voice therapy which aims at correcting the harmful behaviors that contribute to this type of damage to the voice box. Mark A. Williams, M.D., Ph.D. is an otolaryngologist (Ear, Nose & Throat doctor) in Nashville, TN. He is the founder of the Voice Care Center of Nashville ( www.entson.net ) where he specializes in the prevention and treatment of voice disorders of singers, performers and professional voice users. In addition to his medical doctorate, he holds a doctorate of philosophy (Ph.D.) in Pharmacology and Cell Biophysics. His experience as a surgeon, scientist and singer/songwriter permits him to provide voice, ear, nose and throat care to his patients with unique and unparalleled insight.
For Information on Booking
Team of Experts Angela D. Green, ESQ Entertainment Attorney
Mark A. Williams, M.D. Ph.D Ear Nose & Throat Specialist
Adrian Anderson Image Consultant
Nicole B. Simpson, CFP Financial Advisor/Specialist
Delroy Souden
Kathy Grant
Dileesa Hunter
Tina A. Fears
CEO, En Sound Ent.
CEO, KGM Enterprises
Vocal Coach
CEO, Stage Ready LLC
Email request to info@airplay360.com
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June 2010
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SPECIAL ANNIVERSARY ISSUE
Why You Should be Familiar With the Classical Approach to Music BY DILEESA HUNTER
s a voice teacher early in my career, I receive lots of requests from up and coming R&B, contemporary Christian, and Pop artists. They almost always begin by telling me who they are as an artist, and then, their goals for voice lessons; usually, getting better high notes, less 'breaking' points, better breath control, etc. They have called me because after HUNTER reading my profile or asking BY DILEESA around, they have been told that I am qualified to meet that need. So, why the confusion when I tell them I teach the classical method?
“The classical method teaches how to use your head voice in all parts of your range so that there is always an evenness of sound . . . and it’s less physiologically draining.” Classical method meets all these needs. People in 'popular' music tend to use their chest voices so much that their head voice
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becomes airy to nonexistent, and their voice loses its natural 'color' or beauty. The classical method teaches how to use your head voice in all parts of your range so that there is always an evenness of sound and tone color from top to bottom, and it’s less physiologically draining. Now, don’t get me wrong, SPS or speechlevel-singing is also taught. In fact, teaching 'style' is a specialty of mine, but just like we have to bake the cake first before we spread any icing, so it is wise to teach the basics before we teach style! Keep in mind, I am NOT trying to turn you into an opera singer, as that takes a lifetime of intense focus and training, but I guarantee learning to tackle even one Italian aria will do wonders for your instrument. I hope this helps. Be blessed, and happy singing! If you have specific questions, let me know. If this article was useful, please let me know your comments! Please visit my website for voice lessons by video that will improve your singing!
Dileesa Hunter is an Atlanta-based vocal coach, singer and owner of American Singing Studio www.americansingingstudio.com.
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P
romise osture resence
Own the Stage!
BY TINA A. FEARS
o you remember singing your favorite song in the bathroom mirror? Most of us did this as kids; it was our way to polish our vocals without critique or fear. We often forget how these moments contributed to how we present ourselves while performing. We had confidence as children because no one was watching. We committed to the effort and gave it our best shot. The confidence we had as children is valuable, and can be used as a foundation to strengthen our stage presence. Stage presence is the effectiveness that permits a performer to achieve a rapport with the audience. If we reflect on our “childhood concerts”, we were fearless and were ready to take on the world! Now that our audiences range into the thousands, it is important to maintain the joy and freedom we had as children. It is key for performers to remain connected with the audience in order to leave a lasting impression. Tina Campbell of the Grammy Award winning duo Mary Mary is known for saying, “I want to see more of you when you perform.” She frequently says this on the hit show Sunday Best. The idea of seeing more from a performer is the viewers’ desire to connect and feel like they are a
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part of the presentation. This connection can be made with: • Eye contact and movement across the stage while performing. • Singing with closed eyes can be perceived as being cold and insecure. A singer that can make eye contact communicates a genuine and approachable performance. •Standing in one place shows a lack of confidence and can become boring. Many times a performer gets one chance to make a lasting impression on an audience. Great singers come a dime a dozen; however, a great singer with the ability to connect with their audience has the wow factor that many work years to achieve. Identify the promise that comes from the gift you have cultivated over many years. Take on a posture that communicates confidence and quality. Allow your stage presence to leave a dynamic impression on the viewing audience. It’s time for you to own the stage! Tina A. Fears is the Founder/CEO of Stage Ready LLC. Stage Ready is a artist development firm that specializes in choreography, styling, casting and live production development. – www.stageready.net
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“If you have built castles in the air, your work need not be lost; that is where they should be. Now put foundations under them.” - Henry David Thoreau
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Defining Your Image Through Innovation BY ADRIAN ANDERSON
hen it comes to savvy branding and imaging concepts, one must remain open-minded. You must seek programs, products and services that aid you in achieving your goal. You have to keep in step with progress that has been made regarding technology and with the priorities and consciousness of current society that is beneficial and in line with shared values. Here are two examples of being progressive, aware and instep with where the industry is today and evolving in the future. 1. Are you Green? The Green movement is current and making major advancements in growing sustainability awareness for us all. Place your image (use soy based) on ecofriendly products and connect with businesses who have an eco-friendly policy. 2. Make sure you’re aware of and contact Internet radio stations such as www.ensoundentertainment.com and www.churchbeatradio.com also known as www.live365.com These are Internet radio stations that support independent artists in the Christian/Gospel music genre! Don't just think about your music, consider that you’re advertising your image as well. This will allow for greater positioning of your image for visual presence among the masses
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and if you creatively advertise, you can convey in words what you want out there that clearly presents your brand. En Sound provides information for the music selection and advertising policy they have. En Sound provides a range of segments and shows that expose you to more opportunity and allows you to see your options of presentation and promotion music and otherwise. Church Beat Radio is premier for R&B/Hip Hop Gospel genre owned by Donovan "Preach" Johnson of Arizona. D.J. Moonbaby has a weekly one hour show, "Worry Free Wednesdays" 11 a.m. and 4 p.m. PST. DJ Moonbaby often plays music that no one knows about; however, if she believes in it then she is known to provide great opportunity. Church Beat Radio has a mission to provide great music with a great message and an outlet to do so! Always do your research and find out the goals of stations that you target. Build relationships with station personnel, especially programmers and promotion staff and offer product for contests that will aid in nurturing the buzz of your music. Your image can be used significantly during the promotion of the contest! Adrian Anderson is a motivational speaker, beauty entrepreneur and member of the award winning trio Trin-i-tee 5:7. Follow her on twitter at http://twitter.com/adriansmile.
SPECIAL ANNIVERSARY ISSUE
Need a Financial Boost? Summer May be Best Time BY NICOLE B. SIMPSON, CFP
ould you consider purchasing a fireplace in the peak of summer or an air conditioner in the dead of winter? Would you invest in a sale even if you did not have an immediate use for the product you are purchasing? Do you place value on the things you get at a discounted rate? Summertime almost always presents an opportunity for people to invest. It is a quiet period because most individuals are focused on spending money and having fun. Businesses tend to slow down and they offer significant incentives to attract new clientele. Most companies are focused on maintaining relevance, marketing and promotions. It’s a great opportunity for networking and seeking out new relationships. Investment of time and money can produce great rewards if strategically planned. As a singer, songwriter or other creative artist, the summertime is the best time to work on your visibility and ability to earn significant money promoting your ministry and/or product. While everyone else is vacationing, you should be working diligently making connections, attending events and yes, even selling your product out of the trunk of your car. Going into non-traditional places for exposure will give you a chance to book your calendar for the remainder of the year. Let’s explore this using the example of an author. You’ve recently released a new book and you are committed to selling 150 copies each for the months of July and August. Now in the literary world, that is a lofty goal for a new author. How does one accomplish this task? Perhaps you would consider booking a
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hair salon/barber shop tour. Establishing relationships with other business owners will give you a chance to market to their clientele. A simple flyer with multiple dates and appearances will prove to be quite successful if your presentation is correct. The salons are full, and women are looking for things to read while waiting. If you are a singer, be willing to sing for a significant discount or even free at outdoor concerts and events. If the crowd is large enough you can sell CDs on site. And, a new audience will become exposed to your ministry so you can network in hopes of getting booked at events in the future. The final benefit is that you can promote, promote, promote! Everyone desires to relax and enjoy life during the summer season but I encourage you to maintain discipline and move on purpose to achieve the goals you set for yourself. You will find that several of the closed doors in the beginning of the year have been opened because other businesses are more readily available. The only way you will find out if the door is open is to test it again. Contact people you desire to establish relationships with, even if you were rejected previously. You will be pleasantly surprised. The primary key is to keep pursuing your goals! Work while everyone else is on vacation and you will find yourself ahead of the competition when fall arrives. Nicole B. Simpson is a certified financial planner, author, speaker, and disaster planning specialist. www.nicolebsimpson.com
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INTERNATIONAL GOSPEL SCENE * INTERNATIONAL GOSPEL SCENE * INTERNATIONAL GOSPEL SCENE
French Gospel Music by Way of Jessica Dorsey BY LINDA “CHOCOLATE” BERTHIER
es, there are many American Gospel artists who may surpass your e x p e c t a t i o n s i n b ril lia n c e , a n d distinction but you cannot complete your repertoire of great gospel singers until you include ‘The Authentic Pearl’ as she is referred to in the French gospel arena, Jessica L. Dorsey. Many now know her from her appearances at the Memorial of Dr. Martin Luther King in the Caribbean, a chorister of Richard Smallwood for his 2000 tour in the Antilles, and on Joann Pickens European Tour.
Now if you don't know her, here's your opportunity to engage in the pleasure of this young artist’s vocal wit and charm! Her lyrics speak of the modern issues of faith and the fears of the new Christian generation. And as she flows on several musical styles like OldSchool, R&B, Funk, Soul-Jazz, Neo-Soul, Latin-Beats and Pop/Rock, her album works
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your senses in every dimension to give you the real pleasure of the French Gospel music experience. Her first single “Ou sé lanmou” (You are Love), was rated second position in the U.S. on Synergy1Radio (Chicago) during 8 weeks! This title is the new ‘French-Creole’ version of “Well Alright” originally sang by Cece Winans. André L. Carter (Gospel Synergy) said : “This is the perfect example that Gospel Music is universal”. “Nul n’est comme Toi” (No One’s Like You) was produced by Angelsway Music, a Caribbean Gospel L a b e l. J e ss ica Do rs e y e xp lo d e s in dynamism, singing of her suffering and her love for God. An artist filled with good humor and dynamism. Linda “Chocolate” Berthier is a popular Caribbean Jazz/Reggae artist and co-host of the Barbados radio show “Caribbean Hour”.
INTERNATIONAL GOSPEL SCENE * INTERNATIONAL GOSPEL SCENE * INTERNATIONAL GOSPEL SCENE
Canadian Gospel . . . On The Rise
L-R: Pastor Richard Brown, Sharon Riley who leads Faith Chorale, Mark Masri, Danny Eason who records with Abundant Life and the trio Krystaal
BY KATHY GRANT
r id ging the gaps with Canadian Gospel artists will ultimately benefit all Gospel artists regardless of where they come from whether it be the United States, Jamaica, the Caribbean, England or elsewhere. Currently, in Canada, we have an industry that serves to benefit primarily the American Gospel artist with some secondary benefit to the Canadian artist. This playing field needs to be evenly balanced. The Canadian industry needs to redevelop and foster a renewed sense of education, dedication and appreciation for each other’s contribution and craft. There are those here who are already doing it. Sharon Riley & Faith Chorale, Danny Eason and Abundant Life, Krystaal, Pastor Richard Brown and Mark Masri to name a few. Organizations such as Ticketwindow.ca, House of Levi, Full Capacity Concerts, Gospel Connection Canada and Extol Music Group in Southern Ontario are providing performance platforms, promotion vehicles or product distribution respectively. Entrepreneurs such as KGM Enterprises, Urban Arts Alliance and Gospel Unlimited are working at a grassroots level in Ottawa and Montreal to create live and radio performances
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opportunities for the local artist as well as for national and international Gospel artists. Additionally, those American companies who have seen the void and paid attention, are now planting their companies in Canada. “There’s so much that can be done in Canada; for those who see it as unchartered territory and are willing to develop artists and companies to a level of quality and professionalism, they have a wide open door in which to further the Canadian Gospel industry’s growth,” says DMI President, Johnny Blanks. There is a market here in Canada; one which can grow with time, effort and support across the board. The infrastructure that exists in some places in Canada can become a viable highway that connects to all the provinces from British Columbia to Newfoundland with arteries that run south into major Gospel markets of New York, Detroit, Atlanta, Nashville and Los Angeles. If you have any thoughts or opinions expressed in this article, contact me at Kathy@kathygrantmahon.com. Kathy Grant is a gospel artist, radio/ TV host, CEO of KGM Enterprises and founder of Canadian Gospel Music Conference. She is a radio host on Canada’s CHRI 99.1 FM.
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ARTIST MANAGEMENT
FINANCIAL
INTERNET
IGA Talent Management & Consulting, Inc.
En Sound Entertainment
Damon Stewart dstewart@igatalentmgmt.com
www.ensoundentertainment.com
Musicians4You.com www.musicians4you.com
LEGAL Nicole Simpson, CFP Certified Financial Planner Disaster Planning Specialist www.nicolebsimpson.com
Kingdom Global Management & Booking 32 Parade Drive Greenville, SC 29605 Tel: 404-664-0715 Fax: 864-243-8747
GRAPHICS/DESIGN
Angela D. Green & Assoc. P.C. www.myspace.com/adgreenlaw
Positioned For Millions www.positionmenow.com
MUSIC DOWNLOAD
www.kingdomglobalmanagement.com
215Flyers.com
CHOREOGRAPHY
1.877-215FLYERS www.215flyers.com
DigiGospel.com www.digigospel.com
MUSIC PRODUCTION Stage Ready LLC Choreography, Fitness Training and Artist Development info@stageready.net www.stageready.net
D3 Entertainment Bezworks Design LLC Aziz “Zee” Peregrino-Brimah getresults@bezworks.com www.bezworks.com
Michelle Duffie Contact www.d3egroup.com
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RADIO
SINGERS
Christian Jukebox
Deanna Ransom
www.thechristianjukebox.com
SPECIALTY
Brown Angel Apparel www.brownangeltees.com
Gospel Jazz R&B www.cdbaby.com/cd/deannaransom1
En Sound Radio www.ensoundradio.net
Creative Marx Handmade Jewelry www.creative-marx.com
Power of Gospel www.thepowerofgospel.com
Linda ‘Chocolate’ Berthier
TELEVISION
Caribbean/Reggae/Jazz www.lindachocolateberthier.com
Synergy 1 Radio http://www.gospelsynergy.com
West Coast Praze www.westcoastpraze.com
VOCAL CARE American Singing Studio Kathy Grant Mahon WGFE PRAIZE 102.9
Management: Johnny Blanks 646-210-1880
32 Parade Greenville, SC 29605 www.praize1029.com
www.americansingingstudio.com
Ear, Nose & Throat Specialists of Nashville www.entson.net
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http://www.cdbaby.com/cd/deannaransom1