Aisyah Rozi 2016

ARCHITECTURE PORTFOLIO Nur Aisyah Mohd Rozi

Aisyah Rozi

+6 018 253 1545 aisyah90@gmail.com

Shah Alam - Kuala Lumpur - Melbourne

55, Lorong AU1C/J , Taman Keramat Permai, 54200 Kuala Lumpur

Digital Skills

Personal Info Nur Aisyah Mohd Rozi August 15, 1990 Malaysian

Beginner

Advanced

Photoshop Illustrator Fireworks

OBJECTIVE

Indesign

Seeking position as architectural assisstant

Premier Pro Final Cut Express

Language

Google Sketchup

Malay - Native language English - Fluent, read/write with proficiency

V-Ray for Sketchup

Specialty Layout & Presentation Design Architectural Visuals Schematic Drawings Model Making Web Design (XHTML & CSS)

AutoCAD Rhino 3D

Interests

Laman7 Services Web Designer (Feb 2013-2014)

Graphic Design Photography & Video Making Garment Patternmaking and Sewing Illustrations

2013 - 2014

Juteras Design Workshop 2 months intern (June- Aug)

Others

University of Melbourne, Australia Bachelor of Environments (Architecture)

2013 - 2014

EDUCATION EXPERIENCE

Taylor’s University, Malaysia Diploma in Architectural Technology

2008

2009-2011

The One Academy, Malaysia Foundation in Arts

2011

2008

Schematic Design Design Development Urban Design Sustainable Architecture

Veritas Architects Architectural Assistant (Oct 2014-current)

Table of Contents

WORK EXPERIENCE

STUDENT WORK NON-ARCHITECTURAL

Veritas Architects Juteras Design Workshop

4 13

Barlow Showroom Wyndham Gateway Photographer’s Centre Vertigo House Model Making 3D Rendering

36 40 44 46 48 50

Still Life Drawing Still Life Painting Figure Drawing

54 56 58

WORK EXPERIENCE: VERITAS ARCHITECTS

148 Jalan Ampang, Kuala Lumpur

Assistant Architect October 2014 - Current

Engtex, Bandar Cheras (2016) Jakel Mall Shah Alam ( 2016) Angsana Teluk Bahang, Penang (2014-current) TNB Competition (2015) Kwasaland Competition for Kwasaland(2015) Hard Rock Hotel, Pantai Cenang, Langkawi (2015) DBKL Competition (2014)

ANGSANA PENANG, Teluk Bahang

Veritas Architects, Kuala Lumpur | Architectural Assistant

Project Info Work Comencement Location Client Development Type Project Stage

2013 - current Teluk Bahang, Penang Senja Aman 5-Star Hotel & Service Apartment Sub-structure construction & tender award

Principal Architect Supervising Architect

Lilian Tay Aina Zuber

Weaving Concept Our design aspiration is to build a new class of development that takes a contemporary approach of the classic Penang buildings to create bold landmark while celebrating the unique site which brings together sea and forest.

OVERALL BEACH VIEW

The architectural form is result of weaving together the building with the horizontal and vertical elements of the sea and the forest. The natural geometric shapes of the forests formed the building while the soft water waves are incorperated into the landscape design to soften the architectural elements.

All key views such as skydecks and unit views are framed within the building to capture the beauty of the surrounding lanscape and to allow visual continuity of the forest and the sea. The portal strategically frames unobstructed view upon arrival while all units have the view of the sea.

The development has won the Asia’s Best Resort Residences 2015 award. It is designed for Earthcheck green ratings.

HOTEL BEACH FACADE PERSPECTIVE

LEVEL 2 FLOOR PLAN

LEVEL 3 FLOOR PLAN

GROUND FLOOR PLAN

DESIGN DEVELOPMENT: PORTAL Responsibilities Include but not limited to; - Reponsible for designing various areas such as:

:: Corridor & balcony

:: Facade Elements

:: Dropoff

:: Walkway

:: Beach front - Produce rendered or sketch visuals for communication purposes, - Produce schematic drawings for presentation, - Draft detail drawings to issue to the production team.

- Compose presentation slides, - Responsible to get all the presentation materials including organizing the team to deliver the presentation on deadline.

PORTAL MAIN DROPOFF PERSPECTIVE

GLASS ISOMETRIC DETAIL Timber cladding on the I-beam column with top and bottom lighting accent lighting

PORTAL INTERIOR PERSPECTIVE

COLUMN ISOMETRIC DETAIL Timber cladding on the I-beam column with top and bottom lighting accent lighting

PORTAL STREET VIEW ELEVATION

2-POINT PERSPECTIVE SECTION

DESIGN DEVELOPMENT: HOTEL BEACH FACADE

HOTEL CLOSE-UP

PREVIOUS FACADE DESIGN

CURRENT FACADE DESIGN

WATER STAGE PLAN (INITIAL INTENT)

WATER STAGE PLAN FINAL DESIGN WATER STAGE PLAN FINAL DESIGN

WATER STAGE SECTION DRAWING

STREET FACADE REVISION

CHERKI SCREEN

DESIGN DEVELOPMENT: SERVICE APARTMENT FACADE The facade screens that are seen throughout the building add layers into the spaces and is inspired by the Peranakan traditional card game, ‘cherki’.

The screen is made from IEFS (Exterior Insulation Finish Systems), an exterior prefabricated cladding & finishing system that is lightweight.

CORRIDOR SECTION

BEACH FACADE ELEVATION

WATER VILLA WALKWAY AT GROUND FLOOR

CORRIDOR VISUAL(STREET FACADE)

TRADITIONAL PERANAKAN CARDS, ‘CHERKI’

FINAL SCREEN PATTERN

STREET FACADE DESIGN (FINAL DESIGN)

STREET ELEVATION

LANGKAWI TROPICANA

Veritas Architects, Kuala Lumpur | Architectural Assistant

Project Info Month/Year Location Client Development Type Project Stage Architect In-Charge

January 2015 Pantai Cenang, Langkawi Tropicana Hotel & Service Apartment Preliminary Design David Mizan Hashim (Principal)

“Congregation” To create an interactive environment where audiences from different walks of life to congregate.

The three developments are integrated to create an environment that is complete; a retreat that offers relaxation and also entertainment.

The overall parcel offers something for everyone, making it an ideal place to meet.

Responsibilities

Coordinate team for preliminary presentation to: - Produce schematic drawings according to specified plot ratio and required GFA’s - Produce visuals - Prepare presentation slides and content including diagrams - Solve parking and - Ensure all deliverables are met on time

Massing Diagram

CONCEPT DIAGRAM

Three different towers are linked with shared podium

The lagoon becomes central interest to encourage social interaction

U-shaped podium creates a private, exclusive space within, while acting as a buffer against exterior space

ENGTEX, Cheras Perdana

Veritas Architects, Kuala Lumpur | Architectural Assistant

Project Info Month/Year Location Client Development Type Project Stage Principal Architect In-Charge

Responsibilities

October 2016 Cheras Perdana Engtex Sdn Bhd Residential Schematic Proposal Lilian Tay Margherita Mosanghini

- Modelling of the massing based on drawing to visualize the proposed schematic - Testing the massing based on visual appeal according to specified client’s brief - Basic render to properly visualize the idea

PRESENTATION

Veritas Architects, Kuala Lumpur | Architectural Assistant

H AV E N F O R A H E A LT H Y & S U S TA I N A B L E L I F E S T Y L E

KWASALAND COMPETITION Principal: Lilian Tay Associate: Taufiq Nazaruddin Architect: Sarah Lim FEBRUARY 2015 Design Report layout design Diagrams

• 14% acres of green area • Central park as the heart of the community • Community-lifestyle Clubhouse to be shared for residence • Vehicular free zone in the middle of the park • Amphitheatre with the eco pond for the residence activities • Recreational and ecological nature pathways • Green connectivity towards the Kwasa Land Urban Park • Variation of product to offer in a gated neighbourhood (Condo / Link Villas / Cluster Villas) • Linear park for the link villas and pocket garden for the cluster villas • 4 tiers security system • Building communities in a sustainable development • Low carbon emission neighbourhood

H AV E N F O R A H E A LT H Y & S U S TA I N A B L E L I F E S T Y L E

APRIL 2015

TNB HQ COMPETITION TNB /-/ PAR KS

Principal: Azif Associate: Alif Ariff Architect: Aina Zuber, Micheal AUGUST 2015 TASKS: Design Report layout Diagrams

GRAPHIC POSTER

Veritas Architects, Kuala Lumpur | Architectural Assistant

INTERNSHIP EXPERIENCE

Juteras Design Workshop | Intern (June 2011 - August 2011)

Juteras Design Workshop, Kg Melayu Subang

2 Months Internship*

Beach Villa, Doha, Qatar Facade design - concept & sketchup mock Toilet design - floor plan drawing Floor plan presentation drawing Elegance Club, Bangsar, KL Diamond’s & Jimmy Choo’s showroom interior design Office and director’s room interior design Floor plan presentation drawing Sectional construction drawing Prima Damansara (Apartment) Interior fittings design details Interior finishings & material Learning Outcome: - Human behaviour and interior design - Furniture design - Design process - AutoCAD tricks - 3D Google Sketchup - Presentation design at professional level

* Full report available upon request

BARLOW SHOWROOM

Studio Fire, Final Year, Bachelor of Envi, UniMelb (2012)

Barlow Motors Car Showroom Located at along La Trobe Street, Melbourne, Australia, this multi functional building features Barlow Motors car showroom, car servicing center and car park Barlow Motors is trading for racing cars for exquisite clients.

The project is derived from four main design ideas; Speed, Culture, History and Barlow’s personality.

View from Mackenzie Street

DESIGN IDEAS SPEED : The idea of speed inspired by Concorde SST, chosen for its supersonic speed, a ‘race car’ of its kind.

CULTURE: The front entrance is set back to mimic the front porch of Australian suburban houses.

Podium to resemble the very podium used during F1 events to celebrate the winners.

HISTORY: The language of the form is translated from the history of evolution of car chasis starting 1920’s. Back then cars are more curvilinear, and around 60’s cars started to become boxy and eventually become more fierce and edgy during 2000’s.

Grant Lane Elevation

BARLOW’S PERSONALITY: Spontaneity for the building is applied in away so that the building is closer to life by eliminating the defining boundaries to the exterior. The ground floor is designed to feel like a public space to reduce the intimidating feeling of a car showroom.

WYNDHAM CITY GATEWAY

Studio Air, Bachelor of Environment (Architecture) 2012

Design Concept The Wyndham City Council Gateway calls for an innovative design that addresses image, icon, discourse and celebration.

The sculptures have been created as a response to the existing conditions on the site. Motorists travel the site past during both the day and night.

Steel frame structure

Reflective (Aluminum composite)

Thus, the sculptures have been designed so that they appear to change forms and materiality depending on the time of day they are experienced. Natural daylight enhances the sculptures by allowing the coloured backing of the otherwise black triangles to reflect off the mirror-like surface, adding colour to the sculptures.

coloured insides + matte black triangles

The amount of colour reflection experienced by viewers is dependent upon the angle of observation. Given that the sculptures are viewed at a fast speed (80-100kmph), the changing colours appear to also be a change in form.

Unfolding The Model 15000 - 40000

Response to Wyndham City 10000 - 15000

3000 - 10000

1000 - 3000

0

0 - 1000

The understanding of the site has been core to the design process and achievement of appropriate design. Instead of viewing the site as a hindrance to the process, it has become the reasoning for many of the design decisions made.

The result of this is a design that could be only considered appropriate for this specific location.

COLOUR SELECTION

PLACEMENT STRATEGY

QUANDONG 0 - 1000

INTERACTION

TARNELT 3000-10000 WYNDHAM VALE 3000-10000

MAMBORIN 0 - 1000

LITTLE RIVER 1000-3000

WERRIBEE 10000-15000 POINT COOK 15000-40000

WERRIBEE SOUTH 1000-3000

At night, when little light is experienced on site aside from that produced by the passing cars headlights, the sculptures disappear into the surrounding darkness, and are only illuminated when struck briefly by the headlights of travelling vehicles.

This effect creates a connection between the viewer and the sculpture which would naturally increase the viewer’s interest and attention. The triangulated components hung from the facade act as a screening device so that harsh light emitted from the sun or high beams at night do not cause too much glare and blind the driver.

VERTIGO RETREAT

CONCEPT Based on the main concept of Illusion of Vertigo, the idea of living on the edge is pushed to the limit.

I want to jump-start a feeling of adrenaline rush at every corner possible. Since the house is

Studio 1, First Year, Diploma in Architectural Technology (2009)

Adventurous: Having half of the spaces cantilevered over the cliff creates adrenaline rush, further enhanced by the elaborate cantilevered bedroom.

Cheerful: The house allows for plenty of natural light to match the designer’s cheerful mood. This This retreat is designed with designer’s personality in also means getting up early, which is a bliss. mind –adventurous, cheerful, and impulsive.

Impulsive: The open floor plan offers flexiblity in the activity that the designer wishes to do at any This retreat house offers an escape from the busy particular time. reality, drifting the mind into nature and the sea.

PHOTOGRAHER’S CENTRE

Studio 3, Final Year, Diploma in Architectural Technology (2011)

Deception of Perception Perception is often incfluenced by our knowledge of experience. That is why we are able to make assumptions without even knowing the whole story. Sometimes it could even be fallacies.

This building is designed to manipulate the perception of audience. What seems normal at first may not be so once approached or when viewed differently. Other than that, it is important for this building to monument the feelings of Kg. Kepayang before it was revitalized.

Design Ideas Floating Impression Massive cantilevered structure over glass walls creates a sense of hazard to the deck below, same feeling as the deteriorating Kg. Kepayang entrance.

Tinted Glass Tinted glass is placed on the wall of the studio overlooking the rooftop graden. While the users may enjoy the warm and beautiful garden, there is something that feels quite awkward; like the works of Madame Peripetie.

Twisted Walls The twisted walls give an unexpected experience for the audience as uncomfortable feeling is provoked due to the illusion that the walls might collapse. The long, tall and narrow walls of visitors’ centre give heighten sense of drama and mystery.

Invisible Journey The ramp brings users from the ground floor to the first floor in almost oblivious way. The void may be the distraction that the journey to the upper level is not felt suddenly being in the visitors gallery especially when the ramp is also part of the visitors’ centre. .

Sectional Model Studied Structure: Agosta House 258 sqm Single Storey Materials: Timber, fir framing, stud work clad

MODEL MAKING

Building Construction 2, Year 2, Diploma of Architectural Technology (2010)

Still Life Drawing

Medium: Charcoal on Paper

Still Life Painting

Medium: Poster Colour on Watercolour Paper

NON- ARCHITECTURAL WORKS

Foundation in Arts, TOA (2008)

Figure Drawing Medium: Pencil on paper,

NON- ARCHITECTURAL WORKS

Foundation in Arts, TOA (2008)

Thank You aisyah90@gmail.com