Work samples

ARCHITECTURE PORTFOLIO ISSUE 08.20 SELECTED WORKS FROM B.ARCH PROGRAM AT SYRACUSE UNIVERSITY +PROFESSIONAL +OTHERS

AIYM ZHUMASHEVA

Growing up in Kazakhstan, both my parents were architects. Upon graduating from high school I received the presidential scholarship (Bolashak) and was given the opportunity to study in the US for the next 6 years. After graduating from Syracuse I was required to return to Kazakhstan and work for 4 years to fulďŹ ll my scholarship contract. While coming back to Kazakhstan was not what I had wanted, it gave me the chance to work on 2017 World Expo and other amazing projects in the past 4 years. Now, after receiving approval for a green card I’m excited to be back in the US.

selected works: 1. Landscape Observatory on Baldwin Hills 2. Expo 2017 3. New Avery Fisher Hall 4. Concert Hall H1505 5. Karaganda Public Library and Museum 6. Mosque in Dubai 7. 24h competition 8. Ghosts in the machine

AIYM ZHUMASHEVA

email: aiya391@gmail.com phone: +7 771 271 51 71 address: 1123 Taylor Ave N, apt 5, Seattle, WA 98109

WORK EXPERIENCE:

EDUCATION:

CP ZHUMASHEV / Karagandy, Kazakhstan / Current -Renovation projects of small scale retail, housing and apartments -Public Library and Museum

SYRACUSE UNIVERSITY / B.Arch / Syracuse, NY / May 2016 Study Abroad in Florence, Italy / Fall 2014 Studio in New York, NY / Spring 2014

IT ENGINEERING / Astana, Kazakhstan / 2018 Hematology Center in East Kazakhstan region -Adaptation of the project according to local regulations and requirements -Developing construction drawings SEMBOL / Astana, Kazakhstan / 2016 EXPO 2017 - Museum of Future Energy -Adaptation of the project according to local regulations and requirements -Developing drawings and 3d visualization -Building 3d models for civil engineers to calculate the structural capacity -Construction site duties -Interior design, graphic design and installation design proposals ATEMA ARCHITECTURE / New York, NY / Summer 2014 -Avery Fisher Hall renovation -TED office design -Apartment renovation projects

UNIVERSITY OF ILLINOIS / Urbana-Champaign, IL / Fall 2011 Intensive English Institute The Kazakh Leading Academy of Architecture and Civil Engineering Almaty, Kazakhstan / Fall-Spring 2010 School of Visual Arts / Karagandy, Kazakhstan / May 2009

RESEARCH& ANALYSIS: NYC Survey / Spring 2014 -Site visits of cultural centers and industrial sites in NYC meeting with founders -Group blog: //anco.expressions.syr.edu Rubin Global Design Studio - Taiwan Symposium Taipei, Taiwan / Spring 2014 Historic Maps of Manhattan & Transportation on 42nd street New York / Spring 2013 Urban Research Project based in Los Angeles, CA Fall 2012

SKILLS:

AWARDS:

Digital: AutoCAD, Rhino, Revit, V-Ray, SketchUp, Photoshop, Illustrator, InDesign, Premier, After Effects.

3dMAX

Presidential scholarship winner - Bolashak / 2010-2016 Governmental program awarded for high-performing students from Kazakhstan for international study

Fabrication: Drafting, 3D printing, CNC mill, Laser cutting, Woodshop, Paper cutter machine

24H Competition - Honorable mention / 2019

Fine Arts: Oil paint, Charcoal, Pastel, Graphite, Watercolor, Sculpture Languages: Fluent in English, Russian, Kazakh

Concert Hall - 2nd place / Karagandy / 2017

LANDSCAPE OBSERVATORY

Location: Los Angeles/ Professor Jon Yoder’s studio Type: Academic work

This project serves as a landscape observatory where people have an opportunity to experience the panoramic view in a conscious way. The site looks over the Los Angeles Basin extending from Santa Monica Bay to the west, across the Hollywood Hills toward downtown LA and the San Gabriel Mountains to the east. In a sprawling city such as Los Angeles it can be hard to ďŹ nd publi spa es that o er tran uility. he intent of this observatory to make such spaces.

The main concept is to juxtapose the idea of static and dynamic. The angled roof slab divides the view into two levels. On the top, the view eliminates the dynamics of the city, and protects the observer from the city bustle by giving an opportunity to enjoy the views of the sky and Saint Gabriel mountains. In the space under the roof the observer can sit down (be static) and look at the framed view of the city (dynamic).

The main concept is to juxtapose the idea of static and dynamic. The angled roof slab divides the view into two levels. On the top, the view eliminates the dynamics of the city, and protects the observer from the city bustle by giving an opportunity to enjoy the views of the sky and Saint Gabriel mountains. In the space under the roof the observer can sit down (be static) and look at the framed view of the city (dynamic).

The roof slab is angled in such a way that it eliminates the views of the city. An observer can focus its attention on the sky and Saint Gabriel Mountains. Since the view is static and motionless, it provokes the observer to become dynamic and active.

The framed view serves as a screen that looks onto the city. The observer’s view focuses on the city dynamics. From a static position the observer passively engages with the active live of the city. City becomes dynamic and observer becomes static.

The physical model was used for testing the sun/shadow studies

Site Section: Baldwin Hills and Saint Gabriel mountains

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Morning shadow at 10 am

Evening shadow at 7 pm The detail drawing is an adaptation of the Landscape Observatory project above into a residential housing

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The site model was made is in collaboration with Chad Brock. It shows part of the Baldwin hill, and circles the the main regions of LA and includes the topography of the mountains that the project overlooks.

EXPO 2017 Sphere/Museum of Future Energy Location: Astana, Kazakhstan Type: Built work

Sembol, IT Engineering, ASGG, Simmetrico, Adunic, Acciona collaborated together in creating this interactive museum at the Astana EXPO in Kazakhstan. The aim of the museum was to bring together and introduce the ways of producing clean energy. There was a focus on energy availability, sustainability and development trends for renewable sources.

More than just a museum, after the Expo, the Sphere is intended to become an innovational hub and important research and culture center. The building consists of eight stories with exhibitions demonstrating the basic types of energy: Space, sun, biomass, wind, water, and kinetics.

Photo by Ahmed Mohamed Magdi

The museum is a central part of a micro district that is fully provided with its own infrastructure and includes recreation and park areas, residential buildings, a hotel, a congress center, a multifunctional shopping mall and some other infrastructure facilities.

Our architecture team was responsible to adapt the drawings according to local rules and regulations. Final stage of the project included a lot of small changes, according to ďŹ re codes and also requests from government entities.

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The main core of the building consists of service rooms, stairs and elevators.

The rest of the floor area is used as an open space for the exhibition installations.

The space of the Sphere is divided into an exhibition area, and south and north atriums that go all the way up to the eighth floor (100 м).

Solar sphere inside of which visitors can see 3D show giving an insight into the Sun and its energy potential.

Each floor represents a certain type of renewable energy, for example, wind, sun, water and so on.

The museum consists of eight levels with a diameter of 80 meters and height of 100 meters.

The floor plan of the sixth level dedicated to exploration of a solar energy.

Visitors path

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1. Trusses Carries the top load down.

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4. Core Carries the load from the floor slabs.

2 4 2. Ring Beams Transfers the load from the floor slabs down through diagonal beams to the stru tural trusses .

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5 econd oor he se ond floor has eight stru tural supports mentioned above. n the early construction phase, the second floor was intentionally built m higher, which considered the loads coming from the top of the structure.

3. Diagonal beams The main horizontal load carriers.

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9. Exhibition

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tru tural supports visuali ation with ba klit panels and the glass railing on the second level.

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on the site.

The “Sun Globe� is a sphere with a diameter of 13 meters that serves as projection surface for inside and outside

The bridge structure in the Solar sphere installation on the sixths level.

Testing the size of the wall of future graphics.

Testing the views of the balcony ceiling.

The wall of future The installation is done in collaboration with Monroe Istanbul creative studio. It is a digital library located on balconies of the atriums, that holds books related to the exhibition themes. photo by Paul Raftery

OUR ROLE After ďŹ nalizing the last stages of the project, our team collaborated together with several European contractors such as Acciona, Adunic and Simmetrico who designed the exhibition installations for the museum.

Our responsibilities included making sure that the installing the exhibitions went as planned. Also, ďŹ nalizing the drawings, making them more legible, preparing them for submittal. The photographs below are the examples of the exhibition installations that I had an opportunity to be a part of.

The space exploration installation shows panoramic views to the space as seen by the astronauts of ISS and provided by NASA. The images move slowly passing through the stars, nebulas galaxies.

*All the installations were made in collaboration with Acciona, Adunic and Simmetrico

The installation shows different sorts of grains – the source of biomass representing the «warehouse» of the sun energy.

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The space exploration tunnel takes the visitor to the milestones of astrophysics and space exploration.

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NEW AVERY HALL

Location: New York City/ Atema Architecture Type: Internship work in collaboration with: Ate Atema, Tom Holtman, Thomas Frost, Brekke & Strand Akustikk, Theatre Projects Consultants, Eckersley O’Callaghan

This project investigates a range of opportunities for how a new Avery Fisher could more fully engage its current audience provide opportunities for new and diverse audiences to experience the Philharmonic and partner institutions.

An Active Building The building should capitalize on it’s location at the heart of the Lincoln Center community by welcoming the public into its hall and onto its roof, creating a vibrant and relevant space for diverse tastes to experience the making and performance of music.

An Intimate and Flexible Hall To attract new audiences and expand the reach of the Philharmonic and partner institutions, the new hall should accommodate multiple uses with various stage configurations and easy acoustic adjustments.

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A Reputation for Innovation The quality of its sound and the diversity of its musical performances will help establish the new Avery Fisher as one of the truly great concert halls in the world, generating local and global interest and putting more people in the seats.

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2. Create Publicly Activated Roof with Green Space 3. Add Oculus to Hall

1. Add kylight to Lobby

Public Roof Terrace

6. Expand Lobby over Arcade

5. Float Balconies away from Wall

4. Lower Orchestra Floor to Plaza Level

Tree Grove around Oculus

Meadow Ramp to Meadow

Skylight

Plaza Viewing Steps Public Roof Terrace Event Terrace West

Canopies

Hearst Plaza Josie Robertson Plaza

IMMERSIVE ACOUSTICS

The reconfigured Avery Fisher is designed to promote acoustic quality and reinforce an emotional engagement between the performers, the audience and the music.

The Hall as Instrument The proportions and geometry of the hall are adjusted to make it behave like a musical instrument.

Deployable acoustic baffles and a floating reflective cloud are some of the ways the hall can be tuned to accommodate different types of orchestras and performance.

Intimacy from Every Seat The rake of the orchestra stalls is flattended to maximize sound propogation to distant seats, and the tier stalls are wrapped 360° around the hall to create unique vantage points and an added intimacy between musician and audience.

Enveloping Sound Perhaps most radically, we floated the upper balcony tiers away from the walls by 1.5 meters to allow the sound to reflect behind and complteley envelop the stalls, literally wrapping the audience in sound.

ACOUSTIC ENHANCEMENTS 2. A hard cap above, a heavy surface surrounding, and balcony fronts provide for the reverberant chamber that is the basis for the acoustics of the hall.

3. Sound refle ting loud to provide proper early refle tions to musicians and audience.

1. Floating Balconies allow circulation of sound, providing true acoustical envelopment.

Crucial for a sense of intimacy and engagement.

1. Floating Balconies allow circulation of sound, providing true acoustical envelopment. Crucial for a sense of intimacy and engagement.

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4. Behind-stage audience or choir prevent refle tions from front wall to confuse sound image, which facilitates intimacy and music-in-the-round.

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9. Side tier rake kept at a minimum allowed by sight lines. . lat floor front of stalls to maximize sound propagation to distant seats.

. efle tive orchestra surrounds

7. Ceiling, so ts and walls combine to provide early cue-ball refle tions for enhanced musical clarity and broader sound image in audience.

6. Sound insulation to protect from structure-borne subway noise.

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- Core: Bathrooms, Bar

CONCERT HALL H1505

Location: Karagandy, Kazakhstan Type: Competition work (2nd place) in collaboration with Duisenbek Zhakupov, and Anton

Rectangle

Cut the corner

Push aside to create a passage

Move the corner to reate a funnel e e t at the entrance to a passageway

Fillet corners to smooth the exterior spaces

Remove the bottom corner, cover it with a glass surface

element 3

auditorium

element 2 bridge system

The the Concert Hall was placed at the front part of the site, in order to create a plaza at the back for hosting open air events. Additionally the plaza connects to the public square across the street.

element 1 exterior shell

main entrance

Anton is setting up the model

KARAGANDA LIBRARY&MUSEUM Location: Karagandy, Kazakhstan Type: Professional work

Courtyards

Library

Reading/ Exhibition

Exhibition

Public space

School City Square Location of the project

Park

Regional mosque

The facade of The Novartis Institutes for BioMedical Research by Toshiko Mori, Maya Lin and CannonDesign (on the left) is taken as a precedent. The plan is to stack terracota tiles and leave gaps for a perforation e e t.

The sketch/ diagram for an exterior facade system.

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Conference Hall

Meeting rooms

Conference Hall

Exhibition Hall

Auditorium

es Library Exhibition Hall Library Reading room Library

Bookstore

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MOSQUE

Location: Dubai Type: Competition

in collaboration with Kanat Zhumashev

We have taken into a consideration the scale of the Creek Tower located on the direct central axis of the mosque site. Therefore, we are proposing a mosque that would have similar architectural-tectonic sense.

The form that is easy to read and memorable to impress became our approach...

Lantern element: Authenticity and beauty of antique hand pierced metal lanterns was an inspiration for the prayer hall space

Sand dunes: We were fascinated by natural formation process of sand dunes

Market typology: In order to add a regularity to spaces with a large number of people in the mosque, we incorporated this typology.

Natural landscape of the place was an inspiration to look at beautiful interaction of sand and wind.

Formation of sand dunes, in particular, a â&#x20AC;&#x153;parabolic sand duneâ&#x20AC;? phenomenon was something that was immediately incorporated into the concept.

1. On perforation. The main prayer hall will ďŹ lter the sunlight into the interior during the day, and glow at night.

2. On section. Looking at the idea of blution as a ritual of puriďŹ ation we divided the act of cleaning physically. The worshiper will transition into the main prayer hall on the upper level of the mosque only by going through a level of ablution.

3. On rooftop. Walkable, open to public.

R.A.V.I.

Type: Competition work (honorable mention in Ideas forward 24hr) in collaboration with Ben Anderson-Nelson

R.A.V.I. (Rapid Assembly Variable Infrastructure) The goal is to provide an easily stored, transported and assembled kit of parts system. Using lightweight materials like ďŹ berglass and aluminum, weight is minimized while still providing robust protection from the elements. Each panel is stackable, as the vertical stucture folds inward. Once unfolded, each of these panels forms a bay within the construction, allowing for as many bays to be combined as desired. This allows for buildings that can expand or shrink over time as use ďŹ&#x201A;uxuates.

Each of these bays opens on both ends and can be used to create awnings or covered interior courtyards between buildings. Modular insulation panels can be added to the structure in cases where the climate is colder, providing a higher level of comfort than other temporary structures. Due to the size and lightweight materials used in each panel, all assembly can be completed without the use of heavy machinery.

Delivering

Adding

Closing

Folding out

Folded furniture

GHOSTS IN THE MACHINE Type: Competition work (Fairy Tales 2020) in collaboration with Ben Anderson-Nelson

TRAVEL SKETCHES

Thanks for making it to the end! If anything caught your attention email me at aiya391@gmail.com