Connect Magazine Japan #90 February 2020

Page 38

Israel Palacio (Unsplash.com)

Austin Niel (Unsplash.com)

The Changing Colors of the Red and White Singing Battle

John Pratt (Unsplash.com)

One of the biggest nights for the music industry in Japan happens on New Year’s Eve. On December 31st, folks turn on their TVs around 7p.m. to watch the most popular musical artists of the year compete in an over-the-top men vs. women singing competition. This is Kouhaku Uta Gassen (red and white singing battle), an NHK production that has been happening in Japan for the past 70 years. If you’re one of the people who doesn’t have the time (or NHK subscription) to watch this four hour long crash course in Japanese pop culture, don’t worry because we’re here to fill you in on all the idols, anime, and less-tropey happenings that you may have missed. Men and women on the show are divided into two teams; the white team (men) and the red team (women). Each team is represented by a captain. Singer Haruka Ayase represented the women’s team while Sho Sakurai, of

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Arashi idol group fame, represented the men. Judges are also hand-picked to appear on the show and various Japanese celebrities are peppered in among past contestants to round out the judging panel. This year included Daiya Seto, an Olympic swimmer, Maya Nakanishi a track-and-field paralympian, as well as Akira Yoshino, who won the 2019 Nobel Prize in Chemistry, just to casually name a few. The theme centered around the Olympics and sports featured prominently throughout the night, including the suited up Japanese Rugby Team who were in attendance. For many musicians appearing on Kouhaku, as it is affectionately known, is a sign that they have made it. Artists with sustained popularity in the music business can be invited to appear on the show dozens of times during their careers. Enka singer Hiroshi Itsuki was this year asked to return for the

Tayler Skultety (Nara)

49th time. A slow, melo-dramatic crooning style of music endemic to Japan, enka has retained its popularity with older generations. This year, there was a new attempt to appeal to lovers of this old style of music. Artist Misora Hibari, who didn’t miss a single appearance on the show for the entire decade of the 60s, was brought back to life through AI. Through the power of science, her image was digitized on stage and she sang a new song created with sound learning technology. Lucky for you, dear reader, this performance is available to watch on the NHK YouTube page. She addresses the audience fondly in a gentle and only vaguely robotic voice: ‘I have always been watching you, you have worked hard, please do your best on my behalf.’ Cut to close-ups of audience members weeping.


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Articles inside

Journey Through Magic by Lillian Seiler

11min
pages 104-113

Meditating at Eiheiji by Carol Kavanagh

3min
pages 102-103

North Japan’s Premiere Location for Spiritual Rebirth by Tim Bunting

6min
pages 96-101

Home Away from Home by Kevin Feeley

6min
pages 94-95

Bad Guys Doing Good by Mark Christensen

6min
pages 88-91

Embarrassing Adventures of an Expat in Tokyo by Carol Kavanagh

3min
pages 92-93

Fitness Hacks You Need to Master for 2020 by Caroline Allen

3min
pages 74-75

Riding the Jiu-Jitsu Wave by David Atti

11min
pages 80-87

What’s the Point of Making New Year’s Resolutions? by Brett Borthwick

4min
pages 70-73

Home and Sports is Where the Heart is by Alonzo Mori

6min
pages 76-79

Bloom: Nurturing Art in Tokyo by Gwendolyn Meshberg

3min
pages 58-63

The Earth is a Polka Dot. by Cinthia Gomez

5min
pages 54-57

Journey to the Heart of Shigaraki Pottery by Victoria Eichbauer

7min
pages 42-45

Working on Kyoryokutai by David Caprara

9min
pages 46-49

The Changing Colors of the Red and White Singing Battle by Tayler Skultety

5min
pages 38-39

The Japanese House Explained by Benjamin Everitt

5min
pages 50-53

Events Calendar: February

9min
pages 12-21

Island of Music by Hannah Moore

13min
pages 32-37

February Releases by Rachel Fagundes

2min
pages 40-41

Thrifting in Kyoto: Choosing Used Clothing by Aislinn Chan

5min
pages 28-31
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