Architectural portfolio

Page 1

AKASH GHADIYAL I

architectural PORTFOLIO


E D U C AT I O N

COMPUTER SKILLS

STD X- 88% STD XII- 82%

autoCAD sketchUp v-ray(basics) adobe photoshop microsoft office garageband imovie

CURRICULUM VITAE

SHARAD PAWAR PUBLIC SCHOOL (C.B.S.E) NASHIK, MAHARASHTRA 6th SEMESTER (ONGOING) CEPT UNIVERSITY +918866071112

akash.ghadiyali.ua12@cept.ac.in

INTERESTS

PROFILE AS A STUDENT IN SCHOOL OF ARCHITECTURE, CEPT UNIVERSITY, AHMEDABAD I AM EAGER TO AMPLIFY PRACTICAL ASPECTS BY INTERACTING WITH PROFESSIONALS FROM THE FIELD DURING THIS INTERNSHIP. I AM SEEKING TO LEARN ABOUT DESIGN CONCEPTUALIZING, UNDERSTANDING OFFICE CONSTRUCT, DEVELOPING NEW SKILLS WHICH WILL HELP ME TO TAKE A STEP FORWARD IN TH THIS PROFESSION. AND I DO BELIEVE THAT ‘INNOVATION’ A NECCESITY IN THIS ERA DEPENDS UPON A CLEAR AND ACTIVE MIND AS MUCH AS UPON A HEALTHY BODY. BY USING MY SKILLS TO ITS BEST, I AFFIRM TO ACTIVELY PARTICIPATE IN OFFICE’S WORK.

sketching, photography, cycling, cooking, trekking sports: football (division level), swimming (national level), table tennis, chess, music: guitar, drums.

OTHER

INVOLMENTS

Installations clay workshop wall graffiti college choir making musical instruments managing campus events


MOVEMENT

SHAHI MAHEL

ARTIST’S STUDIO

TRANSIT CAMP

HOUSING

BANDHAN BANK

BASIC DESIGN

INSTALLATIONS

R.S.P

CONTENT


STUDIO 1 PATHS FOR MOVEMENT UNDERSTANDING AND DESIGNING PATHS FOR DIFFERENT AGE GROUPS PEOPLE BY MAINLY FOCUSING ON VARYING PERSPECTIVE OF HUMAN NATURE IN A 15Mx15Mx15M CUBE.


PROCESS MODELS

FINAL MODELS


SHAHI MAHEL BY STUDYING THE ORGANIZATIONAL PRINCIPLES OF PALACES IN MANDU (M.P.). A GUEST HOUSE COMPLEX INCLUDING DEWANNE KHAAS (PLACE FOR FORUM) FOR A VISITING KING AND HIS WIVES WAS DESIGNED NEAR CARAVAN SARAI


AXONOMETRIC

SITE PLAN

SECTION BB

SECTION AA


STUDIO 2 ARTIST’S STUDIO THE PROPOSAL FOR A RESIDENCE AND STUDIO FOR AN ARTIST’S FAMILY, CONSIDERING NATURE AS INTEGRAL PART THE SITE FOR THE HOUSE WAS IN A DENSE FOREST OF CEPT UNIVERSITY, AHMEDABAD.


SECTION AA

SECTION BB


STUDIO 3 MATERIAL & STRUCTURE BASED ON PRINCIPLES DERIVED FROM THE STUDY OF A NATURAL OBJECT(PINEAPPLE) AND FURTHER PROPOSING A STRUCTURE OF A TRANSIT CAMP FOR MUSICIANS USING APPROPRIAT MATERIAL FOR CONSTRUCTION, ON THE SEA SHORE OF WESTERN GHATS.


SKETCHES

PROCESS MODELS

P.O.P CAST OF PINEAPPLE


MATERIAL: BAMBOO, THATCH ROOF

AXONOMETRIC VIEW


STUDIO 4 LOW COST HOUSING RESIDENTIAL COMPLEX FOR MILL WORKERS OF THE OLD CITY, AHMEDABAD BEING A SEMI-ARID ZONE CLIMATE BECOME A MAJOR ROLE TO DEAL WHILE DESIGNING

COMMERCIAL HOUSING(EXTERNAL) RESIDENTIAL BUILDING OF 7 STORY STO HIGH IN AN UPCOMING ESTATE MARKET OF MULUND, MUMBAI


EXPLORING INTERNAL AND COMMUNITY SPACE BY MAKING QUICK MODELS OF DIFFRENT UNITS.

CLIMATICAL RESPONSIVE APPROACH

SITE MODEL

INITIAL CONCEPT vertically segregating vehicular movements to make the ground open for uninterrupted recreational spaces


SITE PLAN SECTION BB

SECTION AA

BRIDGES CONNECTS THE UPPER FLOORS WHILE PARGOLA FORMS A GATHERING SPACE. SERVICES WERE MAJORLY ON EAST AND WEST FACADE OF THE BUILDING EVENTUALLY HELPED THE ROOMS TO BE IN SHADE IN SUMMER FURTHER BUILDING SHADES THE COMMUNITY SPACE. TYPICAL FLOOR

GROUND FLOOR


THE PROPOSAL HERE WAS TO DESIGN A TOTAL OF 28 RESIDENTIAL UNITS, EACH INDIVIDUAL UNIT SHOULD VARY IN AREA FROM 140sqmt TO 170sqmt. INITIAL RESPONSE WAS TO PROVIDE AN OPEN BALCONY WITH GREEN RESPONDING TO THE DEMANDING SITE CONTEXT.

SITE

LAY OUT

AREA STATEMENT


STUDIO 5 INSTITUTION-BANDHAN BANK HEAD QUARTER OF A MICRO-FINANCE BANK OF 18 STORY HIGH WAS DESIGNED, AIMING THE RELATION BETWEEN ARCHITECTURE AND IDENTITY. INTERPRETING THAT HOW THE CHARACTERISTIC AND BUILT FORM HELPS IN CREATING ITS IDENTITY WHERE THE BUILDING DEMANDS FUNCTIONALLY WELL SERVICE IN THE SOUTHERN PART OF BANDRA KURLA COMPLEX, MUMBAI


S H A D I N G T H E

INITIAL CONCEPT

B U I L D I N G


NATURE AS INTEGRAL PART OF OUR LIFE THE STRATEGY HERE WAS TO MAKE THE HIGH RISE BUILDING WORK WITH NATURE MAKING IT OPEN AND ACCESSIBLE TO NATURAL AMBITIOUS LIGHT AND CONNECTING FLOOR PLATES WITH RAMPS AS WELL. VE VERY OFTEN, IDENTITY IS SEEN AS AN OUTWARD PROJECTION TOWARDS SOCIETY AS OPPOSED TO THE USERS OF THE BUILDING

SITE CONTEXT A

B

B

BRANCH OFFICE

AUDITORIUM

A

GROUND FLOOR


BASIC DESIGN GRAPHICS

PATTERNS WERE OBTAIN USING A ALPHABET FROM VERNACULAR SCRIPT

DEPLOYABLE SYSTEMS

UNDERS UNDERSTANDING NATURE AND BEHAVIOUR OF MATERIAL AND HOW THEY COME TOGETHER TO FORM AN INTERACTIVE STRUCTURE


UNIT PATTERNS

ALPHABET

LENO CUT

INK AND STICK


MODULE

DEPLOYABLE JALI @ WOODEN STICKS, RUBBER BAND, VALVE TUBE

RING REGULATOR

@ 4MM THICK MDF PIECE, REVET



ILLUMINATORS AND INSTALLATIONS DESIGNING AND MAKING CRAFTS FOR THE ANNUAL FESTIVE WEEK OF NAVRATRI AT CEPT


PIXELATION @ 30-WOODEN FRAME, GATEWAY PAPER

TUKKAL @ 48 LEAF SHAPED RECYCLED PAPER, BOARD

PARK BENCH @ BAMBOO, STRING

FIREFLIES @ 108-LED MOUNTED WOODEN STICKS

TUBE FRAME @ CARTRIDGE ROLL, CHIKEN MESH, WOODEN FRAME (SOUTH FACADE OF CEPT CAMPUS)

RESCUE LADDER @ CANE, BAMBOO, JUTE ROPE


RELATED STUDY PROGRAM DEVGARH, JAMSHEDPUR DOCUMENTING HOUSING CLUSTERS OF THE VILLAGE

REVDANDA, MAHARASHTRA SURVEY OF WATER TRAILS IN THE WADI


LONGITUDNAL SECTION OF THE VILLEGE

DOCUMENTING THE FORT AND VILLAGE

WEST ELEVATION

SECTION AA

SECTION AA

SECTION BB

SECTION BB


akash.ghadiyali@gmail.com +8866071112 403-RIVIERA B, PARKCITY, SILVASSA, U.T. OF DADRA & NAGAR HAVELI


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