PORTFOLIO AKIHIRO KIMURA| 木村 晟洋
Biography 1995 Born in Wakayama 2014 Kawawa high school Tsuzuki|Kanagawa 2015~2019 Tokyo city university Setagaya|Tokyo
Profile
2019~2021 Graduate School of Tokyo City University Tezka lab Setagaya|Tokyo
Akihiro Kimura| 木村 晟洋 Born in wakayama 3th May 1995 e-mail: akihiro425@icloud.com phone: 090-4826-8025 address:
Experience
ALT Architecture Design office in Japan Team Iwakiri Japan part time job Chiaki Arai Urban&Architecture Design part time job
Academic Awards
首席 Tokyo City University Faculty of Engineering Top graduate
Skills
Language
Vectorworks 2015
Japanese
Adobe PhotoshopCC
English (TOEIC 860)
Architectural Awards
Adobe IllustratorCC
English (TOEFL ibt )
Architectual Design 4 Yuko Nagayama award
Tokyo City University graduate scholarship student 2019~2021 Tokyo City University university scholarship student 2015~2019
Adobe IndesignCC
Architectual Design 5 Chiaki Arai award Junji Suga award
Rinoceros6
Graduation Design
Grasshopper
蔵田賞 Kurata Scholarship Gold Awards 2019 (Tokyo City University Gold Prize)
V-ray for rinoceros
(Yuuji Harada Junpei Nousaku Satoru Ito Ryo Matsui Ken Sasaki
Lumion9.5
Honami Kashiwagi Oguri Mikio award)
Sketchup Pro
Modern architecture company Published work
Autocad 2016
Sedai Design League Best of Diploma Selected 1st Works(Works in 334,Japan 1st)
Archicad 20
JIA Tokyo Graduate Awards 2019 Yui Tezka award
Microsoft
JIA National Graduate Awards 2019 Bronze award (Japan 3rd)
Pencil drawing
Architectual Design Adv 1 Soutarou Yamamoto award
Watercolor painting
Architectual Design Adv 2 Koji Aoki award
Pen drawing
Table of Contents 1 Museum
Graduation Design Project Space experience Date
2 Large complex
February 2019
Architectual Design 2 Project Housing complex Date
January 2017
Location Daimonzaka in Wakayama
Location Daikanyama in Tokyo
Duration 5months
Duration 4months
Master
Master
Takaharu Tezka
Architectual Design 5 Project Large complex Date
3 Hall
5 housing complex
6 Campus
July 2018
Takaharu Tezka
Architectual Design 3 Project Campus Date
July 2017
Location Kamata in Tokyo
Location Shibuya in Tokyo
Duration 4months
Duration 3months
Master
Master
Chiaki Arai
Architectual Design 4 Project Hall Date
7 Studio works
January 2018
Fukushima Katsuya
1 Kasa Kasa 2 Cardbord cave 3 Ballon art
Location Akasaka in Tokyo Duration 2months Master
4 Housing
Hiroshi Horiba
Architectual Design Adv 2 Project Housing Date
December 2019
Location Duration 3months Master
Fukushima Katsuya
8 Other works
1 Drawing 2 Introducing awards
The thought space of Kumagusu ~Thought space of Minamikata Kumagusu that can be read from 50 slime mold experiments~
蔵田賞 Kurata Scholarship Gold Awards 2019 (Tokyo city university Gold Prize) (Yuuji Harada Junpei Nousaku Satoru Ito Ryo Matsui Ken Sasaki Honami Kashiwagi Oguri Mikio award) Modern architecture company Published work Sedai Design League Best of Diploma Selected 1st Works(Works in 334,Japan 1st) JIA Tokyo Graduate Awards 2019 Yui Tezka award JIA National Graduate Awards 2019 Bronze award(Japan 3rd)
Project Space experience Date
February 2019
Location Daimonzaka in Wakayama Duration 5months Program Museum
Minakata Kumagusu| 南方熊楠
I am a descendant of Minakata Kumagusu.Minakata Kumagusu is a scholar of natural history created by Wakayama Prefecture. It is said that in the three years of Nachi era, Kumagusu was built with all the thought from the slime mold and was looking at the world. I studied slime mold as
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an "architect" and designed the thought space of Minakata Kumagusu. I want to get closer to Kumagusu's thoughts as a descendant and to pass on Kumagusu's thoughts to the world. As a architect, I conduct slime mold experiments. The One of the thought of Minakata Kumagusu is that it is studied from the same viewpoint as slime mold. Since the scale of the slime mold and the human being are 500 times different, if the site in the forest at the entrance to Daimonzaka in Wakayama Prefecture is reduced to 1/500, then the slime mold and Kumagusu stand on the same scale within the experimental site Then, we measured the diameter and height of existing trees and observed the characteristics, behavioral route, speed, displacement time, and form of slime mold. From these observational data, we constructed the thought space
Experiment Site
of Kumagusu. ◆ Life cycle
Site Elements ◆ Scale difference Slime mold scale Area of slime mold 5 × 2=10 ㎟ Personal space of 5 ㎟ per body 2mm
Germination of the spores gives rise to an amoeba. When different amoebas mate, they develop into
One-dimensionalization
plasmodia. The mature plasmodium eventually forms a fruiting body. The fruiting body has a sac called the "ascus" and the spore flying cycle.
Nachi taisha
√ 5 ＝ 2.236
5mm
Human scale(Kumagusu scale) Human's personal space was
◆ Memory
食 感
calculated by the hidden dimension. 2200 × 750 × 750=1237500000mm3
触 覚 時 間
One-dimensionalization 1237500000^(1/3)=1073.614
It keeps a record of where it passed by, by keeping away from strong light, dry places, harmful substances and other things that hurt itself, and leaving traces of its mucus in its path.
Daimonzaka
：
◆ Action choice
Slime mold scale
E=h\nu
2.236:1073.614=1:500
p={\frac {h} CmH2nOn
Nachi
Daimonzaka entrance
H2O
Human scale
By putting the slime mold amoeba on the 1/500 site model, the slime mold and In all environments, slime molds are uniquely
human beings will be on the same scale, and if you understand the behavioral
mobile. It senses all the characteristics of the road
characteristics of the slime mold, you can build the world experienced in the
and selects the best route with less danger.
Minakata Kumagusu.
Microscope
Experiment report on page 300
A vessel for culturing slime molds
1/500 Experimental model
It is a part of the appearance of 50 slime mold experiments. All slime molds were drawn in a booklet every 1 hours like Kumagusu and they were observed 24 hours a day. The average activity route, area velocity, and fruit body displacement were observed on the 1/500 site of slime mold.
three-dimensional algorithm
The motion is observed hourly, and a three-dimensional space and a pla
an are constructed from the experimental slime mold algorithm.
two-dimensional algorithm
2「記憶」Memory
3「ライフサイクル」Life cycle
4「粘菌スケール」Slime mold scale
5「環境変化」Environmental change
6「行動選択」Action choice
The liquid flows from the main tube into the spongy
It keeps a record of where it has passed by moving
Amoeba with animal properties and a fruiting body
From the spore state to the formation of the
slime molds respond by changing their movement,
In all environments, slime molds are uniquely mobile.
air gap to form a channel. By the repetition, the slime
away from what hurts itself and leaving a trail of its
with plant properties, changing their properties and
plasmodium, the size varies from about 10 um to about
properties, shape, and velocity in response to changes
It senses all the characteristics of the road and selects
mold moves toward a favorable environment.
mucus in its path.
shapes according to various environments.
10 cm. All forms vary in scale, divide repeatedly, and
in the environment.
the best route with less danger.
Slime mold characteristics
1「流量」Quantity of flow
form large colonies.
14「蓄積」Accumulation
15「境界」Boundary
16「自発性」Spontaneity
17「対象」Target
18「事」Koto
He believed that by destroying nature, human nature
The intervention of body A gives it a new meaning,
There is no boundary between the physical nature of
Nature has grown from the few plant species that have
The object is Kumagusu's microscope, which allows
This is the first time that "world" and "mental world"
would be destroyed by ruining human occupations and
"A". Another B intervenes to add new meaning.
the outside and the mental nature of the inside, and
fallen to earth. All that growth has largely been left to
him to view the world of microcosms and move from
have been raised as Koto
livelihoods and ruining human life.
Accumulation occurs by entering space.
human beings and nature need to constantly influence
the spontaneity of nature. Nature spontaneously creates
one space to another.
each other and to take in each other.
its own space on the ground.
Thoughts of Kumagusu
13「保存」Preservation
「蓄積」Aging Wall
「感知空間」Space to sense
「自己創出空間」Self-created space
「スケール変異空間」Scale mutation space
Architectural space
＝
Composition of the microscope
Aging by Corten steel, meaning is accumulated in space from nature.The floor material is made of knotty wood, and every time you walk, hard knots remain, and the soft parts wear away, leaving memories of people walking.
People can sit, their shadows enter the inner space, and people in
The pillars are set up unevenly, you can decide the space area by
the inner space can sense changes in the outside nature.
yourself, and you can obscure the boundary between architecture and nature and experience change like slime mold
You can experience the scale change of slime mold in space, and you can experience the same viewpoint as Minakata Kumagusu.
7「反応」Reaction
8「環境適応」Environmental adaptation 9「速度変異」Velocity mutation
10「自立分散」Independence
11「ネットワーク」Network
12「心理と物理」Psychology and physics
The slime mold relies on the distribution of sensed
It is a place where people can find the best place to
In densely wooded areas, slime mold growth slows,
The slime mold does not have a central commander,
The slime mold connects the food to the food,
Because slime molds have no nervous system,
chemicals, light, and moisture to move in the direction
live in the existing site and settle down for a long time.
and in large areas it increases 2 ~ 3 fold. The larger
but each cell thinks independently and all cells think
determines the quality of each food, and accumulates
information processing must be carried out by the
in which food and moisture are most likely to be
Slime molds settle mainly in wide spaces.
the quantity considered, the slower the slime mold
and act together.
in the higher-quality food. They communicate with
body. That is to say, the behavior of the body seems to
each other through networks.
be connected with the mental factor of the organism.
present.
proceeds.
19「萃点」Suiten
20「書く＝歩く」Write=Walk
21「写生」Sketch
22「アナロジー」Analogy
23「ポリフォニー」Polyphony
24「秘密儀」Secret
"Suiten" means "a gathering spot". It is the point where
Kumagusu's style of writing was like when a person
Since his childhood, Kumagusu was good at the act of
When Kumagusu studied slime mold, he selected from
music consisting of various phonemes. The topos of
As the depth of nature increases, something bright
"proverb" of various things pass and cross.
actually walked through a space, in which unorganized
"copy" and he memorized all books by sketching them.
various events, concepts, knowledge and wisdom and
forests are made up of a variety of different organisms,
comes toward us from behind it, opening ourselves up.
pursued slime mold by analogy.
various sizes, and various strengths and weaknesses,
It is the reason of nature and the secret of nature.
information of miscellaneous things came in, and he wrote books with his own body.
「環境適応空間」Environmental adaptation space
which interact in an attempt to coexist and coexist.
「パサージュ」Passage
Kumagusu believes that the place where "the heart" and "the thing" are in The form that the slime mold finally stopped can be spatialized, and you can experience the sense that the human has stopped like the slime mold.
exchange "the thing" and that the "passage" between the place and the "base place" is the most important. He was particularly trying to "predict" and "discover" in the "passage".
「シリンダー」Cylinder
The light was dropped from the cylinder, and the space for discovery of Kumagusu, the point where things were gathered, was made into space.
By building the path where slime mold moved, you can experience Kumagusu's movement in the forest of Daimonzaka. S=1/300
By designing architectures with slime molds, I came close to the thought of Kumagusu.
Expanded cross section　S=1/200
Bird's-eye perspectives
Eye level perspectives
Kamata 4.0 Factory town ~Tradition and future~
Architectual Design 5
Chiaki Arai award
junji Suga award
Kamata, Ota Ward, Tokyo, which has prospered as a manufacturing center for a long time. A town workshop coexisted in the house, but it became difficult for the workshop where noise and smell were generated to coexist with the house, and what was used for the community formation such as open factory and workshop is now lost. "Amid the progress of new manufacturing reforms such as the" "Industry 4.0" "Iot" "Production Technology Innovation 3D Printer" "Automation of intellectual processing power through AI" we will propose Project Large complex Date
July 2018
Location Kamata in Tokyo Duration 4months Program Housing Restaurant Library Gallery Hotel
Kamata, a future manufacturing hub, and continue the tradition.
Kamata 4.0 Factory town
In the 4th industrial revolution, which is said to occur in 2045, AI will be
Kamata1.0~2.0
introduced in earnest. This 4th industrial revolution is said to be Industry 4.0. Industry 4.0 is an era in which people buy and sell product blueprints and publish them on their own 3D printers. In other words, the product
Kamata3.0
level, the component level, and the business process level as an aggregate of these are modularized and networked, and the era shifts from the one in which the of a product was valuable to the one in which the "Process" is
Kamata4.0
valuable. There is a famous saying. "People who want to buy a drill don't want a drill, they want a hole." It stands for industry 4.0. Based on this, I designed the Kamata 4.0 by proposing to preserve the traditional factory landscape in Kamata, Ota Ward, Tokyo, a manufacturing town, and to coexist with the Industry 4.0. 18C~19C Industry1.0
Mechanizatoin and stream power
01 Locality and Tradition
02 Relationship between housing and factory
18C~19C Industry2.0
Mass production and electricity
20C Industry3.0
Computer and automation
21C~ Industry4.0 Cyber physical system
03 The future of business methods
04 Past and future connections at the Kamata factory
housing factory
Today's Kamata has a lot of private shops and arcades that originated
Kamata's traditional factory style consists of factories on the 1~2 F
With the progress of Iot technology and the improvement of 3D
Each factory in Kamata operates independently. Cooperation of each
in the black market after the World War II, while traditional Kamata
and houses on the 2 F~3F.
printers, we can now easily produce products. As the digitization of
factory is important in order to adapt to the age of industry 4.0.
craft techniques and metal fittings remain strongly in town workshops
craftsmen advances and the age of craftsmen becoming unnecessary,
By connecting factories together, we will improve productivity and
in residential areas.
it is necessary to train designers.
propose factories that meet the needs of the times.
People who want to buy a drill don't want a drill, they want a hole.We have moved into an era in which we provide not only products but also services.
Site Kamata
N
A Scale of Building
Roof Plans
D
Station
Re A to E
C
Site Characterization
B
Paths
A
Scale of Building
B Paths
Re-construct
City layer
Flowchart
8,000㎡
E
C Site Characterization (The future of factory)
D Station
E Roof Plan
building type
Diagram
Housing Scale S 30㎡〜 L 400㎡〜
Matching Scale SML
Housing Scale S 30㎡〜 M 200㎡〜
house station
paths factory
2F path
North
South
Match with the height of surrounding buildings
Insert a network-like path 2 Factory
Dwelling unit pattern
Production
Insert the path between the factory and the house 3 Gallery+Housing
Connect directly to the station
A roof reminiscent of a former factory town
4 Library+Factory
5 Soho+Landowner's House
Visualization of the working process
Preservation
Functions
1 Hotel+Office+Gallery
station
System
sharehouse
soho factory
dinks,single person
family
dwelling
manufacture
libraly
WC
Bar Diavolo
cafe
cafe
ĺŽ¨ćˆż
GL+4500
WC
factory
2F S=1/1200 factory
By raising the volume of each dwelling unit to three floors and reducing the number of
restaurant
Open factory
hall
buildings in the second floors, the workshop
gallery
can be seen by people coming from the station or walking on GL. This networking pass always adds value to the work process
factory terrace
factory
restaurant
that will become a commodity in the
general store
industry 4.0 era.
restaurant
general store
clothing store
clothing store
restaurant
nursery school
general store
restaurant
restaurant
music store
general store
1F S=1/500
2F Factory
1F Factory
Production and Preservation
4
1
5 6
3
Funiture Factory
Share house
4
5
1
3
Electronics Factory
1
1
1
Dinks Network
office
The 3D data is transmitted from the office to the factory and produced in the factory. You
3
3F S=1/1000 General Factory
can live on this site and make money there.
Soho Food Factory
Clothing Factory
Family
1 2 3 4 5 6 7
sharehouse soho dinks family factory library office and hotel
4
4
1
1
5 6
4
7
7
3
7
1
1
1
4
4
2
1
1
1
1
1 3
4F S=1/1000
5F S=1/1000
6F S=1/1000
3F perspectives ďźšFactory town from the 3rd floor on the north side
office and hotel
sharehouse
family factory family
sharehouse
soho
factory
factory
library
factory
open factory
soho
factory
shop
restaurant
restaurant
restaurant
S=1/300
Underground hall ~"Roppongi Theater" City ~
Architectual Design 4
Yuko Nagayama award
Although the number of foreign tourists continues to increase, revenue from tourism has been flat. One of the reasons is the lack of amusement. In addition, public facilities such as theaters are increasing their occupancy rate and seeking various ways to use them. By considering the ideal form of theater cultural facilities unique to Roppongi, while learning about these social changes, a new type of urban public building will be envisioned.
Project Hall Date
January 2018
Location Akasaka in Tokyo Duration 2months Program Hall Studio Gallery Library etc
The building type of theater is often considered to indicate the cultural
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standards of the area, and it is thought that the establishment of
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02Field Research-The public space of Roppongi community
Underground hall
"world" deviated from Roppongi's city plan, and a single "world" was
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a theater.The research found that the urban structure of Roppongi is
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divided into urban layers and landscapes. The urban layer applies the urban
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standard of the land is expressed by expressing Roppongi's city itself in
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Since culture is expressed in Roppongi's urban structure itself, the cultural
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built. Therefore, we propose a theater city instead of theater architecture.
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Housing
independent "world" is permitted. However, the construction of this
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function to the theater for the given function. The landscape was designed 真北
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familiar with the city, will become part of the city instead of a symbolic
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types of flowers and the height of trees. The theater, which has become
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Landscape
so that the city and the theater fit together by accurately measuring the
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01 Hall and Urban component
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Art Street funiturre
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This planned site is also considered as a city block and designed.
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also included in the design. Buildings are placed at a variety of angle in each block of the city.
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it will change from a symbolic theater to an urban theater. In addition, the layout of buildings is
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facilities and theaters on the underground level. By using this urban structure and designing it,
Hall Shop
houses and offices on the upper floors, landscapes and art on the ground level, and commercial
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It can be seen that the urban structure of Roppongi is divided into classes. The city consists of
03Urban Design-Site Analysis
Urban Design-Axometric
Planned site Slope 14m
RF
RF
Office
Office Gallery cafe
Housing Office
Make the conference room visible from the outside and allow outside people to participate. Gallery People outside can see the gallery through the street. Cafe There is continuity between the cafe and the street.
Residential area
building type
Landscape
Art Street funiturre
Residential area
Landscape
Residential area
Extract the southeast pond of the planned site and incorporate the elements. Food truck
Art Street funiturre
Planned site Slope 14m
Fountain
Office
Design the streets to accommodate the hood truck
lighting Extracts Roppongi street lighting and acts as a night museum
Art Street furniture Roppongi artists can display outside.
Landscape
Office
Hall Shop
Hall Shop
Commerce
Gallery library The exhibits are illuminated by light from above.
Shop
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B1F
Hall Studio Although it is located underground, it is visible from the ground level and is adjacent to the external theater.
Concert Small to medium concerts Shown with 1,500 people
People gather in the foyer before the performance.
artist lounge
dressing room
Foyer
concert controll
During practice
No perfoming
People congregate in studios, band rooms and cafes
shop
bandroom
buffet/bar
cafe
gallery
When there is no performance, gather in the library
studio
library
Kitchen room
AVroom
meeting room
Children's library
GL+4000,7000 buffet, studio, garden in practice
GL+1000
GL+2000
読み聞かせ室 カウンター
GL+2000
GL+3000
子供広場
エントランスホール
GL+3000
GL+3000
GL+2000
事務室
中庭 GL+1000
ブラウンジング バンド室 GL+3000
GL+3000
GL+4000 WC
児童書架 GL+4000
GL+4000
子供預かり所 GL+4000
GL+3000
子供広場 GL+4000
WC
GL+4000
階段
WC GL+4000
1Fホワイエ GL+4000
会議室 GL+4000 階段
WC 倉庫
練習室 GL+4000
一般書架 GL+4000
GL+1000
下手舞台
厨房
WC
中庭
サイドスピーカー室
階段
会議室
階段
GL+4000 ビュッフェ
GL+5000
GL+4000
1Fホワイエ GL+4000 会議室
AVスペース GL+4000
GL+4000
倉庫
調整室
光庭兼屋外劇場 GL+4000
光庭 GL+5000
主舞台 GL+1000
一般書架 ボランティア室 GL+5000
光庭
階段
アートスペース GL+6000
倉庫 GL+4000
サイドスピーカー室
ボランティア室 GL+5000
上手舞台
GL+5000
調理教室 GL+5000
階段
GL+6000
WC
大スタジオ兼リハーサル室
WC GL+4000
1Fホワイエ GL+4000
GL+4000 天井高 GL+11000
光庭
WC
GL+7000
GL+5000
GL+7000 光庭 GL+5000
階段
光庭 GL+7000
WC
閉架書庫兼オープンブラウンジング GL+7000
個人リーディング GL+7000
光庭 GL+6000
一般書架
GL+6000
一般書架
B1F S=1/1000 GL+14000
contour design The slope of 14 m was divided every 1 m and
GL+13000
designed as 14 sheets of ground. Each piece of
GL+12000
ground has a function, and the function is changed slope
and parking space, and GL + 2000 ~ 3000 designed
GL+10000
entrance, shop and children's room. From GL + 4000
GL+9000
~ 5000, library functions were arranged on the west side, studios and band rooms were arranged on the east side, and the central theater was divided to avoid
stairs
GL+8000 GL+7000
the problem of sound. GL + 6000 ~ 7000 is designed so that book functions and galleries are arranged,
GL+6000
connected by stairs and slopes, and each function is always within the shortest distance.
GL+11000
window
GL+5000 GL+4000
Each function is separated by glass like a showcase, and the street created by it expresses the diversity
GL+3000
of Roppongi, and you can feel the city even
GL+2000
underground.
GL+1000 handrail
GL+0
GL+4000 AVroom in library
by climbing one piece. GL + 0 ~ 2000 designed porch
GL+2000,3000,4000 entrance, shop, Foyer in library
GL+5000
What&How we plant
楠
金鳳花
染井吉野 Field working & Exercising
躑躅
柊
Field working & Exercising
龍田撫子 山法師 楠
雪柳
松
Destribution of Activities On Three Paths
金鶏菊
山吹 未央柳
榊
parking
柊
Japanese cultural activitities
楠
加這杜松 亜 米 利 加 這 杜
唐鼠黐
龍田撫子
1
2
3
4
5
6
child care
7
fountain
Food truck
Art
Tatami
Art
樅
金鶏菊
黒文字
Art and Recreation
Art and Recreation
Garden
金盞花 欅
φ =600mm h=10000mm
track
玉羊歯
Japanese cultural activitities 花水木 染井吉野
Shop
8
9
10
11
dramatic art
Lighting
12 Flowering illustration
Sightseeing and Activities in a year It was possible to divide the
Tokyo Midtown
surrounding elements into three,
Planned site Slope 14m
with many evergreen trees and a variety of flowers. By incorporating the elements of the city, urban theaters will be able to see the city's
housing&education
activities. The planned site was divided into three areas in order to
9
ha ll
blend the three areas. In this way, the functions of the theater will
8
be arranged in order to carry out
10
activities in the three areas. In the
en
ard
7
5
4 ry
lle
Ga
Green road
6
se g
e
Ja pa n
7
3
galleries and studios.
12
and in the southwest there were
8
in the southeast there were Japanese gardens and Japanese-style rooms,
11
north there were childcare facilities,
40m
N
heig
hts
It was designed to interweave three regional landscapes and roads with the planned site.The positions and heights of flowers and trees in the three areas were measured.
of t ree 6m
Since the trees on the north side are low and those on the south side are high, the planned site located in the middle of them should be arranged in the same way.
Perspectives ďźšArt and Recreation Path on the north side
Perspectives ďźšArt and Recreation Path on the north side
150m
City components and heights
of the building were higher than those on the north side. By designing the theater, which tends to be closed
several voids
lighting
1street furniture
7
7
theater and the city blend in. And by designing void,
5
ground can always see the activities below. Accordingly,
food truck
4 柊 etc
lighting
library
studio
6 染井吉野
10~15m
5~15m
10m~12m
4~12m
5榊
around building
7楠
hall
8樅
building
Park Court Akasaka Tower
6
theaters by setting the scenery of underground activities
6
6
and gardens as stages and deeming the cities (ground)
7
8
7
7
7
8
6 6
8 6
7
4
5
7
4 5
2
6
Roppongi's cities and their functions become like
of a symbolic structure.
shop
4
4
4
light into the underground, and people walking on the
familiar with the city, will become part of the city instead
3松
7
4
7
one of the building blocks of Roppongi, void can shine
themselves as seats. The theater, which has become
2art
4
to the city, up to the height of each component, and by designing the volume smoothly for a slope of 14 m, the
3~7m
0~3m
the south side, and the height of the trees and the height
3~7m
component was matched with that of Tokyo Midtown on
30m
designed for the planned site. The height of each
15~40m
50m
The height of city components was researched and
4
3
16 8
7
8
8
6
6
7
7
8 8
6
7 7
7
4 5
6
5
7 7
6 6
5
7
4
5 4
5
5
4 3
4
3
plan 1/3000
slope 14m
buiding 5m~170m
landscape 3m~40m
I determine the height of all elements along a slope
section1/2000
Cross section perspective1/350
Non finito ~Housing by unfinished art~
Architectual Design Adv2
Koji Aoki Award
It's designed, it's built, it's delivered, it's used, it's refurbished. Building continues to move through time, but the act of design may focus too much on just one part: completion. So is it possible to design a building while looking at the time of the flow, rather than "completion"? Will that change the way architecture works? In this task, we will consider the possibilities of architecture that can be seen when we step into the "flow of time" that design has hitherto failed to address. Project Housing Date
December 2019
Location Duration 3months Program Housing
Program Family structure
01
02
03
2020
2040
2060
Library+House Husband+Wife+Son+Daughter
Program Family structure
Library+Pianoroom+House Husband+Wife+Son+Daughter Father+Mother
Program Family structure
Library+Atelier+House Husband+Wife
Non finito
02 How to make unfinished art
The term UNFINISHED was coined after the Italian Renaissance artist Donatello defined unfinished art techniques "Non finito" for the first time. This concept of UNFINISHED is said to have established a concrete method of unfinished art at the UNFINISHED exhibition that was curated by Gelybaum. If we use this unfinished art concept and build it, the
1Duplication of different scales
2 Repeating pattern
3
construction
4 mobility
5 cutting and disassembly
6 disassembly and duplication
7 Overlapping different axes
8 Overlapping boundaries
non-construction
architecture itself will become unfinished, and it will point to the possibility in the future. The current social change in Japan is accompanied by the structural change from flow-type industry to stock-type industry, and the renovation of buildings by DIY is becoming common these days, and the effectiveness of the concept of its completion is being shaken. Therefore, if the architecture itself shows unfinished symbols and the adaptability of the architecture, we can always live with "flow of time" in mind. I would like to define UNFUNISHED ARCHIRECTURE by comparing art theory and architecture theory.
Steeves Residence
Davis studio
Gehry Residence
Renaissance expressions
expressive turning point
01 Definition of unfinished art
Gehry during 1978 revealed a shift from the Renaissance to the Baroque by reffering Heinrich Wรถlfflin ideas . In other words, if we replace unfinished
concentration
perpendicularity
Baroque Style = Unfinished
design architecture in 1978. A study of the morphological changes in Frank
Guggenheim museum free structure
1978
symmetry
It is said that Frank Gehry was inspired by unfinished art and began to
Vitra Design Museum
discontinuity
split
diagonal
long sleeve
sharp contour
horizontality
diagonal
compound
long sleeve
horizontality
continuous
compound
continuous
negation of contour
negation of contour
art with architecture, we can surmise that it is a baroque style. I design a changing house from this research. Methodology 1Duplication of different scales
2 Repeating pattern
3
construction non-construction
4 mobility
5 cutting and disassembly
6 disassembly and duplication 7 Overlapping different axes 8 Overlapping boundaries
03 Unfinished art
04 Frank Gehry
Number28
Natural paint
Thai paintings
Graffiti
Turkish paintings
Jackson Pollock
Unknow
Unknow
Unknow
Unknow
NoB62
Thai paintings
Turkish paintings
Cambodia paintings
Seamless
草間 彌生
Unknow
Unknow
Unknow
Unknow
Mirrors and Shelly
Light reflection
Mirror and Forest
Go through the mirror
Chenrai
Robert Smithson
Unknow
Unknow
Unknow
Unknow
3D picture
Personification
Personification
Tattoo
Color Abstraction
Unknown
Unknown
Unknown
Unknown
Unknown
3D picture
Portrait of Oscar Pistorius
Portrait of Oscar Pistorius
James Hunter Black Draffiti
George Washington Portrait
Unknown
Natalie Holland
Natalie Holland
Alice Neil
Gilbert Stewart
Worship of Dr. Toho
Unknow
Composition
Composition2
Crystallization of appearance
Leonardo da Vinci
Unknow
Piet Mondrian
Piet Mondrian
Paul Klee
Worship of Dr. Toho
Burial
Two-color fugue
Marcel Duchamp
Georgiurau
Leonardo da Vinci
Michelangelo
František Kupka
František Kupka
Unknow
Turning Road
Turning Road
Turning Road
Lattice gate
The last vision
Paul Cezanne
Paul Cezanne
Paul Cezanne
Georges Seurat
Auguste Rodin
Steeve Residence
Danziger Studio
Davis Studio
Gemini G.E.L.
Gehry Residence
Famillian house
Gunther Residence
Wagner Residence
01the early stages of art
1Duplication of different scales
01
Overall organization
compound
2 Repeating pattern
Plane
long sleeve
The elements of the Baroque style of Werkhlin are
create a base from which all works can be made. The base
incorporated into architecture, and unfinished art forms
itself is a work and a kind of unfinished art.
the building and land and constitutes the whole building.
1200
The first thing to do in art is to lay the groundwork and
300
1000
702
10
1886
7
1206
stair
1149 .98
1FL+0
6
1FL+0 GL+1000
1448
2100
1892
5 240
781
979
850
873
1610
8 7
13
6
14
5
2
1FL+2700 2FL+0 CH=2400
冷蔵庫置き場 2FL+600
2000
1FL+0 CH=2400
683
1FL+0 CH=2400 1350
2646
1155 .5
terrace
1200 700
1FL+2700
875
1500
1500
2FL+0
600
350
13.42
78.59㎡
1FL+0 CH=3500
915
1500
350
1FL+0 CH=2700 1FL+0 CH=2700 床:杉足場板
1500
900
11 12
15
1 1550
:st-パイプφ27
3
1004
881
400
1FL+0 GL+1000
4
TOTO ネオレストNX
9 手
8
上部吊り収納
4000
10
:st-pipeφ27
11
553
1FL-24 CH=2300
9 手
400
2142
680
1500
680 洗濯機置き場
350
2000
plan S=1/100
・1F bathroom/ 2F bedroom
・living
The bedroom on the second
It has a long sleeve shape on
floor is for children and the
the south side so that light can
bath is shared.
enter the entire living room.
・entrance/ parking/ toilet
・library
At the request of the owner, two parking lots were designed and a toilet was designed in the
It also serves as a bedroom for the couple, with direct light in the morning and stable light in
corridor.
the afternoon.
・kitchen
・site
The long-sleeved kitchen connects both north side and south side. Residents will go to the north backyard and south
It has a steel structure. Draw a 500 mm grid to lay the foundation for the art on the site.
gardens.
01 Axonometric
❶ Unfinished(duplicate element)
02 extension axis
7 Overlapping different axes
diagonal
8 Overlapping boundaries
Add more color to the base. Add new axes and color
Represent the diagonal axis from the baroque element
boundaries to represent unfinished arts.
and add a new axis to the extension to represent the
1FL+2700 CH=2400 床:杉足場板
300
680
1500
8
1886 1206
1500 1892 881
5 階段
11 1FL+0 GL+1000
3
12
979
4 3
13
1FL+0 GL+1000
1
14 1FL+2700 CH=2400
1004
1610
926
1FL+2700 CH=2400
15
2480 808
冷蔵庫置き場
1500
2000
350
1550
900
1FL+2700 CH=2400 床:杉足場板
6
10
4
2
1460
400
1500
:st-パイプφ27
9
1200
傘入れ
5 階段 TOTO ネオレストNX
240
7 手
6
9
1149 .98
8
313
2 11 8
00
0
1FL+2700 CH=2400 床:杉足場板
1FL+2700 CH=2100
875
11 0
0
60
庭
terrace
1FL+0 CH=2400 床:杉足場板
15
32
2655
700
1FL+0 CH=2400
02
1500
1155 .5
350
1FL+0 CH=2400
682.5
35
0
13
70 0
38
12
1FL+4500
00
87 8
2FL+1800
2070.31
2294.5
1FL+0 CH=2400
14
80 15 10
35 0
00
1FL+2700 CH=2400 床:杉足場板
1500
38.7 0
°
13.42
78.59㎡
00
1FL+0 CH=2400
35 0
2850
4000
8
:st-パイプφ27 700
553
上部吊り収納
1FL-24 CH=2300
7 手
400
680
靴入れ
350
洗濯機置き場
700
1000
1000
702
1200
1200
2000
incomplete.
350
2000
plan S=1/100
・1F bathroom/ 2F bedroom
・kitchen
the bathroom is as laid out as it
the kitchen is as laid out as it
was before the renovation.
was before the renovation.
・1F entrance/ 2F bedroom
・1F living,piano/2F terrace
The bedroom is designed on the second floor and the walls are made of stone.
The first floor will be a living room with a piano, and the second floor will be accessible from the bedroom to the terrace.
・1F dining/ 2F bedroom The first floor is the same as before the renovation, and a bedroom for the couple is
・library The extension of the library will change the grid axis and the walls.
designed on the second floor.
・library We changed the axis of the grid and made the wall wood so that we could see the extension.
・site When changing the axis, design the axis grid while leaving the pre-renovation columns.
02 Axonometric
❷ Unfinished(cutting)
axis
03 extension and reduction
contour
diagonal
5 cutting and disassembly
negation of contour
The color is further removed from the base. It is a
In the third period, both extension and reduction were done at the
method to cut out and disassemble art to give it various
same time. From the negation of the contour, the contour of the
characteristics.
building of the second period increasing and decreasing is redrawn.
GL+2000 A
1200
1200
2000
GL+1750
300 702
寝室
1000
1000
700
terrace
680
1500
8
8
7 手
:st-パイプφ27
1500
:st-パイプφ27
terrace
553
10
1886
5
1892
1500
TOTO ネオレストNX
240
1FL+0 GL+1000
3 1FL+0 GL+1000
881
3
13
1004
14
書斎
1FL+2700 CH=2400
15
1610
873
GL+1250
1190
350
833
310
1099
1550 808
900
4
350
1 400
12
350
979
2
1460
5 階段
11
4
2042
階段
1149 .98
1FL+2700 CH=2400 床:杉足場板
6
9
6
9
1206
上部吊り収納
2000
700
1FL+0 CH=2400
1414
02
1500
terrace
32
1155 .5
350
2655
1366
989
1FL+0 CH=2400
682.5
1FL+2700 CH=2400 床:杉足場板
90
寝室
1FL+2700 CH=2100
875
6
1FL+0 CH=2400
30 54
10
45
1FL+0 CH=2400
1FL+4500
1FL+0 CH=2400
2850
terrace
1FL+2700
2FL+1800
GL+1000 13.42
78.59㎡
GL+750 1FL+500
1FL+500 3262
GL+500
1500
4000
1FL-24 CH=2300
7 手
400
680
GL+1500
350
洗濯機置き場
1FL+2700
350
GL+250 2000
A'
GL+0
plan S=1/100
・1F dining/ 2F bedroom library
・1F living, atelier/ 2F terrace
The contour of the building is
Extend the building to display
erased by the reduction of the
the model and erase the contour
bedroom. Add the horizontality
of the building.
of baroque elements.
・1F entrance/ 2F bedroom Reduce part of the library by adding a terrace
・1F bathroom/ 2F terrace The contour of the building is erased by the reduction of the bedroom.
・library Connect the library to the
・studio It is a place to take pictures of
southern terrace.
models.
・kitchen
・site
The kitchen is as laid out as it was before the renovation.
When erasing the contour, erase along the 500 mm grid.
03 Axonometric
Variable housing complex ~Variable housing complex with Japanese straw mat~
Architectual Design 2 Tatami mats, among many of them introduced from China, are unique to Japan. Its history dates back to the Kojiki, which contains descriptions such as "Kan Tatami Yae" and "Hatami Yae". It was in the Heian period that the structure became similar to today's tatami. The thickness of the tatami mats and the pattern and color of the edges were different depending on the rank of the user. In this project, we will go back to the history of tatami mats and research and design the unique ways of using tatami mats in Japan. Project Housing complex Date
January 2017
Location Daikanyama in Tokyo Duration 4months Program Housing
Variable housing complex
In the past, people interacted under or around tatami mats, and there was
a view from the tatami mats.In other words, tatami creates a new memory through interaction, and the memory is engraved with the scene.The aim is to diversify housing by installing different types of gardens on each floor. In ancient times, there was a culture of moving tatami mats, and there was a culture of carrying them inside and outside houses. To utilize the variability of the tatami, a skeleton infill is proposed.
There used to be a culture of moving only tatami mats.
01 Skelton Infil
02 Infil
03 Skelton コンクリート 金コテ押え（目地切り＠2000） シート防水 均しモルタル 水勾配1/100
断熱材
天井� コーキング
木製サッシ3枚引き
コーキング 畳敷
コンクリート 金コテ押え（目地切り＠2000） シート防水 均しモルタル 水勾配1/100
断熱材
The skeleton infill method invented by Habraken.Skeleton infill housing (SI
To allow one building unit to be inserted into each dwelling unit for the
In Japan, a garden is important for tatami mats, so a wall type structure that
Housing) is a construction method that separates the skeleton of a building
variability of a tatami mat, and the building unit is designed in all forms
can be a skeleton for a building unit is designed, a garden is provided in
(Structural skeleton of columns, beams, floors, etc.) from the infill (Interior
according to a client. Not only can it be renovated every time a resident
each dwelling unit, and residents gather through the garden. These gardens
and equipment of the dwelling), and is often seen in condominiums such as
changes, but it can also be renovated while living there.
are communal with this apartment house, and the garden is also designed
condominiums, and detached houses built by the unit construction method are constructed in the same way.
by the residents, and the garden and tatami are always one set.
04 Diagram It is designed to have a wall-type structure for dwelling units and a garden, and the owner can design a prefabricated Japanese-style room to meet the owner's needs. The first floor was designed with traffic lines open to the city, and the second to fourth floors were designed with a migratory garden. The garden between each dwelling unit is shared and residents gather through the garden and tatami mats.
Laminated Windows ~Understanding the relationship between windows and education~
Architectual Design 3 The graduate school campus of the Department of Architecture of Tokyo City University was designed. The 21 Dynasties, in which man is concentrated in cities, is the century of cities. The Department of Architecture will expand the campus to Shibuya to strengthen the relationship. For the first time in history, Japan's population is decreasing and its economy is cooling down. Building education at universities should be changed at a time when construction is not as necessary as in the past. I am thinking about the Project Campus Date
July 2017
Location Shibuya in Tokyo Duration 3months Program Studio Gallery Cafe etc
future of architectural design education at Tokyo City University and what space should be for it.
Laminated Windows
The current university campus is an educational space where you can only interact with people from the inside instead of outside. While it may be necessary to have a space where you can interact with the people inside to give a lecture, I think it is necessary to have a space in Shibuya where you are constantly interacting with people outside of Shibuya who have various purposes and are inspired and involved. To this end, we will use Shibuya's unique window to communicate information about the university to the outside, and propose a space where various people can learn. Shibuya provides information to the city through its facade.
01 Changes in Shibuya's urban structure
02 Identity of Shibuya
03 Urban surface
04 Proposed design approach
Currently, one building is isolated in Shibuya, but the development of
The Shibuya building itself has windows and exterior walls that
In Japan, there is no medium that can connect cities and buildings.
Heterogeneous spaces in a building are now divided by slabs. By
Shibuya will link the buildings in three dimensions in the future.
symbolize it. Shibuya always has its own identity on the facade.
From this urban structure, a university that is open to the city is
proposing a window division design method, a space is constituted
Many educational institutions are disconnected from the city, and
designed by focusing on windows that can serve as a medium for
from a window frame which is opened from slab division, and a
the relationship with the city will be improved if they use Shibuya's
cities and buildings.
window which shows individuality of each space and a different kind
unique identity and design.
of education space inside are mixed in a town.
05 Diagram
① max volume for the site
② Remove the max volume from the site so that it can be accessed from the adjacent road and park to make it easier for outsiders to enter.
③ set up a core on the west side of an adjacent building
④ In order to break away from the conventional slab-
that cannot reach the city
splitting and to construct a space with window frames for each room, the windows are suspended around the volume.
⑤ Place the window frame on the volume
⑥ Extend the window frame to the outside, emphasize the frame, and transmit it to the outside.
⑦ An opening other than a window frame is provided and
⑧ constitutes space by extending all three window frames
connected to an outside terrace.
inward
Studio Works and Other Works
Table of Contents
1 Kasa Kasa
Studio Works メイン カサカサ
Project Kids space Date
4 Laputa
June 2019
Studio Works Project Drawing Section and elevation Date
July 2018
Location Tokyo city university in Tokyo
Location Tokyo
Duration 5months
Duration 3months
Master
Master
Takaharu Tezka
Takaharu Tezka
Space for Kids - by using umbrella bag -
2 Cardbord cave
Studio Works
5 Drawings
Project Kids space Date
Date
October 2019
Duration 4months
Duration 4months
3 Balloon art
Project Kids space Date
Master
Takaharu Tezka
Studio Works March 2020
December 2020
Location
Location Toyosu in Tokyo Master
Project Drawings
6 Awards
Project Awards Date
December 2020
Location Odaiba in Tokyo
Location
Duration 4months
Duration 5 years
Master
Master
Takaharu Tezka
Kasa Kasa ~the space for kids by using umbrella~
Studio works I made an installation using an umbrella bag. The recycling of the kids' space we are making is an example of the recycling of plastic manufacturing. The participation of children in the construction of the monument makes the construction process itself a monument of awareness and recognition of the importance of plastic recycling. It is a playground for children and a symbol of resource issues.
Disposable plastic umbrella bag is one of the plastic products which has a close relationship to our daily life. but In Japan, the umbrella bag is always treated as garbage after being used. But almost everyone is using and discarding it during rainy days. It is becoming a very big environmental problem. So what if we build a visible monument with those discarded umbrella bags? We blow air into the disposable plastic umbrella bags to make them strong, and link them together to create spaces. We submit a proposal that utilize the
The circulation of the Kids’ space that we are making is a metaphor for the circulation of plastic manufacturing. When the kids participate in the construction of the monument, the construction process itself is also becoming a monument to the perception and cognition of the importance of plastic recycling.
characteristic of the umbrella bags which are close to our daily life and their sustainability to built a monument, which is trying to face up to the world industrial waste problem and also to make plastic more useful. The core issue of our proposal is to reuse those disposable plastic umbrella bags which have been used from commercial facilities and public facilities, and provide a chance of making children concern about plastic to the users of this installation. A great deal of umbrella bags which have been linked together in a variety of ways create alterable and multiple spaces, and we believe that it can also give a lesson to the children about environmental pollution and make them to cherish the environment in the future. How to make element
How to make strucure
メイン カサカサ umbrella bag x1
Blow air into the space
Blow air into the bag and make it strong.
Blow air into the assembled space
Phase 1- Set up in Tokyo
Phase 2- Using in Roma
Use another umbrella bag to tie Blow air into the dome in advance the old one.
Link with other umbrella bag to create new space
Children blow air into the inflation part of the dome
create alterable and multiple spaces
Wind blows into the gap
The space for kids ~by using umbrella bag~
Space for Kids - by using umbrella bag -
Phase 2- Using in a park
Phase 3- Tearing down
Cardbord cave ~the space for kids by using cardbord cave~
Studio works I made an installation using a cardbord cave. I first considered the habits of children and defined them as animals. It is said that the cognitive ability of children is almost equal to that of an animal, and in animal ethology, it is also said that a human child and an animal behave similarly. By designing caves with animal nests as a motif, children can experience moving around in nature like animals, and they keep moving.
Concept
Animals
Children
=
Imaizumi, a Japanese scholar, published a thesis that children are animals. Based on this paper, I design a space that is reminiscent of an animal's nest.
Comstruction
The size of a typical Japanese cardbord is 910 × 1820. Split the 3000 × 3000 cardbord into structure of 910 × 1820.
The combination of the joint and the cantilever part is supported by the division of ten patterns.
GL+200mm
GL+600mm
GL+400mm
GL+800mm
Axometric
Phase 1- Set up in Tokyo
Phase 2- Using in a park
Phase 2- Using in Roma
Phase 3- Tearing down
Balloon art ~the space for kids by using balloon art~
Studio works I made an installation using an balloon. Recently, balloon art works using balloons are increasing. Balloons, however, are originally a tool for playing, are familiar to children, and have been loved by children. He designed a space where children can play with balloons and created art works with children.
Laputa: Castle in the Sky ~section and elevation of Laputa, Castle in the Sky~
Other works Watched the Ghibli movie, the Laputa movie of the castle in the sky, and drew the cross section and the elevation. On A1 Kent paper, the left half was drawn as an elevation and the right half as a cross section to grasp the space of Laputa, a castle in the sky.
S=1/1000 It is a sectional view of laputa. I actually saw the Ghibli movie, grasped the space, and expressed it as a sectional view on the right and an elevation on the left. I drew it with A pencil on A1 Kent paper.
Drawing ~my collection of drawings~
Other works When I was undergraduate, they are several drawing.
Pencil Drawing
Record of slime mold drawing
Experiment report on page 300
The initial drawing of the graduation design is drawn on A1 size Kent paper with 2H-8B pencils.
Pen Drawing
Introducing Awards Architectual Design Awards
Graduation Design Awards
蔵 田 賞 Kurata Scholarship Gold Awards 2019 (Tokyo city university Gold Prize)
JIA National Graduate Awards 2019 Bronze award (Japan 3rd)
Sedai Design League Best of Diploma Selected 1st Works(Works in 334,Japan 1st)
Design competitions of Tokyo City University
JIA Graduate Awards 2019
Sedai Design League Best of Diploma
Modern architecture company
This is the scene of the lecture at the end of the
It is a competition in which the winners of each
It is a competition in which university students from
Representative works of Japanese universities is
design class.This is the scene of the lecture at
university from all over the country gather in
all over the country gather for graduation design. It
the end of the design class. Each guest speaker
published.
graduation design.
was held in Sendai.
gives the winner a certificate each time.
Academic Awards
top graduation award
first prize in graduation design
Scholarship Awards