ARCHITECTURAL DESIGN
PORTFOLIO -Select works-
Akshara R Murali
EXPERIENCE:
EDUCATION:
Sept 2019 - Jan 2020 Intenship under Ar. Gnanaraj Design Collaborative, Pondy
2003-2007 2007-2011 2011-2016 2016-2021
Nov 2020 - Dec 2020 Internship under Home Studio, Chennai
Kendriya Vidyalaya, Madurai Velammal School, Madurai Akshayah School, Chennai CMRUSOA, Bengaluru
ABOUT: SKILLS: Model Making, Sketching,Team Working abilities
AKSHARA R MURALI architect
Date of Birth: 29 Jun 1998 Nationality: Indian Address: No:3B, Rohini MAP Flats, Veerabadran Nagar 2nd Street, Medavakkam, Chennai-100
CONTACT DETAILS +91 9444765266 r.akshara98@gmail.com r_akshara https://sites.google.com/view/ardent-arts
Research, Form development, Concept Development, Creativity
I recently completed my Bachelors of Architecture at CMRUSOA, Bangalore. Being an architecture student, I am highly focused on translating captivating and relevant conceptual ideas to building forms.
Visual Designing, Graphic Designing, Illustrations, Digital Marketing.
Design can offer creative solutions to make our world a better place to live. I aspire to be a part of making the world a better a place.
LANGUAGES:
HOBBIES:
English Tamil Telugu Hindi Malayalam Kannada
Travelling
Hiking
Photography
Sketching
Crafting
CONTENTS:
SOFTWARE SKILLS: Presentation Softwares: Adobe InDesign Adobe Photoshop Adobe Illustrator
Drafting Softwares: Auto CAD
3D modelling Softwares: Sketchup Rhinocerous Blender
Rendering Softwares: Lumion
Photo Editing Softwares: Adobe Lightroom Snapseed
REFERENCE:
- Design Collaborative Third Floor SV Complex, No. 179, Eswaran Dharmaraja Kovil St, Puducherry, 605001 Contact: Ar. Karpagam Venkataraman - 9786660890
- CMR University School of Architecture Sri Nivasa Reddy Layout, AECS Layout, Marathahalli, Bengaluru, Karnataka 560037 Contact: Ar. Anusha - 9008885794
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KALA THARANGINI FILM MUSEUM LAKE EDGE DEVELOPMENT WORKSHOPS PERSONAL PROJECTS MISCELLANEOUS
CHALANA CHITHRA UDYANA
MAP SHOWING LANDUSE
MAP SHOWING SEWER NETWORK
MAP SHOWING WATER NETWORK
TIMELINE OF EVENTS
Site Location:
Dharmaraya Swamy Temple Rd, Halsurpete, Nagarathpete, Bengaluru, Karnataka 560002 The Badami house, also known as the George Oakes building is a 100 yr old building. It was earlier used as a preview theatre, KCA Office, later housed a SBI bank and KSTDC office.
CHALANA CHITHRA UDYANA
The main intent of this project is to bring back the historic value of the site before the renovation of the Badami house. It was earlier used as a production office for the Kannada film industry.
Strength: • Rich cultural heritage • Cultural and religious centres around the site • Easy access of all the market spaces • Rich film history in the site • Presence of diverse communities around
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Opportunities: • Religious and cultural activities around the site • Cubbonpete market area • Tapping into the rich history of the site
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Weakness: • Densly populated area • Traffic congestion • Prone to flooding due to improper drain lines • Pedestrain access to the site is only from the skywalk
T Threats: • All the native community crafts are now fading away as jobs in the goverment and IT sector is found to be lucarative amongst the next generation. Though their culture is continued to be seen, most of their arts are fading.
CHALANA CHITHRA UDYANA
MAP SHOWING LANDUSE
ROADS SHOWING SHOPS AND RETAIL
MAP SHOWING TRANSIT ORIENTED DEVELOPMENT FAR ZONES
MAP SHOWING RELIGIOUS INSTITUTIONS
SITE PRECINCT ANALYSIS Migrants have been coming to bengaluru in search of a better livelihood ever since the initial expansion of the pete. The initial migrants, mostly from neighbouring states, adopted Kannada as their primary language for communication. It was mainly during the colonial period that the city became a Multi-cultural hub.
CHALANA CHITHRA UDYANA
The main intent of this project is to bring back the historic value of the site before the renovation of the Badami house. It was earlier used as a production office for the Kannada film industry.
INFERENCES
ACTIVITY MAPPING
Ecology and natural context:
• Due to the presence of large open parks such as Cubbon park and Lalbagh park with sampangee and Lalbagh lake, there will be better underground water level present in the areas around. • Presence of sewer lines.
Cultural context:
• Bengaluru, being known as a trade/commercial district, the character and function remains constant in a city focussed on its IT boom. • The religious institutions in and around the site retains the old significance in terms of culture and traditions followed by the people. • As high activity zones are mainly the important nodes and hotspots, the commercial activities lead to heavy movement in the day, and gradually reduces during the night.
Political and Economic factors:
• According to the Transit Oriented Development policies, the site precinct lies in the intense and standard zones. • A large percentage of commercial spaces around the site consist of secondary markets.
CHALANA CHITHRA UDYANA “The introspective planning was the main idea of my design, the form slowly evolved to fit in all the programs”
The spatial planning has been done in such a way that the users can have a holistic view of the entire premises from the Open Air Theatre
The Open Air Theatre being the most important element that holds the entire space together, situated at the centre gives a wholesome visual access to the other programs. The central open space given for regular recreational activities can be used by the neighbourhood in addition to hosting events.
Morphology Diagram Chalana Chithra Udyana is a fun interactive film museum.
Massing of the space Connection between two levels gives the illusion of extra space, also enriches the functional and aesthetic possibilities of a building.
MASTER PLAN
GROUND FLOOR PLAN
CHALANA CHITHRA UDYANA
The main intent of this project is to bring back the historic value of the site before the renovation of the Badami house. It was earlier used as a production office for the Kannada film industry.
SECTION X-X’
SECTION Y-Y’ The cafe is placed in the farther end of the site to bring the visitors to the farthest corner and have the overall experience.
FIRST FLOOR PLAN
The social media office caters to the upcoming influencers, that has rent out spaces to make podcasts, mini theatres to screen their movies, spaces to record interviews etc.
The Film archives is to preserve the national audio visual heritage. Contains contents like Films, documentaries etc.
SECOND FLOOR PLAN
KALA THARANGINI
Places of historic value
SWOT ANALYSIS
Site Location:
MRC Nagar, Adyar, Chennai, Tamilnadu 600 The site is located at MRC nagar, a large well-developed neighbourhood in South Chennai. Located on the banks of Adyar river, the locality is bounded by Besant Nagar to the East, Buckingham Canal to the West, Thiruvanmiyur to the South and Adyar River to the North. Being one of the premium areas in Chennai, Adyar has clear segregation of residential and commercial developments.
Strength: • River as a natural resource and a view. • Mixed landuse patterns. • Good Ecological wealth. Weakness: • Encroachment along the river. • River stewn with garbage pollutes which makes it unfit for use. • Lack of connectivity between the banks. Opportunities: • Mixed use development along the river edge can enhance the economy and also protect from encroachment. • Enhance the water quality with riparian edges. Threats: • Soil erosion due to extensive development. • Floods.
Places of recreation
KALA THARANGINI
The intent of the project is to create a spine of mixed use development along the riverside and provide public spaces that foster cultural creativity in the city. To provide neighbourhood-level social infrastructure and recreational facilities. The proposal facilitates the community in providing education, entertainment, and recreation which will bring fitness and health for the residents and workers.
Dr. Ambedkar Memorial
Sun Network Office
Leela Palace
Bellica Towers
Ceebros One 74
Mayor Ramnath Chettiar Hall
Chettinad Vidhayshram
KALA THARANGINI
MERITS: • Axial Planning. • Divergent View. • Activity space oriented towards the river edge.
DE-MERITS: • No play of solids and voids in the built form. • Entrance is not defined.
MERITS: • Play of spaces creating interesting forms. • Entrance is defined • Public spaces to the edge of the site
DE-MERITS: • Inward planning • Not responding to the merits of the site.
CONCEPT DEVELOPMENT
The opening of the portal widens as the user progresses close to the Adyar river, taking the river view as an advantage to frame its effortless continuity.
MERITS: DE-MERITS: • Responds to the site and context • Pockets of • Play of solids and voids in the form informal courtyard • Divergent view spaces created • Public spaces to the edge of the site. • Activity space oriented towards the river edge.
The visitors passing by will get a view of the project from where they stand, which will act as an inviting approach to attract more users. The widening of the portal will maximize the view of the Adyar River and consequently making the cone of vision more dynamic. The functional activities emerge from the center and face out towards the building’s exterior, maximising visual links to the outdoor environment.
KALA THARANGINI
The river starts at Manimangalam and the water from the Chembarambakkam lake joins the river near Thirumudivakkam. It flows into the Bay of Bengal, at a place called Adyar. The word ‘Adyar’ could mean a river that gets blocked. The reality is that the river, which is several hundred meters wide, has a mere 5m entry into the sea, that is only for the tidal water to ebb and flow.
The Pallavas and the Chalukyas fought a battle here. As the Chalukya dynasty spread over Maharashtra and Karnataka, they wanted to capture Kancheepuram, and a battle was fought at Manimangalam. Battle of Adyar was fought on the banks of the Adyar river by the French East India company men and the Nawab of Arcot’s forces over St.George Fort.
The intent of the project is to create a spine of mixed use development along the riverside and provide public spaces that foster cultural creativity in the city. To provide neighbourhood-level social infrastructure and recreational facilities. The proposal facilitates the community in providing education, entertainment, and recreation which will bring fitness and health for the residents and workers.
KALA THARANGINI
Pockets of green spaces are created
“BLURRING THE BOUNDARIES BETWEEN THE INDOOR AND OUTDOOR”
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The functions of the civic centre has been arranged in such a way that the interative activities are alongside the river edge. The semi public activities are near the entrances, so that it encourages people to use the whole site.
In the present, one finds the city dotted with accessible venues that aren’t quite as elite. Hence the proposal consists of spaces that cater to all kinds of performance arts.
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Chennai has always been a culture-rich city, be it dance, architecture, theatre, or music. Earlier in 1980-90, an evening of entertainment would consist of the rich making their way to a ticketed concert or dance recital at The Music Academy. To date, there are two profound auditoriums in Chennai. One being the Music Academy and the other being the Narada Gana Sabha.
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LEGEND: 1. Entry 2. Car Parking 3. Two-wheeler Parking 4. Admin 5.Cafe 6. Squash Court 7. Badminton Court 8,9. Multi Purpose Halls 10. Auditorium 11. Foyer 12,13. Courtyard 14,15. Rehearsal Halls 16. Services 17,18. Classrooms 19. Gallery 20. Activity Area 21. Riverside Seating 22. Service Entry 23. Service Parking
The Gym and Yoga spaces are kept facing the river edge to give the sense of calmness and peace. 25
24
26
27
28
30 29
32 31
The Art gallery is a semi open cantelivered bridge that houses various art installations and art displays. LEGEND: 24. Multi Purpose Hall 25. Staff Room 26. Recording Studios 27. Gym 28. Washroom 29. Yoga 30. Entrace Foyer 31. Gallery 32. Display Bridge
KALA THARANGINI
The linear axis has been chosen inorder to obtain the view of the Adyar river from the entrance of the site till the river edge. The buildings have been placed in such a way that it maximises the cone of vision for the viewers.
Multi-Purpose Hall
Admin
Multi-Purpose Hall
Cafe/Restaurant
Squash
Auditorium
Badminton
The spatial planning has been done to provide the users with a holistic view of the entire premises.
Classrooms
Art Gallery
Yoga
Display Area
The intent of the project is to create a spine of mixed use development along the riverside and provide public spaces that foster cultural creativity in the city. To provide neighbourhood-level social infrastructure and recreational facilities. The proposal facilitates the community in providing education, entertainment, and recreation which will bring fitness and health for the residents and workers.
LAKE EDGE DEVELOPEMENT
URBAN DESIGN
WARD LEVEL ANALYSIS WATER QUALITY OF LAKES AS PER OBSERVATIONS Seetharampalya Lake Doddanekkundi Lake WARD DIVISIONS OF BANGALORE BY BBMP Kundalahalli Lake Munnekolala Lake
WARD NAME: DODDANEKUNDI The Doddanekkundi ward is located in the Mahadevapura, in the Bengaluru division. The ward stretches to a total area of 12sq.km The altitude is 874m above sea level Population (2011) : 63083 people
Chinnapanahalli Lake
BUFFER ZONES FOR RAJAKALUVES: -Primary Rajakaluves - 50M -Secondary Rajakaluves - 25M -Tertiary Rajakaluves -15M -From Lake Edge - 7.5M
Rajakaluves or storm water drains form a network all over Bengaluru and are interconnected by lakes. When there is over-flowing of the drains, the run off water empties into the lakes. But due to illegal sewage entry from the community inturn affects the water. Out of the 5 lakes in our ward, 4 lakes are affected by untreated sewage except the Kundalahalli lake.
LAKE EDGE DEVELOPEMENT
Doddanekkundi lake
Seetharampalya lake
5
1
4
2
3
Kundalahalli lake
WATER MOSS/WEEDS FAUNA
Chinnapanahalli lake
Doddanekkundi ward comprises of 5 lakes namely, 1. 2. 3. 4. 5.
Doddanekkundi lake Chinnapanahalli lake Munnekolala lake Kundalahalli lake Seetharampalya lake
REASONS FOR IMPROPER FUNTIONING: • The lakes are polluted and lack of noticable or insufficient access points. • Fear locales points. • Sewage inlet into the lakes.
Munnekolala lake
The project aims to revive the dead Doddanekkundi lake and rejuvenate the precinct with public life and activities. The study was done to understand the present day livability, people’s perception, infrastructure and utilities availability, etc. The Edge development resulting in the up-liftment of the face of the area and addressing the daily needs of the communities without disrupting much of the existing fabric.
LAKE EDGE DEVELOPEMENT
URBAN DESIGN
1 Doddanekkundi lake
NORTH
1 Doddanekkundi lake
1 Doddanekkundi lake
NORTH EAST MONSOONS LANDUSE MAP 0F 2020
EAST
WEST
INCOME MAP
SITE SUITABLE FOR LAKE REJUVENATION 1
SOUTH WEST MONSOONS
Doddanekkundi lake
Site for intervention
SOUTH
FEAR LOCALE
TRAFFIC CONGESTION
GAR
OPEN SPACES
GARBAGE DUMP
DUMPING VIOLATIONS
LANDUSE |
LAKE EDGE DEVELOPEMENT
6th A lane
6th A lane
6th A lane
1
road
Lake view road
ACCESS POINTS
Lake view road
STORM WATER DRAINS
STRENGTH
Diversity of people Commercial/Residential streamlined Proximity to amenities Parks, Playgrounds,Green routes Planned housing Urban Village Connectivity of roads
8th cross
Dahlia lane
2 Lake view road
• • • • • • •
8th cross
Dahlia lane
Dahlia lane
8th cross
road
road
1
SEWAGE LINE ENTRY
• • • • • • • •
WEAKNESS
Garbage disposal Open drains Connectivity and Poor Roads Poor footpath and street lights Encroachment No public recreational space No Public toilets Accessibilty of public transports
SWOT ANALYSIS • • • • • •
OPPORTUNITIES
Lakes as a source and public interaction Hawkers Zone Edge Treatment Public Utilities Recreational spaces can be created Gathering Space
THREATS
• Varying road width • Underpass/Railway lines • Spread of garbage(Garbage dump, Stagnant water in drains) • Illegal use of water • Fear locals • Gentrification • Intermediate roads used as main roads
The project aims to revive the dead Doddanekkundi lake and rejuvenate the precinct with public life and activities. The study was done to understand the present day livability, people’s perception, infrastructure and utilities availability, etc. The Edge development resulting in the up-liftment of the face of the area and addressing the daily needs of the communities without disrupting much of the existing fabric.
LAKE EDGE DEVELOPEMENT
62.0
40.5
Hawkers Zone Entry ss rd
ss rd
SITE
15th cross
Dodd
16th cro
anekkun
Site for Intervention 4th cross
Interaction Zone
rd
14th cross
3rd cros
s rd
rd
rd
13th cro
ss rd
450.0
320.0
di Ma
DODDANEKKUNDI LAKE lake Doddanekkundi
in rd
18th cross rd
17th cro
12th cross
8th cross rd
rd
2nd cros
s rd
1st cross
rd
60.0
8th cross rd
Entry
Art Plaza and play area
21.0
ross rd 4th c
5th cros
Doddanekkundi lake
s rd
Lake View rd
rd
96.0 23.0
8th cross rd
6th cross
PRODUCED BY AN AUTODESK STUDENT VERSION
mplex
PRODUCED BY AN AUTODESK STUDENT VERSION
URBAN DESIGN
Sports co
CONCEPT AND ZONING
The Interaction zone was designed as a space for the users to interact with the other people of the community. The pergolas are used by the joggers and walkers.
PRODUCED BY AN AUTODESK STUDENT VERSION
The Art Zone was designed for the people in the community to showcase their works and take part in the workshops and enhance their skillsets.
The Play Zone is for the kids in the neighbourhood. Parks also provide great opportunities for parents to bond with children, and for children to make new friends.
Doddanekkundi Lake Pergola Seating
8th Cross Rd
Art Zone
OAT
View from the Entrance 1 Interaction Pavillion
Pergola
Art Zone Doddanekkundi Lake
Play Zone
Bird’s eye view of the intervention
Pergola
Seating
LAKE EDGE DEVELOPEMENT
The project aims to revive the dead Doddanekkundi lake and rejuvenate the precinct with public life and activities. The study was done to understand the present day livability, people’s perception, infrastructure and utilities availability, etc. The Edge development resulting in the up-liftment of the face of the area and addressing the daily needs of the communities without disrupting much of the existing fabric.
Entrance 1 Pavillion
Bird’s eye view of the site 8th Cross Rd Art Zone OAT
Play Zone
Entrance
Hawkers Space
Entrance 2 Doddanekkundi Lake
Play Zone
Entrance
View of the Play zone from the Art zone
INTERNSHIP WORK Home Studio, Chennai Duration: 1 month part-time
A residential project by TVH builders at Coimbatore. Worked on the interior design solutions. Started off with putting together the mood board and brainstormed about the furnitures and the finishes. Made detailed drawings for the furnitures and counters.
INTERNSHIP WORK
Duration: 3 months Full-time
Worked on multiple projects such as Graphic designing, Residence design, Commercial space design, and Interior design. Worked on various design competitions and working drawings for auditorium spaces.
Design Collaborative, Pondicherry
Renders from Design competition for Aurowell, Hyderabad
Renders from Design competition for Aurowell, Hyderabad
PRODUCED BY AN AUTODESK STUDENT VERSION
11
10
9
100
100
1335
100
1065
7
6
100
1065
200
1065
H
100
1600
100
1510
-50
7
LADIES TOILET -25
6
6
1
100 MM LEDGE WALL
10
TYPICAL TOILET DETAIL GROUND TO FIRST FLOOR TYPE - 2
3
-300
G
-25
-25
FIRST FLOOR +3600
+3600
GROUND FLOOR PLAN TOILET DETAILE TYPE - 3
F
2400 MM HIGH
2400 MM HIGH
GROUND FLOOR PLAN TOILET DETAIL TYPE -1
GROUND FLOOR PLAN KEY PLAN
FIRST FLOOR +3600
+3600
-25
1200 MM HIGH LEDGE WALL
+3600
BATHROOM
-25
SUNKEN
2400 MM HIGH
2400 MM HIGH
2400 MM HIGH
MR
-50
GROUND FLOOR ±0.00 1200 MM HIGH LEDGE WALL
LEDGE WALL
SECTION 3-3
-50
-25
-25
SUNKEN
WC
-25
-50
-50
FIRST FLOOR +3600
+3600
SECTION 7-7
SUNKEN
2400 MM HIGH
2400 MM HIGH
D
100 300
-50
-50
-50
-50
-25
-50
-25
±0.00
-25
GROUND FLOOR ±0.00
SECTION 6-6
C
LEDGE WALL 800
600
200
CONVENTION HALL
B
UR 300
URINAL MOUNTED
45MM THICK PRECAST SLAB 18MM THICK GRANITE
A
-25
-300
-25
±0.00
+3600
-25
-25 SUNKEN
+3600
SUNKEN
W.C
+3600
SUNKEN
SCALE 1:25
SCALE 1:25
FIRST FLOOR +3600
DETAIL-A
SCALE 1:25
Department
ARCHITECTURE
Drawn Dealt Checked Date
VAISHNAVI RAVI IG 15.07.2019
A1
DES IGN COLLABORATIVE
10
URINAL DETAIL SECTION
ARCHITECTURAL WORKING DRAWING
Sheet size
75
WASH BASIN DETAIL SECTION
WASH BASIN DETAIL SECTION FIRST FLOOR +3600
REFERENCES:
GROUND FLOOR & FIRST FLOOR TYPICAL TOILET DETAIL
530
1800 1000
1200
18MM GRANITE SLAB
W.B
800
2400 MM HIGH
DETAIL-A
300
2250 MM HIGH
2400 MM HIGH
DETAIL - A JANITOR CLOSET SECTION SCALE 1:25
DETAIL-A
800
W.B
2250 MM HIGH
M.R.
600
TERRACE +7200
+7200
B
2400 MM HIGH
VAISHU RAVI VAISHU RAVI DWN. APP.
M.L.
120MM HIGH LEDGE WALL TERRACE +7200
TOILET FITTING TO BE CHANGED UPDATED TOILET DETAIL DESCRIPTION REVISIONS
600
GROUND FLOOR ±0.00
SECTION 2-2 +7200
R2 18.11.2019 R1 24.9.2019 REV. DATE
2100
-25
SECTION 5-5
1500 MM LEDGE WALL
-25
GROUND FLOOR ±0.00
-25
2200
-25
150
1700
2400 MM HIGH
C:\SHEET TEMPLATE\'FOR' IMAGES\FOR CONS.jpg
18MM THICK GRANITE
300
100
FIRST FLOOR +3600
+3600
C
±0.00
NOT TO SCALE
2400 MM HIGH
SECTION 1-1 +3600
TYPE -5
FIRST FLOOR PLAN KEY PLAN
-25
D
2400 MM HIGH
GROUND FLOOR ±0.00
-25
-50
MR
-25
E
SECTION 4-4
FIRST FLOOR +3600
±0.00
±0.00
-50
TYPE - 4
TYPE - 2
300
E
GROUND FLOOR ±0.00
-50
TYPE - 1
NOT TO SCALE
SUNKEN
1200 MM HIGH LEDGE WALL
2400 MM HIGH DADO
FIRST FLOOR
TYPE - 3
TYPE - 2
H
±0.00
4
UP
ROOM 7 +3600
TYPICAL TOILET DETAIL FIRST FLOOR PLAN TYPE - 5
FIRST FLOOR +3600
5
100 MM LEDGE WALL
8
D7
F
9
FIRST FLOOR PLAN TOILET DETAILE TYPE-4
100MM LEDGE WALL
BATH -50
-25
(SCALE 1:5)
A
SUNKEN
Architecture Planning Engineering Graphic Design No.179, III Floor, S.V.Complex, Eswaran koil st., Puducherry-605001
11
SECTION 10-10
SECTION 9-9 10
9
8
7
SCALE 1:50 6
5
4
PRODUCED BY AN AUTODESK STUDENT VERSION
SECTION 8-8
3
2
1
1811-A-4-006
R2
PRODUCED BY AN AUTODESK STUDENT VERSION
100 MM LEDGE WALL
PRODUCED BY AN AUTODESK STUDENT VERSION
GROOM'S ROOM ±0.00
BRIDE'S ROOM ±0.00
-50
All dimensions are in mm unless otherwise specified. Figured dimensions are to be taken in preference to scale. Latest drawing to be followed Contractor to verify all dimensions on site before commencing the work. Any discrepancies in the drawing to be brought to the notice of the consultants before execution.
-25
-25
-25
Copyright of designs shown herein is retained by this office. Authority is required for any reproduction. Copyright DC Pte. Ltd. NOTES:
100 MM LEDGE WALL -600
7
1
H
-50
2
GENTS TOILET -25
-50
8
SUITE ROOM 6 +3600
-25
BATH -50
BATH -50
-25
GROUND FLOOR
1
-25
-50
G
2
9
100 MM LEDGE WALL
100 MM LEDGE WALL
BATH -50
-50
-50
-25
±0.00
3
10
100 MM LEDGE WALL
-50
-50
4
200
4355
100 MM LEDGE WALL
SD2
2
5
5
14150 100
1065
8
4
3
PRODUCED BY AN AUTODESK STUDENT VERSION 11
12
10
9
8
6
7
5
4
3
13716 1500
1500
WELL
TOILET 1500X2400
PATIO
UTILITY 2400X2400
All dimensions are in mm unless otherwise specified. Figured dimensions are to be taken in preference to scale. Latest drawing to be followed
DRESSING 2200X2400
G
G
KITCHEN 3900X3600
BEDROOM 3900X3600
GUEST BEDROOM 4516X3600
Copyright DC Pte. Ltd. NOTES:
TOILET 1400X1300
BEDROOM 4516X3600
TOILET
Contractor to verify all dimensions on site before commencing the work.
TOILET
1500X3600
1500X3600
F
F
POOJA 1000X 1300 17500 22860
E
MEDIA ROOM
COURTYARD 4600X4000
DINING 5600X4000
5600X4000
UP
E
DN
REV DATE
MASTER BEDROOM 6216X4200
DESCRIPTION
DWN. APP.
REVISIONS REFERENCES:
LIVING 6216X4200
D
D
CAR - 1
Dr. ARAVIND RESIDENCE CHENNAI GROUND & FIRST FLOOR PLAN
VERANDAH 3000X2100
C
TOILET 3000X2100
GARDEN
B
3860
UP
DRESSING ROOM 2800X2100
C
ARCHITECTURAL CONCEPT DRAWING
FIRST FLOOR PLAN B
CAR - 2
Department
ARCHITECTURE
Drawn
AKSHARA
Dealt
I.G
Checked
I.G
Date
20.09.2019
A3
Sheet size
DES IGN COLLABORATIVE ROAD
ENTRY A
GROUND FLOOR AREA - 128.44 SQ.M (1382 SQ.FT)
GROUND FLOOR PLAN 11
10
9
8
FIRST FLOOR AREA
- 134.36 SQ.M (1446 SQ.FT)
TOTAL
- 266.80 SQ.M (2871 SQ.FT)
7
6
5
PRODUCED BY AN AUTODESK STUDENT VERSION
12
Architecture Planning Engineering Graphic Design
AREA STATEMENT: A
No.179, III Floor, S.V.Complex, Eswaran koil st.,Puducherry-605 001
SCALE 1:100 1607-A-C-007 4
3
R0
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
Copyright of designs shown herein is retained by this office. Authority is required for any reproduction.
N H
1500
H
10716
WORKSHOPS
Ramming the layers of mud to make the seating Ramming the earth for strong foundation Laying the formwork for the seating
Laying fine aggregate for the base Laying coarse aggregate
FINAL OUTCOME
Arranging fine and coarse aggregate
The objective was to design a ecological and economical seating space inside the college premises. So, we made a seating space using the rammed earth technique. We experimented with the coloured oxides, adding some colour to the seating. Used materials like marble tiles, bamboo sticks, terracota tiles as the counter, making it aesthetically pleasing and comfortable to sit on and rejoice the space.
Seiving
Rammed Earth Workshop
WORKSHOPS
Wood cut printing Workshop
Wood cut printing is a relief printing technique. We carve an image into the surface of the block of wood with the wood cutting tools and leaving the printing parts level with the surface while removing the non-printing parts.
WORKSHOPS The Caterpillar
The objective was to design the pathway that acts as a transition space from the entrance of the college premises to the architecture block. We were given a couple of materials to choose from and to work with. The materials we chose were cloth, bamboo, pots and twine. We came up with a prototype design and we repeated the same design throughout the space.
PERSONAL PROJECTS:
Interior Designing
Menu card designs for a cafe based in chennai “Out Of The Bottle”
Branding and Packaging designs for a small scale handmade soap business “the bath storie”
Poster Designing
PROJECTS:
INTERIOR DESIGN 1 RENDERING 2 POSTER DESIGN 3 DIGITAL MARKETING 4 5 BRANDING AND PACKAGING WEBSITE DESIGN 6 RESIDENTIAL PROJECT 7
Logo Designing
ARROW VENT URES
MISCELLANEOUS: Sketches, Illustrations, Photography
Sketches from my experience at Pondicherry
MISCELLANEOUS: Sketches, Illustrations, Photography I started to experiment with illustrations during the lockdown and yes indeed the lockdown helped with time, and I got to see what my niche really was. I really enjoy painting the beach, animals and try to sketch the places that are really close to my heart. Making illustartions has become a part of my daily life as it helps me observe a lot of details.
I Akshara Rammurali, hereby declare that all the works in this portfolio contains only original works done by me. All drawings, models, photographs, sketches and texts are my own.