Spring 2013 - Alberta Craft Magazine

From the Executive Director

March is provincial budget time and this year there were more rumours than usual circulating about cuts to various aspects of provincial spending. For much of last year, both Premier Alison Redford and Culture Minister Heather Klimchuk were talking about increases in policy activity and investment in arts and culture. Unlike previous premiers, Redford has been quite enthusiastic about provincial government support of culture. She explains that Alberta will attract a million more residents over the next decade and that they will come for the jobs but stay for the culture. But, for several months, chatter has been about no increases and possible cuts to culture funding. Both Minister Klimchuk held an information session at Government House immediately after the budget announcement. I attended along with about 60 other invited arts leaders.

Overall the Alberta Culture budget has been cut, but not severely. Operating dollars have been cut

And, funding cuts to municipalities, to education, to tourism, and other provincial spending, are likely to have some impact on the arts.

Coincidentally, the Alberta Foundation for the Arts just released its Arts Impact Alberta: Ripple Effects from the Arts Sector. Google “Alberta Foundation for the Arts Arts Impact”. There are contain all sorts of illuminating ideas, all of which speak to the vibrancy and creativity of the arts sector and the high rate of return on investment. For example:

providing opportunities for public engagement with the arts.

annually through activities associated with Alberta’s arts sector

part time staff were hired each year by thetional funding annually from the AFA. event per year. home or community.

ALBERTA CRAFT MAGAZINE

The Alberta Craft Council Magazine is published quarterly.

Submission Deadline for the Summer 2013 Issue: May 25, 2013

The Alberta Craft Magazine makes every effort to ensure the accuracy of the information contained herein, but assumes no liability in cases of error or changing conditions. Any business relations or other activities undertaken as a result of the information contained in the Alberta Craft Magazine, or arising there from, are the responsibility of the parties involved and not of the Alberta Craft Council.

ALBERTA CRAFT COUNCIL

Offices, Gallery & Shop: 10186-106th Street

Edmonton, AB Canada T5J 1H4

Office Information:

Hours:Monday – Friday 9 am to 5 pm

Tel:(780) 488-6611 OR 1-800-DO CRAFT (1-800-362-7238) Fax:(780) 488-8855

E-Mail:acc@albertacraft.ab.ca Website: www.albertacraft.ab.ca

Alberta Craft Gallery and Shop:

Hours:Monday – Saturday, 10 am to 5 pm

Open until 6 pm on Thursdays (780) 488-5900

for the Alberta Foundation for the Arts has not been cut further. But this is slight consolation. The -

recently as last fall the Minister was calling for a $10 million increase to AFA funding (only a partial restoration). Now she is saying this might happen some time in the next several years. This means the AFA will struggle on to keep up with population increase and arts sector growth. Capital cuts could have a negative affect on projects such as the King Edward Arts Hub in Calgary and Artists Quarters project in Edmonton, both of which are expected to provide new spaces for the Alberta Craft Council. The Minister also explained that the new Royal Alberta Museum in Edmonton

center proposed for Calgary is on hold. Cuts to other programs will also impact the arts. The STEP, Summer Temporary Employment Program, will be shut-down. The ACC has used this whom have become valued long-term employees. The Community Spirit Program, which matched eliminated. This will end one of ACC’s smaller but still important revenue sources, because any money you donated to the ACC (or other arts organizations) could have been matched by this program.

-Albertans are extremely engaged with the arts. Attendance at arts events and participation in the arts is the norm for Albertans.

-There are many Albertans who are ardent patrons of the arts; attendance at arts events presented by AFA operational grant recipients each year exceeds the population of the province.

On the up-side of life at the Alberta Craft Counfriends and supporters attended a fabulous surprise party for me on Friday March 1st. This Executive Director. I want to thank everyone who attended or sent me cards and e-greetings. I want to thank staff members who were completely successful at keeping the event secret. They composed a beautiful little hand-made book of tribute letters and photos from all over the province and country. And I especially want to thank Karen her gift of a stunning silver pin that will help me remember and celebrate this event in perpetuity.

Staff:

Executive Director:Tom McFall, ext. 228

Administration Manager:Nancy St. Hilaire, ext. 234

Gallery Coordinators/ Membership:Joanne Hamel, ext. 221

Communications:Laura O’Connor, ext. 231

Events:Annette Aslund, ext. 221

Retail Gallery Coordinator:Linda Frena, ext. 232

Craft Shop Staff:Elaine Emerson, ext. 232

Board of Directors:

Chair:Tara Owen, Calgary

Past Chair:James Lavoie, Edmonton

Directors:Xanthe Isbister, Medicine Hat

Mary-Beth Laviolette, Canmore

Heather Forbes, Grande Prairie

Victor Steel, Fort McMurray

Kari Woo, Canmore

Patti Hartnagel, Edmonton

Dawn Detarando, Red Deer

Jennifer Salahub, Calgary

Meghan Wagg, Edmonton

Kai Georg Scholefield, Calgary

Magazine Editor:Nancy St. Hilaire

Magazine Design:Lime Design Inc.

Alberta Craft Council is a not-for-profit organization dedicated to developing Alberta craft and the Alberta craft industry.

Sponsors:

Alberta Craft Council Annual General Meeting Reports

Update on Pulp Paper Pages at Hanji Festival in South Korea

Wonju is the ancient centre of mulberry paper making in South Korea and a modern centre for the hi-tech paper industry. Each autumn, Wonju city hosts a huge annual Hanji (paper) Festival with several hundred thousand visitors attending more than 100 events including exhibitions, ceremonies, workshops, tours, lantern parades, fashion shows, and artist exchanges. In addition, there are singing, traditional theatre, puppet shows, concerts and various art performances, as well as traditional folk games that you can experience. This year hosting the Alberta Craft Council’s Pulp Paper Pages exhibition.

Leighton Art Centre, Gallery & Museum Calgary, Alberta

Come participate in the Alberta Craft Council’s AGM in the Old Red Schoolhouse at the Leighton Art Centre. Get a copy of the annual report, meet other members and experience the beautiful venue of the Leighton. Pulp Paper Pages exhibition reception to follow in the

Pulp Paper Pages is a major survey exhibition showcasing the current environment of paper and book arts. A joint project of the Alberta Craft Council and the Calgary and Alberta North chapters of the Canadian Bookbinders and Book Arts Guild, this juried exhibition features a wide variety of forms, objects, approaches, techniques and concepts found in both

present their own take on pulp, paper, and pages. The exhibition is featured at

Wonju is formally twinned with Edmonton and Gangwon province has a similar agree-

the Alberta Craft Council hosted a VIP visit by coordinators of the Hanji Paper Festival where talks of an exchange began. The ACC, Edmonare currently working to send the Pulp Paper Pages exhibition to the Wonju Hanji Festival as well as an exchange of Edmonton and Wonju, and Alberta and Gangwon, paper artists. For current updates on this project please visit www.pulp-paper-pages.com

On the Cover

Mythopoet, Bee Kingdom, 2011 Blown glass 10” x 16”x 10“

Photo Credit: Erin Wallace

Amidst the Bee Kingdom’s body of work are icons of their collaborative process, the “Mythopoets”. Called so because they are the result of combining the ideas and aesthetics of the individual practice of each artist into a single sculpture or narrative.

Homage Linda Chow 2011, Paper, plastic, copper and drinking straw, 6” x 5” Photo Credit: Laura O’Connor, ACC

Tom McFall – 15 years as Executive Director

The Alberta Craft Council celebratedtended by friends, members, supporters, staff and board. Tom was presented with a pin by Karen Cantine and collection of best wishes. Here are a few samples:

craft is a constant inspiration to all those that work with you. Your passion for craft is truly contagious. Many words may begin to describe your role here at the ACC: mentor, teacher, coach, leader, visionary, motivator - but that would only scratch the surface of how you’ve inspired your staff and coworkers, the members and supporters of the ACC.” ACC Staff -Nancy, Joanne, Laura, Annette, Linda, Elaine, Pat

“I both live for and dread those signature Tom McFall “what-if” diatribes, where I amsionately enthralled by the creative thinking and excitement he brings to a project. Tom

I wish to be among the many congratulating

I look back at my own career as a craft maker - Tom was a part of it from the very to play a key role in every phase of its evolution. He helped me to see not just the potential in my own work, but the intrinsic cultural value of the entire craft milieu.

I got to know him better when I became a member of the board of the ACC - many road trips to Calgary over the years meant lots of opportunity for great conversation -

craft and how dedicated Tom is to its nurturing. In that capacity I also got to see him in action on the national level and realized

My vision… -

makes the impossible seem possible, and then turns those possibilities into reality, and I am always impressed.”

- Maegen Black, Administrative Director, Canadian Crafts Federation

“I am delighted, thrilled and over the moon to get a chance to celebrate your 15th anniversary with the Craft Council. If I seem a bit over the top in my enthusiasm -it’s because it’s hard to keep people of your caliber in the arts and cultural industries for any length of time, never mind 15+ years.” -

Laurie Blakeman, MLA Edmonton-Centre

“All that I know and care about Fine Craft, I’ve learned from my valued association with Tom McFall; and no better a source is there.”

- Vic Steel, Board Member

“As a member of Alberta’s dynamic and that you have tirelessly and passionately advocated and worked for, I Thank You.”

- Katrina Chaytor

very quickly how knowledgeable he is, how well he represents our organization, how he understands and can so accurately articulate the workings of the whole craft community, and how he stands out among his peers.

A highlight for me was to be part of Tom and the ACC’s pivotal role in the Cheongju and to be there to witness his enthusiasm in showcasing Canadian craft to the world.

I value Tom as a friend and mentor - I can’t imagine anyone more capable of doing the complex job of guiding the ACC even more successfully into the future.

Congratulations Tom and thank you.

James Lavoie

ative individuals, as art forms, as viable and valued for their cultural contribution. I think that object making is an essential human activity, along with language, music, food, dance, architecture and others. I believe that the making of original, meaningful, valued objects is a necessary form of expression in all cultures, and that the trading, collecting, appreciating, using of deliberately cultured objects is a social need that stretches continuously from prehistory through the present into the future. Without craft makers, there would be little archaeology and few museum collections. Without craft there would be little music or cuisine. Without craft there would be no cathedrals. Without craft the Renaissance would be a blip in military and banking history. Without craft there would be no Zen temples, no Shaker furniture, no Arts and Crafts movement, no modernist punks, and no Hindu festivals, Mardi Gras or Burning Man events. And without craft and craft makers there isn’t much creative hope for new object making after the mediocrity of Walmart runs its course. Craftspeople, craft makers, craft artists are some of the most profoundly creative and innovative people. Their work and their contribution to society need a prominent place. And, craftspeople are also fun to

Tom McFall

OFF CENTRE: CLAY SYMPOSIUM Alberta Potters Association/Calgary Clay Arts Association

Calgary, Alberta

The Alberta Potters Association and Calgary Clay Arts Association are presenting the Off Centre Ceramics Conference at ACAD. In addition, there will be a juried APA exhibition at Webster Galleries.

The conference will begin on Friday, May 10 with a day of workshops at the ACAD ceramics studio. The workshops are designed for participants to work with clay artists at the height of their careers offering boundary-pushing insights and the latest techniques and technology. On Saturday, May 11, there will be a series of speakers and a panel discussion. The speakers will be talking about a variety of engaging and challenging topics that relate to the clay arts and the art world and are open to all artists and supporters.

For more information visit albertapottersassociation.com or contact Monika Smith at smithpr1@telus.net

About APA:

The APA mission is to provide opportunities to a wide variety of members ranging from enthusiasts, novice and professional ceramic artists and has been serving Alberta ceramic artists workshops, lectures, exhibition opportunities and community gatherings while providing support for regional craft guilds. They produce a quarterly newsletter and share resources for technical information. Visit: www. albertapottersassocation.com

About CCAA:

Stay in touch, build community, form membership relationships and support ceramic education and art. CCAA welcomes all artists, educators, art professionals and everyone interested in the creative practice and appreciation of the ceramic arts.

Visit: www.calgaryclayarts.org

BREAKING BOUNDARIES

Glass Art Association of Canada Conference, Design, Calgary, Alberta

Art Association of Canada (GAAC) in Calgary at the ACAD where we are pleased to host the most exciting conference in GAAC history. The theme this year... Innovation!

Events include: Opening keynote speaker Mieke Groot, Closing keynote speaker Norman Faulkner; presentation and demo by Tyler Rock; demo by Bee Kingdom; and a workshop by Brenda Malkinson. For a full list of presentations, demos and workshops visit www.glassartcanada.ca

About GAAC:

association which serves to connect a geographically-diverse community of artists, designers, craftspeople, educators, curators, collectors, gallerists and students passionate about work made with glass.Their aim is to highlight excellence in Canadian studio glass, both in Canada and internationally. Visit: www.glassartcanada.ca

Edmonton and District Quilters’ Guild Biennial Quilt Show, Central Lion’s Seniors Recreational Centre, Edmonton,

stunning quilts from traditional to modern, in every facet of the art of quilting. Our guild encompasses talents from beginners to national award winners. Explore how the world of quilting has evolved from treadles to computers. A Merchant Mall offering fabrics, notions, patterns, tools and gadgets is part of the festival. Merchants will be offering free ongoing demos of the latest techniques and patterns. New this year, our special guest, Pearl Braun-Dyck, quilter extraordinaire will be featured at the Breakfast Trunk Show on Saturday morning. Pearl will be teaching classes over the weekend. For more information, contact: Judy Elliot Judym.

About EDQG:

OVER THE RAINBOW Hand Weavers, Spinners and Dyers of Alberta Conference Olds, Alberta

As this year’s conference host, Sheep Creek Weavers invite you to join us on the yellow brick road to: Olds College’s 100th Anniversary and Fibre Week.

Olds College’s Fibre Week in celebrawho come are outstanding in their quality and in their commitment to bring us the very best in all things that tantalize and entice us in our chosen are delighted with the diversity of instructors and classes being offered, interests. There are weavers, spinners and dyers, plus felters, knitters and our need to explore and expand our horizons. Be careful, there could be Visit Fibre Week’s website for more details about the workshop and up-

our banquet, pre-note speaker, AGM and fashion show at the Olds and Street (just west of the Olds College campus). Our guest speaker is Tom McFall, Executive Director of Alberta Craft Council. The Over the Rainbow juried show will cap the evening with the grand opening for HWSDA members at the Olds College Library in the Learning Resource Centre. For a registration booklet go to www. hwsda.org and click on conferences.

About HWSDA: Be part of an exciting network of

of HWSDA enjoy the following ben-

to member groups and a quarterly newsletter Running Threads.

Visit: www.hwsda.org

Canadian Bookbinders and Book Artists Guild Conference Museum of Contemporary Art, Calgary, Alberta

workshops July 6 - 10)

the Canadian Bookbinders and Book Artists Guild (CBBAG) is pleased conference in conjunction with the opening of Art of the Book 2013 exhibian exciting line-up of extraordinary presentations by Sün Evrard, Julia Miller, Victoria Hall, Jim Westergard, and Jason Dewinetz, as well as a related workshops series, a trade fair, and optional Rocky Mountains Tour.

gmail.com

Art of the Book 2013 is the sixth juried travelling exhibition of members’ outside of Toronto at the Museum of Contemporary Art in downtown

travels across the country for two years post-opening and it is expected that the originality and artistic merit of these pieces will provide standards and inspiration for the Canadian book arts community. The categories for the -

paper decorating, box making, and artists’ books and will be accompanied by a full colour catalogue.

About CBBAG:

to support the development of the book arts. Membership in CBBAG (pronounced “cabbage”) is open to all those who share book-related interests and support these goals: to create a spirit of community among hand book workers and with the book community; to promote greater public awareness of the book arts; and to increase educational opportunities and foster excellence through exhibitions, workshops, and publications. Membership is drawn from all branches ofers, papermakers, paper decorators, calligraphers, and book artists, as well as collectors, book dealers, librarians, and those who love books.

of the guild are to promote the apsupport quilting activities; encourage quilt making and collecting and contribute to the growth and knowledge of quilting techniques, textiles, patterns, history and quilt makers. Visit www.edqg.ca

Visit www.cbbage.ca

Alberta Craft Council on display @ the YEG

The Edmonton International Airport’s Rotational Art Program is home to six rotational into the Airport’s new expansion. The success of the two Alberta Craft Council mini exhibitions has led to a committed partnership until

Edmonton International Airport passengers are currently being treated to two new mini exhibitions from the Alberta Craft Council. Coming Home features the work of four artists: Linda McBain Cuyler (Edmonton), Dawn Detarando (Red Deer), Claire Uhlick (Edmonton)and Jill Nuckles (Calgary) who drew inspiration from their own travels and time spent around Alberta landscapes and skylines. Brian McArthur’s Moose: Our Northern Dancers explores a Canadian theme the moose a majestic creature whose awkward and graceful nature is an ever present source of inspiration.

Alberta Culture Minister announces Provincial Historic Resource designation for Medicine Hat Brick & Tile plant

Hat Brick & Tile site, located in the River Flats Neighbourhood of Medicine Hat, Alberta and part of the city’s Historic Clay District,

Resource by Alberta Minister of Culture, Heather Klimchuk. The event was accompanied by an announcement by Medicine Hat Member of Parliament LaVar Payne of funding under Parks Canada’s National Historic Sites Cost-Sharing Program.

“Minister Klimchuk’s announcement is another tremendous milestone for the Historic Clay District,” explains Barry Finkelman, Historic Clay District Executive Director. “It is further

all Albertans and should be preserved.” Fin-ing industries really represent the beginning of Western Canada’s industrial development.”

The Medicine Hat Brick & Tile plant is believed to be one of the oldest industrial sites in Alberta, with various brick-making operations working continuously from the

Historic Clay District). The purpose of these designations is to ensure the protection of new avenues of heritage funding.

“Designation of the Medicine Hat Brick and Tile site as a Provincial Historic Resource will ensure future generations of Albertans understand a vital period of our province’s industrial history,” said Alberta Culture Minister, Heather Klimchuk. “The partnership of Medalta Society is tremendous example of

In addition to Minister Kilmchuk’s announcement, Mr. LaVar Payne, Member of Parliament for Medicine Hat, announced the Government of Canada will be contributing up to $100,000 to support the rehabilitation projects at the site.

Industries Ltd with the goal of preserving and interpreting the heritage of the site. The

believed to be the largest heritage acquisition in Alberta history.

With this most recent designation of the Medicine Hat Brick & Tile site, the Friends of Medalta Society are now stewards of three provincially designated sites (Medalta Potteries & Hycroft China) in addition to two National designations (Medalta Potteries and

“Through Parks Canada’s National Historic Sites Cost-Sharing Program, the Government of Canada is proud to contribute funds to buildings at the Medicine Hat Clay Industries National Historic Site,” said Payne. “By investing in our national historic sites and building lasting relationships with the community groups that operate them, we will continue to help support local economies and encourage more Canadians to explore and discover our national heritage.”

-

tional Historic Site in Medicine Hat, Alberta which encompasses a number of historiMedicine Hat Brick and Tile site. One of the centerpieces of the Historic Clay District is the Medalta Potteries National Historic Site, which features an industrial history museum, major industrial archaeological excavation, contemporary ceramic artists-in-residence program and working pottery. It is one of eight major attractors within the Canadian

from the Government of Canada, Government of Alberta and City of Medicine Hat. For more information contact:

Quentin Randall Marketing & FundraisingCoordinator

Medalta, in the Historic Clay District 403.529.1070 quentin@medalta.org

Coming Home and Moose: Our Northern Dancers (below)

Feature Gallery

bee kingdom

April 6 – July 2, 2013

Opening Reception: 2 – 4 pm, Saturday, April 6, 2013

Bee Kingdom is a four-person art collective consisting of Ryan Marsh Fairweather, Phillip Murray Bandura, Tim Belliveau, and Kai Georg Scholefield. The collective works primarily in glass sculpture. Together they grow and evolve artistically through collaboration and experimentation with media, techniques, and concepts. For the past seven years, Bee Kingdom has made work and shown locally, nationally and internationally due to partnerships with other artists and organizations in Canada and abroad.

Bee Kingdom is named so for a couple of reasons. Firstly, Bandura, Fairweather, Belliveau, and Scholefield all live and work communally at the home studio which they refer to as the hive. Also, the glass blowing process inherently requires teamwork, choreography and clear communication to be successful. Most pronounced, however, is the similarity molten glass has to flowing honey along with the group’s infatuation with the material… literally attracted to molten glass like bees to honey. Our attraction to glass is drawn from the natural beauty of glass. Glass as a medium is unique and working with the raw, molten material has limitless possibilities.

Wilderness Rocket Phillip Murray Bandura, 2011, Mixed media, 7”x 7”x 15”

Photo Credit: Erin Wallace

“Freedom is security. FeedomCo is making products for a safer tomorrow.”

A recent grant from the Alberta Foundation for the Arts has allowed Bee Kingdom to create a body of work that encapsulates each member’s specific practice, as well as the collaborative sculptures that represent the group’s dynamic. Titled bee kingdom, this show has been curated by Mary-Beth Laviolette (a visual arts writer and freelance curator based in Canmore) who has also contributed to the fantastic catalogue that accompanies this exhibition. The overarching theme of the show is conceptually linked more than visually as it orbits experimentation and collaboration. Specific themes touched on include cute culture, high art in glass, and political satire.

Bottom Left: Thought Bubble

blown and mirrored glass, 9” x 16” x 8”.

Photo Credit: Erin Wallace.

make up and have lovely but sometimes kitschy children.”

Right: Electrophauns

Ryan Marsh Fairweather, 2011, blown and sandblasted glass, 4”x 4” x 4” each. Photo Credit: Erin Wallace.

“I created a world where machines worship cute robot gods because it’s more fun than worshipping wrinkled old men.”

Animated Landscape

Tim Belliveau, 2011, Glass and wood, 72”x 48”x 24”

Photo Credit: Erin Wallace

“Since we learn about nature as magical when we’re kids and as a dead resource when we’re adults, it’s become a kind of mystical industry; a magical place to which we escape and sell resources.”

Feature Gallery

Barbara Tipton

April 6 – July 2, 2013

Opening Reception: 2 – 4 pm, Saturday, April 6, 2013

Most of my sculptural objects center around the idea of the cup and saucer. These works originated as wheel-thrown forms, altered and assembled, but this evolved into drawing on the surface of paper clay slabs and forming them intuitively into three-dimensional shapes. An experiment to create a cup-like shape on the wheel without physically touching the clay resulted in my most recent sculptural work. My intention with these objects is to work rapidly so that the clay retains a “fresh” quality. Postforming is a time to fiddle with details. Glazing these works has become a lengthy process of building up layers, adding imagery or further visual texture. Many of the works retain their visual identity as cup and saucer; others retain those origins only marginally. Whatever the outcome, my aim is not to be too specific, and I’m pleased when a certain amount of ambiguity creeps in.

Over the years I’ve discovered there’s quite a lot of freedom in working around a single theme. With a central image in mind I can press thick slabs by hand, employ marking tools or bisque press molds, or form thick shapes and join them. As the clay changes, I attempt to catch it at the right moment; I’m constantly on the lookout for something that seems to ring true as an expression, a sidelong glance, a dim remembrance.

The Alberta fine craft community is extremely thankful that Barbara Tipton calls Calgary home. Originally from Memphis, Tennessee, Barbara received a Bachelor of Fine Arts in Ceramics from Memphis College of Art where she studied under Thorne Edwards and Peter Sohngen. Further studies at Ohio State University resulted in a Master of Fine Arts in Ceramics. She stayed in Columbus, building her studio practice, until she made the move to southern Alberta in 1986. Over the years many

students have benefited from her instruction at the Alberta College of Art + Design and the University of Calgary.

An expressive and innovative ceramic artist, Barbara has explored the aesthetic as well as technical elements of clay for over three decades. Her work has been shown in exhibitions across Canada as well as internationally. She has received substantial recognition, with multiple inclusions in such publications as 500 Prints on Clay (2013) and 500 Cups by Lark Publishing (2004), Soda, Clay and Fire by Gail Nichols (2006), and The Ceramic Spectrum by Robin Hopper (revised edition 2001). Many public and corporate collections contain her work, including the Alberta Foundation for the Arts, Canada Council Art Bank, Glenbow Museum, San Angelo Museum of Art (Texas), Harrison Museum of Art (Utah), among many others. Her work is collected privately across Canada, the United States and England.

Almost White Barb Tipton, 2013 Ceramic, multiple glazes, 5.5” high

Tipton, 2007, Wheel-thrown ceramic, altered with

Gold Revealed Barb Tipton, 2013

Photo Credits: Barbara Tipton

Discovery Gallery

Urban Wild Calgary Clay Arts Association investigates the idea of ‘wild’ within the urban environment March 30 – May 4, 2013

Opening Reception: 2 - 4 pm, Saturday, March 30, 2013

The genesis of Urban Wild arose from the City of Calgary’s Open Spaces: Window to a View call for

Urban Wild has evolved into a artists and works that can and have changed. This latest incarnation features nine artists from the Calgary Clay Arts Association: a collective of professional ceramic artists.

each artist’s interpretation of the intersection of ‘urban’ and ‘wild’. Esthetically, the examination ranges from developing a decorative inspiration to a metaphor on the environment, from functional to sculptural, from single piece to installation. Cities have organic junctions and interactions with the ‘wild.’ Some-

times planned, sometimes not, as seen in Connie Pike’s work, using the newly completed Bow Building in downtown Calgary, stating, “The Bow Building was my inspiration

of the crossed spaces and by adding the geese it has a touch of nature that is a constant part of urban life.” Krista Gowland offers a different perspective of buildings and nature in a sculptural interpretation: “On a perch at the top surrounded by those of the same species, life below is imperceptible. On the ground teeming with life’s obstacles it can be hard to perceive the growth happening at the top.”

We are often surprised at how powerful the notion of wild is in urban environments. As Darlene Swan enthusiastically states: “I love dande-

lions! I love their beauty, and their can survive anywhere, including in our cities, despite all our efforts to keep them out. Long live the dandelion!” No one can say that crows or dandelions are domesticated, yet they have been woven into our cityscapes, informing us how the wild doesn’t necessarily go away when cities are built, and there are unintended consequences. As we are moved by the beauty of nature, nostalgic about preserving our sense of wild, Monika Smith wonders what has happened to the horses that used to pasture in what are now subdivisions. This is translated into a work that has drawn inspiration from Keat’s poem Ode to a Grecian Urn “elevating these

unbridled, free horses to immortality. Asking viewers to remember horses for their profound effect on civilization, to revere their nature as they are and to take responsibility for our own profound effect on them.”

As the great naturalist John Muir stated, “When one tugs at a single to the rest of the world.” The artists in Urban Wild challenge viewers to think about the urban wild intersection and their place within.

By Monika Smith Coordinator of Urban Wild show President Calgary Clay Arts Association

Participating Artists:

Mindy Andrews

Connie Cooper

Louise Cormier

Krista Gowland

Connie Pike

Kathy Ransom

Monika Smith

Darlene Swan

Susan Thorpe

Left: Bow Pieces Connie Pike, 2011 Stoneware clay, glazed

Top left: Can’t See the Forest for the Trees Krista Gowland, 2013 Porcelain, stoneware

Top centre: Just Dandy, Lions Darlene Swan, 2011 Earthenware clay, glazed

Right: NIMBY: Ode to Wild Horses Monika Smith, 2010

Discovery Gallery

Making Notes

Ukuleles by Andy Brooks

May 11 – June 15, 2013

Reception: 2 – 4 pm, Saturday, May 11

part of the instrument, as opposed to buying pre-shaped, sanded components which are glued together. The process allows him the choice in size, shape, and colours of components which may break with tradition and attain a unique quality; each having a different look and sound. The instruments are meant to be handled and played, with comfort, control and tone at the forefront.

Neighbourhood Icons

Ceramic Sculpture by Ritchie Velthuis

May 11 – June 15, 2013

Reception: 2 – 4 pm, Saturday, May 11

Velthuis is a trained graphic artist to exploring sculpture in various mediums including clay, resin, stone, cement, ice and snow. In recent years he has been fortunate to share his expertise with others and various other ceramic courses in art centres and schools throughout Edmonton.

The ukulele has a long history belast decade has seen a resurgence in popularity for this instrument due in part to YouTube featuring videos of budding musicians singing to its accompaniment or covering a popular song. Making Notes is an exhibition of eight ukuleles that follow the timeline for Edmonton artist Andy Brooks in his development, knowledge and skills as an instrument maker. Each piece is accompanied by a detailed description of the materials used as well as notes on problems encountered, discoveries made and motivations for design, techniques and woods chosen. These instruments, though small and light, require the same tools, time, and patience to build as a much larger instrument, such as a guitar. The woods used in each instrument need to be quite thin and light to allow sound waves to move freely, but not so thin as to distort under string tension. Brooks likes the process required to make each

Brooks, a self-taught Edmonton craftsman in wood and stone, has formally studied technical drawing, graphic arts, and holds a teaching degree from the University of Alberta. Building of ukuleles is one of many creative outlets which allow him to try tools and techniques outside of his current occupation

This is a natural step in his progression as a craftsmen, as it requires technical knowledge to attain good

and creativity to mix colour, texture and shape to produce an integrated whole.

Building musical instruments, ukuleles in particular, allow me to mix a number of woods together, taking advantage of sound properties, colours, textures to make a beautiful, playable instrument. My ukuleles have been collecting in my home, they have been passed around, hung on the wall, played in the rain, strummed, dropped, dusted and thoroughly enjoyed, as intended.

Neighbourhood Icons is a chronicle of sculpted ceramic characters by Edmonton artist Ritchie Velthuis. His subjects tell a diverse and colourful story (real or imagined) about the people in the Edmonton community.

mate people watcher, all I have to do is walk out the door to become inspired. I am drawn to subjects whose visual esthetic tells a story and typically my as if their image is emblazoned into my visual memory and will not leave my psyche. Other subjects take a while to reveal themselves and it is their unique stories or involvement in the community that inspires a sculpture.

Above: Gerard & Jocelyn

Ritchie Velthuis, Ceramic, 16” high

Left:

Bernice Caligiuri

Ritchie Velthuis, Ceramic, 16” high

The unique style and creative energy of long time Alberta Avenue resident Bernice created for Neighbourhood Icons. A self taught visual artist and poet, Bernice has been an inspiration to me and many an afternoon has been spent visiting over coffee and sharing stories. She and other community members depicted in the series will be present at the opening reception on May 11, 2013 to celebrate community members whose contributions and presence, big or small, propel them to the status of ‘Neighbourhood Icon’.

Photo credits: Laura O’Connor, ACC

Ukulele # 3

Soprano size, the body is made of Mexican Chokte-Kok, soundboard is Yellow Cedar, and the neck is Honduras Mahogany

Photo credit: Laura O’Connor

Discovery Gallery

Photo: Erin Wallace

ACC Advisory Committee

The ACC Advisory Committee started 2013 energetically, reviewing the submissions of 6 artists in January alone. As our membership increases, we are occasionally asked questions about the Advisory Committee’s role and how an artist may best utilize its services. The following is a brief outline of the many functions the Advisory Committee performs and how every member of the ACC may benefit from its collective expertise.

What is the Advisory Committee?

The Advisory Committee is a service created to provide professional feedback to craft artists in regards to their product and business. Offered to all ACC members, the Advisory helps an artist realize short and long-term goals within their discipline. If that artist is also interested in the opportunity to sell their work through the Gallery Shop, the Advisory tailors its advice to service quality, design, and saleability.

Who participates on the Advisory Committee?

members of ranging expertise from marketing and promotion, and arts management. Convening several times each month, the Advisory will often invite guest artists of the review process. This provides yet another perspective, range of experience and level of expertise.

The review process

The review is tailored to address the interests of the artist who seeks a general professional critique, representation in the Gallery Shop or both. The initial review is closed to allow the Advisory an atmosphere of open, uncensored dialogue and responsive reactions. The artist is then sent a synopsis of the meeting which provides clear feedback and possible next steps. The response is never simply “yes” or “no”, but rather addresses all aspects of an artist’s professional endeavours, while providing both direction and encouragement. The artist is always offered the opportunity for

ongoing feedback in the form of a personal review and discussion (either in person or via conference call) about their work with selected members of the Advisory to further explore technical, design, marketing, promotional, exhibition and professional opportunities.

The General Professional Critique

For those artists interested in a general professional critique, the details such as: strategies;ing exhibitions, magazine, website, support materials, referrals, media exposure, etc.

The Critique for Representation in the Gallery Shop

Another goal of the Advisory is to facilitate a system whereby the quality and marketability of the crafts offered for sale within the Gallery Shop achieve a high stanbuyer, the seller and the craft artist. The Advisory takes many aspects into consideration including: -

ing: creativity; materials; skill; details; function; and experience;

professionalism;

work regularly or as needed; current stock mix;

of the work

the member/ACC relationship;

products and sales/exhibition locations, and;

including any challenges.

The Advisory accepts or declines work for the ACC Gallery Shop based on these considerations, which have been developed to best assist the artist with present and future marketing needs. The goal is to assist in the successful promotion of the artist and their product. If the work is not suitable for the shop but has potential to be developed, the Advisory will provide valuable guidance including referrals to other opportunities or to alternative settings. In some instances, artists have been declined on their initial submission, have taken suggestions, worked on their submission and applied again with success. Whether in search of feedback, marketing suggestions, or technical advice the Advisory Committee is an invaluable resource available to every ACC member.

“Thank you for your sincerity and eloquent words of wisdom. I take this seriously and value your input greatly. I have printed off your e-mails and will keep them as a reference point and try to address those items which are holding back my work.” -Ceramics Artist

“Thank you for the response from the committee. After my initial disappointment, I read further and gained much valuable advice and all of the feedback was well received!…Thank you again, I appreciate the time you have all invested in my young career already.” -Jewellery Artist

“I so appreciate how thoroughly the Advisory Committee reviewed the suggestions into account as I improve upon these bodies of work. This is a really great service that the Craft Council provides.” -Ceramic Artist

“YAHOOOOOO! Love you ACC Advisory Committee!!! Thank you so much for all the wonderful comments and really good ideas. I love the idea for labelling… It will be perfect! Great idea! I’m glad you liked the work so much….I appreciated the feed back working.” -Jewellery Artist

New in the Shop: Andrea Blais (Calgary) – left Concrete Cat (Edmonton) – top Amy Skrocki (Edmonton) – bottom

Shop Talk

April

Joan Matsusaki

During the past few months Joan has been working on new themes incorporating carving technique. Inspired by nature, Joan is creating sets that integrate the carving of a single scene or landscape.

May

Mindy Andrews

Mindy’s lifelong connection with ceramic work. Through the use of porcelain clay she is able to create beautiful light and depth. Flora decorates the vessels in a variety of slips and underglazes. The resulting creations include both functional and sculptural porcelain pieces.

June

Saskatchewan Neighbours (Saskatoon, SK)

This month we will be featuring our

Saskatchewan. Three very skilled artists will be showing their work: Paula Cooley’s clay sculpture; Daryl Richardson’s metal sculpture and bowls; and, Ken Wilkinson’s pottery.

Round Tulip by Mindy Andrews

Pasta Bowl Set by Joan Matsusaki

Plate & Bowl by Ken Wilkinson

ect at

In the News

Janet

tile with their name. Janet glazed, the wall. The mural was created for the towns 100 year anniversary.

Boxed In! is a national exhibition project of small sculptural works organized by the Craft Council of Newfoundland and Labrador in collaboration with The Rooms Provincial Art Gallery in St. Johns, Newfoundland. Curated by Denis Longchamps, the exhibiMembers included in the exhibition: Matt Gould

exhibitions for more information.

Sean Kunz (Calgary) is the new technician at the North Mount Pleasant Arts Centre ceramics facility in Calgary. His pots were included in the annual invitational group exhibition The Makings 3 at Willock and Sax Gallery in Banff last fall. Sean will be participating in

the Burlington Art Centre. He is also participating in the exhibition Well Done at Harbourfront Centre,

Grabner (East Coulee)

(Red Deer), Merv Krivoshein (Rocky Mountain House), and Susan Thorpe (Calgary).

Rachelle LeBlanc’s (St. Albert) exhibition “Beyond Traditions –Contemporary Rug Hooking” will be at the Leighton Art Centre in from teaching a rug hooking for beginners workshop at the Leighton on April

Bottle set with 2 cups by Sean Kunz

Matt Gould with his piece a common man at the reception of Boxed In!

Within Range

By Susan Thorpe, Ceramic, 4”x 4” each

The Prisoner by Merv Krivoshein Turned and carved wood approx. 9” in diameter

Janet Grabner in front of her Three Hills School mural

In the News

John Chalke (Calgary) artist, teacher, writer, alchemist and mentor to many was honoured this past November with the Queen Elizabeth ll Diamond Jubilee Medal in recognito Canada and Canadian culture.

NEWS

Barbara Poole Tribute

Edmonton’s favourite arts enthusiast and supporter passed away last December. Barbara Poole was a good friend of the Alberta Craft Council and many of its members. Her family fund at the Edmonton

Community Foundation made annual contributions to Alberta Craft Council exhibitions and projects such as Cheongju. Barbara was an accomplished weaver and potter,

dinner table was regularly set with silver salad bowl by Karen Cantine and tea cups by Sybil Laubental, and her bathrooms were studio-made by Ed Drahanchuk. Barbara worked with the Alberta Craft Council to co-

of the Canadian Society for the Decorative Arts. For a full story about Barbara, her late husband John, their family and their outstanding philanthropic activity, visit:

http://www.edmontonjournal.

She will be missed.

Tom McFall

Foldform Conference with Inventor Lewton-Brain in New York

“NOW FOLD THIS: How we are doing it now” is this year’s theme on foldforming as an art form at the Center for Metal Arts in downstate New York.

The 6th Annual Lewton-Brain Foldforming Conference is now day event, just one hour from New York City, is an idea-fest for jewelers, sculptors, metal arts designers and the art-loving public. Foldform inventor Charles Lewton-Brain will offer four days of access to a whirlwind of information, resources, topics, demonstrations, and handson instruction in an intimate group setting.

The Lewton-Brain Foldform Competition coincides with the annual conference. Last year’s inaugural competition brought entries from three continents, and was a benchmark survey of how foldforming has evolved since its discovery. The Center for Metal Arts offers easy online registration at www.centerformetalarts.com, and also welcomes phone

private room-shares and scholarship options, will be available at www. facebook.com/CenterForMetalArts

Marion Nicoll: A Retrospective, University of Calgary

Galleries, Taylor Family Digital Library

Marion Nicoll was a formidable force in the Alberta art scene during its early years because of the strength of both her work and her hired as an instructor at the Alberta woman to join the Royal Canadian Academy.

Curated by Ann Davis and Elizabeth Herbert, this retrospective exhibition chronicles Nicoll’s career and development, including her early landscapes, her delicate automatic drawings and some of her most stunning mature work. Selections of her jewellery and textiles will also be displayed to show the full arc of her interests. Overall, more included in the exhibition, brought together from public and private collections across Alberta.

Red Tree on Bronze Night John Chalke, Ceramic

CALENDER SUBMISSION DEADLINE: For the Summer 2013 issue is March 25, 2013 Email: nhilaire@albertacraft.ab.ca

TheAlberta Craft Council is open to submissions of opportunities for craftspeople,space permitting.If you are interested in promoting a special event,educational activity,gallery,exhibition or employment opportunity,please call theACC office or email Nancy St.Hilaire at nhilaire@albertacraft.ab.ca.TheACC makes every effort to ensure the reliability of all the programs and services listed below;however we will not accept liability for any loss or damage as a result of doing business with any of the advertisers contained herein.

CALLS FOR ARTISTS

Art Market – Art and Craft Sale, Calgary

Deadline: April 1 Art Market Art and Craft Sale presents their 26th show of high quality Canadian art and craft, Nov 14-17, 2013 at the downtown Calgary Telus Convention Centre. Art Market was attended by roughly 22,000 appreciative Christmas shoppers last year. Make your original work available to them this year! This juried show fills up quickly, so please apply early. Booth assignments start April 1st. Applications: www.artmarketcraftsale.com. For information: 1-877-929-9933 or info@ artmarketcraftsale.com.Marlene Loney: PO Box 8875, 706 Yates St., Victoria, BC V8W 3Z1

Evanescence Gallery and Art Studio, High River

Evanescence is currently accepting proposals from artists and craftspeople working in contemporary sculpture, glass and jewellery design. Artists who are interested in exhibiting their work on a consignment basis can email: arlene@evanescencegallery.com www.evanescencegallery.com Please be prepared to send 5 good quality jpeg images, including retail prices and a one-page CV, artist’s statement, and biography. Submissions which include a digital CD can be dropped off in person at 61 – 8th Ave SE, High River during regular gallery hours.

Glenbow Museum Shop, Calgary

The Glenbow Museum Shop carries a wide variety of Canadian made hand crafted jewellery and craft. They are currently accepting new artist’s work for the Spring/Summer season. They are looking for unique Alberta made gifts, jewellery and sculpture. The shop carries items on consignment and/or outright wholesale purchase depending on the needs of both the artist and the shop. If you are interested in submitting your product for consideration please contact Edward Cavell, Interim Manager at 403-268-4228 or ecavell@glenbow.org

Art Gallery of Calgary Shop, Calgary

Deadline is ongoing Located on historic Stephen Avenue Walk, the Gallery Shop features handcrafted pieces, focusing on contemporary design and exceptional craftsmanship by Canadian artists exclusively. Artist’s product is accepted on a consignment basis. Please contact: Manager of Visitor Services, Membership and The Gallery Shop, P: 403-770-1350, E: visitorservices@artgallerycalgary.org

Southern Alberta Art Gallery Gift Shop, Lethbridge

Centre for Creative Arts, Grande Prairie

Deadline is ongoing The Centre for Creative Arts has an ongoing need for new instructors and volunteers and right now is an exciting time to be involved. We are currently looking for instructors in drawing, performing arts, music, writing, painting, youth programs, wellness, photography, digital media, crafts, and much more! If you have a passion you would like to share please contact us for more information. Volunteers are also needed to assist. If you would like to be actively involved in your community we can find a place for you! If you are interested, please contact us via email at info@creativecentre.ca or call us at 780-814-6080 and we can discuss the details.

Calgary Allied Arts Foundation Residency Program st[art]@ Art Central, Calgary

Deadline is October 31, annually The Calgary Allied Arts Foundation (CAAF) – a non-profit foundation that encourages development of art and culture in Calgary and assists with the acquisitions of works of art for the City of Calgary. Submissions are juried once a year. The submission form may be found at http:// caafonline.org/documents/caaf_start_residency.pdf.

Edmonton Arts Council Public Art, Edmonton Deadline is ongoing The Edmonton Arts Council public art program invites artists to submit their portfolios to be kept on file for the purpose of Directed Calls. A public or private sector organization wishing to commission or purchase artwork may approach the EAC looking for recommendations of artists whose work meets that organization’s needs. A variety of artists’ portfolios are presented to the organization. This is an open-ended call; portfolio submissions will be accepted on an on-going basis. Please send portfolios to the attention of: Public Art Program, Edmonton Arts Council, 10440-108 Avenue, Edmonton, AB T5H 3Z9. Contact publicart@edmontonarts.ca or 780-424-2787

CONFERENCES and WORKSHOPS

off center: Clay Symposium 2013, Calgary May 10 – 11, 2012 at ACAD

The Calgary Clay Arts Association (CCAA) will be hosting the Alberta Potters Association, and as is traditional for each hosting association and location, clay organizations and institutions and businesses become an integral part in defining what the event and conference is going to offer. For more information, contact Monika Smith: smithpr1@telus.net or visit www.calgaryclayarts.org

Breaking Boundaries: 2013 GAAC Conference, Calgary May 23 - 26, 2013 at ACAD

The Glass Art Association of Canada (GAAC) presents their 30th Anniversary conference: Breaking Boundaries: 30 Smashing Years. This is a call to come celebrate the pioneering spirit that drives us as artists, makers, and innovators. Innovation in our art, process, and thought sustains us as a society and as artists. For info or to register visit www.glassartcanada.ca

Edmonton and District Quilters’ Guild Biennial Quilt Show, Edmonton

will gather for our banquet, pre-note speaker, AGM and fashion show at the Olds and District Evergreen Centre. For a registration booklet go to www.hwsda.org and click on conferences.

Canadian Bookbinders and Book Artists Guild Conference, Calgary

July 11 - 13, 2013 (with optional workshops July 6 - 10) at Museum of Contemporary Art

In celebration of its 30th anniversary, CBBAG is pleased to present its first national book arts conference in conjunction with the opening of Art of the Book 2013 exhibition on July 12. The Conference hosts an exciting line-up of extraordinary presentations by Sün Evrard, Julia Miller, Victoria Hall, Jim Westergard, and Jason Dewinetz, as well as a related workshops series, a trade fair, and optional Rocky Mountains Tour. Register at www.cbbag. ca/conf2013.html or contact cbbagconference2013@gmail.com

6th Annual Foldforming Conference and Competition, New York

August 2 – 5, 2013 at the Center for Metal Arts in downstate New York

This four day event (with inventor Charles Lewton-Brain) is an idea-fest for jewelers, sculptors, metal arts designers and the art-loving public. Charles Lewton-Brain will offer four days of information, resources, topics, demonstrations, and hands-on instruction in an intimate group setting. The conference coincides with the Annual Foldform Competition “NOW FOLD THIS: How we doing it now”, attracting accomplished metal artists worldwide. For further information please contact Pat Foxx at info@ centerformetalarts.com or visit our website: www.centerformetalarts.com.

EDUCATION

Series 2013 Summer Arts School, Red Deer College, Red Deer

Immerse Yourself! 5 day workshops in animation, ceramics, drawing, fibre arts, painting, jewelry, glass, sculpture and more. Register now! (403) 357-3663 or www.rdc.ab.ca/series.

ACAD Extended Studies Craft Courses, Calgary

Credit-free Craft Courses in Ceramics, fibre, hot glass and jewellery courses are offered this fall and winter at Alberta College of Art+Design through Extended Studies. Introductory and intermediate levels, in the college facilities, evenings and weekends. View all the courses online at: http://media.acadnet.ca/pdf/ExtendedStudies/extn_calendar_fw_12.pdf Registration is ongoing.

Deadline is ongoing

Are you seeking a select outlet for your finely crafted glass, ceramics, jewellery, weaving or quilting?

The Southern Alberta Art Gallery, located in Lethbridge extends an invitation to artists and craftspeople to build an appreciative client base for one-of-a-kind pieces. Contact: Naomi Sato, Visitor Services Manager, Southern Alberta Art Gallery, 601-3 Ave. South Lethbridge, AB, T1J 0H4, 403-327-8770 ext 21 or email: dfarstad@saag.ca

Alberta Jubilee Rotating Art Exhibitions, Edmonton/Calgary

Deadline is ongoing These rotating art exhibits by the Friends of the Alberta Jubilee Auditoria Society will be featured in the Kaasa Gallery (lower level, Northern Alberta Jubilee Auditorium) or the Alcove Gallery (First Balcony Alcove, Southern Alberta Jubilee Auditorium). These exhibitions are open to the public preshow, during intermission, during functions and community programs, and by appointment Monday – Friday 9:00am – 4:00pm. For info email Jennifer at jennifer.alabiso@gov.ab.ca

June 8 - 9, 2013 at Central Lion’s Seniors Recreational Centre Enjoy a visual explosion of over 250 stunning quilts from traditional to modern, in every facet of the art of quilting. A Merchant Mall offering fabrics, notions, patterns, tools and gadgets is part of the festival. Merchants will be offering free ongoing demos of the latest techniques and patterns. New this year, our special guest, Pearl Braun-Dyck, quilter extraordinaire will be featured at the Breakfast Trunk Show on Saturday morning. Pearl will be teaching classes over the weekend. For more information, contact: Judy Elliot Judym.elliot@gmail.com or 780-487-2848.

Over the Rainbow: Hand Weavers, Spinners and Dyers of Alberta Conference, Olds

June 21, 2013 (Fibre Week is June 21 – 28) at Olds College Sheep Creek Weavers invite you to join us on the yellow brick road to: Olds College’s 100th Anniversary and Fibre Week. Visit Fibre Week’s website for more details about the workshop and updates: www.oldscollege.ca/fibreweek. On Friday, June 21 we

Medalta International Artist in Residence, Medicine Hat Operating out of the Shaw Centre, this program is designed to serve artists at all stages of their careers. Students, emerging, and established artists are able to work together in our open, spacious, semi-private studios. Artists come from all over the world and bring different experiences, techniques and ideas to our unique studios in the Historic Clay District. The studios are full of vibrant energy with resident ceramic artists, community education classes, workshops, and kids’ classes all combining to make this a vital working museum, education centre and studio complex. Go to www.medalta.org for info and to download the application form. Deadline for all residencies is April 15th, 2012. Contact Aaron Nelson: aaron@medalta.org

Wildflower Arts Centre, Calgary

Express yourself though the arts. Dance, paint, draw or try your hand on the potter’s wheel. Wildflower Arts Centre will help you discover your artistic talents. Wildflower Arts Centre offer programs in: clay, glass, fibre, paper, drawing, painting, and mixed media. In addition to registered visual arts programs they also offer dance and drama programs, custom programs for groups, birthday parties for kids, artist residency and school arts programs for students of all ages, and studio memberships for established artists. Location: 3363 Spruce Dr. SW, Calgary, Alberta. Phone: 403-249-3773 E-mail: WFAC@calgary.ca

Calendar

Building Successful Careers in Arts and Culture

The Cultural Human Resources Council has released a career self-management guide for artists and cultural workers. Artists and cultural workers developed the Art of Managing Your Career Guide to provide pertinent and practical information to better manage artistic careers. The guide is available for $20 per copy plus shipping and handling charges. info@culturalhrc.ca.

Four Winds Art Glass, Edmonton

Explore the Passion for Glass and take the classes you’ve always wanted to! Now taking registration for classes in Beginner and Intermediate Stained Glass, Introductory Glass Fusing and Slumping, and Dichroic Glass Pendants. Small class sizes, no extra supplies or tools to buy. Day and evening classes available, all ages. Studio rental time available as well as kiln and sandblaster rental. Tool and grinder packages available for those who wish to continue on with this rewarding hobby! For more information or to register, call 780-432-4331, or toll free 877-432-4331. Email: fourwindsartglass@yahoo.ca or surf www.fourwindsartglass. ca. Visit our newly renovated studio gallery and store located in Old Strathcona at 10050 - 81 Avenue NW Edmonton for a great selection of the newest stained glass, fusing and mosaic supplies.

Bedrock Supply Classes, Edmonton

Workshops and Classes in Silversmithing Jewellery Making, Precious Metal Clay, Bead Stringing, Casting and Mold Making, Lampworking/ Glass Bead Making, Soapstone Carving and Coming Soon: Basic Lapidary and Stone Drilling. For Glass check out www.lauschacanada.com. For Jewellery check out www.littlerockjewellerystudio.com Or www.bedrocksupply.com. Bedrock Supply, 9435 63 Avenue Edmonton, 780-434-2040 or toll free 1-800-661-3988 / sales@bedrocksupply.ca.

Alberta Council for the Ukrainian Arts, Edmonton Register for Art and Folk Art Courses held by the Alberta Council for the Ukrainian Arts (ACUA). Courses include: stained glass, block printing, white work, graphic art, and more. For brochure or more information contact the ACUA office 780-488-8558 or info@acuarts.ca.

The Handweavers, Spinners and Dyers of Alberta Offers home study and group weaving educational opportunities through the Weaving Certificate Programme. Call the administrator for more information about current study groups, upcoming courses, volunteering or teaching opportunities. Phone: 780-9873593 Email: gayleis@telusplanet.net.

City Arts Centre, Edmonton

The City Arts Centre in Edmonton offers many courses in art, craft, dance, theatre, and active living throughout the year. Some of the craft courses include: paper marbling, wire jewellery, ceramics, quilting, silversmithing, stained glass, and more. For a complete catalogue of all classes offered contact the City Arts Centre in Edmonton at 780-496-6955.

Edmonton Weaver’s Guild Classes/Workshops, Edmonton Classes in beginner and intermediate weaving and spinning are offered along with workshops on drop spindling, dyeing, felting, rag rugs, tapestry weaving, and weaving for kids too. Registration is open to anyone, but space is limited. For information call: 780425-9280, email: classes@edmontonweavers.org or check our website at www.edmontonweavers.org

MacEwan’s Centre for the Arts and Communications, Edmonton

Discover our atrium-inspired campus – host to a multitude of fulltime programs in the performing, visual and communication arts. Visit us at 10045 – 156 street and discover more! We also

host a number of events in our newly-renovated 363-seat John L. Haar Theatre, in addition to offering continuous part-time credit and non-credit courses. www.MacEwan.ca/creativity

Drop-in Art Classes & Special Workshops, Edmonton

For over fifteen years Harcourt House has been providing the community with a wide range of art classes and workshops. Sculpting the figure in clay, figure drawing, painting the figure, drawing the self portrait & exploring portraiture, sculpting the figure in relief, sculpture - slab forms in clay, patinas for sculpture, sculpting organic clay pots, alternative Polaroid techniques, egg tempera workshop plus many others. For more information please contact: Harcourt House office at 780-426-4180, visit at 10215 – 112 St, Edmonton, AB or www.harcourthouse.ab.ca.

Native Arts & Culture Programs, Lac La Biche

Are you creative and possess an artistic flair? Come and develop your skills through the Native Artisans program at Portage College. Hands-on instruction in traditional and contemporary Aboriginal art forms. Full and part time study is available. Call for more information 780-623-5649 or visit portagecollege.ca.

OPPORTUNITIES

Artisan, Diane Paterson, with over 40 years of experience, would like to partner with someone to share her passion, knowledge and fused glass production line. Please contact if you are serious about a joining forces this business venture with Diane at di-fusions@shaw.ca.

ALBERTA CRAFT COUNCIL

New in the Shop:

Paula Cooley, Saskatoon, SK

Paula Cooley is a full-time clay artist, working and living in Saskatoon, Saskatchewan. Born and raised in southern Ontario, Paula moved to the Prairies in 1989 where she was introduced to clay. Fascinated by clay’s endless possibilities, she proceeded to complete her Diploma in Ceramics at SIAST and then her B.F.A at the University of Saskatchewan. Paula works with a wide variety of clays, surfaces

Inspired by the natural world Paula’s work is continually evolving as she explores new forms and surfaces.

New Members

Ponoka Potter’s Guild, Ponoka, Organization - Clay

Paula Cooley, Saskatoon, Clay

Evangeline Enns, Edmonton, Paper

Harry Hamilton, Edmonton, Wood, Metal, Fibreglass

Andrea Itzeck, Edmonton, Metal - Jewellery

Mike Lam, Edmonton, Wood

KJ MacAlister, Edmonton, Clay

Willow McDonald, Edmonton, Fibre

Cameron McGregor, Edmonton, Wood

Karin Millson, Calgary, Mixed

Jennell Pierson, Beaverlodge, Fibre

Irene Rasetti, Calgary, Fibre

Joseph Rosich, Boyle, Supporter

Alison Schuld, Edmonton, Clay

Miranda Scott, Edmonton, Metal - Jewellery

Jen Semkow, Edmonton, Clay

Freyja Ulveland, Calgary, Leather, Metal, Stone

Cindy Van Amerongen, Calgary, Clay, Printmaking

Renewing Members

City Arts Centre, Edmonton, Organization

Frankie, Sherwood Park, Mixed (Wood, Paper, Stone)

Alberta Potters’ Association, Calgary, Organization (Clay)

Return Address:

Alberta Craft Council 10186-106 Street

Edmonton, AB T5J 1H4

Jackie Anderson, Calgary, MetalJewellery & Sculpture

Mary Elizabeth Archer, Edmonton, Supporter - PACE

Ed Bamiling, Banff, Clay

Rose Bauer, Rocky Mountain House, Clay

Hellen Beamish, Calgary, Fibre & Glass

Franca Boag, Edmonton, Supporter

Manola Borrajo, Edmonton, Glass

Erin Boukall, Calgary, Metal - Jewellery

Tracy Brown, Edmonton, Metal - Jewellery

Carol Jane Campbell, St. Albert, Glass

Barbara Cockrall, Edmonton, Supporter

Shirley Cordes-Rogozinsky, St.

Albert, Paintings and Clay

Sam Cupelli, Edmonton, Metal

Edmonton & District Quilters Guild, Edmonton, Organization

Dawn Detarando & Brian McArthur, Red Deer, Clay

Jim Etzkorn, Medicine Hat, Clay

Marlene Fitzgerald-Moore, Calgary, Clay

Michelle Gluza, Edmonton, Paper & Fibre

Marion K. Gravells, Calgary, Fibre

Judith Green, Pincher Creek, Clay

Vicki Hackl, Edmonton, Fibre

Francine Hampson-Reid & John R Reid, Calgary, Clay, Glass, Wood

Carol Hartwell, Stony Plain, Clay

Ben Henderson, Edmonton, Supporter - City of Edmonton Councillor

Bonny Houston, Calgary, Glass

Joan Irvin, Calgary, Metal - Jewellery

Xanthe Isbister, Medicine Hat, Clay

Priscilla Janes, Canmore, Clay

Grethe Jensen, Little Smoky, Fibre

Ross Johansson, Kitscoty, Wood

Joanne Johnson, Calgary, Fibre, Clay, Paper

Ted Jolda, Parksville, Glass

Terry Juzak, Edmonton, Metal - Jewellery

Marie Gordon & Jim Kindrake, Edmonton, Supporter

Suzette Knudsen, Calgary, Clay

Cecillia Laskoski, Edmonton, Supporter

Nina Malioujinets, Edmonton, Jewellery

Brenda Malkinson, Edmonton, Glass

Ron Maunder, St. Albert, Metal - Jewellery

Barbara McCaffrey, Victoria, Fibre, Paper & Mixed Media

Contextural: a fibre arts cooperative, Calgary, Fibre

Dan Miller, Edmonton, Clay

Karen Moir, Gibbons, Metal - Wire & Fabric

Cheryl Nekolaichuk, Edmonton, Supporter

Tammy Parks-Legge, Stony Plain, Clay

Liv Pedersen, Calgary, Fibre

Connie & Bob Pike, High River, Clay & Metal

Jean-Claude & Talar Prefontaine, Calgary, Wood

Louise Pringle, Edmonton, Acrylic

Jeweliyana Reece, Calgary, Glass

Daryl Richardson, Saskatoon, Metal

Gail Rydman, Edmonton, Fibre & Paper

Jennifer Salahub, Calgary, Craft Historian

Peter F. Sharpe, Rimbey, Mixed

Lori Sobkowich, Calgary, Glass

Emily Stewart, Calgary, Fibre

Keith Turnbull, Edmonton, Clay

Allan Waidman, Spruce Grove, Stone

Recent Openings:

Les Manning and Charles Lewton-Brain (top left) at the opening of their exhibition

Earthly Elements on January 12.

Sarabeth Carnat and John Blair (top right) with their work at the opening of The Recipients on February 23.

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(From Left to Right) Patti Hartnagel, Brenda Malkinson, Karen Cantine, Ilse AnysasSalkauskas and Ruby Serben at the opening of Golden Edge on January 12.