Volume 34 Number 08 August, 2017
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ALBERTA NATIVE NEWS
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Cover art: Lightfinder II Š by Aaron Paquette. See article on page 6.
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Alberta Native News
August, 2017
K-Days Pow Wow was a huge celebration by John Copley A partnership agreement initiated last year between the Alexis Nakota Sioux First Nation (ANSFN) and Edmonton Northlands saw the first-ever Indigenous pow wow take place during the popular annual K-Days celebration. The 10-day traditional pow wow created a wave of excitement throughout Alberta’s Indigenous communities and within the administration and staff at Northlands.The working relationship between the community and Northlands staff has proven to be both positive and educational and this year’s event was even bigger and better than its inaugural version. The 2017 KDays Pow Wow was a spectacular celebration of Indigenous culture. Last year’s pow wow was a traditional event that included about 200 dancers. It was designed in part to ensure that first-time onlookers had an opportunity to understand and appreciate the cultural significance behind the pow wow. That goal remained the same this year but organizers stepped up the pace for the 2017 event by introducing Northlands’ first-ever competition pow wow, an event that attracted a larger contingent of dancers, each vying for a share of the $125,000 in prize money. “We have a tremendous crowd here today,” smiled Northlands President and CEO Tim Reid, who was delighted with the large crowds who attended the event and awed by the colourful array of regalia worn and proudly showcased by the near 1000 dancers who came to participate and compete in the 2017 pow wow. “It promises to be an even bigger event this year,” he said while hustling his way through the crowds to take his place at the head of the long, winding line of Grand Entry participants that included the competitors as well as a host of dignitaries representing both city and provincial governments. Before the event got underway prayers were offered, and Shane Potts, leader of the Host Drum, Eagle River Singers, performed an honour song before co-emcees Eugene Alexis (Alexis Nakota Sioux Nation) and Ruben Littlehead (Northern Cheyenne from Montana) took to the podium to introduce an array of guest speakers that
included ANSFN Chief Tony Alexis, Tim Reid, Alberta Indigenous Affairs Minister Richard Feehan, Alberta Health Minister Hoffman, Sarah Northlands CEO Tim Reid, Alexis Nakota Sioux Nation Chief Tony Alexis and Edmonton City Councillor Alberta's Indigenous Relations Minister Richard Feehan led the Grand Entry. Tony Caterina and others. “I’d like to acknowledge Northlands CEO Tim Reid and his entire staff and welcome everyone here today to this wonderful event,” said Chief Alexis in his opening statement. “This is the second year we’re doing this and I’d like give a special thanks to the pow wow committee for taking on the responsibility, to all of the spectators, friends and The Eagle River Singers were the Host Drum for K-Days 2017 Pow Wow. who are supporters gathered here today to help us celebrate our future and our Morin) involved in the K-Days celebration as well as local traditional ways - also a special thank you to the city for Chiefs, flag and staff carriers, 2016 reigning K-days their role in working with Northlands to once again make Indigenous Princess Brittney Pastion, and numerous other junior princesses from Alberta’s First Nations this a memorable event.” Chief Alexis introduced the Elders in attendance and communities, including Alexis Jr. Princess Madison thanked them for their continued support, noting that “it is Alexis. The 2017 K-Days Pow Wow filled the Expo Centre a wonderful opportunity to be able to host an event of this salon (Hall D) with energetic competitors dressed in full magnitude. What a fine way to share our culture and to see regalia despite the 29-degree weather. According to the so many people here from different countries around the grape vine the event was so large and so successful that world. This marks another special day for the City of next year’s pow wow may have to be hosted in the larger Edmonton, for Northlands and for the many (Indigenous) Edmonton Coliseum venue. communities who are here to celebrate with us today. It is “This is a dream come true,” noted Elder and Spiritual an honour to be here.” Adviser Francis Alexis. “We’ve waited a long time to see Ruben Littlehead introduced the pow wow committee this type of event take place. The turnout of both dancers and the Northlands administrators (Reid, Northlands VP and spectators was fantastic and Northlands has done an of Operations Shiva Dean, Northlands Board Chair exceptional job at welcoming our dancers and making Geoffrey Oberg, Northland Board member Christy Continued on page 7
August, 2017
Alberta Native News
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Join a reenactment of first meetings in historical Edmonton: Sept. 1 & 2 by John Copley Edmontonians are invited to take part in a unique and fun-filled experience that will give them the opportunity to both help recreate history and to become part of it. The adventure begins at Whitemud Park (13204 Fox Drive) from 1 to 5 p.m. on Friday, September 1 and continues in Dawson Park (10298-89 Street) at the same time on Saturday, September 2. Dawn Saunders Dahl is spearheading the project and working alongside other artists, including Christine Frederick, Dawn Marie Marchand and Aaron Paquette. She said the goal behind the two four-hour river valley gatherings is to create a sense of realism and authenticity. “We want to come as close as possible to creating a replica of what we would have seen had we been here when the first French voyageurs arrived in Edmonton and met the First Nations people,” explained Saunders Dahl. “We’re inviting artists from all genres to join with us as we create history. Create some art, take some photos, meet and work with our actors; the opportunities are limitless.” The art, artifacts and photos collected will be part of the final project, an exhibition that will tell the story of what it was really like to live in the Edmonton area during the early 1700s. Amateur and professional photographers are welcome to attend; the pictures they submit will be considered for the exhibit and full credit will be given to every photographer or artist whose work is selected for inclusion in the exhibit. Actors will be on hand and dressed in the traditional clothing of the period - the idea is to set up scenes and take pictures that can be used in the final exhibit. The photos and artwork created during the two sessions will be shown at the Galerie Cite in LaCite Francophone located at #110 8627 Rue Marie Anne Gaboury (91 St.) in Edmonton. The work chosen to become part of the final exhibit, which will be unveiled in December, will reveal what it was actually like to be a part of the Edmonton experience in the early 1700s. “The idea is to bring an accurate accounting of the real story between the first settlers and the First Nations people,” explained Saunders Dahl. “We want to dispel the myths and tell the story the right way.” It is yet another opportunity to give Canadians an accurate account of what transpired when the first French Voyageurs arrived in Edmonton and met the First Nations people who lived here. Many ideas and artwork of the first meeting have been portrayed in history as negative, scary and shown in an idealized romantic light. “The project will stage a setting where French/European voyageurs first meet the Aboriginal peoples in their camps and villages. The idea is to create an environment that is closer to the true history of the first meetings, where First Nations people are portrayed as healthy, helpful and kind people who shared their resources with the men who had been travelling for months, and in most cases, were starving.” The project has been about two years in the making and was initiated by Saunders Dahl, who was then employed by the Edmonton Arts Council. “The idea first came to me when I saw a Facebook
posting by local artist Aaron Paquette,” explained Saunders Dahl. “He was musing, wondering what it would have been like to live in that period of history. I’d been thinking about this same thing for a long time because I’d also like to know what it would have been like in the region when the first French Voyageurs met the First Nations people who were living here.” "Healthy Generations" by Aaron Paquette. “I was delighted when Dawn contacted me about following through on that idea,” noted Edmonton, HBC Archives-Winnipeg, Glenbow MuseumPaquette. “It’s turned out be quite an exciting project and Calgary, Maskwacis Cultural Museum-Maskwacis, Metis it is one that every Edmontonian can participate in. If you Crossing–Smoky Lake/Victoria Trail, and with Elder Jerry are an artist, photographer or a history buff, get involved Saddleback and local historians. Additional research in the initiative and relive some of the moments just as it includes a Storyboard Workshop, led by the Heritage would have been when the first voyageurs made their way Practitioners (Edward van Vilet/Denis Perreaux) and Elder down the Saskatchewan River and into what is now one of Saddleback, Partners (Dan, Christine and Jaret) and Lead Artists (Aaron, Dawn Marie and Dawn) to address Canada’s provincial capitals.” Clothing that depicts the fashions of that era are being stereotypes in the project, art and archives. The Weapon Making Workshops are open to the public created by local Ojibwa designer MJ Belcourt-Moses. are being led by Elder Saddleback and Costume and “Hopefully we will have enough props and outfits so Designers/Artisans at La Cite/Bonnie Doon Community that the images and themes we create along the river valley League. will give us what we are looking for - an authentic look at The photo shoots, led by the project’s lead artists and what it was really like to live here nearly 230 years ago.” partners, will include a series of re-enacted scenes that will Saunders Dahl was a longtime employee at the place both day and night and will include sets such as take Edmonton Arts Council and is known for the work she’s Voyageurs on the river and in Aboriginal camps; these done at the popular Works Festival in Edmonton. She now sessions are also open to the public. lives in Canmore and travels back and forth to Edmonton Lead artists of the Visual Art Workshops will offer art in her quest to bring the project to fruition. The many workshops with a focus on how to exhibit photos taken at hours of research conducted by the team has provided the the photo shoots and displaying props and costumes made project coordinators with the information they need to for the photo shoots. complete the project, a difficult task when the subject For more information on this unique opportunity and to matter dates back to the turn of the 18th Century. learn more about how you can participate, contact Dawn Artists and community members are encouraged to Saunders Dahl at Galeriecite@lacitefranco.ca. bring artifacts, clothing, and other related props of the era for the staged photo sessions. Participants are also invited to play roles as actors in the various scenes and the follow-up workshops and exhibitions at La Cite. There’s also an opportunity to participate in “What’s Your Story?” a series of booth recordings that will be played in Galerie Cite, along with community exhibitions of the period. The photo shoots will take place in Edmonton’s River Valley and the visual arts programming will be created at La Cite Francophone. Project leads are conducting research at the Alberta Archives-
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Alberta Native News
August, 2017
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Volume 34, Number 8, August 2017 ISSN #08294135 www.albertanativenews.com EDITOR: Deborah Shatz ADVERTISING: Sales 780-421-7966 Alberta Native News is published monthly for distribution to Native Bands and Metis Settlements across Alberta, Saskatchewan, British Columbia and Northwest Territories. All rights reserved. No part of this newspaper may be reproduced without written permission from the publisher. The opinions expressed herein are not necessarily those of the Editor. Alberta Native News is published by 320754 Alberta Ltd. For change of address, please send both old and new addresses. We welcome your stories, pictures, artwork and opinions. Please send anything you would like to have published to our office.
My Country, With a Catch By Tarene Thomas, University of Alberta Oh, Canada. You are my home. You have been my home much longer than 150 years. You know, the thing people don't understand about the uprising of hurt towards "Canada's 150" that has happened all across Turtle Island from Indigenous activists and people who protect askîy (“earth”), is that we do not hate Canada. In fact, the reason we are troubled by this is because we have such a deep love for this land and what it means to us. The problem with this, is that this land was subject to colonial violence that attempted to crush the love we have for this land. The colonial structures that aim to protect every individual who resides on this land still hold the powers that attempted to kill me and my people. These power structures continue to be held whether you can see them or not. I don't care if you don't think my grievance is legitimate enough, what I care about is that you respect it. It is not your job to take away my pain — I can do that myself and have been doing that myself for my entire life. What I expect is a society that attempts to dismantle the systems that aim to deconstruct the pride and power held in any certain individual — regardless of race, gender, status and religion. I'm not here trying to shame anyone for celebrating the fact that we call this country home — this beautiful land that holds so many promises for us all... this land that gives us all a sense of freedom and allows us to pursue our dreams. I know we are fortunate. I know we have it better than most. But like most great things, this country has a catch.
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This thing we all praise — freedom to pursue our own dreams, to live a good life... it was built on my people’s bones. My people’s suffering. My people’s genocide. The powers that allowed these things to happen, which created a social system that constructs each of our lives and the freedoms attached to those, is my oppression, is my Nation’s oppression, is my people’s oppression. I understand most of you don't understand what this means or looks like. I know it's hard to swallow and uneasy to sit with. I can't force you to understand my pain. But I can ask you to respect it and stop shaming us for being vocal with our troubles. Despite all of the pain that Colonialism 150 brought me — I am happy I get to share this beautiful place with each and every one of you. Let's create a place where our grandchildren's grand-children won't have to suffer. About the author: I am Indigenous, Gitxan, Tahltan, Haisla and Cree. My mom calls me a Heinz 57. I'm a third year English major, minoring in religion. I grew up in Enoch Cree Nation, and moved to Edmonton when I was 16. I love poetry, learning and creating fantasy worlds. I also love working with Indigenous youth and creating spaces where people can heal and grow. I like to paint, read, sing, eat and of course, write. I’ve been a writer far longer than I have been anything. If I’m not panicking about school or my GPA I’m envisioning my next trip overseas. When I finish my BA I want to get my master's, then hopefully, one day, change the world. This article was originally published as a University of Alberta Work of Arts blog.
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June, 2017
Alberta Native News
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NorQuest College AICCC gets a $1.5 mil. boost (ANNews) - NorQuest College’s Alberta Indigenous Construction Career Centre (formerly the Alberta Aboriginal Construction Career Centre) is entering its third year of successful operation with a $1.5 million boost from the Alberta government. A number of organizations and government agencies are being heralded as visionaries for investing in one of Alberta’s most under-represented workforce groups: Canada’s Indigenous Peoples. “Our core purpose is to Think Different and Build Better,” says David Whyte, human resources director for JV Driver, a multi-faceted construction company that is an original investor in the AICCC. “The reason we were attracted to the centre, and NorQuest, is because we saw that NorQuest was operating differently than other institutions in Edmonton. This program is different and it aligns with our core purpose. As a result, we have found great employees from the Indigenous community.” The Government of Alberta’s Ministry of Labour also supports this creative initiative – an effort that is getting results and putting people to work. A celebratory barbeque was held on August 15, attended by government, AICCC and NorQuest reps, industry, clients of the centre, and Indigenous community members. There, Minister of Labour Christina Grey officially announced that her government will remove the ‘pilot’ status that was placed on the program in 2015 and provide new funding to the tune of $1.5 million over two years. “Indigenous people are hard-working, entrepreneurial and important contributors to Alberta’s economy,” stated Minister Gray. “As we work to make life better for everyday Albertans, this additional investment will improve access to training opportunities and help more Indigenous people find good jobs in a key industry.” Minister of Advanced Education Marlin Schmidt added, “Indigenous people are a key part of Alberta’s future and will continue to play an important role in our workforce, society and economy. Alberta’s economy is returning to growth, and government is committed to helping Indigenous people develop the skills and knowhow needed to succeed.” Jodi Abbott, president and CEO of NorQuest College thanked the Ministers and said, “Your government’s commitment, with gracious support from the CanadaAlberta Job Fund, is helping individuals and families help themselves and fill workforce needs.” She added, “At NorQuest College, we believe strongly in the rights of all people to pursue meaningful and rewarding careers without barriers - careers that help individuals, families and society as a whole. Since 2015, the Alberta Indigenous Construction Career Centre has been breaking down those barriers, fostering Indigenous inclusion in Alberta’s economy.” The original goal of the 2015 pilot project was to have 750 client intakes and put 300 people into job placements. The actual numbers to date are incredible: 1,900 client intakes with 65 percent of those gaining meaning employment in construction or related industries. Having passed the two-year pilot era of its existence with flying colours, the AICCC is grateful for the support shown by government, and by industry partners. Backwoods Energy Services, the largest forestry services contractor in north western British Columbia is another example of a supportive industry partner. “Backwoods employees are required to have safety tickets in order join our company,” says Backwoods Energy Services Indigenous Recruiting Officer, Allison Yellowknee. “This is often a time-consuming process. However, we find that the AICCC is very accommodating when it comes to helping people earn their safety tickets. The centre is amazing for us when it comes to finding employment-ready career seekers. We have received a lot of positive feedback from people who have used the AICCC’s services.” Clients who have been attending AICCC have found the Centre to be a friendly and helpful place to gain the skills
they need to advance their careers. “AICCC helped me get the skills needed to enter the oil and gas industry,” noted Benjamin McDougall, a 23-year-old from the Dene Tha First Nation who used the centre to get his H2S Alive NorQuest CEO Jodi Abbott expresses her appreciation to government and industry certificate. “Through partners for investing in the Alberta Indigenous Construction Career Centre. training in H2S Alive and other related courses, I have been able to pursue a career user friendly. “The information provided on the AICCC Facebook in areas I had not thought possible. The application process is also easy to initiate and very Continued on page 9
Connecting em Connecting employers ployers aand nd IIndigenous ndigenous jjob ob sseekers eekers ffor or ccareers areers in construction construction The Alberta Indigenous Construction Career Centre (AICCC) enhances Indigenous skills development and employment . Assisting Alberta business and industry with human resource objectives, we are a solution to Alberta’s skilled workforce shortage. By engaging the resources of our Indigenous population in urban and rural communities and providing career development and training , we support Indigenous economic development. NorQuest College is committed to the development of collaborative partnerships with urban and rural Indigenous communities. The AICCC will support industry and provide a contribution into existing community resources that are targeting successful employment outcomes. Connect with us todaay to learn how the AICCC can support you and your community. 780.644.5907 | aiccc@norquest.ca www.aiccc.ca A partnership par tnership between bet ween
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Alberta Native News
August, 2017
Aaron Paquette: A positive voice for Edmonton Ward 4 by John Copley When Aaron Paquette announced that he was going to run for a seat on Edmonton City Council in the upcoming October 16 election, he was swamped with congratulatory messages, words of encouragement and support from members of Edmonton’s Brintnell community, where Aaron, his wife Clarice and their four children make their home. Brintnell is one of 25 communities located within Edmonton’s Ward 4 Aaron Paquette electoral district. Edmontonians, even those who haven’t met Aaron, will quickly recognize his name. The soft-spoken motivational speaker, storyteller, and sometimes philosopher is also a well-known and respected artist whose beautiful work not only highlights galleries and private collection across the globe, but is also showcased on billboards and posters throughout the Capital Region. His colourful paintings command attention, not just for the brilliance of the colours and images they display, but also for the stories they tell. His beautiful and serene painting “Lightfinder II” is on the cover of this month’s Alberta Native News. Aaron Paquette is indeed an accomplished artist, poet, curator, teacher, author and guest speaker but more importantly he is a husband, a father and a volunteer. He is a community-minded individual who is active in his community league because he understands the importance of building strong neighbourhoods. A lifelong Edmonton resident, Aaron has always been committed to community and family values - and he wants to make sure that Northeast Edmonton doesn’t fall through the cracks as the city continues grow. If he’s got even one quarter of the talent in the political arena as he does with his usual fare as one of the country's
most recog-nized and accomplished artists, Aaron Paquette will be a new and refreshing addition to Edmonton’s political scenery. He’s a pragmatic thinker and a polished speaker who will go the extra mile for his constituents “I’ve been knocking on doors and talking to folks throughout Ward 4, getting a good response and positive feedback from the constituents,” Paquette said in a recent interview. “Maintaining and improving the community are important to me; as individuals, we can all do a little better, but when we work together we can excel. Times are changing; the city continues to grow and it’s important for us as a community to be aware of what’s happening in our neighbourhoods. We don’t want to be left behind when announcements are being made about which communities are on the list for improvements.” Aaron says he wants to ensure that the communities in Ward 4 gets what they pay for - and that includes policing, bus routes, better parks, recreation facilities, school maintenance and expansion. “One of the most important things in a community is its community hall or meeting place,” he said, “and I’d like to help ensure that every community has one. A community centre that gives our citizens a place to meet and mingle, host different events and get to know one another, is important. Too many of us have been consumed by the age of technology and aren’t taking time to participate in the important things - like sharing ideas, talking to our neighbours, spending a few hours on the front porch talking about our kids, or our pets or where we plan to go on our next vacation. “I’m saddened by the numbers of homeless people, a problem that continues to escalate throughout the Capital Region; we need to find an answer to that, an answer that gives people the opportunity to get back on their feet. If I am elected this fall, I will work closely with my fellow constituents and together we can work toward a better future for ourselves and those around us.”
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"My Story Begins" by Aaron Paquette
Aaron Paquette is fairly new to politics, though he did participate in the 2015 federal election in bid to become a member of parliament for Edmonton Manning. He joined that race for much the same reason he has now decided to run for a seat on Edmonton City Council. “I’m not a career politician; I haven’t carefully groomed my resume. I am simply a man who wants to help and I believe I can. I am hopeful that every voter in Ward 4 will want to be involved in making our community stronger.” Aaron, a Métis Canadian, has always had a good sense of humour and doesn’t rattle easily. A good laugh, he noted, is like a dose of medicine; it makes you feel better. “We’ve survived for a couple centuries because we are able to find a sense of humour in just about anything,” he assured. “If we can laugh, even at ourselves, we can find ways to heal and fix what is wrong. “Laughing is good for you and everyone around you,” continued Aaron, “and when you laugh at your own mistakes, you can more easily learn how not to make the same one twice.” Aaron chose to raise his family in Edmonton's northeast sector “"because working families form the backbone of our city. It's home to a diverse set of Edmontonians made up of many cultures and origins that exemplify a growing Edmonton.” Aaron is actively involved and in tune with the issues of the day and remains “very concerned for the future of our children and their ability to provide a good life for their own kids one day.” Continued on page 9
August, 2017
Alberta Native News
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Mistassiniy Mentors attend WIP Conference By Curtis Walty Mistassiniy School, one of 24 schools in the Northland School Division (NSD) in Northern Alberta, was on the world stage last month attending the World Indigenous Peoples Conference (WIPCE) in Toronto. From July 24-28 WIPCE drew Indigenous representatives from across the globe to share success and strategies for culturally and grounded Indigenous education. The key theme for this year’s conference was the role and impact of Indigenous education in truth and reconciliation. On Thursday, July 27, Mistassiniy School mentors presented a research project and a soon to be published book that speaks to truth and reconciliation. The inspiration for this project came after attending WE Day in Calgary with hundreds of other NSD students on October 26, 2016. After learning about changing communities from Me to We, the mentors came up with the idea to research the residential school history in Wabasca-Desmarais. From January until the end of June, 2017, students interviewed Elders about their residential school experience at the Elders Lodge in Bigstone Cree Nation, at their homes and at the school. The mentors received first-hand accounts from Elders about life within the missions. The students asked questions such as what work they had to do there, and what, if any, good memories did they have in residential school.
K-Days Pow Wow
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everyone comfortable. We are grateful for the support we have received and would like to thank everyone who participated in any way to help make the Northlands KDays 2017 Pow Wow the outstanding success we’ve experienced here this week.” In addition to being a pow wow dance competition, this year’s event included a Drum Competition that saw the first-place winner, Young Spirit (Frog Lake First Nation) take home the top prize of $20,000. Placing second was the popular Northern Cree Singers from the Saddle Lake First Nation ($12,000). Third place finisher, Young Bear, hail from Mandaree, North Dakota ($10,000) while Saskatchewan’s Sweet Grass First Nation drummers,
Several Chiefs joined the Grand Entry.
“It was good, emotional, heart-felt, and rewarding all at once,” said Grade 12 Student Leeander Young. “I’m really glad that they Mistassiniy Mentors at the World Indigenous Peoples Conference. Back: Darrell [Elders] wanted to go back, Anderson (Community Education Engagement Coordinator), Shelly Hamelin, and share these stories. Leeander Young, Hailey Rathbone, Blade Anderson, Pearl Calahasen (First Nations, Many Elders want to forget Metis Pedagogical Supervisor). Front: Brooklyn Anderson. about those memories, so I To commemorate and honour the residential school was happy that they shared their experiences.” survivors, mentors from Mistassiniy School, St. Theresa “It’s unbelievable how they [Elders] were treated but it’s and O.P.K. (Bigstone Community School) will be School what made them who they are today, and I am grateful that building a bench, swing bench and plaque. It will be they were willing to share with us,” said Grade 11 Student, located where the last mission once stood in WabascaZach Zabot. Desmarais. In addition to these powerful recollection of events, the The mentors are extremely thankful to the Elders who mentors documented photographs of the missions in shared their stories. They also expressed their appreciation Wabasca-Desmarais. The stories and photos will be Bigstone Community Wellness for assisting in getting to published in a book titled “Kayas Ayamikamik the book published and to Lorraine Cardinal-Roy, Director Acimowina: Old Stories of the Mission.” of First Nations, Métis and Inuit Learner Success, “It was an awesome year for the mentors and this piece School Division for sponsoring the trip to Northland of work has made it rewarding for not only myself, and the WIPCE. They are also grateful to the late Clara Elders, but it will be for the entire community,” said Yellowknee for her book about Wabasca-Desmarais and Community Education Engagement Coordinator/ to Jerry Jackson for the graphic design of the front and Lead Mentor Darrell Anderson. “What an emotional back cover of the book. display of resilience and experiences our Elders had in the The book will be unveiled in late September. residential schools.” Blackstone placed fourth ($8,000). Fifth place finisher and winners of $6,000 was Poundmaker, who are members of the Poundmaker First Nation. There were 30 different competitor categories vying for cash prizes in the dance competitions. Winners in each category took home $2,000 each and the five three places in each category won a share of the prize money. Edmonton City Councilllor Tony Caterina addressed the gathering and noted: “Together we have accomplished something special here today. We come together to gather, teach and share and I want to thank all of the community and First Nations Chiefs and leaders for coming here today to make this an event that is both exciting and educational. On behalf of Mayor Don Iveson and Edmonton City Council I acknowledge and thank the Indigenous people whose ancestors’ footsteps have marked this territory for centuries.” Alberta Health Minister Sarah Hoffman spoke to the thousands in attendance, thanking them on behalf of Premier Rachel Notley and the
entire government of Alberta. She acknowledged Treaty 6 territory and reiterated the Alberta government’s ongoing mission “to work in unison with all peoples in Alberta and with all of our Indigenous communities.” She thanked Chief Alexis “for being a partner and helping to bring this pow wow to Edmonton Northlands. This is another step on the road to reconciliation; enjoy this pow wow with open hearts and open minds and with an appreciation for the history, culture and tradition being shared with us all.” Northlands has a new Indigenous Princess this year; her name is Alicia Cardinal and she is a member of the Buffalo Continued on page 11
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Alberta Native News
August, 2017
First Nations well-represented at Calgary Stampede by Terry Lusty In 1912 American trick roper Guy Weadick schemed a dream for the bustling western Canadian metropolis of the burgeoning young city called Calgary. His concept of preserving at least a part of the "wild west" drew the support of three additional Calgary-area businessmen and their financial contribution of $100,000 each - huge money back in those days. In that first-time event, cowboys from Canada, the USA and Mexico vied for $20,000 in prize money with 100,000 visitors in attendance over six days of what was then simply referred to as The Stampede. Thus was born what was to later become recognized and labelled as "The Greatest Outdoor Show on Earth." In 1912, 1,800 First Nations people participated in the Calgary Stampede, leading the parade, competing in the rodeo and camping in the first informal Indian Village. 105 years later, the Calgary Stampede was honoured to have the seven chiefs of Treaty 7 Territory fulfil the role of Parade Marshals for the 2017 Calgary Stampede Parade. “This meant a great deal to me personally as well as to the Calgary Stampede,” says David Sibbald, president and chairman of the board at the Calgary Stampede. “We have had a strong relationship since the beginning of this great festival, and we would like to build on that relationship going forward, making our connection even stronger. The Stampede is a community gathering place and it is important that we preserve, protect and grow the home fires of our western heritage.” In 1912, the Calgary Stampede was the fulfillment of Guy Weadick's dream. This year, it was, likewise, the fulfillment of a young First Nation woman's dream. Savanna Sparvier, 19 years young and a member of the Siksika First Nation located about 100 kilometres east of Calgary, realized the fruition of her own dream of one day being selected as the Calgary Stampede Indian Village princess. There was an interesting lead-up to this honouring for
the young traditional dancer who also aspires to one day become a school teacher. One has to go back to 2009, she explains, when she observed thenprincess, Nikkole Heavy Shields, fulfilling her duties as the Indian Village princess. That really caught Sparvier's attention and she was hooked. In addition, just a year prior to being Stampede Indian Village Princess Savanna Sparvier escorted champion chosen as princess, Sparvier was bareback rider Richie Champion onto the grandstand stage to receive somewhat flattered when she heard of his $100,000 prize. the admiration that two of her young nieces had for her. That provided added incentive for her the grandstand stage for their championship awards. Then, to contest the role and serve as a positive role model for too, there were banquets, the western art auction, the First Nations youth. When informed of her selection, pancake breakfasts, the Indian Village Powwow, and so Sparvier was absolutely thrilled that she would be much more that she attended. In general, 2017 was a big year for First Nations people. representing the seven southern Alberta First Nation tribes Besides the chiefs leading the festivities as Parade (Siksika, Tsuut'ina, three Stoney Nakoda bands, Kainai Marshals and the important ambassador role of the Indian and Piikani), the Indian Village, and the Calgary Stampede Village princess, there were many traditional First Nation itself. dance performances on the main stage at the rodeo during Sparvier's other deep-down desire is to complete a various dances, drumming and singing intermission, degree in education so she can become an English and performances during the daily evening grandstand shows, Drama teacher. This, she explains, will enable her to reach and various activities at the Indian Village in ENMAX out to today's youth and encourage them to chase after just across the river, behind the Saddledome. Park, their dreams and not be shy nor afraid to do so because "it As well, there were First Nation contestants in the daily is possible." rodeos and the evening chuckwagon races that were In her role as the Indian Village princess, Sparvier is every day. Unfortunately, Native competitors had featured often called upon as a goodwill ambassador for the a rough time of it this year as rodeo contestants but you Calgary Stampede at various functions, gatherings and never know who or what's lingering around the corner. As events both locally, out of province and outside of Canada. they say, there's always another day. In that capacity, she informs others about her First Nations Speaking of chuckwagon races, the Grey Eagle Casino people, culture, traditions and heritage. and Hotel of theTsuut'ina First Nation on the southwestern During the Calgary Stampede, she made various edge of Calgary did not compete this time around. appearances and had the honour of accompanying some of Interestingly though, the Rangeland Derby at the the champion cowboys and girls when they walked onto Stampede, was won by none other than a rig guided by, you guessed it, Kurt Bensmiller, the former driver of the winning wagon for Grey Eagle. Bensmiller now has won three of the last four years at Calgary, along with a cheque for $100,000! And, you know it, his streak began with the Grey Eagle wagon from Tsuut'ina First Nation. Still, the inclusion of First Nations in and around the world-famous Calgary Stampede goes without saying. Thanks in large part to the initial dream of Guy Weadick and his persistent demand that First Nations be included, even in the early years when the federal government of Canada attempted to block Indians from practicing their culture and traditions at public or other events, Mr. Weadick never failed to intervene on their behalf and have First Nations front-and-centre. As for the Indian Village, it has been a vibrant part of Stampede ever since Day One back in 1912. For tourists, especially from overseas countries, the First Nations people, village and events are always sought out and enjoyed immensely.
One of the highlights of the Calgary Stampede is the spectacular traditional dancing performed by First Nations men, women and youth wearing vibrant regalia.
August, 2017
Alberta Native News
Paquette
cont. from p 6
Commitment to community and families are values that Aaron carries through his professional career and his volunteerism. Like many Edmontonians, Aaron is active in his local community league and coaches youth soccer. He is passionate about helping young people succeed and he’s worked with Alberta Education, various school boards and teachers’ associations to teach not only art, but also to develop curriculum and increase student academic achievement. In 2012, he created an education conference to lay new ground for more effective approaches to student and teacher learning environments. Aaron has been creating art for more than two decades. His ideas are healthy, his track record speaks for itself. When he initiates a project, or joins one already in progress, he follows through and stays with it until the end. He is an experienced facilitator, trainer and engaging public speaker. He has worked with the Royal Conservatory’s adjunct program - Learning Through the Arts - as both a Mentor Artist and as the Indigenous Representative and Consultant in Alberta. This experience focused on providing the skills and background knowledge for infusing differentiated learning within the general curriculum in Alberta and the Northwest Territories.
NorQuest
cont. from p 5
page was all I needed to get me started,” explained Rebecca Omeasoo, a 46-year-old Edmontonian from Maskwacis, Samson Cree Nation who used the centre to get her security officer certificate. “I didn’t need to search out any phone numbers. I just clicked that I was interested in it … and I got a response right away. By noon the next day I had the application and paper work sent to me and I knew I was in. The program started Monday. “This has given me skills and now I will be able to go out to a job and be more confident.” In addition to the funding provided to the AICCC at NorQuest, The Alberta Ministry of Labour, with support from the federal Canada-Alberta Job Fund, committed $400,000 to the AICCC at Bow Valley College in Calgary bringing the total funding commitment up to $1.9 million. "Bow Valley College is proud to continue partnering with the Alberta government, NorQuest College and Indigenous and industry organizations to facilitate skills and career development and support Indigenous clients with attaining well-paying jobs in the construction industry,” stated Laura Jo Gunter, president and CEO, of Bow Valley College. “Through the centre, we are building pathways connecting Indigenous workers to constructionrelated careers, strengthening families and communities and contributing to Alberta’s productivity and prosperity." The AICCC in both locations is devoted to helping Indigenous workers meet labour force demands through career coaching, resume development, safety courses, workshops and training and job search supports. The centres also provide a variety of worksite supports to employers aimed at facilitating successful work relationships. For more information call 780-644-5907, email alccc@norquest.ca or visit aiccc.ca.
Aaron has collaborated with Ministries, Teachers’ Associations, and various community members and teachers, providing region wide teacher workshops and inschool experiences related to the art curriculum that also provide an FNMI perspective. Through this collaboration, he also provides student workshops, professional development sessions and artist-in-residence programs. A skilled communicator, Aaron has worked with Alberta Education on reconciliation, specifically between communities and school administration. He has worked for years with the Edmonton Public School Board with both in-class sessions and special sessions for promising young artists. The Catholic School Boards in the Central and Northern Alberta region have also enlisted Aaron in many projects ranging from elementary school visits that tie art into curricular learning to mural painting with High School students. The author’s greatest joys are his wife, his six-year-old and two-year-old sons and his twin teenage boys. “I’ve learned never to take anything for granted and of course I know there is a difficult road in front of me, but I’d like
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your support and on October 16, I urge you to get out and vote; we need ideas and I will help you promote them.” See Aaron Paquette’s message at: aaronward4.ca
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Alberta Native News
August, 2017
Mohan Art creatively crosses genres by Deborah Shatz (ANNews) – The beautiful art on the cover of last month's issue of Alberta Native News is by the extremely eclectic and talented contemporary artist Tim Mohan; it is entitled “Believers.” The image portrays a joyful wonderment of a young girl and the deep emotional bond between child and mother with tranquil anticipation of the new birth. The two figures are protected by their ancestors flying above them. The colours are soft and lovely with a floral motif depicting femininity. It is a truly lovely image that evokes a smile with every viewing. Mohan has been featured many times on the cover and inside the pages of Alberta Native News over the last 20 years and his covers are among the most complimented. He is a prolific artist and his art crosses as many genres as his imagination allows ranging from wildlife to Aboriginal Spiritual themes to Rock and Roll legends, Indigenous leaders and environmental activism themes. Within each painting there are numerous hidden images so there is always something new to discover. Self-taught and colour blind, Mohan combines photography, painting and drawing to create vibrant art that is influenced by his Native ancestry. About his artistic process, Mohan says, “What many seem to appreciate in my artwork is the way multiple visual elements, derived from a variety of sources and inspirations, including my Native ancestry, wildlife and nature, are fused together into a multilayered, cohesive whole. To achieve that end result, I combine different
artistic mediums, applying modern tools and techniques to the creative process.” Mohan’s art can be found in many private and public collections. He has most recently participated in solo and group exhibitions in galleries in Ontario as well as a solo exhibit at the Erotic Heritage Museum in Las Vegas. His beautiful images are also available in prints and as wearable art online at lexypublishing.yolasite.com. In addition to his paintings, Mohan is also very creative and talented musically. Earlier this year, he created an audio poem and video entitled, “Three Faces” that was presented at a Reconciliation Forum at “The Museum” in Kitchener. He also composed a song entitled “Hurt Atmospheric Mix” that has aired on MBC Radio Network. Mohan explained his love for music in a recent article published in OurCanada.com. He said, “In my teen years, I found that music deeply influenced my artwork. Albums such as The Dark Side of the Moon by Pink Floyd and Sgt. Pepper’s Lonely Hearts Club Band by The Beatles were magical. With the volume turned up to the maximum, I could close my eyes and drift into the music. Often, images would pop into my head and I would see the artwork completed before I even started. All I had to do was reach into my mind and grab it. It’s an incredible feeling and to this day I cannot create artwork without music playing.” Mohan is also very kind hearted and generous and gives
"Believers" by Tim Mohan was featured on the cover of the July 2017 edition of Alberta Native News.
back to the community whenever possible – particularly to the Canadian Cancer Society, Ronald McDonald House, Big Brothers/Big sisters and Mothers Against Drunk Driving – all very worthy endeavours that are close to his heart.
Dignitaries at the K-Days Pow Wow in Edmonton led a spectacular Grand Entry into an arena filled with dance competitors and spectators.
Photo by John Copley.
June 29th - October 1st Borealis Gallery Legislative Assembly Visitor Centre 9820 107 Street Edmonton, Alberta assembly.ab.ca/visitorcentre
August, 2017
Alberta Native News
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Dahlia Drive brings Haida design collaboration to Edmonton Folk Fest by Deborah Shatz (ANNews) -The Edmonton Folk Festival is a Stealing Beaver Lake, Raven Steals the Moon, and Blind convergence of great music, a spectacular location on the Halibut Fisherman. Van Riesen, was invited by hill at Gallagher Park near downtown Edmonton and a Davidson's cousin to watch him work one day. "We ended up becoming friends, and then out of the wonderful ambience of friendly, peace loving locals and friendship we were able to collaborate artwork that we enthusiastic visitors. A highlight is also an appealing array of juried artists do," she explains. "It came out of eating together and that exhibit and sell their crafts in the Artisans Market. One fishing together and being together, and that's just a lovely of the gems each year is an exquisite women’s fashion way to be able to create something." Van Riesen specializes in using screen printing and company called Dahlia Drive that specializes in gorgeous hand designed slips, shirts and kimonos. Dahlia Drive’s dying techniques to renew recycled garments and textiles. fashions are ethereal, intimate, and delicately beautiful, She had long been interested in incorporating indigenous art into her designs and approached Davidson with the perfectly suited to flatter the female form. Fashion designer Wendy Van Riesen is an artist from the idea. He was keen to work together and the result of their Vancouver area who has been designing for Dahlia collaboration was on display at the runway for Indigenous Drive for over ten years. This year her designs feature a Fashion Week in Vancouver last month as well in the collaborative effort with renowned Haida artist Reg Artisans Market at the Edmonton Folk Festival held from Davidson and the result is “Ravens, Eagles, Polka Dots” - August 10 -13. The collection is based on the two main clans of Haida a bold and stunning line that has catapulted her to forefront lineage: Raven and Eagle. The Raven Dancing silkscreen of Vancouver’s fashion scene. Van Riesen first met Davidson when she and her and the Eagle Drum painting were chosen to decorate the husband sailed to Masset BC on the north coast of Haida fabrics and the palette was inspired by the Haida Gwaii Gwaii in 2014. They were so enthralled by the culture and landscape and traditional colours used by Haida artists on warmly welcomed by the locals that they moored their their carvings: red cedar, red ochre, ash black and sea foam green. boat over the winter and stayed for nine months. In addition to her artistic acumen, Van Riesen has strong At the time, Davidson - a master Haida carver - was carving one of four sculptures commissioned by the views on environmental consciousness and cultural Vancouver International Airport. The carvings are intricate appreciation. She and Davidson decided to do a special tred cedar designs that represent the Haida stories of Raven shirt to commemorate Canada 150 that would better
K-Days Pow Wow
cont. from p 7
Lake Métis Settlement near Caslan, Alberta. Passing the crown to the new princess was the 2016 Northlands Indigenous Princess, Brittney Pastion. “It has been a complete honour to serve the past year as Northlands’ inaugural Princess,” she said while addressing the crowd before passing the crown to her successor. “It’s been a wonderful year filled with many first-time
Alicia Cardinal is crowned.
Photo: Northlands.
experiences, including travelling, networking, learning and getting to know the public.” Pastion spoke about the pride she has as an Indigenous woman, something she said dates back to her high school years at Oscar Romero High School when she was asked to perform an Indigenous-style dance for those who had never seen one before. That day, she performed a Jingle Dance. “I realized that day, when I was just 17 years old, how proud I was to be an Indigenous person,” she reflected. “As a 23-year-old that pride remains stronger than ever as I move forward practicing ceremony and learning my language. During the past year I have learned a great deal about myself and I am proud to be an ambassador for the city and a role model for our youth.” In addition to the pow wow, which drew more than 40,000 visitors in
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Dahlia Drive's designer Wendy Van Riesen displays her beautiful Kimonos at the Edmonton Folk Fest.
reflect the Indigenous perspective. They chose the beaver, known for diligence and tenacity - which is both a crest of the Haida Eagle moiety and Canada’s national animal. The maple tree is the national tree of Canada and its leaf is the central image on the Canadian flag. Maple trees are known for their strength and endurance. Red is a prominent colour in both Haida art and the Canadian flag. Although Canada formally became a country 150 years ago, legend has it that Reg Davidson’s Haida ancestors emerged from a clam shell on Naay Kun (Rose Spit) 15,000 years ago. On the back of their t-shirt, Canada 150 has been corrected to read Canada 15,000 plus. For more information and to view the beautiful Dahlia Drive designs visit dahliadrive.com or call 604-789-5848. 2016 and many more in 2017 (figures not yet released) the K-Days event hosted a second annual Northlands Indigenous Princess Pageant, a three-day rodeo that offered more than $400,000 in prize money (held in partnership with the Canadian Professional Rodeo Association) and a Pride Day in which the organization saluted the LGBTQ community. The ten-day K-Days event attracts more than 800,000 people annually and is the largest multi-faceted celebration held in Edmonton each summer.
August, 2017
Alberta Native News
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