Portfolio_Alberto Cecchin

Alberto Cecchin mail: alberto.cecchinn@gmial.com

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2012

Architecture portfolio instagram: alberto_cecchin

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2017

Alberto Cecchin Architecture student IUAV Venice 2015_2017

In this Portfolio i collected all my selected works.

There are different types of project between landscape, urban renovation and master plan for new part of cities, around the world. I think there are different works that can be intersting to solve or improve other social situation.

Abstract of Architecture Portfolio Venice_Evora_Hong Kong_NewYork 2015_2017

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PERSONAL INFORMATION

ALBERTO CECCHIN

via Domenico Scoalri 32, 31033 Castelfranco V.to (Italy) +39 3405820568 alberto.cecchinn@gmail.com Sex Male | Date of birth 05/03/1993 | Nationality Italian

WORK EXPERIENCE

07/2017

Architect IUAV, Venice (Italy), Assistant professor at WAVE 2017 IUAV

2017-Present

Architect Andrea Fantinato Architetto, Castelfranco Veneto (Italy)

2014-2016

Architect Cecchin srl, Castelfranco Veneto (Italy)

06/2013-12/2013

Internships Carron spa, San Zenone degli ezzelini (Italy)

2012

Military stage Scuola di fanteria esercito Italiano, Cesano di Roma (italy)

EDUCATION TRAINING 2012-Present

Architecture Bachelor Degree IUAV, Venice (Italy)

08/2014-03/2015

Erasmus Universidade de Evora, Evora (Portugal)

04/2016

Workshop Parsons The New School For Design, New York ( United states)

10/2016

Internship The Hong Kong Polytechnic University, Hong Kong (China)

2016-Present

Architecture - Master Degree IUAV, Venice (Italy)

WORK SHOP

at

IUAV

2015

Sebastiàn Irarrazaval

2014

José Maria Saez Vaquero

Football Stadium Sant’Elena , Venice

Marghera requalification, Venice

2013

Ricardo Bak Gordon Marghera requalification, Venice

PERSONAL SKILLS

Mother tongue 0

italian

English

100

0

B2

Portuguese 0

Digital competence

B1

100

Photoshop --PHOTOSHOP Illustrator --ILLUSTRATOR Indesign --INDESIGN

Sketch-up --SKETCH-UP Office --OFFICE

- Autocad -AUTOCAD Cinema --ARCHICAD

4d

- Archicad -CINEMA 4D 0

OTHER SKILLS

100

- scuba diving license - professional swimmer

Driving license

A-B

ADDITIONAL INFORMATION Concurse Projects

Concurso de Ideias - Jardim do Largo dal Igreja Matriz - Alvito - Portugal

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08

Journey - Inspiration

10

Exhibition projects Hong-Kong - Plug in city

14

Padova - Green gate

18

New york - Urban carpet

22

Lightening the valley - Landmarks

26

Venice Stadium - Underground

30

3D visulization - bauclassroom

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JOURNEY

- IO Inspiration

01

07-2015

Athens

02

12-2015

USA

03

2015-2016-2017

Venice

Traveling trough the world to see different types of landscape, way of life and social relation.

Discovering completely different places which have similarities with each others.

“ Of a city you do not appreciate the seven or seventy-seven wonders, but the answer to your question. � ( Italo Calvino )

04

10-2016

Hong- kong

01.01

01.02

01.03

tex tu r e

p e ol p l e

shadows

- mount Lycabettus -

- the Dimotiki Agora -

- stoa of Attalos -

02.01

02.02

02.03

tex tu r e

p e ol p l e

shadows

- death valley -

- south bay S. F. -

- Yerba Buena center -

03.01

03.02

03.03

tex tu r e

p e ol p l e

shadows

- ST Marks’s tower -

- Zattere -

- Accademia bridge -

04.01

04.02

04.03

tex tu r e

p e ol p l e

shadows

- Lamma, Pichic bay -

- Kowloon meat market-

- Aberdeen -

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EXHIBITION PROJECTS OF HONG KONG

- Aldo Aymonino Plug -

Island

Asylum seekers and refugees (ASRs) have limited rights in Hong Kong and they are a group of marginalized and ignored population.

Due to the backlog of the screening process, it is not unusual for an ASR to stay in Hong Kong for years, some of them have stayed in Hong Kong for over ten years. They are prohibited to engage in any form of businesses or jobs, except rare exceptions. During the lengthy screening process and long waiting time, ASRs can only live under limited government and NGO subsidies.

OUR PROJECT aims to design an infrastructural and housing system, based on Lamma island, that could be able to adapt itself to requirements, needs and size of the inhabitants. The project is organized to change its form and structure acquiring different shapes and solutions. This capacity descends from the container-module, with which we chose to design all the units (housing and commercial ones).

The container-module takes advantage of the storage operation they use in commercial harbours: prefab modules are set or taken away with overhead travelling cranes and traditional cranes set on the main structure. This building scheme allows the system to change its shape and structure very quickly. There are two different types of housing spaces dipending on the length of stay. The first solution for semipermanent stay is composed by 3 contaienrs and it contains 5 peolple, the second one ( for short stay) is madeof six modules and it contains 24 people and common spaces.

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GREEN GATE

- Antonella Gallo A John Hejduk inspiration

For the new gate of Padua i projected a park with two architectural elements, the boardwalk and the Belvedere, are inspered by the atypical structures disegned by the American architect J. Hejduk.

Their aim is to stimulate the curiosity of the peolple walking through the park. The belvedere is a vertical element which stands out between the branches of the trees. At the top of the tallest liberty building apperas his “head”which looks like a “serious bearded monk”. The horizontal element is a boardwalk which looks like a dragon layed on water.

The first is covered with metal panels that descend to the ground like a long habit, instead the metallic structure in the inside shows its coldness and entirety.

The second on one side shows its metal and concrete structure, and on the other is covered with large metal scales, creating two faces of the same element that, if viewed from different points, stimulates the imagination of the observer.

The portal inserted between the two Art Nouveau buildings is inspired by the characteristics that the area had during its industrial period, in fact it looks like a reticular walkway supported by two large reinforced concrete pillars of different sizes. The largest cylinder, which is hollow, is placed in the paved part and tries to turn the space around itself. The smallest one rises from the “wooded” area like a tree trunk. The portal is half cut off by the “forest” that enters the square between the buildings creating a natural tunnel , the walkway parapet becomes part of the nature that reappropriates the area.

BEARD MAN TOWER

2,70 m

mm)

2,70 m

22,5 m

22,5 m

BEARD MAN TOWER

mm) mm)

8,70 m

5,00 m

8,70 m

5,00 m

DRAGON PIER DRAGON PIER

23,00 m

23,00 m

x150 mm)

A JOHN HEJDUK INSIPIRATION 2,10 m

2,10 m

mm)

I due personaggi, inseriti nel parco sono stati ispirati dalle atipiche strutture, padiglioni dell’ architetto americano A JOHNcreare HEJDUK J. Hejduk, e vogliono dei INSIPIRATION momenti di curiosità all’interno di un parco urbano.

Il primo inserito è un elemento verticale che si staglia fra le fronde degli alberi e sbucca con la “testa” all’altezza dell’edificio liberty più alto, come un “serio monaco barbuto”.

I due personaggi, inseritiun nel parcosdraiato sono stati ispirati dalle atipiche strutture, padiglioni dell’ architetto americano Il secondo è un elemento orizzontale, pontile come un drago sull’acqua.

J. Hejduk, e vogliono creare momenti diacuriosità all’interno di saio, un parco urbano.

La torre è rivestita da pannelli metallici che dei scendono fino terra come un lungo mentre all’interno la struttuprimo nella inserito è interezza un elemento verticaleilche si staglia frada le un fronde degli alberi e sbucca la “testa” all’altezza ra metallica siIlmostra sua e fredezza, pontile invece lato mostra la sua strutturacon metallica dell’edificio piùèalto, comecon un grandi “serio monaco e di calcestruzzo mentre liberty dall’altro rivestito squamebarbuto”. di metallo, creando due facce di uno stesso è undaelemento orizzontale, pontile sdraiatodell’osservatore. come un drago sull’acqua. elemento che Ilsesecondo viene visto punti diversi stuzzicaunl’immaginazione La torre è rivestita da pannelli metallici che scendono fino a terra come un lungo saio, mentre all’interno la struttura metallica si mostra nella sua interezza e fredezza, il pontile invece da un lato mostra la sua struttura metallica e ditra calcestruzzo mentreliberty dall’altro è rivestito con grandi squame di metallo, creando dueperiodo facce di uno stesso Il portale inserito le due palazzine si ispira alle caratteristiche che aveva l’area durante il suo elemento che se viene visto da punti reticolare diversi stuzzica l’immaginazione dell’osservatore. industriale infatti si presenta come una passerella sostenuta da due grandi pilastri in calcestruzzo armato di dimensioni diverse, il cilindro più grande, cavo, è posto nella parte pavimentata e cerca di far ruotare attorno a se stesso lo spazio, quello di dimensione inferiore e pieno si erge dalla zona boschiva come un tronco Il portale inserito le due liberty si ispira caratteristiche aveva un l’area durante d’albero . Il portale è per metà tra tagliato dalpalazzine “bosco” che entra nella alle piazza tra gli edificiche creando tunnel natu- il suo periodo industriale infatti infatti si presenta come una passerella reticolare sostenuta da duedell’area, grandi pilastri in calcestruzzo arrale di passaggio, il parapetto diventa anch’esso parte della natura che si riappropria attraverso matoche di dimensioni il cilindro più grande,quasi cavo,mimetizzandolo. è posto nella parte pavimentata e cerca di far ruotare piante rampicanti lo ricopronodiverse, per la sua intera lunghezza, attorno a se stesso lo spazio, quello di dimensione inferiore e pieno si erge dalla zona boschiva come un tronco d’albero . Il portale è per metà tagliato dal “bosco” che entra nella piazza tra gli edifici creando un tunnel naturale di passaggio, il parapetto infatti diventa anch’esso parte della natura che si riappropria dell’area, attraverso piante rampicanti che lo ricoprono per la sua intera lunghezza, quasi mimetizzandolo.

mm) mm)

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NEW YORK

- Aldo Aymonino - Sebastian Irarrazaval Urban Carpet

The plan of action always considers a couple of parallels roads. These roads will be orthogonal to Roosevelt Avenue, which can be seen as the current hub of the whole area. Our will to develop the new system ortho-gonally to Roosevelt Avenue descend from the need to lead to an urban network grounded in interaction, exchange and medley of commercial activities, knowledges and various ethnic groups. This particular need comes from the lack of cohesion between almost every block of the entire area.The strategy consists of the closing to the traffic of one of the two roads, and the superimposition of an urban “carpet” on it. The road will become pedestrian, and it will hold different and various public places. These places will be defined through the creation, in the carpet, of excavations and plates with several heights and depths.

The urban carpets will be positioned close to the six metro stations of the subway line 7, from “Roo-sevelt Ave-Jackson Heights” to “111 St”. Every carpet will be appointed to a color: the color’s meaning, toghether with the new buildings, will define the function of the carpet and its buildings.

The new buildings will be built at the far ends of the blocks touched by the carpet.The system of excavations and plates will intertwine with a public green belt and it will build links with the new buildings and put together the surrounding area.

The aim of the project is to create a network that could link all the carpets and make them become a single system. Indeed each carpet is intended to be a section of the whole system. Thanks to a free wifi service and to a smartphone app, wherever the people will be (either inside or outside the system), they will be able to get to know of whatever happens in other places of the program; most of all, they will be able to organize every kind of action that the carpets allows them to do. It means for example buy tickets for a show, or schedule a meeting at an amministrative office. The wifi connection will let everyone surf the net free of charge, throughout the study area and potentially the whole city. Besides, the smartphone app will allow everyone direct access to public info services such as buses and trains time-tables, news about scheduled events, traffic flows, weather and so on.

The carpets are fitted with basic tools as info point, electricy and, as we have already said, free wifi connection. Depending on the features of the various belts, the carpets have their own peculiarity, like a playground in response to a store selling things for children or a fitness trail which work also as link between different sport facilities.

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82 Street Library - Plaza plans - section 0

2,5

5

10

1:200

82 Street Cultural Center 0

2.5

5

10

basement plan - section 1:200

- Public Pavillion -

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LIGHTENING THE VALLEY

- Benno Albrecht Landmark

This project is located in Piemonte in Val Pellice, a valley in the north of Italy characterized by a strong historical past. The project aims to the possibility of recovery of small historic Italian centers.

In fact during 1600’s the 700 meters line was considered a limit above which all those who were of Waldensian religion, which was considered eratic, could profess and live. This elevation therefore became a social, political, cultural and religious boundary.

Therefore we tried to highlight what was the historical limit with a new limit, trying not to make it physical and insuperable, but visual, recalling the memory and the history of the place.

The project therefore becomes a luminous path along the 700 m level curve, in particular it is marked out with the insertion of luminous structures with different heights, according to the place where they are located in the landscape. These elements are illuminated by the solar panel on the top, the larger structures can produce electricity in order to give energy to the valley.

They are present both within the city, as in Bobbio Pellice, both in the most forested parts and in some flat areas, thus delineating a “high altitude� path. Its intent is to give back to the valley a strong historical character without radical interventions.

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8

9

10

7

1 2 3 5 1

Pilastro in cls cavo prefabbricato ø 60 cm

6

Sottoplinto in opera

2

Palo vibrante ø 10 cm - tecnologia vortex

7

Generatore di energia elettrica - tecnologia vortex

3

Plinto prefabbricato 220 x 160 x 160 cm

8

Scatola di protezione e relativo circuito elettrico collegato al sistema fotovoltaico

4

Getto di sigillatura in opera

9

Pannello fotovoltaico - mq 21,16 / 5,29 / 1,32

5

Foro passacavi 10 cm

10 Rivestimento in tessuto

4

6

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VENICE STADIUM

- Sebastian Irarrazaval Underground

The imperfection or “descalce”, in Spanish, as a design moment becomes a stimulus to find a solution.

The limit increases the projectual possibilities and stimulates creativity for the solution of the difficulties we may face during the projectation.

Venice is a city where the overlap of imperfections gives life to astonishment. Projects are based on imperfection as a supporting element, to make sure that things do not coincide teaches us how to make them coincide in order to solve them. when things do not fit, they might create opportunities, interesting project spaces. we started from ‘hybridization of two structures with completely different functions such as a stadium and a “war machine”, in our case the section of a trench is used as module due to the rebuilt of the stadium. The stadium does not have any visual impact off the ground.

On the one hand also has a ramp that directly connected with a dock for ships. Inside the structure, it was decided to organize the new sports center of Venice as well as the stadium, including gyms, swimming pools, tennis courts, squash, etc.

Pianta Autocad

Sezione autocad

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3D VISUALIZATION

- Buclassroom Immagining the future

Architectural Visualization Workshop is designed for architects, students or cg artists who want to know in depth all about lighting, texturing with Cinema 4d + Vray and advanced postproduction with Adobe Photoshop.

The power of VrayforC4d 3.4 allows you to create high-end visualization with great workflow in a professional way.

SurfaceSPREAD is a great scatter plugin we use to create vegetation in our scene.

Sometimes environment is one of the most interesting and difficult stuff to create in 3d.

There are no images without postproduction. I learned to set a professional postproduction file with all the adjustments layer and final touch to creat breathtaking pictures.

I received an official VrayforC4d certificate.

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