Aldo Espina Portfolio by aldo_jacques

A L D O S A M P L E

E S P I N A

W O R K S

2 0 1 7 - 2 0 1 8

A L D O

E S P I N A

PROFILE

MFA LIGHTING DESIGN - PARSONS, THE NEW SCHOOL SEEKING: Full Time Position EMAIL: aldo_jacques@yahoo.com espia437@newschool.edu PHONE: +1-732-788-9569

E D U C AT I O N

GRADUATE:

Master of Fine Arts in Lighting Design (Aug 2017 - 2019) Parsons School of Design The New School, New York City, USA

UNDERGRADUATE: Bachelor of Science in Architecture (Jun 2009 - Mar 2014) College of Architecture and Fine Arts University of San Carlos, Cebu City, Philippines

EXPERIENCE

PART-TIME POSITION: Architectural Intern (Mar 2014 - Jan 2016) Espina, Perez - Espina and Associates Cebu City, Philippines FULL-TIME POSITION: Junior Architect (Jul 2016 - Jul 2017) Espina, Perez - Espina and Associates Cebu City, Philippines

SKILLS

TECHNICAL: AGI32, AutoCAD, Revit, Sketchup, V-ray for Sketchup, Rhino, DIVA for Rhino, Adobe Creative Suite, Microsoft Office LICENSES:

Registered Architect (Philippines) Registered Real Estate Broker (Philippines) Registered Master Plumber (Philippines)

C O N T E N T S L I G H T I N G

D E S I G N

SCRIBE TECHNICAL CHARRETTE D I S A S T E R P R E PA R E D N E S S I N T E N S I V E U N I V E R S I T Y C E N T E R I N TA L L AT I O N MICROPROJECT BEINECKE LIBRARY CASE STUDY

A R C H I T E C T U R E EDGES AND BOUNDARIES NEW ANCHORS UNIVERSITY CITY T H I R D M AC TA N - C E B U B R I D G E N AT U R A L FA R M I N G T R A I N I N G C E N T E R

I L L U S T R A T I O N REITVELD SCHRODER HOUSE L I G H T I N S PA C E VA R I O U S I L L U S T R AT I O N S

L I G H T I N G

S C R I B E :

A Co-working Space for Literary Folk

Ligting Studio 1 | Professors: Glenn Shrum, Francesca Bastianini, Alex Pappas | Teammates: Xingying Peng, Yi-szu Liao Writing is a public act but often a private and solitary practice. The design seeks to foster interactions between the different parties involved in writing, and at the same time propagate individual growth. Through play of contrast, control and edges, the proposal provides different levels of privacy, different types of spacial experiences and lighting environments.

16'

FIFTH FLOOR

FOURTH FLOOR

THIRD FLOOR

L E G E N D

open, no user control

open, semi-user control

semi-open, full user control

fully open, full user control

8' 4' 2' 0'

4' 2'

16'

D I A G R A M S 16'

P R O G R A M

User Control Zones (Local) User Control Zones (Group) AR

L E G E N D

No User Control Zones

Z-3016

Z3016

Z-3018

Z-3017

Z-3012

Z-3014

Z-3015

Z-3013

Z-3011

Z-3010

Z-3007

AD(2)

Z-3019

Z-3063

THIRD FLOOR AR

Z-3009

Z-3008

Z-3006

Z-3004

AD(2)

Z-3003

FOURTH FLOOR AR

Z-3005

FIFTH FLOOR AA3 Z-3020

AI(3) Z-3021

Z-3001

AD(2)

Z-3071

Z-3070

Z-3069

Z-3068

Z-4013

AD(2)

Z-3018

Z3016

Z-3016

Z-3017

ANZ-3014 Z-3063

Z-3072

Z-3012

Z-3007

AD(2)

Z-3010

Z-3015

Z-3013

Z-3009

ARAK

Z-3008 Z-3072

Z-3006

AN Z-3004 Z-3063

Z-3005

Z-4016

Z-4014

Z-3011

Z-3002

AD Z-4011

Z-4009

Z4007

Z-4005

Z003

Z4003

Z-5001

Z-3019

Z-3067

Z-3066

Z-3065

Z-3064

Z-4006

Z-4015

AA1(65)

Z4002

Z-4012

Z-4010

Z-4008

Z4004

Z-5000

AF(2)

Z-5002

Z-3022

AH(2)

Z-3063

Z-3003

Z-4060

Z-4059

AA2 (4)

Z-4060

Z-5001

Z4001

Z-3062

AA3 Z-3020

AI(3) Z-3021

AA3

Z-3062

AA3

Z-3001

AD(2)

Z-4048

Z-4046

Z-4044

Z-3023

Z-3063

Z-3072

AA3

Z-3024

AD(2)

Z-3067

Z-3066

Z-3065

AI(3)

Z-3046

Z-3064

Z-3052

Z-3025

AD(2)

Z-3048

Z-3072 Z-3047

AQ(2) ANZ-3061 Z-3063

Z-5035

Z-4051

AE(2)UP

Z-4052

Z-4057

Z-3061

Z-3022

AH(2)

Z-3026

AQ(2)

Z-3062

AS Z-3056 AA3

Z-3055

Z-3063

Z-3062

AA3

AA3 Z-3044

Z-3061

AA2(6)

Z-4019

AH(2)

AA (3)

AA3

Z-5034

AH (2)

Z-4042

Z-5007

Z-4043

Z5005

AJ (3)

AE(2)DN

Z-5006

AA2-W

Z-3049

AH(2)

AA2 Z-3061

Z-3051

Z-3071

ALAR Z-3050 Z-3070

Z-3069

Z-3068

Z-3002

Z-4049

Z-4050

Z-4047

Z-5004

Z-4045

AD(2)

AI(3) Z-4018

AA3

AJ(2)

Z-4017

Z-3063

AA1(13)

Z-5003

Z-5002

Z-5003

Z5001

AA1(12)

Z-3028

Z-4020

Z-3050

AA2

Z-3023

AH(2)

Z-3025

Z-3029

AA2

Z-3061 AS Z-3052

AD(2) Z-3048

Z-3061

AQ(2)

Z-5035

Z-3031

Z-3024

AD(2)

Z-3060

Z-3026

Z-3030

AD(2)

Z-3061

AQ(2)

Z-3056

Z-3061

Z-3055

AQ(2)

Z-3058

AA3

Z-3042

Z-3054

Z-3028

Z-3061

AR Z-3027

AD(2)

Z-3035

Z-3057

Z-3045

AQ(2)

Z-3053

AD(2)

Z-3032

Z-4022

AD(2)

Z-4036

AT(3)

AA2(4) Z-3061 AR

Z-5031

Z-5007

Z-4023

Z-3042

Z-4057

Z-5014

Z-3044

Z-3061

AA2(6)

Z-5007

AD(2)

Z-3043

AA3

Z-4056

Z-3046

Z-3059

Z-4021

AA3 Z-4040

Z-5032

AA3

Z-5012

AM(4)

AI(2)

Z-5013

AA3

Z-5008

Z-4055

AA2-W

Z-3049

AD(2) Z-3027

Z-4059

AA2 (11)

Z-3047

Z-3057

Z-3061

AS AQ(2) Z-3051

Z-3045

Z-4041

Z-4060

AQ(4)

Z-4059

Z-4054

AH(2)

AD(2) AR Z-3053

Z-3054

Z-4053

Z-5035

AA2-W

AA2 (6)

Z-5033

AJ(2)

Z-5011

AI(2)

AA3

Z-5010

Z-5009

Z-5035

AA2-W

Z-3029

AR Z-3036

Z-3061

AD(2)AA2 Z-3033

Z-3034

Z-3039

Z-3038

AD(2) Z-3037

Z-3040

Z-4024

Z-3031

Z-3060

Z-3061

Z-3030

AD(2)

AQ(2)

Z-3058

Z-4025

Z-3032

Z-3061

Z-5019

Z-5026

Z-3042

AD(2)

AR Z-3035

Z-4035

AR Z-3036

Z-3033

AD(2)

Z-3034

Z-3039

Z-3038

Z-3041

AD(2) Z-3037

Z-3040

Z-4030

Z-4028

Z-4034

AH(2)

Z-4031

AD(2)

Z-4033

Z-4032

AE(2)UP

Z-4036

AJ(2)

Z-5028

Z-5023

Z-5022

AE(2)DN

Z-4029

Z-5027

Z-5024

AD(2) Z-5021

Z-5020

AE(4)UP

AE(4)DN

AT(3)

AA2(4)

Z-3042

Z-4027

Z-4059

AA2 (5)

Z-4038

AA2

Z-5025

Z-5029

AD(2)

Z-3043

Z-5030

Z-5014

Z-4026

Z-3059

Z-4058

Z-3041

AA2

Z-4037

Z-4038

Z-5018

Z-5017

Z-5016

Z-5015

16'

L I G H T I N G L A Y O U T S

16'

S H E L F

FIFTH FLOOR

L O C A T I O N

D I A G R A M S

FOURTH FLOOR

THIRD FLOOR

P E R S P E C T I V E S

CONFERENCE ROOM ( lights at 100% )

ADJACENT HALLWAY ( lights at 100% )

CO-WORKING SPACE ( task lights at 20% )

CONFERENCE ROOM ( ambient light at 20% )

ADJACENT HALLWAY ( conference room ambient light at 20% )

CO-WORKING SPACE ( task lights at varrying intensities )

M O C K - U P

S C E N E

T E S T S

General Light: 0%

General Light: 50%

General Light: 100%

Task Light: 0%

Task Light: 100%

Task Light: 0%

Task Light: 100%

T E C H N I C A L

C H A R R E T T E

Ligting Studio 1 | Professors: Glenn Shrum, Francesca Bastianini, Alex Pappas | Teammates: Individual Work The design aims at defining programs by highlighting the focal points of each within the space. This is achieved through linear fixtures and coves which lead the eye while providing adequate illuminance and wall washers to emphasize any vertical surfaces required for a program. Strategic zoning and dimming is employed to achieve the correct illuminance levels for each.

PROPOSED ARCHITECTURAL MODIFICATIONS

C L A S S R O O M L E C T U R E C O U N S E L L I N G

L102 STAR FOUNDATION HALL 1,818 SF

D I S A S T E R P R E P A R E D N E S S I N T E N S I V E Ligting Studio 1 | Professors: Glenn Shrum, Francesca Bastianini, Alex Pappas | Teammates: Reisha Duarte

A school-wide intensive about Disaster Preparedness in NYC, in collaboration with The Japan Foundation and The New Schoolâ&#x20AC;&#x2122;s Zolberg Institute on Migration and Mobility. A week-long exploration of lighting needs during an urban blackout condition.

HYGIENE

COOKING

READING

U N I V E R S I T Y

C E N T E R

I N S T A L L A T I O N

Ligting Studio 1 | Professors: Glenn Shrum, Francesca Bastianini, Alex Pappas | Teammates: Anne Roca, Ashley Greiner The installation is a play on reflection and shadow created by horizontal reflectors and strategically suspended reflective and transmissive strips lit to paint a captivation geometric image.

m i c r o P R O J E C T Ligting Studio 2 | Professors: Derek Porter, Matt Frank, Nelson Jenkins | Teammates: Individual Work The object of the design was to create two distinct qualities of light. As you enter the space you are instantly drawn by the rythm created by staggered walls which reflect light in and fill the space with a soft diffused glow. Appertures on the north supplement the diffused light with skylight of the same quality. A depressed ceiling allows light to fill the crevices creating a pattern of light and shadow which leads the users further into the space. Finally, the user enters a volume filled with a light which envelops and welcomes him in.

M A S S I N G

M O D E L

D I A G R A M S

S T U D I E S

S O L A R

A C C E S S

summer solstice 6:00 am - 6:00 pm

equinox 8:00 am - 4:00 pm

winter solstice 9:00 am - 3:00 pm

N A T U R A L equinox

L I G H T

9:00 am

R E N D E R I N G S

12:00 noon

4:00 pm

108

172

142 71

3692

core at 9:00 am - clear sky condition

E L E C T R I C

L I G H T I N G

C O N C E P T

E L E C T R I C

L I G H T I N G

D I A G R A M

PLAN

E L E C T R I C SECTIONS

L I G H T I N G

D I A G R A M

SECTION A

SECTION B

SECTION C

A G I

PHOTOMETRIC PLAN

PLAN VIEW

SECTION VIEW

S T U D I E S

B E I N E C K E

L I B R A R Y

C A S E

S T U D Y

Ligting Studio 1 | Professors: Derek Porter, Matt Franks, Nelson Jenkins | Teammates: Reisha Duarte A case study on the daylighting within the Beinecke Rare Book and Manuscript Library. z

P R O G R A M M I N G

D I A G R A M

BUILDING SKIN / EXTERIOR BOOK DISPLAY / STORAGE EXHIBITION SPACE TRANSITIONAL SPACE / STAIRWELL PLAZA SCULPTURE COURT OFFICES READING ROOM / CLASSROOMS MECHANICAL / TECH AREA

WINTER SOLSTICE

EQUINOX

SUMMER SOLSTICE

O V E R S H A D O W I N G

D I A G R A M S

WINTER SOLSTICE

EQUINOX

SUMMER SOLSTICE

H E L I O D O N S T U D I E S

LS TI CE SO ER M M SU

X NO

I QU

TICE OLS

RS INTE

SOLAR ANGLES - 9:00 AM

N A T U R A L

L I G H T

S I M U L A T I O N S 37 cd/m2

12 cd/m2

131 cd/m2 27 cd/m2 83 cd/m2

279 cd/m2

6 cd/m2

1 cd/m2

5 cd/m2

3764 cd/m2

13 cd/m2

37 cd/m2

365 cd/m2

363 cd/m2

590 cd/m2

86 cd/m2

33 cd/m2

24 cd/m2

B U I L D I N G

S K I N

D E T A I L S

TEMPORAL EFFECT OF LIGHT

BUILDING SKIN

EQUINOX - 9:00 am

EQUINOX 9:00 AM

M AT E R I A L S LIGHT GREY GRANITE

BUILDING SKIN

EQUINOX - 12:00 pm

EQUINOX 12:00 AM

GREY-VEINED MARBLE

BUILDING SKIN EQUINOX - 3:00 pm

EQUINOX 3:00 PM

D A Y L I G H T

I N T E R A C T I O N

A R C H I T E C T U R E

E D G E S

A N D

B O U N D A R I E S

Mapping the edges and boundaries of downtown Cebu City, Philippines.

AA Visiting School Streetware- Cebu | Instructors: Naiara Vergara, Bianca Thelmo, Shaleen Jethi, Marcos Tsiliakos | Teammates: Kyle Nuestro, Cristoph Maxle Espina, Yeng Sun

PEDESTRIAN PERMEABILITY ON ROAD

N o Pe d e s t r i a n Pe r m e a b i l i t y

H i g h Pe d e s t r i a n Pe r m e a b i l i t y

CO M P L E T E R O A D P E R M E A B I L I T Y

NO PEDESTRIAN PERMEABILITY

NO ROAD PERMEABILIT Y

HIGH ROAD PERMEABILIT Y

HIGH PEDESTRIAN PERMEABILITY

LEGEND:

CO M P L E T E P E D E S T R I A N P E R M E A B I L I T Y

C o m p l e t e Pe d e s t r i a n Pe r m e a b i l i t y

N E W

A N C H O R S

A proposal for new anchor developments on the waterfront of downtown Cebu City, Philippines. A study on the site, view corridors, and adjacent developments prompted a design which fosters community and makes use of the waterfront view through roof gardens and viewing decks. AA Visiting School Streetware- Cebu | Instructors: Naiara Vergara, Bianca Thelmo, Shaleen Jethi, Marcos Tsiliakos | Teammates: Kyle Nuestro, Bea Montenegro

SITE DEVELOPMENT PLAN

CONCEPT SKETCHES

BUILDING A SKETCHES

BUILDING B MASSING STUDIES

BUILDING A PLAN

U N I V E R S I T Y

C I T Y

A concept for a university in Consolacion, Cebu. The university city provides everything the students, instructors and visitors need including residences, a commercial complex and recreational facilities. Grounded in the concept of connectivity and fluidity, the design incorporates structures raised above the ground datum and interconnected by bridges to connect each individual college and provides ease of user flow. Fourth Year - Design Studio 7 | Instructors: C. Solis, E. Lara, A. Valenzona | Teammates: R. Regis, J. Maloloy-on

S I T E

D E V E L O P M E N T

P L A N

ZONING LEGEND A D M I N I S T R AT I V E RESIDENTIAL COMMERCIAL E D U C AT I O N A L ( T E R T I A R Y ) E D U C A T I O N A L ( P R I M A R Y- S E C O N D A R Y ) R E C R E AT I O N A L UTILITIES

C O N C E P T

F L U I D I T Y

C O N N E C T I V I T Y

C O L L E G E

C A M P U S

P E R S P E C T I V E S

R E S I D E N T I A L

G Y M N A S I U M

Z O N E

P E R S P E C T I V E S

C O M M E R C I A L

C O M P L E X

T H I R D

M A C T A N - C E B U

B R I D G E

Conceptual Design for the Third Bridge between Cebu and Mactan Island and Development of Shell Island. Fifth Year - Design Studio 9 | Instructors: Joseph Espina, Troy Elizaga | Teammates: R. Regis, C. Vicentillo, J. Maloloy-on, K. Toledo, M. Rocha,

C O N C E P T

M A I N

B R I D G E

D E T A I L S

S H E L L

I S L A N D

E L E V A T I O N

S I T E

D E V E L O P M E N T

N A T U R A L

F A R M I N G

T R A I N I N G

C E N T E R

Conceptual Design for the a Training Center in Tingub, Mandaue City incorporating the ideals and principles of permaculture and natural farming. The project includes intensive resarch on plant relationships and incorporates this into the planning and zoning of the site. With minimal human space and provision of roof decks for gardening, the facility uses a minimal footprint and allocates much of the site for agricultural use. Fifth Year - Design Studio 10 | Instructors: Omar Maxwell Espina, Anne Nacorda | Teammates: Individual Work

P L A N T I N G

P L A N

A. Roof Decks incorporating container gardening using recycled materialssuch as plastic bottles as containers. Plant salad crops and herbs. B. Planting area for Hardwoods such as Narra, Tugas, Mahogany, Yakal and others C. Planting area for salad crops such as kinchay, pechay, spinach, cabbage, lettuce and arugula. Area above salad crop planting area is planting area for herbs, native herbs such as tanglad, luyang dilaw, dumero, sili, bauang and onions and other herbs such as oregano, basil, parsley, thyme, marjoram, rosemary, tarragon and chives D. Area for fruit and nut trees such as mango, sampalok, santol, papaya, calamansi, dalandan and cacao and foreign fruit trees acclimated to the country. E. Practice crop rotation and companion planting. In one rotation intercrop companion plants such as tomatoes and sili, okra and potato and many more. F. Practice crop rotation and companion planting. In one rotation intercrop companion plants such as â&#x20AC;&#x153;the three sistersâ&#x20AC;? namely corn, kalabasa and beans. G. Plant aromatic plants such as marigold and lantana on the perimeter of planting areas H. Plant forage plants on eastern portion of site for use in feeding livestock. Examples of such are rensonii, madre de agua, flemingia, and mani-mani I.

Plant water loving plants such as banana and bamboo to absorb water from

higher parts of site J. Preserve plants in the area and plant deeprooted grass in the area such as bahia to catch water K. Plant useful ornamental plants on the periphery of structures and on areas dedicated for such. Examples of such plants are blue ternate vines, gumamela bushes and kalachuchi trees

P E R S P E C T I V E S

B U I L D I N G G

F B'

AUXILIARY ENTRANCE

GUEST PARKING AREA

62.00 M

6.00

6.00 R53.24

6.00

P L A N S 6.00

6.00

AT NISTR ADMI OFFICE

LIBRARY

CONFERENCE ROOM

2.00

COMMERCIAL CROPS

.25

PROD DISP UCT LAY

FINAN CE OFFIC E

ORCHARD COMPOSTING SHED

PIGGERY

.25

STAFF

IPU

5.00

O RP

DORMITORY SALAD CROPS

STO.

ATION EDUC E OFFIC

ALL

HERB GARDEN

SECURITY OFFICE

ION

RECEPT

OR'S

FARM GUIDE OFFICE

LOUN

GUEST MANAG ER' OFFICE S

7.48

LOBB

RECE

COMMERCIAL CROPS

PTIO

R39.24

4.42

.25

5.00

.00 14

LIBRARY

ICE

.25

7.48

0.15 3.00 3.45 0.850.15

TOP OF PARAPET

K 11

.25

TOP OF ROOF BEAM

ROOF DECK FLR LINE

.25

M .00

5.00

7.48

SECOND FLR LINE TOP OF PARAPET

4.00

TOP OF ROOF BEAM

A' 7.52

7.52

GROUND FLR LINE N.G.L. ROOF DECK FLR LINE

RAILINGS

WOOD FLUSH DOOR

JALOUSIE WINDOWS

JALOUSIE WINDOW (HIGH)

WOOD FLUSH DOOR

JALOUSIE WINDOWS

JALOUSIE WINDOW (HIGH)

RAILINGS

WOOD FLUSH DOOR

JALOUSIE WINDOW

RAILINGS

GLASS WALL WITH WOOD FRAMING

GLASS DOUBLE FLUSH DOORS WITH WOOD FRAMING

GLASS WALL WITH WOOD FRAMING

GLASS DOUBLE FLUSH DOORS WITH WOOD FRAMING

R E A R E L E VAT I O N SECOND FLR LINE

WOOD FLUSH DOOR

JALOUSIE WINDOW (HIGH)

11.20 M

7.48

.25

4.00

15 1.

N 5

4.42

MAIN BLDG SECOND PLAN MAINFLOOR BLDG GROUND FLOOR PLAN

SECOND FLOOR

RAILINGS

3.60

4.4

4.42

0.85

3.00

3.60

4.4

4.42

5.00

4.42

1.85

5.00

G C

5.00

4.00

4.42

4.4 47.15 M

4.42

2.95

7.52

O 1.85

4.42

M 4.42 2.95

4.42

4.42 2

4.4

MAIN BLDG FRONT ELEVATION

4.42

.00

5.00

.00

00 5.

5.00

7.48 .25

7.52

4.42

47.15 M

3.00

RECE

0.15

11.20 M

.25

R39.24

4.42

F R O N T E L E V A T MAIN I OBLDG N FRONT ELEVATION

UP 11

LOBB

R39.24

4.42

3.60

11.20 M

PROD DISP UCT LAY

FINAN CE OFFIC E

GUEST MANAG ER' OFF

PTIO

MP PU OM RO

3.45

.25

11.20 M

5.00

1.15

GUIDE FARM CLA SSROO M OFFICE

0.15 3.00 3.60 0.85

IPU

ULT

UNGE

LO STAFF

MAIN BLDG REAR ELEVATION

3.60

2.00

ION UCAT E CLASSROOM ED OFFIC

ALL

S PO

ALUMINUM LOUVERS

3.60

OOM

GROUND FLR LINE N.G.L.

6.00

STO. CONFERENCE ROOM

SECOND FLR LINE DECK FLOOR LINE

0.15

CLASSR

6.00

6.0

GROUND FLR LINE N.G.L. ROOF DECK FLR LINE

SECURITY OFFICE

ION

0.85

4.00

K 0

RECEPT

OR'S

AT NISTR ADMI OFFICE

6.0

6.00

2.00

2 1

6.00

R53.24

.00

R53.24

TOP OF ROOF BEAM

I 6.00

SECOND FLR LINE TOP PARAPET DECKOF FLOOR LINE

6.00

GROUND FLR LINE N.G.L.

0.15

6.00

62.00 M

6.00 6.00 0

6.0 6.00

62.00 M

6.00

ALUMINUM LOUVERS

ROOF DECK FLR LINE

6.00

TOP OF ROOF BEAM

TOP OF PARAPET

7.52

7.48

.25

.00

E C

KEY PLAN

MAIN BLDG GROUND FLOOR PLAN F

4.42

SITE DEVELOPMENT PLAN 0

GROUND FLOOR

NURSERY

STORAGE

CARE TAKER'S COTTAGE

4.4

5.00

4.00

4.42

4.4

2.95

4.42

47.15 M

.00

5.00

4.42

CHICKEN COOP

1.85

MP PU OM RO

7.52

MAIN BUILDING

2.00

CANTEEN

DROP OFF

6.0

COMMERCIAL CROPS EMPLOYEE PARKING AREA

MAIN ENTRANCE

M A I N

JALOUSIE WINDOW (HIGH)

JALOUSIE WINDOW

MAIN BLDG REAR ELEVATION

D O R M I T O R Y

P L A N S J

4.00

3.38

4.00

CANTEEN

DROP OFF

MAIN BUILDING 0 2.0

R22.00

HERB GARDEN

DORMITORY R28.00

WASHING DRYER MACHINE IRON BOARD LOCKERS

SALAD CROPS

OMS

T RO

GUES

COMMERCIAL CROPS ORCHARD COMPOSTING SHED

EE ROOM

MAINTENANCE DEPARTMENT

PUMP ROOM

PIGGERY

CARTS

OMS

T RO

GUES

LAUNDRY ROOM

STORAGE CLOSETS

4.00

3.0

2 0

6.0

R20.00

8.0

4.00

4.62

4.00

18.48

GROUND FLOOR

4.00

3.38

4.00

2.0

R22.00

0.50

RAILINGS

GROUND FLR LINE N.G.L.

3.60

0 5

GUES

RT CA O. ST

S ROOM

JALOUSIE WINDOW (HIGH)

ALUMINUM LOUVERS

DORMITORY FRONT ELEVATION

F R O N T E L E VAT I O N

1.1

GUEST ROOMS

WOOD FLUSH DOOR

R28.00

3.0

3.00

4.00

SECOND FLR LINE

4.00

10.85 M

3 3.38

3.38

4.00

13.52

4.00

N 3.38

8.0

4.00

3.60

0.15

.00

6.0

4.00

TOP OF PARAPET TOP OF ROOF BEAM

ROOF DECK FLR LINE

1.1

METAL LATTICE FOR CLIMBING VINES

24.00

16.00

KEY PLAN

DORMITORY GROUND FLOOR PLAN 5

SITE DEVELOPMENT PLAN

STORAGE

NURSERY

24.00

F D E

2.0

4.00

11.44

1 0

4.00

CARE TAKER'S COTTAGE

0 2.86

4.00

2.86

3.0

CHICKEN COOP

4.62 4.62

COMMERCIAL CROPS

4.6

R30.00

3.00

LOUNGE

COMMERCIAL CROPS EMPLOYEE PARKING AREA

4.00

3.38

8.0

4.00

16.00

13.52

24.00

MAIN ENTRANCE

0 6.0

AUXILIARY ENTRANCE GUEST PARKING AREA

3.0 .38

4.00

B A

Q P

OMS

T RO

GUES

1.1

1.1 R30.00

8.0 4.62

4.00

4.62

4.00

D E F

18.48

RAILINGS

ROOF DECK FLR LINE

24.00

11.44

4.00

N SECOND FLR LINE

3.60

2.86

3.0

1.1

4.00

1.1

2.86

4.00

2.86

TOP OF PARAPET TOP OF ROOF BEAM

3.60

2.0

2.86

3.00

6.0

4.62

R20.00

10.85 M

LOUNGE

SECOND FLOOR

DORMITORY SECOND FLOOR PLAN 0

GROUND FLR LINE N.G.L.

0.15

UP DN

4.62

0.50

3.0 RT CA O. ST

TOP OF PARAPET

P E R S P E C T I V E S

METAL LATTICE FOR CLIMBING VINES

JALOUSIE WINDOW

JALOUSIE WINDOW HIGH

REAR ELEVATION R E A R E L E V A T I ODORMITORY N

I L L U S T R A T I O N

R E I T V E L D - S C H R O D E R

H O U S E

Representation and Spatial Analysis | Instructor: Yuliya Savelyeva | Teammates: Individual Work

Analytical drawings of the famous house designed by Gerrit Reitveld exploring interspatial relationships, and the large role played by the owner, Truus Schroder, in the planning and design of the house.

AXONOMETRIC - 18â&#x20AC;? x 24â&#x20AC;? mixed media drawing on craft paper

SECTIONAL PERSPECTIVE - 18” x 24” mixed media drawing on craft paper

L I G H T

I N

S P A C E

mixed media on paper

I L L U S T R A T I O N S

graphite on paper

A L D O

E S P I N A