CFE: (INTERVAL)2018 PERFORMANCE ART SERIES
PLEASANT RIOTER PERFORMANCE ART BY
A L E H A
PROPOSAL A Performance Art piece moves on horseback between the virtuosity of targeting human feet as the straight connection with the ground, and the revaluation of all corporal poetry. The body, its materiality, is the only unavoidable instance to which the human being is subjected. Your weight and your skin, your shape and your sensitivity are part of who we are. Make the body visible, its gestures and potentiality, uncertainty, amnesia and dissatisfaction, an irrevocable reality, reasons for discontent and rejection return to the body the value it possesses and it is rescued from oblivion, censorship, and automation. Individuals modify an aspect of their behavior in response to their awareness of being observed. Very act of measurement -of nothingness- could have a significant positive impact on your community daily routine. People communicate through a join act, exploring something undefined. The four walls of the Gallery and the glass window, containing the performer, becomes a sort of capsule when the passage of time inside is staggered versus time outside. Time & space are called into question, for the viewer, who has no idea exactly what is taking place in the present moment.
S O L A N O G N Ô T H I
ROY G BIV GALLERY
997 N. HIGH ST. | COLUMBUS, OH 43201 SEAUTON
The action has been created to be seen from both sides of the gallery: inside and outside. If the audience wants an inside-experience, it must be barefoot. If the audience wants to be outside only will see my feet. The performer, using the light of a candle, will play with shadows coming from the light construction leftovers and paper masks hanging from the ceiling. After that, using the black ground, the performer will improve audience selfperception by enforcing the imagination, because to perform is also to imagine all of us as people who yearn for visions and memories in this opportunity using the black ground on a white dress / pale skin. Making an invitation to accepting aspects of one another. Progressively, open the spirit who effortlessly searches for evidence and compassion. Then the audience will use the paper boat given to them at the entrance, saying aloud words of success, ideas built on rage or science of a systematic stain on their lives.In the end, looking for delayed evolution, in need of a revival, the audience will interact with the performer and the elements hanging from the ceiling. Please, note that on the next page, the art piece will be explained with thick details.
ART PIECE MOMENTS & TECHNICAL NEEDS A variety of light construction leftovers and paper masks hang from the ceiling. 1. MAPPING SEDUCTION 10' A candle / a fresnel lantern /small PA TRACK: https://soundcloud.com/vincent-chanter/ night-calls-on-the-matang-range
3. IMPLICIT EMBODIMENT 10' Origamy paper boats / lighter TRACK: RYOJI IKEDA : THE TRANSFINITE https://youtu.be/omDK2Cm2mwo
2. EMPHATIZING MEMORY 10' coal / black ground /small PA TRACK: https://soundcloud.com/haloproject/sea_and_sand
CFE: (INTERVAL)2018 PERFORMANCE ART SERIES
4. AMPLIFY VITALITY 10' Items given to the audience to interact with the gallery and performer/ lights TRACK: The Knife - Heartbeats https://youtu.be/jcU7gmU1-WQ
PLEASANT RIOTER PERFORMANCE ART BY
A L E H A
S O L A N O
GNÔTHI SEAUTON
ROY G BIV GALLERY 997 N. HIGH ST. | COLUMBUS, OH 43201