Portfolio Summer 2015

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WORKS

ALEX GORMLEY Spring 2015


PRESENCE VOIDS Peter Zumthor defines presence as “a gap in the flow of history, where all of [a] sudden it is not past and not future.� Bringing the phenomenon of presence into architecture comes into play throughout my architecture portfolio through the act of the void. By creating spaces that void the occupant of outside distractions, a moment is created, and presence can be achieved. This is a guiding principle in my work.


TABLE OF CONTENTS 04-07

Timber in the City

08-11

Rise/Run Project

12-14

Simple Retreat

15-19

History of Place

20-21

Barrie School

22-24

Data Sciences Building

25-27

Process and Ritual


DIR E OIC C H 13 R ’ S R D 20 T O A KS E C A WWOR

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SPRING SEMESTER 2013

location: brooklyn, ny professor: lucie fontein partner: andrew sommervill e

TIMBER IN THE CITY Using the construction of a new timber high-rise structure in Red Hook as both a response to hurricane sandy and a look forward into the future of sustainable timber construction.


BROKEN TIMBER Hurricane Sandy exposed many new and forthcoming problems the city will face in the coming years as projections show that storms of this magnitude will become more frequent. It also became where we drew our inspiration from for the design of our high-rise timber structure. The competition site lays in an area of the former industrial shipping area of Red Hook, Brooklyn. Lying near the harbor, the site is in danger of flooding with the growing treat of stormsurges and in area of Red Hook that is lacking any identity other than a nearby IKEA. The creation of a new tower is an opportunity to offer the community both a new high-effiency living condition, and a space the survivors can reflect upon the damage done by the storm.

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In order to maximize enfficency and address the growing trends in urban housing, the tower has been laid out to have more studio and one bedroom spaces than two bedroom or more. All the units have been designing to the new standards in compact living.

LEVEL 17

The pier/column structure is used throughout the building to create unique units.

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The main tower is slashed and scarred, breaking the traditional mass and exposing the wood structure to the exterior much like a wound that has yet to be healed. The tectonic moves in this section are representative of the emotional damage done by Hurricane Sandy.

These wounds/scars in the massing focus on the main atrium space which is designed to let the weather into the building and connect the occupants which the past while they look towers a more sustainable future. In the hyperexperiential atrium, massing shifts were generated to establish movement and to create an alluring space for residents to occupy. This is a space in which presence is felt.


Intersecting the atrium space, is the major landscape feature, the pier-scape. Drawing inspiration from the numerous abandon docks in the New York harbor, a field of timber columns will be created to add spatial interest on the ground level. These ‘piers’ will

be randomized to continue the storm battered motif and as they approach the underside of the tower they become the main structural element of the tower. The angling of the columns in towards each other creates a rigid structure that will resist any future storm to come.


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SPRING SEMESTER 2013

location: cincinnnati, ohio professor: lucie fontein

RISE RUN Cincinnati’s 399 stairways, once a symbol of a thriving pedestrian city, are in a grave state of disrepair. Rejuvenating the stairways and reinventing the once active inclines are an opportunity to bring life back to the city.

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1850

1900

1950

2000

cultural high point of the city 3 presidents, 2 national conventions, 8 firsts, explosion of cultural buildings

City Steps

private residents start building wooden steps throughout the city

city slowly replaces wooden stairs with more permanent concrete steps

city starts to produce precast steps to ease repairs of deteriorating stairs

city fills in stairs along columbia parkway due to ‘lack of use’

fairview incline lifespan bellevue incline lifespan mt.adams incline lifespan price’s hill incline lifespan

City Inclines

mt. auburn incline lifespan mt. auburn horse-car line established

expositional convention of the ohio valley and central states

Push Back to City

with a new revitalization effort to develop a public transit system

first city to establish a municipal fire dept.

first night baseball game

roebling bridge completed

riots of 1884

first city to establish a municipal university

cincinnati stock exchange opens

republican national convention

mahler’s 5th symphony world premier

boy scouts of america founded first university to offer cooperative education

print campaign begins to draw attention to steps

union terminal completed cincy/dayton/hamiliton railway completed

street car groundbreaking I-75 cuts through west end

I-71 completed through city

cincy/lake erie railway completed

race riots of 2001 great flood of 1937

rutherford hayes elected president

US Events

ulysses s. grant elected president

hügelfest 2022

ht t o world war 1

world war 2

vietnam war

model t first benjamin harrison elected president

FIELD RESEARCH

IF THESE STEPS COULD TALK

In order to better grasp the problem of the degrading stair infrastructure, I conducted a large amount of field research, which entailed going and visiting as many of the staircases in all the various states of disrepair.

Cincinnati’s cultural rise and fall can be closely tied to the success of the city steps and the former inclines. During the ‘hay day’ of these two infrastructures Cincinnati was a cultural icon and a city others aspired to be like.

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mt. auburn community hill house built

Flig

democratic national convention

stair networks are formed around stairexisting districts formed the communities

the

first city in which a woman runs a large industrial operation

civil war

street car plan

Sub

City Events

roits of 1853

music hall completed

first concrete skyscraper built (ingalls building)

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fountain square opens first city to establish a jewish hospital

street car extends routes into the hillside districts

urb

first professional baseball team

william h. taft elected president

new deal signed providing money for renovations to existing infrastructures.

federal aid highway act signed by eisenhower

However the city has gone through a long slow decline, the inclines have vanished and the stairs have fallen into disrepair. In recent years the Cincinnati Center City Development Corporation (3CDC) has made dramatic strides towards rejuvenating the Over

the Rhine downtown neighborhood of Cincinnati. Gentrification of a number of blocks along Vine Street as well as a major face lift to Washington Park, has sparked a new interest in living downtown.

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university of cincinnati

MAPPING THE PROBLEM Despite the degraded state of the stairways, and in the case of the inclines, their disappearance altogether, the locations of these once important urban connectors represent an important infrastructural opportunity for Cincinnati to reestablish its downtown core as a safe and vital pedestrian environment.

fairview park

bellevue park

Rise/Run proposes to build upon these developments, by extending a safe pedestrian environment northward along the former route of the Mount Auburn stairs and incline, to ultimately connect with the University of Cincinnati Campus.

mt. auburn

BUILT INTERVENTION Build a community structure at the top of the former incline locations to create hillside community destinations and activate interest and engagement with the stairway network.

over the rhine

Center of Attention

revitalization efforts in the historic OTR district have lead to a boom for the local culture and community

third floor: drinking hall social gathering space

price’s hill second floor: community history room group learning spaces

first floor: community meeting rooms entry hall

mt. adams


RISE/RUN MOVEMENT

IF THESE STEPS COULD TALK MT. AUBURN STEP ASSOC.

*The city steps are due for a comeback, be part of the movement and help bring one of Cincinnati’s unique features back to life.

RISE/RUN MOVEMENT

THE HILLS ARE BACK

MT. AUBURN STEP ASSOC.

*The city steps are due for a comeback, be part of the movement and help bring one of Cincinnati’s unique features back to life.

RISE/RUN MOVEMENT

RESPECT THE PAST BUILD THE FUTURE

MT. AUBURN STEP ASSOC.

*The city steps are due for a comeback, be part of the movement and help bring one of Cincinnati’s unique features back to life.

RISE/RUN MOVEMENT

WHERE ARE OUR STEPS

MT. AUBURN STEP ASSOC.

mt. auburn & prospect hill

step map

physical installations

cincinnati parks department

*The city steps are due for a comeback, be part of the movement and help bring one of Cincinnati’s unique features back to life.

stair district map guerilla poster campaign

final booklet design

Begin to strategically place signage promoting the necessity of the stairs. By bringing attention to the closed stairs, a public backing for a project can be achieved. By using posters, stair installations, and social advertising, flexibility can

be achieved in order to reach a broad audience. A graphic identity will be created similar to that of the friends of the high line movement, to offer citizens something to associate to the movement.

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In addition to the guerilla print campaign, stair network maps will be created for each hillside district showing the future possibilities of fully operational stair networks. A booklet will be created to distribute to key

partners and community leaders in order to explain the project’s goals and the necessity of it’s success for the city moving forward.

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SPRING 2014

location: sackville, nb competition submission

BLUR THE LINES Can architecture blur the lines between the built environment and nature. A simple cabin in the woods that takes on this challenge with a minimalistic design centered on letting nature take presence.


A SIMPLE RETREAT The pattering of rain on a roof. The warmth of a wood fire on cold feet. The cool touch of a window on a winter’s night. The tranquil peace of the mist lifting in the forest beyond. The embedded quality of a well crafted detail. These are the many simple, yet truly complex experiences that a cabin in the woods must treat its users to. For it is a cabin in the woods that can truly help a person break away from the many distractions of everyday life, come back to the physical. The clean and simple formal nature of cabin’s architecture, which is inspired by the regional vernacular architecture of the pioneer house. The cladding was chosen to fit in with the other buildings already existing on the site.

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loft space

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built in c a b i n e t s

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plush car p e t e d r u g *

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*natural coloring will connect the flooring of the cabin to the surrounding natural landscape. 4

wood burn i n g s t o v e

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The cabin’s design centers largely around the placement of two picture windows, one in the loft and one in the main space. This picture windows a designed to limit views out of the space unless the occupant is either sitting or laying in bed. Both this positions encourage reflection and mediation in the presence of the surrounding nature.

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FALL SEMESTER 2014

location: columbus, in professor: tom bible

HISTORY OF PLACE The Columbus Antheneam will serve as the beacon of cultural display for an already historic town of Columbus, Indiana. Using the poeticism of its architecture, the Antheneam will seek to transcend its surroundings and elicit the histories of the setting.


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a. initial concept generation b. concept refinement

c. atmospheric studies d. sectional spatial studies

e. programmatic iterations f. solution matrix

g. formal and composition studies h. sectional detailing studies

The design of the Antheneam was heavily process driven, with the goal in mind of having a highly integrated building concept. During this process, hand sketching was a integral part, along with hand modeling and computer drafting, in figuring out the various nuances of the building’s program and strategies.

The parti developed looked at pushing architecture past digital parametric ism and into a more natural form of parametric ism using the natural cuts of rock the create elaborate surfaces. In the parti sketch it was envisioned that the building become a series of floating masses which house the protected gallery programs, which were intersected and surrounded by the

public circulation void space. These two moves would then be held together with a integrated fabric facade which will act as a shading device both on the elevations and on the roof to shade the skylight openings.

daylighting while also heading the protection of the artifacts of display. Throughout the building a complexity is created through a simple material palette, but which a complex approach to material implementation.

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The interior concept of the building is driven by the programmatic needs of natural

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As the main public thoroughfare, these void spaces inhabit the areas between masses are ambient light fillet in contrast to the heavy weight of the masses.

Dark and secluded, the archives are the hidden yet an omnipresent. A control amount of daylighting is brought into the space from the above voids.

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The upper gallery spaces feature signature oculi which filter and focus light into the spaces highlighting specific works while shielding others.

The lower gallery spaces are the most frequented spaces in the building. The spaces offer varied light conditions from the elevational curtain walls.

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THIRD FLOOR

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The journey through the museum is a path which takes the viewers through series of varied light conditions and spatial compressions. The culmination of which is the upper gallery spaces and gardens(seen hatched in plan) with their specialized oculi.

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location: silver springs, md team: chet bartels, daniel, kelly, anne, peter co-op experience

BARRIE UPPER CAMPUS The design of this Montessori school reflects the schools ideology of respect to nature. The new innovative learning centers are designed to fit into the site in the least disruptive way.

ND CE E LA EN CE R O RY ELL EN TIM LL MA XC 1 E L E 01 C A 1 X B AIA N 2 E 01 SIG AIA N 2 DE SIG DE

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The upper campus of the Barrie school is meant to act both as a school campus and a summer camp, reflecting the core values of the school. The architecture of the buildings reflects this through their aesthetic and formal language.

The site constraints, such as creek setbacks and signature trees, morphed the layouts of the buildings into unique shapes. This combined with the flexible classroom design, creates a signature school which the community can be proud of.


WINTER SEMESTER 2015

location: rochester, ny team: frano j. violich, sheila kennedy, alex shelly, belinda valenti, robert white

DATA SCIENC E S BUILDING Located in the intersection of the traditional and new campus at the University of Rochester, the New Data Sciences building seeks to “break the box� of the traditional university building topology.


The ground level of the new Data Science’s building is defined by a main public gallery space articulated into various spatial zones by interior place-making and articulations. The space pictured to the right is the formal entry into an audtiorium space and one of the main entries into the building.

To call attention to this entry and the stadium seating adjacent, a “data screen” of perforated panels similiar toSECTION those DETAIL inside STAIR-4 & STAIR-5 6 the auditorium was developed. The materiality of the screen was then carried into the stadium seating with the addition of end grain wood treads into the precast concrete steps. A-4.17

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CIVIL ENGINEER T.Y. LIN INTERNATIONAL 255 EAST AVENUE ROCHESTER, NY 14604 T: 585.512.2000

CODE CONSULANT JENSEN HUGHES 1661 WORCESTER ROAD, SUITE 501 FRAMINGHAM, MA 01701 T: 508.642.7766

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COPYRIGHT 2015, KENNEDY & VIOLICH ARCHITECTURE, LTD.

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UNIVERSITY OF ROCHESTER NEW SCIENCE & ENGINEERING BUILDING

VATION

ADDENDUM NO. 2: 04/03/15

THE CONTRACTOR IS RESPONSIBLE FOR MATERIALS, DETAILS AND ACCURACY, FOR CONFIRMING AND CORRELATING ALL QUANTITIES AND DIMENSIONS, FOR SELECTING FABRICATION PROCESSES, FOR TECHNIQUES OF ASSEMBLY, FOR PERFORMING WORK IN A SAFE MANNER, AND FOR COORDINATING WORK WITH THAT OF ALL TRADES. U.R. JOB NO.

142201

KVA JOB NO.

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DRAWN BY: CHECKED BY: SCALE:

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DATE:

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REGISTRATION

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OWNER GREGORY MEYER, PROJECT MANAGER UNIVERSITY OF ROCHESTER CAMPUS PLANNING, DESIGN & CONSTRUCTION MANAGEMENT 271 EAST RIVER ROAD ROCHESTER, NY14627 T: 585.275.8068

STAIR-1 100S1

ARCHITECT KENNEDY & VIOLICH ARCHITECTURE LTD. 10 FARNHAM STREET BOSTON, MA 02119 T: 617.442.0800 F: 617.442.0808

EXP. CEILING TYPICAL

CONSTRUCTION MANAGER WELLIVER 250 NORTH GENESEE STREET MONTOUR FALLS, NY 14865 T: 607.535.5400

STRUCTURAL ENGINEER

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EXP. CEILING TYPICAL

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CORRIDO 1500A

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EXP. CEILING TYPICAL

BURO HAPPOLD 319 A STREET, SUITE 5E BOSTON, MA 02210 T: 617.419.2284

MEP / FP IBC ENGINEERING 3445 WINTON PLACE, SUITE 219 ROCHESTER, NY 14623 T: 585.292.1590

S CIVIL ENGINEER T.Y. LIN INTERNATIONAL 255 EAST AVENUE ROCHESTER, NY 14604 T: 585.512.2000

CODE CONSULANT

RESTRM (F 1503

JENSEN HUGHES 1661 WORCESTER ROAD, SUITE 501 FRAMINGHAM, MA 01701 T: 508.642.7766

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JC 1001

EXP. CEILING TYPICAL S

EXP. CEILING TYPICAL

CORRIDOR 1000 F.C. 9'-6" AFF

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PERFORATED WOOD SCREEN

AV CLOSET 1400A

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THE CONTRACTOR IS RESPONSIBLE FOR MATERIALS, DETAILS AND ACCURACY, FOR CONFIRMING AND CORRELATING ALL QUANTITIES AND DIMENSIONS, FOR SELECTING FABRICATION PROCESSES, FOR TECHNIQUES OF ASSEMBLY, FOR PERFORMING WORK IN A SAFE MANNER, AND FOR COORDINATING WORK WITH THAT OF ALL TRADES.

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U.R. JOB NO.

142201

KVA JOB NO.

16830

DRAWN BY:

COLLAB SPACE 1000A

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DATE:

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Seen as becoming the signature auditorium on campus, much attention was given to developing an integrated “data band” that incorporated all the means of presentation into the datum of the perforated sound-absorbing panels.

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SPRING SEMESTER 2013

location: cincinnati, oh professor: vincent sansalone

PROCESS AND R I T UA L Stools that allowed the process of making to inform their design with the end goal of a collaborative dining event in mind.

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type: dining stool weight: 5 lbs. dimensions: 18” x 20” x 7.5”

The design is the result of trial and error, while having a general aesthetic guideline of expression of the assembly.

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collecting marks dinner with mike griffen collaboration through discussion, this dinner was the intersection between two design projects that focused on the overlap of the phenomenology of a dinning event.

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