All You Need Is Architecture 28-02-10 by Anders Terp

En CALL R U ag e e ntr

ITECT r s i t y o f Cop CH e ive

IS A esearch UR nR ED n ba

U NE YO rategic U t rS r

This book is made by Students at Skov & Landskab, University of Copenhagen Publisher Skov & Landskab Copyright 2010 Skov & Landskab Gengivelse er tilladt med tydelig kildeangivelse I salgs- eller reklameĂ¸jemed er eftertryk og citering af rapporten samt anvendelse af Skov & LandskabÂ´s navn kun tilladt efter skriftlig tilladelse. 150 s. ill. ISBN 978-87-7903-438-9 (internet)

En CALL R U ag e e ntr

ITECT r s i t y o f Cop CH e ive

IS A esearch UR nR ED n ba

U NE YO rategic U t rS r

All You Need Is Architecture

Content 08 -

FOREWORD Getrud Jørgensen

09 -

INTRODUCTION Clément Blanchet & Mads Farsø

SITE

12 1st seminar MODERNISM - posters -

38 2nd seminar DYNAMICS - movies -

62 3rd seminar SYSTEMS - models -

86 4th seminar UNEXPECTED - collages -

112 ALL YOU NEED IS ARCHITECTURE -

156 CONTRIBUTORS

ALL YOU NEED IS ARCHITECTURE

All You Need Is Architecture Foreword

Studio work by students @ Center For Strategic Urban Research University Copenhagen ThisOf book is the result of a special studio course - All you need is Archtecture - held at the Landscape Architecture programme at the University of Copenhagen in the autumn of 2008. In this year the Landscape Architecture programme was extended with an urban design line, and this course was a spearhead in the process of discussing how to design this line, and what competencies the students must get through the programme. Apart from theoretical and practical knowledge on urban development, -planning and -design, the students must be able to analyse a given urban context and conceive solutions to the problems they find in the area, not only from a tradtional planning perspective, but also as creative designs. This is what was trained in this course. We were lucky to have two guest professors to conceive and undertake the course, architect Clement Blanchet from Office for Metropolitan Architecture (OMA) in the Netherlands and landscape architect Mads FarsĂ¸ - in cooperation with lecturer Richard Hare from University of Copenhagen. The students - mainly from landscape architecture - went through a process of sensing, experiencing, and analysing the area, followed by choosing a design concept and an actual design for a specific place. As will be seen in this booklet, the results were bold and imaginative - and some of them also very handsome. They embrace many diferent views on the area in play - the Metropolitan Zone in Copenhagen - and the course has given important inspiration to the masterâ&#x20AC;&#x2122;s programme in urban design, starting 2010. I thank Realdania and Centre for Strategic Urban Research for giving us the possibility to realise this course, and for the possibility to publish the results in this booklet. And, not least, I thank the teachers and students for their commitment in editing and laying out this booklet. I hope it may inspire other students in their work. Gertrud JĂ¸rgensen Professor, Head of Division Urban & Landscape Studies March 2010

Why ? The city is changing. The urban is all over and nowhere at the same time. Landscape architecture faces an explosive reality. The profession needs to be trimmed, to change gear, to scale up, to dig down. To compete, to improve, to intervene. As urbanism is blurred, lost, being reborn. Somehow architecture survives. After the fire, a new forest always grows up. The postmodern is now related to modernism. Potentials are arising. Hope is formulated. How to nurture new conditions of urbanity? How to enable future generations of designers? How to unleash the unexpected potentials? How to model a new urbanism, when the condition of postmodernity has rejected all models? Our goal was to develop a prototype for the new urbanity. Making a frame to improve utopian pragmatism. Crash ideas, formulate arguments, identifying unexpected moments repeatedly, over a period of eight weeks. Question experience and build on intuition. Teaching the evaluation of your concept, your approach. Challenge the statement of change. Make your design grown out of individuality, of a feeling of community. Nurture an environment of critique. Work on a core site of neglect. A central place for experiencing the placelessness of modern culture. Deal with the culture of consumption, the consumption of place, the consumption of architecture. Focus on the individual, the unexpected, your plan. Shoot on the different scales, reevaluate your statements, and strengthen the line of argumentation. Think urbanism as architecture. Experience the city as a series of flows. Imagine constraints as ideal features. Formulate a cohesion out of chaos. Demonstrate there is always a future. Work on it as if it was a garden of neglect. Irrigate it so it may be self-sustaining. Redefine the idea of a ‘plan’. In the meanwhile we will be floating in space; our ‘city’ is still there. We trust in Hope. Again. Once more. Work to be done: Around, over, under, behind. Branded, yes, perhaps: Because powers are less visible; because designs are consumed like TV-commercials; because we are ignorant of our possible failures; because we need to be the architects of tomorrow; because urbanism survived; still it is, there. If postmodernism couldn’t smash the idea of the city, we can’t fail. We have to gain power. Our original task is to develop new conditions which would perform as a human, social generator for the futur. In other words to create architecture. Probably this is all we need... We would like to thank Gertrud Jørgensen and Richard Hare who have been key personalities and players as intellectual and creative minds, without mentioning the fact that they built up and made this amazing story possible. Clément Blanchet and Mads Farsø Rotterdam and Copenhagen March 2010

ALL YOU NEED IS ARCHITECTURE

Site Copenhagen is a contested ground. Some brand the unique situation of bicycles, pedestrians and public transport. Others complain about the lack of renewal and blame the narrow jackets of history. In the meanwhile the architects go abroad and try to do the stuff they learned that they couldn’t do at home. Copenhagen, however, carries on. We focus on a site of contested modernism in Copenhagen. Where Arne Jacobsen challenged the ideas of a Danish architecture in his Mies-inspired SAS hotel, where Tivoli leisure-park continue to dance limbo between history, tourists numbers and turnovers, where the public space appears to be in abundance without really being, there, and where context is something to be discovered beneath the thick walls of ghost-like promotions. The municipal called it ‘the metropol zone’. For the sake, or the hope, of the better: To give an idication of bigness. To borrow a feeling of urbanity. To brand a stench, to call for the sexy. Rådhuspladsen

Sct. Jørgens Lake

500 m

Central Station

To make urbanism happen the municipal asked five teams to reevaluate the site and present a vision in 2007. However, the municipal cherrypick in the teams projects. The old way of postmodernism won. The strategy is Still we miss to see a strategy that takes of from the sites unleashed potentials. Therefore we dumped graduate enthusiasm onto the site. To identify, develop and redefine the idea of vision, strategy and project. Disregard politics. On site: Action. Statements. Models. Courage. The idea was to ask for a strategy for the familiar unknown: the Copenhagen modernism.

Medieval Copenhagen

1500 m Christiansborg

National Museum

Tivoli

MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MOD ISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM M ERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNI MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MOD ISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM M ERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNI MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MOD ISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM M ERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNI MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MOD MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODE MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MOD ISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM M ERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNI MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MOD ISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM M ERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNI MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MOD ISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM M ERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNI MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MOD ISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM M ERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNI MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MOD ISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM M ERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNI MODERNISM We find it hard to see a continuation without putting things in perspective. We are not alone. Someone Is it a totality? Is everything relative? Or does something need to be decided upon. We believe in form, in character, i jectivism. We see modernism in postmodernism. We like the smell of bigness. We believe that other do as well. We fi coordinative role for planner. We study history. We interpretate the role of form. We experience the different shapes. it all part of the same story: Modernity. It is not our fault that it was misused. Please let us find our way back the first formulated in statement, communicated, and remembered in an image. What we have learned is necessarily not eno make it happen? MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM M ERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNI MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MOD ISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM M ERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNI MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MOD ISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM M ERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNI MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MOD ISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM M ERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNI MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MOD ISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM M ERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNI MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MOD ISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM M ERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNI MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MOD ISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM M ERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNI MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MOD ISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM M ERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNI

DERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNMODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM DERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNMODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM DERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNMODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM DERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERN ERNISM MODERNISM MODERNISM MODERNIS MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM DERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNMODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM DERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNMODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM DERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNMODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM DERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNMODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM DERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNMODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM e was before us. But we are maybe the first. Please let us know what you think. What you see. What you experience. in process, in plans, in design. We believe in the individual and feeling of the community. We find objectivism in subfind the complete openness to be fool’s belief in urbanism. Power still prevails. We question the egos. We see a new We see the same programs over and over again. We work for integration, hybrid forms and the connectivity. We see t thoughts, the idea of a potential. Unformulated, undersigned, undiscovered. However conceptualized in a thought, ough for our urbanity. It is beyond ‘the trained’. The city is generic (we know that now) it just happens. How will we MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM DERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNMODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM DERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNMODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM DERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNMODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM DERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNMODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM DERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNMODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM DERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNMODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM DERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNMODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM

The intent was to engage conversation as to whether commercialized logos belong in the central city square.

14 ALL YOU NEED IS ARCHITECTURE

We believe in architecture. We love modernism. We like the modern

The area around Nyropsgade is strongly segregated into 3 different layers: urban nature, corporate wasteland and city life.

MODERNISM

n project. We believe in infrastructure. We trust our intuitions. We

The intent was to engage conversation as to whether commercialized logos belong in the central city square.

16 ALL YOU NEED IS ARCHITECTURE

are young. We dance. We party. We question. We built on history. W

The area around Nyropsgade is strongly segregated into 3 different layers: urban nature, corporate wasteland and city life.

MODERNISM

We approach the urban. We step back to go forward. We question.

The intent was to engage conversation as to whether commercialized logos belong in the central city square.

18 ALL YOU NEED IS ARCHITECTURE

We focus on the metropolitan. Our concept may appear banal. Ou

MODERNISM

ur form is counterproductive. It goes anywhere by going nowhere.

The intent was to engage conversation as to whether commercialized logos belong in the central city square.

20 ALL YOU NEED IS ARCHITECTURE

Itâ&#x20AC;&#x2122;s a study to break the box. To cancel aspirations. To step up by hit

The area around Nyropsgade is strongly segregated into 3 different layers: urban nature, corporate wasteland and city life.

MODERNISM

tting hard on design. To motivate. Work through a destruction of

The intent was to engage conversation as to whether commercialized logos belong in the central city square.

22 ALL YOU NEED IS ARCHITECTURE

images. To raise by blocking innovations. To rule out the idea of no

The area around Nyropsgade is strongly segregated into 3 different layers: urban nature, corporate wasteland and city life.

MODERNISM

ormal: Eat your context. Swallow your history. Dump your pride.

The intent was to engage conversation as to whether commercialized logos belong in the central city square.

24 ALL YOU NEED IS ARCHITECTURE

Believe in the banal. Work towards the less obvious. Attack the obv

MODERNISM

vious. Win the battle. Lose your temper. Cry your desire. Crash

The intent was to engage conversation as to whether commercialized logos belong in the central city square.

26 ALL YOU NEED IS ARCHITECTURE

your models. Depart from your rationality. Stick to your path. Foll

The area around Nyropsgade is strongly segregated into 3 different layers: urban nature, corporate wasteland and city life.

MODERNISM

low it up by going down. Donâ&#x20AC;&#x2122;t be afraid. Greet the less. Love the

The intent was to engage conversation as to whether commercialized logos belong in the central city square.

28 ALL YOU NEED IS ARCHITECTURE

more. Shock the rest. Seize the unworthy for presentation. Impress t

MODERNISM

the depressed. Forget what you have learned. Or believe narrow

The intent was to engage conversation as to whether commercialized logos belong in the central city square.

30 ALL YOU NEED IS ARCHITECTURE

stuff, your stuff, your way. Work, improve, work, work more. Love y

The area around Nyropsgade is strongly segregated into 3 different layers: urban nature, corporate wasteland and city life.

MODERNISM

your architecture. Get ready to get killed. Stand up on critique. 31

The intent was to engage conversation as to whether commercialized logos belong in the central city square.

32 ALL YOU NEED IS ARCHITECTURE

Shoot after being shot at. Donâ&#x20AC;&#x2122;t shoot back. Reevaluate efforts. Cha

The area around Nyropsgade is strongly segregated into 3 different layers: urban nature, corporate wasteland and city life.

MODERNISM

ange design. Block logic. Demand supremacy. Release control. Trust

The intent was to engage conversation as to whether commercialized logos belong in the central city square.

34 ALL YOU NEED IS ARCHITECTURE

in revolutions. Get desperate. Kill your supremacy. Work with your

The area around Nyropsgade is strongly segregated into 3 different layers: urban nature, corporate wasteland and city life.

MODERNISM

r irony. Strengthen your relentless. Improve your efforts. Dream 35

ALL YOU NEED IS ARCHITECTURE

about architecture. Run through your design. Built your story. Unle

The area around Nyropsgade is strongly segregated into 3 different layers: urban nature, corporate wasteland and city life.

MODERNISM

eash your potential. Overdo your renderings. Smash the image. 37

DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS Our main question is if we can keep it flowing, floating or tr cate it? How to define the fluid nature of the urban? We experience it but we don’t tell it. We hear it but we don’t inte flowers, feelings, hookers, streets and squares. We call ourselves architects. We are less in control. We need to release Snipe our darlings. Touch our beliefs. Endanger our souls: Our designs, our solutions, our beliefs. We need to be mode city a city? Is there an architecture beyond architecture? DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DY NAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYN NAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYN NAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS D DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS

DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS respassing? Are we really open, are we dynamic (as a city), and are we flexible? How to encircle it? How to communiegrate it. We smell it but we don’t know how to cook it. Urbanism. Cars, people, bikes, business, paths, parks, events, e control to gain control. Swim in an unobvious direction. Kill our pride. Take down our posters. Challenge our slogans. ern. We need to question the flow of ideas. We need to question up front: What makes the city work? What make the YNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYDYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS

The intent was to engage conversation as to whether commercialized logos belong in the central city square.

40 ALL YOU NEED IS ARCHITECTURE

Crash the idea. Expect the unexpected. Find you way. Anticipate th

The area around Nyropsgade is strongly segregated into 3 different layers: urban nature, corporate wasteland and city life.

DYNAMICS

he flexible. Put your self out of the box. Ensure the story. Crash your

ALL YOU NEED IS ARCHITECTURE

To a certain degree, this obse rvation is correct in the sense that a is certainly being disseminated and sold all over the planetâ&#x20AC;Ś

socially, Some of them are even becoming d. toise ghet lly racia and y ethnicall

But at the same time, European cities remain place s where intergr oup encounters can develop and wh ere takes place.

Mobility is linked to public spaces but it is often also an element that is destroys their qualities.

box. Do not trust your move. Frame the surroundings. Redo your ar

The metropol zone is the background for peoples everyday actions and interactions.

Video: daily life in the metropole zone Storyboard KAA

AAB

DYNAMICS

UM!

!!!

SCENE ONE: one day in the metropol zone... ... and kicks the trash can!!!

then he comes back.

... cody takes a head start... kllrr !!!k jwas di?!!! !!?!!

! m! ??u yg s!!?? !m

BAMMM

SCENE TWO: a normal rainy night in the metropol zone. a couple is standing outside of tivoli having a serious conversation about their relationship. The situation escalates ...

SS!!!

...a moment of silence appears.

KISSSSS

HAPPY END.

rchitecture. Again. Who is your City? What is your system? When

START

The zone is made for cars. The zone is made for cars. The zone is made for cars. The zone is made for cars.

44 ALL YOU NEED IS ARCHITECTURE

is your time? We believe in architecture. We love modernism. We lik

Biking the city means knowing the city - connecting the city - exploring the city - taking part in the city.

DYNAMICS

zoom in, experience the flows, notice spots and sites.

ke the modern project. We believe in infrastructure. We trust our

ALL YOU NEED IS ARCHITECTURE

Impression

Scene from a video

The people act to the beat of the 4wheel traffic which is the heart beat of the Metropolitan zone.

intuitions. We are young. We dance. We party. We question. We bu

Read Text, Read Text, Read Text, Read Text, Read Text, Read Text, Read Text, Read Text, Read Text, Read Text

DYNAMICS

REDEFINING CITY VALUES:

The city as a place that is attractive and well functioning for the local residents. Recreation and healthy environment with access to physical activity is very important in order to keep the residents of the city healthy and thereby reducing the risk of illness etc. The design should contribute to the humanity of the city. To motivate and support sustainable behavior to get environmental sustainability in the city. Reducing CO2- emission by replacing privat car transport with attractive bike lanes and public transport. Unite the city values with a green structure and bring the city back to nature. The city as an emotional landscape.

uilt on history. We approach the urban. We step back to go for-

The movie showed clips of the city lights in high speed. I wanted to pay attention how powerful and pushy the lights are.

48 ALL YOU NEED IS ARCHITECTURE

ward. We question. We focus on the metropolitan. Our concept may

I tried to create a tense flickering experience with lights and movement.

DYNAMICS

y appear banal. Our form is counterproductive. It goes anywhere

ALL YOU NEED IS ARCHITECTURE

“My impression of what a tourist can see from the backstage of the Metropolzone...”

by going nowhere. It’s a study to break the box. To cancel aspiration

Although not completely successful George Clooney had the power to create an illusion of being in Hollywoods filmstudio.

DYNAMICS

Itâ&#x20AC;&#x2122;s good to have George back in town!

ns. To step up by hitting hard on design. To motivate. Work 51

Pedestrians will settle while rushing and swarming through the city and encourage an open mind and couriosity to explore.

ALL YOU NEED IS ARCHITECTURE

through a destruction of images. To raise by blocking innovations. T

The Metropole zone consist of many abrupted structural pieces, cut through by the road system.

DYNAMICS

There is no connectiviy or any direct act of style in the area_

To rule out the idea of normal: Eat your context. Swallow your

ALL YOU NEED IS ARCHITECTURE

The city is experienced in brief moments like hidden frames in a movie. You blink with your eyes and the moment is gone. Between moments traffic is the void where you are lost, giving you tunnel sight until the next red light. Stop. You blink, see a building, see a sign, see a person. Start. Blink, Lights, bikes, cars.

Poetry in motion - Poetry in motion - Poetry in motion - Poetry in motion - Poetry in motion - Poetry in motion

history. Dump your pride. Believe in the banal. Work towards the l

Day/Night/Day/Night/Day/Night/Day/Night/Day/Night/Day/Night/Day

DYNAMICS

Day

Night &

less obvious. Attack the obvious. Win the battle. Lose your temper.

Adding and subtracting; was supposed to picture dynamics in copenhagen, this could be any city though.

56 ALL YOU NEED IS ARCHITECTURE

Cry your desire. Crash your models. Depart from your rationality.

”Every work of art is the child of its time, often it is the mother of our emotions.” — Kandinsky,Wassilyenee.

DYNAMICS

...the movie:

Stick to your path. Follow it up by going down. Don’t be afraid. 57

ALL YOU NEED IS ARCHITECTURE

Sense of Lostness // No attention // No atractive points // No leading points // No identity

Greet the less. Love the more. Shock the rest. Seize the unworthy for

Some convergence points are situated in the Metropolzone - In the center tivoli is the exception.

DYNAMICS

r presentation. Impress the depressed. Forget what you have 59

ALL YOU NEED IS ARCHITECTURE

#ARS TRAFFIC

Traffic lights not only regulate roads. It imposes a rhythm for the entire area - Flows, Repetition, Order

learned. Or believe narrow stuff, your stuff, your way. Work, impro

Unt utpat ero euis nonullam nulla feu feugait prat, veros nit wisit ipisci tem vel ulla

DYNAMICS

WALKERS FLOW

ove, work, work more. Love your architecture. Get ready to get 61

SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS At first hand the system is in your hand. Later is crystallized in a model, in a design. It m 3D. To present the idea of an structure. The influence what is going on. That define your music, your sound, your voice at works. We want to see it work. We want to challenge it. We want to see if it can break. Is it valuable? Is it yours? I a system. The system of the city. Include it into the design, city design, urban design. Can we learn from the system th on the task of designing the city. That we want to approach. As subjects. As objects. As landscape architects of an evo SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS S SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS S SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS S SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS S SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS S SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS S SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS S SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS S SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS S SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS S SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SY SYSTEMS S SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS S SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS

SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS may be driving your design, your city, your intuition. We ask you to formulate it. To show it. To illustrate it. To make it e. Your way of perceiving. We ask to put the subjective experience on a formula for everyone. We want to see what is Is it to be everybodys? Is it unique? We find a need to work towards a new instrumentality. That develops the idea of hat produce urbanity? Can we identify it? How to identify it? How to communicate it? How to design it? How to take olving city, an evolving branch of design. SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS S SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS YSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTSYSTEMS S SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS S SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS

ALL YOU NEED IS ARCHITECTURE

So here is a high-rise building, containing high-rise buildings.

killed. Stand up on critique. Shoot after being shot at. Donâ&#x20AC;&#x2122;t shoot b

The boulevard as a monument.

SYSTEMS

back. Reevaluate efforts. Change design. Block logic. Demand su-

From the 19th century there has been room for all the infrastructure, technology and entertainment a modern city needs.

26 ALL YOU NEED IS ARCHITECTURE

premacy. Release control. Trust in revolutions. Get desperate. Kill y

The urban seeds are unities of centrality and mobility. The vectors define each elementâ&#x20AC;&#x2122;s movement and growth.

SYSTYEMS

129

your supremacy. Work with your irony. Strengthen your relentless.

ALL YOU NEED IS ARCHITECTURE

Landmark connecting monuments.

Improve your efforts. Dream about architecture. Run through your

A platform for cultural and social togetherness.

SYSTYEMS

r design. Built your story. Unleash your potential. Overdo your

129

Every structure grabs a bit of Tivoli. Both Tivoli and the Metropol Zone benefits from this exchange of content.

26 ALL YOU NEED IS ARCHITECTURE

renderings. Smash the image. Crash the idea. Expect the unexpected

A way towards curiosity.

SYSTEMS

d. Find you way. Anticipate the flexible. Put your self out of the

ALL YOU NEED IS ARCHITECTURE

Rollercoaster analogy.

box. Ensure the story. Crash your box. Do not trust your move. Fram

A symbolic thread through the Metropol Zone, using both historical and new water elements.

SYSTEMS

me the surroundings. Redo your architecture. Again. Who is your

ALL YOU NEED IS ARCHITECTURE

The system dictates the counter system that reactivates the city.

City? What is your system? When is your time? We believe in archit

The system dictates the counter system that reactivates the city.

SYSTEMS

tecture. We love modernism. We like the modern project. We be-

ALL YOU NEED IS ARCHITECTURE

Unt utpat ero euis nonullam nulla feu feugait prat, veros nit wisit ipisci tem vel ulla

lieve in infrastructure. We trust our intuitions. We are young. We d

Unt utpat ero euis nonullam nulla feu feugait prat, veros nit wisit ipisci tem vel ulla

SYSTEMS

dance. We party. We question. We built on history. We approach

ALL YOU NEED IS ARCHITECTURE

the urban. We step back to go forward. We question. We focus on th

Unt utpat ero euis nonullam nulla feu feugait prat, veros nit wisit ipisci tem vel ulla

SYSTEMS

he metropolitan. Our concept may appear banal. Our form is 29

ALL YOU NEED IS ARCHITECTURE

Unt utpat ero euis nonullam nulla feu feugait prat, veros nit wisit ipisci tem vel ulla

counterproductive. It goes anywhere by going nowhere. Itâ&#x20AC;&#x2122;s a study t

SYSTEMS

to break the box. To cancel aspirations. To step up by hitting hard

ALL YOU NEED IS ARCHITECTURE

Unt utpat ero euis nonullam nulla feu feugait prat, veros nit wisit ipisci tem vel ulla

on design. To motivate. Work through a destruction of images. To r

Unt utpat ero euis nonullam nulla feu feugait prat, veros nit wisit ipisci tem vel ulla

SYSTEMS

raise by blocking innovations. To rule out the idea of normal: Eat

ALL YOU NEED IS ARCHITECTURE

Unt utpat ero euis nonullam nulla feu feugait prat, veros nit wisit ipisci tem vel ulla

your context. Swallow your history. Dump your pride. Believe in th

Unt utpat ero euis nonullam nulla feu feugait prat, veros nit wisit ipisci tem vel ulla

SYSTEMS

he banal. Work towards the less obvious. Attack the obvious. Win

UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPE UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPE UNEXPECTED UNEXPECTED Do we love our space? Do we dare to question it? Turn it around? Change it? Will our design selves of the unexpected? How can we make our design the unexpected? How can the unexpected be integrated into o Something that should be out our reach. Otherwise we would fail. We shouldn’t do everything. We should control every produce the elements of surprise. We should surprise. We should design the unexpected. We should iconize hope. We s prepare our designs resistance. We should believe it. We should envision it. We should it test it against the unexpected. W cannot be knocked out. Perhaps, we believe of a better world. Perhaps, we are wrong. Perhaps, we won’t know yet. PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPEC UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEX UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEX UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEX UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNE ED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNE ED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECT EXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEX UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UN TED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED

PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED n survive, if we erase individuality, hope, or the common. How can we reach the unexpected? How can we prepare ourour design? How can the idea of urbanity survive? We feel that something more is needed. Something out of our reach. ything. We should touch all details. We should think everything through. We should leave room for surprise. We should should materialize optimism. We should reach borders, and find our way on the other side. We should do it. We should We need to let it fail. We need to open. Perhaps, the unexpected turns into a glamorous compromise. Perhaps, urbanism UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXD UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXD UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXCTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED XPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED XPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED XPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED EXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTD UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED D UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED D UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED EXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTD UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED XPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED D UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXD UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXD UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEX-

ALL YOU NEED IS ARCHITECTURE

the battle. Lose your temper. Cry your desire. Crash your models. D

More lively. More colorful. More attention.

UNEXPECTED

Depart from your rationality. Stick to your path. Follow it up by

ALL YOU NEED IS ARCHITECTURE

Future People flows guide from a to b, creating a tunnel with either; greens, screens or lights.

going down. Donâ&#x20AC;&#x2122;t be afraid. Greet the less. Love the more. Shock th

It is a scape that express the human scale and being on the eyelevel.

UNEXPECTED

he rest. Seize the unworthy for presentation. Impress the depressed.

ALL YOU NEED IS ARCHITECTURE

Pedestrian tower as a connector.

Forget what you have learned. Or believe narrow stuff, your stuff, y

The experience of the lights and music makes it a place where to stop, stay and come back.

UNEXPECTED

your way. Work, improve, work, work more. Love your architec-

ALL YOU NEED IS ARCHITECTURE

A new roof for the city.

ture. Get ready to get killed. Stand up on critique. Shoot after bein

White is pure.. Black is dark.. Lets make more white streets!

UNEXPECTED

ng shot at. Donâ&#x20AC;&#x2122;t shoot back. Reevaluate efforts. Change design.

ALL YOU NEED IS ARCHITECTURE

Why travel so far to get your favorite shoes and dresses?

Block logic. Demand supremacy. Release control. Trust in revolutio

With placing the cubes on the buildings and modernise dantes plads the area will became a metropolitan stage of Cph.

UNEXPECTED

ons. Get desperate. Kill your supremacy. Work with your irony. 29

ALL YOU NEED IS ARCHITECTURE

Strengthen your relentless. Improve your efforts. Dream about arch

Expand and open up Tivoli!

UNEXPECTED

hitecture. Run through your design. Built your story. Unleash your

ALL YOU NEED IS ARCHITECTURE

The uniform and diverse language is connecting the segregated pieces in the Urban Jungle puzzle.

potential. Overdo your renderings. Smash the image. Crash the idea

Bringing functions of existing buildings outside. Integration of slow and fast trafic in the city park.

UNEXPECTED

a. Expect the unexpected. Find you way. Anticipate the flexible. 29

ALL YOU NEED IS ARCHITECTURE

“Backstage”

Put your self out of the box. Ensure the story. Crash your box. Do n

Traffic, light, speed, sound and the city life above.

UNEXPECTED

not trust your move. Frame the surroundings. Redo your architec-

ALL YOU NEED IS ARCHITECTURE

Interventions focused on bringing people flows to these otherwise dead zones.

ture. Again. Who is your City? What is your system? When is your t

UNEXPECTED

time? We believe in architecture. We love modernism. We like the

ALL YOU NEED IS ARCHITECTURE

Feel the diversity of Copenhagen!

modern project. We believe in infrastructure. We trust our intuitio

New canal attract life like a waterhole does in the forest.

UNEXPECTED

ons. We are young. We dance. We party. We question. We built on

ALL YOU NEED IS ARCHITECTURE

Water features emphasise the horizontality and pedestrians seem to float on surface water.

history. We approach the urban. We step back to go forward. We qu

Removing lanes and parking places to create more space for pedestrians and bikers. Why not!?

UNEXPECTED

uestion. We focus on the metropolitan. Our concept may appear

This is a concept that ables us to build hundreds of meters vertically, creating luxury, futurism and a feeling of surrealism.

ALL YOU NEED IS ARCHITECTURE

banal. Our form is counterproductive. It goes anywhere by going no

It acts as a meeting place.

UNEXPECTED

owhere. Itâ&#x20AC;&#x2122;s a study to break the box. To cancel aspirations. To step

ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARC NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECT IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE A CHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU TURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARC NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECT IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE A CHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU TURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARC NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECT IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE A CHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU TURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARC NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECT IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE A CHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU TURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARC NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECT IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE A CHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU TURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARC NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECT IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE A CHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU TURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARC NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECT IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE A CHITECTURE ALL YOU NEED IS ARCHITECTURE This is our hope for the future. We believe that we can nurture and sustain may the lucky to trespass the borders of diplomacy? That we can unleash the potentials? That we may prefer the unprefa shout the most. With our graphics, plans and perspectives. This publication is to be seen as a cluster bomb. Like a rampa state place, architecture and planning in your design. Forget design to do design. Trust intuitions. Trust intuitions. Believ if something has changed, that can be changed, will be changed, after it has been changed. Define a deadline for your d the unexpected. Make it unmarked, different, poetic, high, long, wide, and crucial. Do NOT be afraid to reveal your argu YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCH NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECT IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE A CHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU TURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARC NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECT IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE A CHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU TURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARC NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECT IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE A CHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU We believe in architecture. We love modernism. We like the modern project. We believe in infrastructure. We trust our intuitions. We are young. TURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED

CHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU TURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECD IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE CHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU TURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECD IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE CHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU TURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECD IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE CHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU TURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECD IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE CHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU TURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECD IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE CHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU TURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECD IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE CHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU TURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARin change. Are we ignorant? That we can find something different? That we can redefine the field of urbanism? That we aired? That we can develop stuff? See potentials, at once. We focus, trust our intuitions, and shot silent at they ones that age on urban design teaching. By which we want to train and develop the imposition of our experience on the city: Reinve and put disbelief into plans. Redefine the questions of doubt. Focus, work and re conceptualize. Play it again, over, see design after your deadline of implementation. Make it dynamic, make it system for the system, make it spacious, expect ument. Do not be afraid to embarrass us. Convince us. The night is yours. Time is yours. All you need is architecture. ALL HITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU TURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECD IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE CHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU TURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECD IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE CHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU TURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECD IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE

Tivoli is a important area in the Metropol Zone. The shape of the roof has to underline the axis going out from Tivoliâ&#x20AC;&#x2122;s main entrance and strength the two parts of Axeltorv. The new building has to maintain the openness of the site and be in contact to Tivoli and the traffic. At night the the roof is highlighted.

A construction that expresses lightness

The shape and the use of the site?

up by hitting hard on design. To motivate. Work through a destruct

The use of the site is fpr leisure and culture around the year

tion of images. To raise by blocking innovations. To rule out the

Bike and pedestrian promenades dominate the zone. Car traffic is highly decreased and redirected. Bikelanes are yellow coloured. Voids between bikelanes and roads are dedicated to pedestrians and also to bikers. Glassshelters are placed to park or take a rest. Glasstunnels “bridge” barriers (for example) tivoli. The car traffc is calmed down. Many green urban spaces are developed. The quality of life in the whole center of Copenhagen will dramatically increase. Many new urban spaces can be developed and new explored. ...And Copenhagen will definitely confirm its title as the world’s bicycle city number one.

The main focus of moving around in the city is set to bikes and public transport

I have chosen a site where two of the future main bicycle promenades cross each other. The bike promenades consist of wide dimensioned bike lanes, glasstunnels to cross “barriers”, bicycle roundabouts, shelters and many more equipment to support bikers.

idea of normal: Eat your context. Swallow your history. Dump you

Keep on going!

ur pride. Believe in the banal. Work towards the less obvious. At-

Hmm... I am not an architect but I will give it a try

tack the obvious. Win the battle. Lose your temper. Cry your desire

The landmark connecting monuments The tower is in the intersection of R책dhuspladsen that is pumped with life and where is always something happening. It will be 110m high, could include a restaurant and information. It sheds light on different buildings and places. The different programs in the building could be; modernism within the Metropolzone, classical architecture, museums, activities, statues enc.

e. Crash your models. Depart from your rationality. Stick to your

path. Follow it up by going down. Donâ&#x20AC;&#x2122;t be afraid. Greet the less. Lo

The redesign of these places will draw pedestrian flows to otherwise ignored areas

The crisis is over. Go home and go back to your beds

In the proposal water will cut into the street to break the flat, uniformness and to define the horizontal spaces. Brought back from the deep and into the streets, water is now made visible for all to enjoy. A physical link between the vertical lighting and horizontal plane will be made through water. Rainwater down spouts on building facades will be targted for alteration. Existing downspouts carry water from the roof down the sides of buildings and into underground stormwater pipes. This system is Ideal for quick removal of water but is one in which water is treated as something to be rid of rather than celebrated. The vertical drains will retrofitted with lighting to accent the walls of the corridor, not to mention celebrate their newly liberated flows. Lights will also be fitted along the canal ledges overhanging the water surface to accent the ponds.

ove the more. Shock the rest. Seize the unworthy for presentation.

Dantes Plads has unique location between two art galleries and across the street is an entrance to Tivoli

Open Tivoli corner, spread out new fragments in the same scale that will not destroy axis/ symmetry, add volume to Tivoli that introduces a new public (Art/Culture) room, and sucks up some fragments.

Impress the depressed. Forget what you have learned. Or believe na

A new hierarchy is introduced to the Metropole Zone

A block is cut open and a new structure aligned with the old frames Dantes Plads and stops traffic. The traffic on HC Andersens Boulevard is going under the area in a tunnel. The corner of Tivoli is revitalized with a new building. The building breaks in an angle making it more modest and is elevated so that people can enter Tivoli under the building. A field of grass a two line of trees directs attention to the new entrance and shows the way through the area.

arrow stuff, your stuff, your way. Work, improve, work, work more.

Method/Intervention: A part of a building and a gas station will be removed to make room for a new plaza. Car traffic around the new plaza will be minimized. Use trees for scale transition between the high buildings and the people on the ground. Use historical water references to define the space. Water filter refers to former needs. Air filter refers to modern needs

Water has played a major part in the cityâ&#x20AC;&#x2122;s history and development

Design aims: Break up the canyon structure. Create a space where cars and traffic noise are subtracted and a human environment is added. Design of surroundings that will stimulate the development of social activities

Love your architecture. Get ready to get killed. Stand up on critiqu

ue. Shoot after being shot at. Donâ&#x20AC;&#x2122;t shoot back. Reevaluate efforts.

The water filters will once again be a catalyst for life in the Metropolezone

Change design. Block logic. Demand supremacy. Release control. Tr Possible identity can be art and craft, entertainment and amusement

rust in revolutions. Get desperate. Kill your supremacy. Work with

The traffic is taken down under and the streets are transformed to a green area with trees, parks and squares

your irony. Strengthen your relentless. Improve your efforts. Dream

Create a high-tech audiovisual room where people can not just see but also hear what is going on in different sites

Is this project entirely architectural? Just as you please!

The new idea will change the aspect about the public transport in the MZ. The aim is to create a MZ that offers a wider range of activities and it has been suggested that a visual coherence between the various cultural institutions as well. The barrel of the plan is a live audiovisual installation about the MZ - for the MZ. The cultural side of the area needs to be made visible and improve its colllaborative skills. The city spaces can be used more effectively and these spaces can be connected with the public transport also. In this way itâ&#x20AC;&#x2122;s a two-sided relationship between public transport and cultural velues. Public transport makes the cultural institutions more knowledgeable. Culture attract attention to the importance of the public transport.

m about architecture. Run through your design. Built your story.

Unleash your potential. Overdo your renderings. Smash the image.

The line of the bridge forms the main interventionfor MPZ shaping foundations for new type of urbanism

To add a fourth dimension to the art of paintwork

Crash the idea. Expect the unexpected. Find you way. Anticipate

Furthermore there is a large LED-screen. This screen is used to inform the users about The Metropol Zone and about what is going on at the moment in the zone. The screen can also be used for purpose of entertainment e.g. to project movies during Open Air Film Festival or to be a part of an art installation. There are many possibilities and the design of the site is very open to interpretations and is very flexible for further design development.

It is not a city wall, it is a city underlinement

The focus is entirely on the overall structure- The Underlinement. It will always continue its path and it is only disconnected when there is an extrusion. The fragment of line is located near the lakes and therefore it has been influenced by a water concept. The fragment is an element resembling a large transparent wall. The wall is a structural installation and it consist of several elements. There is a water wall for kids and adults to enjoy.

the flexible. Put your self out of the box. Ensure the story. Crash you

The process of making something out of nothing

ur box. Do not trust your move. Frame the surroundings. Redo

Movement

Functions

The forest belts provides a clear design principle and a strong super structure for a masterplan of the Metropol Zone. The movement in the city park is the next level of planning and designing.The movement are differentiated by use, speed and function. The functions are the top level of planning and designing the city park. This is best done by involving the city users.

The city park provides an exciting mixture of countryside, spacious grassland and urban elements

Structure

your architecture. Again. Who is your City? What is your system? W

Volumes versus void

When is your time? We believe in architecture. We love modernism.

We like the modern project. We believe in infrastructure. We trust o

It is a cosmopolitan place and a inconrovertible meeting point which is currently only used for transport

In which direction we want to go?

No sidewalk to give more freedom to pedestrian flow The wood path more accessible to the sides. Terrace shelters located inside of the street Trees associated with water ponds to create dynamic and diversity

our intuitions. We are young. We dance. We party. We question.

White is pure, Black is dark. Letâ&#x20AC;&#x2122;s make more white streets

We built on history. We approach the urban. We step back to go for

rward. We question. We focus on the metropolitan. Our concept

There is a connection to metro station in R책dhuspladsen, the ice glacier melt down and melts down and change to metro

Where should I lead the decreased traffic

may appear banal. Our form is counterproductive. It goes anywher

At night itâ&#x20AC;&#x2122;s still safe and decorative

re by going nowhere. Itâ&#x20AC;&#x2122;s a study to break the box. To cancel aspira-

ALL YOU NEED IS ARCHITECTURE

In the first scene the actor directly effectsthe background by his actions

tions. To step up by hitting hard on design. To motivate. Work thro

Sing a song. You are being filmed here

FINAL PROJECT

Staying cubic and inspiered by spotlights are the cubes fexible placed around the Dantes Plads. They give the plaza a higher importance and a modern look. As the green cubes are used as greenhouses and for events they also have a catwalk integrated with a view into tivoli. The yellow cubes are used as office buildings and they give spotlight impression to the happening on the dantes plads. The plaza itself is an public space with â&#x20AC;&#x153;stagesâ&#x20AC;? for different urban activities and reflects the cubes on the top of the buildings by picking up color or material. The Dantes Plads is an urban public space for people to look and to be looked at!

ough a destruction of images. To raise by blocking innovations. To

ALL YOU NEED IS ARCHITECTURE

The object of the final draft is still to counter the symmetrical force of the Glyptotek and restore the historical axis leading to Christiansborg. The axis ends in a void of traffic leading to nowhere.

Instead of using physical objects to restore the axis mirrors are placed so the Glyptok closes around itself and the historical axis continues infinitely.

You blink your eyes and the moment is gone

Glyptoteket

People Flow is via the bike lane in both directions and along the historical axis. A series of points within each flow directs the eye sight with the use of mirrords towards centers of attention. towards Christiansborg

rule out the idea of normal: Eat your context. Swallow your history

Frame makes you aware of places of importance

FINAL PROJECT

Dantes Plades is the symbol of arrogance in the planning of Copenhagen and the Metropolitan Zone. The historical axis is abruptly ended when the Glyptotek was build. All streets were bend and shaped to form symmetry around the new building. The new design of Dantes Plads reinstates the historical axis and absorbs the symmetry of the Glyptotek. An arch relates to the Glytotek and frames this otherwise beautiful building on one side. On the other side it opens up to historical axis and faces Christiansborg.

y. Dump your pride. Believe in the banal. Work towards the less

ALL YOU NEED IS ARCHITECTURE

A way towards curiosity

obvious. Attack the obvious. Win the battle. Lose your temper. Cry

Copenhagen as a metropole

FINAL PROJECT

The new Vesterbrogade is for pedestrians and cyclists only. The road shall be accessible in the entire floor level relating to outlook and general view as well as freedom of movement. It shall be possible to float somewhat from one side of the road to the other in a simpel and easy way. Therefore you will find paths crossing inbetween the buildings and it is possible to walk through the new buildings lower floors from one side to the other. It is important with dynamics in the street and that is what the new building is essential in creating

your desire. Crash your models. Depart from your rationality.

ALL YOU NEED IS ARCHITECTURE

In what music video am I in?

Stick to your path. Follow it up by going down. Donâ&#x20AC;&#x2122;t be afraid. Gr

Visual connection between the city and its people

FINAL PROJECT

Giving the area unique visual quality. Lights on the ground- in daytime there are shown advertisments. In the evenings they are touch screens- change their colour when stepping on them. The more people there is, the more intensive the lightning gets. The lights are sometimes rising higher as they are benches. They react with a light change when people sit on them. Post lights- serve as pedestrian lights but they have speakers and screens in the front. On the screens the lights are changing acording to the music so the lightposts interact together. When there are concerts, the music comes from the speakers. During the day post lights are solar panels- they collect the energy to light the area. Rhythm is made by organized lights- the ground lights position is like an equalizer that reacts to humans impulse. The positioning of the posts is making another rhythm movement. Music is coming from the speakers inside the posts after working hours til midnight. The music â&#x20AC;&#x153;therapyâ&#x20AC;? makes this business and rushing area more relaxed and calm.

reet the less. Love the more. Shock the rest. Seize the unworthy for

ALL YOU NEED IS ARCHITECTURE

when it comes to 90°, it’s simply an angle. for sure, but it’s functional, and that’s positive. by thinking function, architects don’t have to question design according to the esthetics. “form follows function” was the early modernists motto. why is it, that these architects created both beauty and function? later on, their ideas was adapted in architecture world wide. the scary part of this is the repetitive pattern that somehow became part of the outcome. concrte slabs, steel frames and reinforced concrete sounds pretty le corbusier. this is a concept that ables us to build hundreds of meters vertically, creating luxury, futurism and a feeling of surrealism. at the same time we can apply le corbusiers concept when buildig rapid and cheap. in these cases we tend to lack individual design, and repitition is the outcome.

The skyline is just a shilouette but the layers are not visible in front of it

presentation. Impress the depressed. Forget what you have learned.

The space is limited

FINAL PROJECT

Or believe narrow stuff, your stuff, your way. Work, improve,

ALL YOU NEED IS ARCHITECTURE

Will have a strong significant influence on the form, structure and use of the city

work, work more. Love your architecture. Get ready to get killed. St

One sharp cut through all Metropolzone

FINAL PROJECT

tand up on critique. Shoot after being shot at. Donâ&#x20AC;&#x2122;t shoot back.

ALL YOU NEED IS ARCHITECTURE

But But But So So So

Reevaluate efforts. Change design. Block logic. Demand supremacy.

Moreover, some architectural masses would be welcome

FINAL PROJECT

y. Release control. Trust in revolutions. Kill your supremacy. Work

156

ALL YOU NEED IS ARCHITECTURE

Contributors Britta Magdalena Ágústdóttir (p. 12-36--67-120-121) Maiken Zippora Leth Andersen (p. 12-36--67-120-121) Joram de Vries (p. 12-36--67-120-121) Cody Erhart (p. 12-36--67-120-121) Jürgen Furchtlehner (p. 12-36--67-120-121) Halldór Birgir Halldórsson (p. 12-36--67-120-121) Marta María Jónsdóttir (p. 12-36--67-120-121) Ragnheidur Karadottir (p. 12-36--67-120-121) Henriette Kia Syrak Lund (p. 12-36--67-120-121) Veronika Mungenast (p. 12-36--67-120-121) Reka Nemeth (p. 12-36--67-120-121) June Paaskesen (p. 12-36--67-120-121) Janka Emese Paulovics (p. 12-36--67-120-121) Maj Pedersen (p. 12-36--67-120-121) Johanna Lovisa Rustad (p. 12-36--67-120-121) Mikkel Stolz (p. 12-36--67-120-121) Anders Egebjerg Terp (p. 12-36--67-120-121) Marie Thomas (p. 12-36--67-120-121) Häli-Ann Tooms (p. 12-36--67-120-121) Thibaud Vermillard(p. 12-36--67-120-121) Katarzyna Wieszczeczynska (p. 12-36--67-120-121)

DYNAMICS

We believe in architecture. We love modernism. We like the modern project. We believe in infrastructure. We trust our intuitions. Believe in the banal. Work towards the less obvious. Attack the obvious. Win the battle. Lose your temper. Cry your desire. Crash your models. Depart from your rationality. Stick to your path. Follow it up by going down. Donâ&#x20AC;&#x2122;t be afraid. Greet the less. Love the more. Shock the rest. Seize the unworthy for presentation. Impress the depressed. Forget what you have learned. We are young. We party. We dance. We do it.