All You Need is Architecture by Anders Terp

All You Need is Architecture A Prototype for new Urbanism

Mads Farsø Clément Blanchet Anders Terp Häli-Ann Tooms Mikkel Stolz Janka Emese Paulovics Forest & Landscape | University of Copenhagen

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By Mads Farsø and Clément Blanchet Projects by Students of landscape architecture Forest & Landscape, University of Copenhagen Lay-out by Anders Terp Häli-Ann Tooms Janka Emese Paulovics Mikkel Stolz Published by Forest & Landscape, University of Copenhagen Supported by Centre of Strategic Urban Reseach Realdania Research

All You Need is Architecture

Content 08 - -

10 -

FOREWORD Getrud Jørgensen

INTRODUCTION Mads Farsø & Clément Blanchet

SITE

14 1st seminar MODERNISM - posters -

40 2nd seminar DYNAMICS - movies -

64 3rd seminar SYSTEMS - models -

88 4th seminar UNEXPECTED - collages -

114 ALL YOU NEED IS ARCHITECTURE -

156 CONTRIBUTORS

ALL YOU NEED IS ARCHITECTURE

Foreword This book is the result of a special studio course - All you need is Archtecture - held at the Landscape Architecture programme at the University of Copenhagen in the autumn of 2008. In this year the Landscape Architecture programme was extended with an urban design line, and this course was a spearhead in the process of discussing how to design this line, and what competencies the students must get through the programme. Apart from theoretical and practical knowledge on urban development, -planning and -design, the students must be able to analyse a given urban context and conceive solutions to the problems they find in the area, not only from a tradtional planning perspective, but also as creative designs. This is what was trained in this course. We were lucky to have two guest professors to conceive and undertake the course, architect Clement Blanchet from Office for Metropolitan Architecture (OMA) in the Netherlands and landscape architect Mads FarsĂ¸ - in cooperation with lecturer Richard Hare from University of Copenhagen. The students - mainly from landscape architecture - went through a process of sensing, experiencing, and analysing the area, followed by choosing a design concept and an actual design for a specific place. As will be seen in this booklet, the results were bold and imaginative - and some of them also very handsome. They embrace many diferent views on the area in play - the Metropolitan Zone in Copenhagen - and the course has given important inspiration to the masterâ&#x20AC;&#x2122;s programme in urban design, starting 2010. I thank Realdania and Centre for Strategic Urban Research for giving us the possibility to realise this course, and for the possibility to publish the results in this booklet. And, not least, I thank the teachers and students for their commitment in editing and laying out this booklet. I hope it may inspire other students in their work. Gertrud JĂ¸rgensen Professor, Head of Division Urban & Landscape Studies March 2010

CENTER FOR STRATEGISK BYFORSKNING

Realdania Forskning

4 lectures on modernism and urbanism in a state of crisis

Memorandum La Défense / 14.11 Associate Architect Clément Blanchet Ofﬁce for Metropolitan Architecture

Atmosphere & Design / 21.11 PhD Student Ulrik Schmidt University of Copenhagen

Structure & ﬂow / 28.11 Senior Policy Advisor Rick Batelaan City of Amsterdam

London & the Legacy / 5.12 Senior Urban Designer Steve Tomlinson Design for London

As part of a series of graduate urban design workshops on downtown Copenhagen, these lectures offers an oppotunity to explore key positions of modernism in the contemporary city. On Fridays 13.15 pm, at Forest & Landscape, University of Copenhagen Rolighedsvej 23, Frederiksberg

Mads Farsø & Clément Blanchet facebook.com/All You Need Is Architecture

ALL YOU NEED IS ARCHITECTURE

Why ? The city is changing. The urban is all over and nowhere at the same time. Landscape architecture faces an explosive reality. The profession needs to be trimmed, to change gear, to scale up, to dig down. To compete, to improve, to intervene. As urbanism is blurred, lost, being reborn. Somehow architecture survives. After the fire, a new forest always grows up. The postmodern is now related to modernism. Potentials are arising. Hope is formulated. How to nurture new conditions of urbanity? How to enable future generations of designers? How to unleash the unexpected potentials? How to model a new urbanism, when the condition of postmodernity has rejected all models? Our goal was to develop a prototype for the new urbanity. Making a frame to improve utopian pragmatism. Crash ideas, formulate arguments, identifying unexpected moments repeatedly, over a period of eight weeks. Question experience and build on intuition. Teaching the evaluation of your concept, your approach. Challenge the statement of change. Make your design grown out of individuality, of a feeling of community. Nurture an environment of critique. Work on a core site of neglect. A central place for experiencing the placelessness of modern culture. Deal with the culture of consumption, the consumption of place, the consumption of architecture. Focus on the individual, the unexpected, your plan. Shoot on the different scales, reevaluate your statements, and strengthen the line of argumentation. Think urbanism as architecture. Experience the city as a series of flows. Imagine constraints as ideal features. Formulate a cohesion out of chaos. Demonstrate there is always a future. Work on it as if it was a garden of neglect. Irrigate it so it may be self-sustaining. Redefine the idea of a ‘plan’. In the meanwhile we will be floating in space; our ‘city’ is still there. We trust in Hope. Again. Once more. Work to be done: Around, over, under, behind. Branded, yes, perhaps: Because powers are less visible; because designs are consumed like TV-commercials; because we are ignorant of our possible failures; because we need to be the architects of tomorrow; because urbanism survived; still it is, there. If postmodernism couldn’t smash the idea of the city, we can’t fail. We have to gain power. Our original task is to develop new conditions which would perform as a human, social generator for the futur. In other words to create architecture. Probably this is all we need... We would like to thank Gertrud Jørgensen and Richard Hare who have been key personalities and players as intellectual and creative minds, without mentioning the fact that they built up and made this amazing story possible. Finally, we thank all the students for their contributions - and especially Anders, Häli-Ann, Mikkel and Janka for their enourmous post-studio work on the lay-out. Their efforts turned our studio prototype experiences into a promising story of urbanism. Clément Blanchet and Mads Farsø Rotterdam and Copenhagen March 2010

ALL YOU NEED IS ARCHITECTURE

Site Copenhagen is a contested ground. Some brand the unique situation of bicycles, pedestrians and public transport. Others complain about the lack of renewal and blame the narrow jackets of history. In the meanwhile the architects go abroad and try to do the stuff they learned that they couldn’t do at home. Copenhagen, however, carries on. We focus on a site of contested modernism in Copenhagen. Where Arne Jacobsen challenged the ideas of a Danish architecture in his Mies-inspired SAS hotel, where Tivoli leisure-park continue to dance limbo between history, tourists numbers and turnovers, where the public space appears to be in abundance without really being, there, and where context is something to be discovered beneath the thick walls of ghost-like promotions. The municipal called it ‘the metropol zone’. For the sake, or the hope, of the better: To give an idication of bigness. To borrow a feeling of urbanity. To brand a stench, to call for the sexy. Rådhuspladsen

Sct. Jørgens Lake

Central Station

To make urbanism happen the municipal asked five teams to reevaluate the site and present a vision in 2007. However, the municipal cherrypick in the teams projects. The old way of postmodernism won. The strategy is Still we miss to see a strategy that takes of from the sites unleashed potentials. Therefore we dumped graduate enthusiasm onto the site. To identify, develop and redefine the idea of vision, strategy and project. Disregard politics. On site: Action. Statements. Models. Courage. The idea was to ask for a strategy for the familiar unknown: the Copenhagen modernism.

Medieval Copenhagen

1500 m Christiansborg

National Museum

Tivoli

500 m

MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MOD ISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM M ERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNI MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MOD ISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM M ERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNI MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MOD ISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM M ERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNI MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MOD MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODE MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MOD ISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM M ERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNI MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MOD ISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM M ERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNI MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MOD ISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM M ERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNI MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MOD ISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM M ERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNI MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MOD ISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM M ERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNI MODERNISM We find it hard to see a continuation without putting things in perspective. We are not alone. Someone Is it a totality? Is everything relative? Or does something need to be decided upon. We believe in form, in character, i jectivism. We see modernism in postmodernism. We like the smell of bigness. We believe that other do as well. We fi coordinative role for planner. We study history. We interpretate the role of form. We experience the different shapes. it all part of the same story: Modernity. It is not our fault that it was misused. Please let us find our way back the first formulated in statement, communicated, and remembered in an image. What we have learned is necessarily not eno make it happen? MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM M ERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNI MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MOD ISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM M ERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNI MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MOD ISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM M ERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNI MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MOD ISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM M ERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNI MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MOD ISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM M ERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNI MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MOD ISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM M ERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNI MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MOD ISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM M ERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNI MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MOD ISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM M

DERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNMODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM DERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNMODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM DERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNMODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM DERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERN ERNISM MODERNISM MODERNISM MODERNIS MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM DERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNMODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM DERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNMODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM DERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNMODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM DERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNMODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM DERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNMODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM e was before us. But we are maybe the first. Please let us know what you think. What you see. What you experience. in process, in plans, in design. We believe in the individual and feeling of the community. We find objectivism in subfind the complete openness to be fool’s belief in urbanism. Power still prevails. We question the egos. We see a new We see the same programs over and over again. We work for integration, hybrid forms and the connectivity. We see t thoughts, the idea of a potential. Unformulated, undersigned, undiscovered. However conceptualized in a thought, ough for our urbanity. It is beyond ‘the trained’. The city is generic (we know that now) it just happens. How will we MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM DERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNMODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM DERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNMODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM DERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNMODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM DERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNMODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM DERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNMODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM DERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNMODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM DERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNMODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MODERNISM MOD-

ALL YOU NEED IS ARCHITECTURE

It came from the deep!

We believe in architecture. We love modernism. We like the modern

Enee menee minee moe...

MODERNISM

n project. We believe in infrastructure. We trust our intuitions. We

ALL YOU NEED IS ARCHITECTURE

A corporate wasteland

are young. We dance. We party. We question. We built on history.

A place to be

MODERNISM

We approach the urban. We step back to go forward. We question.

ALL YOU NEED IS ARCHITECTURE

Disharmony

We focus on the metropolitan. Our concept may appear banal. Ou

MODERNISM

ur form is counterproductive. It goes anywhere by going nowhere.

ALL YOU NEED IS ARCHITECTURE

Add some binding agent to make delicoius cake

Itâ&#x20AC;&#x2122;s a study to break the box. To cancel aspirations. To step up by h

Urban jungle

MODERNISM

hitting hard on design. To motivate. Work through a destruction of

ALL YOU NEED IS ARCHITECTURE

90 degrees for cph

images. To raise by blocking innovations. To rule out the idea of n

Diversity in CPH - a place where you can travel without moving

MODERNISM

normal: Eat your context. Swallow your history. Dump your pride.

ALL YOU NEED IS ARCHITECTURE

Car-less city - respect the values of CPH

Believe in the banal. Work towards the less obvious. Attack the obvi

MODERNISM

ious. Win the battle. Lose your temper. Cry your desire. Crash your

ALL YOU NEED IS ARCHITECTURE

To which direction

models. Depart from your rationality. Stick to your path. Follow it

Go big on green

MODERNISM

t up by going down. Donâ&#x20AC;&#x2122;t be afraid. Greet the less. Love the more.

ALL YOU NEED IS ARCHITECTURE

Movement - moment - contact

Shock the rest. Seize the unworthy for presentation. Impress the dep

MODERNISM

pressed. Forget what you have learned. Or believe narrow stuff, your

ALL YOU NEED IS ARCHITECTURE

Copenhagen, what about your identity?

stuff, your way. Work, improve, work, work more. Love your archite

CPH: cnnctd

MODERNISM

ecture. Get ready to get killed. Stand up on critique. Shoot after be-

ALL YOU NEED IS ARCHITECTURE

People flow - peep show

ing shot at. Donâ&#x20AC;&#x2122;t shoot back. Reevaluate efforts. Change design. Blo

Your life. Your stage. Your city.

MODERNISM

ock logic. Demand supremacy. Release control. Trust in revolutions.

ALL YOU NEED IS ARCHITECTURE

Where does this lead?

Get desperate. Kill your supremacy. Work with your irony. Strength

Copenhagen - Down under

MODERNISM

hen your relentless. Improve your efforts. Dream about architecture.

ALL YOU NEED IS ARCHITECTURE

Run through your design. Built your story. Unleash your potential.

Letâ&#x20AC;&#x2122;s meet at...

MODERNISM

. Overdo your renderings. Smash the image. Crash the idea. Expect

DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS Our main question is if we can keep it flowing, floating or tr cate it? How to define the fluid nature of the urban? We experience it but we don’t tell it. We hear it but we don’t inte flowers, feelings, hookers, streets and squares. We call ourselves architects. We are less in control. We need to release Snipe our darlings. Touch our beliefs. Endanger our souls: Our designs, our solutions, our beliefs. We need to be mode city a city? Is there an architecture beyond architecture? DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DY NAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYN NAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYN NAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS D DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS

DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS respassing? Are we really open, are we dynamic (as a city), and are we flexible? How to encircle it? How to communiegrate it. We smell it but we don’t know how to cook it. Urbanism. Cars, people, bikes, business, paths, parks, events, e control to gain control. Swim in an unobvious direction. Kill our pride. Take down our posters. Challenge our slogans. ern. We need to question the flow of ideas. We need to question up front: What makes the city work? What make the YNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYDYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS DYNAMICS

The intent was to engage conversation as to whether commercialized logos belong in the central city square.

42 ALL YOU NEED IS ARCHITECTURE

the unexpected. Find you way. Anticipate the flexible. Put your self

The area around Nyropsgade is stronglyayers: urban nature, corporate wasteland and city life.

DYNAMICS

out of the box. Ensure the story. Crash your box. Do not trust your

ALL YOU NEED IS ARCHITECTURE

To a certain degree, this obse rvation is correct in the sense that a is certainly being disseminated and sold all over the planetâ&#x20AC;Ś

socially, Some of them are even becoming d. toise ghet lly racia and y ethnicall

But at the same time, European cities remain place s where intergr oup encounters can develop and wh ere takes place.

Mobility is linked to public spaces but it is often also an element that is destroys their qualities.

move. Frame the surroundings. Redo your architecture. Again. Who

DYNAMICS

The metropol zone is the background for peoples everyday actions and interactions.

Video: daily life in the metropole zone Storyboard KAA

AAB

!!!!

SCENE ONE: one day in the metropol zone... ... and kicks the trash can!!!

then he comes back.

... cody takes a head start...

!! ?um yg? s!!?? !m

kllrr !!!k jwas di?!!! !!?!!

BAMM

M!!

SCENE TWO: a normal rainy night in the metropol zone. a couple is standing outside of tivoli having a serious conversation about their relationship. The situation escalates ... ...a moment of silence appears.

SSS!!!

KISSSS

HAPPY END!

o is your City? What is your system? When is your time? We believe

START

The zone is made for cars. The zone is made for cars. The zone is made for cars. The zone is made for cars.

46 ALL YOU NEED IS ARCHITECTURE

in architecture. We love modernism. We like the modern project. W

Biking the city means knowing the city - connecting the city - exploring the city - taking part in the city.

DYNAMICS

zoom in, experience the flows, notice spots and sites.

We believe in infrastructure. We trust our intuitions. We are young.

ALL YOU NEED IS ARCHITECTURE

Impression

Scene from a video

The people act to the beat of the 4wheel traffic which is the heart beat of the Metropolitan zone.

We dance. We party. We question. We built on history. We approac

Read Text, Read Text, Read Text, Read Text, Read Text, Read Text, Read Text, Read Text, Read Text, Read Text

DYNAMICS

REDEFINING CITY VALUES:

The city as a place that is attractive and well functioning for the local residents. Recreation and healthy environment with access to physical activity is very important in order to keep the residents of the city healthy and thereby reducing the risk of illness etc. The design should contribute to the humanity of the city. To motivate and support sustainable behavior to get environmental sustainability in the city. Reducing CO2- emission by replacing privat car transport with attractive bike lanes and public transport. Unite the city values with a green structure and bring the city back to nature. The city as an emotional landscape.

ch the urban. We step back to go forward. We question. We focus on

The movie showed clips of the city lights in high speed. Pay attention to how powerful and pushy the lights are.

50 ALL YOU NEED IS ARCHITECTURE

the metropolitan. Our concept may appear banal. Our form is cou

I tried to create a tense flickering experience with lights and movement.

DYNAMICS

unterproductive. It goes anywhere by going nowhere. Itâ&#x20AC;&#x2122;s a study to

ALL YOU NEED IS ARCHITECTURE

“My impression of what a tourist can see from the backstage of the Metropolzone...”

break the box. To cancel aspirations. To step up by hitting hard on d

Although not completely successful George Clooney had the power to create an illusion of being in Hollywood.

DYNAMICS

Itâ&#x20AC;&#x2122;s good to have George back in town!

design. To motivate. Work through a destruction of images. To raise

Pedestrians will settle while rushing through the city and encourage an open mind and couriosity to explore.

54 ALL YOU NEED IS ARCHITECTURE

by blocking innovations. To rule out the idea of normal: Eat your con

The Metropole zone consist of many abrupted structural pieces, cut through by the road system.

DYNAMICS

There is no connectiviy or any direct act of style in the area.

ntext. Swallow your history. Dump your pride. Believe in the banal.

ALL YOU NEED IS ARCHITECTURE

The city is experienced in brief moments like hidden frames in a movie. You blink with your eyes and the moment is gone. Between moments traffic is the void where you are lost, giving you tunnel sight until the next red light. Stop. You blink, see a building, see a sign, see a person. Start. Blink, Lights, bikes, cars.

Poetry in motion - Poetry in motion - Poetry in motion - Poetry in motion - Poetry in motion - Poetry in motion

Work towards the less obvious. Attack the obvious. Win the battle. L

Day/Night/Day/Night/Day/Night/Day/Night/Day/Night/Day/Night

DYNAMICS

Lose your temper. Cry your desire. Crash your models. Depart from

Adding and subtracting; was supposed to picture dynamics in copenhagen, this could be any city though.

58 ALL YOU NEED IS ARCHITECTURE

your rationality. Stick to your path. Follow it up by going down. Do

”Every work of art is the child of its time, often it is the mother of our emotions.” — Kandinsky, Wassilyenee.

DYNAMICS

on’t be afraid. Greet the less. Love the more. Shock the rest. Seize the

ALL YOU NEED IS ARCHITECTURE

Sense of Lostness // No attention // No atractive points // No leading points // No identity

unworthy for presentation. Impress the depressed. Forget what you

Some convergence points are situated in the Metropolzone - In the center tivoli is the exception.

DYNAMICS

have learned. Or believe narrow stuff, your stuff, your way. Work,

ALL YOU NEED IS ARCHITECTURE

#ARS TRAFFIC

Traffic lights not only regulate roads. It imposes a rhythm for the entire area - Flows, Repetition, Order.

improve, work, work more. Love your architecture. Get ready to get

DYNAMICS

WALKERS FLOW

t killed. Stand up on critique. Shoot after being shot at. Don’t shoot

SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS At first hand the system is in your hand. Later is crystallized in a model, in a design. It m 3D. To present the idea of an structure. The influence what is going on. That define your music, your sound, your voice at works. We want to see it work. We want to challenge it. We want to see if it can break. Is it valuable? Is it yours? I a system. The system of the city. Include it into the design, city design, urban design. Can we learn from the system th on the task of designing the city. That we want to approach. As subjects. As objects. As landscape architects of an evo SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS S SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS S SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS S SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS S SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS S SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS S SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS S SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS S SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS S SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS S SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SY SYSTEMS S SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS S SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS

SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS may be driving your design, your city, your intuition. We ask you to formulate it. To show it. To illustrate it. To make it e. Your way of perceiving. We ask to put the subjective experience on a formula for everyone. We want to see what is Is it to be everybodys? Is it unique? We find a need to work towards a new instrumentality. That develops the idea of hat produce urbanity? Can we identify it? How to identify it? How to communicate it? How to design it? How to take olving city, an evolving branch of design. SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS S SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS YSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTSYSTEMS S SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS S SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS SYSTEMS

ALL YOU NEED IS ARCHITECTURE

So here is a high-rise building, containing high-rise buildings.

back. Reevaluate efforts. Change design. Block logic. Demand supre

The boulevard as a monument.

SYSTEMS

emacy. Release control. Trust in revolutions. Get desperate. Kill your

From the 19th century there has been room for all the infrastructure and entertainment a modern city needs.

68 ALL YOU NEED IS ARCHITECTURE

supremacy. Work with your irony. Strengthen your relentless. Impr

The urban seeds are unities of centrality and mobility. The vectors define each elementâ&#x20AC;&#x2122;s movement and growth.

SYSTEMS

rove your efforts. Dream about architecture. Run through your de-

ALL YOU NEED IS ARCHITECTURE

Landmark connecting monuments.

sign. Built your story. Unleash your potential. Overdo your renderi

A platform for cultural and social togetherness.

SYSTEMS

ings. Smash the image. Crash the idea. Expect the unexpected. Find

Every structure grabs a bit of Tivoli. Both Tivoli and the Metropol Zone benefits from this exchange of content.

72 ALL YOU NEED IS ARCHITECTURE

you way. Anticipate the flexible. Put your self out of the box. Ensure

A way towards curiosity.

SYSTEMS

e the story. Crash your box. Do not trust your move. Frame the sur-

ALL YOU NEED IS ARCHITECTURE

A construction that expresses lightness.

aspirations. To step up by hitting hard on design. To motivate. Work

SYSTEMS

k through a destruction of images. To raise by blocking innovations.

ALL YOU NEED IS ARCHITECTURE

Rollercoaster analogy.

roundings. Redo your architecture. Again. Who is your City? What

A symbolic thread through the Metropol Zone, using both historical and new water elements.

SYSTEMS

t is your system? When is your time? We believe in architecture. We

ALL YOU NEED IS ARCHITECTURE

Open the metropole zone.

love modernism. We like the modern project. We believe in infrastru

The system dictates the counter system that reactivates the city.

SYSTEMS

ucture. We trust our intuitions. We are young. We dance. We party.

ALL YOU NEED IS ARCHITECTURE

A zone packed with contrast.

We question. We built on history. We approach the urban. We step b

Mapping of brands and modernism in the metropole zone.

SYSTEMS

back to go forward. We question. We focus on the metropolitan. Our

ALL YOU NEED IS ARCHITECTURE

concept may appear banal. Our form is counterproductive. It goes

Staying cubic.

SYSTEMS

anywhere by going nowhere. Itâ&#x20AC;&#x2122;s a study to break the box. To cancel

ALL YOU NEED IS ARCHITECTURE

This place is fragmented.

To rule out the idea of normal: Eat your context. Swallow your hist

Follow the green path...

SYSTEMS

tory. Dump your pride. Believe in the banal. Work towards the less

ALL YOU NEED IS ARCHITECTURE

A promenade instead of cars.

obvious. Attack the obvious. Win the battle. Lose your temper. Cry y

Green cores!

SYSTEMS

your desire. Crash your models. Depart from your rationality. Stick

UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPE UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPE UNEXPECTED UNEXPECTED Do we love our space? Do we dare to question it? Turn it around? Change it? Will our design selves of the unexpected? How can we make our design the unexpected? How can the unexpected be integrated into o Something that should be out our reach. Otherwise we would fail. We shouldn’t do everything. We should control every produce the elements of surprise. We should surprise. We should design the unexpected. We should iconize hope. We s prepare our designs resistance. We should believe it. We should envision it. We should it test it against the unexpected. W cannot be knocked out. Perhaps, we believe of a better world. Perhaps, we are wrong. Perhaps, we won’t know yet. PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPEC UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEX UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEX UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEX UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNE ED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNE ED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECT EXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEX UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXP

PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED n survive, if we erase individuality, hope, or the common. How can we reach the unexpected? How can we prepare ourour design? How can the idea of urbanity survive? We feel that something more is needed. Something out of our reach. ything. We should touch all details. We should think everything through. We should leave room for surprise. We should should materialize optimism. We should reach borders, and find our way on the other side. We should do it. We should We need to let it fail. We need to open. Perhaps, the unexpected turns into a glamorous compromise. Perhaps, urbanism UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXD UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXD UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXCTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED XPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED XPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED XPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED EXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTD UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED D UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED D UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED EXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTD UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED XPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED PECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED UNEXPECTED

ALL YOU NEED IS ARCHITECTURE

to your path. Follow it up by going down. Don’t be afraid. Greet the

More lively. More colorful. More attention.

UNEXPECTED

e less. Love the more. Shock the rest. Seize the unworthy for presen-

ALL YOU NEED IS ARCHITECTURE

Future People flows guide from a to b, creating a tunnel with either; greens, screens or lights.

tation. Impress the depressed. Forget what you have learned. Or bel

It is a scape that express the human scale and being on the eye-level..

UNEXPECTED

lieve narrow stuff, your stuff, your way. Work, improve, work, work

ALL YOU NEED IS ARCHITECTURE

Pedestrian tower as a connector.

more. Love your architecture. Get ready to get killed. Stand up on c

The experience of the lights and music makes it a place where to stop, stay and come back.

UNEXPECTED

critique. Shoot after being shot at. Donâ&#x20AC;&#x2122;t shoot back. Reevaluate ef-

ALL YOU NEED IS ARCHITECTURE

A new roof for the city.

forts. Change design. Block logic. Demand supremacy. Release contr

White is pure.. Black is dark.. Lets make more white streets!

UNEXPECTED

rol. Trust in revolutions. Get desperate. Kill your supremacy. Work

ALL YOU NEED IS ARCHITECTURE

Why travel so far to get your favorite shoes and dresses?

with your irony. Strengthen your relentless. Improve your efforts. Dr

Placing the cubes on the buildings and modernise dantes plads the area will became a metropolitan stage of Cph.

UNEXPECTED

ream about architecture. Run through your design. Built your story.

100

ALL YOU NEED IS ARCHITECTURE

Unleash your potential. Overdo your renderings. Smash the image. C

101

Expand and open up Tivoli!

UNEXPECTED

Crash the idea. Expect the unexpected. Find you way. Anticipate the

ALL YOU NEED IS ARCHITECTURE

The uniform and diverse language is connecting the segregated pieces in the Urban Jungle puzzle.

102

flexible. Put your self out of the box. Ensure the story. Crash your bo

Bringing functions of existing buildings outside. Integration of slow and fast trafic in the city park.

UNEXPECTED

103

ox. Do not trust your move. Frame the surroundings. Redo your ar-

ALL YOU NEED IS ARCHITECTURE

“Backstage”

104

chitecture. Again. Who is your City? What is your system? When is

105

Traffic, light, speed, sound and the city life above.

UNEXPECTED

your time? We believe in architecture. We love modernism. We like

ALL YOU NEED IS ARCHITECTURE

Interventions focused on bringing people flows to these otherwise dead zones.

106

the modern project. We believe in infrastructure. We trust our intu

UNEXPECTED

107

uitions. We are young. We dance. We party. We question. We built

ALL YOU NEED IS ARCHITECTURE

Feel the diversity of Copenhagen!

108

on history. We approach the urban. We step back to go forward. We

109

New canal attract life like a waterhole does in the forest.

UNEXPECTED

e question. We focus on the metropolitan. Our concept may appear

ALL YOU NEED IS ARCHITECTURE

Water features emphasise the horizontality and pedestrians seem to float on surface water.

110

banal. Our form is counterproductive. It goes anywhere by going n

Removing lanes and parking places to create more space for pedestrians and bikers. Why not!?

UNEXPECTED

111

nowhere. Itâ&#x20AC;&#x2122;s a study to break the box. To cancel aspirations. To step

112

This is a concept that ables us to build hundreds of meters vertically, creating luxury, futurism and a feeling of surrealism.

ALL YOU NEED IS ARCHITECTURE

up by hitting hard on design. To motivate. Work through a destructi

113

It acts as a meeting place.

UNEXPECTED

ion of images. To raise by blocking innovations. To rule out the idea

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We believe that we can nurture and sustain may the lucky to trespass the borders of diplomacy? That we can unleash the potentials? That we may prefer the unprefa shout the most. With our graphics, plans and perspectives. This publication is to be seen as a cluster bomb. Like a rampa state place, architecture and planning in your design. Forget design to do design. Trust intuitions. Trust intuitions. Believ if something has changed, that can be changed, will be changed, after it has been changed. Define a deadline for your d the unexpected. Make it unmarked, different, poetic, high, long, wide, and crucial. Do NOT be afraid to reveal your argu YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCH NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECT IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE A CHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU TURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARC NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECT IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE A CHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU TURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARC NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECT IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE A CHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU We believe in architecture. We love modernism. We like the modern project. We believe in infrastructure. We trust our intuitions. We are young. TURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED

CHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU TURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECD IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE CHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU TURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECD IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE CHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU TURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECD IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE CHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU TURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECD IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE CHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU TURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECD IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE CHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU TURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECD IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE CHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU TURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARin change. Are we ignorant? That we can find something different? That we can redefine the field of urbanism? That we aired? That we can develop stuff? See potentials, at once. We focus, trust our intuitions, and shot silent at they ones that age on urban design teaching. By which we want to train and develop the imposition of our experience on the city: Reinve and put disbelief into plans. Redefine the questions of doubt. Focus, work and re conceptualize. Play it again, over, see design after your deadline of implementation. Make it dynamic, make it system for the system, make it spacious, expect ument. Do not be afraid to embarrass us. Convince us. The night is yours. Time is yours. All you need is architecture. ALL HITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU TURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECD IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE CHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU TURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECD IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE CHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU TURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECD IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE ALL YOU NEED IS ARCHITECTURE

ALL YOU NEED IS ARCHITECTURE

The shape and the use of the site? Tivoli is a important area in the Metropol Zone. The shape of the roof has to underline the axis going out from Tivoliâ&#x20AC;&#x2122;s main entrance and strength the two parts of Axeltorv. The new building has to maintain the openness of the site and be in contact to Tivoli and the traffic. At night the the roof is highlighted.

A construction that expresses lightness.

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of normal: Eat your context. Swallow your history. Dump your pri

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The use of the site is fpr leisure and culture around the year.

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ide. Believe in the banal. Work towards the less obvious. Attack the

ALL YOU NEED IS ARCHITECTURE

I have chosen a site where two of the future main bicycle promenades cross each other. The bike promenades consist of wide dimensioned bike lanes, glasstunnels to cross “barriers”, bicycle roundabouts, shelters and many more equipment to support bikers. Bike and pedestrian promenades dominate the zone. Car traffic is highly decreased and redirected. Bikelanes are yellow coloured. Voids between bikelanes and roads are dedicated to pedestrians and also to bikers. Glassshelters are placed to park or take a rest. Glasstunnels “bridge” barriers (for example) tivoli. The car traffc is calmed down. Many green urban spaces are developed. The quality of life in the whole center of Copenhagen will dramatically increase. Many new urban spaces can be developed and new explored. ...And Copenhagen will definitely confirm its title as the world’s bicycle city number one.

The main focus of moving around in the city is set to bikes and public transport.

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obvious. Win the battle. Lose your temper. Cry your desire. Crash yo

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Keep on going!

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our models. Depart from your rationality. Stick to your path. Follow

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Hmm... I am not an architect but I will give it a try.

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it up by going down. Donâ&#x20AC;&#x2122;t be afraid. Greet the less. Love the more

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The landmark connecting monuments.

ALL YOU NEED IS ARCHITECTURE

The tower is in the intersection of R책dhuspladsen that is pumped with life and where is always something happening. It will be 110m high, could include a restaurant and information. It sheds light on different buildings and places. The different programs in the building could be; modernism within the Metropolzone, classical architecture, museums, activities, statues enc.

re. Shock the rest. Seize the unworthy for presentation. Impress the

ALL YOU NEED IS ARCHITECTURE

The redesign of these places will draw pedestrian flows to otherwise ignored areas.

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depressed. Forget what you have learned. Or believe narrow stuff,

The crisis is over. Go home and go back to your beds.

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In the proposal water will cut into the street to break the flat, uniformness and to define the horizontal spaces. Brought back from the deep and into the streets, water is now made visible for all to enjoy. A physical link between the vertical lighting and horizontal plane will be made through water. Rainwater down spouts on building facades will be targted for alteration. Existing downspouts carry water from the roof down the sides of buildings and into underground stormwater pipes. This system is Ideal for quick removal of water but is one in which water is treated as something to be rid of rather than celebrated. The vertical drains will retrofitted with lighting to accent the walls of the corridor, not to mention celebrate their newly liberated flows. Lights will also be fitted along the canal ledges overhanging the water surface to accent the ponds.

your stuff, your way. Work, improve, work, work more. Love your

ALL YOU NEED IS ARCHITECTURE

Open Tivoli corner, spread out new fragments in the same scale that will not destroy axis/symmetry, add volume to Tivoli that introduces a new public (Art/Culture) room, and sucks up some fragments.

Dantes Plads has unique location between two art galleries and across the street is an entrance to Tivoli.

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architecture. Get ready to get killed. Stand up on critique. Shoot af

A new hierarchy is introduced to the Metropole Zone.

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A block is cut open and a new structure aligned with the old frames Dantes Plads and stops traffic. The traffic on HC Andersens Boulevard is going under the area in a tunnel. The corner of Tivoli is revitalized with a new building. The building breaks in an angle making it more modest and is elevated so that people can enter Tivoli under the building. A field of grass a two line of trees directs attention to the new entrance and shows the way through the area.

fter being shot at. Donâ&#x20AC;&#x2122;t shoot back. Reevaluate efforts. Change de-

ALL YOU NEED IS ARCHITECTURE

Design aims: Break up the canyon structure. Create a space where cars and traffic noise are subtracted and a human environment is added. Design of surroundings that will stimulate the development of social activities Method/Intervention: A part of a building and a gas station will be removed to make room for a new plaza. Car traffic around the new plaza will be minimized. Use trees for scale transition between the high buildings and the people on the ground. Use historical water references to define the space. Water filter refers to former needs. Air filter refers to modern needs

Water has played a major part in the cityâ&#x20AC;&#x2122;s history and development.

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sign. Block logic. Demand supremacy. Release control. Trust in revo

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The water filters will once again be a catalyst for life in the Metropolezone.

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olutions. Get desperate. Kill your supremacy. Work with your irony.

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Possible identity can be art and craft, entertainment and amusement.

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Strengthen your relentless. Improve your efforts. Dream about arch

The traffic is taken down under and the streets are transformed to a green area with trees, parks and squares.

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hitecture. Run through your design. Built your story. Unleash your

Create a high-tech audiovisual room where people can not just see but also hear what is going on in different sites.

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potential. Overdo your renderings. Smash the image. Crash the idea

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Is this project entirely architectural? Just as you please!

The new idea will change the aspect about the public transport in the MZ. The aim is to create a MZ that offers a wider range of activities and it has been suggested that a visual coherence between the various cultural institutions as well. The barrel of the plan is a live audiovisual installation about the MZ - for the MZ. The cultural side of the area needs to be made visible and improve its colllaborative skills. The city spaces can be used more effectively and these spaces can be connected with the public transport also. In this way itâ&#x20AC;&#x2122;s a two-sided relationship between public transport and cultural velues. Public transport makes the cultural institutions more knowledgeable. Culture attract attention to the importance of the public transport.

a. Expect the unexpected. Find you way. Anticipate the flexible. Put

The line of the bridge forms the main interventionfor MPZ shaping foundations for new type of urbanism.

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your self out of the box. Ensure the story. Crash your box. Do not

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To add a fourth dimension to the art of paintwork.

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trust your move. Frame the surroundings. Redo your architecture.

ALL YOU NEED IS ARCHITECTURE

The focus is entirely on the overall structure- The Underlinement. It will always continue its path and it is only disconnected when there is an extrusion. The fragment of line is located near the lakes and therefore it has been influenced by a water concept. The fragment is an element resembling a large transparent wall. The wall is a structural installation and it consist of several elements. There is a water wall for kids and adults to enjoy.

Furthermore there is a large LED-screen. This screen is used to inform the users about The Metropol Zone and about what is going on at the moment in the zone. The screen can also be used for purpose of entertainment e.g. to project movies during Open Air Film Festival or to be a part of an art installation. There are many possibilities and the design of the site is very open to interpretations and is very flexible for further design development.

It is not a city wall, it is a city underlinement.

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Again. Who is your City? What is your system? When is your time? W

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The process of making something out of nothing.

ALL YOU NEED IS ARCHITECTURE

We believe in architecture. We love modernism. We like the modern

ALL YOU NEED IS ARCHITECTURE

Structure

Movement

Functions

The forest belts provides a clear design principle and a strong super structure for a masterplan of the Metropol Zone. The movement in the city park is the next level of planning and designing.The movement are differentiated by use, speed and function. The functions are the top level of planning and designing the city park. This is best done by involving the city users.

The city park provides an exciting mixture of countryside, spacious grassland and urban elements.

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project. We believe in infrastructure. We trust our intuitions. We ar

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Volumes versus void.

ALL YOU NEED IS ARCHITECTURE

re young. We dance. We party. We question. We built on history. We

It is a cosmopolitan place and a inconrovertible meeting point which is currently only used for transport.

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approach the urban. We step back to go forward. We question. We

In which direction we want to go?

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No sidewalk to give more freedom to pedestrian flow The wood path more accessible to the sides. Terrace shelters located inside of the street Trees associated with water ponds to create dynamic and diversity

e focus on the metropolitan. Our concept may appear banal. Our

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Where should I lead the decreased traffic.

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form is counterproductive. It goes anywhere by going nowhere. Itâ&#x20AC;&#x2122;s a

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At night itâ&#x20AC;&#x2122;s still safe and decorative.

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a study to break the box. To cancel aspirations. To step up by hitting

ALL YOU NEED IS ARCHITECTURE

In the first scene the actor directly effectsthe background by his actions.

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hard on design. To motivate. Work through a destruction of images

Sing a song. You are being filmed here.

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Staying cubic and inspiered by spotlights are the cubes fexible placed around the Dantes Plads. They give the plaza a higher importance and a modern look. As the green cubes are used as greenhouses and for events they also have a catwalk integrated with a view into tivoli. The yellow cubes are used as office buildings and they give spotlight impression to the happening on the dantes plads. The plaza itself is an public space with â&#x20AC;&#x153;stagesâ&#x20AC;? for different urban activities and reflects the cubes on the top of the buildings by picking up color or material. The Dantes Plads is an urban public space for people to look and to be looked at!

s. To raise by blocking innovations. To rule out the idea of normal:

ALL YOU NEED IS ARCHITECTURE

The object of the final draft is still to counter the symmetrical force of the Glyptotek and restore the historical axis leading to Christiansborg. The axis ends in a void of traffic leading to nowhere.

Instead of using physical objects to restore the axis mirrors are placed so the Glyptok closes around itself and the historical axis continues infinitely.

You blink your eyes and the moment is gone.

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Glyptoteket

People Flow is via the bike lane in both directions and along the historical axis. A series of points within each flow directs the eye sight with the use of mirrords towards centers of attention. towards Christiansborg

Eat your context. Swallow your history. Dump your pride. Believe in

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Frame makes you aware of places of importance.

ALL YOU NEED IS ARCHITECTURE

Dantes Plades is the symbol of arrogance in the planning of Copenhagen and the Metropolitan Zone. The historical axis is abruptly ended when the Glyptotek was build. All streets were bend and shaped to form symmetry around the new building. The new design of Dantes Plads reinstates the historical axis and absorbs the symmetry of the Glyptotek. An arch relates to the Glytotek and frames this otherwise beautiful building on one side. On the other side it opens up to historical axis and faces Christiansborg.

n the banal. Work towards the less obvious. Attack the obvious. Win

ALL YOU NEED IS ARCHITECTURE

A way towards curiosity.

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the battle. Lose your temper. Cry your desire. Crash your models. D

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Copenhagen as a metropole.

ALL YOU NEED IS ARCHITECTURE

The new Vesterbrogade is for pedestrians and cyclists only. The road shall be accessible in the entire floor level relating to outlook and general view as well as freedom of movement. It shall be possible to float somewhat from one side of the road to the other in a simpel and easy way. Therefore you will find paths crossing inbetween the buildings and it is possible to walk through the new buildings lower floors from one side to the other. It is important with dynamics in the street and that is what the new building is essential in creating

Depart from your rationality. Stick to your path. Follow it up by go-

ALL YOU NEED IS ARCHITECTURE

In what music video am I in?

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ing down. Donâ&#x20AC;&#x2122;t be afraid. Greet the less. Love the more. Shock th

Visual connection between the city and its people.

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Giving the area unique visual quality. Lights on the ground- in daytime there are shown advertisments. In the evenings they are touch screens- change their colour when stepping on them. The more people there is, the more intensive the lightning gets. The lights are sometimes rising higher as they are benches. They react with a light change when people sit on them. Post lights- serve as pedestrian lights but they have speakers and screens in the front. On the screens the lights are changing acording to the music so the lightposts interact together. When there are concerts, the music comes from the speakers. During the day post lights are solar panels- they collect the energy to light the area. Rhythm is made by organized lights- the ground lights position is like an equalizer that reacts to humans impulse. The positioning of the posts is making another rhythm movement. Music is coming from the speakers inside the posts after working hours til midnight. The music â&#x20AC;&#x153;therapyâ&#x20AC;? makes this business and rushing area more relaxed and calm.

he rest. Seize the unworthy for presentation. Impress the depressed.

ALL YOU NEED IS ARCHITECTURE

when it comes to 90°, it’s simply an angle. for sure, but it’s functional, and that’s positive. by thinking function, architects don’t have to question design according to the esthetics. “form follows function” was the early modernists motto. the scary part of this is the repetitive pattern that somehow became part of the outcome. concrte slabs, steel frames and reinforced concrete sounds pretty le corbusier. this is a concept that ables us to build hundreds of meters vertically, creating luxury, futurism and a feeling of surrealism. at the same time we can apply le corbusiers concept when buildig rapid and cheap. in these cases we tend to lack individual design, and repetition is the outcome.

The skyline is just a shilouette but the layers are not visible in front of it.

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Forget what you have learned. Or believe narrow stuff, your stuff, y

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The space is limited.

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your way. Work, improve, work, work more. Love your architecture.

ALL YOU NEED IS ARCHITECTURE

Will have a strong significant influence on the form, structure and use of the city.

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Get ready to get killed. Stand up on critique. Shoot after being sh

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One sharp cut through all Metropolzone.

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hot at. Donâ&#x20AC;&#x2122;t shoot back. Reevaluate efforts. Change design. Block

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But But But So So So.

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logic. Demand supremacy. Release control. Trust in revolutions. Kil

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Moreover, some architectural masses would be welcome.

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ll your supremacy. Work with your irony. Strengthen your relentless.

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ALL YOU NEED IS ARCHITECTURE

Contributors Britta Magdalena Ágústdóttir (ENEE MENEE MINEE MOE) Maiken Zippora Leth Andersen (A WAKE UP CALL) Joram de Vries (ADD SOME BINDING AGENT TO MAKE DELICIOUS CAKE) Cody Erhart (IT CAME FROM THE DEEP!) Jürgen Furchtlehner (BIKING THE METROPOL ZONE) Halldór Birgir Halldórsson (A CORPORATE WASTELAND) Ragnheidur Karadottir (COPENHAGEN - DOWN UNDER) Henriette Kia Syrak Lund (THE WAY TO CURIOSITY) Veronika Mungenast (YOUR LIFE, YOUR STAGE, YOUR CITY) Reka Nemeth (WHERE DOES THIS LEAD?) June Paaskesen (CITY UNDERLINEMENT) Janka Emese Paulovics (DIVERSITY IN CPH - A PLACE WHERE YOU CAN TRAVEL WITHOUT MOVING) Maj Pedersen (GO BIG ON GREEN) Johanna Lovisa Rustad (90 DEGREES) Mikkel Stolz (PEOPLE FLOW - PEEP SHOW) Anders Terp (A PLACE TO BE) Marie Thomas (TO WHICH DIRECTION?) Häli-Ann Tooms (GET THE RHYTHM!) Thibaud Vermillard (LET’S GO TO) Katarzyna Wieszczeczynska (CPH - GIVE IT A VISUAL CONNECTION)

DYNAMICS

Mads Farsø is a Danish landscape architect, PhD fellow and teacher at University of Copenhagen. Clément Blanchet is a French architect, Associate of the Office for Metropolitan Architecture and teacher at University of Copenhagen. Anders Terp and Mikkel Stolz are Danish landscape architects graduated from University of Copenhagen and work, respectively, on Iceland and in Copenhagen. Hungarian Janka Emese Paulovics and Estonian Häli-Ann Tooms study at University of Copenhagen’s graduate landscape architecture program.

We believe in architecture. We love modernism. We like the modern project. We do infrastructure. We trust our intuitions. Believe in the banal. Work towards the less obvious. Attack the obvious. Win the battle. Lose your temper. Cry your desire. Crash your models. Depart from your rationality. Stick to your path. Follow it up by going down. Donâ&#x20AC;&#x2122;t be afraid. Greet the less. Love the more. Shock the rest. Seize the unworthy for presentation. Impress the depressed. Forget what you have learned. We are young. We party. We dance. We do it.