L ANDSC APE ATELIER 2 A
FALLOWFIELD LOOP
JAMES STEPHENSON | CHARLIE GRIFFIN
U
JAMES.STEPHENSON2@STU.MMU.AC.UK
S
CHARLES.GRIFFIN@STU.MMU.AC.UK
E
M L A 2 - M A N CH E S T ER M E T R O P O L I TA N U N I V ER S I T Y
FALLOWFIELD LOOP
CONTENTS & SECTIONS
CONTENTS INTRODUCTION SECTION 01
ECOLOGICAL PHILOSOPHY SECTION 02
PRECEDENT SECTION 03
TRANSECTS SECTION 04
S I T E A N A LY S I S SECTION 05
DESIGN
SECTION 06
JAMES STEPHENSON | CHARLIE GRIFFIN
01 | INTRODUCTION |
CONTE X TUALISING THE FALLOWFIELD LOOP
“THE REWORKING OF MODERN NATURE IS A COLLEC TIVE PROJEC T THAT APPLIES THE HUMAN IMAGINATION TO THE TR ANSFORMATION OF URBAN SPACE AND AFFIRMS THE INTERDEPENDENCIES THAT SUSTAIN A F LO U R I S H I N G C I V I C R E A L M .“ M AT T H E W G A N DY, F R O M CO N C R E T E A N D C L AY, 2 0 0 2
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
INTRODUCTION LOC ATION
GRE ATER MANCHESTER WITHIN UK
CITY OF MANCHESTER Manchester experiences a temperate oceanic climate like much of the British Isles, with warm summers and cool winters.
Greater Manchester is a metropolitan county in North West England, with a population of 2.8 million. Landlocked and spanning 493 square miles, the Pennines rise to the north and east of the county with the West Pennine Moors in the northwest, the South Pennines in the northeast and the Peak District in the east.
GRE ATER MANCHESTER
The city‘s average annual rainfall is 806.6 millimetres compared to a UK average of 1,125.0 millimetres and its mean rain days are 140.4 per annum compared to the UK average of 154.4. (source: UK 1971–2000 averages“. Met Office. 2001)
(source: wikipedia)
FALLOWFIELD LOOP The Floop extends from Chorlton in the West to Gorton in the East. GORTON C H O R LT O N
JAMES STEPHENSON | CHARLIE GRIFFIN
LEVENSHULME
FALLOWFIELD LOOP
INTRODUCTION ETYMOLOGY
FALLOWFIELD NAME DERIVING FROM LINES PRE-R AILWAY USE A S FARML AND 1840‘S
FALLOW
Before the line was constructed in 1890‘s we can see the extent of farmland surrounding several Lodge‘s and Villas with large grounds. Also note the existing train line running North South into Manchester.
Fallow is a farming technique in which arable land is left without sowing for one or more vegetative cycles.
1890‘S
The goal of fallowing is to allow the land to recover and store organic matter while retaining moisture and disrupting the lifecycles of pathogens by temporarily removing their hosts. Credit: Digimaps
Right: Fallow land or Fallow ‘field‘
The new Fallowfield line runs east to west straight through farmland, estates, private grounds and under Stockport Road running south from Levenshulme - the beginnings of the modern day A6.
(source: Fallow - Wikipedia - https:// en.wikipedia.org/wiki/Fallow)
FALLOWFIELD LINE
STOCKPORT ROAD (A6)
Credit: Digimaps
JAMES STEPHENSON | CHARLIE GRIFFIN
Credit: Nigel Chadwick - Fallow field by Coldharbour Lane
FALLOWFIELD LOOP
INTRODUCTION HISTORICAL TIMELINE
OPEN TO PASSENGERS
LIGHT RAIL DEMO
LINE CLOSED
FALLOWFIELD LOOP OPENS
The Fallowfield Loop Line was fully opened to passengers in 1892. Running between Sheffield and Manchester Central Station.
line was finally closed and the railway tracks were lifted in October 1988.
(source: About | Friends of the Fallowfield Loop - https://
Short section of track at the former site of Hyde Road station was briefly used to give a public demonstration of the proposed Manchester Metrolink tram system.
fallowfieldloop.org/about)
(source: Fallowfield Loop - Wikipedia - https://
(source: Fallowfield Loop - Wikipedia - https:// en.wikipedia.org/wiki/Fallowfield_Loop.)
The Fallowfield Loop cycle route, run by Sustrans forms part of Routes 6 and 60 of the National Cycle Network. (source: About | Friends of the Fallowfield Loop)
en.wikipedia.org/wiki/Fallowfield_Loop.)
Credit: Friends of the Fallowfield Loop Credit: Friends of the Fallowfield Loop
PURCHASED BY SUSTRANS
Credit: Friends of the Fallowfield Loop
F R E I G H T O N LY
Credit: Fallowfield Loop - Wikipedia
Line purchased using National Lottery funding. The old trackbed begins conversion into a public rail trail cycle track.
The stations at Hyde Road, Levenshulme South, Fallowfield and Wilbraham Road were closed
(source: About | Friends of the Fallowfield
(source: About | Friends of the Fallowfield Loop -
Loop)
https://fallowfieldloop.org/about)
1892
1969
JAMES STEPHENSON | CHARLIE GRIFFIN
1987 1988
2001
2003
NOW
FALLOWFIELD LOOP
INTRODUCTION LOC ATION
FALLOWFIELD LOOP AK A . FLOOP GORTON
THE FALLOWFIELD LOOP At 8 miles long the Fallowfield Loop is thought to be the longest urban cycleway in Britain. Our project centres around the eastern half of the Fallowfield Foop (shown on the adjacent map) that runs from Fallowfield in the West to Gorton in the East. (source: https://fallowfieldloop. org/)
LEVENSHULME
HIGHFIELD COUNTRY PARK
FALLOWFIELD
ST OC KP OR T RO AD A6
JAMES STEPHENSON | CHARLIE GRIFFIN
02 | ECOLOGICAL PHILOSOPHY |
F R A M I N G N AT U R E TO R A I S E AWA R E N E S S O F ECO LO G I C A L VA LU E
“ O R D E R LY F R A M E S A R E N O T A ME ANS OF DOMINATING ECOLOGIC AL PHENOMENA FOR THE SAKE OF H U M A N P L E A S U R E . O R D E R LY F R A M E S CAN BE USED TO CONSTRUCT A W I D E LY R E C O G N I Z A B L E C U LT U R A L FRAMEWORK FOR ECOLOGICAL QUALITY“ JOAN IVERSON NASSAUER, FROM MESSY ECOSYSTEMS, O R D E R LY F R A M E S , 1 9 9 5 Photo credit: Markus Staven, Wikimedia Commons - Flaschenhalspark, Berlin
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
ECOLOGICAL PHILOSOPHY M E S S Y E CO S Y S T E M S , O R D E R LY F R A M E S
P E R C E I V E D L A N DS C A P E C A R E (R E L E VA N T TO F LO O P); R E- O R D E R I N G T H E E S TA B L I S H E D V O C A B U L A R Y O F ECO LO G Y T O P R O V I D E N E W D E F I N I T I O N S O F AT T R A C T I V E N E S S I N T H E E N V I R O N M E N T. NE ATNESS
STEWARDSHIP
NATUR ALNESS
AT T R AC T I V E
U N AT T R AC T I V E
AT T R AC T I V E
U N AT T R AC T I V E
AT T R AC T I V E
U N AT T R AC T I V E
Fences Flowers Or Shrubs Landscaped Architectural Details Trees In A Row
Dead or Rotten No Flowers No Shade Not Landscaped Not Mown
Conservation Clean Looking Water No Erosion
No Conservation Practice Slimy Looking Water Obvious Erosion
Development Blends In Habitat Native Vegetation Natural Trees Wildlife
Too Formal Too Much Concrete Too Open Bare Flat No Trees
Large Space
Cluttered Construction Work Rubbish Messy
Clean Neat No Rubbish Cared For Maintained Well Kept
Abandoned Neglected Weedy
Mown New No Weeds (source: Nassauer, J, I. Messy Ecosystems, Orderly Frames)
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
ECOLOGICAL PHILOSOPHY M E S S Y E CO S Y S T E M S , O R D E R LY F R A M E S
PERCEIVED L ANDSCAPE CARE FLOOP EX AMPLES 01
02
Neatness: Unattractive Stewardship: Unattractive Naturalness: Attractive
Neatness: Unattractive Stewardship: Unattractive Naturalness: Attractive
03
04
Neatness: Attractive Stewardship: Attractive Naturalness: Unttractive
Neatness: Attractive Stewardship: Attractive Naturalness: Unttractive
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
ECOLOGICAL PHILOSOPHY M E S S Y E CO S Y S T E M S , O R D E R LY F R A M E S
CUES TO CARE MOWING
FLOWERING PLANTS AND TREES
STRATEGY Mowing a strip along human paths (streets, walkways) frames patches of greater biodiversity with clear signs of human intention.
STRATEGY Wetland and grassland plants with small flowers misunderstood for weeds. Compared with shrubs or grasses, people are more likely to immediately appreciate trees, especially those they themselves can maintain in some way.
(source: Nassauer, J, I. Messy Ecosystems, Orderly Frames)
PRECEDENT Right: In Trois-Rivieres, Canada, at an experimental site comparing the ecological effects of intense mowing (R) with low impact mowing (L).
(source: Nassauer, J, I. Messy Ecosystems, Orderly Frames)
Watson, C. J., Carignan Guillemette, L.,
PRECEDENT Right Upper: Bush Vetch - Pea family. Attracts bumblebees and Honeybees. Source fo food for weevils, beetles and caterpillars.
Turcotte, C., Maire, V. and Proulx, R. (2020) ‘Ecological and economic benefits of low intensity urban lawn management.’ Ming Lee, T. (ed.) Journal of Applied Ecology. Blackwell Publishing Ltd, 57(2) pp. 436–446.
Credit: Dr Chris Watson
Right Lower: Community orchard on the Floop.
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
ECOLOGICAL PHILOSOPHY M E S S Y E CO S Y S T E M S , O R D E R LY F R A M E S
CUES TO CARE WILDLIFE FEEDERS AND HOUSES
BOLD PAT TERNS STRATEGY Bold, clearly-visible patterns of landscaping such as terracing are vivid cues to care. These patterns indicate human intention by their crisp edges and landscape scale.
STRATEGY People may not be able to identify the necessary habitat for the birds they enjoy, and they may not find the “brushy“ quality of the habitat attractive. However they associate bird houses and feeders with the birds they enjoy. The feeders and houses are structural cues to care for wildlife and habitat.
(source: Nassauer, J, I. Messy Ecosystems, Orderly Frames)
PRECEDENT Right: For this wildlife hotel, the designers used a design strategy called ‘bionics’ or ‘biomimicry’.
PRECEDENT Right: Sand Martin Wall - Sand was placed between the walls, which are approximately two meters apart. The coarse compacted sand was covered with soil and vegetation. The insects attracted to the flowers and plants are now a food source for the sand martins.
(Simon Swietochowski and Mick Brundle ,
(Scottish Wildlife Trust, Montrose Basin
ARUP Associates)
Local Nature Reserve)
(source: Nassauer, J, I. Messy Ecosystems, Orderly Frames)
Credit: Simon Swietochowski and Mick Brundle
Credit: Scottish Wildlife Trust
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
ECOLOGICAL PHILOSOPHY M E S S Y E CO S Y S T E M S , O R D E R LY F R A M E S
CUES TO CARE TRIMMED SHRUBS AND LINEAR PLANTING
FENCES AND ARCHITECTURAL DETAILS
STRATEGY At a smaller scale, obvious trimming and pruning of shrubs and linear planting clearly indicate human presence and the intention to care for a landscape. (source: Nassauer, J, I. Messy Ecosystems,
STRATEGY Where a fence or nearby building is well-maintained, or especially freshly painted, we have an indication of human attention to a place, the landscape nearby is more likely to appear to be well cared for.
Orderly Frames)
(source: Nassauer, J, I. Messy Ecosystems, Orderly Frames)
PRECEDENT Right Upper: Willows planted in linear row alongside the Floop at its Westernmost end. Ideal candidates for coppicing. Right Lower: Pruned branches formed into linear barrier between trees alongside the Floop. Deliberate habitat creation. Orderly presentation implies care.
PRECEDENT Right: Crinkle Crankle walls at West Horsley Place, Surrey. Provide microclimates and hiding places for more variety of plants and animals. Use less bricks than a straight brick wall due to structural integrity of curve, requires only a single thickness wall rather than double for straight walls.. (West Horsley Place Trust (n.d.). [Online] [Accessed on 11th November 2020] https:// www.westhorsleyplace.org)
JAMES STEPHENSON | CHARLIE GRIFFIN
Credit: West Horsley Place Trust
FALLOWFIELD LOOP
ECOLOGICAL PHILOSOPHY NATUR A URBANA
N AT U R A U R B A N A P R E S E N T S A N ECO LO G I C A L A N A LY S I S O F T H E W I L D S PA C E S O F B E R L I N . G A N DY I N V E S T I G AT E S T H E H I S TO R Y O F T H E B R A C H E N , A N D H O W T H E S E S I T E S A R E R E S H A P I N G T H E U R B A N E X P E R I E N C E O F N AT U R E . NATUR A URBANA THE BRACHEN OF BERLIN, A FILM BY MAT THEW G ANDY Matthew Gandy: What is the word for Brache in English? Wasteland perhaps? Hans Zicshler: No. No. Not wasteland . The German word brache has an agricultural connotation. It refers to untilled soil, a field that‘s left fallow.
“ I HAVE ALWAYS BEEN FA SCINATED BY THE BR ACHEN OF BERLIN AS SPACES OF SPONTANEOUS NATURE . E VERY SITE IS UNIQUE - A MARVEL OF NON D E S I G N .“
M AT T H E W G A N DY N AT U R A U R B A N A , 2 017
(source: Matthew Gandy interviewing Hans Zischler for Natura Urbana, 2017)
Credit: https://urbaneye.ro/en/films/natura-urbana-the-brachen-of-berlin/
JAMES STEPHENSON | CHARLIE GRIFFIN
RESEARCH QUESTIONS |
HOW CAN WE INCREASE THE ECOLOGICAL VALUE OF THE FLOOP? HOW CAN WE USE ECOLOGICAL TOOLS TO CHANGE HUMAN AT TITUDES TOWARDS URBAN NATURE?
JAMES STEPHENSON | CHARLIE GRIFFIN
03 | PRECEDENT |
E N A B L I N G N AT U R E T H R O U G H C R E AT I V E T H I N K I N G A N D D E S I G N
“ M A N I S T H AT U N I Q U E LY CO N S C I O U S CRE ATURE WHO C AN PERCEIVE AND EXPRESS. HE MUST BECOME THE STEWARD OF THE BIOSPHERE. TO DO T H I S H E M US T D E S I G N W I T H N AT U R E .“ IAN MCHARG, DESIGN WITH NATURE, 1967
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
PRECEDENT SECTIONS
PRECEDENT SECTIONS PRECEDENT IN ART PRECEDENT IN PSYCHOLOGY PRECEDENT IN PLACE
Credit: Eryn O’Neill - Work - https://www.eofineart.com/#/pastwork)
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
PRECEDENT IN ART
A G N E S D E N E S - TA K I N G O W N E R S H I P O F A N A R E A O F L A N D T H AT I S ‘ U N US E D ‘ A N D C R E AT I N G U P O N I T WHE ATFIELD - A CONFRONTATION: BAT TERY PARK LANDFILL, DOWNTOWN MANHAT TAN Planting and harvesting a field of wheat on land worth $4.5 billion created a powerful paradox. It called attention to our misplaced priorities. Two hundred truckloads of dirt were brought in and 285 furrows were dug by hand. For four months the field was cleared of wheat smut, weeded, fertilized and sprayed against mildew fungus, and an irrigation system set up. Yielded over 1000 pounds of golden wheat. (source: Agnes Denes http://www. agnesdenesstudio.com/works7.html.)
Credit: Agnes Denes http://www.agnesdenesstudio.com/works7.html.
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
PRECEDENT IN ART
J O S E P H B E U Y S - I G N O R I N G P E R M I S S I O N S A N D C R E AT I N G P U B L I C PA R T I C I PAT I O N A N D O W N E R S H I P O F S PA C E S 7000 EICHEN (7000 OAKS) KASSEL, GERMANY In March 1982, 7000 basalt rocks appeared on the lawn of the Fridericianum, the oldest public museum in Kassel, Germany. Beuys announced that a basalt rock from the huge pile could only be removed from the lawn if it were to be accompanied by the planting of a new oak tree in the city. There were 7000 basalt rocks on the lawn of the Fridericianum. Beuys’ idea of ‘social sculpture’ was that the whole of society should be regarded as art; that art has the potential to bring about revolutionary change; and that everyone can contribute creatively to it (source: Joseph Beuys: The Art of Arboriculture - AWA Trees - https://www. awatrees.com/2019/12/06/joseph-beuysthe-art-of-arboriculture)
Credit: Joseph Beuys: The Art of Arboriculture - AWA Trees
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
PRECEDENT SECTIONS
PRECEDENT SECTIONS PRECEDENT IN ART PRECEDENT IN PSYCHOLOGY PRECEDENT IN PLACE
Credit: Humanscape: Environments for People: Amazon.co.uk: Kaplan, Stephen, Kaplan, Rachael
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
PRECEDENT
THE E XPERIENCE OF NATURE - R ACHEL & STEPHEN K APL AN
AT T E N T I O N R E S T O R AT I O N T H E O R Y, O R A . R .T, P R O P O S E S T H AT E X P O S U R E T O N AT U R E I S N O T O N LY E N J O YA B L E B U T C A N A L S O H E L P US I M P R O V E O U R F O C US A N D A B I L I T Y TO CO N C E N T R AT E A . R .T: 4 K E Y C O M P O N E N T S
01 | BEING AWAY
02 | FA SCINATION
Being separate and apart from your usual thoughts and concerns. People don‘t have to be physically away to satisfy this component, but it helps.
Where your attention is held without any effort expended. Restorative environments hold your attention without you having to focus or direct it a certain way.
(source: Kaplan, S. (1995) ‘The restorative benefits of nature: Toward an integrative framework.’ Journal of Environmental
(source: Kaplan, S. (1995) ‘The restorative benefits of nature: Toward an integrative framework.’ Journal of Environmental
Psychology, 15(3) pp. 169–182.
Psychology, 15(3) pp. 169–182.
Above: The Secret Lake, geographically close to residential and industrial areas but a world away in terms of mindset and space to think and observe.
Above: Honeysuckle tunnel connecting Floop to Secret Lake. The path and arches draw you down the path into the unseen and unknown, causing a fascinated state of attention.
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
PRECEDENT
THE E XPERIENCE OF NATURE - R ACHEL & STEPHEN K APL AN
A . R .T: 4 K E Y C O M P O N E N T S C O N T.
Credit: The Wild Deck Company
03 | EXTENT
0 4 | COMPATIBILIT Y
An environment must be at least somewhat familiar and coherent in order for it to be restorative. Familiar only in that it is similar enough to places you have been that you are not feeling uncomfortable, confused, or out-of-place.
To be restorative, an environment must be one in which the individual chooses to be out of intrinsic motivation and personal preference. Compatibility is higher when you are engaging in an activity that is familiar to you.
(source: Kaplan, S. (1995) ‘The restorative benefits of nature: Toward an integrative framework.’ Journal of Environmental
(source: Kaplan, S. (1995) ‘The restorative benefits of nature: Toward an integrative framework.’ Journal of Environmental
Psychology, 15(3) pp. 169–182.
Psychology, 15(3) pp. 169–182.
Above: In a similar way to Messy Ecosystems, Orderly Frames, the wildness or inhospitable nature of our sites must be balanced and/or framed by the known or hospitable for human benefit.
Above: Oak boardwalk at Morden Hall Park (National Trust). Provide a familiar and easily understood path through an otherwise inhospitable landscape. Allows for far easier appreciation of surroundings. (picture credit: The Wild Deck Company https://www.thewilddeckcompany.co.uk/product-portfolio/boardwalks/morden-hallpark)
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
PRECEDENT SECTIONS
PRECEDENT SECTIONS PRECEDENT IN ART PRECEDENT IN PSYCHOLOGY PRECEDENT IN PLACE
Credit: Schöneberger Südgelände Park by Odious « Landscape Architecture Platform | Landezine - http://landezine.com/index.php/2013/02/schoneberger-sudgelande-park-by-odious/.
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
PRECEDENT
HINEWAI RESERVE - BANKS PENINSULA, NZ
E F F EC T I V E , N AT U R A L M E T H O D TO T U R N S C R U B I N TO W O O D L A N D. M A I N TA I N S H A B I TAT F O R D I V E R S E ECO LO G Y. GORSE SCRUB SAPLING NURSERY Left undisturbed, Gorse grows vigorously for a few years. Growth then slows, and the canopy opens up. Gorse needs full light to grow well, it cannot regenerate significantly under shade. Shade-tolerant native species can do so easily, however, as long as they are not browsed off by animals. Birds and wind spread native seed abundantly into stands of Gorse. Native saplings grow up through the aging gorse, overtop it, and smother it. (source: Wilson, H. D. (1994) ‘Regeneration of native forest on Hinewai Reserve.’ New Zealand Journal of Botany, 32(3) pp. 373–383.)
Right: Gorse scrub in Hinewai Reserve with large shrubs and native trees beginning to grow through it. Right Lower: Gorse found in Chorlton Water Park, very close to the western end of the Floop. Credit: Michal Klajban: Hinewai Reserve - gorse, Banks Peninsula, New Zealand - Wikimedia Commons
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
PRECEDENT IN PLACE
BEE LINE & INSECT HOTEL BEE LINE ROTTERDAM INSECT HOTELS
The project consists of regularly spaced insect hotels in a continuous green structure. Even more important than the hotels is the new management of the roadsides and riverbanks.
LOCAL SCHOOLS BUY IN
Wild flowers and plants were sown in the roadsides, and the cutting policy has been adjusted. A mix of species was chosen, so that they are in bloom at different times of the year. Of course, many other species of insects, and thus also insectivorous birds and small mammals, can benefit from the beeline as well.
REGULAR SPACING
Schools along the route contribute to its maintenance, and panels along it inform people about the insects, plants and animals.
FLOWER SEED MIX
(source: 3.5 Beeline, Rotterdam - https://www. naturalcity.nl/2016/02/18/bijenlint)
Credit: naturalcity.nl
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
PRECEDENT IN PLACE
B AT H OT E L TEESINKBOS, THE NETHERLANDS
INTERIOR PROVIDES HANGING POINTS
Client(s): Rijkswaterstaat, Landschap Overijssel Partner(s): NatuurInclusief, Bouwbedrijf W. Nijhuis BAT ENTRY
A drain in the ground makes sure that the tower has a constant humidity. The rough brick facade gives grip to bats during their approach. Open butt joints lead to a narrow cavity. All of this has the exact size for bats to keep warm, but so narrow that it cannot be entered by local small mammals.
ROOF TO KEEP LIGHT OUT MAIN STRUCTURE
(source: Bat House Teesinkbos – Bright https://bright.coop/teesinkbos)
DAMP COURSE/ ELE VATION FOR SAFETY WATER SOURCE
Credit: Bright Coop
JAMES STEPHENSON | CHARLIE GRIFFIN
INTERIOR DRAIN TO INCREASE HUMIDITY
FALLOWFIELD LOOP
PRECEDENT IN PLACE
MOSAIC MOWING ROTTERDAM, THE NETHERLANDS MOW DIRECTION
This type of mowing is used in Rotterdam for areas with nutrient-rich soil. The vegetation is never completely mowed in one go and one part is always left untouched during the winter. This is beneficial for insects, which use the vegetation throughout the year in all their life stages (egg, larva, pupa and imago).
MOW DIRECTION
By removing the cuttings, the soil is prevented from becoming too rich in nutrients. Many grasses and herbs completed their entire flowering cycle, thus increasing the wealth of insects, especially butterflies. (source: 5.1 Mosaic mowing Rotterdam -
MOW DIRECTION
MOW DIRECTION
MOW 01
MOW 02
MOW DIRECTION
https://www.naturalcity.nl/2017/05/20/5-1mosaic-mowing-rotterdam)
Credit: naturalcity.nl
JAMES STEPHENSON | CHARLIE GRIFFIN
MOW 03
FALLOWFIELD LOOP
PRECEDENT IN PLACE
R AISED WALK WAYS HELSINKI, FINLAND | 2018
BARRIER FOR WILDLIFE
Top: Lammassaari Boardwalk by Nomaji. (source: Lammassaari Boardwalk by Nomaji « Landscape Architecture Platform | Landezine - http://landezine.com/index.php/2019/02/ lammassaari-boardwalk-by-nomaji)
BERLIN, GERMANY | 2009 Bottom Left: Schöneberger Südgelände Park by Group Odious.
E XISTING PATH INFRASTRUCTURE
(source: Schöneberger Südgelände Park by Odious « Landscape Architecture Platform | Landezine - http://landezine.com/index. php/2013/02/schoneberger-sudgelande-
WILDLIFE CAN EXIST UNDER PATH
park-by-odious)
STOCKHOLM, SWEDEN | 2014 Bottom Right: Strandskogen Arninge Ullna by Topia landskapsarkitekter. (source: Strandskogen Arninge Ullna by Topia « Landscape Architecture Platform | Landezine - http://landezine.com/index. php/2018/05/strandskogen-arninge-ullna-by-
R AISED WALKWAYS
topia) Credit: Landezine
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
PRECEDENT IN PLACE
SKY HIVE SKY HIVE PROTOTYPE, M A A S T R I C H T, THE NETHERLANDS The Sky Hive is a pole with two beehives on it, which can be lifted up and down. When the hives are down, the beekeepers can take care of the bees. When the bees are back up on the pole, they are safe from vandalism and the public is protected from being stung.
BEES POLLINATE 3KM RADIUS
By placing the Sky hive in a public place, beekeeping is made accessible to all. Everybody interested can attend the meetings, observe the work of the beekeepers or join in and take responsibility for the bees.
HEIGHT ENSURES FLOOP USER SAFETY
(source: Eu, W. B. - Lifting System Running On Solar Energy Keep Bees Public, But
FLOWER SEED MIX
Safe From Vandalism Bring Communities Together And Challenge New Beekeepers Sky Hive Beekeeping In Public Spaces By Bee Collective.)
Credit: Bee Collective
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
PRECEDENT IN PLACE
E C O D U C T/ W I L D L I F E C R O S S I N G MEEDENPAD, GRONINGEN, THE NETHERLANDS Consists of a 4-metre wide bicycle and pedestrian path separated from a 3.5-metre wide fauna passage by a hedge of apple roses. To provide shelter for mammals such as hedgehogs, deer, hares and foxes, a substrate for planting and stumps were placed in this part of the crossing.
WILDLIFE
An interactive panel and a webcam provide information about the animals that use the wildlife crossing. (source: 3.1 Bicycle Ecoduct Meedenpad
ROAD/ RAIL
- https://www.naturalcity.nl/2016/09/27/ ecoduct-groningen)
HUMAN Credit: naturalcity.nl
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
PRECEDENT IN PLACE
FAUNA TOWER BEDUM, THE NETHERLANDS Partner(s): Faunus Nature Creations, Bouwbedrijf W. Nijhuis
BIRD ENTRY
The towers create an oppurtunity for a nature nclusive city, where other species co-exist with humans. Wild residents such as common pipistrelles, house sparrows and starlings who are losing more and more of their habitat in modern cities can house here.
BIRD NESTING BOXES
AQUATIC BIRD NESTING SITES
A place of rest for humans becomes full of activity for other species, who hunt insects above the water and in the reed collars, breed and charge energy during the day for their night-time activity.
AQUATIC HABITAT
(source: Fauna towers – Bright - https://bright.
BAT ENTRY
coop/fauna-towers)
Credit: Bright Coop
JAMES STEPHENSON | CHARLIE GRIFFIN
BAT NES T/ HANG POINTS
FALLOWFIELD LOOP
PRECEDENT IN PLACE
BIRDLIFE ISL ANDS RUTL AND WATER, UK Sylvia Crowe‘s story: “There was a very nice sympathetic engineer who was working on the reservoir and he and I made great friends and if he saw a bulldozer lying idle, he‘d tell it to go and make some islands. And so it made an archipelago of islands up in the shallow end of the reservoir which were immediately taken over by birds and turned into nesting sites, and this has now become a European recognised site of special scientific interest. So it‘s really marvellous when you can find that what you‘re doing for quite other reasons in fact can also help conservation and wild life as well as the enjoyment of people.“
Credit: Anglian Water Birdwatching Centre - https://www.lrwt.org.uk/nature-reserves/anglian-water-birdwatching-centre
(source: Wood & Water | Sylvia Crowe | Pidgeon Digital - https://www-pidgeondigitalcom.mmu.idm.oclc.org/talks/wood-water/ chapters)
ISL ANDS FOR NESTING - AWAY F R O M P R E D AT O R S B U T E A S I LY VISIBLE Credit: Google Earth
JAMES STEPHENSON | CHARLIE GRIFFIN
04 | TRANSECTS |
D ECO N S T R U C T I N G T H E N AT U R E / U R B A N D I C H OTO M Y
“ I T I S P E R H A P S O N LY T H R O U G H A N E CO L O G I C A L LY E N R I C H E D P U B L I C RE ALM THAT NEW KINDS OF URBAN ENVIRONMENTAL DISCOURSE MAY EMERGE THAT C AN BEGIN TO LE AVE THE CONCEPTUAL LEXICON OF THE N I N E T E E N T H - C E N T U R Y C I T Y B E H I N D.“ M AT T H E W G A N DY, U R B A N N AT U R E A N D T H E ECO LO G I C A L IMAGINARY
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
HA BITATS RESISTANCE
DISTRIBUTION & T YPOLOGY OPEN WOODLAND Grassland surrounded by trees is a varied habitat for birds and small mammals.
STREAM Cringle Brook flowing east to west provides a habitat for aquatic animals and vegetation.
MEADOW Grasses and wildflowers. Excellent habitat for pollinators, seeds provide valuable food for birds and small mammals.
FRESHWATER LAKE The secret lake is a home for different species of fish, birds and amphibians.
WOODLAND POND Shady area of water, creates a habitat for invertebrates and mosses. FALLOWFIELD
LEVENSHULME JAMES STEPHENSON | CHARLIE GRIFFIN
HIGHFIELD COUNTRY PARK
GORTON
FALLOWFIELD LOOP
SPECIES - NATIVE RESISTANCE
DISTRIBUTION & T YPOLOGY BLACKBERRY Rubus fructicosus, provides a food source from the berries and cover from thorny branches.
SPEAR THISTLE Crisium vulare, flowers attract pollinators and seeds are a good source of food finches..
HAWTHORN Crataegus monogyna, also called quickthorn due to its growth rate. Valuable food source and cover.
SILV ER BIRCH Betula Pendula, unmistakeable silver bark. Second only to the oak in the number of species it supports.
SHAGGY INKCAP Coprinus comatus, fungi play an essential role in the breakdown of organic matter. FALLOWFIELD
LEVENSHULME JAMES STEPHENSON | CHARLIE GRIFFIN
HIGHFIELD COUNTRY PARK
GORTON
FALLOWFIELD LOOP
SPECIES - INVASIVE RESISTANCE
DISTRIBUTION & T YPOLOGY BAMBOO Pseudosasa japonica Escapee from neighbouring allotments bamboo spreads quickly through underground rhizomes
HIMAL AYAN BASALM Impatiens glandulifera Grows near rivers and streams, can produce 2,500 seeds per plant per year.
JAPANESE KNOTWEED Fallopia japonica Extremely fast growing, up to 20cm per day. Spreads through underground rhizomes
COTONEASTER cotoneaster horizontalis Another garden escapee. Spreads rapidly but does provide food for mammals and birds.
FALLOWFIELD
LEVENSHULME JAMES STEPHENSON | CHARLIE GRIFFIN
HIGHFIELD COUNTRY PARK
GORTON
FALLOWFIELD LOOP
ANTHROPOFLOOP RESISTANCE
DISTRIBUTION & T YPOLOGY STUDENTS The floop bisects Fallowfield, home to a large student population.
STREET ART Political messages in the form of street art line many of the walls and bridges along the floop.
HIDDEN RENDEZVOUS Secluded areas are used by some residents as secret gardens and meeting points.
INCREDIBLE EDIBLE The free food movement has a small allotment near Levenshulme.
ACTIVE TRAVEL Most users of the floop are taking advantage of the lack of motor traffic to exercise and ride bikes. FALLOWFIELD
LEVENSHULME JAMES STEPHENSON | CHARLIE GRIFFIN
HIGHFIELD COUNTRY PARK
GORTON
0 5 | S I T E A N A LY S I S |
IDENTIF YING SITES OF ECOLOGICAL VALUE ON THE FLOOP
“NATURE- INCLUSIVE DESIGN SHOULD P R I M A R I LY B E S E E N A S S TA R T I N G O R MAINTAINING AN ECOLOGIC AL PROCESS, OR CRE ATING THE RIGHT CONDITIONS F O R I T, A N D N O T A S T H E R E A L I Z AT I O N O F A G R E E N PAT T E R N O R I M A G E .“ V I N K ,VO LL A R D & D E Z W A R T E , M A K I N G U R B A N N AT U R E 2 017
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
S I T E A N A LY S I S GEOLOGY
KEY BEDROCK Collyhurst Sandstone Formation: Sandstone
SUPERFICIAL DEPOSITS Till, Devensian: Diamicton
ARTIFICIAL GROUND Worked, Made, Infilled
(source: DigiMaps)
Credit: Digimaps
SITE 01 T H E B AT C AV E
SITE 02 THE CROSSWAYS
JAMES STEPHENSON | CHARLIE GRIFFIN
SITE 03 THE MEADOW
SITE 05 THE SECRET L AKE
SITE 04 THE LOUGH
FALLOWFIELD LOOP
S I T E A N A LY S I S BIOTOPES
F L O O P S P E C I F I C B I O T Y P E I N F O R M A T I O N F R O M S I T E W A L K W I T H J A M E S R I C H A R D S O N , O F W A R D E L L- A R M S T R O N G BRACKEN Bracken is a large fern species. Its underground rhizome stretches out over a wide area. The large, triangular leaves rise individually from the rhizome. Their spores ripen in JulyAugust. Bracken thrives on the sites path sides and clear-cut areas. As a common species Bracken requires no conservation to secure its occurrence.
DENSE SCRUB A ‘successional habitat’, meaning that it is in transition between more open areas such as grassland and heathland and another (generally woodland). Found mainly as scattered hawthorn bushes or a dense thicket of nettles and bramble. Nationally, there are over 450 rare and threatened species of plant, insect and bird which are associated with this habitat.
IMPROVED GRASSLAND This habitat is made up mainly of perennial rye-grass Lolium perenne. The vegetation is botanically species-poor and of limited ecological interest. Regularly cut throughout the year to maintain neat aesthetic. Cuttings usually left in situe which break down and increase nutrient levels further reducing ecological diversity.
SEMI-IMPROVED GRASSLAND Not too nutrient rich, no one species dominating. On a poor topsoil. Not cut too often. Beneficial species found on site include: - Non native Evening Primrose from America. - Birds foot trefoil - food source for butterflies. Member of the pea family so fixes nitrogen into the soil. - Yorkshire Fog Grass.
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
S I T E A N A LY S I S BIOTOPES
HARD STANDING
POND
Seemingly treated with Glyphosate in some areas to prevent all unwanted plant growth. Devoid of use for wildlife but effective for human transportation. A hard barrier between biotopes on opposite sides of the hard standing.
Hosts creatures that are entirely aquatic or almost so (such as pond snails, water beetles and backswimmers), others that spend a large part of their life cycle in water (such as frogs, toad, newts, dragonflies and damselflies), and the pond also provides drinking, feeding and bathing opportunities for birds and small mammals. Blackbirds were seen bathing whilst we were at the site.
FRESHWATER LAKE
RUDERAL
The plants and animals in the lake are the planktonic algae and tiny crustaceans in the open water, the reeds and rushes of the margins, and the fish of the deeper water. The lake is affected by pollution and has less wildlife than it would naturally, but our lake should still have a good variety of submerged water plants if not too polluted.
Ruderal biotope is the first to colonize disturbed lands. The disturbance is a consequence of building the floop. The word ruderal comes from the Latin rudus, meaning “rubble“. Nettles often evidence of high nutrient levels found in ruderal floop sites. Sole food of several butterfly species - Small Tortoiseshell, Red Admiral and Peacock butterfly.
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
S I T E A N A LY S I S BIOTOPES
REED BED
TR ACK - NATUR AL SURFACE
Despite lack of floristic diversity, reedbeds support a wide range of wildlife, provided a variety of ages and structures are present. The reed beds on site have damp areas where the litter is not flooded . This supports the greatest number of invertebrate species. The drier areas above the water level may provide burrowing habitat for water voles and scrubby islands may be used by otters.
Desire paths created through almost all biotopes by humans or wildlife. Most desire paths creating a natural track surface on and around the floop are found in grassland and woodland areas. An excellent way for people to move through a space whilst maintaining its wildness and permeability to wild animals and flowers.
STREAM
WOODLAND
Important because it provides habitats for plants and animals that depend on running water including lampreys, native crayfish, the golden-ringed dragonfly and cool water stoneflies.
Support a huge range of wildlife. As somewhere to feed, shelter and breed, they are vitally important for connectivity and supporting species iaround the Floop. Abundance of Native Ivy growing up trees which flowers in autumn and fruits in spring, opposite most other plants so essential to floop wildlife.
Cringle brook has been completely overbuilt in areas so is hugely impacted in terms of ecological benefit.
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
S I T E A N A LY S I S ECOTONES
ECOTO N E S - T H E CO N S I D E R AT I O N O F H O W D I F F E R E N T B I OTO P E B O U N D A R I E S F U N C T I O N ECOTONES Schematic representation of different types of ecotones on a square surface. Yellow and green surfaces represent two different ecological habitats, eg scrub and woodland or grassland and hard standing. The area of each ecotope is similar in each case but the length of the ecotone between them varies greatly. Note the impact of the “pattern“ of each patch of “color“ on the “percolation capacities“ of certain species in the landscape (source: Ecotone - Wikipedia - https:// en.wikipedia.org/wiki/Ecotone#/media/ File:ÉcotoneLamiotCommons4.jpg.)
Credit: Google Earth
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
SELECTED SITES LOC ATION
GORTON
LEVENSHULME HIGHFIELD COUNTRY PARK
FALLOWFIELD
SITE 01 B AT C AV E
SITE 02 S TAT I O N F I E L DS
JAMES STEPHENSON | CHARLIE GRIFFIN
SITE 03 THE MEADOW
SITE 05 SECRET L AKE
SITE 04 WOODLAND POND
FALLOWFIELD LOOP
SITE 01 BAT C AVE
GORTON
LEVENSHULME HIGHFIELD COUNTRY PARK
FALLOWFIELD
SITE 01 B AT C AV E
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
SITE 01 BAT C AVE
1:1000 @ A3 Site 01 and surroundings in relation to the Fallowfield Loop approximatley 40m north.
THE FLOOP
ALLOTMENTS
KINGSWAY
SMALL BROOK
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
SITE 01 BAT C AVE
INITIAL IMPRESSIONS Experiential map drawn on site. Accentuates feeling of openness and closure and highlights notable unique features.
TO THE FLOOP
SCOTS PINE BAMBOO ROPESWING
DESIRE PATHS
N E W LY PLANTED TREES
SMALL BROOK
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
SITE 01 BAT C AVE
AT M O S P H E R E
01
02
03
04
05
06
01
US E R C R E AT E D D E S I R E PAT H S THROUGH TREES
02
INTRODUCED SCOTS PINE I N D I C AT I N G F E E L I N G O F OWNERSHIP AND CARE BY USERS OF SPACE
03
B A M B O O T H AT O R I G I N AT E D I N NE ARBY GARDENS OR ALLOTMENTS
04
CENTR AL ME ADOW SHOWING SCOTS P I N E A N D G E N E R A L N AT U R E O F T H E UNIMPROVED GRASSLAND
05
SMALL BROOK (SOUTH EDGE OF SITE). WOODEN SLEEPER STEP B U I LT I N TO B A N K S H O W S U S T H AT T H I S A R E A I S US E D A S A N E N T R A N C E A N D E X I T TO WAT E R
06
DE AD PL ANTS NOT CUT DOWN WHICH PROVIDES FOOD AND H A B I TAT TO W I L D R E S I D E N T S
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
SITE 01 BAT C AVE
A VIEW FROM NORTHERN ENTRANCE In the process of creating this sketch we got talking to a man called Tony who worked for Manchester Council emptying bins. He mistook us for developers at first unfortunatley. Once he knew our real intentions for the site he spoke about how much he loves the space and how it reminded him of his NVQ he studied BAMBOO in Horticulture as a teenager.
ROPE SWING
SCOTS PINE
DESIRE PATHS
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
SITE 02
STATION FIELDS
GORTON
LEVENSHULME HIGHFIELD COUNTRY PARK
FALLOWFIELD
SITE 02 S TAT I O N F I E L DS
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
SITE 02
STATION FIELDS
1:1000 @ A3 Site 02 and surroundings in relation to the Fallowfield Loop which bisects the site. INCREDIBLE EDIBLE VEG PATCH THE FLOOP
STATION SOUTH
STOCKPORT ROAD A6
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
SITE 02
STATION FIELDS
INITIAL IMPRESSIONS Experiential map drawn on site. Each quadrant of the site has a completely different character and this felt very evident standing in the middle of the junction.
INCREDIBLE EDIBLE IMPROVED GRASSLAND INFORMATION BOARD
BROOM LANE FALLOWFIELD LOOP
STOCKPORT ROAD
COMMUNITY ORCHARD
SEMI-IMPROVED GRASSLAND
KERSH AVENUE
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
SITE 02
STATION FIELDS
AT M O S P H E R E
01
02
03
04
05
06
01
S TAT I O N F I E L DS I S A N I M P O R TA N T SOCIAL AND ECLOGICAL JUNCTION WHICH CONNECTS LEVENSHULME W I T H T H E F L O O P.
02
THE COMMUNITY BASED FREE FOOD MOVEMENT INCREDIBLE EDIBLE M A I N TA I N A S M A L L V EG E TA B L E GARDEN PROVIDING FREE PRODUCE F O R A N Y O N E W H O W A N T S I T.
03
V EG E TAT I O N CO N S I S T S O F M O W N GR ASS, SHRUBS AND HAWTHORN
04
A SMALL ORCHARD OF FRUIT TREES GROWS IN THE EAST OF SITE
05
SMALL FERNS ARE GROWING ON THE W A L L S O F T H E E M B A N K M E N T.
06
WILD FLOWERS AND BR AMBLES P R O V I D E A N E X C E L L E N T H A B I TAT AND NUTRITION FOR ANIMALS AND INSECTS
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
SITE 02
STATION FIELDS
SITE VIEWS Left Lower: Walk through orchard lost in a quiet, seperate and edible world.
COMMUNITY ORCHARD INCREDIBLE EDIBLE
Right: View looking east to crossroads with main features highlighted.
FLOOP
IMPROVED GRASSLAND
INFORMATION BOARD
ORCHARD WALK
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
SITE 03
THE MEADOW
GORTON
LEVENSHULME HIGHFIELD COUNTRY PARK
FALLOWFIELD
SITE 03 THE MEADOW
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
SITE 03
THE MEADOW
1:1000 @ A3 Site 03 and surroundings in relation to the Fallowfield Loop running adjacent to the south. BRIDGE ACROSS THE OLD LINE
SIMPLE WOODEN BRIDGE
HIGHFIELD COUNTRY PARK ENTRANCE
LONG GRASS MEADOW
ST ANDREWS SCHOOL
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
SITE 03
THE MEADOW
INITIAL IMPRESSIONS
BIRCH TREES
Experiential map based on visit alone with no reference to actual geogrophy of place. The paths and bridges felt more important on site than they appear in maps or photography.
LARGE BEECH TREE
WOODLAND
HOUSING BRIDGE OVER OLD LINE
FLOOP
SMALL WOODEN FOOTBRIDGE
DESIRE PATH
JAMES STEPHENSON | CHARLIE GRIFFIN
HIGH FIELD COUNTRY PARK
FALLOWFIELD LOOP
SITE 03
THE MEADOW
AT M O S P H E R E
01
02
03
04
05
06
01
VIEW OF THE WOODED NORTH AREA OF THE MEADOW FROM THE OLD BRIDGE.
02
GR ASSES AND WILDFLOWEERS D O M I N AT E T H E V EG E TAT I O N I N T H E ME ADOW.
03
THE WOODLAND EDGE IS GOOD H A B I TAT F O R N U M E R O US S P EC I E S OF BIRDS AND MAMMALS
04
G R A S S E S L I N E T H E F LO O P PAT H .
05
BIRCH AND HAWTHORN ARE DOMINANT SPECIES IN THE WOODL AND. THEY PROVIDE VERTICAL HEIGHT BUT ALSO ALLOW ENOUGH LIGHT FOR PERENNIALS TO GROW
06
A SIMPLE BRIDGE CROSSES A DR AINAGE DITCH LINKING THE MEADOW WITH WOODL AND. T H E WAT E R P R O V I D E S I D E A L CONDITIONS FOR MARGINAL PL ANTS AND WILLOWS.
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
SITE 03
THE MEADOW
SITE VIEWS Right Upper: Simple two plank bridge created to cross small brook runnning through eastern edge of site.
TWO WOODEN PLANKS FORM RIVER CROSSING
Centre: View looking west through meadow showing desire path and Floop users off to the left, very seperate spaces. Right Lower: Crossing the old footbridge which leads south towards the Highfield Park entrance.
FORMAL METALWORK AND STONE BRIDGE (CROSSES OLD R AILWAY) MEADOW OF LONG GRASS (SEMI IMPROVED)
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
SITE 04
WOODLAND POND
GORTON
LEVENSHULME HIGHFIELD COUNTRY PARK
FALLOWFIELD
SITE 04 WOODLAND POND
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
SITE 04
WOODLAND POND
1:1000 @ A3 Site 04 and surroundings in relation to the Fallowfield Loop approximatley 10m west.
POND
REED BED THE FLOOP
PL AYING FIELDS
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
SITE 04
WOODLAND POND
INITIAL IMPRESSIONS Experiential map drawn on site. The intimacy of the open pond area and the places you can view it from was striking. Walking around the pond on the woodland path running along the south boundary of the site allowed for enchanting views through the tree and shrub varieties that framed the water and reedbeds behind.
BRIDGE OVER FLOOP
MAIN POND AREA
REED BEDS
ACCESS
ENTRANCE FROM RESIDENTIAL AREA
MEADOWS ALONGSIDE FLOOP
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
SITE 04
WOODLAND POND
AT M O S P H E R E
01
02
03
04
05
06
01
S H E LT E R E D W O O D L A N D PAT H F R O M EASTERN ENTRANCE.
02
O P E N WAT E R A N D R E E D B E DS C R E AT E A N A Q UAT I C H A B I TAT F O R PLANTS AND ANIMALS
03
D E L A P I D AT E D R U I N S O F S LU I C E G AT E CO N T R O L L I N G F LO W O F WAT E R TO T H E S EC R E T L A K E
04
SHADY AREAS AND MOISTURE ENCOURAGE MOSS AND I N V E R TA B R AT E S . E V I D E N C E O F L ACK OF CARE TOWARDS SITE WITH DISPOSAL OF UNWANTED T YRE
05
POND SIDE WOODED WALK WITH D E S I R E PAT H C R E AT E D T H R O U G H THE TREES
06
OLD INDUSTRIAL REMENANT WHICH ACTS AS CENTREPOINT FOR ACCESS TO THE POND FROM THE WEST
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
SITE 04
WOODLAND POND
WOODLAND POND SURROUNDS Upper Right: View from main pond access point from the Fallowfiled Loop. Allows for a raised vantage point to enjoy the pond and the wildlife without disturbing the habitat. Stood on old sluice gate infrastructure.
MOORHENS IN REEDS
Lower Left: The natural track that turns into a desire path through the woodland further into the site. Formal fencing with English Ivy growing up them form good frame for ecosystem contained within.
BLACKBIRDS BATHING AT WATERS EDGE
FOOTPATH VIEW FROM EASTERN ENTRANCE
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
SITE 05
SECRET LAKE
GORTON
LEVENSHULME HIGHFIELD COUNTRY PARK
FALLOWFIELD
SITE 05 SECRET L AKE
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
SITE 05
SECRET LAKE
1:1000 @ A3 Site 05 and surroundings in relation to the Fallowfield Loop approximatley 30m east.
EAST ENTRY
SECRET LAKE
THE FLOOP WEST ENTRANCE
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
SITE 05
SECRET LAKE
INITIAL IMPRESSIONS Experiential map drawn on site. A large stone on the path creates an entrance experience. The path winds through a honeysuckle tunnel and eventually opens out revealing the whole lake in one go. A designed approach could not better increase the suspense and excitement of entering the site.
REED BEDS
STREAM FLOWING OUT OF LAKE
DENSE SCRUB (OLD ALLOTMENTS) WESTERN ACCESS TO INDUSTRIAL SITE
LARGE STONE AT E A STERN ENTRANCE
HONEYSUCKLE COVERED TREE TUNNEL
PERIMETER DESIRE PATH
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
SITE 05
THE SECRET LAKE
AT M O S P H E R E
01
02
03
04
05
06
01
D E N S E V EG E TAT I O N C R E AT E S TUNNEL FROM THE EASTERN ENTRANCE
02
L A R G E E X PA N S E O F O P E N WAT E R P R O V I D E S H A B I TAT F O R F I S H A N D A Q UAT I C B I R DS
03
JAPANESE KNOT WEED
04
THIS STONE MARKS THE E ASTERN ENTRANCE
05
STREET ART AND RUBBISH CAN B E F O U N D AT T H E P E R I M E T E R O F THE SITE, EVIDENCE OF HUMAN ACTIVITIES
06
A N AT U R A L F O OT PAT H W I N DS AROUND THE CIRCUMFERENCE OF THE LAKE
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
SITE 05
SECRET LAKE
INITIAL IMPRESSIONS Lower Left: View through Honeysuckle covered natural tunnel Centre: View across lake with access steps down to lake side built into the banking
BRIDGE MADE OF 4 PLANKS OF WOOD L ARGE MATURE TREES FRAMING LAKE ON ALL SIDES
VIEW NORTH WEST WITH REEDS AND DUCK IN VIEW
Upper Right: Simple bridge for perimeter walk to cross exit stream from lake Lower Right: Lilypads at edge of lake close to footpath
NATUR AL TUNNEL LEADING TO LAKE
L I LY PA D S
JAMES STEPHENSON | CHARLIE GRIFFIN
06 | DESIGN |
C R E AT I O N O F A N ECO LO G I C A L LY S U P P O R T I V E FA L LO W F I E L D LO O P
“WHEN WE TRY TO PICK OUT ANYTHING B Y I T S E L F, W E F I N D I T H I T C H E D T O E V E R Y T H I N G E L S E I N T H E U N I V E R S E .“ JOHN MUIR, MY FIRST SUMMER IN THE SIERR A, 1911
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
MASTERPLAN ENTIRE SITE
MANAGEMENT
INTERVENTIONS
Woodland Management
Bat Tower
Wildflower Seeding
Bee-Mex
Scrubland Management
Sky Hive
Water Body
Board Walk
Grassland Diversification
Fauna Towers
Mosaic Mowing
Eco-archipelago
GORTON
Reed Bed Management
FALLOWFIELD
HIGHFIELD COUNTRY PARK
LEVENSHULME ST OC KP OR T RO AD A6
1:15000 @ A3
FALLOWFIELD LOOP
BAT C AVE SITE PLAN
1:500 @ A3 MANAGEMENT
FLOOP
Woodland Management Water Body Grassland Diversification
ALLOTMENTS
(A3
4)
INTERVENTIONS
GSW
AY
Boardwalk
KIN
Betula Pendula Ulex europaeus Bat Tower
RODNEY FIELDS
CRINGLE BROOK
FALLOWFIELD LOOP
BAT C AVE
VEGETATION STR ATEGY
IMPROVING BIODIVERSITY THROUGH: G R A S S L A N D I M P R O V E M E N T, W O O D L A N D M A N A G E M E N T. A woodland management strategy can be implemented to increase the ecoligical value of the trees at the site. Betula pendula and Ulex europaeus can be planted to complement the existing tree species. Birch and Gorse will not create a dense crown which will allow light to penetrate to lower levels to help grasses develop. These two species provide habitats for numerous speices of birds, mammals and insects. Grassland improvement through the addition of a native wildflower mix to the existing habitat and applying proper mowing tecniques will ensure a rich diversity of grasses and flowers. These will provide nectar for pollinators and seeds for birds. Careful eradication of Impatiens glandulifera will prevent the Himalayan Basalm from gaining a stronghold.
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
BAT C AVE
B U I LT I N T E R V E N T I O N S
I N C R E A S I N G E C O L O G I C A L E N G A G E M E N T: B AT H A M TO W E R , R A I S E D B O A R D WA L K A new structure and access path will inform visitors they are entering a site of ecological value. A new building for bats, Batham Tower will encourage the mammals to roost at the Bat Cave and away from Kingsway. This will also provide the possibility of lighting the darker areas of the bike lane. The Bats will be encouraged to use the provided shelter due to the increase in insects from the enhanced grassland. Elevated boardwalks built along the exisiting desire paths will protect the meadow and create a new vantage point for visitors. The new perspective will invite visitors to appreciate the diversity of flora at the site. The boardwalk will frame the meadow and add to the construction of a new natural experience for the Floop.
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
STATION FIELDS SITE PLAN
1:500 @ A3
INCREDIBLE EDIBLE
LEVENSHULME
FLOO
ORCHARD FLOO
MANAGEMENT Wildflower Seeding
INTERVENTIONS
Scrubland Management
Orchard Management
Mosaic Mowing
Sky Hive
P
P
FALLOWFIELD LOOP
STATION FIELDS VEGETATION STR ATEGY
IMPROVING BIODIVERSITY THROUGH: G R A S S L A N D I M P R O V E M E N T, O R C H A R D M A I N T E N A N C E , FA L L O W S C R U B L A N D The biodiversity of Station Fields can be enriched in three ways. Mosaic mowing is a grass cutting technique in which one area of grassland is always left untouched, even during the winter. This provides year round shelter for small animals and insects and also allows for an area of meadow to set seed. Making the first cut of the meadow in May allows that part to flower later in the summer which provides more colour and nectar throughout the season. After mowing the cuttings must be removed to prevent too many nutrients entering the soil. Maintaining the fruit trees within the orchard should provide better yields and will encourage people to go and pick their own. The area of scrub to the south of the site should be left to its own devices. It is a vauable habitat in its own right.
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
STATION FIELDS B U I LT I N T E R V E N T I O N S
I N C R E A S I N G E C O L O G I C A L E N G A G E M E N T: SKY HIVE, EDGE MOWING Floop users and Levenshulme localswill soon realise they are entering an area designed for nature when they catch sight of the Sky Hive. The 7m tall elevated bee hive will punctuate the Levenshulme skyline and signify the ecological variety of the site. Hopefully the local community will be enthused to participate in caring for the bees and honey production could potentially be started. Edge mowing at the perimeter of the meadows around the junction at the centre of site will be kept short. This is necessary for visibility at the corners of the bike paths. Short edges also inform people subconciously that environmental maintenance is occuring and that the wild nature of the grasslands is deliberate.
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
THE MEADOW SITE PLAN
1:500 @ A3
LEVENSHULME
FLOO
HIGHFIELD COUNTRY PARK ENTR ANCE
FLOO
P
FLOOP ST ANDREWS PRIMARY SCHOOL
MANAGEMENT
INTERVENTIONS
Woodland Management
Woodland Management
Water Body
Wet Meadow
Grassland Diversification
Bee-Mex Rasied Walkway
P
FALLOWFIELD LOOP
THE MEADOW
VEGETATION STR ATEGY
IMPROVING BIODIVERSITY THROUGH: W E T M E A D O W C R E AT I O N , W O O D L A N D M A N A G E M E N T. CRE ATING A WET MEADOW The natural dampness of the meadow site can be used to create a site of high ecological value. The area and the drainage ditch can be planted with damp loving species to encourage the formation of the unique wet meadow ecosystem. Species such as Marsh Orchids (Dactylorhiza spp)(right), and Ragged Robin (Silene flos-cuculi) will eventually flourish. These species are quite common at the nearby Chorlton Ees nature reserve, specimens could potentially be translocated. Woodland management can be used to encourage moisture loving trees. Salix alba would be well suited to this site for the boggy conditions and for the tree‘s water purifying ability. Pruning and coppicing will benefit the eixsting trees and allow more light to enter the site.
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
THE MEADOW
B U I LT I N T E R V E N T I O N S
I N C R E A S I N G E C O L O G I C A L E N G A G E M E N T: BEE-ME X , STEEL WALK WAY
The meadow will be the site of one of the Bee-Mex bee hives which will populate the length of the floop where areas of wildflowers are to be found. The bees will provide an insect link along the floop and provide valuable pollination services for the wildflowers. A seperate basement with a small entrance can provide refuge for small mammals such as voles and hedgehogs. A new steel walkway connecting the meadow with the floop, replacing the existing wooden bridge will provide an alternative access and vantage point. The steel grid will allow light and water to pass through which should not prohibit the vegetation below. The elevation will encourage people to remain on the grass which will protect the plants living in the meadow.
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
WOODLAND POND SITE PLAN
1:750 @ A 3 MANAGEMENT
Grassland Diversification
OP
INDUSTRIAL PARK
FLO
Woodland Management
Reed Bed Management REEDBED
INTERVENTIONS Salix Alba Reedbed Management Fauna Tower
MEADOW
FL
OO
P
SK BALLERS FOOTBALL PITCH
FALLOWFIELD LOOP
WOODLAND POND VEGETATION STR ATEGY
IMPROVING BIODIVERSITY THROUGH: W O O D L A N D M A N A G E M E N T, R E E D B E D M A N A G E M E N T Using woodland management techniques to selectively prune and thin the trees surrounding the woodland pond will allow more light to reach the surface of the water. Planting more Salix alba within the reedbeds will lead to the formation of a helophyte filter which can produce an ecosytem of bacteria which actively remove pollution from the water. Careful reedbed management will enable the reeds to act as a water filter and oxygenator. Periodic dredging of the water closest to the banks will also aid circulation and increase the depth of the water which will prevent overheating in the summer month. The addition Water crowfoot (Ranunculus aquatilis), Water moss (Fontinalis antipyretica) and Slender club rush (Isolepis cernua) will add aesthetic and ecological value as well as providing habitat for insects and fish, abova and below the water.
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
WOODLAND POND B U I LT I N T E R V E N T I O N S
I N C R E A S I N G E C O L O G I C A L E N G A G E M E N T: FAUNA TOWER A multi storey fauna tower will provide habitats for invertebrates, fish, birds and mammals. Below the water level fish and amphibians can take advantage of the foundations which provide safe spaces to hide and spawn. Water birds can use the foundation tops as nesting sites. The upper floors of the tower include nesting and roosting sites for birds. Bats can access the tower to roost and hibernate through special slats in the walls and roof. The presence of the tower, which is solely for the use of animals reinforces the message of ecological importance. Visitors to the woodland pond should come away with the impression that the site is a natural habitat managed for wildlife and plants just as much as humans.
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
SECRET LAKE SITE PLAN
1:1000 @ A3 MANAGEMENT Scrubland Management
OO
P
Water Body
FL
Reed Bed Management
INTERVENTIONS Salix Alba Eco Archipelago Fauna Tower
INDUSTRIAL PARK RESIDENTIAL
FL
OO
P
Circular Walkway
FALLOWFIELD LOOP
THE SECRET LAKE VEGETATION STR ATEGY
IMPROVING BIODIVERSITY THROUGH: R E E D B E D M A N A G E M E N T, S C R U B L A N D Continuing the strategy of reedbed management from the nearby wodland pond will create an ecological connection between the two sites. Utilising Salix alba will encourage the development of the water purifying helophyte fllter. Adding native freshwater plants such as water violet (Hottonia palustris), yellow water lily (Nuphar lutea) and flag iris ( ) will add colour and improve the oxygen levels of the secret lake. Improving the existing scrubland to the east of the Secret Lake will increase the biodiversity of the site. Planting new areas of gorse (Ulex europaeus), bramble (Rubus fruticosus )and scrubland trees such as willow (Salix alba), birch(Betula Pendula) and hazel (Corylus avellana) will provide habitat and cover for a multitude of animals. Increased vegetation density will prevent human encroachment into the designated wildlife area. The scrubland will act as a nursery for other trees which require the protection of scrub to develop. JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
THE SECRET LAKE B U I LT I N T E R V E N T I O N S
I N C R E A S I N G E C O L O G I C A L E N G A G E M E N T: FAUNA TOWERS, CIRCUL AR BOARDWALK, ECO ARCHIPEL AGO The construction of fauna towers will invite more wildlife to use the secret lake. Fish, amphibians, birds and bats will all be attracted to a safe place to rest, spawn and roost. A circular boardwalk will be built into the lake which will allow users to experience the lake at a much closer scale. The cover provided by the wooden structure will also provide a space for fish. Children will be able to use the site on school visits to learn about the freshwater ecology and get up close and personal with the wildlife. Dredging the lake centre will be benficial for oxygen and temperature levels. The dredged sediments can be used to create small islands which will forn ab eco-archipelago. The islands can be planted with reeds. These will become a haven for aquatic wildlife which will be safe from predators and humans.
JAMES STEPHENSON | CHARLIE GRIFFIN
FALLOWFIELD LOOP
CONCLUSION
MANAGEMENT AND STR ATEGY
HOW CAN WE INCREASE THE ECOLOGICAL VALUE OF THE FLOOP? HOW CAN WE USE ECOLOGICAL TOOLS TO
C H A N G E H U M A N AT T I T U D E S TO WA R D S U R B A N N AT U R E ?
CONCLUSIONS The floop is a dynamic and diverse habitat, not only for people but also for plants and animals. Our intent is to reframe the floop as a valuable and rich ecosystem with its own charateristics and values. Through our strategy and design interventions we hope to inspire city inhabitants and decision makers, and to motivate them to think and act nature-inclusively. Creating a space of real ecological value in the city will help to erode the long established nature/ urban binary. Nature will be integrated into the urban fabric and collective consciusness. This will help redefine our relationship with nature and place greater emphasis on how we choose to use our land in the future.
JAMES STEPHENSON | CHARLIE GRIFFIN
L ANDSC APE ATELIER 2B
BRICKWORKS
JAMES STEPHENSON | CHARLIE GRIFFIN
U
JAMES.STEPHENSON2@STU.MMU.AC.UK
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CHARLES.GRIFFIN@STU.MMU.AC.UK
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M L A 2 - M A N CH E S T ER M E T R O P O L I TA N U N I V ER S I T Y
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CONTENTS & SECTIONS
CONTENTS INTRODUCTION TO SITE SECTION 01
GEOGR APHIES PAST SECTION 02
GEOGRAPHIES PRESENT SECTION 03
S I T E A N A LY S I S SECTION 04
PRECEDENTS SECTION 05
DESIGN
SECTION 06
STR ATEGY SECTION 07
JAMES STEPHENSON | CHARLIE GRIFFIN
THESIS QUESTIONS |
HOW CAN WE INCREASE THE ECOLOGICAL VALUE OF THE FLOOP? HOW CAN WE USE ECOLOGICAL TOOLS TO CHANGE HUMAN AT TITUDES TOWARDS URBAN NATURE?
JAMES STEPHENSON | CHARLIE GRIFFIN
01 | INTRODUCTION TO SITE |
NARROWING OUR FOCUS
“A BE AUTIFUL N ATUR A L SPACE RUNNING ACROSS SOUTH MANCHESTER, BLACKBERRIES ARE GROWING, WILDLIFE IS THRIVING, AND I DO NOT THINK THAT HARSH VEGETATION MANAGEMENT W O U LD B E N E FI T LO C A L B I O D I V E R S I T Y. I T WOULD ALSO MAKE THE LOOP FEEL MORE C L I N I C A L A N D P R I S T I N E .“ ANONYMOUS FALLOWFIELD LOOP USER, MANCHESTER CIT Y COUNCIL FEEDBACK 2020
JAMES STEPHENSON | CHARLIE GRIFFIN
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INTRODUCTION TO SITE LOC ATION
GORTON
LEVENSHULME
WA
KP OR
GSS
OC T RD
KIN
HIGHFIELD COUNTRY PARK
ST
Y A 34
FALLOWFIELD
(A 6)
BRICKWORKS 5 3.4 415 89, -2.1818 5 3
JAMES STEPHENSON | CHARLIE GRIFFIN
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INTRODUCTION TO SITE FE ATURES
FALLOWFIELD BROOK DOWNSTRE A M CULV ERT EXIT
L AT TICE BRIDGE ABOVE OLD LINE
MEADOW
SIMPLE WOODEN BRIDGE
FALLOWFIELD BROOK UPSTRE A M CULV ERT ENTRANCE
FLOOP
HIGHFIELD COUNTRY PARK ENTRANCE
SCHOOL GROUNDS ST ANDREWS SCHOOL BUILDINGS
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
INTRODUCTION TO SITE CHARACTER
FA L LOWF IEL D BR O OK D OWNS TR E A M CULV ER T E X IT VIEW WEST TOWARDS LEVENSHULME The Fallowfield Brook flows out of the site in this small shallow valley between the terraced houses to the north and a new housing estate to the south. Despite it being surrounded by housing this area feels like a seperate space and a natural blend between the urban and the natural further into the site. This area is our oppurtunity to make a bold impression on people entering the site and to subconciously calm their mindset. A perfect area of transition.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
INTRODUCTION TO SITE CHARACTER
M AT U R E B I R C H W O O D L A N D I N VA L L E Y O F S I T E VIEW E A ST TOWARDS L AT TICE BRIDGE Since its historical use as a train line the valley has naturally reforested and there are several mature trees on the site which contribute greatly to the site‘s stmosphere. The Betula Pendula (Silver Birch) shown are key species for wildlife and encouraging biodiveersity. They create an ethereal and lightly sheltered sense of place. Looking down the valley we see the lattice bridge above all else, a foci of the site which the eye is drawn to as well as a platform to view the site from.
JAMES STEPHENSON | CHARLIE GRIFFIN
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INTRODUCTION TO SITE CHARACTER
CL AY ME ADOW AND FALLOWFIELD LOOP VIEW WEST THROUGH MEADOW The meadow grows to a metre tall in summer and is semi-improved in its nature and species mix. Flanked on all sides by Alnus (Alder) ,Salix (Willow) and Corylus (Hazel) the meadow feels sheltered yet open from above. Desire paths wind through the meadow joining bridge crossings and acces points into the site. Utilising and enhancing the routes of these desire paths in our eventual designs would be wise.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
INTRODUCTION TO SITE CHARACTER
FALLOWFIELD LOOP AND SCHOOL ENTR ANCE/ BOUNDARY VIEW EAST ALONGSIDE SCHOOL ENTRANCE The Fallowfield Loop and St. Andrew‘s School entrance have a difficult relationship. The access away from roads provides an ideal way for children to enter and exit school but the proximity to the main cycling throughfare causes problems with congestion. The tree lined avenue that the Betula (Birch) and Quercus (Oak) saplings create is beautiful. The Floop goes on to open right out into the entrance to Highfield Park from here, a huge contrast in light and sense of place.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
INTRODUCTION TO SITE CHARACTER
HIGHFIELD PARK ENTR ANCE VIEW NORTH TOWARDS L AT TICE BRIDGE AND PARK BOUNDARY The most open and expansive area of the site. A true sense of exposure exists here away from the trees and dense vegetation. This contrast with the densely wooded and sunken areas of site is striking over such a small area. We can see the natural loci of the site in this image where the Floop, lattice bridge and Highfield park footpaths all meet.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
INTRODUCTION TO SITE CHARACTER
IN THE UNDERGROWTH BELOW THE BRIDGE VIEW E A ST TOWARDS L AT TICE BRIDGE In the lowest point of the site you feel a sense of enclosure and claustrophobia as the terrain and vegetation dictate the paths you can take. The bridge is a beautiful but imposing presence upon this area of the site and further casts its shade reduce the light exposure found here.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
INTRODUCTION TO SITE CHARACTER
SUNKEN WILLOW GROVE VIEW WEST TOWARDS L AT TICE BRIDGE Again in the lowest level of the site but towards the eastern end of the valley. You can just see the lattice bridge in the distance. In the foreground are innumerable Salix (Willow) which have self seeded and cover the floor of the entire basin. There is a clear feeling of being at the bottom of the site and looking up from here. The bank on the right slopes up northwards to a plateau offering a view across the entire site from its highest point.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
INTRODUCTION TO SITE CHARACTER
FA L LOWF IEL D BR O OK UPS TR E A M BEFOR E CULV ER T VIEW EAST AWAY FROM CULV ERT ENTR A NCE The water here is at its highest point on the site here, over the course of the site it drops approximately 2m towards its exit into Levenshulme. The vegetated banks of the brook provide habitat for animals as oppose to the hard concrete edges of the culvert behind this image. A footpath runs paralell to the left of the brook from this persepective. This is a popular route for walkers and is a direct path to the loci of our overall site. The movement of the water is a calming and serence presence, both visually and audibly.
JAMES STEPHENSON | CHARLIE GRIFFIN
02 | GEOGR APHIES PAST |
HISTORICAL CONTEX T
LEVENSHULME SOUTH GOODS AND COAL DEPOT 1962
Photo credit: Nick Catford http://www.disused-stations.org.uk/l/levenshulme_south/index3.shtml
JAMES STEPHENSON | CHARLIE GRIFFIN
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HISTORICAL CONTEXT E XC AVATING THE PA ST
E V O L U T I O N T H R O U G H R E V O L U T I O N ; E X P L O R I N G T H E H I S T O R Y O F T H E F A L L O W F I E L D L O O P, F R O M A G R I C U L T U R E TO INDUSTRY TO WASTEL AND THROUGH NEGLECT T R A N S P O R T, INDUSTRY AND A G R I C U LT U R E The site has a long industrial history and transitioned at the end of the 19th century from agricultural farmland to a network of small holdings, factories and railways. The UCP Tripe works processed beef for many popular tripe restaurants in the north west. The site is now housing to the north of the fallowfield just next to the lattice bridge which is original and was built to preserve the right of way into Highfield Park. Jacksons Brickworks, known as the brickie, was a brick factory to the south of the site. The extraction of the clay for the bricks formed a mosaic of small lakes and ponds which were a popular playground for children at the time. The pools were later filled in as the site was used for landfill.
(source: http://www.unitedcattleproducts.co.uk/buildings_ manchester003.php)
(source: http://www.levyboy.com/industry.htm)
Credit: Digimaps
JAMES STEPHENSON | CHARLIE GRIFFIN
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HISTORICAL CONTEXT E XC AVATING THE PA ST
R U N N I N G B E LO W T H E R E M N A N T S O F T H E B R I C K W O R K S A N D T H E T R I P E FA C TO R Y, A T R O G LO DY T I C WAT E R WAY MEANDERS THROUGH DARKNESS. THE DISAPPERANCE OF THE FALLOWFIELD BROOK The Fallowfield Brook rises at the eastern edge of the golf course adjacent to Highfield Country Park. The waterway flows westwards through the golf course and into the park. About 50m before it reaches the Fallowfield Loop, the brook disappears from view into a red brick culvert. The brook flows underground for 160m beneath the old railway, below the floop and the houses on Pullman Close before exiting the culvert into open air behind Cranage Road. Here the brook continues northwest alongside former allotment gardens. The above map from 1950 illustrates the extent that water historically shaped the site. Areas of marsh and bog defined the site; south of the brook was a large pond on the site of St Andrew‘s school. Credit: Digimaps
JAMES STEPHENSON | CHARLIE GRIFFIN
03 | GEOGRAPHIES PRESENT |
PRESENT DAY HUMAN USE
FALLOWFIELD LOOP ST ANDREWS SCHOOL 2021 )
JAMES STEPHENSON | CHARLIE GRIFFIN
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KE Y STAKEHOLDERS SUMMARY
K E Y S TA K E H O L D E R S 01 SUSTRANS Owners and managers of the Floop.
02 MANCHESTER CITY COUNCIL
03 ST ANDREWS SCHOOL
04 INCREDIBLE EDIBLE
Closest school to the site, kids will use the site on a daily basis.
Self growing volunteers, willing and able to help out.
JAMES STEPHENSON | CHARLIE GRIFFIN
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KE Y STAKEHOLDERS SUSTRANS
O W N E R S O F T H E F LO O P A N D C US TO D I A N S O F T H E N AT I O N A L C YC L E N E T W O R K SUSTRANS: THE CHARITY MAKING IT EASIER FOR PEOPLE TO WALK AND CYCLE. Sustrans are the ultimate owners of the floop; with the council and a lot of help from volunteers, they maintain the route to benefit all users. The charity play an active role in the ecological management of the floop. Their aim is to maintain a space that is beneficial for humans and wildlife. Sustran volunteers are often intervening in the environment to help maintain and increase biodiversity, for example building the bat boxes in the bottom right image. Sustrans also play an important role in organising social events on the floop. This is improtant as it raises awareness and increases the number of people who use the space. They will be important and useful partners in any design development. Credit: Sustrans
JAMES STEPHENSON | CHARLIE GRIFFIN
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KE Y STAKEHOLDERS MANCHESTER CITY COUNCIL
2 0 2 0 P U B L I C C O N S U LTAT I O N O N H O W TO I M P R O V E T H E FA L LO W F I E L D LO O P F O R P E D E S T R I A N S A N D P E O P L E O N BIKES OF ALL AGES AND ABILITIES AIMS OF THE SCHEME -Make the route safer and reduce anti-social behaviour -Reduce/clear overgrown vegetation -Having a route that is more open and better connected to surrounding neighbourhoods -Strengthen the habitat and landscape to create a more open and less intimidating environment for users -Upgrading access points to make entry and exit points clearer -Transforming and enhancing open areas to provide more inviting places for people to relax, play, and include seating areas along the route -Street lighting to allow users to travel throughout the year, particularly in the winter months
Credit: Manchester City Council
JAMES STEPHENSON | CHARLIE GRIFFIN
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KE Y STAKEHOLDERS ST ANDREW‘S SCHOOL
T H E N E X T G E N E R AT I O N P U R S U I N G C H A N G E F O R T H E I R E N V I R O N M E N T PUPILS, PARENTS AND TEACHERS A C T I V E LY IMPROVING THEIR SURROUNDINGS The pupils of St Andrews school are pushing for positive change in the local area and contributing to the ongoing wider scale discourse around enirommental protection and improvement. The kids, supported by their teachers and parents, are promoting positive change in attitudes towards littering, clean air and climate change. Many school children travel actively to arrive at school via bicycle or walking buses. Protecting them from conflict with other floop users to ensure they can arrive and leave school safely and happily will be critical in creating a successful design for the site.
Credit: Clean Air Levenshulme,
JAMES STEPHENSON | CHARLIE GRIFFIN
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KE Y STAKEHOLDERS INCREDIBLE EDIBLE
THE VOLUNTEER FOOD GROWING MOVEMENT FEEDING PEOPLE FOR FREE INCREDIBLE EDIBLE ARE GROWING PLANTS FOR HUMANS AND ANIMALS ACROSS LEVENSHULME AND BEYOND The green fingered volunteer army look after various beds, borders and orchards to provide fresh locally grown produce for humans, and to create habitats for insects and animals. They are a truly grass roots movement and their knowledge of horticulture could make them invaluable partners in any design. Thier ethos matches well with the philosophy of increasing biodiversity of the floop. Potentially they could be good collaborators in design and maintenance. The site could also be used for more experimental growing techniques such as forest gardens. They might also be good custodians for the bees inhabiting the sky hives.
Credit: Incredible Edible Levenshulme, Facebook
JAMES STEPHENSON | CHARLIE GRIFFIN
0 4 | S I T E A N A LY S I S |
Q UA N T I TAT I V E S U R V E Y, Q UA L I TAT I V E AT M O S P H E R E
HIGHFIELD PARK ENTRANCE 2021 )
JAMES STEPHENSON | CHARLIE GRIFFIN
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S I T E A N A LY S I S FALLOWFIELD BROOK
P LOT T I N G T H E R O U T E O F T H E FA L LO W F I E L D B R O O K U N D E R N E AT H T H E FA L LO W F I E L D LO O P FALLOWFIELD BROOK Full extent of culverting of Fallowfield Brook visible. Very limited areas that are exposed, this is an oppurtunity for us to celebrate the brook as it moves through our site.
KEY Exposed Culverted
HIGHFIELD COUNTRY PARK
LEVENSHULME
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W O SL
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FALLOWFIELD
RD
JAMES STEPHENSON | CHARLIE GRIFFIN
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S I T E A N A LY S I S TOPOGRAPHY
DESIGNING IN HARMONY WITH SITE BY UTILISING EXISTING TOPOGR APHY 60M - Exposed - Vantage Point - Looking down on site
FA
LL
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FI
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BR
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59M - Flatland - Meadows - Open
PULL
L MAN C
58M - Dryer land - Lighter Canopy - Transitional Spaces
FLO
FLOOP
57M - Vegetation - Cointained - Views through ST ANDREWS PRIMARY SCHOOL
BASE (56M) - Shady - Water - Dense - In a bowl
JAMES STEPHENSON | CHARLIE GRIFFIN
HIGHFIELD COUNTRY PARK
OP
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S I T E A N A LY S I S DESIRE PATHS
C R E AT I N G WA L K A B L E CO N N EC T I O N S F R O M E X I S T I N G H U M A N M A D E PAT H WAY S LEARNING FROM USER EXPERIENCE Human pathways dissect the site where existing infrastructure is lacking in providing efficient connections. These existing desire paths highlight the most routes used which humans use and demonstrate the human ecology which is evident on the site.
1 2
Using these existing paths as a framework for our boardwalk desigins will help integrate the anthropogenic into the natural. The boardwalks will also act as seperators of humans from the environment and ensure there is minimal damage to the vegetation on site.
1
2
Credit: Digimaps
JAMES STEPHENSON | CHARLIE GRIFFIN
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S I T E A N A LY S I S
BOTANIC AL FIELD OBSERVATIONS
O N S I T E R ECO R D O F T H E T R E E S P EC I E S LO C AT E D I N A N D A R O U N D O U R S I T E VALUE OF THE IMMEDIATE Creating these drawings whilst on site allows for the visual and physical importance of the species to take priority on the page. Working through the site you feel that there are several major specimens or groups of similar species that form the structure of the site. Surrounding this main vegetation is the secondary level of tree species, either saplings or much smaller species. This process proved to be extremely useful in understanding how the biotopes of the site realte to each other.
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Acer Platanoides
Corylus Avellana
Frangula Alnus
Quercus Robur
Acer Pseudo-Platanus
Crataegus Monogyna
Fraxinus Excelsior
Salix Caprea
Alnus Cordata
Cupressus x Leylandii
Populus Alba
Salix Fragilis
Betula Pendula
Fagus Sylvatica
Populus Nigra
Salix Scouleriana
Norway Maple
S I T E A N A LY S I S
Sycamore
TREE SPECIES
Italian Alder Silver Birch
Hazel
Hawthorn
Leyland Cypress Beech
Alder Buckthorn Ash
White Poplar
Lombardy Poplar
Oak
Goat Willow
Crack Willow
Scouler Willow
1:500 @ A3 FA
PULLMAN
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FI
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BR
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HIGHFIELD COUNTRY PARK ST ANDREWS PRIMARY SCHOOL
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S I T E A N A LY S I S
OVERVIEW OF GIS SECTIONS
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ST ANDREWS PRIMARY SCHOOL
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S I T E A N A LY S I S IN SECTION
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SECTION 01
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56M
SECTION 02
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60M
BRICKWORKS
S I T E A N A LY S I S IN SECTION
1:500 @ A3
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SECTION 03
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61M 56M
SECTION 04
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BRICKWORKS
S I T E A N A LY S I S
E XISTING ATMOSPHERES
LO C AT I O N 01 : O P E N , J U N C T I O N , V I E W P O I N T VIEW FROM THE L AT TICE BRIDGE TOWARDS HIGHFIELD PARK The apex of the site is the original Lattice Bridge. Entering the site via the bridge, the viewer‘s gaze is drawn along the parallel ballustrades to the floop which bisects the scene, and runs perpendicular to the bridge. In the background is the open grassland at the entrane to highfield park. Trees on either side of the bridge provide a sense of enclosure and protection. The junction of the floop, the bridge and the entrance to the park is an important nexus for all users of the site. Integrating this focus point efficiently and effectively into the design will be one of the key challenges for the site.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
S I T E A N A LY S I S
E XISTING ATMOSPHERES
L O C AT I O N 0 2 : O B S C U R E D , C O N T R A S T, J U X TA P O S I T I O N VIEW ALONG THE FALLOWFIELD BROOK BEHIND CRANAGE AVE Looking along the brook at the point where it emerges from its culvert to continue northwest parallel to the rear of the Victorian terraces on Cranage Avenue. Here, where the brook meets daylight again, vegetation and a steep bank obscure the running water. There is a sharp contrast between the mown grass and the overgrown brambles and bushes which line the water‘s edge. Another contrast is provided by the geometry of the housing on the right against the more natural tree lined left bank. This area was once allotments and has the potential to be beneficial to the local community once more.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
S I T E A N A LY S I S
E XISTING ATMOSPHERES
LO C AT I O N 0 3 : E N C LO S U R E , B O U N D A R Y, CO N F L I C T I N G US E VIEW TOWARDS ST ANDREWS SCHOOL ALONG THE FLOOP This is a cyclist‘s eye view of the floop just west of the intersection with highfield park and the lattice bridge. Here the floop runs adjacent to boundary of the school. To the right is a birch lined bank which slopes down to the former rail line. Somewhere along this section of the floop lies the brook, silent and invisible beneath the ground. Visual signs implore users to slow and be considerate, however this site is often one of conflict. During the school run hours this area is congested with kids and parents, scooters and bikes. Managing the variety and velocity of users at this point will be important to the success of the design.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
S I T E A N A LY S I S
E XISTING ATMOSPHERES
LO C AT I O N 0 4: F R A M I N G , VA R I E T Y, D E S I R E PAT H S VIEW WEST ALONG THE FLOOP FROM THE MEADOW This view is from the natural path along the meadow looking down the floop towards Broom Lane bridge. Here the floop is framed by vegetation, creating a sense a wonder and intimacy as the floop vanishes into a green walled, leafy valley. There is also a juxtaposition to this vertical enclosure provided by the grassland, vegetation at a different, smaller and horizontal scale, experienced by the feet as well as the eyes. This area demonstrates the variety of habitats which are present along this section of the floop. Enhancing these habitats is central to our design.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
S I T E A N A LY S I S
E XISTING ATMOSPHERES
LO C AT I O N 0 5 : S E R E N I T Y, U N TA M E D, PA S S A G E VIEW NORTH ACROSS SMALL WOODEN BRIDGE FROM THE MEADOW Looking north we can see the desire path across the lowest part of the site which has led to the creation of a small 2 plank wooden bridge. This area of the site has a feeling of being at the bottom and looking upwards, surrounded by scrub and with large birch, hazel and alder growing around you. The trees have an interesting character of their own and are a defining and essential part of the features that create the sites atmosphere. Keeping these established, unique trees is a must.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
S I T E A N A LY S I S
E XISTING ATMOSPHERES
LIGHT VS DARK LIGHT Looking westwards across the expanse of grassland between the Floop and the scrub around the lattice bridge. Here the site is bathed in late afternoon winter sun. The expansive verticality of the sky provides contrasts to the low level vegetation. The light is strong and unfiltered and incites a feeling of openness and freedom.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
S I T E A N A LY S I S
E XISTING ATMOSPHERES
LIGHT VS DARK DARK Facing eastwards with the floop suspended above and to the right and the lattice work bridge overhanging behind. This part of the site is almost permanently in near shady conditions. No horizon is evident and visibility is poor due to the thick vegetation. Sunlight struggles to reach the floor and a carpet moss prevails in cool dampness. Darkness pervades amid feelings of claustraphobia and entrapment. A complete juxtaposition to the expansive fields of Highfield Country Park a stones throw to the south.
JAMES STEPHENSON | CHARLIE GRIFFIN
05 | PRECEDENT |
R E- N AT U R A L I S I N G WAT E R CO U R S E S , C R E AT I N G T H I R D L A N D S C A P E S
“THE THIRD LANDSCAPE – AN UNDETERMINED FRAGMENT OF THE PL ANETARY G ARDEN - DESIGNATES THE SUM OF THE SPACE LEFT OVER BY MAN TO LANDSCAPE EVOLUTION – TO N AT U R E A LO N E .“ G I L E S C L E M E N T, T H E T H I R D L A N D S C A P E MANIFESTO (2003) JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
PRECEDENT
ECOLOGICAL PHILOSOPHY
G I L L E S C L É M E N T, T H I R D L A N D S C A P E S THIRD LANDSCAPES Third Landscapes are spaces leftover by man to landscape evolution - to nature alone. They form a priveleged area of receptivity to biological diversity. The variety of species found in a field, cultivated land or managed forest is low in comparison to neighbouring unattended space.
ST NAZAIRE, FRANCE | 2009 Left: Jardins du Tiers-Paysage, Giles Clement.
FROM THIS POINT OF VIEW, THE THIRD L ANDSCAPE CAN BE CONSIDERED AS THE GENETIC R E S E R V O I R O F T H E P L A N E T, T H E SPACE OF THE FUTURE…
(source: | Coloco - https://www.coloco.org/ projets/jardins-du-tiers-paysage/
LILLE, FRANCE | 1990 Right: Parc Matisse, Giles Clement.
G I L L E S C L E M E N T, T H E T H I R D L A N D S C A P E MANIFESTO (2003)
(source: | http://www.gillesclement.com/catbanqueimages-matisse-tit-Parc-Matisse-Lillle
Credit:https://landscapetheory1.wordpress.com/tag/gilles-clement/
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
PRECEDENT
UNCOVERING THE FALLOWFIELD BROOK
W O R K I N G W I T H WAT E R GENEVA, SWITZERLAND | 2016 Top: Renaturation of the River Aire by Atelier Descombes Rampini. (source: Renaturation of the River Aire by Atelier Descombes Rampini « Landscape Architecture Platform | Landezine - http:// landezine.com/index.php/2016/06/ renaturation-of-the-river-aire-geneva/)
BAD OEYNHAUSEN, GERMANY | 2000 Bottom Left: Aqua Park Magica by Agence Ter. (source: Aqua Park Magica by Agence Ter « Landscape Architecture Platform | Landezine - http://landezine.com/index.php/2011/10/ agence-ter-aqua-magica-landscapearchitecture/)
S A INT- OUEN, FRANCE | 2013 Bottom Middle & Right: Park of the Docks by Agence Ter. (source: Park of the Docks by Agence Ter « Landscape Architecture Platform | Landezine - http://landezine.com/index.php/2017/09/ saint-ouen-park-of-the-docks-by-agenceter/)
Credit: Landezine
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
PRECEDENT WET GRASSLANDS
CO N N EC T I N G N AT U R A L S PA C E S PARIS, FR ANCE | 2006 Top: Le Parc du Chemin de l’Ile by Mutabilis Landscape Architecture. (source: Le Parc du Chemin de l’Ile by Mutabilis Landscape Architecture. « Landscape Architecture Platform | Landezine - http://landezine.com/index.php/2015/10/leparc-du-chemin-de-lile-by-mutabilis/)
GOUDA, NETHERLANDS | 2013 Bottom Left: Gouda Oostpolderpark by Maak. (source: Gouda Oostpolderpark by Maak « Landscape Architecture Platform | Landezine - http://landezine.com/index.php/2020/10/ gouda-oostpolderpark/)
NORGES-LA-VILLE, FRANCE | 2013 Bottom Middle & Right: Wet Meadow and Source of the River Norges by Agence Ter. (source: http://landezine.com/index. php/2014/10/wet-meadow-and-source-ofthe-river-norges-by-territoires/)
Credit: Landezine
JAMES STEPHENSON | CHARLIE GRIFFIN
06 | DESIGN |
C R E AT I N G N AT U R E I N C LUS I V E D E S I G N
“LOOK FOR OPPORTUNITIES TO CRE ATE GR ADIENTS, INTEGR ATE HABITATS FOR DIFFERENT SPECIES, DON‘T BE AFRAID OF REL ATIONSHIPS AND CONNECTIONS BEING ALL J U M B L E D U P.“ VINK,VOLL ARD & DE ZWARTE, MAKING U R B A N N AT U R E 2 017 )
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
DESIGN
DAYLIGHTING THE FALLOWFIELD BROOK
U T I L I S I N G T H E U N TA P P E D P OT E N T I A L O F T H E FA L LO W F I E L D B R O O K OPTION 01
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Redirecting the culvert below the Fallowfield Loop to bring it out east of our site allows us to run the brook through the valley of our site. This has the potential for far more ecologically diverse areas.
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ST ANDREWS PRIMARY SCHOOL
OPTION 02 Bringing the Fallowfield Brook to the surface where it is currently culverted will allow for creation of ponds and various water bodies/ features in the northern tip of Highfield Park as well as in the ‘valley‘ of the site.
PROPOSED
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HIGHFIELD COUNTRY PARK
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
DESIGN BIOTOPES
ZONING SITE BY INTENDED BIOTOPE A COMPLEX ECOLOGICAL NETWORK The site has a diverse network of different biotopes linked together by vegetation, water and pathways. This diagram shows how the different biotopes in the site can influence our design decisions and how these connections can enable an increase in biodiversity.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
DESIGN IDE ATION
E A R LY R E P R E S E N TAT I O N O F S E V E R A L I D E A S O N O N E P L A N R EG A R D L E S S O F A P P E A R A N C E
Shielding / screening houses using vegetation.
Potential water body location Variable water level features/ islands
Stairs up to existing lattice bridge
Creation of rest point adjacent to Floop Reorganisation of floop and school entrance interface
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
DESIGN IDE ATION
I N I T I A L T H O U G H T S R EG A R D I N G T H R O U G H WAY S A N D V EG E TAT I O N S T R U C T U R E
Several smaller ponds/ wetland areas
Trees/ Woodland
Wet Grassland/ Meadow Site loci Speed reduction intervention placement Highfield Park meadow and paths
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
DESIGN IDE ATION
L AT T I C E B R I D G E I N S P I R E D B O A R D WA L K A N D W E T W O O D L A N D M E A D O W S Loci
Grassland
Alnus Glutinosa
Wet Meadow
Betula Pendula
Extending boardwalks to rest of site
Inclusion of dam/ bridge feature
Fallowfield brook daylighted
Boardwalk layout inspired by lattice bridge
Major changes to School boundary
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
DESIGN IDE ATION
M E R G I N G N AT U R A L W O R L D S W I T H H U M A N S PA C E S A N D N E E D S PL ATFORM POSITION Exploring location of platform. Here it is shown at northern end of the existing bridge on the highest point of the site
VIEWING PL ATFORM Incorporating viewing platforms into the site to provide new perspectives and views.
IMAGINING SPACES Visualising how the new wet woodland could appear with a dam feature and viewing platform beneath bridge.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
DESIGN
SKETCH MODEL
A W O R K I N G S C A L E M O D E L W I T H I N F I N I T E E D I TA B I L I T Y
USED AS A TOOL TO HELP US SHAPE OUR IDE AS
WORKING WITH SAND Sand was used a base to experiment with ideas of for the boardwalk. The use of sand as a base was helpful in working out the topography of the site and how the water would fill the site when the brook is released from its culvert. As useful as sand was as a sketch model base due to its infinite editability, we rejected it as a material for the final model due to its granularity and colour.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
DESIGN
DEVELOPMENT
E X P LO R I N G D E S I R E PAT H A N D B O A R D WA L K P L A C E M E N T FOLLOWING THE BE ATEN PATH The existing desire lines on the site give good indications as to where to place the connecting boardwalks.
Replacing natural desire paths with boardwalks will protect the ecologically important existing vegetation in the dry and wet meadow areas, at the same time the efficient existing human connections are maintained.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
DESIGN
DEVELOPMENT
U N D E R S TA N D I N G S PA C E S A N D PAT H WAY S | S O U T H E A S T V I E W P O I N T CONNECTING HABITATS Pathways can be created to provide new vistas and entice people to explore the site.
Visitors will be transported from intimate areas of enclosed vegetation to wider open areas of flat grasslands framed by trees.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
DESIGN
DEVELOPMENT
FURTHER IDE A S FOR BIOTOPES AND SPACES | NORTH E A ST VIE WPOINT CRE ATING JUNCTIONS Junctions are important for the site to facilitate ease of movement and reduce potential scenarios for conflict between different users. Here brick platforms have been used at the intersections next to the bridge and the school. The change in surface will slow users down and allow them time to navigate the space safely and efficiently. The extra time spent at these areas will also provide an opportunity to take in the site atmosphere.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
DESIGN
DEVELOPMENT
C R E AT I N G I N T E R E S T A N D P U B L I C E N G A G E M E N T | FA L LO W F I E L D B R O O K A N D C R A N A G E R O A D ALLOTMENT BOARDWALK Here at the rear of Cranage Avenue a boardwalk provides the means to experience the site, formerly allotments.
A zig-zag shape breaks up the linearity of the site and provides access to the brook and to the raised vegetable planters. This area of the site provides a good opportunity for Incredible Edible to expand their green influence.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
DESIGN
DEVELOPMENT
U N D E R S TA N D I N G M I X T U R E O F S PA C E F O R N AT U R E A N D T H R O U G H WAY S | C E N T R A L S I T E B A S I N CRE ATING SPACE FOR FAUNA The inaccessible area created from the construction of the dam provides a good opportunity for nesting sites for birds such as the Sand Martin and Kingfisher both of which live in burrows in river banks. Water Voles, are another threatened species which may come to appreciate the new habitat.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
DESIGN
DEVELOPMENT
VISUALISING FLOW FROM FLOOP INTO SITE ME ADOWS AND WOODL AND | WESTERN ENTR ANCE MAKING AN ENTRANCE After the intimacy of the woodland around the lattice bridge, people will then experience the open freedom of the dry wildflower meadow within the northern edege of Highfield Park.
The site will be revealed to the visitor between stands of Alder and Birch. Floop users will first see the boardwalk leading them into the flower filled wet meadow, an alluring entrance promising further ecological richness in the form of the dam and pond.
The element of surprise created by the succession of different atmospheres will ensure an exciting experience for human visitors.
The noise of running water will soothe the mind and create an atmopshere which people will to remain in and soak up.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
DESIGN
FINAL MODEL
C R E AT I N G T H E S I T E I N T H R E E D I M E N S I O N S 1:500 SCALE SITE MODEL Site model constructed from cardboard, greyboard, wood veneer, sand and glue. This image shows the site looking from a southwest perspective.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
DESIGN
FINAL MODEL
C R E AT I N G T H E S I T E I N T H R E E D I M E N S I O N S 1:500 SCALE SITE MODEL Close up of the site model showing the birdge with metal grid platform below.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
DESIGN
FINAL MODEL
C R E AT I N G T H E S I T E I N T H R E E D I M E N S I O N S 1:500 SCALE SITE MODEL Plan view of the site model showing the location of the boardwalks, bridge and dam.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
DESIGN
FINAL MODEL
C R E AT I N G T H E S I T E I N T H R E E D I M E N S I O N S 1:500 SCALE SITE MODEL The Brickworks model was made from layers of 5mm cardboard sheets. Wood veneer offcuts have been used to show the locations of the boardwalks with the darker line showing the floop. Sand has been used as a texture to represent the areas of grassland that will be created on the site. The left image shows the dam in the foreground with the lattice bridge and floop intersection to the background. The top right image shows a diffierent perspective of the same area looking from east. The bottom right image has the light penetrating from the east which gives an impression of what the site could look like at sunrise.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
PLAN
BIOTOPES
BIOTOPES Water
Wet Woodland
Wet Meadow
Marginal Planting
Woodland
Meadow
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PLAN B U I LT
B U I LT
INTERVENTIONS
Wooden Boardwalk
Brick
Salix Alba
Metal Boardwalk
Existing Paths
Eco Archipelago
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07 | STR ATEGY |
I N C R E A S I N G B I O D I V E R I T Y T H R O U G H W O R K I N G W I T H W H AT I S A L R E A DY T H E R E
“NEVER EXPLAIN THE ECOLOGICAL M E A S U R E S A S A P O S S I B LY N E C E S S A R Y EXTENSION OF THE DESIGN, BUT AS NATUR AL COMPONENTS OF THE WHOLE“ V I N K ,VO LL A R D & D E Z W A R T E , M A K I N G U R B A N N AT U R E 2 017 )
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
V EGETATION STR ATEGY MARGINALS/ AQUATIC
I M P R O V I N G B I O D I V E R S I T Y T H R O U G H A Q UAT I C P L A N T I N G
Careful reedbed management will enable the reeds to act as a water filter and oxygenator. Periodic dredging of the water closest to the banks will also aid circulation and increase the depth of the water which will prevent overheating in the summer month. The addition Water crowfoot (Ranunculus aquatilis), Water moss (Fontinalis antipyretica) and Slender club rush (Isolepis cernua) will add aesthetic and ecological value as well as providing habitat for insects and fish, above and below the water.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
V EGETATION STR ATEGY WET MEADOW
I M P R O V I N G B I O D I V E R S I T Y T H R O U G H W E T M E A D O W C R E AT I O N CRE ATING A WET MEADOW Following the re-emergence of the Fallowfield Brook, the site will become naturally more damp. To increase the biodiversity, a wet meadow wild flower seed mix can be planted to create a wet meadow ecosystem. The mix is 20:80 flowers to grass and contains moisture loving native perennials such as: Filipendula ulmaria (left), Leucanthemum vulgare (middle) and Sanguisorba officinalis (right). Species such as Marsh Orchids (Dactylorhiza spp), and Ragged Robin (Silene flos-cuculi) will eventually flourish. These species are quite common at the nearby Chorlton Ees nature reserve, specimens could potentially be translocated. Woodland management can be used to encourage moisture loving trees. Salix alba would be well suited to this site for the boggy conditions and for the tree‘s water purifying ability. JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
V EGETATION STR ATEGY MEADOW
I M P R O V I N G B I O D I V E R S I T Y T H R O U G H M E A D O W C R E AT I O N CRE ATING A MEADOW The area of grassland at the entrance of Highfield Park is not as wet as the meadow in the area of the brook. The area was formerly the clay pits and the brickworks and the soil is mainly clay. It can be waterlogged in the winter and dry and cracked in the summer. To increase the biodiversity and nimber of species here, a dry meadow wild flower seed mix, suitable for clay soils, can be planted to create a dry meadow ecosystem. The mix is 20:80 flowers to grass and contains native perennials such as: Self heal Prunella vulgaris (left), Common Knapweed Centaurea nigra (middle) and Crested Dogstail Grass Cynosurus cristatus (right).
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
V EGETATION STR ATEGY WOODLAND
IMPROVING BIODIVERSITY THROUGH WOODLAND MANAGEMENT Using woodland management techniques to selectively prune and thin the trees surrounding the woodland pond will allow more light to reach the surface of the water. Planting more Salix alba within the reedbeds will lead to the formation of a helophyte filter which can produce an ecosytem of bacteria which actively remove pollution from the water. Removing the Sycamore from the site and instead planting Betula pendula and Alnus glutinosa will increase the ecological value of the site as well as the aesthetic value. As native trees, birch and alder support more species than sycamore, they are also better sutied to the wetness of the site. Their canopies are also relatively thin which allows more light to reach the woodland floor enocouraging the growth of grasses, ferns and fungi. As a combination birch and alder together looks natural and they form a pairing which is easy on the eye.
JAMES STEPHENSON | CHARLIE GRIFFIN
FAL BR LOWF OO IE K O LD UT
PRIVATE LAND
BO AR
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PRIVATE LAND
WALK BOARD VIEWING PLATFORM
POND OP FLO
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POND
LATTIC
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BOARDW
BOARDWALK FLOOP
CENTRAL PLATFORM
FLOOP
FLOOP
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WOODLAND MANAGEMENT
CRINKLE CRANKLE WALL
WET MEADOW PLANTING
TREES
MARGINAL PLANTING
BOARDWALKS
K DWAL BOAR
ST. ANDREW'S SCHOOL
DRY MEADOW PLANTING
BOARDWALK
FALLOWFIELD BROOK IN HIGHFIELD COUNTRY PARK
BRICKWORKS GENERAL ARRANGEMENT Scale:
1:500 @ A2 0m
JAMES STEPHENSON | CHARLIE GRIFFIN
20m
BRICKWORKS
CONCLUSION MOVING FORWARD
HOW CAN WE INCREASE THE ECOLOGICAL VALUE OF THE FLOOP? HOW CAN WE USE ECOLOGICAL TOOLS TO
C H A N G E H U M A N AT T I T U D E S TO WA R D S U R B A N N AT U R E ?
CONCLUSIONS Defining areas of varying character across the site will allow us to focus in on a smaller area that encompasses a boundary or interface between these characters as we move forward. Whilst the open expanses and the enclosed damp areas are interesting within themselves, it will be the successful design in linking these spaces together coherently that will make the site special. The further we progress through this project the more methods we have found to show evidence of care of the site whilst allowing nature the controlled defined spaces to develop in its own way. Moving forward we will be norrowing in on a smaller section of site and exploring the possibilities that we can find within it. JAMES STEPHENSON | CHARLIE GRIFFIN
L ANDSC APE ATELIER 2C
BRICKWORKS
JAMES STEPHENSON | CHARLIE GRIFFIN
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JAMES.STEPHENSON2@STU.MMU.AC.UK
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CHARLES.GRIFFIN@STU.MMU.AC.UK
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M L A 2 - M A N CH E S T ER M E T R O P O L I TA N U N I V ER S I T Y
BRICKWORKS
CONTENTS & SECTIONS
CONTENTS IDEOLOGY SECTION 01
KEY IDEAS SECTION 02
EXISTING SITE SECTION 03
STR ATEGIC INTERVENTIONS SECTION 04: MESSY ECOSYSTEMS
DESIGN DEVELOPMENT
S EC T I O N 0 5: C R E AT I N G F R A M E S
ECOLOGICAL INTERVENTIONS SECTION 06
TECHNICAL PACK SECTION 07
VISUALISATIONS SECTION 08
APPENDIX
JAMES STEPHENSON | CHARLIE GRIFFIN
01 | IDEOLOGY |
GUIDING VALUES AND PRINCIPLES
“ D E S I G N C A N U S E C U LT U R A L V A L U E S AND TRADITIONS FOR THE APPEARANCE OF LANDSCAPE TO PLACE ECOLOGICAL FUNCTION IN A RECOGNIZABLE CONTEXT“ JOAN NASSAUER, 2007
JAMES STEPHENSON | CHARLIE GRIFFIN
IDEOLOGY | THESIS QUESTIONS |
FR AMING OUR SOLUTIONS
HOW CAN WE INCREASE THE ECOLOGICAL VALUE OF THE FLOOP? HOW CAN WE USE ECOLOGICAL TOOLS TO CHANGE HUMAN AT TITUDES TOWARDS URBAN NATURE?
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
IDEOLOGY
WHY IS BIODIVERSITY VALUABLE?
THE VARIED BENEFITS TO HIGH BIODIVERSIT Y A S W E I N C R E A S I N G LY L I V E I N U R B A N ENVIRONMENTS. THIS DETACHMENT FROM THE NATUR AL WORLD LE ADS TO PEOPLE TO QUESTION BIODIVERSITY‘S IMPORTANCE
M O N O C U LT U R E
Species are all directly and indirectly interacting in an ecosystem. Ecosystems play an integral role in biogeochemical cycles. This includes removing carbon from the atmosphere, cycling nitrogen and other nutrients through soil, and altering the water cycle. Ecosystems with more of their biodiversity intact are more stable. Many of these cycles and processes function as feedback loops, so the loss of some species can trigger an ecological cascade that can trigger extinctions. Ecosystems provide valuable services for humans. These include: Sources of food and medication Crop pollination Products like wood Breakdown of organic wastes Mediation of pollutants Mitigating events like erosion and flooding Protecting ecosystems and humans from infectious diseases The cultural and aesthetic value of biodiversity is also important. Urban greenspace are known to improve psychological well-being, and those benefits improve with increased biodiversity. Studies have shown that people exposed to a natural environment are less stressed, recover from surgery more quickly, and even experience lower crime rates (Credit:soilscience.info)
JAMES STEPHENSON | CHARLIE GRIFFIN
BIODIVERSE
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IDEOLOGY
M E S S Y E CO S Y S T E M S , O R D E R LY F R A M E S
P E R C E I V E D L A N DS C A P E C A R E (R E L E VA N T TO F LO O P); R E- O R D E R I N G T H E E S TA B L I S H E D V O C A B U L A R Y O F ECO LO G Y T O P R O V I D E N E W D E F I N I T I O N S O F AT T R A C T I V E N E S S I N T H E E N V I R O N M E N T. NE ATNESS
STEWARDSHIP
NATUR ALNESS
AT T R AC T I V E
U N AT T R AC T I V E
AT T R AC T I V E
U N AT T R AC T I V E
AT T R AC T I V E
U N AT T R AC T I V E
Fences Flowers Or Shrubs Landscaped Architectural Details Trees In A Row
Dead or Rotten No Flowers No Shade Not Landscaped Not Mown
Conservation Clean Looking Water No Erosion
No Conservation Practice Slimy Looking Water Obvious Erosion
Development Blends In Habitat Native Vegetation Natural Trees Wildlife
Too Formal Too Much Concrete Too Open Bare Flat No Trees
Large Space
Cluttered Construction Work Rubbish Messy
Clean Neat No Rubbish Cared For Maintained Well Kept
Abandoned Neglected Weedy
Mown New No Weeds (source: Nassauer, J, I. Messy Ecosystems, Orderly Frames)
JAMES STEPHENSON | CHARLIE GRIFFIN
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IDEOLOGY
M E S S Y E CO S Y S T E M S , O R D E R LY F R A M E S
PERCEIVED L ANDSCAPE CARE 01
02
Neatness: Unattractive Stewardship: Unattractive Naturalness: Attractive
Neatness: Unattractive Stewardship: Unattractive Naturalness: Attractive
03
04
Neatness: Attractive Stewardship: Attractive Naturalness: Unttractive
Neatness: Attractive Stewardship: Attractive Naturalness: Unttractive
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
IDEOLOGY
M E S S Y E CO S Y S T E M S , O R D E R LY F R A M E S
I M P L E M E N TAT I O N I N P R A C T I C E CLEAR SEPAR ATION OF DIVERSE AREAS Through the use of boardwalks and clearly marked paths, we intend to create areas suited solely for wildlife to live and adjacent areas for humans to travel through and dwell safely within. These areas need not be separate in terms of barriers and visual/ perceived walls, the edges are hard but the seperation is subtle and leaves enjoyable spaces that attract people to them without instruction. In this way less maintenance is required as areas for wildlife can be left to grow truly wild - with only the borders of that area requiring attention and cutting back to hold its defined shape.
02 | KEY IDEAS |
CORE DESIGN PROPOSALS
“ W E F O R G E T, I N A W O R L D C O M P L E T E LY TR ANSFORMED BY MAN, THAT WHAT WE’RE L O O K I N G AT I S N O T N E C E S S A R I LY T H E ENVIRONMENT WILDLIFE PREFER, BUT THE DEPLETED REMNANT THAT WILDLIFE IS HAVING TO COPE WITH: WHAT IT HA S IS N O T N E C E S S A R I LY W H AT I T W A N T S .“ ISABELLA TREE, 2018
JAMES STEPHENSON | CHARLIE GRIFFIN
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KEY IDEAS PRECEDENT
B O A R D WA L K S A N D AT M O S P H E R E I N W O O D L A N D A N D W E T A R E A S SCHÖNEBERGER SÜDGELÄNDE PARK | BERLIN, GERMANY | 2009 HIGHFIELD COUNTRY PARK
FLOOP
ST ANDREWS PRIMARY SCHOOL
JAMES STEPHENSON | CHARLIE GRIFFIN
The raised steel walkways with corten edging in Berlin allow for easy access to all users. They provide a practical and low maintenance material choice in a relatively wet climate and the natural patina of ageing corten adds to the site aesthetic.
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KEY IDEAS PRECEDENT
B O A R D WA L K S A N D AT M O S P H E R E I N O P E N M E A D O W A R E A S WET MEADOW AND SOURCE OF THE RIVER NORGES | FRANCE | 2013 HIGHFIELD COUNTRY PARK
FLOOP
ST ANDREWS PRIMARY SCHOOL
JAMES STEPHENSON | CHARLIE GRIFFIN
We aim to carry the same boardwalk design and materiality throughtout the entire site as a way of holding together the various biotopes. This allows us to create huge contrast across the site by making the most of these wide open spaces to the south.
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KEY IDEAS PRECEDENT
D A M C R E AT I O N TO M I M I C N AT U R A L D A M S A N D E F F EC T S O F B E AV E R S O N E N V I R O N M E N T SLOVENSKY RAJ 2020
| SLOVAKIA |
Without introducing beavers to our site we aim to create interest and variety along the watercourse. The pooling and movement of water allows many types of animal and plant to flourish.
HIGHFIELD COUNTRY PARK
ST ANDREWS PRIMARY SCHOOL
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
KEY IDEAS PRECEDENT
M I L L P O N D - C R E AT I O N O F N E W H A B I TAT T H R O U G H M A N I P U L AT I O N O F E X I S T I N G B R O O K KIRKKOJÄRVI FLOOD PARK | FINLAND | 2014 HIGHFIELD COUNTRY PARK
FLOOP
ST ANDREWS PRIMARY SCHOOL
JAMES STEPHENSON | CHARLIE GRIFFIN
By creating a millpond in the low part of our site we intend to harness the currently culverted Fallowfield Brook and create a central feature to attract animals and people alike. Oppurtunitues are created for a wider range of biodiversity to live within our site.
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KEY IDEAS PRECEDENT
BENCHES GOUDA OOSTPOLDERPARK | NETHERLANDS | 2012 Both the style and placement of the benches in this project appeal. This is due to their minimalist aesthetic and the placement in an extended seating area which allows people to feel part of the throughfare whilst they relax.
HIGHFIELD COUNTRY PARK
FLOOP
ST ANDREWS PRIMARY SCHOOL
JAMES STEPHENSON | CHARLIE GRIFFIN
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KEY IDEAS PRECEDENT
V E R T I C A L N E S T I N G S I T E A N D H A B I TAT C R E AT I O N ARTIFICIAL SAND BANK LANGFORD LOWFIELDS, NEWARK | UK | 2012 With the introduction of the mill pond there will be an increase in small flying insects. To help keep these under control we will install an artificial sand bank nesting site for sand martins (Riparia riparia).
HIGHFIELD COUNTRY PARK
FLOOP
ST ANDREWS PRIMARY SCHOOL
JAMES STEPHENSON | CHARLIE GRIFFIN
03 | EXISTING SITE |
U N D E R S TA N D I N G A N D E N H A N C I N G S I T E ‘ S E X I S T I N G C H A R A C T E R
L ANDSC APE REFLEC TS THE REL ATIONSHIP BET WEEN PEOPLE AND PL ACE . IT IS A PRODUC T OF THE INTER AC TION OF THE NATUR AL A N D C U LT U R A L C O M P O N E N T S O F O U R E N V I R O N M E N T, A N D H O W THEY ARE UNDERSTOOD AND EXPERIENCED BY PEOPLE. CHRISTINE TUDOR, NATUR AL ENGL AND
JAMES STEPHENSON | CHARLIE GRIFFIN
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EXISTING SITE WHAT IS L ANDSC APE?
L
C
ture Tex rn tte a P
As
EO
Touch/ feel
so cia tio ns
P
Smell s
Sou nds
Fo rm
SI
Memo ries
ces eren Pref
G
HT
CIAL
Time depth
LANDSCAPE
Colour
P
LE
PERCEPTUAL (source: Tudor, C. An Approach to Landscape Character Assessment)
SO
t en m tle t e Se sur o l c En rship e n ow Land
L/
y
RA
ate lim &C
Geolo g
U
Soils
Air
Hy dr ol og Lan y dfo rm
U LT
N
AT
A UR
La nd us e
E
Land c ov flora & er/ fauna
A
C
P
L
T H E VA R I O US WAY S T H AT P EO P L E , P L A C E S A N D L I V I N G T H I N G S I N T E R A C T TO C R E AT E C H A R A C T E R
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EXISTING SITE
VERTIC AL STR ATIFIC ATIONS
UNDER STORE Y
JAMES STEPHENSON | CHARLIE GRIFFIN
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EXISTING SITE
VERTIC AL STR ATIFIC ATIONS
MIDDLE STORE Y
JAMES STEPHENSON | CHARLIE GRIFFIN
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EXISTING SITE
VERTIC AL STR ATIFIC ATIONS
UPPER STORE Y
JAMES STEPHENSON | CHARLIE GRIFFIN
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EXISTING SITE EXPERIENCE
OVERVIEW OF EXPERIENCES WITHIN SITE
OPEN GRASSLAND
DENSE SCRUB
DESIRE PATH
DENSE WOODLAND
JAMES STEPHENSON | CHARLIE GRIFFIN
HARD PATHWAY
FALLOWFIELD BROOK
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EXISTING SITE EXPERIENCE
OPEN GRASSLAND Large uninterupted sky expanse. Patterns of clouds add to visual composition
Variations of tree species visible in distance Coarse texture of woodland in background, fine texture of grass in foreground Brown and yellow shades - rough and tactile
Fresh greens - smooth and uniform. Limited/ no variation in ground colour
LIGHT IN SECTION
MOISTURE Ambient noise: Wind and nearby town
Visual sight is uninterupted and next archtype is clearly visible and identifiable. Physical movement across site is easy and vegetation is of a smooth nature.
JAMES STEPHENSON | CHARLIE GRIFFIN
Fauna noise: Birds on woodland edge
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EXISTING SITE EXPERIENCE
DENSE SCRUB Relatively small proportion of sky in view, impinged by upper scrub and saplings.
Variations of species visible up close within scrub. Smooth texture gives way to coarse the further into the scrub you look. Brown and yellow shades - rough and tactile
Fresh greens - wider range of green hues in longer grasses and ruderal species.
LIGHT IN SECTION Visual sight is harshly blocked, scrub becomes inpenetrable with no through views.
MOISTURE Ambient noise: Muffled distant pedestrians
Fauna noise: Small mammals and birds in scrub
Physical movement across site is impossible for humans and grazing large mammals.
JAMES STEPHENSON | CHARLIE GRIFFIN
Fauna noise: Birds flying above scrub
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EXISTING SITE EXPERIENCE
DESIRE PATH Limited sky visible. Mosaic appearnace through tree tops.
Tree species visible both close up and in distance. Coarse texture of woodland in background, coarse texture of brambles in foreground Brown and grey shades - rough and aggressive. Muddy path from foot erosion with ruderal vegetation at immediate edge. Dark and varied greens beside path.
LIGHT IN SECTION Visual sight is uninterupted in forward direction only, emphasising route of path.
MOISTURE Fauna noise: Birds flying above path Fauna noise: Small mammals and birds in trees and scrub
Physical movement across site is easy along path. Impassable away from worn path.
JAMES STEPHENSON | CHARLIE GRIFFIN
Ambient noise: Muffled distant Floop traffic
BRICKWORKS
EXISTING SITE EXPERIENCE
DENSE WOODLAND Almost no sky visible, what you can see is broken up by upper branches of trees. Intense mix of species of trees and scrub forming dense and inpenetrable background Sheer number of trees and plants creates almost smooth background due to complexity. Nearby brown and green shades rough and tactile.
Deep greens on woodland floor comprised of ferns and other shade loving ruderal species.
LIGHT IN SECTION Visual sight and focus is forced to be almost completely immediate.
MOISTURE
Fauna noise: Birds flying above Environment noise: Trees blowing in wind, rustling and creaking
Physical movement across site is heavily compromised but possible with care.
JAMES STEPHENSON | CHARLIE GRIFFIN
Fauna noise: Small mammals and birds in trees and scrub
Ambient noise: Muffled distant houses
BRICKWORKS
EXISTING SITE EXPERIENCE
HARD PATHWAY Open atmosphere but sky still hidden by canopy of trees.
Variations of tree species visible in distance Coarse texture of woodland in background Grey artificial asphalt floor is sterile and uninteresting, but practical.
Fresh greens - smooth and uniform alongside path. Limited variation in ground colour
LIGHT IN SECTION Visual sight is uninterupted and next archtype is clearly visible and identifiable.
MOISTURE Ambient noise: School playground
Environment noise: Nearby users of Floop
Physical movement across site is deliberately easy and flanking is gentle and maintained.
JAMES STEPHENSON | CHARLIE GRIFFIN
Fauna noise: Small mammals and birds in trees and meadow
BRICKWORKS
EXISTING SITE EXPERIENCE
FALLOWFIELD BROOK Sky in view, visible above adn below in reflection on water. Creates atmosphere of calm and space
Trees, scrub and woodland visible in distant background Glassy texture of water gives way to coarse marginal plants suited for wet soils. Green and brown shades - rough, tactile and vibrant.
Darkness of water even at shallow depth enhances mirror finish and hides underwater habitat
LIGHT IN SECTION
MOISTURE Environment noise: Brook gurgling past
Visual sight is uninterupted along length of water channel. Banks impinge view to sides. Fauna noise: Water voles scurrying along banks
Physical movement across site is only possible through water. Forms a natural porous barrier
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
EXISTING SITE WILDLIFE
SUPPORTED WILDLIFE | SELECTION FROM 33 MAMMALS, 182 BIRD SPECIES AND 100‘S OF INSECT SPECIES LESSER REDPOLL
SPARROWHAWK
LONG TAILED TIT
KINGFISHER
GREY HERON
WATER VOLE
ACANTHIS CABARET
ACCIPITER NISUS
AEGITHALOS C AUDATUS
ALCEDO AT THIS
ARDEA CINEREA
ARVICOLA AMPHIBIUS
GREENFINCH
L ARGE HE ATH
JACKDAW
GRE AT SPOT TED WOODPECKER
HEDGEHOG
KESTREL
CHLORIS CHLORIS
COENONYMPHA TULLIA
CORVUS MONEDULA
DENDROCOPOS MAJOR
ERINACEINAE
FALCO TINNUNCULUS
JAY
HARVEST MOUSE
GRE AT TIT
PIPISTRELLE BAT
DUNNOCK
SONG THRUSH
GARRULUS GLANDARIUS
MICROMYS MINUTUS
PARUS MAJOR
PIPISTRELLUS PIPISTRELLUS
PRUNELLA MODULARIS
TURDUS PHILOMELOS
JAMES STEPHENSON | CHARLIE GRIFFIN
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EXISTING SITE TREE SPECIES
FLOOP
FIELD STUDY 1:200 @ A3
HIGHFIELD COUNTRY PARK
FLOOP
PRIVATE L AND
ST ANDREWS PRIMARY SCHOOL
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EXISTING SITE TREE SPECIES
FIELD STUDY SECTIONS 1:200 @ A3
01 02
03
01
01
03
02
02
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EXISTING SITE TREE SPECIES
FIELD STUDY SECTIONS 1:200 @ A3
03
02
03
01
02
01
03
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EXISTING SITE TREE SPECIES
FLOOP
1:200 @ A3 Acer Pseudo-Platanus Sycamore
Alnus Glutinosa Alder
Betula Pendula
HIGHFIELD COUNTRY PARK
Silver Birch
Corylus Avellana Hazel
Fraxinus Excelsior Ash
Populus Nigra Lombardy Poplar
Quercus Robur Oak
Salix Fragilis Crack Willow
Salix Scouleriana Scouler Willow
FLOOP
PRIVATE L AND
ST ANDREWS PRIMARY SCHOOL
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EXISTING SITE
TREE E VALUATION CRITERIA
DECIDING WHICH TREES TO EITHER KEEP OR REMOVE ACER PSEUDOPL ATANUS
ALNUS GLUTINOSA
GROWTH
GROWTH
Rapid and often exceeds 50cm per year in early stages.
Fairly fast in early stages. If coppiced, a bush form is assumed by the secondary growths.
SOIL Widely tolerant, but prefers gravel lying over clay or a stiff calcerous loam.
CLIMATE Very hardy and firm rooted. Endures frost and wind, sea gales and salt spray.
HABITAT Woodland and common, becoming locally dominant in certain areas where deep loam overlies chalk. Occasionslly codominant with beech on chalk.
KEEP/ REMOVE Remove due to dominant nature and relatively poor biodiversity support. Allows space for more biodiversity supportive species to be included in planting plan. Only need to remove 2 existing Acers within the site.
SOIL Can grow in extremely wet positions provided mineral salts are not lacking. Strong loams and heavy soils suit it best.
CLIMATE Very hardy. Quite frim against wind.
HABITAT Frequently used to hold river banks against erosion, also seen at waters edge of meres and lakes.
KEEP/ REMOVE Keep, supports wide range of biodiversity and is well suited to the wetter areas of our site.
BRICKWORKS
EXISTING SITE
TREE E VALUATION CRITERIA
DECIDING WHICH TREES TO EITHER KEEP OR REMOVE BETULA PENDULA
FRAXINUS EXCELSIOR
GROWTH
GROWTH
Fast growing at younger stage, forms a slender, graceful tree that casts a very light shadow.
Fairly fast in early stages, often as much as 40cm a year.
SOIL
Chalk, limestone and any alkaline soils. Also grows well on moist loams and boulder clay.
Light sandy loam. Though tolerant of many types.
CLIMATE Very hardy, enduring wind and frost.
HABITAT It will grow in very moist positions. Will hybridise freely with Betula pubescens on intermediate soils. Often found with heather, gorse and pines.
KEEP/ REMOVE Keep, second only to Quercus robur in biodiversity support. Particularly good for moths. Native species and tolerant of wide range of soil conditions. Makes up most of the existing trees on site.
SOIL
CLIMATE Young shoots may be injured by late spring frosts, but the tree is generally hardy.
HABITAT Historically a dominant woodland tree on moist hillsides. Grows in association with oak on boulder clay. A common hedgerow tree in alkaline soils.
KEEP/ REMOVE Keep: Unable to spec ash for new landscape planting currently so try to hold onto as many as possible and hopefully they avoid the ash dieback.
BRICKWORKS
EXISTING SITE
TREE E VALUATION CRITERIA
DECIDING WHICH TREES TO EITHER KEEP OR REMOVE POPULUS NIGRA
QUERCUS ROBUR
GROWTH
GROWTH
Very fast in early stages, annual growth of up to 80cm. Compact erect branches.
Slow. grown in the open, the mature tree develops a spread greater than height
SOIL
SOIL
For good growth, requires moist rich silt, or gravelly loams.
Tolerant of wide range of conditions but best on loams overlying clay.
CLIMATE
CLIMATE
Hardy but liable to damage by gales when older.
Very hardy against wind and winter. Normally a tree of lowland areas.
HABITAT No native habitat but used extensively for avenues and windbreaks along roads throughout Europe.
KEEP/ REMOVE Keep: with only one on our site it forms a focal point next to our intended mill pond site. Silts brough tin by brook should aid its effective growth.
HABITAT Dominant woodland tree on all the heavier soils on UK. Deep rooted and casts moderate shade so combines well with other woodland planting. Floor beneath often richly carpeted with flowering plants.
KEEP/ REMOVE Keep: Supports highest range of biodiversity of any native UK tree.
BRICKWORKS
EXISTING SITE
TREE E VALUATION CRITERIA
DECIDING WHICH TREES TO EITHER KEEP OR REMOVE SALIX FRAGILIS GROWTH Rapid in suitable soils. Foliage and shade of medium density.
SOIL Moist valley loam, deep and preferably light, though it will grow in heavy clays.
CLIMATE Hardy tree, endures exposed positions.
HABITAT Used to prevent erosion of riverbanks. With poplars, alder, birch and ash it forms mixed fen woods.
KEEP/ REMOVE Keep: Native to UK and covers large area of site in the lower wetter soils. Hardy and fast growing so increases tree cover of site well in a relativeyl short space of time.
0 4 | STR ATEGIC INTERVENTIONS |
MESSY ECOSYSTEMS
SO ABUNDANT AND NOVEL ARE THE OBJECTS OF INTEREST IN A WILDERNESS THAT UNLESS YOU ARE PURSUING SPECIAL STUDIES IT MAT TERS LIT TLE WHERE YOU GO, OR HOW OF TEN TO THE SAME PL ACE . WHERE V ER YOU CHANCE TO BE ALWAYS SEEMS AT THE MOMENT OF ALL PLACES THE BEST JOHN MUIR, 1914
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
STR ATEGIC INTERVENTIONS BIOTOPE MANAGEMENT AREAS
FLOOP
1:200 @ A3
BIOTOPE MANAGEMENT AREAS
HIGHFIELD COUNTRY PARK
Water Marginal Planting Wet Meadow Woodland Meadow
FLOOP
PRIVATE L AND
ST ANDREWS PRIMARY SCHOOL
BRICKWORKS
STR ATEGIC INTERVENTIONS WOODLAND
MESSY ECOSYSTEM: WOODL AND
P R E C E D E N T: M I X E D N AT I V E W O O D L A N D HIGHFIELD COUNTRY PARK, MANCHESTER
P R E C E D E N T: U P L A N D B I R C H W O O D SCOTLAND
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STR ATEGIC INTERVENTIONS WOODLAND
W O O D L A N D P L A N T I N G & S T R AT EG Y
QUERCUS PETRAEA Sessile Oak
SORBUS AUCUPARIA Mountain Ash (Rowan)
BETULA PENDULA Silver Birch
CR ATAEGUS MONOGYNA Hawthorn
MAT TEUCCIA STRUTHIOPTERIS Shuttlecock Fern: spreads slowly by underground rhizomes. The offsets can be dug up and moved in spring, but plants look best when left to form colonies.
WOODLAND FLOOR Left undisturbed to preserve scrubland habitat in these areas. Also encourages seeding of new saplings. JAMES STEPHENSON | CHARLIE GRIFFIN
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STR ATEGIC INTERVENTIONS WOODLAND
WOODLAND TREES BETULA PENDULA
QUERCUS PETRAEA
Silver birch
Sessile oak
Silver birch provides food and habitat for more than 300 insect species – the leaves attracting aphids which provide food for ladybirds and other species further up the food chain. The leaves are also a food plant for the caterpillars of many moths. Birch trees are particularly associated with many specific fungi. Woodpeckers and other hole-nesting birds often nest in the trunk, while the seeds are eaten by siskins, greenfinches and redpolls.
Oak trees support more wildlife than any other native trees. They provide a habitat for more than 257 species of insect, which are the food source for birds and other predators. The bark also provides a habitat for mosses, lichens and liverworts, and deadwood cavities for nesting birds and roosting bats. The acorns are eaten by a number of birds and mammals. The soft leaves break down with ease in autumn and form a rich leaf mould beneath the tree, supporting beetles and numerous fungi.
CR ATAEGUS MONOGYNA
SORBUS AUCUPARIA
Hawthorn
Mountain Ash (Rowan)
Common hawthorn can support more than 300 insects. It is the foodplant for many caterpillars of moths,. Its flowers are eaten by dormice and provide nectar and pollen for bees and other pollinating insects. The haws are rich in antioxidants and are eaten by migrating birds, such as redwings, fieldfares and thrushes, as well as small mammals. The dense, thorny foliage makes fantastic nesting shelter for many species of bird.
The leaves are eaten by the caterpillars of a number of moths, including the larger Welsh wave. Caterpillars of the apple fruit moth feed on the berries. Flowers provide pollen and nectar for bees and other pollinating insects, while the berries are a rich source of autumn food for birds, especially the blackbird, mistle thrush, redstart, redwing, song thrush, fieldfare and waxwing.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
STR ATEGIC INTERVENTIONS WOODLAND
IMPROVING BIODIVERSITY THROUGH WOODLAND MANAGEMENT WOODLAND MANAGEMENT Using woodland management techniques to selectively prune and thin the trees surrounding the woodland pond will allow more light to reach the surface of the water.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
STR ATEGIC INTERVENTIONS WOODLAND
IMPROVING BIODIVERSITY THROUGH WOODLAND MANAGEMENT TREE SPECIES SELECTION Removing the Sycamore from the site and instead planting Betula pendula and Alnus glutinosa will increase the ecological value of the site as well as the aesthetic value. As native trees, birch and alder support more species than sycamore, they are also better sutied to the wetness of the site. Their canopies are also relatively thin which allows more light to reach the woodland floor enocouraging the growth of grasses, ferns and fungi.
BETULA PENDULA Thin canopies allow for growth of ferns and other woodland floor species below.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
STR ATEGIC INTERVENTIONS WET MEADOW & MARGINALS
MESSY ECOSYSTEMS: WET MEADOW & MARGINALS
P R E C E D E N T: W O O D L A N D/ W E T M E A D O W B O U N D A R Y BIDDENFIELD HIGH WOOD, HAMPSHIRE
P R E C E D E N T: R E N AT U R AT I O N O F T H E R I V E R A I R E GENEVA, SWITZERLAND
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STR ATEGIC INTERVENTIONS WET MEADOW & MARGINALS
M E S S Y ECO S Y S T E M S : W E T M E A D O W & M A R G I N A L , U N D E R S TA N D I N G T H E S PA C E S A N D S U I TA B L E P L A N T I N G
L AT TICE BRIDGE How can we design the planting so it is suitable to run all the way up to the base of the bridge? Whilst outside of scope in this project, the bridge forms an important atmospheric consideration just outside our border.
MARGINAL REEDS How does interaction of reeds work alongside preliminary design of boardwalk/ path locations. How do they frame the views and site.
PLANTING MIX Preliminary planting mix used as a starting point to see how everything could be located within pond surroundings
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
STR ATEGIC INTERVENTIONS WET MEADOW & MARGINALS
W E T M E A D O W U N D E R S TO R E Y & M A R G I N A L S P L A N T I N G & S T R AT EG Y SANGUISORBA OFFICINALIS Great burnet
REEDBED MANAGEMENT
FILIPENDULA ULMARIA
Phragmites australis
Meadowsweet
ISOLEPIS CERNUA
LEUCANTHEMUM VULGARE
Slender club rush
Oxeye daisy
NYMPHAEA ALBA Alba water lily
FONTINALIS ANTIPYRETICA Water moss
RANUNCULUS AQUATILIS Water crowfoot
LARGE SURFACE ARE A OF WATER The larger the surface area the more the plants in and around the water can photosynthesise and maintain high oxygen levels. JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
STR ATEGIC INTERVENTIONS WET MEADOW & MARGINALS
WET MEADOW SPECIES SANGUISORBA OFFICINALIS
LEUCANTHEMUM VULGARE
Great burnet
Oxeye daisy
A hardy, herbaceous perennial native to the United Kingdom. The flowers are an oval, pompom shape and are extremely attractive to bees. Can be found growing in damp grasslands and meadows, and along the edges of lakes and rivers. The foliage is said to have a cucumber scent.
Similar in appearance to the daisies you’d find in a lawn, although with bigger flowers and taller stems. Their white petals with yellow centres put on a show from June to August. They’re loved by pollinating insects.
FILIPENDULA ULMARIA
RANUNCULUS AQUATILIS
Meadowsweet
Water crowfoot
This moisture-loving plant puts on a display of fluffy-white flowers in high summer. It selfseeds if it’s in a plot it likes, meaning if you’re lucky it will increase year after year.
This British Native oxygenator grows long strands of attractive feathery fronds under water with dainty white flowers appearing above the water from April to June. It loves moving water but is also fine in still water.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
STR ATEGIC INTERVENTIONS WET MEADOW & MARGINALS
W E T M E A D O W M I D A N D U P P E R S TO R E Y P L A N T I N G & S T R AT EG Y
ALNUS GLUTINOSA
SALIX ALBA
Alder
Planting Salix alba near the reedbeds will lead to the formation of a helophyte filter which can produce an ecosytem of bacteria which actively remove pollution from the water.
WET MEADOWS AND MARGINALS PLANTING
VIBURNUM OPULUS
As shown on previous pages
Guelder rose: Important addition for wildlife as it both flowers and fruits. The addition of flowering woody shrubs will also act as a cue to care for the public in the space.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
STR ATEGIC INTERVENTIONS WET MEADOW & MARGINALS
WET MEADOW TREES & SHRUBS ALNUS GLUTINOSA Alder Alder is the food plant for the caterpillars of several moths.. Catkins provide an early source of nectar and pollen for bees, and the seeds are eaten by the siskin, redpoll and goldfinch. The wet conditions found in alder woodland are ideal for a number of mosses, lichens and fungi, along with the small pearl-bordered fritillary and chequered skipper butterflies, and some species of crane fly. Alder roots make the perfect nest sites for otters..
VIBURNUM OPULUS Guelder rose Flamboyant, romantic, wildlife beacon. The guelder rose brightens woods with spring blossom, autumn colour and vibrant berries. The red berries are an important food source for birds, including bullfinch and mistle thrush. The shrub canopy provides shelter for other wildlife. The flowers are especially attractive to hoverflies.
SALIX ALBA White willow The white willow is the largest species of willow, with mature trees growing up to 25m. They often have an irregular, leaning crown Caterpillars of a number of moth species feed on white willow leaves. The catkins are an important source of early nectar and pollen for bees and other insects, and the branches make good nesting and roosting sites for birds.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
STR ATEGIC INTERVENTIONS WET MEADOW & MARGINALS
I M P R O V I N G B I O D I V E R S I T Y T H R O U G H W E T M E A D O W C R E AT I O N CRE ATING A WET MEADOW Following the re-emergence of the Fallowfield Brook, the site will become naturally more damp. To increase the biodiversity, a wet meadow wild flower seed mix can be planted to create a wet meadow ecosystem. The mix is 20:80 flowers to grass and contains moisture loving native perennials such as: Filipendula ulmaria, Leucanthemum vulgare and Sanguisorba officinalis. Species such as Marsh Orchids (Dactylorhiza spp), and Ragged Robin (Silene flos-cuculi) will eventually flourish. These species are quite common at the nearby Chorlton Ees nature reserve, specimens could potentially be translocated.
ALNUS GLUTINOSA Well suited to this site for the boggy conditions and for the tree‘s ability to firm up the river banks.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
STR ATEGIC INTERVENTIONS WET MEADOW & MARGINALS
I M P R O V I N G B I O D I V E R S I T Y T H R O U G H A Q UAT I C P L A N T I N G REEDBED MANAGEMENT Careful reedbed management will enable the reeds to act as a water filter and oxygenator. Periodic dredging of the water closest to the banks will also aid circulation and increase the depth of the water which will prevent overheating in the summer month. The addition Water crowfoot (Ranunculus aquatilis), Water moss (Fontinalis antipyretica) and Slender club rush (Isolepis cernua) will add aesthetic and ecological value as well as providing habitat for insects and fish, above and below the water.
PHRAGMITES AUSTRALIS Norfolk reeds
RANUNCULUS AQUATILIS Water crowfoot JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
STR ATEGIC INTERVENTIONS MEADOW
MESSY ECOSYSTEM: MEADOW
P R E C E D E N T: S O L I TA R Y P I N U S S Y LV E S T R I S CLARE, IRELAND
P R E C E D E N T: W I L D F L O W E R M E A D O W SUSSEX
BRICKWORKS
STR ATEGIC INTERVENTIONS MEADOW
M E A D O W U N D E R S TO R E Y P L A N T I N G A N D S T R AT EG Y
CYNOSURUS CRISTATUS Crested dogs-tail grass
CALAMAGROSTIS
CENTAURE A NIGRA
Feather reed grass
Common knapweed
PRUNELLA VULGARIS Self heal
LEUCANTHAMUM Shasta daisy
MEADOW STR ATEGY The mix is 40:60 flowers to grasses and contains native perennials. Existing area cleared to bare soil and started again using seed and plug plants
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
STR ATEGIC INTERVENTIONS MEADOW
MEADOW PERENNIAL SPECIES CENTAURE A NIGRA
LEUCANTHEMUM VULGARE
Common Knapweed
Oxeye daisy
Thistle-like, vibrant-purple blooms, which reappear every year, once established. They provide a real burst of colour and attract bees and butterflies. Their seed heads provide food for birds.
Similar in appearance to the daisies you’d find in a lawn, although with bigger flowers and taller stems. Their white petals with yellow centres put on a show from June to August. They’re loved by pollinating insects.
CYNOSURUS CRISTATUS
PRUNELLA VULGARIS
Crested dogs-tail
Self heal
A characteristic grass of flowerrich meadows, crested dogstail is tough enough to crowd out weeds whilst still allowing your flowers to grow. Although quite short-lived, the unusual flat flower heads release huge quantities of seeds each year to keep the display going.
This purplish blue-flowered perennial was once an important therapeutic plant – its leaves were crushed and used to dress skin wounds and syrup made with the flowers and leaves was thought to cure sore throats.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
STR ATEGIC INTERVENTIONS MEADOW
M E A D O W U P P E R S TO R E Y P L A N T I N G A N D S T R AT EG Y
PINUS S Y LV ESTRIS Scots pine: Well suited to being a solitary tree, emphasises the openness of the meadow in comparison to other more enclosed areas of the site.
MEADOW PLANTING MIX As shown on previous pages
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
STR ATEGIC INTERVENTIONS MEADOW
MEADOW TREE SPECIES PINUS S Y LV ESTRIS Scots pine A truly stunning tree. It is one of only three native conifers, and our only native pine. Scots pine is monoecious, meaning both male and female flowers grow on the same tree. Male flowers comprise clusters of yellow anthers at the base of shoots. Female flowers are small, red-purple and globular, and grow at the tips of new shoots. Found naturally in The Caledonian forest, which is a priority habitat under the UK Biodiversity Action Plan and is home to rare species such as the creeping lady’s tresses and lesser twayblade orchids; the Scottish wood ant and Rannoch looper; and the capercaillie, crested tit and Scottish crossbill. Mammals include red squirrel, pine marten and Scottish wildcat.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
STR ATEGIC INTERVENTIONS MEADOW
I M P R O V I N G B I O D I V E R S I T Y T H R O U G H M E A D O W C R E AT I O N CRE ATING A MEADOW The area of grassland at the entrance of Highfield Park is not as wet as the meadow in the area of the brook. The area was formerly the clay pits and the brickworks and the soil is mainly clay. It can be waterlogged in the winter and dry and cracked in the summer. To increase the biodiversity and nimber of species here, a dry meadow wild flower seed mix, suitable for clay soils, can be planted to create a dry meadow ecosystem.
MEADOW MIX Well suited to this site for the dryer conditions and the open expanses of full sun with limited tree cover.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
STR ATEGIC INTERVENTIONS DAM VEGETATION
MESSY ECOSYSTEM: DAM
P R E C E D E N T: F E R N S A N D C A S C A D E USA
P R E C E D E N T: M AT T E U C C I A S T R U T H I O P T E R I S AT S U NS E T | M O B B E R LE Y. C H E S H I R E
BRICKWORKS
STR ATEGIC INTERVENTIONS DAM VEGETATION
D A M P L A N T I N G A N D S T R AT EG Y
MAT TEUCCIA STRUTHIOPTERIS Shuttlecock fern
DAM STR ATEGY Initially plant matteuccia struthiopteris into the gabion basket front faces. This will quickly naturally be joined by many moss and lichen species. Over time the dam will self regulate where the planting spreads to based on the volume of water and climate of season.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
STR ATEGIC INTERVENTIONS DAM VEGETATION
DAM SPECIES MAT TEUCCIA STRUTHIOPTERIS Shuttlecock fern A large deciduous fern found growing in damp woodland, by streams and lakes, and in fen carr under Betula. It tolerates a range of soil pH, but prefers waterlogged clay substrates. It spreads through the production of stolons. Found in lowland areas naturally. Ecologically, Matteuccia struthiopteris will attract many lepidoptera, whose larval form will feed on the plants foliage.
JAMES STEPHENSON | CHARLIE GRIFFIN
05 | DESIGN DEVELOPMENT |
OR DER LY FR A MES
L ANDSC APE L ANGUAGE THAT COMMUNIC ATES HUMAN INTENTION, PA R T I C U L A R LY I N T E N T I O N T O C A R E F O R T H E L A N D S C A P E , OFFERS A POWERFUL VOCABULARY FOR DESIGN TO IMPROVE ECOLOGICAL QUALITY JOAN NASSAEUR, 2007
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
DESIGN DEVELOPMENT BOARDWALKS
OR DER LY FR A MES: B OA R DWA LK S
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
DESIGN DEVELOPMENT BOARDWALKS
PRECEDENT NATUR- PARK SCHÖNEBERGER SÜDGELÄNDE | BERLIN Top: The pathways have been designed around existing trees as a way of emphasising the values of the park.
WET MEADOW AND SOURCE OF THE RIVER NORGES | FRANCE Right: Directly bisecting an otherwise difficult terrain to navigate the boardwalk here allows for users to focus on the nature around them more easily without worrying about their footing.
THE LANDSCAPE THERAPEUTIC PARK | GERMANY Bottom: Clever use of horizontal units mounted at different heights on the bank to form stairs. Makes construction easy and allows for a coherent design even in areas requiring stairs.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
DESIGN DEVELOPMENT BOARDWALKS
O R D E R LY F R A M E S : E S TA B L I S H I N G R O U G H L AYO U T F R O M L A 2 B
WATER Pond and waterside boardwalk
EXISTING TREES Indication of trees on site to inform placement of boardwalks
RAMP ENTRANCE Sloped boardwalk to allow accessability for all users.
INTERSECTION
DAM
Key intersection of paths that needs a design solution
Proposed site for a bridge and/ or dam
FLOOP Existing route of Floop through site
PRIVATE PROPERTY Fence line around property at top of bank.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
DESIGN DEVELOPMENT BOARDWALKS
O R D E R LY F R A M E S : E A R LY CO N C E P T S I N C LU D I N G T H O U G H T S O N V EG E TAT I O N
SHAPE INTEREST
EXPANDING FLOOP
Adding shape to path to create oppurtunity for users to pause
Early ideas for how to expand areas of intersections to reduce congestion
MATERIALIT Y Which materials to use in which areas of boardwalks?
MEADOWS Viewpoint incorporated into boardwalk over meadow
TREE PLANTING Designing location and shape of boardwalk with one eye on future planting
SCHOOL ACCESS Making sure we include school access in design ideas from the very start.
RAMP Ramped access to southern side of site as well as Northern side.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
DESIGN DEVELOPMENT BOARDWALKS
OR DER LY FR A MES: V ISUA L ISING B A SIC B OA R DWA L K L AYOUT A S A SK E TCH PER SPEC TI V E
RAMPED ACCESS Route that ramped access takes from entry to waterside. Platform is out of our site bounds but worth considering regardless.
PL ATFORM SIZE Impact that platform would have on site if bought within our site bounds. Would ramped entry be too steep?
POND
DAM VIEW
How large should the pond be and how will this interact with the surrounding boardwalks in terms of scale.
Understanding interaction between boardwalks and view of dam/ pond
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
DESIGN DEVELOPMENT BOARDWALKS
O R D E R LY F R A M E S : I M A G I N E D V I E W I N TO S I T E F R O M P L AT F O R M O U T S I D E E A S T E R N B O U N D S
CUTOUTS
LEVELS How would both stairs and a ramp come together at end of bridge and/ or dam?
Starting to work cutouts for existing trees into boardwalk design and location.
EDGES Comparing hard edges of boardwalk to softer edges of more natural waters edge on far side of pond
BORDER What border will the boardwalk have and how high will it be, what is its purpose? Aesthetic, safety or a guide for visually impared?
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
DESIGN DEVELOPMENT BOARDWALKS
OR DER LY FR A MES: E X IS TING TR EES A ND INTER AC TION WITH B OA R DWA L K S
CUTOUTS
INTERSECTION
Breaking up straight lines of board walk and showing respect to the existing trees. Reflects the values of improving the existing site and not just starting again.
Development of solving the intersection problem and creating space to remove congestion
REST Hinting at potential locations for benches later on in the design process.
PAUSE Configuring spaces for pause along the boardwalk. Allows users to enjoy their surroundings without feeling ‚in the way‘.
CANOPY Considering the size of tree canopies in the layout of the boardwalks to make the most of light and shade.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
DESIGN DEVELOPMENT BOARDWALKS
OR DER LY FR A MES: DE SIGNING IN SEC TION
SCALE Using the placement/ size adn proportions of existing trees from our field drawings to retain character of site in our design process.
STAIRS Understanding the need for stairs and visualising the location and severity of slope they must ascend.
PEOPLE
ELE VATION
Using people to begin to pull together the overall scale for our proposals. Ensure that spaces are not too large or small for pleasurable use.
Showing the boardwalk raised above the surface fo the water and how this would be experienced by user.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
DESIGN DEVELOPMENT BOARDWALKS
OR DER LY FR A MES: PA LIMPSES T
NEW TREES Location and approximate size of new trees to be introdued to site. How can the boardwalk frame these and allow interaction with users.
EXISTING TREES Showing location, numnber of stems and size of trees to clarify final boardwalk position an ddesign.
SHAPE Distilling final form for boardwalks iteratively each drawing.
CONTOURS Fitting boardwalk expanded areas into spaces that work with contours and levels of site
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
DESIGN DEVELOPMENT BOARDWALKS
OR DER LY FR A MES: USER S V IE W OF S CHO OL ENTR A NCE
FLOOP How can we match up start of boardwalks to edge of existing floop as seamlessly as possible.
DEFINED EDGES Visualising how the hard edges of the boardwalks form orderly frames for the messy meadow around them
MATERIALIT Y Using the perspective views to better understand the appearance of different materials used on the baordwalk. In this case, wood.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
DESIGN DEVELOPMENT BOARDWALKS
O R D E R LY F R A M E S : AT M O S P H E R I C V I E W O F R A I S E D B O A R D WA L K A LO N G P O N D E D G E
ANGLES Using the angles of the boardwalk to break up the straight edge of the pond. Creates visual interest and allows users to feel as though they are moving out above the water.
SLOPE Visualising the way the land slopes up from the edge of the board walk on this side. Increasingly confident in the designa ndits placement on the site. JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
DESIGN DEVELOPMENT BOARDWALKS
OR DER LY FR A MES: 3D MODEL OF PR E V IOUS SK E TCH DESIGNS
SUPPORTS Final decision for edging and proportion. Corten steel edging in a square section to act as visual and physical barrier to edge of boardwalk.
RAMPS Confirmation of design feasibility to have ramped access from northern edge of site. Can clearly see slope on ramp here and its complexity in working arouind trees.
SUPPORTS First true calculation of sub structure for boardwalk and its location in relation to the pond bed and banks.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
DESIGN DEVELOPMENT BOARDWALKS
OR DER LY FR A MES: SUPP OR TING FR A ME FOR B OA R DWA LK
SUB STRUCTURE Batons to support the grid that people walk on are 40mm square in section and form a framework at all edges of standing areas. They also have horizontal spans at 1m intervals.
LEGS 100mm x 100mm vertical metal sections that are sunk into the pond bed into a concrete base below ground. These are located every 2m along the frame edge.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
DESIGN DEVELOPMENT BOARDWALKS
O R D E R LY F R A M E S : CO M P L E X A N D D E TA I L E D A R E A S O F B O A R D WA L K D E S I G N
CUTOUTS Raised area of baordwalk above wet meadow and marginals with cut outs for two existing alder trees. The spaces around the holes are large enough to walk around but small enough to feel playful. We have ensured that the drop off the boardwalks at no point is higher than 500mm to avoid the need for unsightly handrails
STAIRS Designed to same aesthetic as the rest of the boardwalk areas. corten edging runs length of stair unit. Final appearance of stairs when accounting for elevation and travel required from the unit as a whole but also each indicidual step.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
DESIGN DEVELOPMENT BOARDWALKS
OR DER LY FR A MES: INTER SEC TION DESIGN A ND S CHO OL ENTR A NCE
PAUSE Room made for seating space at edge of boardwalk so people can sit and enjoy space without hindering travel of other users.
ROOM FOR WAITING Drop off area configured into design so people can wait for children and drop them off away from the through traffic of the Floop. This is an important area in our future design of seating an dlocations for seating.
INTERSECTION Increased width of board walks with multiple crossing channels between existing trees. Atmospheric and interesting whilst also increasing safety of all users of the floop and our site.
FLOOP Existing route that floop takes through site
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
DESIGN DEVELOPMENT
BOARDWALK S: MATERIALIT Y & COSTING
M AT E R I A L & CO S T I N G S E L EC T I O N FA C TO R S : F O U N D AT I O N S ASSUMPTIONS
03 TIMBER PILES: £360-£540/ M2
- Boardwalk price ranges assume a pedestrian loading of 120kg per square m. - A geotechnical report would be completed which would drive the foundation design process. - Estimated boardwalk construction cost ranges are based on existing projects final cost, variation is due to finish and site specifics.
Primarily due to their cost-effectiveness, pressure treated timber piles are the most common deep foundation option for commercial boardwalks. 300mm diameter widths are often specified, while total pile length can be anywhere from 250mm - 1m. Several variables will impact the price of timber pile installation: site access, diameter of pile required, required driven depth, geographic region, total number of piles, soil conditions, etc.
BOARDWALK FOUNDATION COST ESTIMATES: CONCRETE VS. TIMBER VS. STEEL MATERIALS The five most common foundation types used to support pedestrian boardwalk systems: - Precast Concrete Piers - Cast-In-Place Concrete Shallow Footings - Timber Piles (Pressure Treated Pine) - Drilled Shaft or Concrete Caissons - Steel Helical Piles (Screw Piles) - chosen for site
01 PRECAST CONCRETE PIERS: £290-£430/ M2 Stackable pier components serve as a shallow (spread footing) foundation. They are the most cost-effective foundation option for a boardwalk if feasible. Not suitable for our site due to damage caused to surrounding environment and inability to support raised paths.
02 C A S T- IN - PL ACE CONCR E TE S H A LLOW FOOTINGS: £320-£610/ M2 Shallow footings are preferable to deep footing options as they contribute to a lower boardwalk construction cost. These cast-inplace footings could be circular or square. Not suitable for site for same reasons as option 01 above.
04 DRILLED SHAFT OR CONCRETE CAISSONS: £400-£680/ M2 When designing a boardwalk on cast-in-place caissons, we need to consider site conditions, industry standard casing sizes, and finished boardwalk elevation. All of these factors influence the structural engineer’s design for diameter and depth of the caissons. The photo here shows a walking surface at roughly 150mm above ground level.
05 STEEL SCREW PILES: £470-£680/ M2 Provide several distinct advantages over timber or concrete foundations for project site. Increasing in popularity and recognition, more projects are using helical piles as an environmentally friendly foundation option, especially if the boardwalk or pedestrian bridge needs to be installed in a sensitive wetland. For this reason, despite the cost, we will be using this method for our raised boardwalks. Source: https://www.permatrak.com
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
DESIGN DEVELOPMENT
BOARDWALK S: MATERIALIT Y & COSTING
M AT E R I A L & CO S T I N G S E L EC T I O N FA C TO R S : B O A R D WA L K KE Y CONSIDER ATIONS
02 WOOD-PLASTIC COMPOSITES
Wetlands contribute to unique ecosystems that require special considerations. The ultimate goal of a wetland boardwalk is to provide access into or through the wetland in a manner that will not degrade the ecosystem. The main points are: - The environmental impact of the construction process - The aesthetic appearance of the finished product - The long-term impact of the boardwalk material to the surrounding environment.
Most composite decking products are biologically inert. This alleviates concerns of toxins or chemicals leaching into the soils over time. Composite decking is similar to wood in the sense that it can be cut and modified in the field as the boardwalk is being built.
COMPARING WETL AND BOARDWALK MATERIALS The three most common materials for commercial boardwalks are: - Pressure-treated timber - Wood-plastic composites - Metal grating - chosen for site
01 PRESSURE- TRE ATED TIMBER Major drawbacks to using timber materials in a wetland environment occur overtime. Timber must be pressure-treated to minimize decay and warping and maximize longevity when used for a boardwalk. This involves chemicals that will eventually leach out of the material, which can be damaging to the ecosystem of a wetland area. Even with treatment, there’s danger of swelling and rotting due to the moist nature of wetlands. Pressure-treated timber is also at risk for attracting the growth of algae and moss, which can be slippery and hazardous for pedestrians. Removing this type of growth takes considerable time if done without chemicals, increasing the maintenance costs.
Vulnerable to mold and algae, especially under heavy shade. Even with its plastic binders, most composite decking contains wood flour as a filler material. This will absorb moisture once the outer, protective shell of the plank is permeated. Not considered a “closedcell material,” and moisture is likely to enter via the deck fasteners where screws or nails are used to tie into supporting beams.
03 METAL GR ATING The advangtages to metal grating are: Aesthetically and in feel it has an industrial feel which juxtaposes well against the messy ecosystems on our site. It allows light to pass through to plants & vegetation below walkway. Special finishes available including slip resistant treatments, perfect for use in our wet meadow environment. Made from lightweight yet strong aluminum or steel materials. Requires minimal maintenance once installed. Galvanized steel has a design life expectancy of 50+ years in most commercial environments. For these reasons we will be using metal grating as our boardwalk surface. Source: https://www.permatrak.com
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
DESIGN DEVELOPMENT
BOARDWALK S: MATERIALIT Y & COSTING
M AT E R I A L & CO S T I N G S E L EC T I O N FA C TO R S : E D G I N G CORTEN STEEL
WE ATHERED CORTEN STEEL
Corten steel is also known as weathering steel, or COR-TEN steel. It is specially formulated to provide the strength and stability of traditional steel with an attractive patina. A thin layer of oxide forms on the outside surface of the steel, giving it that attractive burnt orange colour of rust.
Corten beyond 6 months of aging will release almost no iron oxide bleed. The chart to the right shows how the steel ages over time.
This layer is thin and does not affect the material’s strength or longevity which is why it is so popular. In fact, that oxidised layer helps to protect the material from the elements and negates the need for finishing, which is why it was invented in the first place!
0.5 months
1.5 months
6 months
2 years
Unweathered Corten bleeds iron oxide as it establishes and so stains surrounding areas and users for first few months! To combat this we will be using pre-weathered corten on site as it will prevent leaching and staining of surrounding materials and environment as all of its aging has happened off site before delivery.
5 years
22 years
NEW CORTEN BLEEDING 40 years
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
DESIGN DEVELOPMENT BENCHES AND SE ATING
PL ACES FOR PAUSE
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
DESIGN DEVELOPMENT BENCHES AND SE ATING
PRECEDENT BAD LIPPSPRINGE| GERMANY Top: Benches provide a viewpoint across the woodland pond. Subtle variations in design provide different potential ways of using the seating.
GOUDA OOSTPOLDERPARK| NETHERLANDS Right: The simple linear cuboid shapes of the benches in Gouda provide an effective and aesthetic solution to integrating seating into the horizontal landscape. The use of natural oak fits in with the atmosphere created by the flat wetland Polder.
JAK TG ATAN AND LÖVÄNGSG ATAN| SWEDEN Bottom: The addition of a corten steel armrest to this bench in a park in Sweden creates a place to rest. The oxidised metal provides a contrast to the wood and the yellow intensity of the Rudbeckia. JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
DESIGN DEVELOPMENT BENCHES AND SE ATING
O R D E R LY F R A M E S : M O D U L A R S E AT I N G
LOC ATION Between the Floop and St Andrews School is a busy junction especially at school run times.
TIME Picking up the kids can be a lengthy process.
USERS
FLOOP
The seating in this area needs to accommodate school kids and their parents, and take into account different lengths of stay.
Coming and going by bike, scooter and on foot; all modes of transport need to be catered for.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
DESIGN DEVELOPMENT BENCHES AND SE ATING
O R D E R LY F R A M E S : C R E AT I N G P O I N T S O F V I E W
SCHOOL ENTRANCE St Andrew‘s entrance presents opportunities for interactions between kids and parents.
CONVIVALITY Dual two person benches create a stage for rendezvous and friendlier chats between friends. An ideal place for a spot of people watching, perhaps.
SOCIALITY Groups of chairs provide the forum for informal discussions.
TEMPORALITY For those who don‘t have the time for a stop and chat, the perch bench provides the option for an swift exit.
FLOOP The pace slows at the busy intersection between the floop and the school. A hive of activity and movement especially during peak school run hours.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
DESIGN DEVELOPMENT
BENCHES AND SE ATING: MATERIALIT Y
M AT E R I A L S E L EC T I O N FA C TO R S : B E N C H E S KE Y CONSIDER ATIONS
02 CORTEN STEEL
Given the site climate and the high footfall of the Floop, the seating for the site must combine durability with practicality. It is important that they will compliment the Brickwork‘s natural aesthetic whilst also integrating with the environment. Choosing materials which are long lasting, usable and in fitting with the nature of the site are all critical design considerations.
The bench frame will be constructed from corten steel which retains the molecular strength of steel but develops a rusty orange patina with age. The steel will be pre-weathered to avoid leaching and staining of the wood. The red finish will match well with the Brickworks aesthetic and reference the industrial heritage of the site.
BENCH AND SE ATING MATERIALS Wood beams will be practical in creating the modular seating solution. A steel frame has been designed as the bench superstructure. LED lighting will contribute to the site ambience - Oak - Corten Steel - LED lighting
01 OAK BEAMS Fresh cut structural oak beams which are good for internal and external use will be used for the bench seat. Due to the high levels of moisture at the brickworks. The timber will be treated with Osmo 420 which contains active ingredients to protect the coating against mould, algae and fungal attack. Over time the wood will age to a grey colour as the moisture content reduces, the treatent should protect against biological decay.
03 RED LED LIGHTING Red LED lights will provide small scale lighting from within the bench armrests. The soft red glow of the light will enhance the corten steel and illuminate the oak timber. The red light is less disruptive for the many bats which roost in various sites in the brickworks. The ember like benches will punctuate the evening scene creating miniature glowing landmarks to entice people into the Brickworks. Combined with further lighting on the boardwalks and the gabion dam. The red lighting will create a special atmosphere and tie together all the built aspects of the site. Source: https://www.permatrak.com
JAMES STEPHENSON | CHARLIE GRIFFIN
06 | ECOLOGICAL INTERVENTIONS |
CONSTRUCTING ECOLOGICAL DIVERSIT Y
TO ENTER WATER IS, OF COURSE, TO CROSS A BORDER. YOU PA SS THE L A K E’S EDGE, THE SE A’S SHORE, THE RI V ER’S BRINK – A ND IN SO DOING YOU ARRIVE AT A DIFFERENT RE ALM, IN WHICH YOU A R E D I F F E R E N T LY M I N D E D B E C A U S E D I F F E R E N T LY B O D I E D. ROBERT MACFARLANE
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
ECOLOGICAL INTERVENTIONS VERTICAL NESTING SITE
N E W H A B I TAT C R E AT I O N F O R S A N D M A R T I N S
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
ECOLOGICAL INTERVENTIONS VERTICAL NESTING SITE
KEY IDEAS HABITAT CRE ATION In line with our key ideas we aim to create a new habitat on site wihout removing any existing habitats. In both cases this is an easy win as it uses a previously unused area of the site and creates a brand new nesting site to encourage sand martin‘s (Riparia riparia) to nest on the site. They can already be found locally, nesting in pipe openings on the banks of the Mersey (as seen in the image to the right).
MITIG ATING E F F E C T O F F LY I N G INSECTS In combination with our bat friendly interventions this nesting site aims to reduce the number of flying insects created by introducing a pond to the site. Sand martin‘s feed primarily on flying insects and would help to keep the site pleasurable for human users all year round.
Photo Credit: Terry Whittaker
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
ECOLOGICAL INTERVENTIONS VERTICAL NESTING SITE
PRECEDENT NUTFIELD MARSHES | SURREY Built with a vertical face two meters high so that most predators such as stoats and weasels cannot get to them. Designed to be slightly concave as the birds like to watch each other to see who is home and away, and take every opportunity to breed with their neighbours given the chance. The birds make a narrow tunnel with a slight incline that is about 30 to 80cm deep with a small oval chamber at the back in which the birds make their nests with grasses and then rear their young. Every year the bank will be knocked back by about a metre as the sand martins prefer to build new nests and this also reduces the risks of parasites. Then after several years the sand will all be gathered up and used again to build a new bank. As well as the birds, this sand sculpture will be very attractive as a home for invertebrates such as solitary bees and wasps.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
ECOLOGICAL INTERVENTIONS VERTICAL NESTING SITE
DEVELOPING THE NESTING DESIGN NEST SECTION Exploring the nesting space required for Sand martins‘s (Riparia riparia) to nest successfully. The depth of their nests is as much as 800mm. This means that the depth of the nesting site must be at least 1 metre to allow it to accomodate the birds securely.
NESTING FACE The proportions and heights required to make the nesting site work. Initial impression of vegetation growing back over disturbed face of sandy clay.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
ECOLOGICAL INTERVENTIONS BAT LIGHTING
N E W H A B I TAT C R E AT I O N : B AT L I G H T I N G
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
ECOLOGICAL INTERVENTIONS BAT LIGHTING
KEY IDEAS BLINDED BY THE LIGHTS Artificial lighting can prevent Bats from leaving their roosts, and can even lead to roost abandonment. Slower flying species avoid foraging in illuminated areas, whilst the insects they feed on are attracted to brightly lit areas leading to a vacuum effect. Bats communting routes are also affected as they avoid brightly lit areas.
S I M P LY R E D Research from the Netherlands Institute of Ecology has shown that using red lights is much less disruptive to bat activity and also attracts fewer insects, leading to more natural feeding conditions.
B AT S A R E N O C T U R N A L A N I M A L S T H AT H AV E A DA PTED TO A LIFE IN DA RK NES S , PA R TLY TO AV O I D P R E D AT I O N D U R I N G D AY L I G H T HOURS FROM BIRD OF PREY SPECIES SUCH A S SPARROWHAWKS. THEREFORE THE A R T I F I C I A L L I G H T I N G O F B AT R O O S T S , A CC E S S P O I N T S A N D F O R A G I N G PAT H WAY S C A N B E E X T R E M E LY D I S T U R B I N G TO B AT S AND SHOULD BE AVOIDED
BRICKWORKS AESTHETIC The red bat friendly lighting will be used to highlight the benches and the gabion dam. The red hues will fit in well with the corten steel and rubble filled gabions.
B AT S .O R G .U K
Zuidhoek-Nieuwkoop https://www.smartcitiesworld.net/news/news/dutch-town-installs-bat-friendly-lighting-2998
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
ECOLOGICAL INTERVENTIONS BAT LIGHTING
LIGHTING IMPRESSION SKETCH
BRICKWORKS
ECOLOGICAL INTERVENTIONS BAT LIGHTING
BRICK WORK S BAT LIGHTING
BRICKWORKS
ECOLOGICAL INTERVENTIONS GABION DAM
N E W H A B I TAT C R E AT I O N : D A M M I N G T H E FA L LO W F I E L D B R O O K
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
ECOLOGICAL INTERVENTIONS GABION DAM
KEY IDEAS WOODLAND POND Slowing the flow of the Fallowfield Brook using a dam will create a woodland pond habitat which will greatly increase the biodiversity of the site. The shallow woodland pond will support many aquatic species of plants and animals. The barrier will also prevent flooding during times of heavy rainfall.
DAMS AND WATERFALLS The still pond on one side of the dam will be contrasted by much faster flowing water downstream. The cascade will provde a good micro climate for mosses and ferns to naturalise the man-made structure.
A M P H I B I A N S , B AT S A N D W O O D L A N D B I R DS ALL USE WOODL AND PONDS. THESE PONDS PROVIDE A GOOD SOURCE OF INV E R T E B R AT E F O O D A N D F R E S H D R I N K I N G WAT E R . F O R A M P H I B I A N S S U C H A S T H E G R E AT C R E S T E D N E W T T R I T U R US C R I S TAT US , E N CO U R A G I N G G R O W T H O F TA L L H E R B S A N D S C R U B A DJ A C E N T TO T H E POND IS USEFUL.
FRAMING THE BROOK The man-made dam will provide a linear frame to the messy ecosystem of the woodland pond. An integrated walkway will provide visitors with access to the new ecosystem allowing them to get up close to the vegetation and wildlife.
P O N D CO N S E R VAT I O N .O R G
https://www.woodlandtrust.org.uk/trees-woods-and-wildlife/habitats/wet-woodland/
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
ECOLOGICAL INTERVENTIONS GABION DAM
N AT U R A L P R EC E D E N T L ATHKILL DALE | PEAK DISTRICT Although not entirely natural the five weirs built one hundred years ago allong the river Lathkill have blended into the landscape. The pools support an immense variety of fauna and flora including many insect species and wildflowers such as Polemonium caeruleum, Jacob‘s ladder.
PANNIER‘S POOL | PEAK DISTRICT Also in the peak district, Panniers Pool lies on the river Dane below the 18th Century Packhorse bridge. This site is popular with human users for wild swimming and walking. Epiphytic vegetation is found on the rocks between the pools.
http://www.fungalpunknature.co.uk/Siteguides/Lathkill%20Dale.htm
FALLOWFIELD BROOK CASCADE | Closer to the site, the Fallowfield Brook already flows through a small brick dam. The water is slowed by the construction creating new habitats for aquatic vegetation and animals. Credit: Rob Bendall, https://commons.wikimedia.org/wiki/File:Three_Shire.jpg
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
ECOLOGICAL INTERVENTIONS GABION DAM
B U I LT P R E C E D E N T PORTLAND, ORGEON | 1970 Left: The Keller Fountain Park was conceived by Angela Danadjieva, an architect at Lawrence Halprin‘s firm. The series of cascades she created were inspired by the waterfalls of the Coloumbia River Gorge and were intended to be used as a space of interaction as well as observation.
BAD OEYNHAUSEN, GERMANY | 2000
https://en.wikipedia.org/wiki/Keller_Fountain_Park#/media/File:KellerFountainSummer2010.JPG
Far right: Aqua Park Magica by Agence Ter. Corten steel damn designed by Agence Ter.
http://landezine.com/index.php/2011/10/agence-ter-aqua-magica-landscape-architecture
THESE VERY STR AIGHT PEOPLE H AV E S O M E H O W G R A S P E D W H AT C I T I E S C A N B E A L L A B O U T. . . A S YOU PL AY IN THIS GARDEN, PLE AS E T R Y TO R E M E M B E R T H AT W E ARE ALL IN THIS TOGETHER
BAD LIPPSPRINGE, G E R M A N Y | 2 017 Bottom Left: Forest Park, Sinai. Visitors experience the interaction of water and woodland through a series of interconnected pathways, bridges and platforms.
L ARRY HALPRIN, JUNE 23 1970
http://landezine.com/index.php/2020/09/forest-park-in-bad-lippspringe/
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
ECOLOGICAL INTERVENTIONS GABION DAM
DEVELOPING THE DAM DESIGN
CRE ATING A WALK WAY Integrating the walkways into the dam will create a zone of interaction for visitors to experience the wet woodland environment. Bringing people close to the water will intensify the ambience created by the flowing brook. The contrast between the still woodland pond on one side and the water flowing from the other will create a juxtaposition of atmospheres and amplify the sensory experience.
HERRINGBONE BRICK DAM Incorporating bricks into the design relates to the heritage of the brickworks. The herringbone pattern evokes the lattice work bridge and creates a geometrically divided edge for the water to flow over.
FLOW MANAGEMENT Variation in water outlet size and dam material will allow water to percolate through the dam at different points and at different speeds. This will create unique tyes of flow from a torrent to a trickle depending on water levels and precipitation JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
ECOLOGICAL INTERVENTIONS GABION DAM
DAM DESIGN DEVELOPMENT
Modular construction of 16 gabions, 2m x 0.5m x 0.5m
Gabions filled with Brickwork‘s rubble and lime/sand mix
Gabions offset by 10mm to 30mm to create cascade effect.
40mm steel grating on gabion tops to create walkway.
Gabions 5, 8 and 11 sunnk by 100mm to create water outlets
Water outflow from 3 points creates delta environment for aquatic plants and wildlife
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
ECOLOGICAL INTERVENTIONS GABION DAM
M AT E R I A L I T Y STEEL GABION BASKETS Stainless steel gabion baskets provide a modular solution to the dam construction. The semi permeable nature of the material will allow for different flow rates.
CORTEN STEEL Pre-weathered Corten steel prevents leeching into the watercourse. The red steel acknowledges the industrial heritage of the site and complements the naturalistic planting scheme.
BRICKWORKS RUBBLE Re-using existing site rubble is an effective and sustainable solution to fill the steel gabions. The bricks are a subtle hint to the past and enhance the industrial aesthetic.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
ECOLOGICAL INTERVENTIONS GABION DAM
M O D E L D E S I G N D E V E L O P M E N T: C A L C U L AT I N G G A B I O N D I M E N S I O N S
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
ECOLOGICAL INTERVENTIONS GABION DAM
M O D E L D E S I G N D E V E L O P M E N T: B U I L D I N G T H E D A M
SCALING DOWN THE DAM Building a 1:20 replica of the dam required accuracy to ensure the gabions were uniform size. A 2000 x 500 x 500mm gabion shrank to 100 x 250 x 250mm. The mesh chosen had a hole diameter of 5mm.
G ABION CRE ATION 16 gabions were built but only the best 11 were chosen for the model. The gabions form the dam wall are yet to be infilled in these images,
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
ECOLOGICAL INTERVENTIONS GABION DAM
M O D E L D E S I G N D E V E L O P M E N T: B U I L D I N G T H E D A M
BOARDWALK BRIDGE The steel boardwalk bridge was built to scale and the support posts were inserted into the corresponding gabions. The boardwalk was then attached to the posts. Finally the corten steel edges were added.
PEBBLE INFILL Peanut pebbles were used in place of the Brickworks rubble which will actually be used at the site. The pebbles are a good match both in terms of size and colouration.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
ECOLOGICAL INTERVENTIONS GABION DAM
M O D E L D E S I G N D E V E L O P M E N T: T H E D A M F I N I S H E D
GABION DAM 11 pebble filled gabions constitute the dam wall. 3 gabions are horizontally offset to create water outflows. The corten framed steel walkway forms the bridge and is supported by 14 foundation posts.
STRUCTURAL RIGIDITY The filled gabions provide the dam with a suprising amount of structural integrity for such a small structure. The infill sorted itself as the smaller pieces of pebble fell through the gaps in the dam to leave the biggest in place.
JAMES STEPHENSON | CHARLIE GRIFFIN
07 | TECHNICAL PACK |
D E TA I L I N G D E S I G N P R O P O S A L S
JAMES STEPHENSON | CHARLIE GRIFFIN
B-B
61m
DRY MEADOW PLANTING
FLOOP EAST
58m
WOODLAND MANAGEMENT
58m
WET MEADOW PLANTING
56m
58m
60m
BOARDWALKS
ALK
FALLOWFIELD LO
OP
RDW BOA
BENCH
MARGINAL PLANTING
60m BENCHES
BOARDWALK
59m
61m
CONTOUR LINE
FLOW DIRECTION
59m
SPOT HEIGHTS
60.2m
60m
60m 60m
PEOPLE
BENCH BOARDWALK
57m
POND 60m
60.2m
K
L DWA
BOAR
56m
UP
BENCHES
A-A
OM BOTT
A-A
60m
SEATING AREA
60.2m
ST. AN SC DRE HO WS OL
GABION DAM CRAN A ROA GE D
BENCH 56m
55.5m
OOP FIELD L FALLOW
56m
59m 59m
57m 58m
60m 60m
PRIVATE LAND
VERTICAL NESTING SITE
58m
57m
57m
B-B
BRICKWORKS
60m
59m
GENERAL ARRANGEMENT
60m
WALK BOARD
FALLOWFIELD BROOK
59m
JAMES STEPHENSON | CHARLIE GRIFFIN
60m
Scale:
1:100 @ A2 FLOOP WEST
0m
5m
Dry Meadow Planting
Armchair Benches
High Benches
Floop
Two Person Bench
Two Person Bench
Floop
DRY MEADOW PLANTING
BRICKWORKS GA SECTION A
WOODLAND MANAGEMENT
WET MEADOW PLANTING
MARGINALS
JAMES STEPHENSON | CHARLIE GRIFFIN
St Andrews School entrance
Dry Meadow Planting
Stairs
Fallowfield Brook
Gabion Dam
Wet Meadow Planting
Two Person Bench
Two Person Bench
Boardwalk
Woodland Management
Scale:
A
A
1:100 @ A2 0m
5m
Two Person Bench
Boardwalk
Gabion Dam
Two Person Bench
Boardwalk
Cranage Ave Entrance
Vertical Nest Site
Two Person Bench
Woodland Management
Wet Woodland Planting
B
BRICKWORKS GA SECTION B Scale:
1:100 @ A2
B
JAMES STEPHENSON | CHARLIE GRIFFIN
0m
5m
Crataegus monogyna
B-B
Crataegus monogyna
58m Salix fragilis
Viburnum opulus x2
Corylus avellana
Salix fragilis
Crataegus monogyna
Matteuccia struthiopteris
Betula pendula
Populus nigra
WET MEADOW PLANTING
Salix alba
Salix fragilis
MARGINAL PLANTING
Betula pendula
EXISTING TREES
Corylus avellana
Quercus robur
Alnus glutinosa 59m
Betula pendula
Alnus glutinosa
61m Betula pendula
Pinus sylvestris
Salix alba Salix fragilis
Quercus robur
WOODLAND MANAGEMENT
Quercus robur
Betula pendula
Corylus avellana
DRY MEADOW PLANTING
Betula pendula
Sorbus aucuparia
Betula pendula
Sorbus aucuparia
NEW TREES
Betula pendula
Betula pendula Betula pendula
Betula pendula Sorbus aucuparia
Alnus glutinosa
Betula pendula Matteuccia struthiopteris
SHRUBS 60m
Matteuccia struthiopteris Salix fragilis
Betula pendula
Pinus sylvestris
Betula pendula Quercus petraea
Pinus sylvestris
Betula pendula
Betula pendula
Betula pendula
Betula pendula
Betula pendula
Salix alba Betula pendula
Betula pendula
Fraxinus excelsior x2
Viburnum opulus
A-A
Betula pendula
A-A
Betula pendula
Matteuccia struthiopteris Betula pendula x2
Fraxinus excelsior
Crataegus monogyna
Matteuccia struthiopteris
Matteuccia struthiopteris Alnus glutinosa Viburnum opulus x2
57m 58m 59m Alnus glutinosa
60m
58m
57m
Alnus glutinosa
Alnus glutinosa
B-B
BRICKWORKS
Tree Schedule Species 59m
60m
Number
Width
Height
Girth/Length
no x transplanted
Form
PLANTING PLAN
Alnus Gultinosa, specimen tree
3
150-200
500-700
35-40
4
Natural form, unclipped (WRB)
Betula Pendula
4
150-200
300-350
30-35
6
Natural form, unclipped (WRB)
Scale:
Crataegus monogyna
3
150-200
300-350
30-35
4
Natural form, unclipped (WRB)
1:100 @ A2
Pinus sylvestris, specimen tree
3
300-400
500-700
50-60
8
Natural form, unclipped (WRB)
Quercus petraea, specimen tree
1
200-300
500-700
50-60
6
Natural form, unclipped (WRB)
Salix alba
2
200-300
500-700
50-60
5
Natural form, unclipped (WRB)
Sorbus aucuparia
3
150-200
300-350
30-35
4
Natural form, unclipped (WRB)
JAMES STEPHENSON | CHARLIE GRIFFIN
0m
5m
DRY MEADOW PLANTING
WET MEADOW PLANTING
MARGINALS
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
WOODLAND MANAGEMENT
VEGETATION SECTION A Scale:
A A
1:100 @ A2
0m 5m
New Pinus sylvestris
New Pinus sylvestris
Existing Fraxinus excelsior
Existing Betula pendula
Existing Betula pendula
New Sorbus aucuparia
New Quercus petraea
New Sorbus aucuparia
Existing Salix alba
New Alnus glutinosa
New Alnus glutinosa
New Matteucia struthiopteris x7
New Matteucia struthiopteris x7
Existing Populus nigra
Existing Betula pendula
New Matteucia struthiopteris x7
Existing Betula pendula
Existing Betula pendula
B
B
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
VEGETATION SECTION B Scale:
1:100 @ A2
0m 5m
New Crataegus monogyna
New Crataegus monogyna
Existing Corylus avellana
New Betula pendula
New Betula pendula Existing Populus nigra
Existing Corylus avellana
New Betula pendula
Existing Betula pendula
New Betula pendula
Existing Betula pendula
New Matteucia struthiopteris x7
Existing Betula pendula
Existing Betula pendula
Existing Betula pendula
Existing Betula pendula
Existing Betula pendula
Existing Betula pendula
Existing Betula pendula
Existing Betula pendula
Existing Betula pendula
New Matteucia struthiopteris x7
Existing Betula pendula
New Viburnum opulus x2
New Matteucia struthiopteris x7
Existing Anlus Glutinosa
Existing Anlus Glutinosa
BRICKWORKS
TECHNICAL PACK PL ANTING MATRICES
W E T M E A D O W P L A N T I N G M AT R I X KEY
P L A N T I N G S C Perennial HEDU LE and Shrubs Schedule
300mm
17 Filipendula ulmaria
11 Sanguisorba officinalis
3000mm
5 Leucanthemum vulgare
Seed Mix 9m2
JAMES STEPHENSON | CHARLIE GRIFFIN
Area
Area m2
Rate/ m2
Quantity
Pot Size
Dry Meadow Planting
686
Dry Meadow Seed Mix
Height
Note
686
4g/m2
2744g
-
See appendix for species mix
Cantaurea nigra
686
11/9m2
838
2l
Full and healthy root system
Cynosurus cristatus
686
20/9m2
1524
2l
Full and healthy root system
Leucanthemum vulgare
686
7/9m2
534
2l
Full and healthy root system
Prunella vulgaris
686
9/9m2
686
2l
Full and healthy root system
Wet Meadow Planting
135
Wet Meadow Seed Mix
135
4g/m2
540g
-
See appendix for species mix
Filipendula ulmaria
135
17/9m2
255
2l
Full and healthy root system
Leucanthemum vulgare
135
5/9m2
75
2l
Full and healthy root system
Sanguisorba officinalis
135
11/9m2
165
2l
Full and healthy root system
Woodland Management
680
Matteuccia struthiopteris
680
-
28
5l
30
Full and healthy root system
Viburnum opulus
680
-
5
70l
150-175
Full and healthy root system, min. 5 breaks
BRICKWORKS
TECHNICAL PACK PL ANTING MATRICES
M E A D O W P L A N T I N G M AT R I X KEY
P L A N T I N G S CPerennial HEDU LE and Shrubs Schedule
300mm
11 Cantaurea nigra
20
7 Leucanthemum vulgare
3000mm
Cynosurus cristatus
9 Prunella vulgaris
Seed Mix 9m2
JAMES STEPHENSON | CHARLIE GRIFFIN
Area
Area m2
Rate/ m2
Quantity
Pot Size
Dry Meadow Planting
686
Dry Meadow Seed Mix
Height
Note
686
4g/m2
2744g
-
See appendix for species mix
Cantaurea nigra
686
11/9m2
838
2l
Full and healthy root system
Cynosurus cristatus
686
20/9m2
1524
2l
Full and healthy root system
Leucanthemum vulgare
686
7/9m2
534
2l
Full and healthy root system
Prunella vulgaris
686
9/9m2
686
2l
Full and healthy root system
Wet Meadow Planting
135
Wet Meadow Seed Mix
135
4g/m2
540g
-
See appendix for species mix
Filipendula ulmaria
135
17/9m2
255
2l
Full and healthy root system
Leucanthemum vulgare
135
5/9m2
75
2l
Full and healthy root system
Sanguisorba officinalis
135
11/9m2
165
2l
Full and healthy root system
Woodland Management
680
Matteuccia struthiopteris
680
-
28
5l
30
Full and healthy root system
Viburnum opulus
680
-
5
70l
150-175
Full and healthy root system, min. 5 breaks
BRICKWORKS
TECHNICAL PACK SE ATING
C R E AT I N G M O D U L A R S E AT I N G
Standard two person bench with bike parking.
Bench divided in two, creates one person armchair
JAMES STEPHENSON | CHARLIE GRIFFIN
Armchair flipped vertically, creates high-perch.
BRICKWORKS
TECHNICAL PACK SE ATING
S E AT I N G F O R D I F F E R E N T US E R S
40mm gap between timber is enough to use as a bicycle stand.
Two person bench for sitting, observing, reading and conversing.
Armchair style bench for solo study, contemplation and self reflection.
Taller bench ideal for perching in areas where people are remaining for short time periods.
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
TECHNICAL PACK SE ATING
1:10 PLAN @ A3
419 mm
660 mm
100 mm
Bat friendly, low energy, red LED lighting built into bench armrests to provide ambient evening lighting.
1162 mm
100 mm
380 mm
40 mm
1800 mm
BRICKWORKS BENCH SECTION
2x Corten steel frames, pre-weathered to prevent leaching, support 9x 1800 x 100 x 100mm timber beams to create bench structure. Frame is bolted to steel grating.
Sustainably sourced, pressured treated English Oak. 5mm Bevelled edge.
40mm gap between timber for bike wheel
Scale:
1:10@A3
0m
500mm
BRICKWORKS
TECHNICAL PACK SE ATING
1:10 PLAN @ A3
460 mm
660 mm
100 mm
645 mm
660mm high bench for perching. Modular design using same components as two person bench.
BRICKWORKS
567 mm
100 mm
40 mm
2x Corten steel frame with 9x 645 x 100 x 100 pressure treated English Oak beams.
PERCH BENCH SECTION Scale:
1:10@A3
Corten steel base fixed to steel floor grating. 0m
500mm
BRICKWORKS
TECHNICAL PACK SE ATING
1:10 PLAN @ A3
460 mm
421mm armchair bench for perching. Modular design using same components as two person bench.
421 mm
647 mm
BRICKWORKS
567 mm
100 mm
40 mm
2x Corten steel frame with 9x 645 x 100 x 100 pressure treated English Oak beams.
ARMCHAIR BENCH SECTION Scale:
1:10@A3
Corten steel base fixed to steel floor grating. 0m
500mm
BRICKWORKS
TECHNICAL PACK G ABION DAM DETAIL
1:50 PLAN @ A3
1880 mm
100 x 100mm box profile corten steel edge
1800 x 1000 x 40mm steel grating panels for bridge floor. Fixed to conrete foundation posts.
600 mm
500 mm 100 mm
8000 mm 9000 mm
720 x 100 x 100 concrete foundation posts for bridge supports. Holes to be cut in gabions to accommodate.
1000 mm
300 mm 300 mm
500 mm
2000 x 500 x 500mm steel gabion baskets filled with brickworks site rubble and lined with lime/sand mix for waterproofing.
Concrete posts embedded in cement foundations.
600mm max height drop from steel edge to gabion base 2000 mm BRICKWORKS
3 gabions set 100mm deep to create water outflows for dam.
GABION DAM SECTION
Scale: 1:50@A3
0m
2500mm
BRICKWORKS
TECHNICAL PACK G ABION DAM DETAIL
500 mm
1:10 PLAN @ A3
500 mm
2000 mm
BRICKWORKS GABION SECTION
2000 x 50 x 50mm Gabion basket with 76.2 x 76.2 x 3mm galfan coated welded mesh.
Gabions filled with Brickworks site rubble. Gabion interior sides and base injected with a sand/lime mix for waterproofing.
Scale: 1:10@A3
0m
500mm
BRICKWORKS
TECHNICAL PACK FINAL MODEL
1:20 MODEL @ A3
BRICKWORKS
TECHNICAL PACK FINAL MODEL
1:20 MODEL @ A3
BRICKWORKS
TECHNICAL PACK FINAL MODEL
1:20 MODEL @ A3
08 | VISUALISATIONS |
BRICKWORKS
JAMES STEPHENSON | CHARLIE GRIFFIN
| BRICKWORKS |
JAMES STEPHENSON | CHARLIE GRIFFIN
| BRICKWORKS |
JAMES STEPHENSON | CHARLIE GRIFFIN
| BRICKWORKS |
JAMES STEPHENSON | CHARLIE GRIFFIN
| BRICKWORKS |
JAMES STEPHENSON | CHARLIE GRIFFIN
| BRICKWORKS |
JAMES STEPHENSON | CHARLIE GRIFFIN
APPENDIX |
F U R T H E R R E L E VA N T I N F O R M AT I O N
JAMES STEPHENSON | CHARLIE GRIFFIN
BRICKWORKS
APPENDIX
SEED MIX SPECIFIC ATION
MEADOW
Dry Meadow Seed Mix Clay Soil Seed Mix
W E T M E A D OWet W Meadow Seed Mix Species
% 40
Wild Flowers
Yarrow
1.2
Achillea millefolium
Common Knapweed
9
Meadowsweet
1
Lady's Bedstraw
0.4
Geranium pratense
Meadow Crane's-bill
1
Leontodon hispidus
Rough Hawkbit
0.4
Oxeye Daisy - (Moon Daisy)
8
Birdsfoot Trefoil
0.6
Primula veris
Cowslip
0.6
Prunella vulgaris
Selfheal
8.8
Ranunculus acris
Meadow Buttercup
1
Rhinanthus minor
Yellow Rattle
2
Common Sorrel
Wild Flowers Achillea millefolium Centaurea nigra Filipendula ulmaria Galium verum
Leucanthemum vulgare Lotus corniculatus
Rumex acetosa Sanguisorba officinalis Silaum silaus Succisa pratensis Vicia cracca
0.4
Common Knapweed
4
Meadowsweet
4
Lady's Bedstraw
3
Water Avens
1
Yellow Iris
0.4
Oxeye Daisy - (Moon Daisy)
3
Lotus corniculatus
Birdsfoot Trefoil
2
Lotus pedunculatus
Greater Birdsfoot Trefoil
0.08
Plantago lanceolata
Ribwort Plantain
2
Primula veris
Cowslip
0.8
Prunella vulgaris
Selfheal
4
Pulicaria dysenterica
Common Fleabane
1
2
Ranunculus acris
Meadow Buttercup
0.92
Great Burnet
1
Rhinanthus minor
Yellow Rattle
2
Pepper Saxifrage
0.8
Rumex acetosa
Common Sorrel
2
Devil's-bit Scabious
0.2
Sanguisorba officinalis
Great Burnet
3
Tufted Vetch
2
Pepper Saxifrage
2
Dandelion
2
Common Meadow-rue
0.4
Tufted Vetch
2
Grasses
Centaurea nigra Filipendula ulmaria Galium verum Geum rivale Iris pseudacorus Leucanthemum vulgare
Silaum silaus
7.5
Meadow Foxtail (w)
0.75
Sweet Vernal-grass (w)
2.25
Quaking Grass (w)
0.75
Crested Dogstail
19.5
Slender-creeping Redfescue
18
Hordeum secalinum
Meadow Barley (w)
0.75
Phleum bertolonii
Smaller Cat's-tail (w)
3
Smooth-stalked Meadowgrass
7.5
Anthoxanthum odoratum Briza media Cynosurus cristatus Festuca rubra
Poa pratensis
Thalictrum flavum
60 Common Bent
Alopecurus pratensis
40 Yarrow
Taraxacum officinale
Agrostis capillaris
%
Vicia cracca
Grasses Agrostis capillaris Alopecurus pratensis Anthoxanthum odoratum Briza media Cynosurus cristatus Deschampsia cespitosa Festuca rubra Hordeum secalinum
JAMES STEPHENSON | CHARLIE GRIFFIN
60 Common Bent
7.5
Meadow Foxtail (w)
2.25
Sweet Vernal-grass (w)
2.25
Quaking Grass (w)
2.25
Crested Dogstail
18
Tufted Hair-grass (w)
1.5
Slender-creeping Red-fescue
24
Meadow Barley (w)
2.25