ISSUE SP13 / MARCH 2013
8TIPS for Spring Break
FASHION&ART
SPRING Collection 2013
JAVIER GALUE
FARAH Zulaikha
TOP10 FaceBook
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MAMiMaga Content
10-11 Al Camp
Always dapper, Al Camp rejoins Tony Camillo for a classic new release.
12-13 Spring Break Tips Don’t leave home without them.
24-27 An Introduction by Helene M. Gauthier
28-37 Surreal Dreams The Art of Nina Pak
38-39 Troy Gua
58-59 Aston Martin V12 Zagato Oh the speed of it all.
60-77 Blonde Again Javier Galue.. genius.
78-79 Paradise Rhythms Evans Colas.. live from Paradise.
80-81 Couture Millener by Mihaela Nicoleta Micula
44-49 Farah Zalaikha
82-83 MAMi Facebook Likes
50-55 Cloud 10
84-89 Paolo Prisco
56-57 Goddess Of Nature
90-91 Watch The Throne
Artist Extraordinaire. Gorgeous Genius.
Jeff Linett Photography. Mihaela talks Marie.
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Top 10 People MAMi Likes On FB. from Italy with love. Hot Ass Chairs.
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gazine Algie deWitt IV
spring sprung Spring is a time of rebirth and regeneration. Explore with us some of the great works of photography, music, auto and fashion for 2013. Ahh. Spring is in the air.. soon there will be flowers and colorful birds that inspire Spring fashion, music and art.
As always, MAMi is dedicated to the art of fashion, the things that motivate us in a positive, creative way.
This season we would like to welcome to our team Keisha Beamer of Philadelphia as Business Development Manager, Farah Zulaikha GORGEOUS Super Model out of NY, as Fashion Editrix, Eric Ouaknine of Paris Fashion Editor/ Photographer, Jvdas Berra Monterey Mexico, Fashion Editor / Photography, Jeff Linett of Los Angeles, Fashion Editor / Photographer, Vera Ochia Juliet of Nairobi, Kenya Fashion Editor, and Mihaela Nicoleta Micula European Fashion Editor, and Sunil P. Narayan Writer from Seattle Wa. Welcome to the MAMi Family!
We also rejoice in the globalization of media through internet devices.. this has enabled us to reach over 2 million people per month in over 140 countries. Social Networking has played a major part in the survival and growth of MAMi Magazine. visit us today and like us www.facebook.com/mamimagazine www.twitter.com/mamimagazine www.instagram.com/mamimagazine
(Dick Dastardly) Publisher
MAMi Mag Editors
Asia Nicholas Mihaela Nicoleta Micula Farah Zulaikha Jvdas Berra Eric Ouaknine Jeff Linett Vee Vera Ochia
Art Director Jake deWitt
Graphic Designer August Cowan
Advertising/ Business Dev. Keisha Beamer
Manager
JW Allen Shayla Moore Bill Blackman
Writers
Sunil P Narayan
Marketing
MAMi Media/IMC
Photography all content copyright 2013 MAMi Media may not be used without written permission.
Javier Galue
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AL CAMP
Along with Producer, and Composer Tony Camillo.
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Al camp stone soul Al Camp and Tony Camillo collaborate on a Classic project.
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l Camp is a very unique and charismatic man. He has been blessed with a multitude of outstanding atributes and talents, beginning with his natural good looks and charming personality. Al’s predominant talent, is his music. His voice is smooth andsilky, as he strums his guitar and sings his emotional songs. One is drawn in by the hypnotic tamber of his voice and the the emotionally compelling lyrics. His music is not to be denied. His youth was very traumatic, the story of which will be available in a book and film at some future juncture. When anyone knows about the trauma that was previlent in a young boys life, such as was the case with Al, it’s no wonder that there is the depth of emotion that emenates from his songs and his voice. As a young man, he sought solice and refuge in his music. He began to write and play at the tender age of eight. His guitar playing was unorthodox, in that he played just the opposite fromwhat was the norm for most guitar players. He played “backwards”. He fingered with his right hand and strummed with his left hand; thereby developing a very unique and unusual chordal approach.
visit www.alcamp.biz or www.facebook.com/alcampmusic
His first public appearance was at the age of twelve, when he played for a wedding reception at Pastilles restaurant, in Basking Ridge, New Jersy. By this time, Al Camp knew that his life was meant to be invovled with music, and he began his life long journey in his chosen field. He went on to play with Jimmy and The Starlight’s and appeared with The Coasters at the Seafood Playhouse in New York City. He later appeard once again with Jimmy and The Starlight’s at Ivy Park, New Jersey, on the Joe Franklin Show, with an audiance of over five thousand people. From this juncture, his career began to blossom. He teamed up with producer Tony Camilo. Together they did a remake of “The Same Ol Song”. There was a video invovled, which was a unique and professional presentation. This opened many doors for Al Camp, and he began a series of appearances throught the tri-state area. The many appearances, coupled with the saturated radio play, put Al Camp’s; “The Same Ol Song”, on the Billboardd charts. At the height of Al Camp’s rise to stardom, his backer, Frank Marchello suddenly died. This was a devastating blow to Al on many levels. Not only did Al lose a great friend and confidant, but he lost his backer as well. But now, Al is back. this time there will be no stopping him, Keep your eyes and ears open for the re-birth of the one and only; Al Camp.
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Tips for Spring break Spring Break can be fun, or dangerous. Here are some tips to make your break wonderful.
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andy beaches, warm waters and tropical drinks beckon hundreds of thousands of college students to destinations like Mexico, Aruba and Jamaica for spring break. But preparing for these vacations should include more than double-checking your passport and packing a suitcase full of flip flops and bikinis. The combination of high alcohol intake and relaxed inhibitions associated with this annual tradition can lead to increased safety risks like muggings, drunk driving and alcohol poisoning. Before you leave, take note of these 5 spring break safety tips..
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Book a Hotel in a Central Location
The closer your hotel is to the beach, downtown or other areas where you plan to spend most of your time, the less likely you’ll be to get lost or to be involved in a car crash. Avoid unlicensed taxi cabs by asking your hotel, restaurant or club to summon a ride for you, and if in doubt, pass up the car and wait for another one.
friends can watch out for each other. Walking alone or even clubbing alone can make you a vulnerable target to people whose intentions are less than pure. Even a two-minute walk can be dangerous when you’re alone at night - especially if you’ve been drinking.
Never Go with a Stranger
Spring break can be a great time to meet new people, but that doesn’t mean you should leave your group of friends to spend time with people you don’t know. Even if your new acquaintances just want to walk down the street, stick to your group or at least bring along someone you know and trust.Donec pellentesque, enim ac gravida congue, lorem velit aliquet turpis, non adipiscing mauris dui at nisi. Donec lobortis congue fringilla. Donec consequat ornare sodales.
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Limit Alcohol Overdoing it on alcoholic drinks impairs your judg-
ment, making you more susceptible to accidents and crime. Pace yourself, and avoid drinks with high alcohol content, like shots. Not only is it safer all around, you’ll feel a lot better in the morning. If you plan to drink, always designate a sober companion in your group who can make executive decisions about everyone’s safety.
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Predatory Drugs When a drink is spiked with a drug like
Ambien or Rohypnol (‘roofies’), most people will show symptoms like extreme wooziness, confusion, slurring speech and difficulty standing, even if they haven’t had much to drink.
Sun + Alcohol
Spring break often involves lots of time lounging in the sun and in hot tubs, both of which can intensify the effects of alcohol in the body. Take it easy, and remember to slather up with sunscreen with an SPF of at least 15, even when it’s cloudy.
Safety Gear
Whether you’re driving a scooter, skateboarding or just riding on a boat, protect yourself with any necessary equipment like helmets, knee pads and life jackets.
Illegal Drugs
For some, the relaxed environment of spring break getaways can make it seem like no big deal to carry recreational drugs in and out of foreign countries, but possession of illegal drugs can get you into serious trouble, both at home and overseas.
DRINKIN? Do us all a favor (including yourself ) and party smart. Be responsible. Pace yourself if you choose to drink, and avoid hard alcohol or other drinks that are powerful and have fast effects. (And remember that drunks = easy targets.) Also be aware of alcohol poisoning. According to a University of Wisconsin study, 75 percent of college males and 43 percent of females reported being intoxicated on a daily basis during spring break. If you do decide to drink, know the liquor laws of wherever you’ll be vacationing. Drinking & driving is always a dangerous situation, so avoid this by having your safe mode of transportation home planned before you go out.
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Avoid traveling alone There really is safety in numbers, and you and your
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soon.. international calling headaches will be a thing of the past.
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make a lot of money in the mobile revolution. find out more. like www.facebook.com/unlimitedmobilenews
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The Lonely Queen In Her Lonely Castle
Photo: Jvdas Berra Model: Marianna Vﾃ｡zquez for The Orange Marketing MUA/Hair: Plastiko Velazquez Wardrobe: Lula Jewels: ﾃ］gel Montoya
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Horst P. Horst Lisa with Hands and Vase
By, Hélène M. Gauthier
an introduction C
ulture persuades us to suppress our desires in order to stay in touch with the current trends. While it brings acceptance, a bit of our spirit is carved out to be discarded by false “prophets” such as uneducated celebrities and self-isolated “couturiers.” If we believe in dressing the way they want us to, our free will is theirs forever. It is essential for a woman to realize her needs which serve a greater purpose than desire. Needs have to do with natural look, what works best for our bodies and character.
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Our natural look, if embraced, should dispel the obsession for “fitting in,” yet our continual reliance on the corset have caused internal health problems related to the diaphragm and ribcage. Distorting the flow of invisible lines or rather, the silhouette of the body is another important issue that will be discussed. While it carries a pseudo-refinement, there is little pleasure to be found in attempting to appease onlookers. Our bodies can’t be forced to look different, that is a curse not a necessity.
“What to do? Women don’t need a big collar! I have never been able to tolerate corsets myself. Why should I inflict them on other women?” – Madame Vionnet Dressmaker Madeleine Vionnet was against creating garments that fit the structure of a corset. A woman’s body isn’t structured to handle such undergarment, anyways. She is the first to liberate the female body from imposed fashion limitations by utilizing classical dress patterns from various cultures such as Greece, Japan and France. Space or “breathing room” between the customer and fabric allows the diaphragm to function normally, in contrast to the corset which forces the wearer to breathe abnormally. Stifled breathing deprives lungs of oxygen, which causes a woman to not move at a regular pace. Having worn corsets in her youth, she was determined to see to it that no one will have to look elegant by wearing something that caused great pain.
Instead of looking for a job, she opted to attempt to become a teacher. One would have to obtain a certificat des études primaires then win a prix d’excellence to enroll in the écoles primaires supérieures. The écoles primaires supérieures provided career education for boys and girls. Girls studied to become teachers. The difference between American education and French education during the industrial revolution is the latter expanded the workforce immensely through sensible means.
Vionnet was renowned for taking commonly used sewing techniques to an unprecedented level. Her understanding of the human body’s shapes and invisible angles led to fashioning garment pieces that complimented these parts. In this sense, a body is able to move effortlessly, similarly to a danseuse in a leotard. Her silhouette is manifested by the shape of the garment, which is possible through hanging fabric at a vertical angle.
She stayed in primary school till age 11 which is when, much to her shock, was sent to a local seamstress Mme Bourgeiul for an apprenticeship in 1887. The reason being the next stage of a young person’s education was very expensive. Mme Bourgeiul was their groundskeeper’s wife and worked as a seamstress. She had a station that Vionnet didn’t care for. Nonetheless, her obedient apprentice learned the traditional Art of Dressmaking. While Madeleine initially loathed her situation, she fell in love with the trade in the end. Her hands were a God-given gift that Mme Bourgeiul recognized. Had little Madeleine not realized just how wonderfully skilled she was, she would have missed the opportunity to serve the female community.
Madeleine Vionnet was born on June 22 in 1876 to toll collector Jean-Baptiste Abel Vionnet of the Jura Mountains and former Parisian cashier Marie Rosalie Henriette Gardenbois of Burgundy in Chilleurs-aux-Bois. Her mother’s ambition took her into the real world after nearly four years of marriage. She was not the marital type for her intent was to carve a niche in the business market. Marie founded Le Petit Casino, a café entertainment venue that became a great success. It proved one could achieve her dreams in a society that emphasized domesticity for women and productivity for men. Fortunately, it influenced her daughter to be self-reliant, stubborn and ambitious. Madeleine was incredibly stubborn! For good reason, though.
Vionnet worked twelve hours, five days (sometimes seven days) aweek making garments, running errands and cleaning. Her master was paid three francs per garment and ten sous per garment herself. There were no labor laws during the 19th century so children were forced to work as long as their employers demanded. It was a grueling experience for her but without strain and sweat she wouldn’t have surpassed her future rivals. In this sense, she not only had an authentic dressmaking education but an understanding of how valuable it is to learn in someone’s home rather than at an institute. Craftsmanship matters more than mass consumerism in that intimacy is secretly preferred to widespread infatuation.
For a while, Vionnet lived with her grandmother in Joigny. When her father set up an apartment in the Village of Aubervilliers, she moved in with him. Monsieur Vionnet enrolled her enrolled her in primary school. She was a very intelligent and studious student so completed her education before the expected age of thirteen.
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I threw everything to the winds!
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Horst P. Horst Lisa on Silk
an introduction
continued.
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n 1893, she went to work for the House of Vincent on the rue Cadet. Vionnet advanced to première status but left when her marriage failed and newborn daughter died. With only three hundred francs she moved to London with a letter of recommendation from her employer. Her new job was to clean linens at the Holloway sanatorium in Virginia Waters. The owner, Doctor Reid, permitted her to make dresses for his family. When a family friend by the name of Kate Reilly took a look at them, she was astonished by the level of skill.
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In 1895, Vionnet worked for Reilly as an overseer of her staff of seamstresses. During the Victorian Era, the major Parisian haute couture houses had branches in megacities such as London and New York. Small dressmaking shops could purchase original garments in Paris and have their staff make copies for a local branch. Reilly owned dressmaking shop that provided this service on 11 and 12th Dover Street. In 1900, Madeleine returned to Paris to spend more time with her father.
Madeleine learned about the female body in relation to the fabric. Mannequins were not artificial during the early stage of Parisian haute couture, so couturiers employed live mannequins for dressmaking as well as presenting collections to clients The House of Callot Soeurs was founded in 1895 on 24 rue Taitbout in Paris. It was owned by the Gerber sisters: Madame Marie Gerber, Madame Bertrand and Madame Regine Tennyson-Chantrell. Theses three sisters learned the skills of lacemaking and embroidery from their mother and fashion design from their father who was a professor at the École National Supérieure des Beaux Arts. Fashion design is not the same as dressmaking. You can create ideas in your head then sketch them. That is all the term means, whereas a seamstress creates detailed ideas and manifests them through manipulating muslin on wooden dolls (using silk, taffeta, crepe, chiffon or any material of high quality is reckless). Vionnet admired their garment models when overseeing Ms. Reilly’s atelier, she applied for a job at her haute couture house. In 1901, she was offered the position of première after a while of working there by the eldest of the sisters with a 400 francs/month salary. She oversaw twenty seamstresses producing garments such as skirts and corsets while acting as the head seamstress. Madeleine learned about the female body in relation to the fabric. Mannequins were not artificial during the early stage of Parisian haute couture, so couturiers employed live mannequins for dressmaking as well as presenting collections to clients. On a side note, the first mannequin was Charles Frederick Worth’s wife, Marie Vernet, who modeled dresses for customers in his salon. She served as the exclusive muse to the Father of Haute Couture. That is how fashion shows were held. They were presentations for more than a century before the arrival of couturier Paco Rabanne with his lively and ethnic-dominated catwalk theatre. In the atelier, live mannequins were treated similarly to the artificial ones employed today, thus Vionnet’s exposure to perfect geometry as the balance between fabric and flesh helped shape her future collections. Furthermore, her position enhanced her craftsmanship and instincts, not to mention the quality of ingredients to make a dress.
For example, Madame Vionnet learned how to manipulate shoulders to create an extended form, such as in Japanese kimonos were the fabric that drapes over the body seems to be one continuous line. Shoulders during the late 19th and early 20th century were clear cut, in terms of respecting the monobosom silhouette. They were treated as separate from the sleeves yet Vionnet practiced creating a single continuous outline of the female form with fabric. She had many elite female clients of which some were famous actresses. Actresses were permitted to influence the trend evolution in fashion like they are today, albeit with better conception. Their needs showed her what women wished to wear as substitute for the long-sleeved and high-collar dresses dominating female society. Madeleine was a seamstress in the truest sense of the word for the duration of her service to our community. Her selflessness was a once-in-a-hundred-years phenomenon. One may question society’s insistence on cheap ideas for models but it is not their fault for how they think. Our minds are shaped by external influences, whether it be scientists, doctors, lawyers, artists or politicians. Those who buy clothes and yearn for something very expensive do not know that our beloved Vionnet loathed the state of haute couture (which today remains unchanged). Her work was apparel-driven, meaning everyday use is the foundation of sensible attire. Sophistication is part of the equation of course, but simplicity mattered just as much. As she once said, “My dresses are not for fashion…I only like that which lasts forever.”
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“Mannequins were not artificial..
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Surreal Dreams Of Winged Nouumenon Photography by Nina Pak Š 2012
Models: Image 1. Cristiana Cole Image 2. Sarah Scoular Image 3. Marta Wiley Image 4. Alejandra Rodriguez Image 5. Uli Krown Image 6. Sarah Scoular Image 7. Whitney Siara Image 8. Sarah Scoular Make Up Artists: Candice Johnson, Lorri Mitchell, Aaron Wozlowski Hair: Dreamloka Styling
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Troy Gua
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roy Gua was born and raised in Seatac, Washington. He’s a libra. He prefers the term self-actualized to self-taught, but will answer to either.
SEATTLE MAGAZINE 2011 SPOTLIGHT AWARD: TROY GUA - Profile by Bond Huberman STATEMENT Radio Edit: consistently produce accessible and engaging conceptual work in a wide range of media, marrying the commercial and contemporary, conveying a glossy design aesthetic with a keen sense of humor. My subject matter deals with the investigation and layering of identities, cultural critique and commentary and the universal human need for recognition.
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www.troygua.com
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Farah Zulaikha Beating out 11 legendary beauties such as Cindy Crawford, Iman, and Christy Turlington, international supermodel Farah Zulaikha takes the #1 spot on UGO.COM’s “Smartest Models In The World” list..
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n international supermodel based in New York, Farah Zulaikha was discovered at an early age and has had a very successful career right from the beginning. In an exclusive interview for Fashion Studio, Farah talks about her main modeling projects and campaigns, her family, her fashion designer friends, her personal style, and her sources of inspiration. She also reveals some useful beauty tips. Beautiful not only on the outside, Farah has an amazing personality, a captivating style and so many interesting thoughts to share. FASHION STUDIO: You started modeling at a very young age. Tell us a little bit about the beginning of your career and your experiences so far. Which fashion designers and brands have you worked for? FARAH: I first ventured into modeling COMPLETELY by accident. I was always very studious, and was attending a summer program in New York City for young achievers. Upon going to school I was befriended by a beautiful young lady who was a graduate student.
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She happened to be an ex-model and working for the number one modeling agency in the world at the time, so needless to say she had a sharp eye for talent. She approached me and asked me if I had ever considered being a model. I remember laughing at the question when she first asked... I come from a family full of doctors and academics, I myself have always taken my studies very seriously and despite my success in the fashion world I am currently studying medicine so being a supermodel was never part of the “life plan.” I was very taken aback by her and admittedly intimidated as she was older than me and seemed so mature and glamorous, it was hard for me to believe that such a fashionista could see the potential of a supermodel in my skinny teenaged self. I brushed the idea off as the girl being polite and friendly, However, I was wrong. She insisted that I would be a “breath of fresh air” to the industry and was convinced that I would be a success courtesy of www.fashionstudiomagazine.com By Eva Fydrych
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“My inspiration for modeling really stemmed from the people who believed in me from the beginning. I remember from a very early age I have always had a fascination with BEAUTY. In elementary school I used to read books about Leonardo Da Vinci and Michaelangelo and Greek mythology.” FASHION STUDIO: What inspired you to become a model? FARAH: My inspiration for modeling really stemmed from the people who believed in me from the beginning. I remember from a very early age I have always had a fascination with BEAUTY. In elementary school I used to read books about Leonardo Da Vinci and Michaelangelo and Greek mythology. My favorite Greek goddess was Aphrodite, the goddess of love and beauty. I admired the traits that the goddess possessed - she was beautiful yet fearful and powerful, and it was symbolic of the true power of beauty. Although I haven’t always considered myself to be beautiful, I always wanted to BE beautiful. I also would look through my favorite fashion magazines like VOGUE and Allure and Cosmopolitan and I had my favorite models: Gisele Bundchen for her stunning body and angelic face, Yamila Diaz-Rahi for her unique and exotic features, Stephanie Seymour for her classic All-American looks, and Iman for her timeless beauty. But what stood out to me was the lack of Middle-Eastern or Indian looking girls. As a pre-teen, when you look through these proverbial “beauty bibles” and see no one that looks like you... it can tend to make you doubt yourself. It is a sentiment that is almost as if to say “Well, these are supposed to be what beautiful women look like... and they do not look like me. So maybe I am not beautiful.” It wasn’t until I got discovered in New York that I realized there is room for everyone in modeling, room for every look and ethnicity. And although I may not have had many Middle-Eastern supermodels staring at me through the pages of the magazines, I could be that role model for another young girl like me. It was this idea that really made me push myself in my modeling career. With every runway I walked and every shoot I booked, I felt a need to represent my culture and background. I realized something early on that gave me an edge and set me apart from the rest. I am not Kate Moss. I am not Agyness Deyn. And I would never want to be. Why? Because I am FARAH ZULAIKHA. What makes us unique makes us different. Our quirks and characteristics become our trademarks! And the fact that I was so different made me stand out and really set me up for success. I don’t think my career would have been this red-hot if I had been just “more of the same”. courtesy of www.fashionstudiomagazine.com By Eva Fydrych
FASHION STUDIO: You were chosen by Tyra Banks to take part in her show’s premiere episode in New York City. How did you like that experience? FARAH: Tyra Banks is a person whom I owe a lot of gratitude and thanks to. She is such an inspiration and motherly figure to so many young models. My meeting with Tyra was by pure chance. In 2007, Tyra Banks had just moved production of “The Tyra Show” from Los Angeles to New York, and for her premiere episode with mega-star singer Rihanna she was searching for some buzzworthy and interesting models/actresses/personalities from New York to invite on the show. One thing about Tyra, she is very fond of discovering and nurturing models, especially models that have an unusual look to them. One of her staffers brought her my photo, as I was gaining momentum as a heavily requested runway model in NYC at the time. She loved my eastern look and ambiguous ethnicity and gave me a call that very same night, inviting me to appear on the show and meet Rihanna. When I got the call from Tyra I was floored, especially when she declared me as “beautiful beyond belief” in front of the entire Tyra Show production crew! The night before my appearance I was so excited that I did not sleep at ALL. The show was so much fun, the lights the audience the crowd, everything was a pure adrenaline rush! It was my first television appearance and I really got a feel for how television shows work. It was valuable knowledge that made it a total breeze for the several television appearances that followed. It was such a confidence boost to know Tyra Banks, one of the most successful supermodels of all time believed in me. It helped me to believe in MYSELF. FASHION STUDIO: How would you define beauty? “Beauty is a tricky word..... for Beauty is felt but before that it passed through the tunnel of the eyes leading to the heart. Lust is not beauty and can never be beauty for it is not merely flesh based... When you see beauty you don’t see plea... sure you don’t think anything... Beauty is a lovely mix of elegance and class... you think of the person in a respectable manner... When you see beauty... the world disappears where mere words do not and can not capture the feeling inside.” MAMi Magazine 47
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My Inspiration...
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Farah
ZULAIKHA What is your beauty secret?
Personal Style
FASHION STUDIO: What is your secret of always looking so amazing? What is your beauty regime?
FASHION STUDIO: What is fashion for you? How would you describe your personal style?
FARAH: I have tried all kinds of beauty products from the convenience store brands to the high end luxury brands... and some were better than others. But as a medical student, AND a consumer I can firmly state that the gold standard in skincare would have to be medical-grade skincare or “cosmeceuticals.” My favorite skincare line is my mother’s best selling skin care line PMR Fountain of Youth. I and many other celebrities SWEAR BY her custom-mixed medical grade skin creams, which prevent the skin from premature aging. Why battle skin damage and aging when one can prevent it completely and save much more time and pain in the long-run? My mother’s creams are a lifesaver and I owe my famously beautiful skin to it. Learn more at www.pmrfountainofouth.com
FARAH: For me it’s not really about fashion, it’s more about STYLE. Fashion can be bought. Fashion comes and goes. But TRUE STYLE is eternal and it comes from the individual. As a model, often times we are told how to dress or what image to portray in the name of fashion. However my personal style is something all my own. My daytime look is usually a mix of urban chic and eastern exotic. I have been known to throw on a pair of skinny jeans, a blazer and some patent black stiletto pumps with an armful of assorted Indian bangles and antique chandelier earrings, or for warmer days maybe a flowy dress in a bright color or unique print and my favorite beat up buckled lace-up combat boots.
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courtesy of www.fashionstudiomagazine.com By Eva Fydrych
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Daily Beauty Regime
best beauty tip. nourish your body. Daily beauty regime.. TLC! Im a purist when it comes to cosmetics i only wear mineral makeup My beauty secret is one that seems very obvious but a lot of people don’t think of it, and it probably comes from the medical side of me, but my best beauty tip is to nourish and care for your body from “the inside out”.... I am a firm believer that the ultimate beauty lies in health. When one has a healthy body it is a thing of radiance and beauty! Care for your body, we only have one life to live and one body to live it in. Take your vitamins, use sunscreen to protect your skin from the sun’s harmful rays, drink plenty of water, get plenty of rest, eat a balanced diet, exercise and avoid bad habits like drugs and alcohol. A healthy lifestyle is the absolute best beauty tip I could possibly offer!. I have many fashion accessories which I feel as though I cannot live without! But for my fast-paced lifestyle it is not always possible to carry them all with me. I have to be flexible and able to hop a flight at a moment’s notice so it is very important that I can look good and also pack light.
My daily beauty regime is all about TLC- tender loving care. When you care for your body, it will only radiate with the glow of health. I can’t get out of bed without a hot cup of herbal green tea or English breakfast tea. The antioxidants are not only essential for beautiful skin, but they also battle cancer-causing free radicals in the body. In fact, I have borrowed a page from my amazing chai-loving Indian fans! It is a well-known fact that eastern women have beautiful skin which can be attributed partly to their love of tea! I exfoliate with a mild citrus-based exfoliating cleanser in a hot shower this is the best way to keep your skin fresh and glowing every day. I don’t even THINK about leaving my home without protecting my skin from the sun’s harmful UVA and UVB rays by applying a high-grade (SPF 30 or higher) sunscreen on my entire face and body! There is nothing that ravages skin worse than the sun and we must all take care to protect ourselves against sun damage.
Makeup Routine My makeup routine tends to vary with my mood and attire, but it usually consists of a natural face with a dusting of powder, a dab of lip gloss and a swipe of some classic kajal kohl eyeliner. I am a purist when it comes to cosmetics so I only wear mineral makeup with skin-boosting vitamins. When I made the switch from traditional foundation and powder to mineral makeup I saw a huge difference in my skin - mineral makeup feels light as air, and it won’t irritate the skin. I have naturally very full lips so I like to experiment with lip color sometimes - my favorite is Indashio Lip Tar by Obsessive Compulsive Cosmetics. The range is by my dear friend superstar designer Indashio, and it was featured on my lips in his “Jet Set by Indashio” ad campaign... it is by far the most vivid and vibrant lipcolor I have ever worn! MAMi Magazine 49
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goddess of
nature
by Michaela Nicoleta
“Every woman should be a Goddess of Nature.” Marie FabFace Artistry Woods
I
was born in Philadelphia, PA USA. I am the colorful, downto-earth key makeup artist and founder of Fab Face Artistry. With a longstanding love of art and aesthetics, my transition into enhancing natural beauty through makeup was organic and seamless. At just 26-years-old, I am skillfully building a platform upon that--empowering women through holistic beauty and with the tools to feel great about themselves. Growing up, I was filled with profound wonderment and satiated through the world of art. Thriving on creativity, I painted and engaged mostly in crafts. My life took on new meaning in 2003, when I got my face made up in a beauty store. I realized (then) make-up could be a new way for me to express myself artistically. I wanted every female to experience the magic of using color and detail to illuminate their God-given beauty and express their mood or personality.
I learned everything I could through apprenticeships and intense study. I am constantly staying abreast of industry standards and trends to excel in my craft. Most importantly, I learned--and garnered a following--by taking on every project available and treating each customer with an equally enormous amount of love and care. I pride myself on building trust with my clientele and meeting their specific needs. Even clients who don’t regularly wear makeup, love when I do it. I’m able to enhance their beauty without being over the top. When I’m done, my clients give me a hug and leave happy. I decided to expand in the arena of making women happy with the creation of an organic skincare line “Goddess of Nature”, launched in 2008, and expanded with a mineral makeup line “Fab Face Minerals” in September 2012. I also conduct workshops on the “art of makeup”, sharing with women tips and information so they feel equipped and confident for themselves. Ultimately, I want to have an impact on my community and give back. I have shown this generosity of spirit in endless ways through years of one-on-one attention with my clients. And I plan to help others and feed my own soul for years to come. I think every woman should be a “Goddess of Nature.” Visit me on the web at www.fabfaceartistry.com
“Growing up, I was filled with profound wonderment and satiated through the world of art. Thriving on creativity, I painted and engaged mostly in crafts. “
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Aston Martin
V12 Zagato
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he Aston Martin V12 Zagato is an endurance racing concept car made by Aston Martin in collaboration with Zagato to celebrate a 50 year partnership since the Aston Martin DB4 GT Zagato. Introduced in Lake Como, Italy at the Concorso d’Eleganza Villa d’Este on 21 May 2011, the Zagato was awarded with the competition’s “Design Award for Concept Cars and Prototypes” which has also been won by the One-77 in 2009.[ Like the Aston Martin V12 Vantage on which it is based, the V12 Zagato is powered by a 6.0 L V12 engine with 510 bhp (380 kW / 517 PS), and 570 Nm (420 lb ft) of torque. Designed at the Aston Martin Design Studios in Gaydon the concept features a new handcrafted aluminium body with a front similar to the one of the Vantage and a heavily modified middle, roof and rear section uniting both of the companys design DNAs. Another extra is the endurance racing fuel tank carrying up to 120 litres of fuel. Following a large interest by customers Aston Martin announced they would build a homologated version of the car, producing only a limited run of 150 at the Aston Martin headquarters in Gaydon. Starting delivery in the second half of 2012 the Zagato is priced at around £330,000 excluding local taxes
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BLONDE AGAIN Photographer: Javier Galue (www.javiergalue.atlantistarget.com) Stylist: Ingrid RoseMary Make-up artist: Adriana Sepúlveda Photo Assistans: Mónica Martín & Hanna Reyes Model: Sabina Zavodna
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PARADISE RHYTHMS SURROUNDED BY MUSIC.
The Journey
Evens Colas grew up in New York City surrounded by music. Not only were there well-known musicians in his Haitian family, but his father, Paul, made sure there was always a variety of music playing in their home. From reggae to Haitian kompa to R&B, country, rock, classical music and polka, EV, as he now calls himself, heard it all. With music in his blood, Evens first learned piano at 8. At 12 he taught himself how to play guitar and spent every moment he could manage to learn and practice his chosen instrument.
The journey Evens took brought him into great bands and opportunities. He played guitar for Chaka Khan as well as live or session guitarist for great acts like The Marley Band, Rita Marley, Warren Zevon, Luther Vandross, The Drifters and many, many more. In the late 80’s, Evens was nominated as one of the top 100 guitar players by Guitar Player Magazine. Around that time, he also was invovled in the creation of two recording studios. A 24 track analog studio in New York and the another, Big Forty Productions. Big Forty, under the direction of Earl Rice (former Minnie Riperton keyboardist) was located in Houston, Texas.
“I’ve known Evans for over a decade through social media channels and I am humbled to say I HAD NO IDEA.. the magnitude of the music.. the complexity of the arrangements.. THIS BROTHA IS TALENTED.. and that my friends is with ALL of my professional opinion.” Lord Algie ~ MAMi Magazine MAMi Magazine 78
After over 20 years of live performance, in 2008, Evens and his wife, Sue Colas moved to Central Florida and created their recording studio, Paradise Sound Arts. PSA is a music production company that believes teamwork and networking are the basis of success. Their company motto is It’s About Us. The company was started to make use of Evens’ musical and composition talent.
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Evans Colas & Paradise Sound Arts Paul Santa Maria (Multi Emmy-Winning Writer), composers Jay Yerkes, and Joseph Trump round off the team. Through team work, PSA has created music for Chevrolet, Nike, ABC, PBS, Maxwell House, Coca Cola, The E Channel, Bravo, Harpo Entretainment, The Dr Oz show, The Kardashians, Real Housewives, as well as others. PSA continues to gain success in writing music for the Producers, Music Supervisors, Corporations and Publishers who look to them to provide the feel and emotion a scene or advertisement is crying out for.
The beginning of Paradise Sound Arts was challenge after challenge. But the team persevered and next years were spent designing and building the studio. Sue and Evens researched the science of acoustics and the process of studio construction, made the calculations, designed the space and built the tracking and control rooms. A substantial investment in equipment was made, manuals were studied, speakers were set up and tweaked to get the best sound for excellent mixing. Through all this activity, music was being created every day. A year later, Paradise Sound Arts added other team members who include Evens’ mentor, Loris Holland (Multi Grammy & Emmy-Winning Producer and Writer – Loris is a co- producer of the yet to be released Mariah Carey album, working under the direction of Producer, Randy Jackson. We are sure that this will be Mariah’s greatest record! Loris has also worked with Whitney Houston, Billy Ocean, Lauryn Hill, Aretha Franklin and more).
A year later, Paradise Sound Arts added other team members who include Evens’ mentor, Loris Holland (Multi Grammy & Emmy-Winning Producer and Writer – Loris is a co- producer of the yet to be released Mariah Carey album, working under the direction of Producer, Randy Jackson. We are sure that this will be Mariah’s greatest record! Loris has also worked with Whitney Houston, Billy Ocean, Lauryn Hill, Aretha Franklin and more). Paul Santa Maria (Multi Emmy-Winning Writer), composers Jay Yerkes, and Joseph Trump round off the team. Through team work, PSA has created music for Chevrolet, Nike, ABC, PBS, Maxwell House, Coca Cola, The E Channel, Bravo, Harpo Entretainment, The Dr Oz show, The Kardashians, Real Housewives, as well as others. PSA continues to gain success in writing music for the Producers, Music Supervisors, Corporations and Publishers who look to them to provide the feel and emotion a scene or advertisement is crying out for. Paradise Sound Arts, LLC http://paradisesoundarts.com evens12@gmail.com 321-243-4667 MAMi Magazine 79
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The Making of a
couture milliner by Mihaela Nicoleta Micula for Jenny Pfanenstiel
During my time as a designer I had the privilege to work with clients such as, Cirque du Soleil, Grammy dress for Margaret Cho, Colorado Ballet, Hubbard Street Dance, and movies like Outing Riley and Amistad. However, my true passion came while making hats. I soon learned why hats flowed through my veins. I was told that my Great Grandmother was a Milliner. I was so delighted and now keep a picture of her in my studio for inspiration. MAMi Magazine 80
I
Jenny Pfanenstiel, was born in the small town of Kokomo, Indiana. As a child, I remember watching my Mom make clothes for my sister and me. I remember having to stand there very still while she pinned the fabric and patterns over my body. She was so precise and paid a lot of attention to detail. Who would have known that those moments with my Mom were shaping my mind to what I do today as a Couture Milliner.
At a young age, I started collecting vintage hats and began taking sewing classes from local seamstresses. In high school, I had the pleasure of working with a world renowned Costume Designer from London. Those skills naturally lead me to go to design school. In 1997, I graduated with Honors with a degree in Fashion Design from the Art Institute of Colorado. While in school, I proudly received the “Most Creative Upcoming Designer” award scholarship winner and recognized designer from the “Fashion Group International”. During my time as a designer I had the privilege to work with clients such as, Cirque du Soleil, Grammy dress for Margaret Cho, Colorado Ballet, Hubbard Street Dance, and movies like Outing Riley and Amistad. However, my true passion came while making hats. I soon learned why hats flowed through my veins. I was told that my Great Grandmother was a Milliner. I was so delighted and now keep a picture of her in my studio for inspiration.
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2007 Forme Millinery In 2007, I decided to make the change to what truly made me happy and I created my company Formé Millinery. Since I had an impeccable talent for hand sewing costumes, my craft for hand-sewn couture hats came naturally. I started by learning the age old techniques of blocking and steaming wool and straw over wooden hat blocks. Soon my collection of hat blocks expanded to well over 100 and I love searching high and low for the most unique blocks I can find. In addition to blocking, throughout the years I have also mastered the art of hand manipulation of traditional and nontraditional millinery materials creating “sculptures” for the head. I have become known for my uniqueness and dedication to quality, while taking once admired embellishments and vintage materials and incorporating these pieces into my hats to truly make one-of-a-kind pieces.
Inspiration
Award Winning Couture I am honored to be recognized as an International Award Winning Couture Milliner. My collections include a couture Derby/Ascot hat line, women’s couture cocktail hat line, a couture wedding hat line, a gentlemen’s hat line and a vintage baby hat line. You can find my collections in shops around the country and in magazines such as Vogue, Tatler, Country Living, Mary Janes Farm, Today’s Chicago Woman and Belle Armoire. My hats have been featured on The Oprah Show and are owned by First Lady Michelle Obama. I am also a featured Milliner at the Kentucky Derby and at Louisville, Kentucky’s Waterfront Fashion Week. I am on the Board of Directors for the Apparel Industry Board and Fashion Group International, a member of the Milliners Guild in NY, a 2012 FGI Rising Star Winner and a two time Winner of the Hatty Award (an International award given to Milliners).
I often get asked what inspires me and where I come up with my ideas. My inspiration comes from many directions. I do have to admit, I admire the 20’s and 40’s very much. The style was so amazing and the craftsmanship of the hats made then was impeccable, thus seeing a great influence in my work. Sometimes, I even believe that I was born in the wrong era J. I often dress in vintage clothing and hats – the cloche being my favorite style. I love old architecture and even have my studio in a flat from 1883. I also pull inspiration from nature, old music, cobble stone roads and antique stores to name a few. I am lucky to have hat ideas bursting at the seams. I almost can’t keep up with them. I am not a sketcher and I rarely draw my ideas on paper. I create by working with the materials in my hands. I have learned that you
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Rihanna Rihanna dropped a hot new album for Spring entitled Unapologetic.
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Katy Perry how do you get a twitter following four times the population of NY?
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Angela simmons Anglea Simmons stays on the grind.. www.iamangela.com
Mila Kunis Beauty from the Ukraine.
MAMi likes MAMi Magazine’s top 10 facebook likes for Spring 2013.
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Solange Knowles Solange Knowles, doin her own thing.
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Azealia Banks you-tube to the world. Azealia Banks has made some serious noise.
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Mrs beyonce carter need we say more?
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amber rose this Philly native made some big noise the past few years.now with Wiz and new baby
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helen bailey Creator, Producer and Stunningly Beautiful woman behind the Urban Livin Brand.
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farah zulaikha this dazzling exotic beauty is taking the industry by storm.. no... really! watch her. MAMi Magazine 83
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PAOLO PRISCO
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watch the throne
M
cGuire Furniture has collaborated with artist Jordan Betten of Lost Art to create a one of a kind works of art. Taking five of McGuire’s most iconic chairs, he re- envisioned them with a rock and roll vibe – as he does for his fashion clients. They will be on display at McGuire San Francisco for the month of February and Baker Knapp & Tubbs’ Los Angeles showroom in March. ince 1948, McGuire has been internationally known for creating timeless furniture of natural materials. Each piece of furniture is crafted by trained artisans who bend, weave and form every chair, table or accessory by hand. Says McGuire President Kendra Reichenau, “Jordan’s work is incredibly creative, and he has envisioned some of our classic chairs in an entirely new way. He uses only the finest materials and fine tuned hand-craftsmanship – two qualities we very much admire.” ordan Betten is a New York City based artist and the founder of Lost Art. Lost Art, a luxury leather brand, began in 1997 with the creation of a bag called “The Road”. Since the beginning of Lost Art, all pieces have been made entirely by hand, in the tradition of the finest craftsmanship and attention to detail.
S J
Algie deWitt
Marketing&Advertising Expert MAMi Magazine 90
One Of A Kind Works: McGuire/John Betten The Lost Art collection includes clothing, accessories, motorcycles, instruments and guitar cases. Collectors include Lenny Kravitz, Steven Tyler, Sean Lennon, Sheryl Crow and many others. Betten’s collection can be viewed at the Lost Art gallery in West Chelsea, Manhattan, and his murals are easily recognizable on walls around the world. http://lostartnyc. com
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“Knowing that McGuire continues to produce handcrafted furniture was the best reason to collaborate. Our company’s aesthetics may be very different, but our shared sensibilities of paying attention to detail and the respect for the materials created an organic connection,” says Betten
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The Butterfly Chair, originally designed by Edward Tuttle, has been a McGuire icon for nearly 40 years. Just as much a work of art as it is functional; the Butterfly chair takes on a new personality. Betten imposed his own rock-star interpretation with the use of a cobra skin seat, arms and back laced with leather fringe. As in his figural art, Betten followed the existing curves of the back and arms to create a sense of movement around the frame.
The Target Dining Chair, designed in 1984 by Elinor McGuire has been a best seller for over 30 years. Betten re-interpreted with a brown calfskin hide on the seat and frame. Leather crossstitching adds an additional element of handcraftsmanship, as does the intricately hand-braided leather fringe that hangs dramatically from the back of the frame.
The Laura Kirar Dining Arm Chair, already one of the most dramatic pieces of McGuire’s collection, became even more of a statement in the artistic hands of Betten. Playing off of the pop-art inspired pattern of rattan circles, Betten doubled the affect, tying in additional brass rings in the back and arms of the chair. The python skin wraps the entire frame, as though it were constricting the rattan beneath. Crystals and feathers adorn the newly-fashioned Barbara Barry Script Side Chair. Reminiscent of a dream catcher, Betten uses the negative space within the calligraphic back to incorporate more detail. Hand-tied feathers frame the outside of the chair, adding a note of whimsical charm. Betten’s work often depicts a sense of gathering or connectedness, physically manifested here via tightly woven leather bands that create one large network of details.
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dekor for your home
The McGuire Furniture Company (415) 626-1414 or kendra.frisbie@kohler.com www.mcguirefurniture.com MAMi Magazine 91
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