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ARTISTS MELISSA SHOOK STEPHEN SHORE
DAVID SHRIGLEY PAUL SIGNAC BRAD SILBERLING WALTER SILVER
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STEPHEN SHORE
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STEPHEN SHORE A quote that I like very much comes close to explaining my attitude about taking photographs: “Chinese poetry rarely trespasses beyond the bounds of actuality… the great Chinese poets accept the world exactly as they find it in all its terms and with profound simplicity… they seldom talk about one thing in terms of another; but are able enough and sure enough as artists to make the ultimately exact terms become the beautiful terms.”
e-mail: stephenshore@gmail.com location: New York City
A quote that I like very much comes close to explaining my attitude about taking photographs: “Chinese poetry rarely trespasses beyond the bounds of actuality… the great Chinese poets accept the world exactly as they find it in all its terms and with profound simplicity… they seldom talk about one thing in terms of another; but are able enough and sure enough as artists to make the ultimately exact terms become the beautiful terms.”
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A quote that I like very muc my attitude about taking ph rarely trespasses beyond th great Chinese poets accept find it in all its terms and wi they seldom talk about one but are able enough and su the ultimately exact terms b
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STEPHEN SHORE
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EDIE SEDGWICK 1965-1967 black and white photograph 12 3/4 x 19 inches EDIE SEDGWICK 1965-1967 black and white photograph 12 3/4 x 19 inches
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WARHOL WITH ‘SILVER CLOUDS’ IN FACTORY 1965-1967 black and white photograph 12 3/4 x 19 inches
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PERSONAL WORK IN FACTORY 1965-1967 black and white photograph 12 3/4 x 19 inches
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1965-1967 black and white photograph 12 3/4 x 19 inches
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Untitled (Line after B. Nauman's The True Artist Helps the World by Revealing Mystic Truths)
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MATT MULLICAN
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MATT MULLICAN Installations of Mullican’s work often feature grids of his drawings hung side by side on makeshift walls in tightly packed rooms or corridors. These are spaces in which it seems possible to lose oneself, which, in a sense, the artist has done to create them. The predicate of his experiences under hypnosis is an ageless, genderless figure he calls “that person.” As he emerges in the work, “that person” busies himself with everyday routines but has his eye on the big issue.
1970s
2000s
Installations of Mullican’s work often feature grids of his drawings hung side by side on makeshift walls in tightly packed rooms or corridors. These are spaces in which it seems possible to lose oneself, which, in a sense, the artist has done to create them. The predicate of his experiences under hypnosis is an ageless, genderless figure he calls “that person.” As he emerges in the work, “that person” busies himself with everyday routines but has his eye on the big issue.
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This section simply showcases an’s work often feature the work that has been previously uploaded. It gives a small and price while on ung description side by side letting the artist easily navigate through it. tly packed rooms or aces in which it seems f, which, in a sense, create them. The predis under hypnosis is an ure he calls “that per-
2009 WORK PERSONAL
PERSONAL WORK
one from a portfolio of eight sketches
PERSONAL WORK 88 MAPS 2010 Page from unbound illustrated book with 28 graphite rubbings, 14 with screenprint additions
88 MAPS
2010 Page from unbound illustrated book with 28 graphite rubbings, 14 with screenprint additions
8 DEAD 2’S
TRUTH AND BEAUTY
2007 etching
gallery artist
2009 one from a portfolio of eight sketches
PERSONAL WORK
PERSONAL WORK 88 MAPS 2010 Page from unbound illustrated book with 28 graphite rubbings, 14 with screenprint additions
8 DEAD 2’S 2007 etching
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PETER COFFIN
Untitled (Line after B. Nauman's The True Artist Helps the World by Revealing Mystic Truths) $36.00
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NAM JUNE PAIK STEPHEN SHORE
Untitled (Line after B. Nauman's
The True Artist Helps the World FEATURED ARTISTS by Revealing Mystic Truths) $36.00
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ARTISTS MATTHEW ABBOTT CLINTON ADAMS
ANNI ALBERS BRIAN ALEXANDER LOUIS ALVAREZ
CARL ANDERSON IRVING AUSTIN JAMES ARMLEDER
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MELISSA SHOOK STEPHEN SHORE
DAVID SHRIGLEY PAUL SIGNAC BRAD SILBERLING WALTER SILVER
ALISON SKY SYLVIA SLEIGH
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #
STEPHEN SHORE
ARTISTS
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STEPHEN SHORE
STEPHEN SHORE
stephenshore@gmail.com
A quote that I like very much comes close to explaining my attitude about taking photographs: “Chinese poetry rarely trespasses beyond the bounds of actuality… the great Chinese poets accept the world exactly as they find it in all its terms and with profound simplicity… they seldom talk about one thing in terms of another; but are able enough and sure enough as artists to make the ultimately exact terms become the beautiful terms.”
UNCOMMON PLACES
AMERICAN SURFACES
THE VELVET YEARS
ABU DHABI
A quote that I like very much comes close to explaining my attitude about taking photographs: “Chinese poetry rarely trespasses beyond the bounds of actuality… the great Chinese poets accept the world exactly as they find it in all its terms and with profound simplicity… they seldom talk about one thing in terms of another; but are able enough and sure enough as artists to make the ultimately exact terms become the beautiful terms.”
e-mail: stephenshore@gmail.com location: New York City
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EDIE SEDGWICK, ANDY WARHOL, unidentified guests
COLLECTION PERSONAL WORK
1965-1967, printed c. 2010 COLLECTION black and white photograph 12 3/4 x 19 inches
THE VELVET YEARS
COLLECTION EDIE SEDGWICK, ANDY WARHOL, unidentified guests
1965-1967 black and white photograph 12 3/4 x 19 inches
EDIE SEDGWICK, ANDY WARHOL, unidentified guests 1965-1967 black and white photograph 12 3/4 x 19 inches
TRUTH AND BEAUTY 2009 one from a portfolio of eight sketches
PAUL MORISSEY, EDIE SEDGWICK
1965-1967 black and white photograph 12 3/4 x 19 inches
JOHN CALE
gallery viewer
1965-1967, printed c. 2010 black and white photograph 12 3/4 x 19 inches
COLLECTION
PAUL MORISSEY, EDIE SEDGWICK
1965-1967 black and white photograph 12 3/4 x 19 inches
PERSONAL WORK
WARHOL WITH ‘SILVER CLOUDS’ IN FACTORY 1965-1967 black and white photograph 12 3/4 x 19 inches
WARHOL WITH ‘SILVER CLOUDS’ IN FACTORY 1965-1967 black and white photograph 12 3/4 x 19 inches
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PERSONAL WORK
WARHOL WITH ‘SILVER CLOUDS’ IN FACTORY 1965-1967 black and white photograph 12 3/4 x 19 inches
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WARHOL WITH
PERSONAL WORK
PERSONAL WORK
IN FACTORY 1965-1967 black and white photograph 12 3/4 x 19 inches
1965-1967 black and white photograph 12 3/4 x 19 inches
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ALI FISHER The University of Kansas Fall 2012 | Visc404 Jeremy Shellhorn