Alison Huo 2022
Table of Contents
ACADEMIC Living Playground
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The Understory
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Boundless Spectacle of Taste
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Scarboroughton
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Market Place
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COMPETITION Inverse Void
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Philosophy of Self
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PROFESSIONAL Boxer Architects
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The Living Playground Location: Toronto, Ontario, Canada The concept of the housing proposal is to challenge the notion of what is a unit, what are the private programs in the unit, and the public portion in the sharing space. Through the concept of an open floor plate as a notion of the and outdoor living room and the public space, the housing design intends to maximize the common space to create congregation and interaction between residents that are living in the units and increase the flexibility and usage of the storages area. At the same time, it preserves the private room to the residences themselves.
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Plan Diagram
elevator core
storage
unit
opening
Private
Public
Washroom
Kitchen
Leisure Space
Shower
Fitness
Storage
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living playground
Study Space
2F
3F
4F
Rf
living playground
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living playground
North Elevation
living playground
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A
B
C
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E
F
G
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living playground
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living playground
The Understory Location: East Harlam, NY, USA Team: Pearl Cao & Alison Huo The Understory follows the philosophy of being inclusive, accessible and able to facilitate conversations about social and environmental issues, a platform for the residence of East Harlem to raise their voices. When we look at where impactful and physical manifestos usually happen, it’s generally in civic public spaces, with large open ground such as plaza and street. When starting our design, we think that it needs to be the first and foremost a public space that can facilitate visible forms of collective action. Following some studies of existing public spaces, we have observed that parks promote environmentally friendly public space and provide an open ground space for congregations to collect and express voices for social, political, and ecological issues. Moreover, while looking into the parks around the site, we notice they are all tiny, mostly paved, fenced, and programmed for specific usage. Hence we’re proposing an urban park that is highly accessible 24/7, un-programmed, and welcomes any forms of social events and activism. At the same time, the park will also tackle other issues such as locally reducing the urban heat island effect and providing a more diverse and welcoming landscape for the residence of East Harlem.
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Massing Iterations
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the understory
Slice
Slice Slice Slice
Peel
Peel Peel Peel
Puncture Puncture Puncture Puncture
Concept Diagram
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0
10
20
45m
Lower Floor
Roof Plan
1 Entry 2 Green House 3 Pond 4 Solar chimney
5 Entry 6 Reception 7 Marker’s lab 8 Art & media studio 9 Office 10 Lounge 11 Exhibition
12 Cafe 13 Multi-function hall 14 Access to upper level 15 Classroom 16 Conference room 17 Library 18 Community kitchen
19 Washroom 20 Storage 21 Staff room 22 Mechanical Room
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25 the understory
the understory 26
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the understory
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29 the understory
r / Aeration layer
Green Roof
Soil Filter fabric / Moisture-rention layer / Aeration layer 3 100mm (4”) thermal cork insulation 4 Root barrier / Membrane protection / 2-ply EN ROOF leak detected waterproofing membrane / 12.7mm (1/2”) Plywood sheathing 5 Vapour barrier SOIL 6 300x1000mm Douglas Fir glulam structure FILTER FABRIC / MOISTURE-RETENTION 7 Concealed beam hanger LAYER / AERATION LAYER 100mm (4”) THERMALCORK INSULATION Parapet to Soffit ROOT BARRIER / MEMBRANE PROTECTION / 2-PLY LEAK DETECTED WATERPROOF MEMBRANE / 8 Copper metal flashing 12.7mm (1/2”) PLYWOOD SHEATHING 19mm (3/4”) Quart swan Douglas Fir panel VAPOUR BARRIER 9 10 membrane 300x1000mm DOUGLAS FIRVapour GLULAM STRUCTURE 12.7mm (1/2”) Plywood sheathing CONCEALED BEAM 11HANGER 12 300x500mm Douglas Fir glulam beam
/ embrane/
1 2
cture
panel APET TO SOFFIT
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13 14 15 16
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2 3 4 5 6 7
Exterior Wall
13 40mm Hollow stainless steel rod infilled w/ COPPER METAL FLASHING ridge insulation varies mm 19mm (3/4”) QUART14SWAN 150x DOUGLAS FIR Douglas Fir glulam beam 38x140mm (2x6) wood lumber 400mm O.C. w/ hempcrete insulation 12.7mm (1/2”) PLYWOOD SHEATHING 16 FIR Copper metal flashing 300X500mm DOUGLAS GLULAM BEAM 17 Painted aluminium Structural mullion attached w/ wood column
15 m VAPOUR MEMBRANE
ERIOR WALL
ed
At Grade
18 WT 180x55 40mm HOLLOW STAINLESS STEEL ROD 19 Aluminium drainage grille INFILLED W/ RIDGE INSULATION 150x VARIES mm DOUGLAS FIR Foundation Wall 38x140mm (2X6) WOOD LUMBER O.C. W/ HEMPCRETE INSULATION 20 12.7mm (1/2”) Gypsum board COPPER METAL FLASHING 21 38x140mm (2x6) wood lumber 400mm O.C. PAINTED ALUMINIUM MULLION 22 STRUCTURAL Vapour barrier ATTACHED W/ WOOD 23 COLUMN Mechanical ventilation 24 50.8mm (2”) Ridge insulation 25 300mm (12”) Concrete foundation wall GRADE 26 100mm (4”) Ridge insulation 27 Vapour barrier 28 2-ply bituminous dampproofing WT 180X55 29 Soil ALUMINIUM DRAINAGE GRILLE
eam m O.C.
attached
Foundation Slab
NDATION WALL
30 75mm Concrete topping w/ in-floor heating 31 100mm (4”) Concrete slab 32 50.8mm (2”) Thermalcork insulation 12.7mm (1/2” ) GYPSUM BOARD 33 180mm (6”) min gravel 38X184 (2X6) WOOD STUD @ 400mm O.C. VAPOUR BARRIER VENTILATION PIPES 50.8mm (2“) RIGID INSULATION 300mm (12”) CONCRETE FOUNDATION WALL 100mm (4”) RIDGE INSULATION VAPOUR MEMBRANE 2-PLY BITUMINOUS DAMPROOFING SOIL
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m O.C.
NDATION SLAB
75mm CONCRETE TOPPING W/ IN-FLOOR HEATING 100mm (4”) CONCRETE SLAB 50.8mm (2”) THERMALCORK INSULATION 180mm (6”) MIN. GRAVEL
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0 WALL SECTION DETAILS
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22 23 24 25 26 27 28 29
TRUCTURAL MULLION
eating 30 31 32 33
the understory 30
Boundless Spectacle of Taste Siteless Spectacle Boundless Spectacle of Taste is an architectural capriccio that speculates on spaces of aesthetic judgement. It questions historical notions of judgement through the creation of a fantastical place that challenges the priority of definite conclusions. Since the eighteenth century, the concept of Aesthetics has been a subject of ambiguity. Whether it is “the immediacy of straightforwardly sensory judgements” or a collective of describable objective reasonings, the definition has never been settled. Historically, a place of judgement such as a courthouse implies a process of decision-making through the idea of reasoning, judging, and evaluating. The systems are based on certain moral, cultural, political, or religious principles, such as law and ethics. The architectural characteristic of this place of judgement implies a strong sense of authority and enforcement, in which judgements are definitive. On the other hand, the concept of Aesthetics embodies dualistic qualities of Ambiguity and ambivalence, subject to a multiplicity of interpretations. Boundless Spectacle of Taste positions itself as a satire, prompted by a desire to question the tyranny of aesthetic judgement in the contemporary imaginary. This thesis is not seeking universal approval, nor does it insist upon a singular concept of judgement itself. In an embrace of architectural fiasco, it confronts norms, biases, and assumptions embedded within the design of spaces that have traditionally structured judgement and debate and tables them for further consideration.
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Case Studies ART
01 The French Dispatch - Arts/Artists Film 2021
The French Dispatch - Arts/Artists Film 2021
Centre of the Attention Toward the Prosecutor
“Mr. Rosenhaler, is a talented artist, but also a first degree murderer”
* Build a court inside a church extra institutional * The backing of the chair looks tall and rigid * The plan looks highly symmetrical, just like the way how the movie was filmed * The scene was filmed in B&W instead of colour * “Mr. Rosenhaler, is a talented artist, but also a first degree murderer“
02 The French Dispatch - Arts/Artists Film 2021
Filmed In One Point Perspective Or In Elevation View
The Backing of The Chair Looks Tall and Rigid
Build a Court Inside a Church Extra Institutional
The Plan Looks Highly Symmetrical, Just Like the Way How The Movie Was Filmed
The Scene Was Filmed in B&W Instead of Colour
The French Dispatch - Arts/Artists Film 2021
12 Foot Fresco Murals
Tall Ceiling
* An auction in prison * 12 Foot fresco murals * Tall Ceiling * Doesn’t even look like a prison * The paintings are part of the concrete wall
Art Auction in Prison
Doesn’t Even Look Like a Prison
The Paintings are Part of the Concrete Wall
03 Colourful Shadows Tokyo Exhibition 2013
Colourful Shadows Tokyo Exhibition 2015 33m Elongated Display Table
3mm Thick The Form of Table Feels Rebellious 200mm Wide
* 3mm thick, 200mm wide * 33m elongated display table * It looks extremely light * Minimalist * The form of table feels rebellious * You only can walk from one side
It Looks Extremely Light You Only Can Walk From One Side
Minimalist
04 Mimicry Chair Installation 2012
Mimicry Chair Installation 2012 A Chair For Me As Well Chair For Stair
White Metal Chair
It Comes With Various Sizes
* White metal chair * Chair for stair * It comes with various sizes * A chair within a chair * Chair sculpture * They also function as a table * Mimicking everything
A Chair Within a Chair
Mimicking Everything
They Also Function As a Table
Chair Sculpture
05 SANAA Installation in Mies van der Rohe Pavilion Installation 2008
SANAA Installation in Mies van der Rohe Pavilion Installation 2008 “We didn’t want the installation to interfere in any way with the existing space of the Barcelona Pavilion”
SANAA + Mies = +1
* Spiral acrylic curtains * “We didn’t want the installation to interfere in any way with the existing space of the Barcelona Pavilion” * “Less is more“ also works for SANAA * SANAA + Mies = +1 * Does the acrylic actually change the perception? * Invisible Installation
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A Spiral Acrylic Curtains
“Less is more” also works for SANAA
Does the Acrylic Actually Change the Perception?
Invisible Installation
Case Studies LITERATURE
06 Theatre of Dionysus Architecture Mid- to Late- Sixth Century BC
Theatre of Dionysus Architecture Mid- to Late- Sixth Century BC
Holds 1500 Audiences Prototype of Greek Theatres
Bunch of Marble Remains
* Prototype of Greek Theatre * Holds 1500 audiences * Built into the hill side * “a place of seeing“ * Bunch of Marble Remains * No Roofing
Built Into the Hill Side
Magnificent Architecture “a place of seeing”
No Roofing
07 Little Women Film 2019
Little Women Film 2019
Only Tables and Chairs Needed
* Intimate space with full of stuff * Fast paced * Only tables and chairs needed * Can you be creative with space like this?
Intimate Space
Full of Stuff
Fast Paced
Can You Be Creative With Space Like This?
08 The French Dispatch - Politics / Poetry Film 2021
The French Dispatch - Politics/Poetry Film 2021
Silent Protest
* Stacked shelving as barrier * Silent protest * Symmetrical scene but not absolutely * The scene is a metaphor
The Scene Is a Metaphor
Stacked Shelving As Barrier Symmetrical Scene But Not Absolutely
09 Hallway of Daniel’s Faculty Architecture 2022
Hallway of Daniel’s Faculty Architecture 2022
Dual Function
* Dual Function: walkway and review space * It is an exhibition * The floor makes sounds * Awkward to walk through during reviews It Is An Exhibition
Can’t Walk Through During Reviews
FOOD
10 MasterChef Reality Television 2019
The Floor Makes Sounds
MasterChef Reality Television 2010
How Depressing This Space is
Collective Kitchen
Spacious Broadcasting Room
* Spacious broadcasting room * Collective kitchen * How does ventilation work while cooking? * Stressful environment * How depressing this space is
How does ventilattion work while cooking?
Stressful Environment
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Case Studies FOOD
11 The Chef - Restaurant Film 2014
The Chef - Restaurant Film 2014
Does a Well Decorated Restaurant Mean Having Good Food? Open Kitchen
* Open kitchen * Rigid menu * Efficient space * Does a well decorated restaurant mean having good food? Rigid Menu
Efficient Space
12 The Chef - Home Kitchen Film 2014
The Chef - Home Kitchen Film 2014
Where All The Creativity Starts
The Space Sometimes Can Be As Messy As You Want
* Comfortable space * Where all the creativity starts * Fun time * The space sometimes can be as messy as you want to * Not following the triangle principle in kitchen design
Fun Time
Comfortable Space
Not Following The Triangle Principle In Kitchen Design
13 The Chef - Food Truck Film 2014
The Chef - Food Truck Film 2014
Comfort Food
Compact But Fully Equipped
* Food truck is a culture * One person passage walkway * Compact but fully equipped * Comfort food * Food is more delicious than a restaurant sometimes
Food Truck Is a Culture
The food is more delicious than a restaurant sometimes One Person Passaged Walkway
14 Chef’s Table Documentary 2015
* Tortellini Walking Into The Broth * Six tortellini in one line * Broth is gelatine * ”True tortellini is ten to a spoonful” * “You cannot mess with Grandmother recipe!“ * Traditional disrespect the ingredients * “Why don’t we serve something very provocative?“
15 The French Dispatch - Tastes & Smells Film 2021
Chef’s Table Documentary 2015
Six Tortellini In One Line
Tortellini Walking Into The Broth
Broth Is Gelatine
“Why don’t we serve something very provocative?”
“True tortellino is ten to a spoonful”
The French Dispatch - Tastes & Smells Film 2021
Cramped But Intimate Space An Investigation Room Turned into a Dinner
* An investigation room turned into a dinner * Kitchen beside work room * Eating while solving a case * The food is more prioritized than the case * Cramped but intimate space
Eating While Solving A Case
Kitchen Beside Work Room
The Food is More Prioritized Than the Case
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“You cannot mess with Grandmother recipe!”
Traditional Disrespect The Ingredients
Case Studies 16 Midnight Asia: Eat. Dance. Dream Documentary 2022
Midnight Asia: Eat. Dance. Dream. Documentary 2022
No Set Location
No Set Drink Menu Street Stall
* A traveling bar * Street stall * 1.6m x 2.4m footprint * No set location, no set drink menu, no set price * Four person capacity kind of bar * The best drink that I ever have
Four Person Kind of Bar
The Best Drink That I Ever Have
A Traveling Bar
1.6m x 2.4m Foot Print
No Set Price
FASHION
17 America’s Next Top Model Reality Television 2012
America’s Next Top Model Reality Television 2012
The Form Refers To a Theatre
Typical Judging Stage
* Typical judging space * The stage design refers to a theatre * All eyes are on the judging stage * It looks cheesy * “What is called high fashion?“
All Eyes are On Judging Stage What is called high fashion?
It Looks Cheesy
18 Project Runway Reality Television 2021
Project Runway Reality Television 2021
Traditional Runway Stage
* Taditional runway stage * 360 degree view’s on clothes design * Why not a circle instead of an oval * Is this for fashion or for competition
Why Not a Circle Instead of an Oval
Is This For Fashion or For Competition
360 Degree View’s on Clothes Design
19 Vintage Balenciaga Fashion Show -
Vintage Balenciaga Fashion Show
Smile is the Worst Taste Gather in a Square
* Gather in a square * No elevated stage design and no music was playing * Absolutely silent * Can’t even say a word * “It was forbidden to smile or show your teeth“ * Smile is the worst taste
Can’t Even Say a Word
No Music Was Playing
“It was forbidden to smile o rshow your teeth”
Absolutely Silent
No Elevated Stage Design
20 Ready-To-Wear Fashion Show 2020
Ready-To-Wear Fashion Show 2020
Are They Ancient Warriors?
It Looks Like a Conference
Youth Speed Power Technology
* It looks like a conference * Colour of the EU flag * Progressive show * The swirly shape makes me dizzy * Fear, panic, apocalyptic * Youth, Speed, Power, Technology
Progressive Show
Fear, Panic Apocalyptic
Colour of the EU Flag The Swirly Shape Makes Me Dizzy
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Scarboroughton Location: Scarborough, Ontario, Canada Team: Neha Bhargava, Alison Huo & Alex Tang What should the centre of a city look like? What is good city planning? And How should a city be built to carry its own history and reflect its identity? Scarborough’s two most iconic buildings, Scarborough Town Centre (Mall) and Scarborough Civic Centre (City Hall), are located in the heart of Scarborough and have a history of industrial employment development east and west of the city centre. After the municipal amalgamation of Toronto in 1998, development in Scarborough had slowed down due to the dispersal of municipal funding. Today, the city suffers from a lack of public safety, good air quality, and falls into the lower income area. With an intention to respect and preserve the industrial heritage east and west of the city centre, we propose to transform this 1 km by 5 km, low rise, low density and single program buildings city centre land to an urban fabric of mid- to high-rise, higher density, and mixed-use building typology with a Central Business District at the heart of Scarborough. At the same time, we seek to introduce a 5 km long urban park to create an east-west corridor that links the adjacent neighbourhoods around the city centre.
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Design Action Zone Phase I
Design Action Zone Phase II
Design Action Zone Phase III
Focus Site Plan
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Building Program Diagram
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Parcel Detail I
Parcel Detail II
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Parcel Detail III
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Market Place Location: Toronto, Ontario, Canada The project experimented with interactions and performances between geometries in three-dimensional space. The site is located in Mimico, Ontario, situated between condos and townhouses. It serves as a market place provides indoor amenities for the locals and visitors from the adjacent neighbourhoods.
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The logic of geometry in plan view
The logic of geometry interaction in isometric view
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market place
Exploded isometric view of Market Place
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55 market place
Long Section
East Elevation
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Inverse Void Non-Architecture Competition 2019 Honourable Mention Team: Ben Chang, Alison Huo, Shengjie Qiu The Inverse Void is a landscape cemetery that portrays the multiplicity of the buried dead, and the unitive nature of death itself. Beyond the conventional means of a resting ground for the dead, the Inverse Void is a cemetery for the living. Take a traditional cemetery and flip it upside-down. The result is a burial ground above and a space of ontological contemplation below. The visitors would embark on an existential journey through a ramp that descends gradually throughout the circumference of the cemetery. The Inverse Void brings the living below ground to experience the emptiness and solitude of the Void. The expansive space below is softly lit up through the array of skylights, each marking the death of an individual. The burial ground is an inverted island floating above the Void. The relationship between the living and the dead are reversed, as to reposition one’s point of view towards life and death. What bridges the two polarizing concepts is an ascending staircase from the land of the living to the dead, giving positive attributes to the nature of life and its inevitable cessation. It is a humble reminder of the Heideggerian idea of our constant being-towards-death.
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Plans
Section
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Philosophy of Self Fairy Tale Competition 2018 Location: Siteless Spectacular Chapter I - The Unknown Self Time is the thief. I have known this for a long time. I have always thought that my physical body is rotting and decaying. My own spirit carries the memory and travels through time in the universe. Perhaps the time that I am experiencing right now has been encapsulated from the past. It is simply replayed again and again in different scenes and locations. Who am I? A question for which I have no answer, yet a question that repeats. My curiosity longs for the answer. I can no longer live in the midst of all this without knowing anything about myself. After a prolonged contemplation, I decided to go on a journey to find out the nature of who I am.
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Chapter II - Let’s Unify Everything I walked through woods and crossed rivers. I arrived in a town. After a much-needed sleep, I opened my eyes. A lumpy white ceiling engulfed the entire periphery of my vision. The noise from the streets pulled me towards the window. There was an air balloon crossing the sky, and something seemed to be falling down. I decided to walk out. Flyers are dancing all over the sky. I grabbed the one that fell in front of me. An ordinary building was highlighted on the flying; it immediately caught my eye. A new building project is commencing, and they are looking for workers. For some reason that I cannot explain, I decided to join the workforce. I arrived at the construction site the following day. I noticed that all the finished structures are identical. They are all rectangular in shape with a flat roof. The ground floors are public spaces, and the private units are on top. Everything is the same with no exception. Nothing is extraordinary, yet the atmosphere is cold and rigid. It feels like me, an ordinary person. I walk into the office and ask for a job. After an interview, they decided to let me start working right away and have a new name called K12-3710. I start working at the site days and nights. We follow the same schedule every day. Works will begin in the early morning, finish in the afternoon, watch TV at the night time at home, and get up again at the same time the following day. Everything is standard; nothing can get me excited, not even the completion of the construction. I started questioning whether is this who I am? Is this who I am looking for, to follow what others have told me without hesitation or a second thought. I feel like I am becoming one of those buildings with a feeling of death and silence, so I decided to leave this place for good.
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Chapter III - Walking on The Edge of Periphery I am back on my journey. After passing through a few small villages, a series of circular arches middle of the woods drew me towards them. As I approached the arches, a voice echoed in the air, “welcome traveller, you are about to enter the dream world. We welcome you to be a dreamer of dreams, a realm in which our subconscious emerges into forms. Be warned, do not lose yourself in the imaginaries.” I would like to dream. After explaining to the staff in the dream world, they lead me to a room with a helmet and bed. “Please come over, put on the helmet and lay down here, then you can start dreaming” I put on the helmet and lay down. Just right after making myself comfortable, I hear, “Three, two ...” Suddenly my body got pulled down, and I was suddenly in free fall. I noticed that I was surrounded by cloud-like space. It feels so innocent and so pure. It should be decorated. My emotions and thoughts are leaking out of my body. They solidified into tangible pathways and steps. As more and more of my subconscious thinking came out of my mind, strange and massive structures were created. They look so sculptural, but they also feel light as a feather. I wonder whether they actually carry any weights of thoughts. Probably it should be tremendous and monumental. I keep diving into my dream for a million miles deep. My body gets more robust along with this realization. I never felt so energetic; I can see things with perfect vision, my muscles are built up strongly. Everything is powering up. I feel invincible, and this is incredible. “Warning, warning. Power overflows. Warning, warning. Initiating emergency shutdown.” Unfortunately, I became so addicted to my dream that I completely ignored the warning. The dream starts collapsing, and the darkness is rapidly corroding the space. It was out of control. The last scene I could remember was I fell down from the higher up.
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Chapter IV - Wandering in The Abyss I awoke on a pathway, more accurately a pathway that consists of lines. I sat up slowly and observed this space. It is beyond what I have known from the normal world. Pathways are extended along the wall and floor; the staircase leads you to the ceiling. Does this space actually make sense? I guess gravity does not apply in this dimension because I am upside down now. I keep exploring those transitional spaces; it has already been a decade. I wonder, does an object only have one single purpose? Is a wall just a partition? Is a ceiling just a rooftop for shelter? Are floors only for stepping on? There isn’t a distinct definition in this dimension; everything is ambiguous. I start to reflect, then what is the purpose of this journey, and what am I actually looking for? A name, a title or a right choice. What am I expecting for the answer? I am worthless, this journey is meaningless, or I am always living in the uncertainty of time. Those questions keep amplifying in my mind. Just another typical day, I was exploring these endless transitions one by one. While checking No. 212, I was gravitated and swollen by the entry.
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Chapter V - Back to The Origin I am floating. There are fragments of memories and time are surrounded me. I see a light source in the distance. Everything started from there. Like the primordial sound of the universe, the singular point sparked with the all-encompassing potential of totality. The form is ambiguous, and its implication is uncertain. It attracts me to reach forward. I think I know who I am now. I am nothing. And for being nothing, I am everything.
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Boxer Architects Professional Role: Architectural Designer June 2017 - Aug 2019 For the entire two-year professional experience at Boxer Architects, I get to circulate between projects that are at the stages from Schematic Design to Design Development, and to Construction Document. When I first joined the studio back in 2017, it was a small, five-people, newly started studio. It focused on many customized housing design projects in the early year as well as physical model studies during the design process, which enhanced my understanding of practicing architecture. I had worked on a variety of new-built residential projects or houses that required to have an expansion. From those experiences, I studied spaces for new projects, coordinated drawings with structural and mechanical engineers, listened to client meetings and prepared drawing for the City and commencement of construction. I had learned and developed design through the physical model, drawings and renderings based on studies and design intention.
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Ridge Hill Residence New-built, Completed 2021
1. Rare view
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2. Floor plan 2
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3. Model
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1. Stair guardrail detail 2. Staircase 3. Living Room
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4. Kitchen
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Wembley Residence New-built, Completed 2020
1. Floor plan
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2. Front entry 2
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boxer architects
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3. Soffit detail
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1. Rear view
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2. Skylight
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3. Exploded model 4. Model 5. Staricase
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