architecture por tfolio
Ya s m i n Ali
Ya s m i n A l i yasminaliribeiro@gmail.com +55 11 991888798 São Paulo, Brazil.
Education
Professional Experience
Bachelor’s Degree in Architecture and Urbanism at University of São Paulo - FAU USP 2015 - 2021
Inter nship at Proa Arquitetos São Paulo, Brazil 2019
Scholarship to exchange program at ENSA Paris-Malaquais 2019-2020
Courses Expositions Design - Histor y and Technique by Yann Rocher and Thierr y Leviez 2019 Space Production in Contemporar y Ar t by Agnaldo Farias 2020 Ar t Instalation by Dora Longo Bahia 2020
Languages Por tuguese native English fluent French fluent
Inter nship at Exposition 100% La Villette Paris, France 2020 Inter nship at 23 Sul Arquitetura São Paulo, Brazil 2021 Junior A rchitect at 23 Sul Arquitetura São Paulo, Brazil 2022
Softwares AutoCad Archicad Revit SketchUp V-Ray Adobe Indesign Adobe Photoshop Adobe Illustrator Microsoft Of fice
Municipal Health Care Center Chaumes-en-Brien, France
Guided by Joanne Vadja and Louise Lenne Developed individually Paris - Malaquais 2019/2 The City Health Center project in Chaumes-en-Brie, a small town on the edge of the Paris metropolitan area, houses a basic care program to serve not only the town where it is located but also smaller neighboring towns. The program is organized around the garden, so that all the rooms can have natural light and a view of it, treating it as if it were a precious thing, but at the same time opening it up so that it is visible from the entrance of the existing nursing home and creating a pleasant space for the patients, for those who work there, and for the town residents. The intervention site also had a small 19th century warehouse that, refurbished, now houses the administration. However, the project’s main proposal is to value and restore the city’s medieval-era wall, which for a long time has been destroyed or mischaracterized, integrating it to the project’s internal space.
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Ground Floor Plan
First Floor Plan
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
Section CC
PRODUCED BY AN AUTODESK STUDENT VERSION
Section AA
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
Section BB
Culture house São Paulo, Brazil
Guided by Angelo Bucci Developed individually FAUUSP 2018/2 The Culture Houses are places that host workshops for artistic and cultural production of groups and collectives in the neighborhood. It is an equipment linked to the municipal department of culture focused on cultural production and aims to offer spaces and facilities for groups or individuals who have won public funding. The district of Perus, in the northern zone of São Paulo, is an area of high social vulnerability, making it a priority to implement a cultural and educational facility such as the Culture House. Next to the intervention area there is an exclusive pedestrian street, which induced the creation of a free and qualified space integrating the project to the urban context. Thus, it was defined as the project’s strategy to suspend the building and reinforce the collective character of the ground. The program is composed of four volumes that accommodate the halls for dance, exhibitions, reading and workshops, and a fifth support volume that houses circulation, coordination rooms, toilets and storage rooms.
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Section AA
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Section BB
DESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUT
Ground Floor Plan
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1. Administration l 2. St ore and Cafe
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First Floor Plan
3. Work shop l 4. Reading l 5. Expositions l 6. Dance l 7. Coordination l 8. Depot
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Underground Floor Plan
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urban forest São Paulo
Guided by Luís Antonio Jorge Developed individually FAUUSP 2021 The project presented as part of my final graduation work was conceived as a public space of permanence where water, energy and food are offered in a self-sufficient system linked to the hidden waterways of the city of São Paulo. The water, which comes from draining streams, passes through the suspended biofilters and becomes potable. It also fills the tank in which spirulina algae are cultivated for consumption. The benches are built with blocks of biophotovoltaic batteries, which generate energy for the system and allow the charging of mobile devices. The purpose of this intervention is to raise questions about the ways in which we obtain water, energy, and food, and about the relationship we establish with nature in doing so. The proposal is that this project will be implemented along the hidden streams of São Paulo. Thus, it is also intended to reflect on the relationship the city has established with its waterways throughout its history.
1m
Moss Hydrogel+graphene fibers Cathode 10cm
Substra Gravel Sand Activat charcoa
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ted al
Column A detail
Column B detail
Column A 3,15 m
Column B 3,45 m
Variable height base 150-450 mm
Sound Art IRCAM, Paris, França
Guided by Yann Rocher e Thierry Leviez Developed with Nathalia Fuji Paris - Malaquais 2019/2 IRCAM, the Institute for Research and Coordination in Acoustics and Music, is one of the largest public research centers in the world dedicated to musical expression and scientific research. Its proximity to the Pompidou Center demonstrates the importance of sound art in contemporary artistic production. The Projection Space (Espro) is IRCAM’s main room, it was built with the aim of offering the greatest possible variability in terms of shape, volume and acoustic properties The main challenge, and interest, in designing a sound art exhibition is the acoustic isolation of the works so that they can all be read entirely without interference. For this reason, the sound sources were positioned in opposite directions in order to avoid their encounter, without the need for compartmentalization. The space has only one access, which induced the creation of a circular path, but it is the positioning of the “rooms” and the transition spaces that makes it clear and immersive. Furthermore, all the works are seen regardless of the direction in which the viewer decides to start the visit.
CarbonScape is a soundscape created by h0nh1m, consisting of 18 tracks of granularly synthesized sound samples made from sound sources where carbon footprints are left behind, such as jet engine noise, industrial noise, etc. The tracks blend together to compose a soundscape that is a visualization of carbon dioxide (CO2) levels in the atmosphere according to data from the National Oceanic and Atmospheric Administration (NOAA).
3. Zimoun. 43 prepared dc-motors, 31.5kg packing paper. 2013.
1. h0nh1m. CarbonScape.2018.
CORPUS
This sound sculpture is made from a layer of crumpled kraft paper over motors that move at varying intervals making the entire surface seem to inhale and exhale. In constant motion, the field agitates with a whispering sound that is part of the sculpture’s intention - noise patterns and audio echo sequences materialize in the kinetic atmosphere.
2. Haroon Mirza. Taka Tak. 2008. 4. Tristan Perich. Microtonal Wall. 2011.
Taka Tak, from 2008, created by Harron Mirza after a residency in Pakistan, addresses the place of music in Muslim culture and how it permeates everyday life. An Indian box, flashing lights, a record player and a spinning wooden sculpture are manipulated to create an industrial sound to support the video in which a chef, prepares the street dish Taka Tak, named for the sound made during its preparation.
Microtonal Wall is an approximately 7-meter long wall that includes 1500 1-bit speakers, each individually tuned to slightly different frequencies, creating a spectrum. The lowest frequencies, placed on the left, gradually increase towards the other end. In the distance, all the different frequencies emitted by the individual speakers blend together to create a harmony.
Layout plan
Section
Lighting plan
Sp o t l i g h t s
L o w er ed f l o o r t o a c c o mm o d a t e t h e en g i n es
Piece n. 3 detail
Thank
you
Ya s m i n A l i Portfolio 2022