Re su me.
adriana lobato architecture + design
c v + p o r tfo lio + c ove r lette r A D R I A N A LO B ATO
20 20 COVER LE T TER+RESUME+PORTFOLIO
ethos good design can only come from understanding people good design is useful, innovative, honest, timeless, and conscious of its environment. We should serve a greater purpose than just designing “things� (spaces, experiences) good design makes a product understandable good design is long-lasting always be intentional, never just filigree
adriana lobato LIFE BY DESIGN : +6584227483
: adrianalobato@me.com
: www.linkedin.com/in/adrianalobato
Cover Letter
Dear HR Department, I am writing to express my interest in the position that is currently available with your company. I appear to be a perfect match for this role which was recently advertised on Linkedin. My passion for the design sector is equally matched by my experience in it, and I am confident that I can help your company meet any challenges it faces in the future. I am presently employed as an architectural designer with experience in branding and concept design, where I have gained a reputation not only for my impressive work rate and integrity but also for my project management skills. The attached resume will provide a more complete overview of my accomplishments. I am a self motivated individual, who is able to perform well under pressure & who can bring to the table solid capabilities in areas such as branding a team player and a team leader. Currently I am looking to join an exciting and ambitious organisation such as yours, therefore I would like to arrange an interview with you so I can explain in more detail the contribution I can make to your company. I appreciate you taking the time to review my credentials and I would like to thank you for your time and consideration.
Sincerely
adriana lobato +6584227483
adriana lobato ARCHITECT : +6584227483
: adrianalobato@me.com
: www.linkedin.com/in/adrianalobato
ABOUT ME Hi, I’m a Adriana Lobato my passion lies in the creation of sustainable places, whether they are new cities and towns or the regeneration of existing urban districts. Worked on a variety of projects from the branding of large shopping centres to small bars and cafes. I have worked on projects in Europe, the United States, Asia and the Middle East. I am inspired by the possibilities of the built environment and committed to transforming shared visions into reality. I am passionate about Design and managing processes that foster new opportunities to make a difference in our collective experience and empower creativity beyond our individual imagination.
WORK EXPERIENCE 2020 Architectural Designer Broadway Malyan | Singapore, SG - June 2018 – Present
2016
Project Design Coordinator HL Design | Kuala Lumpur, MY May. 2016 – Present
Project Architect 2015 ZLG Design | Kuala Lumpur, MY Mar. 2015 – Apr. 2016
Architecture & Urban Planning Intern 2014 Ayers Saint Gross | Washington D.C. USA Sep. 2014 – Dec. 2014
2011
Architecture Junior Designer Villanueva Arquitectos | Queretaro, MX Oct. 2011 – May. 2014
Designer + Funder + Managing Director Bambooco | Mexico City March 2013 – Current Product design, branding, web design
REFERENCES Julio Pérez Estévez HL Design Broadway Malyan Director of Architecture Regional Chair Asia Pacific Phone : +60 03 2072 6223 Phone : +65 9821 6611 Email: julio.estevez @hlarchiEmail: i.simpson@broadtecture.net waymalyan.com Ian Simpson
SKILLS PROFESSIONAL SKILL Conceptualization Creative Thinking Design Concepts Project Management Oral Communication Written Communication Team-building Graphic Design Visualization
Urban Planning Retail Design Interiors Commercial and Mix-use Residential Educational Sustainable Design
LANGUAGES SKILL ENGLISH SPANISH
ACADEMIC BACKGROUND Monterrey Institute of Technology and Higher Education Queretaro, MX Graduate Bachelor of Architecture – Awarded May 2014 *Ranked as no. 1 University in Mexico. The Washington Centre: Internship and Academic Studies Washington D.C.. USA Project Management & Public Policy - Awarded 2014 John F. Kennedy School Queretaro, Mexico Graduate International Baccalaureate - Awarded 2007
WORK AND PLAY
WORK
INTERACTING
Pitches / Requirements / Meetings / Training & Helping
THINKING
New ideas / Planning / Learning / Problem solving
IMPLEMENTING
Coding / Creating / Experimenting
REVIEWING
Testing / Improving / Documenting / Connecting
VOLUNTEER EXPERIENCE Teacher AIS Architecture in Schools | Washington D.C Sep 2014 – Dec 2014 volunteer at public school to enrich the learning experience. Architect TAAC, Taller Activo | Qro, Mexico 2012 – 2012 Cause Disaster and Humanitarian Relief Selected project for the 2016 Venice Biennale of Architecture
PLAY
SOCIALISING
Friends / Trips away / Dancing / Parties
HOLIDAY
New destinations / New experiences / Exploring
HOBBIES
F45 / Swimming / Long Walks / Drawing
DOWNTIME
Reading / Cooking / Hanging out with friends
EXTRA AWARDS 2014 Governors Scholarship Recipient. Awarded for developing the urban project “Bikes on Buses” ENTRPENUER EXPERIENCE Bambooco Co-founder Entrepreneurial project design of manufacture, marketing and sale of bamboo sunglasses.
Event Coordinator Arquine 2011 – 2014 | Qro, Mexico 6th and 7th International Congress of Architecture “Cycles” and “Duets” organized by ITESM QRO and international magazine DIGITAL CONTENT CREATOR Arquine. In charge of design and content of the site, publishing and creating content including news stories, interviews, video, and photos. Serve as community manager publishing content to our social media sites.
w ork COLLECTION
My Portfolio spans across a wide range of projects and design strategies. Some of the projects I worked on were usually as a part of a team or a studio. The collaborative nature of the projects were essential to their success. I have always been a major contributor towards the design process and my design, sketching and graphic skills have helped me to do so. I have also been actively involved in all aspects of preparing the construction documents and construction administration. Imagine a different future: a positive one, where the world is a better place because of – not despite – how we design, produce and consume things.
f ro m i ma g ination to re a lit y
ACADEMIC WORKS
INTERIORS
COMMERCIAL
COMPETITIONS
STUDIO WORKS
E X P E R I M E N TA L PROJECTS
My De si gn Evolu tion Ac a d e m i c wo rk
Inte r sh i p
Me x i c o During my architecture degree in university I started working in one of my professors studio, Villanueva Arquitectos. I was working in high end residential luxury homes. My experience with them is invaluable. Dan was my
US
mentor, allowing me to experiment with design; Pablo taught me about colour and detail. Designing and coordinating projects for the public and private sectors. In this role I become very capable at CAD drawings for residential, office, landscape and cultural projects.
I won a scholarship to go to the US to study a Diploma on project management. Subsequently I landed an inters-hip with Architects and Planners Ayers Saint Gross I assisted on all aspects of urban planning, architectural, landscape and interiors design. Created design specifications and architectural layouts, producing proposal stage projects and participate in client presentations. Performed 3-D modelling and sun studies. My major project was developing the design concept for Miami school of the Arts.
Si n ga p ore
Ma lays ia
A sia I an engaged in research, analysis and design and work across scales and geographies, currently concentrate on mobility projects, Transit Oriented Develop-
Ku ala Lu mp ur
ments and retail and leisure facilities. I have being involved in the different practices in the
I wanted to explore the world and have a different experience. I travelled to South East Asia and landed a job in Malaysia with ZLG Architecture Studio. I coordinated design and production of all phases, schematic design development and construction documents; including supervision of the project team. Comply with all necessary regulations and applications for statutory approvals in Malaysia. Maintained primary contact and interface with client, engineers, contractor and consulting team. While chairing the construction site weekly inspections.
office, from graphic design, interiors, architecture and master-planning. My role has centred in concept developing and creative ideas. Convey and develop overall interactive team design vision by defining group direction and goals. Assign creative leads and develop accounts and project team. Direct, manage and lead dedicated designers group across multiple disciplines and categories.
Power to the People: The Irresistible Rise of the Maker Movement
“Design will not be about getting a commission from a big international company, but about working in the community�
The Community Workshop La Canada The Community workshop was created with the intention of promoting social awareness of the social divide in Mexico nowadays. Trying to impact public spaces with an urban intervention generating social impact.
A public space that is immersed in the natural environment. In situ resources were used in order to make it a sustainable project. The outcome a recreational public space for a local rural school in Mexico.
The Community Workshop Menchaca Local intervention to design a solution to a local problem. Approaching from the idea that everyone deserves good design. The principle was to bring people together. Everything happens around football in this community. Creating a space for gathering and social interaction.
Empowerment Empowering communities with their built environment. The objective is to use the design & architecture to help communities in need. The project aims to strengthen and dignify these flows, providing spaces equipped for social interaction.
“Design will not be about getting a commission from a big international company, but about working in the community�
Power to the People: Creating together Local ownership
The Brewery, San Miguel The transformation of buildings into an activity is an inherent process in the evolution and transformation of cities. Re-enable architecture is creating new dynamics of use from what existed before by using the present structure, demonstrating their skills and empowering them, keeping them current and useful over time through a dialogue between memory and reality that can renew. The project is crafted to inspire, engage, experience and produce. It is designed for long-term positive visual, experiential and psychological impact for people working and
visiting, stimulated by sense of being energetically alive in an atmosphere of newness, freshness and creativity.. The project seeks to minimize the negative environment impact of buildings by efficiency and moderation in the use of materials, energy, and development space.
THE CULTURAL AND HISTORICAL WEALTH OF SAN MIGUEL DE ALLENDE HAS BEEN LIMITED TO THE BEAUTY OF ITS HISTORICAL CENTER, HOWEVER, THE FAN OF POSSIBILITIES EXPANDS WHEN COMING OUT OF THE CONFINES OF THE URBAN SPOT. PART OF THE HISTORY OF THE MUNICIPALITY OF SAN MIGUEL DE ALLENDE WE CAN KNOW THROUGH THEIR HACIENDAS, LEGACY OF THE VIRREINAL TIME AND EVIDENCE OF THE AGRICULTURAL POTEN-CIAL CHARACTERIZING THE REGION.
Hacienda Corral de Piedras
PREEXISTENCIA
NORIA WATER SUPPLY
THE MUNICIPALITY OF SMA HAS 300 CONSTRUCTIONS OF HISTORICAL VALUE OF WHICH 50 ARE HACIENDA TROJES - SILOS GRAIN STORAGE
HACIENDA CORRAL DE PIEDRAS IS LOCATED 22.4 KM FROM THE URBAN AREA OF SMA, IN THE COMMUNITY THAT CARRIES THE SAME NAME. CONSERVES AND USES ELEMENTS THAT CHARACTERIZE AGRICULTURAL AND LIVESTOCK PRODUCTION OF THE AREA
AVENTADERO SECADO DE GRANOS
CULTIVO AVENA, CEBADA Y TRIGO
AREA TURÍSTICA 1. ACCESO PRINCIPAL 2. TIENDA 3. PATIO CONTEMPLATIVO 4. BAR 5. GALERÍA 5.1 IMPORTANCIA AGRÍCOLA DE LA REGIÓN 5.2 HISTORIA DE LA HACIENDA 5.3 DESUSO Y APROPIACIÓN DE LA NATURALEZA 5.4 PROCESO DE ELABORACIÓN DE CERVEZA
4
RECURSOS
1
5.1
3
GALERIA
2 5.2
CASETA DE VIGILANCIA
8 F
F
5.3
6.VISTA A LA FÁBRICA
7
AGUA
5.4
7. PATIO CENTRAL / BAR (CATA DE CERVEZAS) 1
SUBE
BAJA
6
8. RESTAURANTE ALMACEN DE BARRILES DE CERVEZA
ALMACEN DE CERVEZAS
4
AREA PRODUCTIVA F
2
CASCO DE HACIENDA
3
VACIO
1. TROJES (ALMACÉN DE GRANOS) 2. VESTIDORES 3. FÁBRICA DE CERVEZA 4. OFICINAS
TRIGO
CEBADA
Neom Eco Marina From the mountains to the beaches, Eco-Marina is Inspired by nature, designed by nature “Treasures of the Sea coming to surface as a liveable experience”. This design is OF THE SEA.
Architectural / Planning Translation
Elements considered
•
Flow, organic, floating, lightness
•
Wildlife and marine bio-diversity
•
Spectacular waves and movement created by larger
•
Rich, diverse and sustains the life of the place
sea animals •
Soft yet imposing
B L A Z E R M A G A Z I N E
eco future
VIP drop-off berths
Yacht Club Grand Hall
VIP vi
50 m (top of structure) 10 m - 20 m (bottom of underground structure)
Water buoy
Inspiration: • • • •
Wildlife and marine biodiversity Spectacular waves and curved geometries inspired by the movement os beautiful sea animals The lightest touch on the ecosystem Preserve and enrich the local fauna
Concept:
• • • •
Flowing, organic, lightness Imposing yet soft Float - Like a sea creature in play and movement Create platforms that promote the growth of the local fauna
• • •
A floating community with zero impact on the environment State-of-the-Art 500 berth Eco-Marina Spectacular Yacht Club as the Gateway to NEOM from the sea
Action:
Event Hall
iewing deck
Underwater business lounge
yancy force
Anchor pillars
Lebak Bulus Quarter One Place Site area (Gross) : 251,894.94 sqm (± 25 ha) + 82,357.88 sqm (± 8 ha) FAR : max. 8.0 Public Green : 10% / 33,425.28 sqm GFA : 2,594,037 sqm (max.) Building Coverage: 60% Max. Height: 85m / 24 floors with max. allowable is 104m towards existing residential or 130m at Jl Pahlawan
Central Business Park
Branded Village
Aiming to create a sustainable \ business community which provides quality office space and a variety of related facilities to attract major International companies. The plan includes a cluster of tall buildings, as well as a business hotel with conference and leisure and facilities and retail uses. Phase 1 of the masterplan covers a 11.7 hectare site with a wider masterplan developed by Broadway Malyan for the 30 hectare site. This project is ongoing and is fig
15
currently being developed as a schematic master plan and at a schematic architecture stage.
Liveable - Green - Urban Branded - Spaces Lebak Bulus Quarter’s experience is designed to be hassle-free, unlocking your time to get things done. Rent, bills, cleaning, property management, networking, etc can be done through Smart Technology. I aim to create an exemplary business community of an International quality. There was a strong aspiration and commitment to be at the forefront of office community master-planning, embracing new technolo-
gies, ideas and the sustainable agenda. The key requisites were to increase efficiency and effectiveness, improve engagement with clients,create a better life work balance and grow a workplace that is not only environmentally sound but is also economically and socially sustainable. This high-profile project draws on the multi-disciplinary and integrated approach of our diverse and world-class designers, with expertise, skills and experience in sustainable master planning, architecture and landscape design. Working closely with the client, our branding and graphics team created a new identity and name for the project. The
fig
16
B L A Z E R
M A G A Z I N E
Community Retail
Private Amenities
Urban Living
Community
Sports Facility
11 PARKS 11 Parks Regeneration
Unlock 25+ nature sites by improving accessibility and activation of parks and natural attractions
Make lifestyles
of residents more environmentally sustainable by reducing use of single-use plastic and improving water efficiency Working as a Placemaking Team our focus was to produce Mark lock-up with park names Primary ADPC mark
world class, innovative and fully resolved concept designs and placemaking for the regeneration of 11 key parks in the centre of city and with the ultimate goal of creating a more liveable Abu Dhabi. Working as a coordinated team this also included the input of the wider team of specialists and workshop tables to deliver the placemaking themes of the Gathering and Ghadan 21 including city colour, climate interventions, mobility and digital engagement consultants.
Name of park in logotype
One of our initial discussions was how to connect the parks physically and digitally and that whilst all the parks will have their own unique identity and positioning, collectively they will be stronger and there will be many common themes the whole is greater than the sum of its parts (parks!). One binding idea for the 11 parks was the creation of the ‘Abu Dhabi Parks Club’. A concept to bring all the parks together in one special club - a place where they all have equal importance – re-branded parks. This club could manifest itself in an App or what we called a ‘Digital Concierge’ concept.
The ‘Digital Concierge’ App concept – a place where people are able to access more information about the parks e.g. cafes and restaurants, book facilities (eg for kids birthday parties), and be updated on new design changes. This app could also allow initiatives like sponsor a tree or support a park’s maintenance as well as educate people on the environment in the parks and local history. One of the ideas for connecting the parks came from a working discussion with the City Colour Team – Beacons and landmarks that could be designed by different artists and be unique to each park but are connected by a common theme across the city.
IDENTITY UNPACKING THE LANGUAGE
Palette The language allows for a kit of scalable patterns and graphics borne out of the identity, to provide a variety of application possibilities, from communication to wayfinding to outdoor furniture. Supergraphics
Base Colors
Sports
Leisure
Entertainment
Education
Arts & Culture
Wellness
IDENTITY PARK WAYFINDING & SIGNAGE
Sport
Leisure
Entertainment
Wellness
Education
Arts&Culture
Sport F&B Entertainment Wellness Sports Arts & Culture
Park Function Colour Implementation
The colours used for different park functions to be applied on the signage as different accent colour, following the primary function of that park.
BUS STOP
Routes 10, 17, 29, 55A, 137, 140, 205
Public Garden
Hotel
Eco - Park
Mosque
Restaurant
Mosque
Restaurant
Wellness Villa
Restrooms
Wellness Villa
Restrooms
Office Area
Parking Lot
Office Area
Parking Lot
Eco - Park
Hotel
For help and information call +00 0000 0000878 Location 0029 Lorem ipsum dolor sit amet, consectetuer adipiscing elit, sed diam nonummy nibh euismod tincidunt ut laoreet dolore magna aliquam erat volutpat. Ut wisi enim ad minim veniam, quis nostrud exerci tation .
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Sport
Leisure
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Wellness
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Entertainment
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Education
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Al Khaleej Al Arabi St.
Al Nahdah Al Khalideya Sheika Fatima Bint Mubarak Park
Al Nahdah
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10, 17, 29, 55A, 137, 140, 205
Public Garden
Eco - Park
Mosque
Restaurant
Mosque
Restaurant
Wellness Villa
Restrooms
Wellness Villa
Restrooms
Office Area
Parking Lot
Office Area
Parking Lot
Hotel
For help and information call +00 0000 0000878 Location 0029 Lorem ipsum dolor sit amet, consectetuer adipiscing elit, sed diam nonummy nibh euismod tincidunt ut laoreet dolore magna aliquam erat volutpat. Ut wisi enim ad minim veniam, quis nostrud exerci tation .
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Sport
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Arts&Culture
Routes
Hotel
Leisure
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Wellness
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Entertainment
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Education
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Al Nahdah Al Khalideya
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Routes
Sheika Fatima Bint Mubarak Park
10, 17, 29, 55A, 137, 140, 205
Public Garden
Hotel
Eco - Park
Mosque
Restaurant
Mosque
Restaurant
Wellness Villa
Restrooms
Wellness Villa
Restrooms
Office Area
Parking Lot
Office Area
Parking Lot
Eco - Park
Hotel
For help and information call +00 0000 0000878 Location 0029 Lorem ipsum dolor sit amet, consectetuer adipiscing elit, sed diam nonummy nibh euismod tincidunt ut laoreet dolore magna aliquam erat volutpat. Ut wisi enim ad minim veniam, quis nostrud exerci tation .
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Sport
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Arts&Culture
3
West 8 Park
Al Khalideya Sheika Fatima Bint Mubarak Park
Eco - Park
17m
3
West 8 Park
30m
Bus Stop | Overhead Crossing Bridge
Al Khaleej Al Arabi St.
3
West 8 Park
Restaurants | Park Connector
30m
Bus Stop | Overhead Crossing Bridge
25m
Car Parking Area A | Marketplace
17m
Restaurants | Park Connector
10m
Metro Subway Station
25m
Car Parking Area A | Marketplace
17m 30m
Bus Stop | Overhead Crossing Bridge
25
Al Khalideya Park
10m
Metro Subway Station
25m
Car Parking Area A | Marketplace
Restaurants | Park Connector
BUS STOP
25
Al Khalideya Park
10m
Metro Subway Station
Al Khaleej Al Arabi St.
BUS STOP
25
Al Khalideya Park
Leisure
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Wellness
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Entertainment
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Education
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Arts&Culture
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Lorem ipsum dolor sit amet, consectetuer adipiscing elit, sed diam nonummy nibh euismod tincidunt ut laoreet dolore magna aliquam erat volutpat. Ut wisi enim ad minim veniam, quis nostrud exerci tation ullamcorper suscipit lobortis nisl ut aliquip ex ea commodo consequat. Duis autem vel eum iriure dolor in hendrerit in vulputate velit esse molestie consequat, vel illum dolore eu feugiat nulla facilisis at vero eros et accumsan et iusto odio dignissim qui blandit praesent luptatum zzril
Cafe / Picnic Pod
Learning Pod
Information Pod
Performance Pod
Play Pod
Meeting / Co-working Pod
DESIGN P
PROCESS
IMBI RESIDENCES Imbi Residence
T
he icons of the Kuala Lumpur skyline have a new companion. Imbi 73 represents a new generation of super-tall, super-slim skyscrapers. Located in the pulse of Times Square, the towers are placed in the heart of Kuala Lumpur with an exclusive panoramic view overlooking the Petronas Twin Towers, Merde-
ka118, and Tun Razak Exchange. mbi 71 provides a hub for contemporary living. It’s the perfect address for those seeking a modern, luxury, high-rise residence in a thriving metropolitan community. The architecture is a marriage of classic and contemporary, an exquisite transitional design to reflect elegance.
I
Two beautiful monuments in the city skyline, signifying slender ti jewels.
Each unit will feature 3 metre height ceilings and shall be delivered complete with fully fitted wardrobes, kitchens and appliances carefully recess mounted air conditioning units and fully fitted bathrooms and sanitary wares. We work with authentic materials and natural products. The language therefore is made of natural limestone on the floors with fixtures and features in authentic timber veneers detailed with metal inlays in brass or bronze to create a sophisticated elegant result. The
building
provides
two
gymnasiums
which are distinctly different in character and design. At level nine, the podium gym features projecting glass pods overlooking the city for yoga and pilates and even saunas with glass feature glazing allowing guests a view of the city. Outdoor hot and cold Jacuzzis are also a feature of this area..
One development. Multiple spaces and activities. A celebration of heritage, culture, community and people. Duality an instance of contrast between two concepts or two aspects of something; a dualism.
Balance
A balanced life
Harmony
Harmonious planning
Diversity
Diversity of uses
Key Plan 01. Central Drop-Off 02. VIP Office Drop-Off 03. Serviced Apartments Drop-Off 04. Lay-By Drop-Off 05. Office Lobby 06. Serviced Apartments Lobby 07. East Retail Lobby 08. West Retail Lobby 09. Central Plaza Escalators 10. Lotus pond with Public Art 11. Cherry Blossom Garden (West) 12. Cherry Blossom Garden (East) 13. Bamboo Screen 14. Delivery / Service Bays 15. Public Parking Ramps 16. Serviced Apartments Parking Ramp
The Idea Interpretation Translation
Inspired by the Korean flag and the diversity of Cj Group’s offerings, the planning integrates elements of living and working seamlessly.
The idea is interpreted by a curvilinear language that is modern and minimal yet bold and clear in its form, creating two distinct shapes to play with.
The result is two iconic buildings that also translate as a brand, with an office tower and serviced apartments, united by a groundlevel containing entertainment, retail and leisure.
Space Plan L1
Towers - L2 - Low zone
Towers - High Zone
Top Level
GOOGLE Inspired from the extension plan for the City’s Old Pete Area (Bangalore) by Basavanagudi “The layout had the right balance of residential and open spaces. There were well-defined areas for cultural activities, religious structure, schools and even clubs. It had spaces for all amenities that would make a neighbourhood vibrant”
The plan was such that everything one would want in daily life, was available within a 10-minute walk. The design was so planned to let the residents engage symbiotically with each other. It was conceived as a place for everyone and where everything is in its place
The Google Campus is designed to
be a flexible and adoptive workspace that focus on employee well-being and creates/ promotes casual interactions, between Google employees. At the core of this are the key principles of;
Identity
Sense of Arrival
Collaboration
“Neighbourhood� & Community based facilities Connected space
Wellness
Physical Activity Space, Social Space, Spiritual and Emotion based space, Intellectual Space
People
Googlers (as they are known) are encouraged to work where ever they fell comfortable and given a variety of environments to work in, from quiet rooms through to collaborative lounge areas that promote creativity. More team based work takes place in a series of work neighbourhoods. These are strictly private to employees of Google and each has their own unique identity. These will have their
own meeting spaces and ideation area’s often with an individual pantry to hand. Amenities such as the Gym, Spa, Nap pods and training rooms promote healthy living and wellness, whilst allowing employees to de-stress, and are often supplemented with their own coffee/beverage bar. Generous in space this area ,through healthy meals and variety of offer, encourages all employees to go and interact with each other and is the heart of the office, and contributes to overall productivity.
Place
The reception is not only an introduction and showcase for the brand, employees and visitors alike can actually use the touchdown facilities to work from as soon as they get in. Each campus is anchored by a centrally located Canteen and Atrium.
Design
The space is flexible enough to adapt to a number of events and big announcements as well as the weekly Friday town hall with Larry Page and Sergey Brin, that is broadcast via digital screens.
Branded Environments
Google HQ | Bangalore
Concept Presentation BIG Idea : Planning
OHIO
MISSISSIPPI
RIO GRANDE
BAGMANE RIO Business Park Current Design
What Makes A COMMUNITY Connectivity & Common Identity
GOOGLE Infused Development Activity & Interaction Nodes
GOOGLE Infused Development Collaborative Space: Chance of E
Feasibility | Jan 2019
Encounters and Collaboration
Tower 1
Tower 2
Grand Arrival
GOOGLE Infused Development Campus Journey : Flexible office space (with knock out panels) Connected Vertical & Horizontal
Work Neighbourhood
Each work neighborhood consists of a series of spaces that encourages open interactions, intense teamwork and the need for concentration all in equal measure. The connectivity between floors that is so important to the ethos at Google is provided by a large double height stair at the heart of each community. Not only does this promote circulation but it also acts as a platform for sharing, workshops and social gatherings between teams. Adjacent to this is a large touchdown informal working space that for collaborate or spontaneous working. A series of flexible project rooms can be adapted for a variety of team based scenarios and open up to the adjacent workspace. The pantry bookends each side of the floor plate providing healthy drinks and snacks as wells
areas for group ideation and thinking. Each work neighborhood has its own distinct identity based on a distinct district in Bangalore from souks at M.G road to the energy of Lavelle Road. These interventions plug in to the materiality of the building shell with splashes of colour and surfaces clad in warm candle teak with simple cut forms inspired by the regions story. In this example we have created a space based on the famous conservatories of Lal Bagh Botanical Gardens, with clean arcs representing the framework of the glasshouse structure and using the vibrant hues of fuchsia, gold and orange from the carpet of flowers below.
St. James Power Station
This is a place where visitors and employees can reflect and live the Mapletree DNA. To achieve this we planned the environment to reflect the key drivers of business and communities and where they come together in a hospitality focussed environment - creating a level of excellence for both visitors and employees. A business high street runs through the buildings creating a focused point of connectivity. A communities hub binds together the private and public amenities spaces
and where these two overlap is a vertical core of hospitality driven experiences. The circulation, connectivity and amenities between the 3 blocks are arranged in such as way that the development can be rented to one single tenant or multiple tenants. The public areas radiate from the collaborative heart of the office. Focused around and spilling out from the grand stair they provide collective spaces for interaction, collaboration and creation.
THE BRIEF
HERITAGE ST JAMES POWERSTATION WAS COMPLETED IN 1927. SINGAPORE’S FIRST COAL-FIRED POWER PLANT SUPPLYING ELECTRICITY TO THE PORT, SHIPYARDS, INDUSTRIES AND RESIDENCES. A PRIME EXAMPLE OF EARLY BRITISH INDUSTRIAL ARCHITECTURE. KEY ARCHITECTURAL FEATURES INCLUDE: RED BRICK WALLS, 3 STOREY HIGH ARCH SHAPED GLAZED WINDOWS AND LARGE SPANING STEEL ROOF TRUSSES. IN 2009 ST JAMES WAS GAZETTED AS A NATIONAL MONUMENT
KEY OBJECTIVES COMMUNITY Community spine that feeds into the private work zone set out in building B, through the atrium and into the more semi public space of building A.
BUSINESS HOSPITALITY Creating a sense of arrival at drop off / entrance. A true hospitality experience that is welcoming yet professional.
Business connected through the high street on all levels, clearly de-marked in materials and finish.
...To view the 360 virtual views, please open your cameras phone and point at the qr code - click the url message once it appears! enjoy! HOSPITALITY
COMMUNITY
BUSINESS
L1
Reception
L1
Market Place
L2
Reception
Information
Restrooms Mapletree Headquarters
7
Directory
6
Department A . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L1-01 Department B . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L1-02
Mail Room
Department C . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L1-03 Department D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L1-04 Department E . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L1-05 Department F . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L1-06
Sandbox
L3
Department A . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L1-01 Department B . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L1-02 Department C . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L1-03 Department D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L1-04
Drop-off Point
02-345
Department E . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L1-05 Department F . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L1-06
5
Department A . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L1-01 Department B . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L1-02
Sandbox
02-345
Executive Office
Department C . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L1-03 Department D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L1-04
Offices
Department E . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L1-05
L4
Department F . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L1-06
4
Department A . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L1-01
02-345
Department B . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L1-02 Department C . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L1-03 Department D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L1-04 Department E . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L1-05 Department F . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L1-06
Conference Room Meeting Rooms
3
L5
Department A . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L1-01 Department B . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L1-02 Department C . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L1-03 Department D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L1-04
Conference Room
Department E . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L1-05 Department F . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L1-06
2
Department A . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L1-01 Department B . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L1-02
Meeting Rooms
Department C . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L1-03 Department D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L1-04 Department E . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L1-05 Department F . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L1-06
Sky Garden
1
L6
Department A . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L1-01 Department B . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L1-02 Department C . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L1-03 Department D . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L1-04
For help please call 12345 6789 or email info@mapletree.com
Department E . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L1-05 Department F . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . L1-06
Mapletree Headquarters
(ABOVE) SIGNAGE LANGUAGE INTERIOR AND EXTERIOR (BELOW) EGD AND WAYFIN
Library
Brand Environmental Graphics Big Statement metallic on paint finish
Integrated Room ID Panel Integrated with Floor Directiona provide wayfinding to key areas
MRT
Reception
Reception Restrooms
Drop-off Point
Drop-off Point
Sandbox
Information
Mapletree Headquarters
Conference Room Meeting Rooms
GSK HEadquarters
NDING EXAMPLE
al Panel to s
Lift Lobby A Executive Office
Restrooms
02-345
Mail Room
Integrated Floor Directional Panel Integrated with Room ID Panel provide wayfinding to key areas
Wall Directional Signage General wayfinding graphics
General Room ID Sign Aluminium signpanel
One Place Museum VIBRANT / PROFESSIONAL / HOSPITALITY The following design approaches aim to create a branded environment that creates continuity while expressing the eclectic nature of a food court, maintaining a professional experience that is in line with the one museum place brand.
Inspired by history, Chinese culture and the eclectic vibrancy of Shanghai food-courts, this option looks at a visually rich palette driven by patterns that express the various facets of the food-court and its offerings.
Community-oriented Diverse Atmospheric 1
2
3 enspace3d.com
Apple iOS
android OS Make sure your phone is connected to the Internet and Scan the QR Code with your phone camera (iPhone) or QR Scanner (Android)
Click the pop up link on your phone
Experience the 3600 view
Brighton College, Singapore A landmark International school offering state-of-theart teaching facilities and opening to the wider community.. Students and visitors are welcomed into a large open plan arrival space linked to the central library. The interior is centred on the notion of a network. A series of independent but connected environments, like a circuit board or brain. Connection lines and geometry is worked into the floor finishes and ceiling and wall details drawing people through the building. Natural materials are used where
possible and large expanses of glazing maximise natural lighting to create a warm and welcoming environment.. High-technology Designed as an Apple Distinguished School – one of only three in Asia – technology is an integral part of the curriculum delivery and a primary driver in the design of the school infrastructure with the latest technology in learning spaces. Sustainability A range of initiatives work towards a design ambition of ‘zero waste, zero water, zero energy’ with technologies that see the pool heated through waste heat from learning spaces, smart shadingoperated by sunlight sensors and rainwater management enhanced to deal with local climatic conditions.
Initial Sketch Layout Sketch Plan & Zones
A
A
3.1
6.1 5.1
3.2
4.1
4.2
Sci
2.1 C
B
C
B
B
B
B B 5.2
5.3
6.3
6.3
2.2
3.3
2.3
4.3
Mus
C MP
A
Flexible learning hub
B
Gathering Space
C
Maker Lab
Outline Floor Finishes Brighton College L1 - Floor Finishes FL-01 Timber-Look Vinyl FL-02 Bolon (Circulation) FL-03 Carpet Tiles FL-04 Ceramic Tiles (WCs) FL-05 Existing to Remain
Material & Colour Palette Brighton College - Floor and Wall Finishes Walls
Floors
Timber Effect Vinyl
Woven Vinyl (Bolon)
Carpet Tiles
Homogeneous Tiles
Location: Transition/ Corridor
Location: Corridor
Location: Classrooms
Location: WC’s
Aluminium Louvres with Timber Effect
Timber Veneer Cladding
Painted Plasterboard
Glazed Round Wall Tiles
Outline Floor Finishes Brighton College L2 - Floor Finishes FL-01 Timber-Look Vinyl FL-02 Bolon (Circulation) FL-03 Carpet Tiles FL-04 Ceramic Tiles (WCs) FL-05 Existing to Remain
Material & Colour Palette Brighton College - Ceiling Materials and Colour Palette Ceiling Acoustic Ceiling
Furniture Plasterboard Ceiling
Timber Veneer Cladding
Laminate
Upholstery
Base Colours
Location: Classrooms
Location: Corridor
Location: Classroom Transition
Location: Fixed Furniture & Storage
Location: Loose & Fixed Furniture Accent Colours
IT PARK MALL A new type of mall The dynamic nature of community, creativity and innovation are translated into concepts of accessibility of planning, synthesis and overlapping of creative ‘in-between spaces’. The design concept is manifested in The Tree of Life. The Tree of Life is symbolic of the idea that creativity grows from collaboration. This integrated redevelopment addresses the new generation of tech-savvy consumers who are in search of collaboration, experiences and recreation under one roof where visitors can engage and build community.
Bringing the best ideas from hospitality and leisure into retail, with higher quality materials, furniture, lighting and decoration contributing to the sense of place
Brand expressions Single retailers having greater influence over their spaces, with an increase in concept stores,and highly tailored, bespoke spaces, leading to a more diverse shopping experience
Online Fusion Stores as showrooms, attractive waiting and collection areas, curated showcase space, and a rise in interaction through technology such as augmented reality I The dynamic nature of community, creativity and innovation are translated into concepts of accessibility of planning, synthesis and overlapping of creative ‘in-between spaces’. The design concept is manifested in The Tree of Life. The Tree of Life is symbolic of the idea that creativity grows from collaboration. This integrated redevelopment addresses the new generation of tech-savvy consumers who are in search of collaboration, experiences and recreation under one roof where visitors can engage and build community.
Premium interior design
Instagram notoriety
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Experience
Navigation
Arrival
Cinema interiors Diverse programs and communities under a distinctly sculptural roof. AirAsia commissioned an extension to the existing Headquarters building to include a club house with sports facilities. The design concept is to keep all the AirAsia “All-Star family� under one roof. Linking the existing facilities with the new spaces with a pedestrian promenade generating a walking living room encouraging connectivity and interaction.
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brand DESIGN
ENTRPENUER EXPERIENCE Bambooco Co-founder Entrepreneurial project design of manufacture, marketing and sale of bamboo sunglasses. I could tell my life by joining coincidences. And because of the fate of fate, on one of those trips, a day when it was very sunny, it occurred to me that we could rethink the design of an object as common as sunglasses. I decided that I could make my own specs.
&
At first it was very difficult, I had no idea how glasses were manufactured, so the process started from scratch. In the model shop with the laser cutting machine. The first thing I did was to get cheap glasses and I started to tear them apart, to do tests, to look for wood, lenses, hinges, etc. It was weeks of trial and error. I finally got my first prototype. The lenses were a success. At first I planned to make them for myself but my friends were slowly asking me for more products, and that is how one by one different models came about . Another model and another model emerged. More and more customers. Suddenly a business mod-
product el came about and without really planning for it. A few months later I created a work team and launched out he first collection. For the first collection we organized a launching party brunch at one of the hip bars in town, Sirilo. I started getting some press presence and the interviewer asked us where we saw each other in ten years, it wasn’t working for a big company, it was in
our company. We ask ourselves, and if we dedicate ourselves to do this that I like so much? We didn’t know what was going to happen from then on, but that simple idea was what gave us the first impulse. That moment in which one decides that one wants to do something is crucial, and despite not having the idea completely thought out, that was what made us move.
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urban art
“LA VIDA PRMIA A QUIENES PERSIGUEN Y AMAN LA BELLEZA” - LUIS BARRAGAN
Life rewards those who love and pursue beauty.
Collective graffiti with BOA Mistura
adriana lobato ‘The ultimate aim of all visual arts is the complete building!’ With an emphasis on architecture as a ‘total’ work of art,
STAY IN TOUCH Singapore P: +65 84227483 E: adrianalobato@me.com w: www.linkedin.com/in/adrianalobato/