Impressionist and Modern

5 - 7 Dover St., London W1S 4LD 30 Cork St., London W1S 3NG T +44 (0)20 7287 7750 F +44 (0)20 7287 7751 gallery@alonzakaim.com www.alonzakaim.com

IMPRESSIONIST AND MODERN 10 JANUARY - 23 FEBRUARY 2013 5 - 7 DOVER ST. LONDON W1S 4LD

Federico Zandomeneghi (1841-1917) The Bouquet pastel on paper 35.5 x 44 cm signed 'Fzandomeneghi' (lower left) Provenance Franรงois Depeaux (probably purchased from Galerie Durand-Ruel, Paris circa 1895) Sale: Paris, Galerie Georges Petit, Vente Depeaux, 31 May & 1 June 1906, lot 89 Franรงois Depeaux (re-purchased at the above sale) Private Collection, Europe (by descent from above) Literature Marc-Henri Tellier, Francois Depeaux (1853-1920), Le Charbonnier et les Impressionistes, 2010, p.237 (illustrated)

Pierre Bonnard (1867-1947) Vase de Fleurs circa 1914 oil on canvas 46.4 x 33.3 cm signed 'Bonnard' (upper left) Provenance The Independent Gallery [Percy Moore Turner], London, probably until 1951 The Lefevre Gallery (Alex. Reid & Lefevre), London The Hon. Mrs Audrey Evelyn Pleydell-Bouverie, London, from 1954 until 1968 Anonymous sale, Sotheby's, London, 3 July 1968, lot 15 Arthur & Kathryn Murray, New York & Honolulu, by whom acquired at the above sale Private Collection, USA, by whom acquired in the 1970s, until circa 2003 Berry-Hill Galleries, Inc., New York Private collection, New York Jill Newhouse Gallery, New York Private Collection, New York Exhibited London, The Lefevre Gallery, The School of Paris, July 1951, no. 2 London, Tate Gallery, The Pleydell-Bouverie Collection of Impressionist and Other Paintings, January - April 1954, no. 2 Literature J. & H. Dauberville, Bonnard, Catalogue raisonnĂŠ de l'oeuvre peint, vol. IV, 1940-1947 et SupplĂŠment 1887-1939, Paris, 1968, no. 2053, p. 345 (illustrated p. 346)

Raoul Dufy (1877-1953) La Cité, Vue du Quai de l’Hôtel de Ville 1904 oil on canvas 46 x 55 cm signed ‘RDufy’ (lower right); inscribed on the stretcher: ‘Dufy / la Cité, vue / du quai de / l’hôtel de ville / (37) / 4. R. Cointreau’ Provenance Collection Monsieur Cointreau, Paris Galerie Mouradian – Vallotton, Paris Private Collection, Paris Exhibited Musée Carnavalet, Paris vu par les maîtres de Corot à Utrillo, March - May 1961, n° 28 Literature Maurice Lafaille, Raoul Dufy, Catalogue raisonné de l’œuvre peint, Genève 1972, Vol I, n° 82, p. 77, illustrated

Gustave Loiseau (1865-1935) Place de l' Etoile 1931 oil on canvas 54 x 81.3 cm Provenance Durand-Ruel, Paris Duveen-Graham, New York Moritz Goodman, New York Private Collection (acquired from the above in 1955 and sold: Sotheby's, New York, May 18, 1990, lot 379) Private Collection, New York (acquired at the above sale) Private Collection, London (acquired in 2007) This work will be included in the forthcoming catalogue raisonnĂŠ being prepared by Didier Imbert.

Henri Martin (1860-1943) Matin Ă la Bastide-du-Vert oil on canvas 64.4 x 85.3 cm faintly signed 'H. Martin' (lower right) Provenance Private Collection, France The authenticity of this work has been confirmed by Cyrille Martin

Camille Pissarro (1830-1903) Juin, Temps Pluvieux, Eragny 1898 oil on canvas 66.7 x 82.7 cm signed and dated 'C. Pissarro 98' (lower right) Provenance R. and C. Gérard Frères, Paris (circa 1930); sale, Crédit municipal, Paris, 20 March 1933 Otto Zieseniss, Paris (by 1934) Louise Zieseniss, Paris (by descent from the above, 1938) Private collection, Paris (by descent from the above, until 1962) Wildenstein & Co., Ltd., London (acquired from the above) Clive Runnells, Chicago (acquired from the above) Bequest from the above to the Art Institute of Chicago, 1963 Exhibited Paris, Musée de l'Orangerie, Centenaire de la naissance de Camille Pissarro, February-March 1930, no. 95 New York, Wildenstein & Co., Inc., Olympia's Progeny, October-November 1965, no. 71 Albi, Musée Toulouse-Lautrec, Trésors impressionnistes du Musée de Chicago, June-August 1980, no. 26 Tokyo, Isetan Museum of Art; Fukuoka Art Museum and Kyoto Municipal Museum of Art, Rétrospective Camille Pissarro, March-July 1984, no. 59 Tokyo, The Seibu Museum of Art and Fukuoka Art Museum, The Impressionist Tradition: Masterpieces from the Art Institute of Chicago, October 1985-April 1986, no. 58 Nagaoka, Niigata Prefectural Museum and Nagoya, Aichi Prefectural Museum of Art, Masterpieces of Modern Art from the Art Institute of Chicago, JuneSeptember 1994, no. 18 Literature F. Neugass, "Camille Pissarro" in Deutsche Kunst und Dekoration, December 1930, p. 161 (illustrated) L.R. Pissarro and L. Venturi, Camille Pissarro, son art-son oeuvre, Paris, 1939, vol. I, p. 228, no. 1055 (illustrated, vol. II, pl. 212) C. Kunstler, Pissarro, villes et campagnes, Lausanne, 1967, p. 49 (illustrated in colour, pl. 23) C. Lloyd, "Camille Pissarro: Towards a Reassessment" in Art International, 1985, p. 65 (illustrated) R. Brettell, French Impressionists, New York, 1987, pp. 112 and 118 (illustrated in colour, p. 115) J. Pissarro and C. Durand-Ruel Snollaerts, Pissarro, Catalogue critique des peintures, Paris, 2005, vol. III, p. 759, no. 1214 (illustrated in colour)

Louis Hayet (1864-1940) Bord de L'Oise à l'aube, Pontoise 1888 oil on canvas 52 x 71.5 cm signed and dated 'L. Hayet. 88' (lower right) Provenance Private Collection Exhibited Pontoise, Musée Tavet, Louis Hayet, oeuvres néo-impressionnistes de 1885 à 1895, 1991 Literature Guy Dulon & Christophe Duvivier, Louis Hayet: peintre et théoricien du néo-impressionnisme, Pontoise, 1991, illustrated in colour (p. 139)

Blanche Hoschede-Monet (1865-1947) Le Pont Japonais Ă Giverny oil on canvas 81 x 54 cm signed 'Blanche Hoschede' (lower left) Provenance Private Collection, France

Gustave Loiseau (1865-1935) Maison en Normandie, Hiver 1931 oil on canvas 65 x 54 cm Provenance Durand-Ruel, Paris (photographic archives no.19918) Private Collection, France Private Collection, U.S. Exhibited Paris, Didier Imbert Fine Art, Gustave Loiseau, November 1985 - January 1986, no.38 This work will be included in the forthcoming catalogue raisonnĂŠ being prepared by Didier Imbert.

Maxime Maufra (1863-1918) Morning in the Oasis of Alkantra 1913 oil on canvas 74 x 92 cm signed and dated ‘Maufra 1913’ (lower right) Provenance Durand Ruel. Stock no. 10369.

David Findlay Galleries, New York Private Collection, Palm Beach This work will be featured in the catalogue raisonne of Maufra’s works, currently being prepared by Caroline Durand-Ruel Godfroy

Emile Othon Friesz (1879-1949) Automne à Honfleur, la Côte de Grace circa 1906 - 07 oil on canvas 65.4 x 81.2 cm signed 'Othon Friesz' (lower left)

Provenance Galerie Charpentier, Paris (by 1950) Galerie Daniel Malingue, Paris Private collection, U.S.

Exhibited Paris, Galerie Charpentier, 1950 Paris, Musée National d'Arte Moderne, Le Fauvisme, 1951 Metz, Evolution de la peinture en France de 1905 à 1914, 1958

Literature O. Aittouarès and R. Martin, Emile Othon Friesz, L'oeuvre peint, Paris, 1995, vol. I, p. 119, no. 248 (illustrated in colour, p. 111) Claude Jeancolas, L’Art Fauve, Paris, 2006, p.75 (illustrated)

Emile Othon Friesz (1879-1949) Le Balcon sur le Port 1929 oil on canvas 92 x 73 cm signed and dated 'E Othon Friesz 1929' (lower right) titled, signed with initials and dated 'Le balcon sur le port 29 EOF' (on verso)

Provenance Private Collection, South of France Private Collection, Paris This work will be included in the forthcoming second volume of the Emile Othon Friesz catalogue raisonnÊ currently being prepared by Odile Aittouarès

Jacques Lipchitz (1891-1973) The Harpists bronze with green patina height: 54 cm with the artist’s thumbprint, signed and numbered ‘Jlipchitz 4/7’ (on the top of the base) Provenance Private Collection, NY (acquired by the family of the owner circa 1960) Literature A.G. Wilkinson, The Sculptures of Jacques Lipchitz, A Catalogue Raisonné, The Paris Years 1910-1940, London 1996, p. 222, no. 254 (another cast illustrated, p.89)

Theo van Rysselberghe (1862-1926) Pivoines 1910 oil on canvas 66 x 66 cm signed with the monogram (lower right) Provenance Paul Nocard, Neuilly-sur-Seine Anonymous sale, Christie's, London, 4 July 1980, lot 456 Anonymous sale, Christie's, London, 6 December 1983, lot 332 New Art Centre, London, by whom acquired at the above sale Private Collection, London (Acquired from the above in February 1984) Literature R. Feltkamp, ThĂŠo van Rysselberghe, 1862-1926, Brussels, 2003, no. 1910-028 (illustrated p. 390).

Theo van Rysselberghe (1862-1926) Tulipes 1910 oil on canvas 66 x 66 cm signed with the monogram (possibly added at a later date by another hand; lower right) Provenance Paul Nocard, Neuilly-sur-Seine Anonymous sale, Christie's, London, 4 July 1980, lot 457 Anonymous sale, Christie's, London, 6 December 1983, lot 333 New Art Centre, London, by whom acquired at the above sale Acquired from the above by the present owner in February 1984 This painting will be included in the forthcoming Van Rysselberghe catalogue raisonnĂŠ prepared by Pascal de Sadeleer and Olivier Bertrand.

Armand Guillaumin (1841-1927) Barrage de Genetin circa 1900 oil on canvas 60 x 81.3 cm signed 'Guillaumin' (lower right)

Provenance Durand-Ruel, Paris C. Michael Paul, Palm Beach Perls Gallery, New York Montgomery Gallery. San Francisco Private collection, Beverly Hills Stephen Silagy, New York Dominique Fabiani, Paris Private Collection, London This work will be included in the forthcoming second volume of the Guillaumin Catalogue Raisonné being prepared by the Comité Guillaumin with Dominique Fabiani, Stéphanie Chardeau Botteri & Jacques de la Béraudière

Auguste Rodin (1840-1917) Etude pour Polypheme cast in 1987 bronze with dark brown patina height: 50.5 cm signed and numbered 'A Rodin no 8' (lower right) stamped 'E Goddard Fond. C by Musee Rodin 1987' (on the reverse)

Joseph Csaky (1888-1971) L’Etudiante conceived in 1928 bronze with green patina 167 x 45 x 46.3 cm cast at a later date in an edition of 8 and 2 Artist Proofs signed 'CSAKY' (on left of pillar), numbered and with foundry mark 'A/C 3/8 BLANCHET FONDEUR' (on rear of the base)

Provenance Private Collection, London Sale Me Loudmer, Paris, November 23, 1991, lot 22 Private Collection, Paris (Acquired at the above sale)

Literature A. Barré-Despond, UAM Union of modern artists, Paris, 1986, p. 144 (another cast illustrated) Félix Marcilhac, Joseph Csaky, catalogue raisonné des Sculptures, Les Éditions de l’Amateur, Paris, 2007, 1928-FM.130/c, p.344 (another cast illustrated)

Michel Auguste CollĂŠ (1872-1949)

Nancy, Vue de la CathĂŠdrale, Saint Eprve (automne) 1906 oil on canvas 77 x 52 cm signed 'A M Colle' and dated '1906' (lower right) Provenance Corbin Family, France

Michel Auguste CollĂŠ (1872-1949)

Nancy, Vue de la CathĂŠdrale, Saint Eprve (bleu) 1907 oil on canvas 77 x 52 cm signed 'A M Colle' and dated '07' (lower right) Provenance Corbin Family, France

Gustave Loiseau (1865-1935) Le Village de Triel 1900 oil on canvas 60.6 x 73 cm signed and dated 'G Loiseau 1900' (lower right)

Provenance Durand-Ruel, Paris (acquired in 1936) Hirschl & Adler Galleries, Inc., New York (acquired from the above in 1970) Sale: Christie's, New York, May 13, 1993, lot 145 The Estate of Finbar Kenny (acquired at the above sale) This work will be included in the forthcoming catalogue raisonnĂŠ being prepared by Didier Imbert.

Sir George Clausen (1852-1944) A Corner of the Garden oil on canvas 61 x 50.8 cm signed 'G CLAUSEN' (lower right)

Provenance The Artist's Studio Sale (+); Christie's, London, 19 October 1945, lot 160.

Anonymous sale; Christie's, South Kensington, 30 June 2005, lot 86.

Court Gallery, Somerset Private collection, UK (purchased from the above)

Exhibited London, Royal Academy, 1937, no. 44.

Literature Royal Academy, illustrated, 1937. p. 94.

Béla Kádár (1877-1955) Study of Lovers circa 1940-1950 gouache on paper 77.5 x 55.5 cm signed 'Kádár/Béla' (lower right) Provenance Paul K. Kovesdy collection, New York.

Béla Kádár (1877-1955) Couple I circa 1910 watercolour on paper 28 x 22.5 cm signed 'KADAR BELA' (lower left) Provenance Direct from the artist Max (Sandor) Hevesi, Vienna Collection of Sir Jack Baer

Béla Kádár (1877-1955) Couple III circa 1910 watercolour on paper 20 x 29 cm signed 'KADAR BELA' (upper left) Provenance Direct from the artist Max (Sandor) Hevesi, Vienna Collection of Sir Jack Baer

Béla Kádár (1877-1955) Couple III circa 1910 watercolour on paper 22 x 22.5 cm Provenance Direct from the artist Max (Sandor) Hevesi, Vienna Collection of Sir Jack Baer

Béla Kádár (1877-1955) Townscape circa 1910 watercolour on paper 29.5 x 23 cm Provenance Direct from the artist Max (Sandor) Hevesi, Vienna Collection of Sir Jack Baer

Jean Souverbie (1891-1981) Deux Femmes DrapĂŠes circa 1929 oil on canvas 91.7cm x 65 cm signed 'Souverbie' (lower left)

Provenance Galerie Vavin-Raspail, Paris Purchased from the above circa 1929 Thence by descent Sale: Sotheby's London, Impressionist and Modern Art and Ceramics, 24 March 1999, lot 60 Private Collection, Monaco

Andre Dunoyer de Segonzac (1884-1974) Le Golf de Saint Tropez circa 1935 oil on canvas 50 x 109 cm signed ‘A. Dunoyer de Segonzac’ (lower right)

Provenance Collection Sam Salz, New York Galerie Charpentier, Paris Dr Fritz Nathan and Dr Peter Nathan, Zurich Sale: Christie's New York, Febuary 25, 1992, lot 65 The Estate of Finbar Kenny

Exhibited Paris, Galerie Carpentier, 50 ans de peinture, 1960, no. 55

The authenticity of this painting has been confirmed by D. De Varine (number 108 in their archives)

5 - 7 Dover St., London W1S 4LD 30 Cork St., London W1S 3NG T +44 (0)20 7287 7750 F +44 (0)20 7287 7751 gallery@alonzakaim.com www.alonzakaim.com