When the Savoy Hotel in London first opened in 1889, the upper crust of society thought its work-
Jonathan
ings to be a feat of magic. Early advertisements detailed its enchanted architecture, declaring that electric lights operated night and day, “ascending rooms” ran all night taking you straight to your floor, hallways were heated at all hours, and seventy bathrooms were available (in comparison to
1 Stanley Jackson, The Savoy: The Romance of a Great Hotel (New York: E.P. Dutton & Co., 1964), 20.. 2 Sally Shalam, “Hotel Review: The Savoy, The Strand, London,” The Guardian, May 6, 2011. Accessed online at http://www. theguardian.com/ travel/2011/may/06/ london-the-savoyhotel-review.
3
Marie Louise Ritz, César Ritz: Host to the World (New York: J.B. Lippincott Co., 1938), 110.
the nearest competition’s four bathrooms).1 Even today, after a recent renovation, the travel critic of The Guardian could only explain its opulence and unyielding service as “sleight of hand.”2 There is one figure, in particular, who helped conjure this aura: Georges Auguste Escoffier. Owner Richard D’Oyly Carte hired César Ritz—who would later go on to establish the Ritz hotels—to run the Savoy but both men gave credit to Escoffier, Ritz’s partner and chef de cuisine, for transforming the experience of public dining from grotesque to enchanted. Ritz’s wife and biographer Marie Louise Ritz spoke even of Escoffier’s name as “magic.”3 While Escoffier produced a dining experience that seemed so magical it altered common social practices, he also set a path which ultimately led to today’s most disenchanted gustatory experiences. Escoffier’s initial ascendance to fame came immediately after his return from the Franco-Prussian
Crisman
War. Before the war, he had been a kitchen aide at Le Petit Moulin Rouge in Paris and upon his return, he became the chef de cuisine. The restaurant
JONATHAN CRISMAN
1
MAGICAL DINING MODERN CUISINE
FIGURE 1 New Year’s Eve party published in The Illustrated London News, 1907.
2