Back on The Bins (2011)

Page 1

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VEGAN STRAIGHT EDGE HARDCORE PUNK ZINE


PIREAMLE I GESTICULA t not ‘You ini§hNo

The Roots -

-

b‘ a°°“sl°m°d w .

-

5°a“d““.“"an

qua1ity.s1<>ssi/-¢°""°d but this is its ¢l\°aP°" PWOCOSS:

bags

Mindset -

You

What

Youth - Vol. l/Vol.

talking about shit." - Lex

zine no CXCCPUOH to that tradition. ln fact it reaches a new low for lack of band-related content, timely news and considered opinion. lt contains no nuggets of historical information such as who took a shit at the Anthrax and didn't ush, what guitar head someone used for 30 minutes to record two song demo before switching to a bettersounding head back in I986 or eBay auction

Read on fnend...

B ad Brains

Suicid P0siti'vc

Posit IVC YQuth

liar

h

DEDICATION The true intemationalist spirit of hardcore world, one scene. Straight edge kids 3|] the world different lives, same ammde

Mob Rules Ll’

;r_11Am<s A"Y""ns 8¢nuine|y fun“ y in thi.LIIIC of Lu Rigb;

. lobe a direct qU0!c

-

It-1

' is

likely -

Lultebielly Man’ Twym3n_ A tight way ck Wlll, still a source of ln$plfa[iQn '

kill,toeat,tofuckandwhentorunaway.Andnot alwaysinthatorder.Thelizaitlbr-linisbuiltfor

e.

Straight edge, yeah, got that covered. times. Pointless passive-aggressive rants, workplace frustration, long quotes from book; to ll “P SPBCC, good ideas ' poorly executed, illustrations all that too.

Youth

(‘ over‘

.

I

Pressure

The

li

l don't like zines. Zines are jllll dgggh

No End L

-

lnspite of several millionyearsof evolution, you'vestill gotalimrdbrain(the amygdala)tha1's in charge of what you do. It tells you when to ght and

-

18$" doesn't f

‘S a Specically, this strailll“ °d8°- "gm f Shh‘ punk K ock and the good

Harbour 7"

1?. '“ P“°'°

Th°m8$Hawk mi

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"spulkelly, ITIG,-I»

Jidog

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lt's called 8 know what this is. 8 sandwich. lt's

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GENERIC l_l_[_l'_B_§l_ MOSH PART ;

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instantreptilianretribinion,violenceand dest1uction(there'sareasonGodzillawasaieptile andnotamammal).Wrappedaroundt.hatisa monkey brain that‘: been shaped by hundreds of thousands of years of monkey politics. lt's perfectly tuned for grooming, chest-beating, alliance and group-forming, favouritism, power-

'

musics, attacking the weak and seizing

oppornmities. Around that there's a thin veneer of neurons tlut make us ‘human’.

Thelimrdbninisthestrongest,butalsot.hemost basic.'l'hernonlteybrainisint.hemiddle.Andthe llumanbrainisthcmostintclliscntandalsohas theweakestinuence.lnfact,thehumanand monkeybrainsshutoffintimesofcrisisandthe -,5--_ linrdbi-aintakesover.Thelinrdbrainis dependable.It‘stheonetliatwillhelpyousurvive. -'= '-

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T: Dlvid gins 1--


PIREAMLE I GESTICULA t not ‘You ini§hNo

The Roots -

-

b‘ a°°“sl°m°d w .

-

5°a“d““.“"an

qua1ity.s1<>ssi/-¢°""°d but this is its ¢l\°aP°" PWOCOSS:

bags

Mindset -

You

What

Youth - Vol. l/Vol.

talking about shit." - Lex

zine no CXCCPUOH to that tradition. ln fact it reaches a new low for lack of band-related content, timely news and considered opinion. lt contains no nuggets of historical information such as who took a shit at the Anthrax and didn't ush, what guitar head someone used for 30 minutes to record two song demo before switching to a bettersounding head back in I986 or eBay auction

Read on fnend...

B ad Brains

Suicid P0siti'vc

Posit IVC YQuth

liar

h

DEDICATION The true intemationalist spirit of hardcore world, one scene. Straight edge kids 3|] the world different lives, same ammde

Mob Rules Ll’

;r_11Am<s A"Y""ns 8¢nuine|y fun“ y in thi.LIIIC of Lu Rigb;

. lobe a direct qU0!c

-

It-1

' is

likely -

Lultebielly Man’ Twym3n_ A tight way ck Wlll, still a source of ln$plfa[iQn '

kill,toeat,tofuckandwhentorunaway.Andnot alwaysinthatorder.Thelizaitlbr-linisbuiltfor

e.

Straight edge, yeah, got that covered. times. Pointless passive-aggressive rants, workplace frustration, long quotes from book; to ll “P SPBCC, good ideas ' poorly executed, illustrations all that too.

Youth

(‘ over‘

.

I

Pressure

The

li

l don't like zines. Zines are jllll dgggh

No End L

-

lnspite of several millionyearsof evolution, you'vestill gotalimrdbrain(the amygdala)tha1's in charge of what you do. It tells you when to ght and

-

18$" doesn't f

‘S a Specically, this strailll“ °d8°- "gm f Shh‘ punk K ock and the good

Harbour 7"

1?. '“ P“°'°

Th°m8$Hawk mi

.

"spulkelly, ITIG,-I»

Jidog

Z/'

. t -. ‘ :- '_l ‘§_'~..'-‘...- ._.f~. !s".‘ '

lt's called 8 know what this is. 8 sandwich. lt's

fmncrztlread You mi)’ you

i

GENERIC l_l_[_l'_B_§l_ MOSH PART ;

vi

"E55 rucxm

instantreptilianretribinion,violenceand dest1uction(there'sareasonGodzillawasaieptile andnotamammal).Wrappedaroundt.hatisa monkey brain that‘: been shaped by hundreds of thousands of years of monkey politics. lt's perfectly tuned for grooming, chest-beating, alliance and group-forming, favouritism, power-

'

musics, attacking the weak and seizing

oppornmities. Around that there's a thin veneer of neurons tlut make us ‘human’.

Thelimrdbninisthestrongest,butalsot.hemost basic.'l'hernonlteybrainisint.hemiddle.Andthe llumanbrainisthcmostintclliscntandalsohas theweakestinuence.lnfact,thehumanand monkeybrainsshutoffintimesofcrisisandthe -,5--_ linrdbi-aintakesover.Thelinrdbrainis dependable.It‘stheonetliatwillhelpyousurvive. -'= '-

t

}

J

/

-~

I,-1

Whenconfrontedwithaproblemyoucadtght, fllCk0l'Cll,fl\¢l1BIdl''lll1W8l1l3y0\ll0ln lWl¥- II wlshly wants to survive. And although themonkey/humanbraintriestodistractthis

<

._

z:

-

-"~

__f

Ir" .3

.

w°¢8lln¢verUms.oendourm0nkeyp°|jgi¢&N

mmshwwmmwmmnm-up

b8pperLMOnkeypol1ticsisatthe

aboutitontheintemet,tliat’sugoodaghting and itdoeen‘t hurt), thafswhatit comm down to.

an

"

abomhowmtichlllhate --

w|n¢¢1|;';1gbine<>ntiniiingtodoit(notr\InI1l8

=w=y)i=wush1inrn¢suussl=b="'==“'1\=i' lizardbrainandmonkcy/hinnanbrain.Thelizard bn;nw,m;@0ee,biitthemonkeybrainwmtsto

my M ===<1<“=~ " "='=.">- ‘" “=-°""-‘“-°'-"° "P

way,ggygndfiilllotherhmrdbiainpn0r1l1=$I

§;iiun;,ai¢kiugmd==nsMonk=vv°h¢='d

human ctllturtarethcgfruits ofthese$¥I\188l¢$

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maacr_wbmY°Ull1lnk,Cl1e3t-b¢;n& 81'°°mIng, I-llilnce-folming, favoui-itim‘, md

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hanofhowwe

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torn-.!.’1.}' M.

unprepared for the world we've created We are ictims of our own cognitive biases (loss averse selectively perceptive, too inuenced by others) and left-overevolutionary garbage. We're at the mercy of social systems we can't control and feel beholden to but can't escape. We're trapped by mstincts we don't understand, developed for scenarios we'll never encounter

fi

t.

.\

.

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.

'

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I

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lb

aMr m E

.

.

F V

Ml. if

anyone be involved in hardcore they didn't have those life-changing, jaw-dropping systems inability to work with we ve got manifests itself in Inll)’ “'aY31.l“"°5 give people lighter sentences if they harm more people, people would rather cling the meaningless shit they've got than nsk something better, your brain can‘! dislinllkh b°“"°°“ ung’ It ‘him Y°" "° you actually have done and

love hardcore

which The hardcore I love is the hardcore in sgmgthjng happens. Music that sounds alive rather ° than old songs nobody lures Phil"! 9' hear. We all want something sum! “mh conviction, even if it's thesame ‘you bet-fY¢d 111° shit pissed off suburban kids have bee"

.

=x»n»=~s?w»=~W=l~@ni~»p bal cony onto an empty dance floor or a band from town or place you never heard of, playing the hardest, fastest hardcore - could you imagine yourself anywhere else? Could you imagine a life where you never made it to your rst show, never got handed your rst mixtape, never saw Silverchair play a Minor Threat cover and never saw that live pic of Eric Ozenne singing for Redemption 87 in an advert in Warp Maganne and thought "What the fuck is on in this a

_ ~' o

-

imperfect. Because good bands don't go anywhere, shit rises, wankers talk tough online but can't make eye contact at shows, because good zines never get nished, never get printed but shit ones do, because you become numb to how nibbish local bands can be I "iii d t l'k th ,beca

2:‘... .

l

;t

V

*7

5

You say you hate 99% of hardcore kick. You hate kids that go to shows. You hate the kids putting on '1theshows.Youhatethe kidsthatgoto showsand you can't relate. You hate the kids in the bands. You hate the kids that write shitty zines. Q Especially the kids that write Shitty zines. If you thiiikeveryone around you is a plat, you're either standing m the crowd at an Insane Clown Posse show or - more likely - ou're the one 'with the .\if'.=. "‘.";;'=@ l problem. . Z, . .~-hr-. .4' ‘Av... r"i-1*‘ 10-1.1-.-"'+'!i;"~Z?‘¥.-‘ i Admit it - you got involved and stay because this, all of this, is a chance for you to give your life some meaning. lt's a chance for the thin slithers of humanity in your brain to make new connections, new neural networks and 5

'

;

‘ 1} ‘r

changes.

'

'

You won't get rieh You nnisht set your 11"" mid‘ '°°°‘° "°$:; onathankslistor shoutedoutfroma do it because it feels swi-

3;I$.a'.'L’lE:l§'

But imagine a hardcore scene or which nothing happens. Imagine that it's all love songs and hnppy endings, there's no violence, no fall outs, no bitching, no broken bones, no crap_PY _Il T-shirts that look like shit and when you all the print comes off, no rip-off$. ll? a°"m°m°“5 band splits, no labels folding and owms P°°Pl° loads of money, no vans breakin8 down on motorways and no crap shows in empty venue!

'

"

"-.

.5’

ln thi5 tabloid-driven world the message is you can't trust anyone. Life is a lottery and you can't get anywhere without a ticket and a dream, without a pop svengali plucking you out of the crowd and without a prince to marry. And 31¢" Y°“' lottery money goes and you wish you could be baek the bins, your svengali tums on you and Y°“" tums out to be an inbred fornicator. Hardcore jL\Sl do it for yourself

up. Real recognise real.

.

Mm

if

_.‘;§?'3'.

'

..

l love it when someone with absolutely no musical talent gets to put out records, book shows, go on tour and even lng a line on their friends’ record ghlivedll when people talk a rs ‘ad “id Bone - beef that was b°°f‘ 1"" $0 they can have sometliirigclifrdnaily love it when whether or not someone sha 0. th . git? ehanges their hairstyle or doesn't lonisoogi u lshit factoid about who didn't wi Pe their arse aer taking a shit in a club in Connecticu US

Z7

— |

t’

muggam ago ‘ms N°v°mb°T 8¢i$ People shit and made to I i keyboard warriors gectea ixscn bitches" who need "keep' in their "18 place ..

f

A’

backharderaridstronger.

_

/‘l w _

I love that some of the best ha ever recorded sound like total crap. And they're still better than all the overproduced metal, alternative bilge and pop-by-numbers chart bullshit. <..'.1‘if~i'“7..~‘>?

."=.

l love laughing M youth crew

2

1

lb“

l l0Ve it When kids everyone has written off Come

th

guestlistable

.

years on from rhyming head with dead and said. Anything more sophisticated is excessive. Beautiful, poetic similes and metaphors, subtle ironies, etc. don't get your point across. Blunt truths and simple words are more powerful than complex narratives that never get to the point. Get the fucking point. "-

want you to believe strangers are not friends, that you have no local community and around every comer there's just people waiting to jack you. But hardcore relics on the kindness of strangers and a friend of a friend of someone you know. You listen to Chain, l listen to Chain. We're like brothers. We put on bands we've never met and make sure they're fed and get somewhere to sleep. We nish guitar cabs and mics from a practice room on the other side of the city to a show. We trade for records we'll probably l never sell just to help a new label break even. We ' ffVa singe even cac someoneas theyjumpo hurt

low people think they can get into a show for free just by saying "1 paid in last time they played", hardcore is hardcore. Fuck rock music. Fuck rock attitudes, aspirations and egos. Rip it Mosh it

Y

avoid paying £4, because touring bands steal your CDs, annoy your neighbours, piss on the street outside your house, talk shit about the girls in your scene, town and country. l love hardcore because any ugly bastard with a a ladies man he's

l .

it Andi

where there's a guy in a hoody and varsity Jacket *3“ hiding behind a tree in a park like a rapist waiting for his next victim.

,.--r-~<

love Watching kids stand around dance oor ginning, Ind looking hand movements to mosh.


~lt_..

J‘? ‘

"' '. .

.

V

..

-;__

~

‘.

torn-.!.’1.}' M.

unprepared for the world we've created We are ictims of our own cognitive biases (loss averse selectively perceptive, too inuenced by others) and left-overevolutionary garbage. We're at the mercy of social systems we can't control and feel beholden to but can't escape. We're trapped by mstincts we don't understand, developed for scenarios we'll never encounter

fi

t.

.\

.

"1

2‘ .

.

'

‘,

..

1

I

'

..

V

‘L4’-'

'

3

done, people obsess about collecting, relentlessllf gornpare themselves to others and only feel 8°°d if they think they're 'doin better’ than them.

d I live

“"1”

lb

aMr m E

.

.

F V

Ml. if

anyone be involved in hardcore they didn't have those life-changing, jaw-dropping systems inability to work with we ve got manifests itself in Inll)’ “'aY31.l“"°5 give people lighter sentences if they harm more people, people would rather cling the meaningless shit they've got than nsk something better, your brain can‘! dislinllkh b°“"°°“ ung’ It ‘him Y°" "° you actually have done and

love hardcore

which The hardcore I love is the hardcore in sgmgthjng happens. Music that sounds alive rather ° than old songs nobody lures Phil"! 9' hear. We all want something sum! “mh conviction, even if it's thesame ‘you bet-fY¢d 111° shit pissed off suburban kids have bee"

.

=x»n»=~s?w»=~W=l~@ni~»p bal cony onto an empty dance floor or a band from town or place you never heard of, playing the hardest, fastest hardcore - could you imagine yourself anywhere else? Could you imagine a life where you never made it to your rst show, never got handed your rst mixtape, never saw Silverchair play a Minor Threat cover and never saw that live pic of Eric Ozenne singing for Redemption 87 in an advert in Warp Maganne and thought "What the fuck is on in this a

_ ~' o

-

imperfect. Because good bands don't go anywhere, shit rises, wankers talk tough online but can't make eye contact at shows, because good zines never get nished, never get printed but shit ones do, because you become numb to how nibbish local bands can be I "iii d t l'k th ,beca

2:‘... .

l

;t

V

*7

5

You say you hate 99% of hardcore kick. You hate kids that go to shows. You hate the kids putting on '1theshows.Youhatethe kidsthatgoto showsand you can't relate. You hate the kids in the bands. You hate the kids that write shitty zines. Q Especially the kids that write Shitty zines. If you thiiikeveryone around you is a plat, you're either standing m the crowd at an Insane Clown Posse show or - more likely - ou're the one 'with the .\if'.=. "‘.";;'=@ l problem. . Z, . .~-hr-. .4' ‘Av... r"i-1*‘ 10-1.1-.-"'+'!i;"~Z?‘¥.-‘ i Admit it - you got involved and stay because this, all of this, is a chance for you to give your life some meaning. lt's a chance for the thin slithers of humanity in your brain to make new connections, new neural networks and 5

'

;

‘ 1} ‘r

changes.

'

'

You won't get rieh You nnisht set your 11"" mid‘ '°°°‘° "°$:; onathankslistor shoutedoutfroma do it because it feels swi-

3;I$.a'.'L’lE:l§'

But imagine a hardcore scene or which nothing happens. Imagine that it's all love songs and hnppy endings, there's no violence, no fall outs, no bitching, no broken bones, no crap_PY _Il T-shirts that look like shit and when you all the print comes off, no rip-off$. ll? a°"m°m°“5 band splits, no labels folding and owms P°°Pl° loads of money, no vans breakin8 down on motorways and no crap shows in empty venue!

'

"

"-.

.5’

ln thi5 tabloid-driven world the message is you can't trust anyone. Life is a lottery and you can't get anywhere without a ticket and a dream, without a pop svengali plucking you out of the crowd and without a prince to marry. And 31¢" Y°“' lottery money goes and you wish you could be baek the bins, your svengali tums on you and Y°“" tums out to be an inbred fornicator. Hardcore jL\Sl do it for yourself

up. Real recognise real.

.

Mm

if

_.‘;§?'3'.

'

..

l love it when someone with absolutely no musical talent gets to put out records, book shows, go on tour and even lng a line on their friends’ record ghlivedll when people talk a rs ‘ad “id Bone - beef that was b°°f‘ 1"" $0 they can have sometliirigclifrdnaily love it when whether or not someone sha 0. th . git? ehanges their hairstyle or doesn't lonisoogi u lshit factoid about who didn't wi Pe their arse aer taking a shit in a club in Connecticu US

Z7

— |

t’

muggam ago ‘ms N°v°mb°T 8¢i$ People shit and made to I i keyboard warriors gectea ixscn bitches" who need "keep' in their "18 place ..

f

A’

backharderaridstronger.

_

/‘l w _

I love that some of the best ha ever recorded sound like total crap. And they're still better than all the overproduced metal, alternative bilge and pop-by-numbers chart bullshit. <..'.1‘if~i'“7..~‘>?

."=.

l love laughing M youth crew

2

1

lb“

l l0Ve it When kids everyone has written off Come

th

guestlistable

.

years on from rhyming head with dead and said. Anything more sophisticated is excessive. Beautiful, poetic similes and metaphors, subtle ironies, etc. don't get your point across. Blunt truths and simple words are more powerful than complex narratives that never get to the point. Get the fucking point. "-

want you to believe strangers are not friends, that you have no local community and around every comer there's just people waiting to jack you. But hardcore relics on the kindness of strangers and a friend of a friend of someone you know. You listen to Chain, l listen to Chain. We're like brothers. We put on bands we've never met and make sure they're fed and get somewhere to sleep. We nish guitar cabs and mics from a practice room on the other side of the city to a show. We trade for records we'll probably l never sell just to help a new label break even. We ' ffVa singe even cac someoneas theyjumpo hurt

low people think they can get into a show for free just by saying "1 paid in last time they played", hardcore is hardcore. Fuck rock music. Fuck rock attitudes, aspirations and egos. Rip it Mosh it

Y

avoid paying £4, because touring bands steal your CDs, annoy your neighbours, piss on the street outside your house, talk shit about the girls in your scene, town and country. l love hardcore because any ugly bastard with a a ladies man he's

l .

it Andi

where there's a guy in a hoody and varsity Jacket *3“ hiding behind a tree in a park like a rapist waiting for his next victim.

,.--r-~<

love Watching kids stand around dance oor ginning, Ind looking hand movements to mosh.


Q

I love it when self-declared 'lifers' and 'die~hards', WiD\likOdflI'IO0m\£i1lhii,S¢iiIi1¢BkOllIE!1d disappearsoweneverhavetoheartheirinane

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4* llove Smiths, The Cure and Morrissey. lfyou are, keep um mi: to yourself. Worst thing Wes Nightmare ever did was tell people it was OK to listen to that

It's about the caring about making a contribution, moshing it up, singing along and having fun. lt‘s about being part of something. Language, culture, politics, religion, music, hardcore - it's all just a framework your brain, with its excess of neurom and conicting impulses, creates to try and ll a void, to nd meaning and purpose in a meaningless and purposeless world. And there's nothing better to ll that void than hardcore.

of kids

and is more productive than anything else in the world. Nothing can compare

.

-

openmirid.

with heart, talent and creativity, is all over the world and can help bands tour anywhere. l love that it has better bands, smarter kids, louder music

° IF‘ lpsomeomumf V¢llWiIlliI'8lSau3g8¢WI1thefrontofashnwm¢|,,||ofa

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me this show? O:ce

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iand 11.1. ....

-

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,

M.

ii,

'

-

'

-

"my? I .

“nu "Ry

dissatised

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bands l-0 play. Local knowledge, combined with the fact that they don't get the show they, and

if

P°°P|e in their town loo. will probably travel in

31° an "M1011, make

.

.Bmds w.h° v° '°“'°d ""11 a §:'n:‘:°“i::’°'§;';°iii:'i;:'a“=Y

.

.

'

easy to come by you've already got a band. You could hire one, but it's easier to just nd a local band to put on the tour. <3

'

L°‘P1'°m°i¢f8 Collaborate out in the open and

“'°'k °\" for themselves where it'd be best for

Equipment - Bands need a backline, this might be

if

_'

it

.

- W 0* ‘M

° mm

_

V

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Mu“

‘°_

°;im‘“t%vZ:’s“(ma‘mhybe“’

°”

J .

5:? um°,y°“ S?“ m 79“ '°ff°"

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ut other promoters ';t¢a]in8P ITYIIIB Your Show. This is more likely to happen with °'°‘°d b'ddm8-

money to book ights! That s you absorbing all iii: risk and dcmomimes a ievei of cofnnurnent

-

.°r Y3“ ndmkmignpm m a m'P"°° 5°al°d'b'd

"

-den, in

successfully depends heavily on reputation... unless yOu're willing to front a band part/all of the

-_

recommendations. What follows isn't an attack on what they're doing, just an opportumty

3; °°‘ z

.._-i

I-V_

-“

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Uzém want £400

“Psi!-r1

»

i. .- wmbmdsit'h‘;°bm":‘ 01° I" mi" b°°k°"~ bu‘ ‘Y Y°“ ere s on Y One way you can Set is ,

:1

Work that out is to talk about this senously out m the open

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bookers monopolise a band's shows You can °"lY 3°‘ um band ‘° P187 °" '-ha‘ mu" ‘f Y°“ deal with tint bhooker. You can book ‘other T0111’

.

°'f '°"'; “K W8)’

,-

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v,i

'° °l’88rli8e

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..

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.

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_~‘_

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ilie should break the and openly talk about ow much bands are getting paid, where they're

v

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'

bnak ihcir kncu

=

¢

com’

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-.

of a hardcore scene.

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i

-If

lf

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cam! members get a "fair sham" of mow‘

There are serious challenges in running a cartel incomplete cartels that don't fully control a market face competition from non-cartel bidders. Promoters might break away from the cartel and it can be exposed with iimis being biaciiiismi fmm

"1

if future biib. There's no real mechanism here for l punishing people undermining the cartel. this was about picking up industrial eluent, you'd JUSI

.

-

~

Q.

-

.

0

so

H"_'7\

'7" 0 gave bands come badi saying this kid ii .rili dldnft feed ‘hem and msappamd “"th°m ‘;’v nding somewhere for mm m say? Are there other plaoes this show could go? 1

OPEN THE_ BIDDING - Tour bookers might think rst-‘pnce sealed-bid auction model is the most eicient and has the best outcome for everyone involved. l don't think that's the ease,

ey re

cwnnbcmfi

-

Money ~ Starting out and not covering costs means You've 80t to invest time and hard work . , . (thisiscalledsweat .T bookersal

°f 31¢ 3lmi°!1(i"$ 8°! $0 be it either an open g!-bid nnctioii

Wllllnl to do evervthinn for free.

tn,

°""'°P="==°¢ndina-price)andiei

work out what's the actual mark

Promo

band. Bands should be getting‘ fin.“"ho; What pimters pay at the show. Guarantees

this. Maybe bands should be

gun

distort

'

gums pm‘ mm

Mm tour bookers m ‘bk ‘° “"89?

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UBSESSIUN

__ 31

UELUSIUN AND ’.-‘er; L.

.

5

5°m°°'_1°

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Whetheryou'reatriple platinum sellingrapperora

hardcorekidwhostillliveswithhisparentscollectingtrainersmakesyouasadfuck.Putting your collection online so you can brag about them and

83" Y0\lbee%usetheykriewyou'd really

appreciateit.Tliat‘sthestu‘thatismeaningfull

~Weallwaiitabitofhardcorehistor'y.'l'hatoldshirt thatsomeone woretoaChainshow-you weren't there, but the shirt was, so you hope that brings you little closer? Or maybe you get a sweet record on

more is evensadder

a

trainers look

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gaudy colours, part marshmallow, part moon 5001Thisisthe 2011 don't and thl-hll~

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w»-l_;-_;;»»~»~;_=-=~ W-;1=»=~» pofce ' gures, mowers, old ‘hwy Mal wytnnm shit £22,‘ Sharpener?» anylhlng. It's all junk and the only ones getting off on it are weirdos. It's like the scene reached a threshold for collecting records ‘OK, got them all... gotta start collecting something else‘.

Therearenerdsinhardcorethattrytolegitimise collectingandtheirweak-arsedobsession. -

Gotta have every pressing, every colom’, Wm if doingsoonly makesyou intoatotaldouchebagand means that other kids can't have the record because 1000 records Wm‘ to 300 poop“

eBay fromaguy whowasinacool band double boner for you).

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put it with the rest ofyour records in case someone bends a comer of the sleeve taking it out gawp at IL So you keep it in a little box. And look at ;_L You look. At. A. Record. That you paid $300(H or.

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Q

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WPERFAI5

um °°s‘ |°'$ °f "|°"¢Y- EWTY episode of MTV Cribs shows you people with lots of money who know theprice ofcverything (oma ""1185

11:-iii

Sunk was. hkeiommg a gym to lose weight and never going, _' create problems - Money spenton recorJ collecting makes it harder for you to stop and admit you've gotaproblem. Itlnakesitharderfor you to

7-

»h=

»h= and never fucking used it. It was just in her house when she died. lt was hers. Now it is yours. You paid thousands of pounds for it. You're both connected Switch the hairbrush for a signed record, 8!! autograph, an original yer, a record from a guy in a cool band (that you paid triple the amount for well cool Was 011 eBay). .

'l1iere's this thing called the law o ' 'shing marginal utility (getting more shit doesn't make you as happy as the rst shit you got) the more you collecbthelosshappyitmakes ou.You et Y B obsessive and you feel empty. And when you do . trade something away you feel bad because of loss aversion. No matter what you got, you wish you'd been able to keep what y0\l had. If you pmd money, you feel (even just a little bit) like you wasted ._

We

.

Louis )IV dining table to their impractical cars) but they've got no taste. They have money, but no brains. They just bought a house that someone else lled with expensive junk and charged them a lot of privilege. Money can't buy you taste.

._‘

mundane of objects. somehow creates a connection lt d sn't matter she's been dead for 50 years. Or

I

But when you collect loads of shit you open yourself up to regret and sadness. Sad that your collection is not complete. Regretil of bad trades, sniped auctions, but most importantly: all the other shit you could have done with your life.

m°"°Y'

i

1-h_h'l8$WilhR8llH=8ningrarelycost:asketch'om

anex-girl-ieridonascrapofpapenaletteroma friend battlingcaricer, full ofhopeand plans forthe futur'e.aphotofiomyourrsttimeontour,ahand me down and T-shirtwithastretchedoutcollar

,

Your record I:-o'llecti OH Show d Eachrecord should have a

.

Aquicknoteonsuperfansandtheir ""83 If you buy band T-shirts not in your size,

collections.

withnoplanstoaltertliemtotorturnthenintoa backpatch, youmightbeasuperfanlfyoutake

picniresofyourlatesthaulofbandmerchandnost them onto the iiitemet, you rriiglit be a superfan . realise there's a hierarchy of

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Banesuperl‘arislookdownonthe

-

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style Ora-mug!

ANOE I HATE

LINES - they've been getting drawn, stepped over and people getting knocked back across for as alo I18 shardcore kids havehadproblems with ames.

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TIME

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loanimaginethcmtryingpitchtheideatotheirnew

xBRlGl-lTx (lap!!!) Anch0r(Sweden)

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products development people: 'I‘ha'e's a global Yeah, market forabout l,000painofthese and we're selling to the most awkward, niché consumer-group in the world...’

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,D"'Dl'n K171

RevelationReoordsandAdidaatameduptoputo\n alimited edition shoe. Blackmdyellovmkevlogoon thctongueandaloadofbandlogosonthe sole/insole. Looksgood.LooksliketheIeuesome geriuinehardootekidsatlkdidaswhomanangedtoget thisidcasiguedotf.

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Roi, Ritchie. Pedw y W4“ \°= °l“°°‘ Salvador Hola!

Madr llincll yn "I118 \ °h1' Slovensknl

°“ G““°' E

lkéitllll {C810

Really?'l‘heymanagedtocaptunthehope,nge, spirit, creativity, youth, productivity, cultural shi, sight.s,smellsandso1mdsoftl|c80slm'dcorescenc in...ashoe?Whystopatuhoe?Whynotsockstoo? 0rchewinggu1n?Oranngeofgolfcluhs?(Becausc whethcrthey-cfucldng...orplaying golf...)

iw y Sumlglwa ito sa Pmpim, ip,,|,,,,

rkiurgf 6““P°"' W111 581161‘: ac-nmcxu.

tmaill

"mam Manapcmj! Hold T Otl

- Cro-MI!‘

HJIIJLC

ne? I01 I-ID

,

Rgach

tunrre 113 1yp|-|¢jy y

PRO-TIP

#2

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Ujedinite mm! Dubrovnik hardcore. splinmdeore fortsl? L8 Forward og Evolve Hallo Norge.

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llue till death! But who gives a shit? rwnlllity counts rst, don't be a labeled ldlot rlctalgllt edge or not! We can gel 11°"!

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Ntlol

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We all must be united and get ready to

7

ght

II M "W "'4' M ‘by? I5 ma ‘ll ‘kc W“ ‘O me?

mine: your diereepeet and hardlinerr neglect.

And its a ehanue we view lllia

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'n8°dY llld

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.

l don't wanna be!

-

..

-

dtclloltlsdfilllll

by

1-“

X" on your hand to show where you mid amp .nd b%'

Dem

:"“"".,:"""“".'i"$.:‘m may not coo ut e, hardcore

:.“'.,"1'."‘"";:"r:;':’.*'P°=""~“*"' smo . Cause all l wanna be!

scene, it still rules... Some lyrics talk Iglitm me but loud sound makes me crazy.

'

.

.

ls another "who cares" "shot dead" ktd. l' ‘ ' do down, down!

“"°'“ ““" l don't wanna be!

Like each and every day, l try to nd where‘: the party and like each and .

..

Another dead-weight victim of love

.

haw

Ilrealt all flicking barriers llils street noise is all we've got I-liry rind fucking anger Nu more rules for the ptlmt

its wrons for Y0" "“‘ ""

M‘;

Iesfortne I please

.

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endeatmybeans

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|,-

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will you realize?

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to

m

tosethorifyoowooldreollyooooyoor

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crew

hatethe

This dilemma we raoe, we could face

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|||,¢,,,g vegmis rho my I'll crll hot dogs ticyour faoe

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You cast me o' because I'm not like you you rliiifilr ghoul’: ooctglzil your ways ouse ri teous

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Booze Olzlidvlag/?8 Fuc Still »

so ilraiglit edge is the wly I l d drink all day

I

me‘

Y

forget it man, be yoooelf

nun-t Punk Rock

N

lode

Your’ 'w0W°

l’

qlay sober

“'

These walls you build between us are the ones you claim to be breaking down l don't buy your superior aaiuide When will you realize?

drli:‘enb;, ml“

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l-or r no . cm up

I'll

J

lfyou don‘t follow through

md vow

“E

SPA

can't chhars ma 1 In "<>nyour When will you realize Unity is 'ust another word

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by

In

“'3” r

I" 9"“

- l‘(t;(:uas

grim

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grong, A/ewpeople

‘dz!-rtr rlrlrgwwe were a Mme

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e

'2:

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,,,,,~;,,,

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You've been 1\lPP'°"“‘3 ‘hm to long ,

Mmy; for-o,;rd, never look back

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tlnwt is

ruekinaorrruoll

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Bent by snddee

|.::::n:,,l:°y°uilr, just wastes away

l-

ldo'twannabe!

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mrlrnlined from the belingzt

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ldon'twannabe! Another ed-weight victim oflove tragedy and

' .1

dry

Back to an unhealthy llabit(at). Back.

1'

room-r' gay!

'°‘"°' mm $3: ::'r§h:iyooee who do-it woe

,

W618!!!

mg mm ,.,,,-,, ,

.

we broke the ioe-~ you're only

-

Iwouldn't mind being alone,

led

Hello niy hate. well thio marks the day l killed you So cuddle, make your bed,

'

_' '5 95°"? fY°°¢|°I'It.

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Tm 6“ dam! But who gives ‘hm

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llue till death! But who gives a shit? rwnlllity counts rst, don't be a labeled ldlot rlctalgllt edge or not! We can gel 11°"!

Surrounded by Iroltoleol Give Mt you don‘! know shit about the kids, based on how

tongue in cheek me

wltll no llfe eXP°°1\°°

.

brook down the walls, as one we stand strong

rl

not brass knuckles, hard moshill or your crew youchooufu young". nmf“

itl

they.” d"”°d Surrounded by

I

I

IBM ¢8-'A_l\4 Il°P'_lY"Y .

.

Not doing drugs shouldnt imply mllltancy!

howl_mnJ.m8n°din8gy“¢;w|

lmakemyownchoioe!

rayshnmed to be associated with, all ofthis

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What did oaeex

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Punk logic is binary. As my friend Dogstab, sorry... ‘Dan’, says: you are either a punk or a not-punk. Your record label is either DIY or ‘major label bullshit‘. Your band is either awesome or shit. You're either a die-hard straight edge kid or a ake. You either stay

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goals and achieve them. Promise to do sornedipi ing and to follow it through, no mam, Wm

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5

need to let that shit go. Sell your shit. Start again.

I use your fuckin' ego and make some new friends. I tlon't want to be partofaveganstraightedgehermits club or some ‘do you remember when...’ circle-jerk. Why caiftyoujustbeahardcorekidwhocomeato :Illl!WS and moshea it up like you used t07_.- .

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.

'

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M1“

.

ll“ “Y ““'°' 4"“ "°'1"“ with tiiimgtuue booyooo

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young Of old, it from the back ofthe crowd to the Gab me mi‘; Fuck an um front ofthe mosh

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goals and achieve them. Promise to do sornedipi ing and to follow it through, no mam, Wm

Now you're all gown up. You've Lots of responsibilities. You've got on you. You get all introspective and start talking about spiritual pilgrimage: and mysticism. Don't. Thu smis jun for °°dm,ckc“_ The only spiritual worm making for my hmicom kid.

yoiilovadete.

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the life you've 8ot. Don't

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Bl'0k¢l'l Teeth, sih_/eitowii, Splitcase, Stations, Rearrange. Clearsight

~ hrcak because I won't give money to ISKCON o

knoekingbackthebeersinthehope it'll makeyou more interesting. You'll wind up just another wrote wiilkingaroimdacityeentrescrotewitliyourone hand down the front ofyour tracksuit light holding your tiny cock to protect it from a

hoiii singers In hitioooie

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llilV8 to gouge out your mind with a blunt lie (i.e. liccomealiareliriahnaandharassmeonmy hmch

Y0“ When you're young and insecure. W¢ WI know some slack. You get a bit older and you should and Still‘! better. You have a mid-youth crisis. sell out

.

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“Realise junk doesn't make people happy. Collecting records and shirts, or ‘years ofbeing straight edge’ or years of being vegan‘ doesn't mean shit You don't

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skills O1’ merits. want to do. Believe iii [macaw

Extra playlrst music: Not Afraid, Noose, Pain Runs Deep, Razor Fade, Harbour, Wiretap, 33, Granes, Poison Planet, Thought Crusade, Band of Mercy, Foundation, Times Together The Rival Mob, Bays,

5

need to let that shit go. Sell your shit. Start again.

I use your fuckin' ego and make some new friends. I tlon't want to be partofaveganstraightedgehermits club or some ‘do you remember when...’ circle-jerk. Why caiftyoujustbeahardcorekidwhocomeato :Illl!WS and moshea it up like you used t07_.- .

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""3XP¢fienca are what count. Bemg‘ 18 yearsoold, X sl°k¢ l0_L0ndon to see your '- lil1v::r?,,d:.:'m3 hm ,m,m 8.!“ °d8°. "‘““'» $'"f°- Mivins at a _ .'; R _k ‘gay 3¢l'VlOC.8IL|0l1‘ along the way and seeing Odney Outside lhetl’ tour VIII smoking "~ ‘ '%".'°“°‘~ T'""= soon count for ooiheuiihg. _

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Back On The Bins ws wntten by Max Mitchell and is licensed under a Creative Commons Attnbutior NolCol|lerelal-Sh:-eA|ikn 3.0 Unported License. Look it up online. You can: translate it, re-print and sell at-cost copies, use pages/extracts in your own zine, put it online, etc. Gotta keep the original attribution. Email for trades, em: haeinltheblaa@gmalLeo|n

'DmnkstoDIX8$-5‘°°l‘5g Danschlmd-DominikElbe:'slnr¢_ mm ghoul this zine since 2008. Seriously.

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Back On The Bins ws wntten by Max Mitchell and is licensed under a Creative Commons Attnbutior NolCol|lerelal-Sh:-eA|ikn 3.0 Unported License. Look it up online. You can: translate it, re-print and sell at-cost copies, use pages/extracts in your own zine, put it online, etc. Gotta keep the original attribution. Email for trades, em: haeinltheblaa@gmalLeo|n

'DmnkstoDIX8$-5‘°°l‘5g Danschlmd-DominikElbe:'slnr¢_ mm ghoul this zine since 2008. Seriously.

Stlddailythetekaoommotionl lomeactlmbagzomoutsidetryingtostealthe l>a\etmoney.'I‘helIandstopa.'l‘w0ofthethngs Whip0utAK-47a'0m\mdettheirjackdsand8!lfl 8|I‘Iyingthekid.a,thewindowaandtbebar.Glls8

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Leave me alone now, Pl¢l§¢- I)

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