City Hub 31 July 2014

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July 31, 2014

FREE Sydney’s Vote For ice onal Serv Best Pers

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a deadly blow Luke Carroll on the loss of The Deadly Awards

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Deadly loss to hit young generations hardest our community and that is the most important thing of all,” she said.

“It was the one night of the year every Indigenous Australian got to hear about their heroes and role models in their community and feel they have something to aspire to.”

Ms Purcell also expressed concern that the young Indigenous population would suffer most from the loss of the Deadlys.

“Gavin’s goal was to promote positivity for young Indigenous people and I can’t tell you how much that helped the kids who read the magazine and who

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ABN 48 135 222 169 Group Publisher: Lawrence Gibbons Group Manager: Chris Peken Group Editor: Lucia Osborne-Crowley City Hub Editor: Joshua Tassell Contributors: Emily Contador-Kelsall, Elliott Brennan, Christopher Harris, Edmund Kirkwood, Melody Teh Arts Editor: Leigh Livingstone Live Music Editors: Chelsea Deeley & Alexandra English Dining Editor: Jackie McMillan Advertising Managers: Toni Martelli, Robert Tuitama, George Tinnyunt & Mike Contos Design: Joanna Grace Cover: Chris Peken - Luke Carroll Email: question@alternativemediagroup.com Advertising: sales@alternativemediagroup.com Contact: PO Box 843 Broadway 2007 Ph: 9212 5677 Fax: 9212 5633 Web: altmedia.net.au

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dreamed of growing up to attend the Deadlys one day.”

“They’ve ripped the heart out of a lot of young people by the loss of this company.”

Candice Lorrae, member of pop group The Merindas and nominee for Most Promising New Talent in Music, also said she used the Deadly Awards as her major musical milestone when she was growing up.

“As a young musician the Deadly Awards were always my motivation to make bigger plans.”

“We can’t keep taking away things our Indigenous

Leah Purcell in Redfern Now

kids look forward to.”

Ms Lorrae said that because The Merindas did not win the Deadly they were nominated for last year, they had spent the last twelve months working to ensure they could win in September.

Mr Carroll expressed his disappointment in the loss of other Deadly Vibe projects, such as the 3on3 basketball and hip hop tournament, which have also been cancelled due to funding cuts.

“3on3 travels all around the country, targeting children in remote areas who don’t have many resources.”

“We gave these kids something to look forward to each and every year and I very am concerned about the disappointment these kids will feel now it has been cancelled.”

Ms Lorrae told City Hub that she considered these Deadly Vibe workshops to be the best memories of her high school life.

Inspiring young members of the Indigenous community was among Mr Jones’ highest priorities.

In his last editorial for Deadly Vibe magazine, he wrote: “Overly negative media was the reason why we started Deadly Vibe magazine. To put something positive in the hands of our young people...

Something our young people can get excited about, and be justifiably proud.”

Both Mr Carroll and Ms Purcell were hopeful the project will be reinstated.

“I believe in people power and I know something good can come of this,” said Ms Purcell.

“Hopefully, with community support, we can fund the project ourselves and not have to rely on the government to save the Deadlys,” said Mr Carroll.

“It is just too important to lose. We have the oldest living culture in the world here and every Australian should be proud of that.”

“We will not be defeated by budget cuts,” said Ms Purcell.

Anti-racism campaigners outnumber Anti-Ramadan protest

BY Elliott Brennan Shoppers arriving at Marrickville Woolworths on Saturday morning (July 26) were confronted with road closures and scenes of protest in the place of the celebratory Ramadan signs they had been hanging in the store for most of June and July.

Members of the Party for Freedom organised the rally in response to the signage around the Wooloworths aisles which read ‘Happy Ramadan,’ but with only ten participants, were outnumbered nearly six to one by counterprotestors from various groups who took offence to their ‘Anti-Ramadan’ protest.

Police closed the Renwick Street exist from Illawarra Road and had a visibly strong presence which was bolstered by Woolworths Security staff.

The two groups clashed on first sight with the counter-protestors forcibly taking possession of the Freedom Party’s signage and destroying it.

As this was happening customers leaving Woolworths reported to have seen several female Muslim staff members moving quickly to the back of the store and in to a lockable room.

Police broke up the conflict after about 30 seconds and momentarily detained one of the counterprotestors before banishing him to the back of the group.

The Party for Freedom stated “Woolworths’ appeasement of radical Islam is a slap in the face of the Australian shopper”.

Valerie Feigen, a local resident who joined the rally after meeting a counter-protestor, said: “Supermarkets have Easter promotions and people only complain that they’re too early.

When it’s Ramadan, they complain about terrorism.”

“We are quite a diverse population in Marrickville, so when they asked me to support them, I had to. I even brought my husband and my child.”

Woolworth’s had previously defended the decision to celebrate the holy Muslim month of Ramadan in 239 stores across Australia, but the Marrickville signs were not displayed on the day.

“By taking the signs down it makes it look as though Woolworths were actually wrong to put them up in the first place. It’s very disappointing,” said a Student Union protestor from the University of Sydney who preferred to remain nameless.

The store managers were unwilling to comment on any issues surrounding the rally.

The two groups shouted slogans back and forth for half an hour before Police disbanded the Party for Freedom protestors and asked them to leave the site to the applause

of the counter-protestors and locals.

“When I looked at them I saw a group of people wrapped in Australian flags, holding poorly worded signs talking about a society that doesn’t exist. Nobody is interested in that racism,” said Marrickville resident Sam Russell.

The counter-protestors then marched to the Australia First Party Headquarters in Tempe where the far-right party was holding a meeting.

A megaphone was passed around to community members who shouted their opposition to the

Party’s staunch views.

A fight broke out between a group of more radical masked members of the counter-protestors and an Australia First Party sympathiser, which lead to one person being arrested and charged with affray – a serious offence pertaining to the instigation of riotous behaviour.

The Student Union spokesperson didn’t believe this was representative of the action on the whole.

“We went there today to show them that the community of Marrickville, the Inner West and Australia don’t feel the way that they do. We are happy for Woolworths to wish people a happy Ramadan – and we do too.”

Photo: Elliott Brennan

BY Lucia Osborne-Crowley The 2014 Deadly Awards, which would have celebrated the Awards’ 20th anniversary, have been cancelled following cuts to the ceremony’s federal funding.

The Deadly Awards were the biggest and most conspicuous project of Deadly Vibe, a magazine and media organisation founded with the purpose of creating a positive space for Indigenous Australians.

Following the news of the steep cuts to the Awards’ government funding , Deadly Vibe founder Gavin Jones passed away on July 12 at the age of 47.

Luke Carroll, male lead in TV hit Redfern Now and host of the Deadly Awards in 2013, said the cancellation of the Deadlys will prove to be the greatest loss not for the participants, hosts or winners of Deadly Awards, but the children who grow up dreaming of winning one.

“There are so many kids in the communities I have travelled to who dream of winning a Deadly award one day,” he said.

“I really feel for those younger generations who will never get that chance.”

Mr Carroll told City Hub the idea of winning a Deadly was what inspired him as a young Indigenous actor.

“I will never forget my first Deadly nomination (in 2002). I didn’t win that year but I was determined to win it one day and that’s what pushed me forwards.”

“I was lucky enough to win one in 2009 and it is still the best moment of my career.”

When asked where his Deadly Award sits now, Mr Carroll said he gave it to his mother and it now has pride of place on her mantelpiece.

Acclaimed Australian actress and star of Redfern Now Leah Purcell also told City Hub she dreamed of winning a Deadly early on in her career.

“I have always considered winning a Deadly to be the very highest honour. It allows us to dream of being acknowledged by our peers and supported by

Anti-Ramadan (foreground) & Anti-Racism (background) protestors

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City commences action on illegal boarding house

Six beds concealed by a black curtain in the living room of the Quarry St property, July 30

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BY Lucia Osborne-Crowley City Hub has learned the City of Sydney council has issued an emergency evacuation order to the owner of the property at Quarry Street in Ultimo. The property has been the subject of a series of media reports regarding illegally overcrowded accommodation for international students and backpackers.

City Hub understands council will also pursue an injunction through the NSW Land and Environment Court to ensure the property does not reopen as an illegal boarding house.

The property was evacuated once before, in May of this year, but was reported by City Hub to be operational again by July.

A City of Sydney spokesperson confirmed action had been taken to evacuate the property.

“On Friday 25 July, an emergency order requiring the evacuation of all occupants was served on the property owners with a deadline of 29 July.”

“City staff executed a further search warrant when they returned to inspect the property yesterday with officers from the NSW Police Force and found the owners had not complied with the order.”

“The City has also sought a Land and Environment Court injunction to prevent this unauthorised use continuing at the premises which is listed for 8 August.”

City Hub visited the property on July 30, however, to find it still inhabited. It appeared the evacuation had not taken place.

A current tenant confirmed she was still living in the property, along with 40 others.

One tenant was in the process of moving in to the property while the City Hub reporter

was conducting an inspection.

A tenant confirmed they were aware of a council eviction notice but said they did not plan on leaving.

The tenant also said they knew from previous evictions it would not be permanent.

Councillor Edward Mandla said the City should have taken this action much earlier.

“Council has had the power to do this the whole time, the only reason they didn’t do anything is because it was just too hard,” he said.

“The City has only decided to take action on this property because they have received so much bad press surrounding it.”

The City of Sydney council has also petitioned the NSW Government to amend relevant legislation in order to provide greater powers for local councils to police instances of overcrowding.

Cr Mandla said he said this was undertaken in the interest of assuring the public that council was taking the issue seriously.

“Petitioning the state government for more powers is just a way to show they are taking action. They already have all the powers they need,” he said.

Another issue with this approach raised by Cr Mandla is that the legislative amendments required will only better enable council to inspect the properties themselves and therefore target tenants rather than operators.

“We don’t need to bother the tenants, they are the ones being exploited. We need to target the rogue operators. Even if stronger legislation is put in place, these rogue operators won’t be any more likely to abide by the law. It’s just more red tape.”

Councillor Christine Forster separately argued that action against this practice needs to target operators first and foremost.

“We need to be proactive. These illegal operators seem to be routinely advertising on sites like Gumtree, so why don’t we start to monitor these sites for suspicious looking ads and try and identify them that way?”

City Hub reported last week that emergency evacuations of overcrowded properties followed by injunctions through the NSW Land and Environment Court have been effective in targeting this problem in the Waverly Council area, according to councillors.

This week’s developments follow a series of criticisms by councillors such as Jenny Green, Christine Forster and Edward Mandla, who argue that appropriate action had not been taken by the City or the NSW Government to shut down overcrowded international student accommodation.

“The blame game must stop and action must be taken quickly to have legislative support for all agencies to use to ensure safety of all people residing or working in any of these establishments”, said Cr Green.

“The City of Sydney has said it won’t tolerate businesses putting profits ahead of people’s safety, and will increase inspections and, where possible, prosecutions. But in the next breath it insists it does not have any power to enter private property and perform on-the-spot inspections,” said Cr Forster.

“The City of Sydney is committed to the safety of our visitors... I urge the NSW Government to introduce legislative reform to address this problem which is faced by Local Governments across the state,” said Lord Mayor Clover Moore.

Bays Precinct threatens Glebe Island Bridge

BY Elliott Brennan

By Elliott Brennan Community action groups are concerned the Glebe Island Bridge is set to be the first victim of the New South Wales Government’s redevelopment of the Bays Precinct.

Premier Mike Baird described the 80 square kilometre precinct as an ‘urban wasteland’ and stressed the need to redevelop the area. Mr Baird also mentioned to the heritage status of the White Bay Powerhouse, but did not comment on the similarly listed Glebe Island Bridge.

“Unhappily, nothing is set in concrete and there have been no guarantees,” said Elizabeth Simpson-Booker, the Convener of the Heritage Subcommittee of the Glebe Society.

The Glebe Island Bridge along with its sister bridge in Pyrmont are the only functional examples of an early type of electric swing bridge that were a global talking point when their construction was completed in 1903.

The last 35 years for the Glebe Island Bridge have been tumultuous with attempts to have it removed in the 1980s and its closure when the Anzac Bridge assumed its official role in 1995.

In 2012 TfNSW commissioned a cost/benefit analysis of the 110 year old bridge which was undertaken by ACIL Allen Consulting and released in September 2013.

The report noted that the future of the bridge would have “significant implications for the Bays Precinct Area redevelopments”.

After exploring the shortlisted options of restoration, replacement, and destruction, the conclusion was reached that the most viable course of action was to completely remove the bridge in order to avoid a suggested $75.9 million dollars’ worth of savings over a 30 year period and that the monetary savings would outweigh the heritage benefits.

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But only two months later as a result of efforts from The City of Sydney, The National Trust, and the Glebe Society, the Glebe Island Bridge was added to the State Heritage Registry and came under the protection of the Heritage act of 1977, presumably rendering the removal of the bridge impossible.

“Listing on the State Heritage Register means that approval from the Heritage Council of NSW is required for any major work,” said a spokesperson for the Office of Environment and Heritage.

UrbanGrowth NSW, the organisation in charge of the Bays precinct developments, has made no indication of the plans for the bridge since before it was placed on the State Registry.

“The State Heritage Register offers the highest level of protection, but there is also a mechanism

to remove items,” said Simpson-Booker.

The mechanism that Simpson-Booker is worried about is Section 38 (i) of the Heritage Act of 1977, which states that the Minister for Heritage, Robert Stokes MP, can “direct the removal of a listing from the State Registry if the listing renders the item incapable of reasonable or economic use”.

Whether or not Robert Stokes MP will use the economic disadvantage clause to see the bridge removed remains unknown.

It is this lack of confirmation that will see the bridge as one of the items high on the agenda when the Glebe Society meet on August 4th to discuss the proceedings in the Bays Precinct.

TfNSW was approach for comment on the issue but did not respond before publication.

The Glebe Island Bridge

news in brief

Scots College conciliation breakdown

BY Christopher Harris

Conciliation proceedings between Woollahra Council and The Scots College broke down last week in the NSW Land and Environment Court.

Scots College had appealed Woollahra Council’s decision to refuse a Section 96 application lodged by the school.

The motion to reject the school’s application was carried 9 votes to 3 in June.

Following the refusal, the school has launched two separate actions in the NSW Land and Environment Court against the council.

One action will appeal council’s decision to refuse the change of a dwelling to a kindergarten, and the other modifies the cap on student numbers from 1120 to 1470.

In its original refusal, council cited the lack of an updated traffic management plan and an updated master plan for the school.

Council asked the school to regularise its student numbers after community group Concerned Scots Neighbours said the school was in breach of its cap.

The school has maintained it was never in breach of its cap. In May this year, principle Ian Lambert wrote: “The difference of 350 students occurred when we added into the cap the students that were already a part of the Victoria Road campus and were currently not capped!”

Mr. Lambert also described the confusion as being perpetuated by Concerned Scots Neighbours.

“The action group has engaged in a campaign designed to call the integrity of the College, its staff and our community into question as they attempt to prosecute their argument in front of Woollahra Council.”

Sam Goldman, member of the Concerned Scots Group had said they had launched their own action in the Land and Environment Court, but that had been nullified because of the dispute emerging from the school’s attempt to modify their DA.

BY Melody Teh Leichhardt Council’s Balmain Ward by-election will be held this Saturday (August 2). Four candidates are looking to win the seat including Liberal candidate Michael Manikas, Labor candidate Aaron Di Pietro, Green’s Derek Bolton and Independent John Stamolis.

The by-election was called to fill the seat of Liberal Councillor Melinda Manikas who passed away earlier this year.

With the current Council having been equally represented by four councillors each from the Greens, Labor, and Liberal, the outcome of the upcoming by-election could potentially change the dynamics in council.

Liberal Councillor John Jobling believes the balance should be maintained.

“In the last election, the electors voted to have a certain mixture and I think, at least for the rest of this term of the campaign, we should maintain that balance,” he said.

Greens Councillor Craig Channells said while the by-election will have some effect, it is important not to overstate it.

“Even if a Green was elected, there still isn’t a big majority…just the mathematics of that, no party will have a clear majority still.”

Labor Councillor Simon Emsley said the “most significant thing about it is an additional councillor will be able to represent that area.

Whoever it is, I think that will be a positive thing.”

Councillor Manikas’ husband, Michael Manikas, is running to fill the position his wife held on council. Mr Manikas said he’d always wanted to run, but the timing had been wrong.

“This is not something I’m just doing for my wife’s legacy, but it is something I’m doing out of respect for my wife to try and continue the work she didn’t get a chance to do,” he said.

With a background in cost cntrol and management, Mr Manikas said: “I want to ensure the spending in Council is brought under control

and not spent on reckless projects.

We focus on the core issues that everyone is concerned about which is the essential stuff like roads, footpaths and parks”.

As the youngest candidate at 29, Labor’s Aaron Di Pietro believes he can bring a fresh perspective and a new level of energy from a different generation to the council.

The dwindling vibrancy of Balmain’s Darling Street is one of the main reasons Mr Di Pietro put his hand up for election.

“I’ve spoken to a lot of people that feel the shops they need to go to as part of their daily life aren’t on Darling Street anymore,” he said.

Balmain’s Darling Street will be one of the focus areas of the by election

Eastern suburbs pubs promote domestic violence awareness

BY Emily Contador-Kelsall The NSW police and Australia Hotels Association [AHA] are hoping to challenge stigmas associated with domestic violence through a new awareness campaign that has been launched in pubs across NSW this week.

The NSW Police force and the AHA have launched a new domestic violence awareness campaign aimed at bringing discussion around domestic violence out from behind closed doors and moving towards breaking harmful taboos and stigmas.

A range of domestic violence themed drink coasters and electronic posters have been distributed to hotels, bars and pubs across the state in a bid to encourage people to engage in a public conversation and remember domestic violence is a community issue that should not be hidden.

Rebecca Ackland, Eastern Suburbs Liquor Accord and manager at Ravesis Hotel in Bondi Beach said the coasters were a great way to generate conversations between friends while having a drink.

“I believe they are quite powerful and should instigate some meaningful discussions.”

Eastern Suburbs venues including the Beach Road Hotel, Tea Gardens Hotel and the Eastern Hotel have

received the campaign coasters.

The campaign and coasters were designed to spark discussions, which would challenge harmful values, attitudes and beliefs surrounding domestic violence that can cause embarrassment to victims, prohibiting the reporting of incidents.

Police and Emergency Services Minister Stuart Ayres said something as simple as a coaster is often exactly, what it takes to generate a discussion amongst hotel patrons.

“Domestic violence can no longer be a taboo. We want people talking about it, whether it’s at a restaurant, bar or a pub – domestic violence is not on.”

Ravesi’s Hotel, Bondi Beach

“Speaking up, discussing and reporting domestic violence is critical to reducing its impact in our communities.”

Eastern Suburbs Resident and pub worker Matt Fitzgerald said domestic violence was such an uncomfortable issue for men that the only way they might talk about it openly would be in a casual pub environment.

At the launch of the campaign, Mr Ayres and Assistant Commissioner Mark Murdoch said men in particular were a target of the campaign.

“We want particularly men to be able to discuss the issues that face them in their family homes on a daily basis and these

Cartoon: Peter Berner

Balmain by-election could shake up council balance “It would be good for council to try and engage with locals to get a better idea of what they would like to see and give them a bit more of a reason to take some pride in the local shopping area.”

Green’s candidate Derek Bolton said he’s fighting to ensure council is open, transparent and accountable.

He has been worried with some of council’s decisions that stymie resident’s voices and community consultation.

“Labor and Liberal councillors have made a move to take the development approvals out of open council and put them into closed doors of a panel of experts. That’s the sort of thing that really concerns me, this sort of gradual removal of power from the citizens,” he said.

John Stamolis, who was an Independent councillor from 2008-2012, is running to bring a community voice back to the Council.

He said the make up of the council, comprised entirely of political parties, is “completely unhealthy and is fundamentally wrong at the local level”.

He believes local council needs local community voices, not political ones.

“The average member in our community is just as smart as anybody on a political party and we can contribute very strongly to outcomes for the people,” he said.. coasters are designed to start those conversations,” said Mr Ayres AHA NSW Director of Policing and Regulation John Green said whilst assaults in and around licensed premises were at their lowest levels in over 15 years, incidences of domestic violence in communities remain high and AHA were proud to partner with NSW police to bring attention to this issue.

“Even though domestic violence mostly occurs in the home, if campaigns like this one can help to reduce incidences of assault and violence, AHA NSW is proud to support police for a safer community.”

Mr Ayres said the combination of alcohol and domestic violence was something NSW police and AHA were aware of, “We know that in one in three cases of domestic violence alcohol is a contributing factor, so I think it is a wise move for us to put these important messages into our pubs across NSW.” More than 600,000 coasters have been printed and distributed across the state and electronic posters have been displayed on digital signboards within hotels.

Rebecca Ackland, who was also responsible for distributing coasters within the Eastern Suburbs Accord, said licensing police supplied her with two packages of coasters per hotel that would be used at venues until they run out.

MEET THE LOCALS

Swamji comes to Sydney Mahamandaleshwar Swami Shankarananda (Swamiji) is a literature professor turned meditation and yoga teacher who has opened ashrams in Australia and the United States and given lectures on meditation and spirituality all across the world.Swamiji is coming to Sydney this weekend (August 2-3) to hold meditation class at the Menzies Hotel on Carrington Street, Sydney.

Saturday’s session,

7.30pm-9.30pm, will be free of charge.

Saturday 2 August, 7.30pm9.30pm – Satsang program (FREE), The Exhibition Room, The Menzies Hotel, 14 Carrington St, Sydney.

Sunday 3 August, 10am – 5.30pm – Meditation Intensive, The Exhibition Room, The Menzies Hotel, 14 Carrington St, Sydney, Cost: $195/$165 Concession & Yoga Australia members

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Airline atrocities? Let’s talk about Iran Air 655

By Nick Possum The Federal Police must be earning a heap of overtime these days. Not so many weeks back, Abbott had a bunch of them rushed to Christmas Island in anticipation of 157 pathetic Tamil asylum seekers being, perhaps, landed there. In the event, Scott Morrison decided to incarcerate the asylum seekers aboard a customs vessel headed for Sri Lanka, or maybe India, a dumb and nasty plan aborted by the likelihood of defeat in the High Court, and the asylum seekers are now on the Australian mainland, awaiting developments.

Ah well, I guess rushing the Feds, pointlessly, to Christmas Island, was in the wash-up a benign and unintended economic stimulus to the airline industry, and the cops could use the OT. The same can’t be said of Abbott’s preposterously bellicose response to the MH17 shoot-down. With a great beating of drums, the Feds get rushed to Ukraine. Precisely what role our cops – pathetically armed with pistols – and a protection detail of ADF personnel with rifles – might usefully play there, other than to promote Abbott’s career, is difficult to imagine.

Even more preposterously, some

commentators – who resembles nothing so much as those monkeys that live by picking through elephant dung to find an edible seed or two – are arguing that Abbott and Bishop have acted in a world-class, statesman-like, manner.

The MH17 crash site is surrounded by a raging civil war that isn’t going to go away – in fact, it’s more likely to escalate. Our guys and girls will likely never get closer to it than Kiev.

By now, virtually all the bodies that could be found will have been found. There will already be any number of forensic pathologists on hand to pronounce that the victims died violently. The black box has been handed over. It will likely reveal nothing more than that one moment the crew were chatting about what might have happened to MH370 and the next moment somebody said “Shi ...” and all systems stopped functioning.

This time, there is no great mystery to be investigated. This is an accident of war for Christ’s sake. Horrible tragedies happen to civilians in wars and this time, Australians are unfortunately among the dead. Malaysian Airlines, in order to save fuel, irresponsibly overflew a war zone where several Ukrainian military aircraft had been shot down in preceding weeks. On the ground, a rebel soldier – probably ill-trained – sitting at the controls of a SAM missile, mistakenly decided MH17 was a Ukrainian military intruder and pushed the button. There is no controversy about that.

So let’s talk about the last time the yanks shot down a civilian airliner. Let’s talk about Iran Air flight 655.

On 3 July 1988, the US Navy’s high-tech guider missile cruiser Vincennes, operating illegally in Ianian territorial waters, shot down IR655, an Airbus A300, killing all 290 souls aboard. This followed a risible incident between

an Iranian patrol boat and a US Navy helicopter in which there were no casualties.

IR655 was flying at about 14,000 feet on a scheduled flight from Bandar Abbas in Iran to Dubai. The airliner was transmitting the correct civilian identification code and maintaining radio contact – in English – with the appropriate air traffic control facilities. The highly-trained US Navy fire control personnel lied, outrageously claiming that the airliner’s transponder had been transmitting in military mode, a claim that was easily disproved.

George Bush the Elder, at the time vice president in Ronald Regan’s administration, defended the US at the United Nations by arguing that the attack had been a wartime incident and that the crew of the Vincennes had acted “appropriately” in the situation, which was, of course, a lie, and George W. Bush knew it, as he spoke. The Russians are no more likely to

give up their missile operators to international “justice” now than the yanks were willing to give up their sailors back then.

The US government never formally apologised to Iran or admitted legal liability. But eight years after the shoot-down, the US and Iran reached a settlement at the International Court of Justice which included the statement “...the United States recognized the aerial incident of 3 July 1988 as a terrible human tragedy and expressed deep regret over the loss of lives caused by the incident...”. As part of the settlement, the United States agreed to pay on an ex gratia basis US$61.8 million, amounting to $213,000 per passenger, in compensation to the families of the Iranian victims.

Iran Air still uses flight number IR655 on the Tehran–Dubai route as a memorial.

Iran Air Flight 655 was shot down, in an accident of war, by US navy personnel more highly-trained, and in more inexcusable circumstances than the Ukrainian rebels who downed MH17.

Sound art scores in Performance Space festival

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musical sound artist in that I do use melody and rhythms.”

That is not to say, however, that all sound art contains the building blocks of what we consider to be traditional music – recognisable time signatures, melody, chord progressions, and rhythm. In fact, often it contains just the opposite. Priest exemplifies this by bringing up the case of John Cage, whose art and approach to the act of creation is the inspiration behind One Thing Follows Another...

“John Cage was an American who opened up the idea that any sound could be music,” Priest explains.

“He opened up the palate. Where people expected instruments, he said the static on the radio could be made into composition, or the sounds outside your window. He really blew apart people’s expectations and that had influence in Australia.”

One Thing Follows Another... makes use of one of Cage’s artistic manifestos, which suggests that: “Anything can follow anything else providing nothing is Photo: Heidrun Lohr

By siri williams You may think you’ve seen everything that Sydney’s festival scene has to offer – but according to Performance Space artistic director Jeff Khan, you haven’t seen anything like Score. “We were noticing a really amazing community of contemporary dancemakers in New South Wales, but no dedicated platform that celebrates them,” he explains. “We thought it would be interesting to bring them together with sound and music. Looking at the commonalities they share in terms of the way they score their works... that was the genesis of the idea.”

Score celebrates dance and sound art, and no, that’s not the same thing as music. “It’s a blurry line and the definition isn’t watertight,” admits Khan. “Sound artists are more interested in the particular composition in a traditional scoring system [and] in the textural or immersive quality of sound. They use sound almost like a material, like a sculptor would use plaster.”

Gail Priest is one of the contributing authors of Experimental Music: Audio Explorations in Australia and is also one of the forces behind a show being presented at Score entitled One Thing Follows Another... The show involves Priest’s sound art, combined with dance, a clock ticking down the time, and constant creation in a variety of mediums, some mundane and some magnificent, “all with the intention of enhancing the audience experience of time passing,” Kahn says.

Priest herself sees sound art as “more installation based,” and considers herself a sound artist, simply because she doesn’t feel comfortable calling herself a composer. “I came from laptop-based compositions and from being a singer-songwriter in the ‘90s. I say that I make sound because I want people to experience [sound] differently, and differ from what people expect – a melody that they can follow and a particular rhythm and sequence. I wouldn’t exactly call what we are doing sound art,” she goes on, “but I am doing sound based things that go with dance. I am quite a

‘One Thing Follows Another...’ by Gail Priest

taken as the basis.”

This exemplifies his idea that music – and therefore art – could be found in any sound, anywhere.

The show also draws inspiration from the Fluxus movement, which is often described as “anti-art and anti-commercialist”, emphasising artist-centred creative practice over market-based artistic creation, as well as the 1960s avant-garde movement, both of which saw sound art grow and develop.

The timeliness of Score’s emphasis on sound art is likely to resonate with audiences, as it seems that non-traditional creative methods are having something of a modern resurgence. Priest agrees that, in this digital age, creating music in new and innovative ways is becoming more prevalent. Just look at the rise of Skrillex, Flume, and their many contemporaries, hitting the ball out of the park on mainstream music charts.

“I suppose it’s just the way everyone makes music now, on laptops” she muses. “Even a pop vocalist will have production done on laptops. There used to be a whole genre of electronica that was purely laptop-based but now that bleeds into whole aspects of contemporary music making... those tools are so available now, and the software is infinitely cheaper. It’s like picking up a guitar for a lot of young people.”

Indeed, with sound art and alternative methods of music-making increasingly finding their way into the mainstream, audiences may leave Score finding themselves understanding the concept of creation – and of what constitutes dance or music – a little differently.

“I hope they’ll be inspired by the breadth and depth of sound and dance work in Australia,” says Khan, “and I hope that they’ll... really embrace this kind of risky work that they might not have felt comfortable with at the start. It is actually very accessible and open.”

(SW) Aug 1-Sep 7, Carriageworks, 245 Wilson St, Eveleigh, free-$35, (02) 8571 9111, performancespace.com.au/score

Who’s better Who’s best?

Help us choose Sydney’s best personal service

Last time we asked you to vote for your favourite Sydney restaurant; a decision not to be taken lightly, not only because food is a necessity, but also because there are so many worthy establishments in our fine city. This time we’re asking you to vote for your favourite place to go for life’s little luxuries.

ActivateFit Finding a gym is easy. But finding a gym you’re comfortable in is a little more challenging. ActivateFit understands that, and it’s why they promote a pressure free environment. If you just want to check out the facilities or ask a few questions, the staff at ActivateFit are more than happy to show you the ropes.

What you’ll find is something for everybody. If you’re after some motivation from your peers, there are a wide variety of group exercise classes including the classics like Body Pump and Body Attack. There’s also the latest innovative classes like Suspension, which utilises

Whether you need to stretch out and relax, have your beard trimmed, or expand your mind with a short course or hobby, Sydney has what you need. Those looking for a complete Sydney experience can’t look past our yoga centres, massage parlours, galleries, salons, and educational institutions – the services that feed your mind and soul, while making sure you look fabulous, of course.

Each of the following personal services listed here are run by passionate teams of Sydney-siders who want locals and visitors alike to get as much as they can out of the city. It’s the extra things that make living in Sydney so enjoyable, and when you put them right alongside our vibrant restaurant culture, it makes for an unbeatable combination, and an incredible city.

We’ve compiled the best of the best and now it’s up to you.Vote for Best Personal Service using the paper ballot, or go online to have your say.

Compiled by: Alexandra English & Melody Teh

your body weight as resistance in training. Classes are all led by fully trained instructors whose only goal is to motivate you on your fitness journey.

If you know what you want and how to get it, the state-of-the-art gym facilities will help you stay on track. Staff are always on hand to give expert advice on equipment, exercise programs and nutrition. At ActivateFit, it’s about making you excited to move a little faster, sweat a little more, and beat your personal best.

After all, ActivateFit helps you activate your life!

733 Harris St, Broadway, (02) 9514 2444, www.activatefit.com.au

Advanced Dental Services Whether you’re in need of a filling, a cleaning, or some new tooth bling (seriously, it’s a thing), Advanced Dental Services has got all the boxes ticked.

They know a trip to the dentist is not on anyone’s to-do list, so that’s why they’ve made the whole ‘scary’ experience as pleasant as possible.

As you enter their spacious foyer and relax into their plush lounges, you’ll realise you’re in good (rubber-gloved) hands. An experienced dental surgeon will attend to your dental needs and welcome any questions. After all, their first priority is your peace of mind and health, and that’s

been the case since Dr Saif Hayek started the practice many years ago. Dr Hayek and his team’s passion for aesthetic excellence and expertise in all areas of general dental treatments, implants, teeth straightening and cosmetic treatments makes them one of the most comprehensive dental practices in Sydney.

One of the oft-repeated sayings in the practice is “prevention is better than cure”, and that holds true at Advanced Dental Services, because they ensure good dental habits so you’ll always have a smile you’re proud of!

Suite 5, 201 New South Head Rd, Edgecliff, (02) 9328 1423 www.advancedDentalservices.com.au

Australian Pacific College

Australian Film Television and Radio School (AFTRS) The film and broadcast industry is notoriously difficult to break into, especially in Sydney. That’s why the Australian Film Television and Radio School (AFTRS) wants to equip as many people with the tools to succeed in the tough game called showbiz.

AFTRS has world-class facilities, Australia’s best industry practitioners leading you the way, and dynamic courses to suit all your creative desires.

From the basic groundings of the art form to more specialised courses to refine and perfect skills, whether it be cinematography, editing or screen writing, classes at AFTRS are ones you’ll never

want to miss. They’ve also introduced a brand new degree for next year, the Bachelor of Arts in Screen, which will be the most comprehensive screen degree in the world, ensuring the next generation will be prepared in the everchanging, fast-paced frenzy of the media landscape.

With over 34 years in screen and broadcast excellence, it’s no wonder AFTRS has been ranked in the Top 20 Films Schools in the world as voted by Hollywood Reporter, a feat not easily achieved. They’ve also produced some of the greats of Australian cinematic history such as Jane Campion, Phillip Noyce and Gillian Armstrong. Those are good footsteps to follow...

Building 130, The Entertainment Quarter, Moore Park, Sydney, 1300 13 14 61 or (02) 9805 6611, www.aftrs.edu.au

As Oscar Wilde said, “You can never be overdressed or overeducated.”

That’s valuable advice, especially for non-English speaking students who are studying in Australia for the first time.

These students are looking for a wealth of experiences and skills that can improve their time in the country, expand their knowledge of the world, and give them the ability to communicate easily and efficiently. This is where the Australian Pacific College (APC) comes in. The college is an Australian Government registered organisation that offers English Language Intensive Courses to Overseas Students (ELICOS) and a National English Language Teaching Accreditation Scheme (NEAS).

English courses are available for people

Chops ‘n’ Charlie If you’ve ever stepped outside your house, you would have, at some point, seen a beard. And if you’re particularly astute, you will have noticed that beards are making somewhat of a comeback for men between the ages of 23 and 30. This was an age bracket that, a few moons ago, was sans beard. Now the hirsute men are everywhere, sporting their designer beards like it’s nobody’s business but theirs’ and their barber’s.

Cue Chops ‘n’ Charlie, an awardwinning, old school barbershop of the contemporary kind in Darlinghurst. They specialise in cutthroat shaves, greasers, pompadours, waterfalls, and side parts,

Australian Pacific Travel & Tourism Getting bitten by the travel bug is a serious condition: first there are the itchy feet, followed by an irresistible urge to explore the world; being able to stay in one place for a long period of time quickly becomes completely impossible, and at night you dream of being paid to travel.

Australian Pacific Travel & Tourism (APTT) College is committed to helping people turn this dream into reality. The Registered Training Organisation (RTO) offers a range of education programs that have been designed specifically with the Australian Travel and Tourism market in mind. Local and international students are guided through the entire process from the first time they glance at the

course outline, to gaining employment in the travel industry. As a bonus, there’s a job guarantee for local students within six months on completion of their qualification.

APTT can help students put their lessons into practice with a range of traineeships and work experience programs.

Mandatory work placement is arranged by the college and provides students with the opportunity to gain important vocational experience.

International students can also benefit from the college’s online information section about living in Sydney which details all the need-to-know information like living costs, student visas, transport, and banking.

100 Ebley Street, Bondi Junction, (02) 9387 4230, www.aptt.edu.au

of all skill levels, from beginners to intermediate, and advanced, where students are encouraged to speak, understand, read, and write English in a variety of scenarios. With campuses situated in the bustling CBD, Bondi Junction, and Manly Beach, APC is a place where learning coincides with living. On the doorstop of each campus is a plethora of shops, cafés, and local services where students can make the most of studying abroad while learning valuable skills.

English speaking students and residents have not been forgotten, with a range of vocational certificate and diploma courses on offer as well. These include business, marketing, management, information technology, tourism, hospitality and tesol.

189 Kent Street, Sydney, (02) 9251 7000, www.apc.edu.au

and strongly believe that these are not haircuts, they are lifestyles.

The barbers here are committed to a war against beard crimes, like having it round off near the neck, rather than angled to accentuate the jaw line. They can help you avoid the ill-fated optical illusion of a double chin.

Beardacious babes are invited to visit the barbershop for a trim, or even advice on how to avoid sheer beardemonium when it comes to growing out their facial hair for the first time. These barbers aren’t opposed to lopping the whole thing off and even won Best Wet Shave in the Best of Sydney 2013 Awards.

6 Stanley Street, Darlinghurst, (02) 8065 9910, www.chopsncharlie.com

City East Community College This is not your average college, the reasons for which are threefold. One: City East Community College is a nonprofit organisation; two: the courses on offer change every year; and three: the average student is between the ages of 25-39, tertiary educated, worldly, and passionate about furthering their education. The college also caters for school leavers and seniors – anyone on the path of self-improvement. There are over 20 learning venues in Sydney where students can undertake courses in Arts, Communication, Business, Graphic Design, Lifestyle and Languages, to name just a few. The tutors are passionate about adult learning and

Kundalini Yoga Collective

believe education to be “a collaboration between teacher and student”.

98 Bondi Road, Bondi Junction (02) 9387 7400, www.cityeastcc.com.au

Offering a tranquil, supportive and unique space, Kundalini Yoga Collective is Australia’s first not-for-profit yoga organisation that was established by the community, for the community. The Collective provides a sanctuary from stress where people can bend and pose their way to increased health and wellbeing. The mission here is to bring students and yoga teachers together to spread the word about Kundalini yoga.

People of all experience levels – from beginners to downward dog devotees – can reap the benefits of improved strength, flexibility, and muscle tone, with a more stress-free existence. The studio space can also be hired for workshops, photo shoots, and art exhibitions.

199-201 King St Newtown, 0418 884 624, www.kundaliniyogacollective.org.au

Get Nailed Get Nailed will give you much more than a standard mani/pedi. They’re about creating unique and eye-catching 3D nail art. Yes, nail art is a thing. When you catch a glimpse of the designs created by owner and nail artist Elise Archer, you’ll soon realise she’s taken things to the next level. Elise treats each nail like a tiny canvas where she lovingly creates a mini masterpiece with techniques of marbling, embellishments, jewels and glitter just to name a few.

All designs are a unique piece of work making a nail session with Elise a highly

individualised experience. She’s there to cater to your needs, whether you’re after the crazy and ‘out there’ or the simple and refined. Either way, what you can be assured of is nail art that reflects a bit of your personality. As Elise says, nail art is a statement: it’s subtle, but unmistakable.

What Elise offers at Get Nailed is a unique experience even in the bustling metropolis of Sydney where nail salons are aplenty. Elise’s skill and ability to bring you wearable nail art is a service hard to find and one you won’t forget.

By appointment only, based in Redfern., 0413 723 205, www.getnailedau.tumblr.com

You can vote one of three ways: 1) go to www.bestofsydney.com and click “vote now”

3) fill in the ballot here and post it to BEST OF SYDNEY, PO BOX 843 Broadway NSW 2007

2) email your nominations to: best@alternativemediagroup.com

Voting closes 06-11-2014. Winners in the BEST OF SYDNEY reader’s poll will appear 13-11-2014.

For more info visit: www.bestofsydney.info BEST PERSONAL SERVICES BALLOT ActivateFit

Australian Pacific College

Get Nailed

Advanced Dental Services

Australian Pacific Travel & Tourism

City East Community College

AFTRS

Chops ‘n’ Charlie

Kundalini Yoga Collective Mark an X next to the service you wish to vote for

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Post to: BEST OF SYDNEY, PO BOX 843 Broadway NSW 2007

EAT & DRINK

Paperplanes

By Alex Harmon It’s been two years since I visited PaperPlanes and like catching up with an old friend, things quickly fell back into place. The purple lighting, skateboard paraphernalia and Tokyo pop kitsch are all still there, and the menu remains largely unchanged. We munch $ - mains less than $15

$$ - mains between $15-$22

EASTERN SUBURBS Light Brigade Hotel At its heart, the Light Brigade is a sports bar.The classic pub menu here comes out of the La Scala On Jersey kitchen, and I suspect that now Chef Massimo Mele has bedded in his Italian sharing menu upstairs, we’ll see some movement down here. Now that’s not to say there’s anything wrong with a 250g Char-Grilled Rump Steak ($22), especially on Wednesday nights when they knock ten bucks off the price.

It sings against one of the best green peppercorn sauces I’ve tried in a pub.

Mushroom isn’t bad either, especially with a plump Chicken Breast Schnitzel ($19). Accompany them with toasty Matilda Bay’s Ruby Tuesday ($6.80/ schooner) or the 2012 Partisan

By Jackie McMillan on some Edamame with Chilli Salt ($6) a perfect match for the dizzyingly sweet cocktails: Tokyo Pop ($16) with popping candy for an extra sugar high and the Chee Chee Mule ($16), a cheeky lycheebased mule. Two perfectly formed Lettuce Cups ($5/ each) loaded with roasted duck go down a treat.

As does the Pork Belly Bun ($6.50), a standout dish and my hot tip for the next food craze – the humble bao. Cho Cho San may have made Japanese buns cool again, but you had it here first! Of course you cannot go wrong with sushi and the Teriyaki Chicken ($15) brings it home. If you really love it, grab some friends and share a skateboard deck’s worth of Sushi ($160/50 pieces). My old favourite, the Gyoza Panfried Dumplings ($16) with creamy lemon wasabi foam and crushed wasabi peas, stands the test of time, still with the high notes of drunken karaoke. It just goes to show, when you’re onto a good thing, why change?

Shop 15, 178 Campbell Parade, Bondi Beach (02) 9356 8393 paperplanesbondi.com Modern Japanese $-$$ $$$ - mains between $22-$30

‘Trenchcoat’ GSM ($44/bottle, $9/ glass).

2A Oxford Street,Woollahra (02) 9357 0888 lightbrigade.com.au Pub Bistro $ Luxe Woollahra Located in Queens Court, or as it appears to be, downtown Provence, the pink stone walls, al fresco dining and designer shops surrounding this café make you feel far from Sydney.

The café’s artisan baked goods are now a perfect side order to the new dinner menu of seasonal share plate specialties from Grilled Peppers ($12) with yuzu salt and creamy goats’ curd; to Scotch Eggs ($12) made with Italian pork sausage and quail eggs; to deliciously soft Miso Eggplant ($8) blanketed in crunchy kale. Match a fleshy tail of Grilled Lobster ($34)

$$$$ - mains over $30

dripping in saffron butter with a bottle of King Valley ‘Holly’s Garden’ Pinot Gris ($54) before finishing with a Tahini Biscuit Ice Cream Sandwich ($12).

Queens Court, 118 Queens Street Woollahra (02) 9363 8828 luxesydney.com.au Café, Modern Australian $$$ ROCKS & CBD Casa Ristorante Italiano “I’d come here for espresso martinis and the chocolate tart,” declares my dining companion at the end of our meal. She’s not wrong – the Sovereign Espresso Martini ($18) with Patrón XO Café and Grey Goose makes an affable post-meal companion for their standout Warm Chocolate Tart

Centennial Parklands Dining

By Alex Harmon What’s winter good for if it’s not for loosening the buckles and putting on some festive kilos? Having said that, Sydney isn’t a hibernating kind of city, we’d much rather go out and have home-cooked feasts prepared for us. That’s just what Trippas White Group is encouraging with the launch of Winterlicious menus across their iconic Sydney restaurants. We ($12). Old Smokey ($18) uniting Remy Martin VSOP Cognac and Ardbeg 10-year is a cut above what I’d expect to be drinking in Darling Harbour, at the site formerly known as Casa di Nico. For drinking snacks, pumpkin and smoked mozzarella Arancini ($16.90) eat better than most.You’ll also find wood-fire pizzas and a charry 400g Angus Bistecca Alla Fiorentina ($34.90) cooked on the bone and served with lovely rosemary potatoes.

42-48 The Promenade, King Street Wharf, Sydney (02) 9279 4115 lovecasa.com.au Italian, Pizza, Cocktails $$$-$$$$ The Spice Cellar This sunken cellar cleverly rolls everything you want from a small bar - food, wine and cocktails - in with a nightclub vibe. Fuel your miniclub adventure with a better than average bar food selection, from Tuna

checked out Centennial Parklands Dining, albeit on a rather sultry winter’s day, with sweet anticipation of a Sunday Roast. The Chef’s “Special” Roast ($65) (rotates weekly) comfortably serves 3-4 people on Sundays. We had the lamb – cooked to pink perfection and served with roasted potatoes, turnip, beetroot, carrots, onion and gravy. Matched with a Phillip Shaw merlot, it’s the kind of meal you need to schedule a nap after, especially if you’re going to start with a Ploughman’s Lunch ($23). It’s basically the prettiest tradie’s meal ever, with ham hock terrine, a cute jar of green tomato chutney, cheese, egg, apple salad and grilled sourdough. Or, if winter feels like wishful thinking, try the very fresh and summer-esque Poached Chicken Quinoa Salad ($22). But we do suggest a piece of the cosy winter dessert Pumpkin Pie ($15) served with cinnamon ice cream; because, even though it doesn’t snow, it doesn’t mean you can’t gain a winter coat.

Grand Drive, Centennial Park (02) 9380 9350 cpdining.com.au Modern Australian $$

Crudo ($15/3 pieces) dusted with fresh horseradish to freshly shucked Oysters ($8).Vegetarian dishes are well represented on the short menu, from baked feta-stuffed Filo Cigars ($9/4 piece) to golden slabs of Grilled Haloumi ($12/4 piece).The standout is a Warm Cauliflower Salad ($8) with chickpeas, parsley, tahini and black sesame seeds. Cocktails shine – perhaps a cleverly designed absinthe float on a gin and pink grapefruit-based Good Voodoo ($18) or Keep On Keeping On ($18) with banana-infused Tennessee whisky.

Basement, 58 Elizabeth Street, Sydney (02) 9223 5585 thespicecellar.com.au Cocktails, Bar Food $-$$ Ananas Bar & Brasserie Executive Chef Paul McGrath has populated the menu with dishes fitting of a French brasserie, including some harking back to Bistro Ortolan days, like (reconstructed) Salade Niçoise

($27) with seared yellow fin tuna.

Hearty Lamb Navarin ($35) with gremolata-crumbed brain will help keep winter at bay, as will Seared Scallops ($33) with caramelised sweetbreads. Pear and cashew notes from the 2012 Patrick Piuze ‘Terroirs de Chichée’ Chablis ($96) provide an elegant foil, and won’t overpower your raw bar selections either, be they Sydney Rock ($4.50/each) or Angasi ($5/each) oysters, fresh Tasmanian uni on a bed of trumpeter, or Yellowfin Tuna Tartare ($20/100g) with fresh horseradish. Cold dishes show great finesse across the board.

18 Argyle Street,The Rocks (02) 9259 5668 ananas.com.au Modern French, Cocktails,Wine $$$$

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EAT & DRINK

The Colonial Some Indian restaurants celebrate authenticity; some celebrate a particular region; this one celebrates the time period of the British Raj. Television screens depicting the period of British colonial occupation clue you in, though a chat with owner Harmohit Singh is even more illuminating. Singh was inspired by the evolution of Indian cooking that occurred during this period, where collective cuisine became the DARLO, KINGS X & SURRY HILLS

The Soda Factory The Prohibition era vibe comes through strongly with white shirted, apron-clad barmen at your beck and call.Wanting to stay adult with my cocktail selections, I skipped the soda syphons for a black pepper-spicy Mexican Standoff ($19).The menu has expanded from hotdogs to Harlem heart attacks: Fried Chicken and Waffles ($16) with pots of clarified butter and maple syrup.The Pulled Pork Burger ($15) is not too wet, but not too dry; the Texan BBQ Pork Ribs ($14) are equally delightful, while Cheeseburger Spring Rolls ($9) offer some finger food fun with tomato and mustard.This sort of food calls for beer, and the best beer here is the on-

By Jackie McMillan individual made-to-order dishes the British favoured.

Jump to today where Chicken Tikka Masala ($17) is now a staple in the British military’s meal packs in Afghanistan. Expect to find it, and a range of curries inspired by London’s Brick Lane, including a bright Chicken Chettinad ($16) with coconut, mustard and chilli. Breads, from Naan ($2.50) to wholemeal Roti ($2.50), are well handled and nicely presented. Lowpriced entrees are divided into vegetarian and nonvegetarian “tapas”. The resulting portions however are quite generous, from a trio of fat chicken drumsticks Tangari Kebab ($10) marinated in mint yoghurt, spices and cheese, then cooked in the clay oven, to plump (bought-in) Coconut Kachori ($8). Best dish I tried were cottage cheese-stuffed Paneer Jalapenos ($10).

While the Tamarind Martini ($14) piqued my interest, neither it, nor the Imli Mirchi ($14) featuring tamarind, Tabasco and tequila, drank well. I’d advise you stick to the well-worn curry and Kingfisher ($8) combination.

118 Crown Street, Darlinghurst (02) 8084 6700 thecolonialrestaurant.com.au Indian $$

tap Monteiths American Pale Ale ($9).

16 Wentworth Avenue, Surry Hills (02) sodafactory.com.au American, Cocktails $ The Farmed Table Comforting and homey – two words I don’t usually associate with the dining offerings in Surry Hills.Yet it’s exactly what Chef Brendan Cato achieves when he takes over Bangbang Café with a healthy Saturday night pop-up called The Farmed Table. Brendan’s a keen forager, and this Menu ($55/ head) was inspired by visiting the Hawkesbury/Hunter region.With two shared dishes, and three individual dishes, it’s good value, even with (bottomless) biodynamic Wine ($80/ head).Tip-top vegetables shine in charred broccoli shoots with cured mullet roe and Meyer lemon. Beautiful Hawkesbury calamari cooked gently

Swanson Hotel Another notch in the belt for Sydney’s expanding pub gentrification with Erskineville’s former Kurrajong Hotel being refitted and re-imagined British West Indies-style. Not that I’m complaining, Balmain Pub Group - who also own The Riverview and The Balmain Hotel – do good work; opening their public houses up to a wider range of people. Start in the first floor cocktail bar where a caramel smear makes the Espresso Martini ($18) rather special. Move to a table in the long 80-seater

restaurant to investigate Executive Chef Brad Sloane’s menu. It reads like home cooking but has a technical edge you’ll appreciate, starting with pungent piccalilli accompanying a rustic Pork Terrine ($16). Sloane’s Beef Tartare ($16) is well balanced and served with smoky bread.

If you’re having trouble picking, both dishes feature on the Tasting Plate for Two ($30) alongside Merimbula oysters and a pretty kingfish carpaccio.The hero of the menu is the Char-grilled Spatchcock ($26), served on a fighting combination of Brussels sprouts, bacon, lentils and chilli. It’s a perfect match for the 2012 Howard Park Flint Rock Chardonnay ($15/ glass), while the small-run 2013 Amato Vino Vermentino ($12/glass) best accompanies the Herb Gnocchi ($22) made vividly green by peas, asparagus and spinach. And pub desserts rarely scrub up as pretty as The Swanson’s Crème Catalan ($13).

106-108 Swanson Street, Erskineville (02) 9519 3609 swansonhotel.com.au Pub Bistro $$$

dressed tomato and cucumber NEWTOWN & ENVIRONS salad was beaten by Beef Fillet ($31), loaded with bacon/thyme Botany View Hotel hash-brown, eschallot puree, The front bar feels like a scene garlic spinach, truffle brisket from Cheers - for locals, it’s croquette and jus. clearly a place where everybody 597 King Street, Newtown (02) knows your name. Drink 9519 4501 botanyviewhotel.com specials abound: from ten-buck Pub Bistro $$$ Aperol Spritzes “all day every Three Williams day” to twelve-buck jugs of In a part of Redfern not mainstream beers, to quirky overflowing with great brunch Absolut Vodka ($25/4) mixes. options,Three Williams made a On the menu put out by Darley splash. Despite the stripped-back Street Bistro, the regulars are minimalism of concrete, ramps divided. One tells me:“it’s a bit and plywood, it’s welcoming over-rated, they put too many to people who stretch beyond things on the plate,” but others hipster clichés, including little swear by it. Greek Style Chicken people.The yummy Mummy Breast ($23) with skordalia, feta, set select slick salads like oregano, tangy mash and a well- Chicken, Spice Roasted Carrots,

14

in its own ink is presented with river prawns and chickweed before a dessert of rhubarb with lavender cream takes me back to Grandma’s house.

Bangbang Cafe, 113 Reservoir Street, Surry Hills (02) 9281 0018 facebook.com/thefarmedtable Modern Australian $$ The Clock Hotel Inspired by Spain’s tonicas, dedicated gin and tonic bars, mixologist Jeremy Shipley has scoured the globe for fourteen local and international gins.

I started with The Botanist ($13) – a serious Scottish gin with New Zealand’s Quina-Fina (low sugar) tonic and mint.After dabbling in Spain with Gin Mare ($12), I found my sweet spot with Hayman’s Old Tom ($10).

You’ll also find gin cocktails like Hotel Georgia ($16), clever snacks like Mini

Avocado, Cashew and Citrus Dressing ($14) with housemade Pineapple and Mint Soda ($12/jug). On naughty days it’s Crunchy Brioche French Toast ($14) with roasted pecans, blueberries, yoghurt and maple syrup, or Beef Brisket,‘Slaw ‘n’ Gerkins ‘Narnies’ ($14). I’m all about egg cartons of creamy Fish Croquettes ($3/each) with lemon, aioli and dessert in a glass: Banana, Medjool Date and Walnut Praline Smoothie ($7).

613a Elizabeth Street, Redfern (02) 9698 1111 threewilliams.com Café $

Chica Linda You’d be forgiven for thinking designer Mike Delany dropped a tab of acid before choosing this riotous colour scheme. It’s alarming, that is until a few Panamargaritas ($17) get your lips tingling with jalapeno, aloe drink, agave and tequila, and ease you into the swing of things. Start your mock South American vacation with arepas. They’re dense, mitt-

sized corn flatbreads stuffed with Soft Shell Crab ($6) or Smoked Pork Belly ($6) with honey chipotle glaze and pickled ‘slaw. And even if you’ve been burned by chewy Chicken Hearts ($6) before, trust me when I tell you to order one of these skewers each, accentuating them with a squeeze of chargrilled lemon. Asado Prawns ($15/3) are also worth ordering, particularly if you avail yourself of the ontable fiery scotch bonnet sauce. Pineapple, coconut sugar and cachaca ensure the Caipirinha Amazonica ($17) puts out any remaining fire as you head into mains. They’re served Latino family feast style, so expect sharing platters of juicy Puerto Rican Roast Pork ($35) dripping in colourful tomato, corn and black bean salsa. A side of Coca Cola Rice and Beans ($9) is all your really need to make a meal for three, perhaps with a schooner of Kosciusko ($7) apiece?

The Guava Empanada ($14) is a nice way to finish.

The Carrington, 563 Bourke Street, Surry Hills (02) 9360 4714 drinkndine.com.au/chicalinda/ South American $$-$$$

They’re now wild-caught Aussie prawns, best against fresh parsley, garlic, lemon and baby spinach, on the simple Chilli Prawn Pizza ($17/M, $22/L, $26/XL).You’ll also find organic Inglewood Farms chook popping up on the new Chicken Gorgonzola Pizza ($15/M, $21/L, $25/XL). On your accompanying crisp Caesar Salad ($10) you’ll find free-range eggs and bacon, with an Organic Chicken INNER WEST ($2.50) option.

Shop 3, 88-94 New Canterbury Rocketboy Pizza Road, Petersham (02) 9550 9988 Dan Luxford is a man “on a mission” rocketboypizza.com - taking four of the five Doughboy Pizza $$ stores in a new direction. Inspired The Workers by appearing on Matthew Evans’ This’ll bring a tear to the eye to Gourmet Farmer, Dan took a look at Labor Party faithful who remember the products he was putting on pizzas, the glory days of Whitlam, Hawke and and decided to make a sustainable Wran.They’re the dudes on the roof – the question Bar Manager Jeremy switch. First in line: the prawns.

Cuban Sliders ($8) with New York pastrami and beet relish, plus some of the best thin-crust pizzas I’ve seen in a pub. My hit pizzas are the vegetarian Mushrooms, Pumpkin, Zucchini,Treviso ($18) and the Pork and Fennel Sausage with Artichoke and Mint ($18).

470 Crown Street, Surry Hills (02) 9331 5333 clockhotel.com.au Pub Bistro, Pizza $$

Baldi gets “asked the most”. Mosey across the Astroturf,Woodlands Margaret River Chardonnay ($43/bottle) in hand, to gaze at photographic memorabilia.Tuck into Chihuahuas ($5.50/each) – mini Mexican hot dogs with grilled franks, jalapenos and cheese – searching for the birth of land rights: Gough pouring sand into Vincent Lingiari’s hands. Dude food like Más Verduras ($5.50/each) – fried zucchini tacos - and Quesadillas de Espinica ($13) – grilled spinach and ricotta tortillas with a Blood and Sand ($16) Whisky cocktail help Wednesday night comedians go down.

1/292 Darling Street, Balmain (02) 9318 1547 theworkersbalmain.com.au Bar Food,Wine, Cocktails $

FOOD NEWS August is shaping up to be very tasty, what with The Morrison bringing back their Oyster Festival including their legendary $1 Oyster Hour every night of the month, between 6pm and 7pm. Spare a thought for their chefs, shucking their fingers to the bone as you scoff tasty bivalves, or partake in Chef Sean Connolly’s Oyster Menu featuring his favourite oyster dishes, including oyster chowder.There are also oyster and wine flights ($30/3 oysters with matched wines), or if you like the fancy stuff: oysters and French Champagne ($59/2 glasses Pommery and half dozen oysters). themorrison.com.au

BAR FLY

THE PUSH BAR

Poet Banjo Patterson described the 19th century larrikin Rocks Push gang as ‘wiry, hard-faced little fellows’. Jump a hundred years and The Push was still rebellious but with a left wing group who met over a meal and a beer. Now, in the 21st century The Push (under The Russell Hotel) is the newest small bar in The Rocks, and The Larrikin is a signature muddled Jack Daniels cocktail.All of the signatures and classic cocktails on Gemma Williamson’s list are great value at $16. Substantial bar food has an Aussie meets British meets American feel and starts with substantial $7 snacks which are all porky and impressive: traditional pork pie, Scotch egg, sausage roll – and worth a visit in themselves.As a tourist area we sometimes often overlook The Rocks - this new makeover gets it right for locals and visitors alike.

143 George Street, Sydney (02) 9241 2999 thepushbar.com.au

The Shangri-La Sydney is opening up their grand ballroom to four hundred hungry dessert fiends at Sweet Street on August 13 from 5.30pm-9.30pm.Your $55 ticket buys you ten tokens, which you can use to purchase plated desserts or takeaway goodies, as well as meet and interact with dessert idols like Adriano Zumbo and the hotel’s own Anna Polyviou.You will also meet folk from N2 Extreme Gelato, LuxBite and Cacao Lab, as well as enjoying cool tunes, street performances and prize giveaways, but only if you book in quickly on (02) 9250 6247.

36levelsabove.com.au

By Rebecca Varidel

ARTS & ENTERTAINMENT A grifter charms his way into an elite household by convincing them that he is a messenger of God.The master of the house is persuaded but the rest smell a rat. Is he imposter or saint? This is Molière’s Tartuffe, a 400-year-old French farce, translated, modernised, and Australianised by Justin Fleming.

In a rare departure for Bell Shakespeare, Tartuffe is a modern English verse play written in 12-syllable lines of rhyming couplets.

“Shakespeare can take a little bit of time to tune your ear to but rhyming verse is something that we all grew up on,” says Kate Mulvany who plays the maid, Dorine. “It’s a bubbly and vibrant text with lots of spice that

Ugly Mugs

people will be able to tune into very easily.”

Once cast, it’s the chemistry of the rehearsal room that sets the energy for any show and here Mulvany is unbridled in her enthusiasm. “The Drama Theatre is such a wide space, it gives these big, often loud characters full comic scope,” she explains. “Expect loud costumes, big wigs, heels, and on-set faces that wouldn’t look out of place on the Benny Hill Show.”

Only once in a blue moon does Sydney get to see a Molière, especially Tartuffe, so this one is not to be missed. (GW) Until Aug 23, Sydney Opera House, Bennelong Point, $35-$79, (02) 9250 7777, sydneyoperahouse.com

Review Photo: Crea Crea Studio

El’ Circo Blanc

“In the opera there are three characters known as the three spirits that guide the hero, in our production they will mostly be played by local children in each town,” Gow says.

“It’s engaging the community and the kids get to have the whole experience of being under the lights.”

A complete production designed to fit all venues, audiences can expect beautifully sung arias, mummies, simple ballads and hieroglyphic puzzles.

“It’s a show with great characters, fabulous music and it’s a great visual feast.” (SOC) Aug 4 & 5, RiversideTheatre, Church and Market St, Parramatta, $44-61, riversideparramata.com.au

a&e

Review Based on the Shakespearean tragedy Othello, Verdi’s Otello is masterfully adapted by Giuseppe Verdi and directed by Harry Kupfer, and is a solid performance among Opera Australia’s winter line-up.

Moorish General Otello promotes Cassio (James Egglestone) to Lieutenant over Iago (Claudio Sgura), which leads Iago on a path to revenge against both, catching the innocent Desdemona (Lianna Haroutouian until July 19) in his wake.

Haroutouian triumphs vocally on the stage, her voice soaring above that of others even in the full choruses.While O’Neill as Otello successfully conveys the storming drama Otello faces with

vocal and acting synergy, however, the pair unfortunately lacked chemistry during key scenes.

Standout of the performance was Sgura, chillingly portraying the dark, brooding villain of the piece with expertise.

Out of tune instruments were audible from the pit, which distracted from Verdi’s score and ultimately a visually lush and expansive set felt underutilised in later acts, requiring effort to suspend disbelief and maintain context. (LD) Until Aug 2, Sydney Opera House, Bennelong Point, $44-284, (02) 9250 7777, sydneyoperahouse.com Photo: Branco Gaica

One of the most beloved and classic works in opera is undergoing a modern twist.

Opera Australia are producing their touring production of The Magic Flute, complete with a chamber orchestra and fantastic singers.

Set in Egypt in the 1930s, director Michael Gow says the Indiana Jonesinspired production is great for the whole family.

“It appeals to adults because they will get the deeper meaning, and children just love the ancient Egyptian thing,” he says.

With the show set for a two-year run across Australia, the entertaining production will engage with local communities for a unique theatrical experience.

and pole performers are delightful and the action is so close in this intimate venue that the audience cannot help but be whisked away to another world with Anastasia’s stunning singing as accompaniment. The musical production and choices in this extravaganza are spot-on.

Be enthralled but be aware of the ‘snow’ falling in your drink, the paper version is magical but the ‘icy’ version can leave a bad taste. (LL) Jul 31 & Aug 7, Slide, 41 Oxford St, Darlinghurst, $89+bf, slide.com.au

Photo: Albert Comper

El’ Circo Blanc is back for another season at Slide and both the show and menu have been revamped this winter to be better than ever.

The one-of-a-kind production is set to a Russian theme, as ‘Anastasia’ reminisces on her days as a young woman in the circus. Her tale comes alive above and around the audience while they enjoy a five-course menu featuring warm vodka cocktails, meltin-your-mouth lamb goulash and delicious beetroot sorbet.

Contortionists, aerial artists

“Sex workers deal with a lot of stigma and I’m worried – why don’t we value someone’s life equally?” asks actress Peta Brady, referring to St Kilda sex worker Tracy Connelly, who was murdered in July last year.

Brady, who splits her time between working as an actress and a drug and safety outreach worker in St Kilda, was commissioned to write and star in the raw and evocative theatre performance, Ugly Mugs.

Recognised for her roles in Australian drama series Neighbours, Kath and Kim, and most recently The Slap, Brady was one of the last people to see Connelly alive before she was murdered.

Combining her love of acting and writing with her important outreach work, Ugly Mugs “raises awareness about the current inequalities existing in Victoria,” Brady says.

Borrowing its title from the ‘big sister’ pamphlet that was founded by the Prostitute Collective of Victoria in 1986, Ugly Mugs emerged in response to the abusive and violent underbelly of illegal sex work in Melbourne.

“I want people to be aware that a program like Ugly Mugs exists and ask

what and why is this happening, and have a discussion about the violence around misogyny.” (EC) Until Aug 23, SBW Stables Theatre, 10 Nimrod St, Kings Cross, $32-49, griffintheatre.com.au Photo: Brett Boardman

Tartuffe

The Magic Flute

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Arts Editor: Leigh Livingstone Music Editor: Chelsea Deeley Live Wire: Alexandra English

For more A&E stories go to www.altmedia.net.au

Otello Contributors: Alexis Talbot-Smith, Anita Senaratna, Catherine Knight, Cheryl Northey, Ciaran Tobin, Craig Coventry, Elise Cullen, Georgia Fullerton, Greg Webster, Hannah Chapman, Jamie Apps, Laurie Hackney, Leann Richards, Linda Carroll, Marilyn Hetreles, Mark Morellini, Mel Somerville, Melody Teh, Michael Muir, Michelle Porter, Peter Hackney, Rocio Belinda Mendez, Ruth Fogarty, Sean May, Sharon Ye, Shauna O’Carroll, Siri Williams

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Photo: Takaya Honda

A Doll’s House The classic tale of ambition, betrayal and brutality, Shakespeare’s Macbeth has been imagined onstage many, many times before. However, director Kip Williams of Sydney Theatre Company’s new adaptation has a keen determination to set his production apart from the rest, beginning with unique staging.

In a complete reversal of all theatre norms, the audience will sit on the stage itself while the play unfolds in the abandoned auditorium. But Williams’ innovative staging design is just one ambitious decision of many in his bold vision of Macbeth.

“When I’ve seen [Macbeth] done, I often find the play is rendered as a fable with an element of moral prescription,” says Williams.

For Williams, in characterising

THEATRE &

PERFORMANCE THE EFFECT Connie (Anna McGahan) is a psychology student – a thinker who faces the world by trying to understand it. Tristan (Mark Leonard Winter) is a drifter – impulsive and a risk-taker. When they sign up for a new antidepressant drug trial, they fall in love, but is it the real thing or is it just too much dopamine? Lucy Prebble’s play is engaging on many levels, beautiful, disturbing

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Macbeth as a villain, the audience begins to disassociate themselves with his behaviour by the end of the play. In Williams’ version, there’s an “openended identification with the terrible downfall of this individual,” he says.

Despite the blood and brutality of Macbeth, it’s a play Williams believes is relatable to all.

“We’re all forced with the quandary that our lives begin and end. And that’s it,” he says. “That’s the essential question of this play: what do you do in that limited amount of time? Do you behave morally or not? Do you act or wait for things to happen to you?” (MT) Until Sep 27, Sydney Theatre, 22 Hickson Rd, Walsh Bay, $50-109, sydneytheatre.com.au

and sometimes annoying. A sparse, clinical set on a stark, fluorescent light box gives way to the warm incandescence of a deserted asylum, where love blooms.

Winter is endearing as his emotional dial gets turned up and McGahan is achingly good as she unravels her feelings... only to unravel too far. (GW) Until Aug 16, Sydney Theatre Company, Pier 4/5 Hickson Rd, Walsh Bay, $50-99, (02) 9250 1777, sydneytheatre.com.au

Mr Kolpert Pantsguys break the surface this year with their newest provocative play, David Gieselmann’s Mr Kolpert.

Directed a decade after conception

by James Dalton, this production is buzzing with maddening anticipation.

“I found that underneath it all, although it’s quite a madcap play for an audience to experience, there’s some exciting ideas in there.Where we have added our own signature to this piece is more through cosmetic ideas, as well as updating the music that appears in the show,” says Dalton.

“There are so many things that are happening in our world, that we can’t actually justify logically, and sometimes that’s how reality works, things just happen. In the play there’s an attempt by certain characters to find some

STRICTLY BALLROOM: THE MUSICAL Baz Luhrmann’s latest creation is bursting at the sequined seams of the Lyric Theatre in an explosion of colour and feathers.

Luhrmann’s holistic creative approach and boundless imagination means his hand is involved in every aspect of the production, from the design, to the direction and the music.

The notes feel like they were written for the stunning co-lead Phoebe Panaretos (Fran) who outshines all except the hilarious Heather Mitchell (Shirley

Renowned theatre director Adam Cook has sunk his teeth into the critically acclaimed 1879 Henry Ibsen play A Doll’s House and will be showing his efforts at the Seymour Centre.

“It’s set in the original period so the audience can see how the world was like 135 odd years ago, and can then compare it to what the world is like now. Have we changed? Have we developed?

Have we evolved? What are the problems and challenges? Are they the same? Are they different? It’s a wonderfully exciting, intense and claustrophobic play,” Cook says.

After 25 years in the industry Cook has chosen this old gem, kind of question of order, and then at the same time revelling in the chaos that seems to be found everywhere,” says Dalton.

This wild and eccentric display will challenge the audience as they come to understand what they’re reacting to, and perhaps therein lays the message of the show.

“Learning that no matter how violent and extreme circumstances can be sometimes, all you can do is just let it happen to you and laugh it off afterwards. It’s a play you need to experience. Come in with an open mind, and just be prepared to accept the ride, because the logic is very mad,” says Dalton mysteriously. (RBM) Until Aug 16, ATYP, Studio 1, Pier 4/5, Hickson Rd, Walsh Bay, $2030, atyp.com.au

Hastings). The talented Thomas Lacey (Scott Hastings) gives a solid performance as the male lead but is sometimes underwhelming on a busy stage.

Catherine Martin’s costumes are yet another ‘win’ for the designer, referencing familiar elements from the film and successfully amplifying them for the stage. Strictly Ballroom:The Musical is an entertaining, lively night at the theatre that delightfully overloads the senses. (LL) Until Sep 14, Lyric Theatre, Pirrama Rd, Sydney, $55-145, strictlyballroomthemusical.com

MOTHER BARE Comedienne, Denise Scott, is baring it all on the stage and exploring motherhood in her hilarious production. Based on her personal experiences, Scott explores all the phases in life of being a parent: toddlers, kids, adolescents, adults and death.

The Aussie icon doesn’t hold back in her 90-minute show, telling stories about all things motherhood, from giving birth to losing her own mother to Alzheimer’s. After a successful run in Melbourne, which saw families of up to three

Photo: Helen White

Photo: Greg Barrett

Nick Payne’s Constellations will light up Sydney theatregoers during August, with an avant-garde production performed at the Eternity Playhouse.

Portrayed by Sam O’Sullivan and Emma Palmer, this distinct love story will be a special piece of imagination to share with audiences using the multiverse theory as inspiration.

“A couple fall in love; in some instances they choose to spend their life together and in other instances they choose to go their separate ways.There’s no one story, it’s a collage of assorted stories. One relationship, infinite possibilities,” O’Sullivan explains.

“It’s all to do with free will, how choices early on in life can have different outcomes, and a certain butterfly effect on your circumstances later in life. I believe the message is: you’ve got the power to choose, that your life is yours, and that you only live it once, so go for it,” he says.

A play that will leave audiences star gazing for a while, the lustre of Constellations will continue to grow.

“I can’t think of a play that this is like at the moment. If people

want to explore the multiverse theory, and how it could apply to their lives, then I think they should definitely come along and see it,” says O’Sullivan. (RBM) Aug 13-Sep 7, Darlinghurst Theatre, 39 Burton St, Darlinghurst, $30-43, darlinghursttheatre.com

but has made sure to respect it by staying true to the primary story.

“The only thing I’ve varied in my adaptation is I’ve made it sound contemporary; it won’t sound like 19th century British actors doing a Norwegian play, it will sound like it’s happening right now – just not using iPhones and laptops,” Cook explains.

“A Doll’s House has a really exciting, riveting plot, surrounding the relationship between men and women. [It’s] a play that has truly stood the test of time.” (RM) Until Aug 2, Reginald Theatre, Seymour Centre, City Rd & Cleveland St, Chippendale, $2536, seymourcentre.com

Photo: Kate Williams

macbeth

Constellations

generations attending together, Scott says she is looking forward to bringing her show about her family, and ultimately all families, to Sydney. Laying out her life on the stage, Denise goes back to the fundamentals of great comedic theatre, her new show is full of simple storytelling, with a few hilarious surprises thrown in for good measure. Audiences will love listening to this Aussie icon dish the dirt. (SOC) Until Aug 3, Sydney Opera House, Bennelong Point, $44.90-49.90, (02) 9250 7777, sydneyoperahouse.com

THE NAKED CITY

Sydney’s make do concert venues

By Coffin Ed, Miss Death & Jay Katz Apart from notables like the Opera House, the City Recital Hall, Sydney Lyric Theatre and the all-purpose Entertainment Centre, Sydney boasts very few purpose-built concert venues, especially for a city that aspires to international status. When it comes to staging concert-style music events there’s a long history of making do with an infrastructure that was never originally designed for that purpose.

Take the ramshackle old Sydney stadium in Rushcutters Bay that began its life as a temporary openair boxing arena, specifically built in 1908 to house a world title fight. Equipped with a roof in 1911 and with a capacity of around 12 thousand people, it became our primary concert venue in the ‘50s and ‘60s, housing international acts such as Ella Fitzgerald, Johnnie Ray, The Beatles, Judy Garland, Bob Dylan, Frank Sinatra, and Louis Armstrong to name just a few. New York had Carnegie Hall, London the Royal Albert Hall, and Sydney an old tin shed with a revolving stage (aka “the revolting stage”) that frequently broke down, much to the anguish of those punters staring at a stage full of celebrity rump.

When it was finally demolished in the late ‘60s to make way for the Eastern Suburbs railway there was a collective sigh of relief but a sizeable void in facilities available to stage concert events for audiences of 1,500 or more. By the mid ‘70s television had taken its toll on the viability of many of Sydney’s grand picture palaces and concert entrepreneurs eyed them off as potential venues for live music.

The Regent in George Street soon became home to a series of musicals and international rock and pop artists as did the unrestored Capitol some years later, the stage for some truly remarkable artists like Dizzy Gillespie and Thelonious Monk.

By the early ‘90s the much-loved State Theatre had joined the list of

cinemas transformed into concert venues, and in 1995 the dilapidated Capitol was finally restored by the Sydney Council to its former glory.

The Sydney Town Hall, with its cacophonic acoustics also became a popular venue with promoters in the late ‘70s, ‘80s and ‘90s, albeit one of the last choices given a dislike by concertgoers for its echo-like sound. Artists such as Muddy Waters, Herbie Hancock and Odetta all played there during that period.

These days promoters will tell you there is still a chronic shortage of good concert space in Sydney with bookings for venues such as the Opera House and the State Theatre always highly competitive. Ironically, it’s the old-style picture palaces like the State and the Capitol that have the best acoustics, with the Concert Hall of the Opera House very much a ‘hit and miss’ proposition given the nature of the music presented and the position of your seating inside.

Whether we will ever get another large concert venue capable of seating around three thousand people like Manhattan’s Carnegie Hall remains to be seen. Given the current popularity of concertstyle events with both local and international touring artists it would certainly seem like the demand is there. In the meantime we make do with a variety of good and not so good venues but at least the embarrassment of the ‘old tin shed’ is long gone.

As a footnote this is the 50th year of the Beatles’ tour of Australia, during which they played several shows at the rundown Sydney Stadium, affectionately known by boxing fans as the “house of stoush”.

In its pugilistic heyday the cheapest bleacher seats were surrounded with chicken wire to prevent missiles being launched at the boxing ring.

Ironically, when the Beatles played there somebody launched an egg at John Lennon, hitting him on the foot.

In the minor mayhem that followed he supposedly shouted “What do you think I am, a salad?”

Once Upon A... Bake Off

A smidgen of celebrity chef, a dash of drag, a generous helping of cake, and a fairytale sprinkle – the Bobby Goldsmith Foundation (BGF) combines the perfect ingredients for a fun afternoon at The Imperial Hotel.

Now in its 27th year, the 2014 BGF Bake Off promises to be a deliciously irreverent affair. Entries have now closed and aspiring bakers around the city have hit the kitchen to whip up fairytale inspired cakes for Sunday’s Once Upon A... Bake Off. BGF CEO David Riddell says, “With the funds raised, we help people living with HIV.We can only distribute what we raise, so come down and join in. It’s a bonkers afternoon that only Sydney knows how to do.”

Forget Granny’s standard brownies and cupcakes – this is no ordinary bake sale.Think Rupaul’s Drag Race meets Masterchef.

Hosted by Patrick Abboud (The Feed) and Aunty Mavis, the event will include entertainment from local drag personalities Cindy Pastel and Miss 3D. A star-studded judging panel including celebrated pâtissier Adriano Zumbo, Christina Batista (Masterchef), and Marty Boetz (Cooks Co-Op) will decide who wins the seven award categories.

Winning cakes will be auctioned off to the highest bidders and all other entries will be available for purchase by silent auction. (CC) Aug 3,The Imperial Hotel, 35 Erskineville Rd, $15 (at the door), bgf.org.au

Aunty Mavis

Life Interrupted: Personal Diaries from World War I

Before the end of the great war of 1914-1918, the State Library began collecting personal accounts of the battlefields. One hundred years later, Life Interrupted presents these words and images in an exhibition that is poignant, confronting, astounding and sad.

These reminiscences show all the complexities and vagaries of wartime experience. Pictures of smiling young men surrounded by the mysteries of Egypt sit beside stark black and white photos of bodies strewn across the sands of Gallipoli.

Flowered silk postcards, their colours still vibrant, jostle for space next to descriptions of the conflict as ‘a disgrace to Christianity’.

The humour of the troops is displayed in their many sketches and water colours and their courage shown in the restraint and integrity of their journals.

This is an honest attempt to balance a national mythology with a brutal history and an apt commemoration of those whose lives were forever haunted by the horrific war that changed the world. (LR) Until Sep 21, State Library of NSW, Macquarie St, Sydney, free, sl.nsw.gov.au

“577” Writing Home. Henry Charles Marshall (1890-1915). Kensington to Cairo and from Cairo to Gallipoli. Album of photographs (1914-1915)

motion/emotion – Annette Messager

‘Casino’ by Annette Messager, 2005

Annette Messager’s motion/emotion is an expedition through the physical to discover the spirit of humanity.

The artist’s early life in a French village famed as both a convalescent and tourist destination, is clearly connected to astounding pieces which reflect the conundrum of sickness and celebration.

The voyage begins with a dissection of the outer shell. Brightly patterned gloves with pencil talons cling to long threads in Les Gants – Grimaces – The Gloves – Grimaces. But the metaphor of comfort is ripped apart in Les Depouilles – Skins, a series of desiccated hides hanging nearby.

The journey continues with Penetration where internal organs are suspended from the ceiling like a mobile over a child’s cradle, menacing yet familiar.

Then the chronicle reaches its apogee with the startling Casino, which plays with the legend of Pinocchio to comment on birth, death and Christianity.

This is a thoughtfully curated exhibition, which showcases a complex and unique artistic oeuvre.

(LR) Until Oct 26, Museum of Contemporary Art, 140 George St,The Rocks, free, mca.com.au

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Dawn Golden – Still Life After three years of production Dawn Golden have released their debut album Still Life, a quiet dreamy

electronic offering.

Influenced by soulful ‘80s music, the tracks have real passion and soul behind them before being filtered with electronic distorted beats and heavy vocal editing to give them a more futuristic sound.

Using half-speed melodies and methodical depressed beats layered with echo-heavy synths and FX-laden vocals, the album creates a depressed contemplative mood that is best digested in order with each track building upon the last.

Stand out tracks on the album are All I Want and Last Train.

Chevotain, a purely instrumental track, is disappointing and could have been discarded. (JA)

Scott Spark – Muscle Memory Four years after his debut album Fail Like You Mean It, Sydney-based singer/ songwriter Scott Spark returns with his follow-up. It’s been a fair while coming but fans will find it worth the wait – the songwriting is strong and the production impeccable.

The songs here are largely piano-driven pieces, with some guest appearances by strings, cello, and other instruments, while the topics canvassed include love, death, hope, and Australia, on the track Barry For President, which imagines the land down under led by Barry Humphries!

Overall, this is a smart, engaging album from a young Australian talent who deserves a listen. (PH)

Moocooboola Festival

The Hunters Hill council’s annual Moocooboola Festival has a long tradition of bringing the community together for a day of fun and entertainment.

“It’s a great opportunity for families and neighbours to connect or bump into each other,” says Adrian Black, events coordinator at Hunters Hill Council. “But we have more people come to the event than live here, so it has no borders. The community is everybody.”

Moocooboola is a traditional Aboriginal word meaning the ‘meeting of waters’, which any local would tell you fittingly describes the Hunters Hill peninsular where Lane Cove and Parramatta Rivers meet.

Black notes the word is a “little bit magical and has a strong history” and is keen to ensure the festival will again live up to its namesake.

There are lots for the kids to do with all-day rides, as well free family fun activities. “It can be expensive, so this year we’re really focusing on lots of free old-fashioned games,” says Black. “We’re doing an adventure sheet for kids, sort of a choose your own adventure.”

After kids complete a list of free activities such as racing a

LIVE WIRE Husky: These four Melbournians come from different musical backgrounds to make light and airy indiefolk music that leaves audiences captivated and enchanted.The songwriting is storytelling at its finest, and the instruments float through each song, guided by well-trained fingers. Husky won a Triple J Unearthed competition in 2011, have since been nominated for an ARIA, played sold out shows during a solid year of touring,

jumping inflatable horse, making a wish at the wishing tree (which comes alive and talks back), or trying their luck in the giant maze, they win a prize.

“You don’t have to be a kid to enjoy the activities.You use the kids to draw in the parents to let loose a bit,” says Black.

Another new addition to the festival is comedy with Daniel Oldaker aka Dandyman. He’ll take audiences on a journey of the imagination with a show of circus, acrobatics and magic that will be peculiar, crazy but always hilarious. Or catch Paws Up, Australia’s champions in dog high-jumping.

Currently holding Australia’s record in jumps of over nine feet, Paws Up will be a spectacular sight of border collies ‘flying’ in the sky.

If you feel like simply sitting back and relaxing though, there will be plenty of musical performances including many from the local community. Although, when Sydney’s premier party band Jellybean Jam takes to the stage, visitors will soon feel like dancing.

“We entertain adults all the time so it’s nice to make sure kids are out there having a bit of a dance and a bit of a boogie,” says the ‘clown’ of the band Andy Caryofyllis.

With a market bazaar, an array of street food on offer and non-stop entertainment, the Moocooboola Festival promises to be a fun day for all ages. (MT) Aug 3, Boronia Park Ovals, Ryde Rd & Park Rd, free, moocooboola.com

Sydney Live Music Guide

and have shared the stage with The Shins and Neil Young.

Thu, Jul 31st, Newtown Social Club.

Dr Goddard: This threepiece outfit haven’t been around for long but they sure have made the most of the time.They’ve scored gigs supporting The Preatures and played a sold out Oxford Art Factory gig with Hot Spoke.Their touchstones are brilliant, including The Doors with a little bit of Twin Shadow thrown in for good

measure. Or as they prefer to call it: elevator music with balls.

Thu, Jul 31st, Brighton Up Bar. Dig: This is the beginning of four months of ‘80s and ‘90s jazz-soul-funk-dub fusion. On one Thursday of each month from now until September, DIG are coming together with guest vocalists to revive the acid jazz days of old. All songs are taken from the DIG songbook, along with some new compositions to keep groovers on their toes.

Thu, Jul 31st, Foundry 616, Ultimo.

Gypsys of Pangea: These guys were born into the wrong era.They’re not to be misconstrued as a revivalist band, but their ties to the ‘60s are unmistakable.

Whether it’s Hendrix or Pink Floyd belting from the guitar doesn’t matter; what matters is that they intertwine their signature reverb-heavy style around beats, grooves, and riffs to redefine what it means to be a psych band in 2014.

Jelly Bean Jam

Fri, Aug 1st, Spectrum.

The Dandelion: This band is best described in their own words: “The Dandelion weave an old kind of magic...

With a sound like seeds turning into flowers/They bring gifts for the Goddess of magical powers.” This band picks up where The Dolly Rocker Movement left off; an excuse for one guy to experiment and play all the instruments behind the scenes, but with a talented and rockin’ band for the live shows.

Fri, Aug 1st,Velvet Cave.

Moses Gunn Collective: If your favourite kind of gig is one that comprises explosive neo-psych played in a dark dive bar where torn vintage posters adorn the walls, then look no further. Moses Gunn Collective are bringing their melodic grooves and fervent guitar thrashes down from Bris-Vegas to the heart of the Sydney CBD for a night of beer, pizza, and damn good tunes. (AE) Wed, Aug 6th, Frankie’s Pizza

By The Slice.

Hercules The legendary hero, Hercules, comes to life on the big screen as Dwayne Johnson in the title role provides his trademark action-packed performance for viewers.

Hera, the goddess of marriage and wife of Zeus, hates Hercules but agrees if he completes 12 labours she will let him live. Unfortunately, the audience doesn’t get to experience these 12 labours but this doesn’t detract from the story as Hercules has his new life as a sword-for-hire tested by another villain.

The screenplay is a little tongue-in-cheek as

it turns the well-known myth on its head, but the changes are essential to develop the newly presented character arc and help Hercules fight for the good of mankind at any price.

A multitalented and amusing supporting cast of mercenaries take the pressure off Johnson and provide added value entertainment. Ian McShane is hilarious as Amphiaraus, a seer who travels with the group.

This is one of the more believably immersive 3D experiences and it works very well. The scenery is especially breathtaking.

An ancient hero and the man they call The Rock prove there is more to both of them by thoroughly exceeding expectations, and audiences won’t be disappointed. (LC) WWWW

The Keeper of Lost Causes

From Denmark comes The Keeper Of Lost Causes, a crime sensation which will have audiences at the edge of their seats.

When disgraced chief detective Carl Morck (Nikolaj Lie Kaas) and assistant Assad (Fares Fares) investigate the cold case of a missing politician who allegedly committed suicide, they unearth the shattering truth which leads to an incredible race against time.

This psychological crime thriller is superbly written, dark, and gritty, in which the mystery and nail-biting suspense ensures audience interest

These Final Hours These Final Hours is an Australian drama/thriller set in Perth that asks, how would you spend your final hours on Earth?

With only 12 hours until the end of the world, James (Nathan Phillips) is travelling to an end-of-the-world party, but finds a new path when he opts to rescue an 11-year-old girl (Angourie Rice) and help find her father instead.

Quintessentially this is a pre-apocalyptic road-trip film.

The performances are strong and stand out – Phillips and Rice work well together.

Stereotyped hoodlum

THE SELFISH GIANT Childhood naïveté and the stark reality of poverty come to a head in Clio Barnard’s The Selfish Giant.

After they are expelled from school, young teens Arbor (Conner Chapman) and Swifty (Shaun Thomas) meet scrap dealer Kitten (Sean Gilder). With the opportunity to make money in a community with no other prospects, the boys begin to collect scrap metal, at times resorting to illegal means.

A haunting and tragic reimagining of Oscar Wilde’s fable; it is beautifully understated and brilliantly portrayed.

It is a shame that the ending is so rushed when the rest of the film is paced so delicately. (ATS) WWW

characters, typical in this style of film, aid in painting a very grim picture of society as the end approaches, with haunting scenes of death, drug use, graphic violence, and sex, that may cause many viewers to turn away confronted.

Adversely, the film looks cheap and the screenplay feels flat, lacking the edge and momentum mandatory for films in this genre. A captivating and cleverly edited trailer successfully promotes what is ultimately a somewhat uneventful and mediocre film.

(MM) WW½

REACHING FOR THE MOON This film is a biographical drama set in the 1950s when same-sex relationships were unacceptable.

When poet Elizabeth Bishop (Miranda Otto) travels to Brazil to regain her poetic flair, she meets famed architect Lota De Macedo Soares (Glória Pires) and a decade-long romance flourishes, restoring her literary brilliance and confidence.

Performances are faultless and the production stylish, with stunning locations, but the story is initially tarnished by the unrealistic, hasty commencement of the romantic entanglement.

Reaching For The Moon lacks substance and only audiences who are familiar with the poetry of Elizabeth Bishop will find this mandatory viewing. (MM) WWW

is maintained. Momentum accelerates at a fast pace leading to the disturbing climax which is brilliantly heightened by an effective musical score.

The lead actors have alluring screen presence and easily connect with audiences. The screenplay, which is intertwined with witty dialogue and frightening scenes, always has the audience one step ahead of the detectives.

Based on the first of five best-selling novels, the success of this film should spawn a sequel. (MM) WWW½

Mrs Brown (Brendan O’Carroll) has gone and got herself a movie.

In this outing, the working-class dame in drag is threatened by thugs who want to shut down her veggie stall and Mrs Brown’s having none of that.

Cue plenty of awkward situations and a script peppered with an abundance of the word “feck”.

Full of the same ridiculous slapstick comedy with the added benefit of removing the ‘filmed live’ aspect, one would

think this might streamline the gags, however the unique ‘live blunder’ style that this franchise is famous for is still included. O’Carroll plays up to the cameras and the supporting cast laugh when takes are ‘blown’. It comes across as staged.

Ultimately you either hate or love Mrs Brown’s Boys, it’s a niche market and the movie won’t have people switching camps. At least it’s guaranteed to raise a smirk one way or the other. (LL) WW

Deliver Us From Evil Deliver Us From Evil is a decently crafted crime thriller with a supernatural twist, based in the Bronx, New York. Ralph Sarchie (Eric Bana) is a police officer with an inherent tendency to uncover the city’s sudden series of occult happenings.

Somewhat unoriginal in story and dialogue, yet contrastingly genuine in performance and fright, the film does entertain.

Edgar Ramírez nearly

THE LUNCHBOX A one-in-a-million mix-up with Mumbai’s famously efficient lunchbox delivery system connects a neglected housewife (Nimrat Kaur) with a curmudgeonly accountant (Irrfan Khan). What follows is a series of increasingly honest hand-written notes through which the two strangers find a new lease of life.

Don’t be fooled by what is, on paper, a somewhat cheesy premise. The debut feature from Indian writer/director Ritesh Batra is a bitter-sweet romance that offers cinéma vérité-style realism, good-natured humour, and relatable characters as well as thoughtful observations on the human condition, including the value of companionship. (JH) WWWW

steals the spotlight as an unconventional priest, focused on the rituals of exorcism.

The two coincide with some blood-curdling scenes that demand attention and reprimand lack of faith.

Although at first seeming gratuitously scary, the story will grip the audience with its acute final moments; which manage to hold their own in this stock-standard genre.

(RBM) WWW

JERSEY BOYS This film is the true story of Frankie Valli and The Four Seasons, from their spectacular rise to fame in the ’60s with hit songs such as Big Girls Don’t Cry, and Sherry, to their eventual tempestuous disbanding.

The list of recognisable hits is longer than you might think and sadly, for a musical, they don’t get enough screen time. Songs have been cut or shrunk to make way for lingering looks and close-ups.

Even big events in the original story are skipped over in a cursory fashion.

Three out of the four main cast members were plucked from the award-winning stage show, and translating them to the screen is boring. (LL) WW

Mrs Brown’s Boys D’Movie TRANSFORMERS: AGE OF EXTINCTION The fourth instalment in this franchise is much of what audiences expect from the action-packed films.

Though, this time they’ve switched Shia Lebouf’s Sam Witwicky for Mark Wahlberg’s single father/inventor Cade Yeager, and thankfully, it’s a massive improvement.

Disappointingly the character arcs are non-existent, the halfrealised subplots are plentiful, and sadly, most of the female characters are underutilised or irrelevant.

Audiences will largely ignore the flaws to appreciate it for the easy, entertainment that it is. (LL) WWW½

CALVARY Father James (Brendan Gleeson) is a priest, striving for decency on Ireland’s west coast. His beloved parishioners present daily moral tests of his faith and he confronts their rage, grief, and cynicism with humane compassion and wit.

During a confession he’s shockingly threatened with murder – retribution for a sin he didn’t commit – and Father James must decide if he’ll face up to the penance.

This small, powerful tale, stunningly shot against the wild and craggy setting of the Atlantic, deftly handles dark themes with gallows humour. The film is an ode to Gleeson, whose expressive face governs the screen. (RF) WWWW

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