City Hub 3 March 2016

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city hub 3 MARCH 2016

Jeers and heckles as Powerhouse move is debated in NSW Parliament

By ANDREW BARCLAY In a raucous discussion, complete with wolf calls and booing, the NSW Government sought to position so called inner city elites against western Sydney in a parliamentary debate over the selloff of the Powerhouse Museum on Friday.

The debate in parliament occurred after a petition with 10,000 signatories was tabled in Parliament by Member for Sydney Alex Greenwich and was backed by the Member for Balmain, Jamie Parker.

It called on the Government to “expand museum services to other parts of NSW but retain the Powerhouse Museum in Ultimo”.

A strong local campaign against the move collected the required 10,000 signatures for a parliamentary debate, including those from notable people including Cate Blanchett and former premier Bob Carr.

The NSW announced plans a year ago to move the museum from its home in Ultimo to the western suburbs, most likely to the seat of Parramatta.

The following twelve months has seen a campaign by locals to save the museum, opposing the government’s plan to sell the site to developers.

With both levels of the public viewing gallery brimming with campaigners, thunderous applause could be heard, even causing the Temporary Speaker Melanie Gibbons to remind members of the public that clapping and booing were not allowed.

“Order. People in the public gallery will remain silent,” she said.

Government claims that patronage at the museum was poor were rebutted by Mr Greenwich, who said visitation and sponsorship had both increased at the museum, contrary to However, the government remained unmoved and will push ahead, and claimed the move of the museum was important for the development of an arts precinct in western Sydney.

Celebrities including Cate Blachett have signed the petition to save the Powerhouse.

Parramatta MP Geoff Lee called Mr Greenwich and Mr Parker’s efforts keep the museum in the city “elitist”.

“We make no apology for supporting arts in western Sydney,” he said.

Labor opposition leader and spokesperson for the arts, Luke Foley, also spoke during the debate, yet provided no clear detail on Labor’s position.

He has argued previously that his party isn’t opposed to the move “in principle”.

But Mr Parker said the petition demonstrated the depth of opposition to the government’s plan.

“By bringing this issue to the floor of Parliament, we are highlighting that moving the museum is more about a cash grab than culture.

The winners will be big developers,” Mr Parker said.

“It is not a responsible tactic to perpetuate a false dichotomy of inner Sydney and western Sydney.”

Deputy Premier and Minister for the Arts Troy Grant said work on a feasibility study and business case were “progressing well”.

“The NSW Government has made it clear we will be funding the construction of the new museum in Parramatta with 100 per cent of the

proceeds from the sale of the Ultimo site going towards the new build,” he told City Hub .

Among the campaigners present at parliament were some residents from Parramatta and regional NSW who were opposed to the Powerhouse Museum move.

John Hillman, from the North Parramatta Residents Action Group, said the government’s plan was nothing more than a “sweetheart real estate deal for developers”.

Mr Hill said that the government’s declaration it is pursuing a cost benefit analysis was proof of “stunning economic mismanagement”.

“Parramatta and Greater Western Sydney deserves a new world class, state of the arts museum that reflects and respects Parramatta’s unique and leading place in Australia’s history and heritage,” Mr Hillman told City Hub .

The petition followed an escalation of the dispute between the government and those who want the building to remain in its current location, with a group of prominent Australians issuing an open letter urging the government to ensure they don’t “destroy the Powerhouse”.

The letter, published in the Sydney Morning Herald, demanded the government overturn the decision to relocate the site and argued the museum’s items will be put at risk if the site is moved.

“Western Sydney deserves better — a unique institution shaped by community consultation, one that reflects the history, achievements and cultural diversity of the region, and the aspirations of its people,” the letter said.

Despite supporting the move to the west, Parramatta Mayor Paul Gerard’s council is opposed to one potential site, wtih all councillors voting against the museum being built on the banks of the Parramatta River.

The estimated $200 million from the sale of the site will go towards to cost of the move, estimated at over $500 million.

Bike hub hits the skids

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BY CHRISTOPHER HARRIS Sydney Lord Mayor Clover Moore abandoned plans to create a bike hub at Taylor Square at council on Monday, after letting the building stand empty for three years and spending more than $2 million on developing plans for it.

Formerly the 24 hour T2 nightclub, the building was purchased in 2010 for $7.14 million in order to stop brawls that routinely took place on Sunday mornings at the venue.

Lord Mayor Clover Moore championed the purchase so that a “bike hub” could be established at the site.

Clover Moore’s Independents, Green and Liberal Councillors voted in favour of the plan to seek expressions of interest in the building, but it was opposed by Labor Councillor Linda Scott. She called for the building to be retained by council, and a permanent LGBTQI museum installed in the building.

She warned selling the building would see a return to the “bad old days” of violence at Taylor Square. She said that a museum would bring “life and colour” back into the area which is currently mostly comprised of bars, restaurants and nightclubs.

“With the rainbow flag flying proudly over Taylor Square, a LGBTIQ museum or cultural space can be a major drawcard for visitors to Sydney and invigorate interest in the history of Mardi Gras and the struggle for LGBTIQ rights,” Clr Scott said.

President of the Darlinghurst Business Partnership, Stephan Gyory, sent out an email on Tuesday afternoon, calling on the council to save the building.

When contacted by City Hub, Mr Gyory was surprised that the City had not consulted his organisation about the move. He said rather than sell it, the council should put something in the building which would draw people into the area.In the email, he said he wasn’t opposed to private enterprise operating out the building, but it would be beneficial to have something other than a food and drink venue.

“It would be a shame to see it go private because it The council voted to accept expressions of interest in the property is a public space and it needs of planned $17 million in ratepayer’s money.” something to activate the other businesses in A City spokesperson told City Hub that the suburb,” he told City Hub. Liberal Councillor Christine Foster said the council rejected tenders for the bike hub in backflip by the Lord Mayor had meant the November last year, after a report from City “real losers were the ratepayers”. staff showed tenders were above expected The proposed bike hub would have cost an costs. estimated $17 million dollars. The council’s The spokesperson said the CEO advised website said it would activate the daytime that the private sector had embraced cycling economy in the local area as well as servicing allowing the City to step back. the estimated 2,300 bike riders who ride “The City will now run an Expression through Taylor Square on a daily basis. of Interest process to find qualified and But Christine Foster did not share the experienced project experts to buy and optimism for the benefits of the bike hub. refurbish the building and help meet the City’s “All the bike hub essentially ever was a objective of transforming the Taylor Square bike themed café, which in my view made no area.” significant contribution to anything, including The spokesperson said the building requires the local economy. I’ve been opposing the “extensive work” inside as well as exterior Lord Mayor’s plans since 2012, because I have work which would must meet strict heritage always claimed it is likely to be a grave misuse standards. city hub 3 MARCH 2016

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Max hangs up the boots

BY ALEX BLAIR This week will mark the end of an era following the closure of ‘Max’s Shoes’ after almost 42 years of service.

Based in Bondi Junction, ‘Max’s Shoes’ has been the go-to shop for thousands of locals in search of reliable footwear at affordable prices – delivered with good old fashioned customer service. Max believed that a strong connection with customers was the key to his success in retail.

“We really do love our customers, and throughout our time we’ve usually been lower in our mark-up than anyone else” Max said.

Max believed that building up a good community relationship on a basis of trust and reliability was the key for success in local business. However, after serving three generations of faithful customers, Max has called it quits on retail.

The reason? High rent prices in Bondi.

“Rent prices have increased for the next five years and competition is rife.” Max said.

Max also referenced the rapid emergence of online retail to have significantly hurt the fashion and footwear industry, especially in small business.

“We have sold online for about six years now.” Max said. “The problem is that most suppliers are also retailers and nearly all are online and accessible to everyone.”

The throngs of eager shoppers in Bondi Junction will be completely diverted to big brand outlets such as Myer and David Jones, a prospect Max said is disappointing but inevitable in the world of big business.

Even with stocking over 2800 items, Max

Max’s shoes in Bondi Junction Mall has closed. Photo: Alex Blair

found it difficult to battle with the stiff competition of internet retail and large shopping complexes that have emerged over the lifespan of his business.

“The chains and the large businesses have all the advantages and it’s making it very difficult to compete.”

Throughout his four-decade escapade, Max sold everything from swimwear to leather jackets, playing a huge role in what is now seen as iconic Bondi surf culture.

The farewell will no doubt be an emotional one for loyal fans passing cash over the counter for one last discount deal.

Customers have decreed it an “end of an era,” which has suitably been made into a farewell banner to be pinned across the shop for its final week.

Being a well-respected member of the Bondi Chamber of Commerce, Max will endeavour to stay active in the community after his departure from retail by offering to give advice to businesses from his wealth of knowledge and experience.

The iconic retailer will close this week, no doubt to the disappointment of faithful customers of all ages.

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5

Opinion

Seven Myths about the Powerhouse to Parramatta Debate

Proponents of the proposed move to western Sydney say the museum is underperforming. Photo: Christopher Harris

OPINION - Kylie Winkworth 1. It’s a choice between a museum at Ultimo or Parramatta. Why? The Powerhouse Museum does not have to be sold to build a new museum in Parramatta. The government has the funds in its $600m cultural infrastructure fund to build a new museum in Parramatta. They also had an $860m stamp duty windfall last year. And the PHM has the collections to fill at least five great museums. Governments make policy choices and set priorities. It’s telling that so far its cultural infrastructure fund has been allocated to city facilities; $139m for Walsh Bay; $202m for the Sydney Opera House. No funds have been allocated to Western Sydney. Only Parramatta’s new museum has to be funded from the rubble of the Powerhouse Museum, as Nick Pappas so memorably said.

2. The government says this is a museum relocation plan. It isn’t.

First and foremost the government’s proposal is a museum demolition plan. Whatever happens in Parramatta, the Powerhouse Museum in Ultimo will be demolished. And no government in the civilised world has ever demolished a major state museum less than 30 years after it opened in an award winning, fit for purpose, landmark building.

4. The PHM has to be relocated to be renewed; it’s old; it needs rethinking.

This is perhaps the silliest reason advanced by proponents of the move. It’s like selling your house and moving to another suburb because after thirty years the sofa needs recovering and the house needs decorating. Of course museum exhibits and programs need replacement, renewal and rethinking. But it is a reckless waste to sell off costly museum infrastructure which is in good condition, and which was built for an asset life of 100 years, particularly when the mooted sale price of the land ($150-200m) will be perhaps 20% of the museum’s true replacement value.

5. The PHM has to be sold because it’s underperforming Many PHM supporters share the government’s concern about falling visitor numbers, declining school visits, and a collapse in donations and sponsorship, although there were modest improvements in some measures in the last annual report. But the reasons for the museum’s underperformance have nothing to do with the museum’s building or location. And moving the museum won’t fix the underlying reasons for the museum’s poor performance. This has more to do with issues of leadership, governance, exhibition renewal, a savage redundancy program causing the loss hundreds of experienced staff, and the impact of the compounding efficiency dividend.

PHM staff numbers have more than halved in fifteen years. Education positions have gone from 27 ten years ago to just three in 2015, so of course school visits have fallen. None of these issues will be fixed by moving the museum. Indeed the last thing a struggling museum needs is a controversial demolition plan, further eroding community trust and support. The museum will soon appoint a new director, its third in just four years. It is a huge risk to give a new untried director, fresh to an underperforming museum, a multi-million dollar museum development project. And the poisoned chalice of defending the indefensible museum demolition.

3.The Powerhouse Museum can be relocated to Parramatta. It can’t.

A museum is not a caravan that can be towed to another location. All museums are anchored in their community. The PHM’s exhibits, stories, audiences and community connections are indivisible from the Ultimo Power Station building, its grand soaring spaces which are so appropriate for the power and transport collections, its supporters, volunteers and benefactors, and not least the vital neighbourhood connections, developed over 120 years. These include the museum’s education partners, its links with the design industries, tourism businesses in Darling Harbour, and the thriving innovation culture and start-up companies in Ultimo. The PHM is an integral part of the culture, history, economy, and community life of Ultimo. We all 6. It’s the eastern suburbs elite versus the West hope the government builds a great new museum Or the selfish city elites don’t want to share in Parramatta, but it won’t be the Powerhouse cultural resources with the West. This is wrong.

Museum, and it will leave a gaping hole in Ultimo. The open letter says “we support the creation 6

city hub 3 MARCH 2016

of a distinctive cultural beacon in Parramatta”.

Everyone supports the idea of a great new museum in Parramatta, and sharing the state’s collections. What isn’t supported is the reckless demolition of a major public museum. Museums, galleries and theatres are located in city centres because that’s where they’re most accessible.

Many of the 11,000 people who have signed the petition are from regional NSW. The PHM at Ultimo is readily accessible for regional and interstate visitors, and overseas tourists.

7. The move is all about cultural equity for Western Sydney. Really?

We do need to talk about cultural equity and about how and where cultural funds are invested, not just in Western Sydney but regional NSW. However the evidence suggests the museum move is more about developers getting the prized Powerhouse Museum land, than it is about cultural equity.

The idea to move the Powerhouse first appeared in a 2014 report by Infrastructure NSW. It is highly unusual for such a radical initiative to be proposed in an infrastructure report more concerned with transport projects.

The report does flag co-investment in cultural facilities with local government. But since then, the Arts Minister has suggested that cultural infrastructure is primarily the responsibility of local government.

If the government was serious about cultural equity it would be spending a good proportion of its $600m cultural infrastructure fund in Western Sydney and regional NSW. It would be sharing significant state collections locked up in storage, it would already have a plan for digital access to the state’s collections, cultural institutions would be required to reach a state wide audience, and it would be partnering with federal and local governments to fund cultural infrastructure in Western Sydney and regional NSW. So far no new money has been allocated for Western Sydney cultural infrastructure beyond the sale proceeds from the Powerhouse Museum. The recent capital works grants for regional NSW allocated just $385,000 for cultural infrastructure across communities that represent 30% of the population of NSW. Now that’s cultural inequality.

Troubled bridge needs to go over water: council

BY CHRISTOPHER HARRIS It is a short distance as the crow flies, but a long way from any notion of a tech hub slated for the site of the former White Bay Power station, according to Leichhardt Mayor Darcy Byrne.

He called on the NSW Government last week to reopen the Glebe Island Bridge to cyclists and pedestrians, so the tech hub can be connected directly to the Pyrmont peninsula. He believes reopening it for pedestrians, cyclists and light rail will make the development more attractive to techies, who are known as avid users of public and active transport.

Clr Byrne also called on the government to release tenders for the site so the local community can see what options are available for waterfront land.

Tender applications for the disused site closed last Thursday He said that if the government could not reopen the bridge then hopes of developing the site as a tech hub would be dashed. “The Government has been told by its own advisors, and new technology companies, that the regeneration of White Bay will fail unless the Glebe Island Bridge is reopened and world-class public transport is extended into the precinct.”

“The reopening of the Bridge can create a cycle and pedestrian pathway which will put the CBD within a ten minute stroll of Glebe Island,” Clr Byrne said.

“The Government has now received a range of redevelopment proposals for White Bay and they should display them publicly so we can all see what community benefits are proposed for this unique waterfront land,” Clr Byrne said in a statement last week.

Glebe Island Bridge was permanently closed following the opening of the Anzac Bridge in 1995.

A 2013 report by Acil Allen Consulting found that restoring the bridge would cost just over $37 million.

“Mike Baird wants White Bay to be our own Silicon Valley but the idea that Google or any other global company will relocate there with their thousands of workers all having to travel by car is patently absurd,” Clr Byrne said.

He said that Leichhardt Council supported the inclusion of sporting fields as well as a significant amount of affordable housing in the development.

White Bay Power station

Shadow Minister for Planning Penny Sharpe told City Hub that the government needed to start listening.

“This government is too secretive about too many major projects,” Ms Sharpe said.

“I support the mayor’s call for more transparency about what’s happening at White Bay.The key part of the tech hub is good public transport, good pedestrian and bicycle access and that is very limited at the moment.”

“If the government is serious about a tech hub, it needs to understand how these tech incubators work and listen to what tech leaders are saying.”

A Transport for NSW spokesperson said it was examining options for the repurposing of the Glebe Island Bridge as an active transport link between the Bays Precinct and Pyrmont.

“The government is preparing a transport plan where public transport, bike paths, walkways, roads, water access and public spaces will all be considered,” the spokesperson said.

“Glebe Island Bridge is certainly an option we’re considering for public transport, walking and cycling into the future, but there are a number of factors that need to be investigated before we make any decisions about its potential use.”

The spokesperson said the plan is being formulated by Transport for NSW and Urban Growth NSW and was expected to be completed by the end of this year.

A spokesperson for UrbanGrowth rejected the Mayor’s call to make submissions public.

“The submissions will remain confidential for probity and commercial in confidence reasons.”

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Tackling violence without lockouts

BY CHRISTOPHER HARRIS Members of the Newtown Vibe Roundtable came together amidst fears of increasing violence and threats to the area’s diversity.

They believe their innovative solutions are working.

“We’re not about resisting change,” says Liz Yeo CEO of Newtown Neighbourhood Centre, “we’re about being active in ensuring that this sense of diversity remains.”

The Neighbourhood Centre convened local police, business chamber members, pubs, council staff and councilors to develop innovative ways to actively preserve the sense of diversity in the suburb.

Following the introduction of the lockout zone in the the CBD, Kings Cross and Darlinghurst, many feared that violence would spread to Newtown.

Soon after the lockouts came into effect, Ms Yeo said she knew something wasn’t right when a local resident said she didn’t feel as safe on weekends. The Neighbourhood Centre decided to conduct a survey with local residents.

“They said they loved the vibe and the diversity, but it was the first time I heard people saying we’re feeling a little bit less safe,” Ms Yeo told City Hub. When the Neighbourhood Centre decided to have a meeting to discuss the issue, they were surprised when they quickly received RSVPs from more than 700 people on Facebook.

That was following the bashing of trans woman Stephanie McCarthy in June last year.

A sustained trend of increased violence has since failed to materialise. That could be down to the actions of the Neighborhood Centre in actively shaping nightlife in the area.

The roundtable community meetings started in August 2015 and Ms Yeo said she believed they have yielded results in that short space of time. There is now a taxi rank to get people out of the area easily.

A lot of local pubs now have a self-imposed early closing time, which means the area doesn’t attract drunkards late at night.

Yeo said through a creative program, locals have

Newtown locals enjoying the Friday Night Vibes, which currently runs every week from 6-8pm. Photo: Diana Shypula, Prema Photo.

been able to showcase what the area is about.

On Friday nights, with funding from the City, the centre holds a mini market selling locally made goods and art and features live music.

“We have people at the train station handing out flowers, saying welcome to Newtopia”.

“This community is about music, the arts, and a welcoming inclusive vibe. It’s not just about policing, although that’s important, but it’s about the broader sense of identity.”

Ms Yeo, who has lived in the suburb since the 1980s said that the program wasn’t about keeping people out of the area, but rather about keeping the “welcoming” vibe that she loved about the suburb.

Gentrification may have made it more difficult to keep artists and the “weird” spirit of the suburb, but Yeo said she believed the suburb could change and still retain its character.

She said she liked the fact that at Friday Night Vibes concert currently held on Friday nights, a professional could be sitting next to a homeless person.

Marrickville Councillor Sylvie Ellesmore, who is on the roundtable, said that she welcomed the increasing number of visitors to Newtown, but said community driven solutions needed to continue, as there “is more work to do”.

She said that there needed to be a focus on dealing with the increased complaints of harassment directed at women and LGBTIQ people visiting Newtown.

“But the bottom line is that the community driven changes being implemented in Newtown to date are working,” she said.

“Even with the significantly increased number of visitors to Newtown, the rate of violence hasn’t increased. In fact, we’ve had a reduction in violence over this recent summer compared to last summer.”

A NSW Police spokesperson said “Newtown Local Area Command have been regularly attending these round table meetings hosted by the Newtown Neighbourhood Centre.”

“Newtown Police will continue to liaise with the community and its members and encourage a positive relationship.”

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Not the case at Broadway Shopping Centre, where free, fast Wi-Fi was rolled out in February.

The rollout of free Wi-Fi is part of the centre’s $55 million redevelopment and Mirvac Retail’s ongoing commitment to develop Broadway into a premier urban shopping destination.

Mirvac’s Senior Development Manager of Retail, Christina Nelson, said Broadway recognises that being digitally connected is a growing demand from their customers and responds to customer research.

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Jeers and heckles as Powerhouse move is debated in NSW Parliament

By ANDREW BARCLAY In a raucous discussion, complete with wolf calls and booing, the NSW Government sought to position so called inner city elites against western Sydney in a parliamentary debate over the selloff of the Powerhouse Museum on Friday.

The debate in parliament occurred after a petition with 10,000 signatories was tabled in Parliament by Member for Sydney Alex Greenwich and was backed by the Member for Balmain, Jamie Parker.

It called on the Government to “expand museum services to other parts of NSW but retain the Powerhouse Museum in Ultimo”.

A strong local campaign against the move collected the required 10,000 signatures for a parliamentary debate, including those from notable people including Cate Blanchett and former premier Bob Carr.

The NSW announced plans a year ago to move the museum from its home in Ultimo to the western suburbs, most likely to the seat of Parramatta.

The following twelve months has seen a campaign by locals to save the museum, opposing the government’s plan to sell the site to developers.

With both levels of the public viewing gallery brimming with campaigners, thunderous applause could be heard, even causing the Temporary Speaker Melanie Gibbons to remind members of the public that clapping and booing were not allowed.

“Order. People in the public gallery will remain silent,” she said.

Government claims that patronage at the museum was poor were rebutted by Mr Greenwich, who said visitation and sponsorship had both increased at the museum, contrary to However, the government remained unmoved and will push ahead, and claimed the move of the museum was important for the development of an arts precinct in western Sydney.

Celebrities including Cate Blachett have signed the petition to save the Powerhouse.

Parramatta MP Geoff Lee called Mr Greenwich and Mr Parker’s efforts keep the museum in the city “elitist”.

“We make no apology for supporting arts in western Sydney,” he said.

Labor opposition leader and spokesperson for the arts, Luke Foley, also spoke during the debate, yet provided no clear detail on Labor’s position.

He has argued previously that his party isn’t opposed to the move “in principle”.

But Mr Parker said the petition demonstrated the depth of opposition to the government’s plan.

“By bringing this issue to the floor of Parliament, we are highlighting that moving the museum is more about a cash grab than culture.

The winners will be big developers,” Mr Parker said.

“It is not a responsible tactic to perpetuate a false dichotomy of inner Sydney and western Sydney.”

Deputy Premier and Minister for the Arts Troy Grant said work on a feasibility study and business case were “progressing well”.

“The NSW Government has made it clear we will be funding the construction of the new museum in Parramatta with 100 per cent of the

proceeds from the sale of the Ultimo site going towards the new build,” he told City Hub .

Among the campaigners present at parliament were some residents from Parramatta and regional NSW who were opposed to the Powerhouse Museum move.

John Hillman, from the North Parramatta Residents Action Group, said the government’s plan was nothing more than a “sweetheart real estate deal for developers”.

Mr Hill said that the government’s declaration it is pursuing a cost benefit analysis was proof of “stunning economic mismanagement”.

“Parramatta and Greater Western Sydney deserves a new world class, state of the arts museum that reflects and respects Parramatta’s unique and leading place in Australia’s history and heritage,” Mr Hillman told City Hub .

The petition followed an escalation of the dispute between the government and those who want the building to remain in its current location, with a group of prominent Australians issuing an open letter urging the government to ensure they don’t “destroy the Powerhouse”.

The letter, published in the Sydney Morning Herald, demanded the government overturn the decision to relocate the site and argued the museum’s items will be put at risk if the site is moved.

“Western Sydney deserves better — a unique institution shaped by community consultation, one that reflects the history, achievements and cultural diversity of the region, and the aspirations of its people,” the letter said.

Despite supporting the move to the west, Parramatta Mayor Paul Gerard’s council is opposed to one potential site, wtih all councillors voting against the museum being built on the banks of the Parramatta River.

The estimated $200 million from the sale of the site will go towards to cost of the move, estimated at over $500 million.

Bike hub hits the skids

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BY CHRISTOPHER HARRIS Sydney Lord Mayor Clover Moore abandoned plans to create a bike hub at Taylor Square at council on Monday, after letting the building stand empty for three years and spending more than $2 million on developing plans for it.

Formerly the 24 hour T2 nightclub, the building was purchased in 2010 for $7.14 million in order to stop brawls that routinely took place on Sunday mornings at the venue.

Lord Mayor Clover Moore championed the purchase so that a “bike hub” could be established at the site.

Clover Moore’s Independents, Green and Liberal Councillors voted in favour of the plan to seek expressions of interest in the building, but it was opposed by Labor Councillor Linda Scott. She called for the building to be retained by council, and a permanent LGBTQI museum installed in the building.

She warned selling the building would see a return to the “bad old days” of violence at Taylor Square. She said that a museum would bring “life and colour” back into the area which is currently mostly comprised of bars, restaurants and nightclubs.

“With the rainbow flag flying proudly over Taylor Square, a LGBTIQ museum or cultural space can be a major drawcard for visitors to Sydney and invigorate interest in the history of Mardi Gras and the struggle for LGBTIQ rights,” Clr Scott said.

President of the Darlinghurst Business Partnership, Stephan Gyory, sent out an email on Tuesday afternoon, calling on the council to save the building.

When contacted by City Hub, Mr Gyory was surprised that the City had not consulted his organisation about the move. He said rather than sell it, the council should put something in the building which would draw people into the area.In the email, he said he wasn’t opposed to private enterprise operating out the building, but it would be beneficial to have something other than a food and drink venue.

“It would be a shame to see it go private because it The council voted to accept expressions of interest in the property is a public space and it needs of planned $17 million in ratepayer’s money.” something to activate the other businesses in A City spokesperson told City Hub that the suburb,” he told City Hub. Liberal Councillor Christine Foster said the council rejected tenders for the bike hub in backflip by the Lord Mayor had meant the November last year, after a report from City “real losers were the ratepayers”. staff showed tenders were above expected The proposed bike hub would have cost an costs. estimated $17 million dollars. The council’s The spokesperson said the CEO advised website said it would activate the daytime that the private sector had embraced cycling economy in the local area as well as servicing allowing the City to step back. the estimated 2,300 bike riders who ride “The City will now run an Expression through Taylor Square on a daily basis. of Interest process to find qualified and But Christine Foster did not share the experienced project experts to buy and optimism for the benefits of the bike hub. refurbish the building and help meet the City’s “All the bike hub essentially ever was a objective of transforming the Taylor Square bike themed café, which in my view made no area.” significant contribution to anything, including The spokesperson said the building requires the local economy. I’ve been opposing the “extensive work” inside as well as exterior Lord Mayor’s plans since 2012, because I have work which would must meet strict heritage always claimed it is likely to be a grave misuse standards. city hub 3 MARCH 2016

3

Max hangs up the boots

BY ALEX BLAIR This week will mark the end of an era following the closure of ‘Max’s Shoes’ after almost 42 years of service.

Based in Bondi Junction, ‘Max’s Shoes’ has been the go-to shop for thousands of locals in search of reliable footwear at affordable prices – delivered with good old fashioned customer service. Max believed that a strong connection with customers was the key to his success in retail.

“We really do love our customers, and throughout our time we’ve usually been lower in our mark-up than anyone else” Max said.

Max believed that building up a good community relationship on a basis of trust and reliability was the key for success in local business. However, after serving three generations of faithful customers, Max has called it quits on retail.

The reason? High rent prices in Bondi.

“Rent prices have increased for the next five years and competition is rife.” Max said.

Max also referenced the rapid emergence of online retail to have significantly hurt the fashion and footwear industry, especially in small business.

“We have sold online for about six years now.” Max said. “The problem is that most suppliers are also retailers and nearly all are online and accessible to everyone.”

The throngs of eager shoppers in Bondi Junction will be completely diverted to big brand outlets such as Myer and David Jones, a prospect Max said is disappointing but inevitable in the world of big business.

Even with stocking over 2800 items, Max

Max’s shoes in Bondi Junction Mall has closed. Photo: Alex Blair

found it difficult to battle with the stiff competition of internet retail and large shopping complexes that have emerged over the lifespan of his business.

“The chains and the large businesses have all the advantages and it’s making it very difficult to compete.”

Throughout his four-decade escapade, Max sold everything from swimwear to leather jackets, playing a huge role in what is now seen as iconic Bondi surf culture.

The farewell will no doubt be an emotional one for loyal fans passing cash over the counter for one last discount deal.

Customers have decreed it an “end of an era,” which has suitably been made into a farewell banner to be pinned across the shop for its final week.

Being a well-respected member of the Bondi Chamber of Commerce, Max will endeavour to stay active in the community after his departure from retail by offering to give advice to businesses from his wealth of knowledge and experience.

The iconic retailer will close this week, no doubt to the disappointment of faithful customers of all ages.

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5

Opinion

Seven Myths about the Powerhouse to Parramatta Debate

Proponents of the proposed move to western Sydney say the museum is underperforming. Photo: Christopher Harris

OPINION - Kylie Winkworth 1. It’s a choice between a museum at Ultimo or Parramatta. Why? The Powerhouse Museum does not have to be sold to build a new museum in Parramatta. The government has the funds in its $600m cultural infrastructure fund to build a new museum in Parramatta. They also had an $860m stamp duty windfall last year. And the PHM has the collections to fill at least five great museums. Governments make policy choices and set priorities. It’s telling that so far its cultural infrastructure fund has been allocated to city facilities; $139m for Walsh Bay; $202m for the Sydney Opera House. No funds have been allocated to Western Sydney. Only Parramatta’s new museum has to be funded from the rubble of the Powerhouse Museum, as Nick Pappas so memorably said.

2. The government says this is a museum relocation plan. It isn’t.

First and foremost the government’s proposal is a museum demolition plan. Whatever happens in Parramatta, the Powerhouse Museum in Ultimo will be demolished. And no government in the civilised world has ever demolished a major state museum less than 30 years after it opened in an award winning, fit for purpose, landmark building.

4. The PHM has to be relocated to be renewed; it’s old; it needs rethinking.

This is perhaps the silliest reason advanced by proponents of the move. It’s like selling your house and moving to another suburb because after thirty years the sofa needs recovering and the house needs decorating. Of course museum exhibits and programs need replacement, renewal and rethinking. But it is a reckless waste to sell off costly museum infrastructure which is in good condition, and which was built for an asset life of 100 years, particularly when the mooted sale price of the land ($150-200m) will be perhaps 20% of the museum’s true replacement value.

5. The PHM has to be sold because it’s underperforming Many PHM supporters share the government’s concern about falling visitor numbers, declining school visits, and a collapse in donations and sponsorship, although there were modest improvements in some measures in the last annual report. But the reasons for the museum’s underperformance have nothing to do with the museum’s building or location. And moving the museum won’t fix the underlying reasons for the museum’s poor performance. This has more to do with issues of leadership, governance, exhibition renewal, a savage redundancy program causing the loss hundreds of experienced staff, and the impact of the compounding efficiency dividend.

PHM staff numbers have more than halved in fifteen years. Education positions have gone from 27 ten years ago to just three in 2015, so of course school visits have fallen. None of these issues will be fixed by moving the museum. Indeed the last thing a struggling museum needs is a controversial demolition plan, further eroding community trust and support. The museum will soon appoint a new director, its third in just four years. It is a huge risk to give a new untried director, fresh to an underperforming museum, a multi-million dollar museum development project. And the poisoned chalice of defending the indefensible museum demolition.

3.The Powerhouse Museum can be relocated to Parramatta. It can’t.

A museum is not a caravan that can be towed to another location. All museums are anchored in their community. The PHM’s exhibits, stories, audiences and community connections are indivisible from the Ultimo Power Station building, its grand soaring spaces which are so appropriate for the power and transport collections, its supporters, volunteers and benefactors, and not least the vital neighbourhood connections, developed over 120 years. These include the museum’s education partners, its links with the design industries, tourism businesses in Darling Harbour, and the thriving innovation culture and start-up companies in Ultimo. The PHM is an integral part of the culture, history, economy, and community life of Ultimo. We all 6. It’s the eastern suburbs elite versus the West hope the government builds a great new museum Or the selfish city elites don’t want to share in Parramatta, but it won’t be the Powerhouse cultural resources with the West. This is wrong.

Museum, and it will leave a gaping hole in Ultimo. The open letter says “we support the creation 6

city hub 3 MARCH 2016

of a distinctive cultural beacon in Parramatta”.

Everyone supports the idea of a great new museum in Parramatta, and sharing the state’s collections. What isn’t supported is the reckless demolition of a major public museum. Museums, galleries and theatres are located in city centres because that’s where they’re most accessible.

Many of the 11,000 people who have signed the petition are from regional NSW. The PHM at Ultimo is readily accessible for regional and interstate visitors, and overseas tourists.

7. The move is all about cultural equity for Western Sydney. Really?

We do need to talk about cultural equity and about how and where cultural funds are invested, not just in Western Sydney but regional NSW. However the evidence suggests the museum move is more about developers getting the prized Powerhouse Museum land, than it is about cultural equity.

The idea to move the Powerhouse first appeared in a 2014 report by Infrastructure NSW. It is highly unusual for such a radical initiative to be proposed in an infrastructure report more concerned with transport projects.

The report does flag co-investment in cultural facilities with local government. But since then, the Arts Minister has suggested that cultural infrastructure is primarily the responsibility of local government.

If the government was serious about cultural equity it would be spending a good proportion of its $600m cultural infrastructure fund in Western Sydney and regional NSW. It would be sharing significant state collections locked up in storage, it would already have a plan for digital access to the state’s collections, cultural institutions would be required to reach a state wide audience, and it would be partnering with federal and local governments to fund cultural infrastructure in Western Sydney and regional NSW. So far no new money has been allocated for Western Sydney cultural infrastructure beyond the sale proceeds from the Powerhouse Museum. The recent capital works grants for regional NSW allocated just $385,000 for cultural infrastructure across communities that represent 30% of the population of NSW. Now that’s cultural inequality.

Troubled bridge needs to go over water: council

BY CHRISTOPHER HARRIS It is a short distance as the crow flies, but a long way from any notion of a tech hub slated for the site of the former White Bay Power station, according to Leichhardt Mayor Darcy Byrne.

He called on the NSW Government last week to reopen the Glebe Island Bridge to cyclists and pedestrians, so the tech hub can be connected directly to the Pyrmont peninsula. He believes reopening it for pedestrians, cyclists and light rail will make the development more attractive to techies, who are known as avid users of public and active transport.

Clr Byrne also called on the government to release tenders for the site so the local community can see what options are available for waterfront land.

Tender applications for the disused site closed last Thursday He said that if the government could not reopen the bridge then hopes of developing the site as a tech hub would be dashed. “The Government has been told by its own advisors, and new technology companies, that the regeneration of White Bay will fail unless the Glebe Island Bridge is reopened and world-class public transport is extended into the precinct.”

“The reopening of the Bridge can create a cycle and pedestrian pathway which will put the CBD within a ten minute stroll of Glebe Island,” Clr Byrne said.

“The Government has now received a range of redevelopment proposals for White Bay and they should display them publicly so we can all see what community benefits are proposed for this unique waterfront land,” Clr Byrne said in a statement last week.

Glebe Island Bridge was permanently closed following the opening of the Anzac Bridge in 1995.

A 2013 report by Acil Allen Consulting found that restoring the bridge would cost just over $37 million.

“Mike Baird wants White Bay to be our own Silicon Valley but the idea that Google or any other global company will relocate there with their thousands of workers all having to travel by car is patently absurd,” Clr Byrne said.

He said that Leichhardt Council supported the inclusion of sporting fields as well as a significant amount of affordable housing in the development.

White Bay Power station

Shadow Minister for Planning Penny Sharpe told City Hub that the government needed to start listening.

“This government is too secretive about too many major projects,” Ms Sharpe said.

“I support the mayor’s call for more transparency about what’s happening at White Bay.The key part of the tech hub is good public transport, good pedestrian and bicycle access and that is very limited at the moment.”

“If the government is serious about a tech hub, it needs to understand how these tech incubators work and listen to what tech leaders are saying.”

A Transport for NSW spokesperson said it was examining options for the repurposing of the Glebe Island Bridge as an active transport link between the Bays Precinct and Pyrmont.

“The government is preparing a transport plan where public transport, bike paths, walkways, roads, water access and public spaces will all be considered,” the spokesperson said.

“Glebe Island Bridge is certainly an option we’re considering for public transport, walking and cycling into the future, but there are a number of factors that need to be investigated before we make any decisions about its potential use.”

The spokesperson said the plan is being formulated by Transport for NSW and Urban Growth NSW and was expected to be completed by the end of this year.

A spokesperson for UrbanGrowth rejected the Mayor’s call to make submissions public.

“The submissions will remain confidential for probity and commercial in confidence reasons.”

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7

Tackling violence without lockouts

BY CHRISTOPHER HARRIS Members of the Newtown Vibe Roundtable came together amidst fears of increasing violence and threats to the area’s diversity.

They believe their innovative solutions are working.

“We’re not about resisting change,” says Liz Yeo CEO of Newtown Neighbourhood Centre, “we’re about being active in ensuring that this sense of diversity remains.”

The Neighbourhood Centre convened local police, business chamber members, pubs, council staff and councilors to develop innovative ways to actively preserve the sense of diversity in the suburb.

Following the introduction of the lockout zone in the the CBD, Kings Cross and Darlinghurst, many feared that violence would spread to Newtown.

Soon after the lockouts came into effect, Ms Yeo said she knew something wasn’t right when a local resident said she didn’t feel as safe on weekends. The Neighbourhood Centre decided to conduct a survey with local residents.

“They said they loved the vibe and the diversity, but it was the first time I heard people saying we’re feeling a little bit less safe,” Ms Yeo told City Hub. When the Neighbourhood Centre decided to have a meeting to discuss the issue, they were surprised when they quickly received RSVPs from more than 700 people on Facebook.

That was following the bashing of trans woman Stephanie McCarthy in June last year.

A sustained trend of increased violence has since failed to materialise. That could be down to the actions of the Neighborhood Centre in actively shaping nightlife in the area.

The roundtable community meetings started in August 2015 and Ms Yeo said she believed they have yielded results in that short space of time. There is now a taxi rank to get people out of the area easily.

A lot of local pubs now have a self-imposed early closing time, which means the area doesn’t attract drunkards late at night.

Yeo said through a creative program, locals have

Newtown locals enjoying the Friday Night Vibes, which currently runs every week from 6-8pm. Photo: Diana Shypula, Prema Photo.

been able to showcase what the area is about.

On Friday nights, with funding from the City, the centre holds a mini market selling locally made goods and art and features live music.

“We have people at the train station handing out flowers, saying welcome to Newtopia”.

“This community is about music, the arts, and a welcoming inclusive vibe. It’s not just about policing, although that’s important, but it’s about the broader sense of identity.”

Ms Yeo, who has lived in the suburb since the 1980s said that the program wasn’t about keeping people out of the area, but rather about keeping the “welcoming” vibe that she loved about the suburb.

Gentrification may have made it more difficult to keep artists and the “weird” spirit of the suburb, but Yeo said she believed the suburb could change and still retain its character.

She said she liked the fact that at Friday Night Vibes concert currently held on Friday nights, a professional could be sitting next to a homeless person.

Marrickville Councillor Sylvie Ellesmore, who is on the roundtable, said that she welcomed the increasing number of visitors to Newtown, but said community driven solutions needed to continue, as there “is more work to do”.

She said that there needed to be a focus on dealing with the increased complaints of harassment directed at women and LGBTIQ people visiting Newtown.

“But the bottom line is that the community driven changes being implemented in Newtown to date are working,” she said.

“Even with the significantly increased number of visitors to Newtown, the rate of violence hasn’t increased. In fact, we’ve had a reduction in violence over this recent summer compared to last summer.”

A NSW Police spokesperson said “Newtown Local Area Command have been regularly attending these round table meetings hosted by the Newtown Neighbourhood Centre.”

“Newtown Police will continue to liaise with the community and its members and encourage a positive relationship.”

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Public Wi-Fi brings to mind staring endlessly at a screen, watching an image download at a snail’s pace. You’re lucky to check your email before you’re told your session has expired.

Not the case at Broadway Shopping Centre, where free, fast Wi-Fi was rolled out in February.

The rollout of free Wi-Fi is part of the centre’s $55 million redevelopment and Mirvac Retail’s ongoing commitment to develop Broadway into a premier urban shopping destination.

Mirvac’s Senior Development Manager of Retail, Christina Nelson, said Broadway recognises that being digitally connected is a growing demand from their customers and responds to customer research.

“We are determined to create the best customer experiences within our centre, and believe free Wi-Fi across the centre will provide benefits for our shoppers and retailers, with many wanting to connect

socially or inform their shopping trip online,” she said.

Customers and retailers will be able to access the free Wi-Fi for three hours or 1GB of data every day.

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Users can download the app [Apple or Google Play] via the centre’s Wi-Fi and with the tap of a button, the virtual host jumps out behind the wall on Level 2 and gives users a taste of what is to come. Shoppers can also browse all of the images of the soon-to-come Level 2, and can continue to experience what is coming with new content being regularly updated on the app.

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FEATURE

All about women:

International Women’s Day in Sydney As a woman in the music industry, she knows there are a myriad of things that should and hopefully will change, but one that strikes a chord with her is content.

“Not everything will inspire you, but not everything should,” she said.

“It feels a bit one dimensional at this point: same song, different artist.”

Journalist, novelist and screen personality Gretel Killeen will be hosting the Sydney leg of the AIM International Women’s Day Great Debate. Killeen will be wrangling two teams of well-credentialed speakers who will share some witty arguments and insights as they take a refreshingly raw look at the provocative topic of ‘Men and Women – Equal at Last’.

To her, International Women’s Day is about a celebration of how far women have come in striving for equal opportunity. She explained that when she first started in the industry sexism was so ubiquitous she thought it was the norm.

“When I was pregnant with my first son I was told I couldn’t appear with my stomach on camera [because] it would ‘put people off their dinner’,” said Killeen. “It’s come a long way since then. I think it’s really important, in any battle, to acknowledge the victories, that gives us hope and shows there’s progress.”

Another event applauding women is the Sydney International Women’s Poetry and Arts Festival, honouring and supporting female poets, writers and everyone in between. There will be talks from prominent writers and poets such as Jenny Munro and Judith Beveridge as well as writer and social commentator Jane Caro.

Some of the ideas Caro will be focusing on are the importance for expression for women, and the tremendous amounts of difficulty women have getting their work published and taken seriously.

Working in the media and advertising for 30 years, Caro has witnessed change in society towards women in the arts, but she says there is still a long way to go.

“It’s become a little harder to say ‘women aren’t that good at writing, they aren’t that good at painting [or that] they’re not funny’,” she explained. “Suddenly, even though people may still hold those beliefs, there’s still an embarrassment around saying those things out loud. That’s not huge progress, I’d have to say, but it’s better than it was before.”

Gretel Killeen. Photo: Chris Peken

INTERNATIONAL WOMEN’S DAY EVENTS March 8. Everywhere. Info: unwomen.org.au

ALL ABOUT WOMEN March 6. Sydney Opera House. Various events, times and prices (multipack tickets available). For more info: aaw.sydneyoperahouse.com WOMEN OF LETTERS - A LETTER TO MY UNFINISHED BUSINESS March 6, 6-8pm. Sydney Opera House. From $27.

Tickets & info: aaw.sydneyoperahouse.com

International Women’s Day Fair March 6, 10am-1pm. Steel Park, Illawarra Road, Marrickville. Info: internationalwomensday.com

AIM INTERNATIONAL WOMEN’S DAY GREAT DEBATE March 8. Doltone House, Jones Bay Wharf. $185-$199 (group bookings also available). Tickets & info: aim.com.au/iwd-2016

2016 International Women’s Day Breakfast March 7, 7.30-9.30am. NSW Parliament House, 6 Macquarie Street, Sydney. $27.12-$44.88. Info: internationalwomensday.com or eventbrite.com.au

SYDNEY INTERNATIONAL WOMEN’S POETRY & ARTS FESTIVAL March 16, 5.30-9.30pm. NSW Parliament House, 6 Macquarie Street, Sydney. $20. Tickets & info: eventbrite.com.au

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By Athina Mallis International Women’s Day is on March 8 and to celebrate there will be a number of events around Sydney commemorating the astounding work and positive influence of women.

One of these events is All About Women, a conference being held as a precursor this Sunday. Thirty women from the United States, Canada, Mexico, North Korea, Russia, France and South Africa will discuss issues such as equality, unconscious bias and violence through to the economy, masculinity, female incarceration, Indigenous activism, and the power of the female memoir.

Co-curator of All About Women Ann Mossop believes it’s imperative to create a platform for women to be a part of the public conversation.

“If you look around you at who is writing in newspapers, who is having their books reviewed in newspapers, [and] who is speaking on television and on radio, in spite of the fact that things have changed a huge amount, you still find that a majority of those voices are men,” said Mossop.

Mossop explained that All About Women isn’t about one particular version of what feminism can be. “It’s really important to hear from different people and different kinds of experience,” she said. “What we try to do, is not to just have a diverse program in a token way. It’s really about finding interesting people who have got something they’re passionate to discuss.”

For any women working in the arts industry, The Boys Club is a perfect pick. It’s a panel discussion, which talks about the vacancy of women in leadership roles within the arts sector. Mossop raises the question of why there are seldom any women in leadership positions within the arts, when there are so many women who work in the arts.

“If you look at the arts now as a sector, where most of the people who work in it are women…if you look at that layer of people who hold artistic director positions, people who are theatre directors or directors of various kinds of productions, it’s still very predominantly male.”

She added: “So why is that still the case? What has changed since we started having this conversation, what should we think about it, and what can we do about it?”

One event Mossop highly recommends is the panel discussion What Needs to Change, which features a number of respected women such as Ann Sherry, Crystal Lameman, Masha Gessen and Mallory Ortberg. Jenny Brockie will be chairing that discussion.

Memoirist Piper Kerman, whose bestselling memoir was turned into the popular Netflix series Orange is the New Black, will also be presenting a talk on women in the federal justice system and her own experiences.

Australian vocalist and hip-hop artist Sampa the Great will be a panelist on a special International Women’s Day edition of monthly literary event Women of Letters. This is a writing seminar reigniting people’s love for letter writing. Curators Marieke Hardy and Michaela McGuire regularly bring together writers, poets and musicians to each pen a letter on a certain topic, then read it out to an audience. This month they’ve teamed up with All About Women. Sampa is thrilled to be a part of this panel with the topic being ‘A letter to my unfinished business’.

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Todd McKenney and Nancy Hayes. Photo by Clare Hawley

ARTS & ENTERTAINMENT

Review: Six Dance Lessons in Six Weeks

Well, what can I say?... Great comic script by award-winning playwright Richard Alfieri, terrific direction from seasoned Ensemble professional Sandra Bates, excellent portrayal of the eccentric characters from Nancye Hayes and Todd McKenney, and precision-perfect dancing thanks to choreographer John O’Connell.

Hayes plays Lili Harrison, a well-to-do Florida retiree who hires dance instructor Michael Minetti (McKenney) to give her private lessons at home.

Their relationship over six weeks falters as they tear strips off one another to finally arrive at the secrets each reveals to the other – he is gay, not married, and has returned to Florida from New York to look after his mother who had Alzheimers; Lily’s husband is not, in fact, alive, but has been dead for six years, and she is older than she claims.

Although their banter verges on the cruel, this take on rom-com must inevitably result in a reconciliation as the two dance their way through

the tango, waltz, cha-cha and so on to reach a point of mutual compassion, understanding – and yes, love.

The Ensemble won the 2007 Helpmann Award for Best Regional Touring Production after the production appeared at the Sydney Opera House in 2006 and then toured nationally, breaking their previous box office records.

All the elements come together in this perfectly reprised two-hander.The sassy one-liners kept the audience in stiches, the pace was effortlessly maintained, the set was just the thing for Lili’s apartment with a view, and the dancing was breathtakingly good.

You must see it before it ends! (ID) Until Mar 13, various show times.The Concourse Theatre, cnr Victoria Avenue and Anderson Street, Chatswood. $66-$73.

Tickets & info: ensemble.com.au or 02 9929 0644 or theconcourse.com.au

Babies Proms: Music for Tutus For over three decades, Babies Proms has been giving young children (aged between two and five) an exciting insight into the world of music and dance by introducing them to inspiring live performances and orchestral music in an extremely kid-friendly atmosphere.

The Music for Tutus edition introduces children to orchestral instruments through Tchaikovsky’s enchanting ballet classics – Swan Lake, Sleeping Beauty and The Nutcracker – with two beautiful ballet dancers performing and an opportunity for the audience to meet the musicians at the end.

As part of the Sydney Opera House’s ‘Children, Families and Creative Learning Program’, this annual program is designed to make music fun, accessible and a magical

How would you feel if your beloved local pub suddenly got a makeover and it didn’t look like your old watering hole anymore? This is what Sydney writer Richie Black’s latest play is all about.

Presented by Insomniac Theatre and directed by Maggie Scott, The Local focuses on the gentrification of a local hotel. The renovations are not taken well by the regulars, because in their opinion there was nothing wrong with the old pub. If that isn’t enough, the pub’s cricket team won’t exist after the renovations are completed – so now it’s personal, and their voices are about to be heard.

Scott said this play should touch a lot of the audience, as a number of us have had a favourite spot renovated, which has caused heartbreak. She explained her love for this script was the idea of not backing down.

“It’s the underdog fighting back which appeals to me,” she said. “What will really reign through with

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experience for the little ones while giving them an exciting first visit to the Sydney Opera House at the same time.

Head of the program, Bridgette Van Leuven explained: “Families can hear the enchanting music of Tchaikovsky’s ballets, observe the beauty of the classical ballet art form, and most importantly participate and respond creatively. We encourage all young people to bring their ballet shoes, tights and tutus, to warm up with the performers and better understand these wonderful stories.”

An access-friendly performance of the show will also take place on Friday March 18. (ASha) March 9–20. Studio, Sydney Opera House. $25-$30.Tickets & info: sydneyoperahouse.com or 9250 7777

[the audience] is what is happening with pubs in Sydney today. I think everyone will identity with them while having a good laugh.”

The atmosphere is casual so you don’t have to dress up to enjoy some entertainment. The play is also a fun one to watch, so you don’t have to think too hard, just sit back and relax.

“People can bring in their drinks, relax and unwind...you can have dinner before or after the show in the bistro,” said Scott.

“It’s a black comedy but extremely funny.”

(AMal) March 8–20 (Tues-Thurs 8pm, Sun 6pm). The Ballroom, The Exchange Hotel, 94 Beattie Street, Balmain. $25-$30.

Tickets & info: trybooking.com/174376

10 STAGE 12 SCENE 13 Sounds 14 SCREEN

Arts Editors: Jamie Apps - Alannah Maher For more A&E stories go to www.altmedia.net.au and don’t forget to join the conversation on Twitter at @AltMediaSydney

Contributors: Brendan Modini, Carmen Cita, Craig Coventry, Greg Webster, Hannah Chapman, Alicia Sim, Nyssa Booth, Lauren Edwards, Peter Urquhart, James Harkness, Lauren Bell, Leann Richards, Lisa Seltzer, Mark Morellini, Matthew Bernard, Mel Somerville, Olga Azar, Rocio Belinda Mendez, Sarah Pritchard, Sinead McLaughlin, Siri Williams, Athina Mallis, Leigh Livingstone, Joseph Rana, Shon Ho, Jacqui Rothwell, Anvi Sharma, Emily Shen, Silvia Cheung, Andrew Hodgson, Irina Dunn.

explained. “And you know that’s such a key part of the play.”

The play also explores the timeless issues of feminism and socio-economical struggle.

“The place of women in society is a big part of the play, because Mary herself was something of a prototypical feminist,” explained Lawrence. “Mary was concerned…with the plight of women, particularly in the lower socioeconomic groups. And Henry was a struggling working-class fellow who’s very concerned with the working class.”

All My Love not only incites the viewers to go back and re-read the works of Lawson and Gilmore, but also encourages the audience to never give up on themselves.

“I hope that [All My Love] is something that inspires people to take charge of their lives and speak up, and you know, enjoy good relationships,” Lawrence added. (NB) Until Mar 6. Glen Street Theatre, cnr Glen Street and Blackbutts Road, Belrose. $47-$65.

Tickets & info: glenstreet.com.au

All My Love

Famous for producing writing that is still revered across the nation today, Henry Lawson and Mary Gilmore are renowned Australian literary icons. But what you don’t know is that they were secretly betrothed in a love affair that was soon thwarted by devastating deception.

All My Love, written by Anne Brooksbank and directed by Denny Lawrence, is a beautifully touching and historically accurate Australian story that exposes Lawson and Gilmore’s secret romance.

“I knew they were friends and had a professional relationship, but the depth and the intensity of the relationship was something that Anne Brooksbank…had discovered,” Lawrence

John Cleese and Eric Idle: Together At Last…

For The Very First Time Two of Britain’s most iconic comedians are teaming up for three nights in Sydney that you’ll never forget, with John Cleese and Eric Idle teaming up for: John Cleese and Eric Idle:Together At Last…

For The Very First Time.

As founding members of comedy troupe Monty Python, you should expect the unexpected, but most importantly a whole lot of laughs.They have been touring the United States and now they’re bringing their show down under.

On speaking about the announcement, Cleese had a few things to say about the night will entail.

“No one show will be the same and all of them will annoy the Politically Correct,” said Cleese.

To expand on that quote, there will be scripted story telling, improvisation, musical numbers, exclusive footage and an audience Q&A for those Cleese and Idle diehards to ask their burning questions.

Idle is excited to tour our nation since he has a special connection with Australia.

“Having enjoyed the World Tour of Florida, we were looking for somewhere else large aquatic reptiles of the sub family Crocodylinae also thrived,”

he said.“The Nile was booked, so we are coming to Australia. Having once married a sheila and as the father of a half-Australian son, I look forward to touring one of my all-time favourite places.”

Get your tickets as soon as you can because this is bound to sell out. (AMal) March 14–16, 8pm. State Theatre, 49 Market Street, Sydney. $102-$173. Limited seating available,Tickets & info: ticketmaster.com.au

RAINBOW ROOM

featuring Trevor Ashley & Gretel Killeen Comedy, chaos, cabaret, and some real characters – you can expect it all as the Rainbow Room overtakes the Sydney Opera House for three exclusive nights as the unofficial festival club of the Sydney Gay & Lesbian Mardi Gras.

With four different shows dispersed over three evenings, audiences can pick and choose from a variable buffet of world-class performers.

Highlights include Gretel Killeen and her plethora of extra special guests in Smart Arsing, and a drag style ode to famous female screen duos with Gentlemen Prefer Blokes.

We caught up with Gretel and drag queen extraordinaire Trevor Ashley.

Trevor will be joined by long time collaborator and fellow queen Courtney Act on the Studio stage for Gentlemen Prefer Blokes, the revival of a cabaret double act in which the pair embody a series of famous female screen duos.

“It starts from Gentlemen Prefer Blondes and sort of bounces on from there to other famous female duos… Of course Courtney decided she had to be Marilyn Monroe and I got stuck with the horsey old Jane Russel!” Trevor explained, laughingly.“It’s a hoot, and the costumes are beautiful…”

“Courtney and I work well together because we’re basically the complete opposite to each other…she drinks tea and goes on silent meditation retreats and I drink buckets of wine… We sort of take the piss out of each other and out of ourselves while we do it.We have a really, really great time together,” added Trevor.

THE RITZ On the run from his murderous bother-in-law, a balding, middle-aged businessman finds himself hiding out at a steamy Manhattan bathhouse running rampant with the frivolities of the gay sexual revolution.The New Theatre presents this madcap farce with their most adventurous set to date, a cast of 15 (most of them only in towels) and several wild choreographed musical numbers.Audiences will leave with huge smiles! (AM) Until Mar 5. New Theatre, 542 King Street, Newtown. $17-$22.

Tickets & info: newtheatre.org.au THE PUNTER’S SIREN A whacky comedy about people’s inner thoughts, fears and desires set in the 60’s.The socially awkward Helen (Jacqui Robson) turns up to Randwick Racecourse alone to be swept off her feet by the vivacious

Linda (Laura Viskovich), but this blonde bombshell has an ulterior motive. Set in a time when homosexuality was more fraught with difficulties, this enigmatic play also pays tribute to the fashions and the fancies of the decade. (AM) Until Mar 5. Blood Moon Theatre, The World Bar, 24 Bayswater Road, Kings Cross. $21.89-$32.34.

Tickets & info: eventbrite.com.au or theworldbar.com THE PRIDE An emotional and poetic reflection on gay identity and sexual liberation,The Pride jumps between two parallel love stories – one set in the repressive past, 1958, and the other in the more liberated present day.Through wicked humour and raw emotion,The Pride will get under your skin, exploring the ever-changing attitudes to love and sexuality. (NB)

R:Trevor Ashley and Courtney Act. L: Gretel Killeen

Trevor has been heavily involved in organising and performing in Mardi Gras events for many years, and Rainbow Room is no exception, as he coproduces the series with Wendy Richards.

Gretel Killeen has also been a gay rights advocate from a young age. For Smart Arsing, she will be reprising her popular role of the Minister for Men from last year’s hit web series created by Kacie Anning and Ideas at the House.After being unceremoniously fired from politics, the egotistical Minister takes it upon herself to star in her own low-budget TV talk show.

Killeen has summoned “between one and 100” guests to join her in this variety endeavour ranging from comedians to politicians, drag queens to journalists and “other ratbags”. She explained:“…as someone who has been extremely independent, it has been amazingly heart warming to have these people come on board and share the load… it’s going to be a lot of fun!”

Until Mar 6. Eternity Playhouse, 39 Burton St, Darlinghurst. $38-$45.

Tickets & info: darlinghursttheatre.com SPACE CATS This daring, glittery musical follows lonely canine Laika (Graeme McRae) on a journey deep into the galaxy where he crash lands on a planet populated with all-signing, all-dancing kitty cats who have trouble accepting the smelly and the strange. With fabulous costumes, powerful music and naughtiness at the forefront, this little musical that could is also a liberating celebration of diversity and sexuality in all its forms. (AM) Until March 12,Tues-Sat 8pm.

The Old 505 Theatre, 5 Eliza Street, Newtown. $25-$35.Tickets & info: old505theatre.com

THE KILLING OF SISTER GEORGE June Buckridge plays Sister George, a beloved character on a popular BBC soap opera, a nurse who ministers to the medical needs and personal problems of the local villagers.

In real life Buckridge is a loud mouthed, alcoholic, slightly sadistic woman – the very antithesis of the sweet character she plays, she also happens to be a lesbian. G.bod Theatre mark the 50th anniversary of this controversial play with an updated version. (AH) Until Mar 12 (Wed–Sat 7.30pm, Sun 5pm). King Street Theatre, 644 King Street, Newtown. $28-$35.Tickets & info: kingstreettheatre.com.au THE PICTURE OF DORIAN GRAY – REIMAGINED Expect a completely new view on an Oscar

Each show will feature a varied bakers’ dozen of a cast including (but not limited to): Ray Martin (legendary journalist), Jordan Raskopoulos (lead singer of comedy band Axis of Awesome), Jenny Leong (Greens Member for Newtown),Alex Greenwich (Independent Member for Sydney), Panti Bliss (Irish drag queen and “accidental activist”), a yet-to-be-named American comic, and many more – accompanied by “fabulous heavy metal band” Lillye as the Minister’s studio band, and a collection Gretel’s friends from her years of voice-overs who will lend their highly recognisable baritones to the “ad breaks”.

The Rainbow Room will also host an All Star Drag Revue featuring “some of Sydney’s most famous drag queens from past and present”, along with Marney McQueen in Rosaoke, a hair-larious cabaret about Celebrity Bikini Waxer Rosa Waxoffski.

From the outset these shows invite you to laugh, but in the spirit of Mardi Gras the sparkles and smiles are accented with the essence of something deeper. “I really do think that entertainment is a really great conduit for opinion, and I think if we’re laughing we [more easily] take things on board and identify with it, because we’re more open,” said Gretel.

“It’s a really fun night at the Opera House with hours and hours of entertainment!” added Trevor. (AM) March 3, 4 & 5 (Smart Arsing 7.15pm, Gentlemen Prefer Blokes 9.15pm).The Studio, Sydney Opera House. $30-$70.

Tickets & info: sydneyoperahouse.com Wilde classic, quite controversial in its time. Nathan Farrow, an Australian playwright/actor, adapts the play into a drama/comedy with horrors and dark secrets. (MS) Until Mar 19. Genesian Theatre, 420 Kent Street, Sydney. $25-$30.Tickets & info: genesiantheatre.com.au LADIES DAY This play focuses on a female writer in Broome and her experience and conversations with gay men in the community, all based on real life interviews and heavy research. Writer Alana Valentine is seeking to express ideas and themes that normally aren’t publicly known or discussed with the community, regarding the LGBTQ experience in regional Australia. (AMal) Until Mar 26. SBW Stables Theatre,

10 Nimrod Street, Kings Cross. $20-$55.Tickets & info: griffintheatre.com.au PICCOLO TALES This site-specific play at Kings Cross institution the Piccolo Bar pays homage to the venue and its 81-year-old proprietor, Vittorio, the several dramatic changes they have witnessed in the Cross, and the many colourful customers attracted over the years.

The intimate setting inserts the audience members into the action, creating somewhat of a journey through time, similar to opening a time capsule and exploring what’s inside. (NB) Until Mar 31. Piccolo Bar, 6 Roselyn Street, Potts Point. $20-$40.Tickets & info: piccolotales.eventbrite.com.au city hub 3 march 2016

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THE NAKED CITY

POP GOES THE NIGHTCLUB! With Coffin Ed, Jay Katz and Miss Death It was good to see Leichhardt Mayor Darcy Byrnes endorsing our call of a few weeks back that live music venues be given exemption from the current lockout laws. His Council will now conduct a survey to investigate whether such venues have a much lesser impact in regards to drinking culture and violent incidents than other binge-oriented premises. Coming on the back of the ‘Keep Sydney Open’ rally, it’s a positive step in revitalising Sydney night life.

Whilst the issue of resolving the current 1.30am lockout rages on, it’s an opportune time for creative Sydneysiders to think well outside the square and come up with at least temporary solutions to fill the cultural void. Back in the late 70s and early 80s, New York City was home to the somewhat notorious ‘pop up’ nightclub. Set in old warehouses, abandoned buildings and the ubiquitous lofts, the pop ups flaunted the city’s initial inability to close them down on the spot. If the venue was sprung they would simply pack up the minimalist décor and move to a different location.

The original process of closing these illegal clubs was rooted in a complicated bureaucracy that often took a couple of weeks, thus prolonging their fleeting life. However the City soon passed legislation that enabled immediate closure, coupled with some serious fines and penalties for the perpetrators. Sydney too has enjoyed its share of illegal pop ups, particularly in the more laissez faire days of the 80s and early 90s when the police were focused on more rewarding prizes than busting an after hours warehouse party.

It would be a brave person, you might think, who took on the might of the law and Council bureaucracies these days and attempted to open an

BDSM

Thrusting a taboo topic under the spotlight, Sydney artist Simon Bernhardt unleashes a new portrait exhibition, BDSM, at Black Eye Gallery in Darlinghurst.

For the uninitiated, the exhibition’s acronym namesake is a blanket term for a range of erotic role-play practices including bondage, dominance, submission and sadomasochism.

Coinciding with Sydney’s Mardi Gras Festival, Bernhardt’s exhibition gets up close and personal with a kinky crosssection of local BDSM community members, to unravel some of the more commonly held stereotypes about BDSM. A fine art and commercial photographer, Bernhardt explained: “There is a certain misconception SYDNEY WRITER’S FESTIVAL: CARRIAGEWORKS EDITION Carriageworks and SWF’s new partnership presents this exclusive opportunity to see two fascinating talks from renowned international writers Simon Winchester (UK), author of new biography Pacific Ocean, and award-winning author Andrew O’Hagan (UK). Winchester’s only Sydney appearance, he will be speaking about his new book telling the story of oceans, dictators, and the diminishing power of the world’s superpowers. O’Hagan will be discussing his new novel, The Illuminations, a story about family, loyalty, secrecy and so much more, which was long-listed for the 2015 Man Booker Prize. (ASha) 12

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‘underground’ Sydney venue. Secrecy is almost impossible in 2016 with the explosion of social media and Councils patrol their precincts with an almost puritan fervour.

Yet illegal grog shops, clandestine nightclubs and surreptitious ‘gigs’, have been part and parcel of Sydney’s chequered history, going right back to the days of early convict settlement. Goddamn – it’s part of our cultural legacy!

Whilst there will probably always be large scale illegal raves, what we are advocating is something of a more boutique nature, akin to the spread of small bars throughout the city and inner west. Clover Moore has recently

associated with BDSM – that practitioners are somehow perverted and guilty of abhorrent fetishes. BDSM showcases practitioners on a journey of sexual discovery, while allowing people to learn more about how they came to be excited by things outside ‘mainstream’ sexual expression.”

Avoiding the easy path of objectification, Bernhardt’s photographic gaze scratches beneath the masks and leather-clad surfaces to uncover the humanity of his subjects. Outside of their sexual fetishes, most of the portrait subjects lead quite ordinary or even mundane lives – BDSM is their release from the everyday.

“There’s just this amazing kaleidoscope across the spectrum of sexuality,” said one of Bernhardt’s portrait subjects, under the condition of anonymity.“For me it’s all amazing and although there’s a lot of things I don’t personally do, things I’m not into, I love that other people are.”

Liberation, self-empowerment, and pride are common themes that emerge in Bernhardt’s series of 16 portraits and in the corresponding interviews that he conducts with his subjects. (CC) Mar 3–17. Black Eye Gallery, 3/138 Darlinghurst Road, Darlinghurst. Info: blackeyegallery.com.au OPENING NIGHT: March 3, 6-8pm.

RSVP: anna@blackeyegallery.com.au March 3, 6–7pm (Simon Winchester) & 8pm (Andrew O’Hagan). Carriageworks, 245 Wilson St, Eveleigh. $25-$35 each.

Tickets & info: swf.org.au or ticketmaster.com.au or 1300 723 038 LLOYD REES: PAINTING WITH A PENCIL 1930-36 A celebration of Sydney telling the artists story through a series of stunning pencil drawings and sketches.

Having been an active artist for more than 70 years, Rees’s work has been the center of many exhibitions. However, this is an indepth examination of Rees’s drawings from the 30’s period and includes over 30 never seen before images. During the 1930’s Sydney underwent a period of rapid

called for more of the latter, with perhaps an extension of their trading hours, but many of these bars face noise restrictions due to their proximity to private dwellings.

It might be a pipe dream, but we would love to see Councils allocate many of their public and unused spaces for a series of one-off pop up nightclubs, opening well into the wee small hours and with a minimum of regulations imposed, save for the basic safety and hygiene requirements.You could apply for a one-off pop up licence, fulfil a few basic obligations, install your own basic décor, hire a band and DJ and be open for business, albeit for only one night.

Yeah, the old snowflake’s hope in hell, you immediately reply, and perhaps you are right given the storms of protest that would come from established venues, the AHA and other party-poopers, should any Council be so daring to try the experiment.That of course leaves only the illegal (or semi-legal) option, and whilst we would never advocate a blatant breaking of the law, it’s time to at least try a little tweaking of the system.

A great followup to the ‘Keep Sydney Open’ rally would be a symposium, where anybody not directly connected with the late night club industry, AHA, or liquor suppliers, could sit down and workshop concepts for a new pop up culture, a bit like the start-up tech geeks are doing with their apps.

It’s simplistic to think that a lifting of the current lockout laws will restore the status quo and bring back an exciting and booming late night culture.

However the popular push is gaining momentum and some changes would appear inevitable. In the meantime there’s certainly the opportunity for somebody to reinvent the wheel when it comes to a Council endorsed, totally legal, community friendly, pop up nightclub. Maybe!

Robyn Sweaney – Looking Sideways, Heading West In her first exhibition for Arthouse Gallery, Robyn Sweaney presents a layered exploration of Australian identity and place, wrapped up in a painterly response to the suburban mundane of her local rural environment of Mullumbimby.

Traversing notions of travel, distance and the unknown, Sweaney captures the experience of being lost in the Australian landscape, meandering through small towns and inland cities. The images of tightly refined houses, streetscapes, motels, parks, garages and stores that make up the exhibition are drawn from the artist’s annual road trips, travelling west from the NSW north coast.

“The unease that the journey can bring returns me to a more innocent self,” explained Sweaney.

“The white line on the road connects me to the place I have come from to where I am heading.”

Sweaney’s suburban scenes are bright and stark yet oozing with silence. Apparently frozen in time and space, these nostalgic snapshots feel both near and far, as if glanced from a car window.

(AM) Until Mar 12 (Tues-Fri 9.30am-6pm, Sat 10am-5pm). Arthouse Gallery, 66 McLachlan Avenue, Rushcutters Bay. Info: arthousegallery.com.au modernisation, with suburbs expanding and the construction of the Sydney Harbour Bridge. A classically beautiful exhibition. (NB) Until Apr 10. Museum of Sydney, Cnr Bridge and Phillips St, Sydney. $5-$10.

More info: sydneylivingmuseums.com.au CUSP: DESIGNING INTO THE NEXT DECADE Seen by over 50,000 people around the country, this travelling national creative program is sure to be an experience that broadens the mind. The exhibition highlights the works of Floyd Mueller, Greg More, Leah Heiss, Stephen Mushin, and Super Critical Mass – an ongoing participatory sound project pushing the boundaries of what’s possible

Kendall Murray – Show and Tell Kendall Murray’s newest collection of miniature sculptures and assemblages considers the formative link between toys and human identity. Show and Tell explores the currency of toys and the psychological forces that motivate individuals to collect.

Found objects such as tea cups, spinning tops, toy telephones and timber games act as physical motifs, and are combined with other objects and sculpted into curious new forms overtaken by trees and foliage. The resulting sculptures represent the duality of toys as both a celebration of youth and rite of passage into adulthood.

Murray examines the significance of dolls in much of this work. Loyal companions, dolls act as silent teachers, normalising a child into sociocultural codes by representatively absorbing and translating the world of the adult.

In this exhibition Murray invites you to tumble down the rabbit hole with her to explore the role of toys in the lives of children and the fascinating psychological impulse in adulthood to collect toys. (AM) Until Mar 12 (Tues-Fri 9.30am-6pm, Sat 10am-5pm). Arthouse Gallery, 66 McLachlan Avenue, Rushcutters Bay. Info: arthousegallery.com.au

in their arena. They will attempt to use design to change the way we listen and will be presenting a one-night-only Sub Mass, questioning our social structure in the process (more details to come).

(AH) Until Apr 28. Tues–Fri, 11am-4pm.

Australian Design Centre, 101-115 William Street, Darlinghurst.

Free. Info: cusp-design.com or australiandesigncentre.com WHEN SILENCE FALLS Providing a voice for those who have been silenced, this exhibition encompasses painting, video and sculpture; presenting the work of contemporary Aboriginal artists

alongside contemporary international artists. It considers the violence and loss of often-unacknowledged historical events – cultural displacement, political oppression, ethnic cleansing and massacres. Featuring a new major acquisition by Australian Indigenous artist Judy Watson, as well as significant loans from Naomi Milgrom, Ben Quilty, and Gene and Brian Sherman; this exhibition speaks strongly of conflict, but does not look to blame. (AM) Until May 1. 10am–5pm daily, Weds until 10pm. Art Gallery of NSW, Art Gallery Road, The Domain, Sydney.

Free (exhibition catalogue $16.95).

Info: artgallery.nsw.gov.au

Sydney Live Music Guide LIVE WIRE

By Jamie Apps Saskwatch: Last year the Melbourne soul outfit released their third studio album, Sorry I Let It Come Between Us, which is brimming with psychedelic, fun, soulful tracks. Since the beginning of last month the band have been taking their energetic, unconventional live show around the country on an over 30 stop tour, which winds its way into Sydney tonight.

Thu, Mar 3,The Basement Big Bad Echo: This group of Brisbane rockers who had a very productive 2015 have now just released their debut EP, It Takes A Big Dog To Weigh A Tonne. To celebrate they will be showcasing the record tomorrow evening for Sydney fans of their lo-fi, indie rock vibe which has seen them surge up the Triple J rankings.

Fri, Mar 4, Oxford Art Factory Senses Fail: This New Jersey emo quintet are set to mark their fifteenth anniversary with a tour down under and a stop in Sydney this week. Aiming to follow on from the highly successful shows here in 2013, which saw them play to capacity crowds, fans can expect them to showcase their new album along with performances of some of their back catalogue hits.

Sat, Mar 5, Factory Theatre Natalie Prass: Since the release of her self-titled debut album last year, Prass has continued to mesmerise audiences and critics alike with her refreshing take on the singer/

songwriter tradition. She now intends to continue this when she performs her soulful music for Sydney fans.

Sun, Mar 6, Newtown Social Club The Necks: To commemorate 30 years together performing groundbreaking improvisational music, the legendary trio have been touring the country and will round it all up early next week at the famed Opera House. Each and every night they step onto stage without any pre-conceived ideas of what they will perform, and instead enjoy a conical journey with the audience.This is bound to be an incredible performance that will never be repeated.

Mon, Mar 7, Sydney Opera House Ibeyi: Since the release of their self-titled debut in February last year, this duo made up of twins have been captivating audiences worldwide with their modern blend of pop, hip-hop and electronica. More recently the pair have worked with Mark Ronson, who created a resounding re-fix of their single ‘Stranger/Lover’, and Mura Masa who then remixed that new track.

Tue, Mar 8, Oxford Art Factory L.K. McKay: While his name might not be familiar his music certainly is, as he has been the man behind Tkay Maidza’s massive radio hits ‘U-Huh’ and ‘M.O.B.’ This writer and producer from Adelaide is set to make 2016 his year as he steps out of the shadows into the spotlight with his own run of shows and a slate of upcoming releases.

Wed, Mar 9, Sosume at Beach Road Hotel

By Jamie Apps At the end of January Ecca Vandal, a South African born singer/producer with Sri Lankan heritage, shocked the music world with the sudden, unexpected release of her new EP, End Of Time.

The EP continues Ecca’s refusal to remain static in her sound, taking elements of hip-hop, pop, electronica and a touch of punk-rock to create a unique sound that is all her own.

Ecca explained that she takes this approach because she to wants to ensure that things are kept “fresh and interesting, for both fans and myself”. Her history of coming up through the vibrant live music scene is another thing that Ecca credits with influencing her style now.“I came out of music school and found myself going to gigs with people I met there on Tuesday and Wednesday nights even,” she explained.“I’d be jumping from a jazz gig to a soul gig down the

Whitefall – Origins

road and then I’d go to a punk-rock show down the corner.”

With this upbringing in the live scene, Ecca says “it’s a bit of a bummer” to see how the lockout laws in Sydney are affecting the scene for musicians here:“you can really tell that the richness of live music and culture is not as present there as it is in Melbourne, it really sniffles musicians, and I’ve seen a lot of them move down to Melbourne.”

Despite this sentiment towards the live music scene, Ecca is “really excited” to bring her tour to Sydney tomorrow. “I’m really

Origins highlights the technical proficiency of new Canberra band Whitefall, however uninspired composition sees the group fail to live up to their “progressive” metalcore tag.

Throughout the five track offering there is rarely a time when the group take a misstep on the intricate instrumental elements, and each track begins with a punch. However as each track continues they unfortunately rely far too heavily on cliched metalcore elements rather than progress the genre to new heights.

Opening track ‘Serenity’ is the most interesting here, as it lives up to it’s title and explores an interesting area within the genre.

Whitefall have certainly shown a glimpse of a bright future and that they have the ability, so hopefully future outings will be more fulfilling.

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excited about this, especially given that all of the new songs on the EP are going to be played live for the first time,” she said.

For Ecca, adding this new dynamic to the songs was extremely nerve racking but certainly worth it:“we had no idea how it was going to sound live, but thankfully the musicians that I play with are absolutely amazing, they’re monsters in the best way.The songs have taken a new shape and sound really lush, which has taken them to a new level now.”

For those considering heading along, Ecca says you can expect the show to follow very much in the footsteps of her music: “there’s different dynamics to the set, there’s light and shade and there is a lot of constant energy from both me and the guys I play with, I feed off their energy a lot.You can expect to come and have a dance with me...”

Mar 4. Newtown Social Club, 387 King St, Newtown. $15+ $3 b.f.

Tickets & info: newtownsocialclub.com

Paces – Vacation

Luckily for me, last week during the sweltering Sydney heat I had the chance to cool down by the pool with Paces new album, Vacation, which couldn’t have been a more fitting soundtrack for the occasion.

Filled with tropical, summer house tunes with beautifully catchy guest vocal performances, I was serenaded into a blissful, relaxed state.

With such a varied vocal artist lineup on the album it could have quickly become disjointed, but the tight production from Paces weaves all of these pieces together into an intricate, consistent tapestry.

This is an album that will likely be getting spun long into the winter, as reminder of the warmer months that we will all have wished hung around just a touch longer.

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America is home to some of the most famous national parks in the world, such as Yosemite, Redwood, Glacier and Yellowstone.

But spanning almost 24 hours in flights and transits, it is certainly not a close destination for Australians to travel to.

The next best thing is to be a voyeur in IMAX 3D with America Wild, which offers breathtaking aerial and close-up views of mountains, forests, deserts, lakes, caves and their inhabitants. Robert Redford narrates the film, offering facts and the history of national

parks including how they came to be preserved thanks largely to the efforts of Theodore Roosevelt.

The scenic shots are also combined with the journey of three adventurers exploring all kinds of terrain across the country, adding to the immersive experience of being in the wilderness. Quite simply, it’s impossible not to be amazed as you witness nature in its finest glory. (ASim) WWW1/2 Now showing at IMAX Darling Harbour.

Pride and Prejudice and Zombies

Triple 9 Given all of the elements within the story of Triple 9 – the Russian mafia, corrupt cops, dedicated cops and ex-special forces – combined with an all-star cast, this film really should have made away with the loot, but sadly stables at the pivotal moment and is captured by predictability.

Opening with a wonderfully shot and gripping heist, Triple 9 is an instant adrenaline hit that makes you want to strap in for the tumultuous ride. The audience is then let in on the title of the film, 999 is code for officer down, and this is precisely the distraction the group needs in order to create the time to

WORLD SQUARE SILENT CINEMA The World Square is hosting its free outdoor cinema and it will be difficult to find a better way to spend those lazy summer evenings than just taking a seat back and relaxing as you get to enjoy the classics: favourites like The Holiday and Love Actually and cult-classics such as Muriel’s Wedding, Bill & Ted’s Excellent Adventure and Romeo & Juliet will ensure that audiences are glued to the headphones and deckhairs provided by the organisers. (JR) Until Mar 16, 7pm Weds. World Square, 680 George Street, Sydney.

Free. Info: ticketpro.com.au or worldsquare.com.au HOW TO BE SINGLE Alice (Dakota Johnson) learns how to be single after a breakup from long-time boyfriend Josh, and to help her is her promiscuous friend Robin (Rebel Wilson) and older, unmarried sister Meg (Leslie Mann). This movie is slightly predictable but to counteract 14

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complete the final big heist.

It’s from here that we slowly begin to get to know each of the characters stories as they individually come to terms with the plan, unfortunately however none of these characters are particularly special or new to genre.

Director John Hillcoat is a master at epic choreographed action sequences and the visceral scenes he portrays here are the true standout of this film, but that is not enough to make up for a predictable, uninspired plot that is fun but far from ground-breaking. (JA) WWW

that the dialogue is humorous and light hearted. If you want to watch a fun, simple rom-com, this is it. (AMal) WWW1/2 HAIL, CEASAR! The Coen Brothers latest cinematic endeavour is a satirical tribute to the golden era of Hollywood, when epic religious and musical movies dominated the box office. Set in the early 1950’s, the fictional Capital Pictures are filming their enormous production Hail, Caesar! when leading actor Baird Whitlock (George Clooney) is kidnapped by a group of likeable commies. Ingenious references to real life actors and numerous strangely engaging sequences should transfix audiences. (MMo) WWW1/2 ROCKY MOUNTAINS EXPRESS This insightful and visually stunning documentary details the construction of the first transcontinental railway link

through the Rocky Mountains in Canada, and the courage and determination required to complete a project, which was overcome with unimaginable hardships. Audiences will embark the exhilarating majestic steam engine 2816 and travel the spectacular historic Canadian Pacific route from Vancouver to Montreal, immersed by the spectacular beauty of the wilderness. (MMo) WWW1/2 Now Screening at IMAX Darling Harbour.

CONCUSSION Will Smith is in the lead role as the Nigerian forensic pathologist Dr Bennet Omalu, who was responsible for discovering chronic traumatic encephalopathy (CTE) in NFL players and thus triggered a long fight with the league and American society. This battle is portrayed rather poorly, constantly jumping forward large time spans, and only

With zombies invading all forms of popular culture, it was only a matter of time before we got a film like this. In the 19th Century, a mysterious plague turns the English countryside into a war zone. No one is safe as the dead come back to life to terrorize the land.

The strongest thing about the movie is the time spent on the two lead characters Elizabeth Bennet (Lily James) and Mr Darcey (Sam Riley) as they try to fight off their undeniable chemistry whilst slaughtering hordes of the undead.

The film attempts to give the zombies a personality, which leaves it feeling like a dense vampire flick, but none the less it still has a few fresh moments

showing brief glimpses of the backlash directed towards Omalu.

Smith is fantastic in his portrayal of Omalu, although the Nigerian accent may be off putting for some.

(JA) WW1/2 TRUMBO Bryan Cranston gives a flawless performance in this Jay Roach film based on the life of screenwriter Dalton Trumbo. In the 1950s, Trumbo’s fight for workers’ rights and membership of the Communist Party result in a prison sentence for contempt of Congress, he is branded a traitor and blacklisted. His fight to be recognized relies upon the movers and shakers of Hollywood. Strong performances abound, including Louis C.K., John Goodman, and a deliciously nasty Helen Mirren. This is an extraordinary film about an extraordinary period of America’s entertainment history. (CCov) WWWW

that fans of the brain-eaters will find appealing (but perhaps not so much the die-hard Jane Austen fans).

Pride and Prejudice and Zombies is a unique take on the genre that has a promising start, but it gets roped back with the clichés associated with it.

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Call Michel on 0401 394 602 Email: m.s.rendering.hotmail.com

45 YEARS Kate (Charlotte Rampling) and Geoff Mercer (Tom Courtenay) are about to celebrate their 45th anniversary with a big party when a letter arrives for Geoff that upends their world. The news haunts Geoff and he is consumed with memories of his past life and love, this in turn isolates and infuriates Kate. It’s slow and heavy going at times, however the realistic portrayal of this marriage in crisis and its unresolved ending keeps you wondering long afterward. (ASim) WWW1/2 THE CHOICE Based on the romantic novel by Nicholas Sparks, The Choice examines the power of love from a couple’s rocky beginnings to their life-long romance. The movie is painfully cliché and predictable.

Typical of a Sparks film, The Choice felt awkward – cramped with every romantic sub-plot you could ever think of. For me, the only redeeming

quality of The Choice was the inclusion of overly cute puppies – but unfortunately they didn’t get much screen time. Disappointing. (NB) W1/2 BROOKLYN Audiences who enjoy quality cinema won’t be disappointed in this highly crafted historical drama, exquisitely filmed with memorable performances from a sublime cast. This captivating story of a young lady who migrates from Ireland to Brooklyn in the early 1950’s details the hardships endured for new beginnings. Oscar nominated Saoirse Ronan is outstanding as Eilis Lacey and leads a strong cast. This film is complemented by an intense script, a beautifully composed musical score and the incredible replication of the era. Some needlessly melodramatic moments are evident, but ultimately this is a stylish and endearing film. (MMo) WWWW

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