City Hub 12 January 2017

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Opinion

Domain property: the new profits of wisdom

BY KIERAN ADAIR If you’re rich and living in Sydney, chances are it’s not because you worked hard, it’s because you bought a house early and sat on it. Thanks to the housing boom, homeowners have seen their wealth skyrocket over the last decade, based off nothing more than the rising price of their property.

Down in Pyrmont, the Fairfax group, publishers of the Sydney Morning Herald, can also thank the housing boom for a change in their fortunes.

While the decline of print advertising has seen publisher’s profits drop across the country, Fairfax’s Domain.com.au, a hybrid news and property listings site, has emerged as the company’s new growth engine.

In November, the company reported a $893.5 million loss over the 2016 financial year - announcing $1.02 billion in write-downs. During the same period, the Domain Group saw revenue increase by one third to $296 million. In 2015, Citi media analyst Justin Diddams speculated in the AFR Weekender that 75 per cent of Fairfax’s then-$2.3 billion market valuation was due to Domain.

Property is profitable, and over the last decade Fairfax has managed to turn the bubble into a steady source of revenue. There’s only one problem: its bubble locking an entire generation out of the housing market, raising rents, and making an entire city unaffordable.

Australia is unique when it comes to world housing markets: with around 70 per cent of household wealth tethered to real estate, homeowners have a huge incentive to spend when advertising their homes for sale.

Domain works by taking advantage of this, and charging potential sellers a fee to list property on the site and in its associated publications. As long as people keep selling, Domain keeps making a profit.

Sydney’s housing boom just keeps rising. Photo: Cohen Handler

While this sounds simple enough, the model’s reliance on growing housing sales, in a market that experts warn is overvalued by up 40 per cent, raises concerns about its ability to cover this topic impartially.

Its front page reads like an advertorial for new housing, with headlines like “Exclusive

Published weekly and freely available Sydney-wide.

Copies are also distributed to serviced apartments, hotels, convenience stores and newsagents throughout the city.

Distribution enquiries call 9212 5677.

Published by Altmedia Pty Ltd. While every effort is made to ensure accuracy of content, takes no responsibility for inadvertent errors or omissions.

ABN 52 600 903 348 Group Publisher: Lawrence Gibbons Group Editor: Lani Oataway, Jordan Fermanis Contributors: Lucas Baird, Charlotte Grieve.

Arts Editors: Jamie Apps, Alannah Maher Advertising Managers: Mark Barnes, David Sullivan Cover Photo: Prudence Upton - Bob Downe and the cast of The Big Hair Show Designer: Nadia Kalinitcheva Advertising: sales@altmedia.net.au Mail: PO Box 843 Broadway 2007 Email: news@altmedia.net.au, arts@altmedia.net.au Ph: 9212 5677 Fax: 9212 5633 Website: altmedia.net.au

If you have a story you’d like to tell us: news@altmedia.net.au

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Hamilton apartment gives a whole new meaning to waterfront” (6 Jan, 2017). And “The best properties to buy for your extravagant New Year’s Eve celebrations” (30 Dec, 2016).

Other stories like “How a 20-year-old bought three investment properties: His seven steps to get started” (17 Nov, 2016) would give

anyone a dose of status anxiety - and remind them they’ll fall behind their peers without an investment property.

Finally, headlines like ”Young couple outbid builders for $1.65 million rundown Rozelle home” (19 Nov, 2016) turn debt into a virtue, downplaying the risks involved with the debt now needed to purchase a new home - and keeping the house bubble alive.

The theme underlying these articles, and others like them, is that owning a home is a superior investment strategy - rent is dead money, and you’ll never lose cash buying in Sydney.

For the record, the jury is still out on this.

In 2014, The Reserve Bank of Australia issued a paper that found house prices would have to rise at the same rate they had for the past six decades for owners to be as well off as those who chose to rent while investing elsewhere - an unlikely possibility.

This was backed up last year by a separate analysis by Stockspot, which found that ‘renters are likely to be better off than property owners over the next 7 years… Leverage and poor diversification make home ownership much riskier than many people expect.’

In the wake of US election, Guardian Editor Katherine Viner warned that, “many news organisations have steered themselves away from public-interest journalism and toward junk-food news.” The Executives of Fairfax would do well to heed this warning.

Sydney’s become a property obsessed city: and that obsession is driving half a generation out of it, and the other into lifetimes worth of debt.

Housing is the fundamental issue of our time, and the public need newspapers they can trust to cover it objectively - not cynically exploit them to turn a quick buck.

Former Councillor slammed for comparison full of caveats

BY LUCAS BAIRD A Senior Lecturer at the UTS Institute for Public Policy and Governance has labelled a former Leichhardt Councillor’s attack on the NSW Government’s approach to local representation as a “radical misnomer.”

One-time Councillor and current member of the Leichhardt Local Representation Advisory Committee, John Stamolis, attacked the Department of Local Government’s “arbitrary” approach to the number of councillors in Local Government Areas on Wednesday 4th January.

In a written statement, Mr Stamolis compared the NSW system to London, and said Sydney would benefit from higher voter engagement if the number of seats in Council were uncapped, and represented a smaller portion of the area.

However, Dr Bligh Grant from the UTS Institute for Public Policy and Governance said while he could sympathise with Mr Stamolis, “from a former Councillor’s perspective,” there were many red flags in his analysis.

According to Dr Grant, the main problems stemmed from an “irrelevant” comparison to the UK because of many differences between their system and NSW’s.

For example, NSW has two houses of state parliament where the UK has none; making elected members more accessible to the public in this state, and the compulsory

Former Leichhardt Councillor, John Stamolis, believes Sydney could learn from London by increasing the number of councillors in Local Government Areas across Sydney.

Photo: Greg O’Beirne (Wikimedia Commons)

voting laws for local elections which are not in place in the UK. Dr Grant also took issue with the opinion that high voter apathy in local government was a problem, “because local government isn’t that important in the grand scheme of things.”

The Department of Local Government also focused on the differing nature of the UK and Australia in response to Mr Stamolis.

“Any comparison does not really reflect the specific roles and functions of local councils, which differ greatly between jurisdictions.

“For example, in London there is no ‘State’ tier of government and local government plays a role in the provision of things such as education and emergency services and the council representation is designed to reflect that,” a spokesperson said.

The Department’s spokesperson also claimed that there was no intention to change the Local Government Act to allow more councillors than the current cap of 15.

“There is clear evidence in both NSW and other jurisdictions that consolidation has increased councils’ strategic capacity.”

“The NSW Government believes that councils need to be positioned to deliver high quality services and infrastructure now and in the long term. Strategic consolidation can help them to achieve these results, which is evident in council mergers in NSW, across Australia and internationally,” the spokesperson said.

Dr Grant is also against upping the cap, claiming “a massive council would not solve this problem [local representation],” but could instead pose a new one in “unwieldy” and “vexing” councils that struggled to get jobs done. city hub 12 JANUARY 2017

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Woollahra’s final showdown

BY LANI OATAWAY On Friday 6 January, Woollahra Council filed an application to the High Court to appeal against their forced merger with the Randwick and Waverley Councils. This is Woollahra’s last ditch effort to protect local government. If the High Court agrees to hear the case, Council will still need to vote to proceed.

Former Woollahra councillor and NSW Greens Spokesperson for NSW local government, David Shoebridge, told City Hub that Woollahra Council’s fight is necessary to protect its small, local leadership.

“What the Baird Government is really hoping for is to have another class of bland professional politicians that they can control from head office, and get rid of the personalities and grassroots connections that have been the mainstay of local government,” he said.

“What [Woollahra] Council is saying is that compliance with the inquiry process into amalgamations needs to be

Cartoonist: Peter Berner @peter_berner

genuine, not just some farcical tick-a-box which is what the State Government undertook.”

Mayor of Woollahra, Tony Zeltzer, told News Corp she regrets the expensive legal fees being paid by public money to sustain the fight, but insists the Council must exhaust every avenue. Around $800,000 has been spent on the legal battle to date.

“There are no discernible benefits for the Woollahra community under the proposed merger – only costs – so we are not prepared to give up the fight on behalf of our community,” Cr Zeltzer told News Corp.

Despite this large figure, Mr Shoebridge said it is paltry in comparison to grander schemes set to cost millions in the Eastern Suburbs near future.

“It is a significant sum, but when you consider liberal Mayor Sally Betts wanting to waste up to $30 million mainly off Woollahra’s money on her Taj Mahal at the Bondi Pavilion, almost every way Woollahra’s residents could see the case of value for money,” he told City Hub.

Woollahra’s battle joins the greater resistance against forced amalgamations. Photo: David Shoebridge

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SCA students storm University of Sydney’s Info Day

BY CHARLI SHIELD Students at the Sydney College of Art (SCA) were hardly going to let the University of Sydney’s ‘Info Day’ proceed uninterrupted.

On Thursday, January 5 students, who are currently engaged in a battle to retain their Callan Park campus, stormed the main stage opposite the Fisher library. They chanted “Let SCA Stay” through megaphones, and carried a banner that read, ‘Progressive thinking?

USyd you’re embarrassing! Cultivate our art school, don’t destroy it!”

SCA’s parent company, the University of Sydney, announced in July 2016 that it would close the historic Callan Park College campus and merge the art school with its Faculty of Arts and Social Sciences (FASS), relocating enrolled students to the university’s Camperdown site.

This announcement was a backflip on earlier plans announced in late June, to amalgamate the College with the University of New South Wales’ (UNSW) art school. The university scrapped this scheme after sustained protests from students and staff who claimed the decision was made without adequate consultation, and was premised on a misleading bid to profit off the move.

The University initially informed students of the amalgamation via email, which immediately provoked a backlash from students and staff, triggering the ensuing campaign to “Let SCA Stay.”

A University of Sydney Masters student and founding member of the campaign, Rachel Evans, said the protest at the University’s Info Day was part of the group’s ongoing efforts to maintain the campaign’s visibility among students, staff and the public.

“There is an assault on the arts at a federal and state level,” she said.

“We had a lot of traction last year during the protests because people were looking to this movement as a heroic and exciting move to save the arts.”

Despite a significant outcry from affected students, Vice Chancellor Michael Spence maintains that the College will merge with FASS, with the shift proposed to begin mid-year.

Ms Evans is adamant that the downgrading is questionable.

“None of the reasons that he [Vice Chancellor Spence] put forward

Campaigners make sure visitors hear their plea: Let SCA Stay. Photo: Lily Machett

ring true. They said it was about saving money, but they’re spending millions of dollars on the business college,” she said.

“Mr Spence is one of wealthiest Vice Chancellors in the country and the University has a $250 million operating surplus.”

“This University is extremely rich, and they’re crying poor over the $5 million per year that SCA is allegedly leaking.”

Ms Evans does, however, hold onto hope for sustained pressure from students and staff against the move to bargain for a better deal.

“We have won a reprieve of six months. Originally they said the shift would go ahead at the beginning of 2017 – now it’s mid year.

They have also said that although they were originally going to cut 60% of staff, now it’s 40-60%.”

Public Exhibition Planning Proposal – Sydney LEP 2012: Exempt Development – Display of Goods on the Footway The City of Sydney invites feedback on a proposed amendment to Sydney Local Environmental Plan 2012 that will make it easier for local shops to display their goods on footways The change aims to support local businesses by encouraging passing trade and creating livelier streets for locals and visitors.

We will consider all submissions and report the results to Council and the Central Sydney Planning Committee. If Council approves the proposal, it will amend Sydney Local Environmental Plan 2012 on behalf of the Greater Sydney Commission.

You can view the proposal and give feedback at sydneyyoursay.com.au before 6pm on Tuesday 14 February 2017.

You can also view printed copies of this proposal at these centres: • One Stop Shop (CBD) Level 2, Town Hall House, 456 Kent Street, Sydney Monday to Friday: 8am–6pm For more information call 02 9265 9333 or email council@cityofsydney.nsw.gov.au 6

city hub 12 JANUARY 2017

• Green Square Neighbourhood Service Centre 100 Joynton Avenue, Zetland Monday to Friday: 10am–6pm • Kings Cross Neighbourhood Service Centre 50–52 Darlinghurst Road, Kings Cross Monday to Friday: 9am–5pm Saturday: 9am–noon • Glebe Neighbourhood Service Centre 186 Glebe Point Road (cnr Wigram Road), Glebe Monday to Friday: 9am–5pm Submissions marked ‘Reference S060627-02 – Display of Goods on the Footway’ can also be emailed to Lfarrell1@cityofsydney.nsw.gov.au or posted to: Chief Executive Officer Attn: Lee Farrell, Strategic Student Planner City of Sydney, GPO Box 1591, Sydney NSW 2000.

If you would like further information on the proposal, you can contact Lee Farrell, Strategic Student Planner, on 02 9265 9333 or email Lfarrell1@cityofsydney.nsw.gov.au

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Council endorsed a Local Approvals Policy for the Display of Goods on the Footway which details standards for these displays to ensure safe and attractive footways. This proposal cuts red tape by removing the need for retailers to apply for approval to display goods on footways, as long as these displays meet the criteria in the policy.

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Opinion

My home is my castle

BY ANDREW WOODHOUSE My home is my castle. It’s where I live unchained.

I pay my mortgage, strata levies and rates. It belongs to me and I’m not giving it up or allowing it to be degraded. I’m defending my way of life.

Bring up the drawbridge, lower the portcullis, unleash the crocodiles into the moat, man the battlements. We are at war.

Why? When Sydney Council granted DA approval for my block as “residential apartments” it couldn’t be offices, short-term serviced apartments, a hostel or brothel.

Now they’re backtracking and want to grant a “licence”, magically overruling its original DA, so anyone from anywhere can move in for a night or two using new planning laws. But council’s idea is unworkable as it doesn’t have auto-powers of entry.

Forthcoming state government legislation due in April supports this free-for-all because of something called Airbnb: a mega-American on-line company and self-interest lobby group.

Like Stayz.com.au, it’s a bed and breakfast booking website swamping the airwaves offering lucrative short-term rentals. Airbnb takes cuts from all directions: 3% of rental from landlords, 3% from the renter and another 3% if overseas currency is involved. My landlord friend swears by it.

But it’s a free market isn’t it? Well, not absolutely free.

These unknown multi-arrivals and departures are strangers, not neighbours. They’re security risks, some trash apartments, leaving trails of destruction behind them and increased levies for all owners.

Maestri Towers in the CBD drove out Airbnb and saved millions and reduced their levies.

AirBnB is doing more harm than good in our neighbourhoods. Photo: AirBnB

Airbnb reduces affordable housing. It pushes up site rentals and squeezes out long-term lessees, reducing real estate agents’ role, who control the quality of tenants. It suffocates real hotels, where clean rooms are guaranteed and I don’t have to share a kitchenette or haggle over water usage with landlords.

Airbnb admits candidly, “most listings are let while the host residents [landlords] live there.” Too cosy for me.

Landlords use their new income to cover their mortgage or holidays, exacerbating the problem.

With Airbnb you may need to book a year in advance and be bi-lingual. Each site is very different.

Check-in and out times vary enormously. Large pre-booking bonds apply. Resident hosts can cancel any time, even on arrival. And if things go “missing” because of your light-fingered landlord or the electrics are faulty? Your problem. The unit doesn’t match the

ad photos or the bond isn’t refunded? Your problem.

Airbnb’s hands are clean: they’re just an on-line match-maker.

Chris Reedy, author of “What‘s Yours Is Mine”, says Airbnb externalises its costs and sidesteps valid consumer laws: it’s unsustainable, unaccountable and doesn’t take responsibility for services offered.

But Rachel Botsman, author of pro-Airbnb book, “What’s Mine Is Yours”, says this co-share system is inevitable and redefines how we live -- my point exactly. And Fairfax media, owners of Stayz.com.au last week used scare tactics to claim changing by-laws was underhand.

It’s no wonder other cities like Berlin, New York, San Francisco, Vancouver, Chicago, London and Paris are pushing back.

Now a collective of big Owners’ Corporations are hiring sharp political lobbyists, APA, and raising $300,000 for a counter attack.

Our one-stop-shop Minister for Planning, Environment, Heritage and whatever else, the religious, righteous, Honourable Doctor Robert Gordon Stokes, B.A, LL.M., Ph.D., Dip. Bibl. Stud. states, “Impacts on housing affordability are being considered … short-term letting creates economic opportunities … party houses are a real concern.”

Doh. It’s not just about parties, Bob; it’s about my right to enjoy my long-term chosen environment.

Let me live in peace or I will re-enact the scene from the film “UP”. A disenchanted owner uses a sea of balloons to lift their home skyward out of reach of the clutches of developers and government landgrabbers.

Andrew Woodhouse is President, Potts Point & Kings Cross Heritage & Residents’ Society

Some thoughts on refugee solidarity from an old E Timor activist

BY STEPHEN LANGFORD OT (Order of Timor) The outlook for the hostages on Manus and Nauru is not good. Thank goodness for the activists here who keep in touch with them.

We have a racist, Peter Dutton, in charge of something called the Department of Immigration and Border Protection, an Orwellian concept because Australia does not need ‘protection’ against refugees.

We need protection against the wielding of arbitrary power over people who come here for protection. The Australian Border Force is the latest manifestation of the abuse of public trust.

That organisation needs to be disarmed and disbanded. I think we could do better. Here are some ideas from an old activist of how you can respond to Australia’s unconscionable refugee crisis: • Communicate with the mainstream media.

This is what ‘pro-Israel’ groups do. I am not part of any such group. But no one can deny their effectiveness in getting Israel favourable coverage.

When East Timor was under occupation by the Indonesian military, it would often be referred to as ‘part of Indonesia’ or an ‘Indonesian province’.

It was neither. I would ring up the ABC and point out that this was factually wrong, that it was under illegal occupation.

Major human rights abuses are ignored or misrepresented as long as both the major parties agree with them. It can be the work of ordinary members of solidarity groups to counter this by hassling the mainstream media.

Letter-writing is still relevant.

Letter-writing to politicians is something that does not take a lot of time. The basic democratic courtesy of replying to letters from the public does not seem to hold anymore. Many say it is a useless exercise. I believe it is one of the many things we have to do. It is one form of pressure, and can help you get focus and get angry. And as famous musician John Lydon said, anger is an energy. And that is what we need: energy.

• International pressure.

We have to increase the pressure from outside Australia on the wretched policy of ill-treating the brave people who are asylum seekers. I have had letters in the New Internationalist and the weekly international Guardian. This is just a start.

• The bigger picture... a Human Rights Act?

To get an idea of what our policies look like from Canada that has some human rights

The key to ending Australia’s refugee crisis is group action. Photo: Solidarity Online

protection, read ‘Playing us for suckers: benevolent Canada seen as an ‘easy mark’ to take Australia’s refugees’, by Joseph Brean in the (Canadian) National Post of June 3rd 2016.

•

• Other solidarity groups are your friends, not a threat.

In our Australia-East Timor Association (NSW) we invite other groups to come and address us to tell us what they were doing. In this way we became friends with similar groups.

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city hub 12 JANUARY 2017

Photo: Jordan Fermanis

Have fun.

Unless we make our meetings somewhat enjoyable, we will end up with a diminishing group of masochists round a small table. I would suggest that having major meetings once a week is too frequent. I would recommend weekly information meetings, but decision meetings monthly. Also, don’t be afraid of having sub-committees.

And remember, rallies and vigils are not the be-all and end-all, but they are important.

Make sure you have music as well as speakers, and messages of support.

city hub 12 JANUARY 2017

9

26th International Short Film Festival

“This must end” says Powerhouse architect

BY LIONEL GLENDENNING We live in biblical times.

Our politicians are having visions.

But are our Premier’s visions only ephemeral thought bubbles?

Advised by deceitful cultural outliers and supported by the dodgy brothers – accountancy firms, developer mates and property spivs, merchant bankers, large construction companies and sharp lawyers – creating a city nobody wants.

From the sale of government land held in trust for all – sold to the highest bidder – is asset stripping in anyone’s language.

Nothing is sacred - no heritage item, no cultural artefact, no arts institution is safe.

Now we have the sale of our finest museum, an internationally recognised cultural landmark, accessible to all, located perfectly in Ultimo for over 123 years – a paradigm that recycles the greatest power station of its age into a fine architectural award-winning building housing priceless objects.

The precious and priceless 1785 Boulton & Watt steam engine – the ‘Mona Lisa’ of the Industrial Revolution.

The Saturn rocket engine that took us to the moon.

The Catalina that flew non stop to South America.

No. 1 Locomotive – ironically the first train to Parramatta!

Australia’s greatest decorative arts and design collection.

I could go on.

Yet our Premier with a one line note in an Infrastructure NSW report, and who knows what ‘Cabinet in confidence” deal, proposes to destroy it all and move it to Parramatta.

This must end.

To steal our museum rather than build a new locally inspired purpose built cultural precinct at the Female Factory and Fleet St

Photo: The Powerhouse Museum

precinct at Parramatta - desperately in need of heritage preservation of the Greenway architectural legacies.

A great city is as much its cultural icons as it is offices, apartments, retail malls, casinos and roads.

Sydney’s cultural crown of galleries and museums includes the extraordinary collections of the Powerhouse Museum displayed in the stupendous spaces of the 120 year old Ultimo Power Station – an industrial icon of the age.

The PHM’s architectural and heritage value is recognised in many state and national awards.

The National Trust has sought heritage status for the Powerhouse Museum – a self evident truth.

A great city must have at its core its significant cultural icons. Our collective memories and cultural history are embodied in these great collections and architecture – its akin to a cultural lobotomy for us all to destroy the Ultimo Powerhouse Museum.

With over 40 million visitors to the obese Darling Harbour adjacent the PHM, surely a large expansion of the exhibition spaces with - say a Planetarium is needed by the PHM – not more apartments.

A premier with a messiah complex – a nightmare not a dream.

This Premier’s outrageous move of the Powerhouse to Parramatta means every cultural institution can be now betrayed by the government without reference to the people or facts.

The philistines’ destruction of our heritage – cultural legacy and great collections are lost to the people who created them.

NO to moving the Powerhouse Museum. YES to a revitalised Powerhouse Museum.

YES to a locally created cultural centre for Parramatta, a museum which is of and by the people of Western Sydney – for example – a Museum of NSW with themes evolved from the history and culture of this state.

We need a Trust which will fight for the existing 123 year old Ultimo Powerhouse museum.

We need a director with a commitment to the Ultimo Powerhouse Museum.

We need leadership, funding and a vision for the future of the Powerhouse Museum in Ultimo.

SPEECH BY LIONEL GLENDENNING Delivered at the Save the Powerhouse rally 10 December 2016 Architect of record, Powerhouse Museum Life Fellow, Powerhouse Museum

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city hub 12 JANUARY 2017

Over 100 Hot Shorts Under the Stars over 10 Days & Nights

Panoramic Pop Up Beach Bar with Food & Drinks

TaxAssist Accountants has opened a new shop to service Sydney’s inner city residents.

CPA accredited accountant, Colin Lua offers a new walk-in tax and accounting service for small businesses with advice tailored specifically for their needs – from completion of end of year accounts and annual tax returns to payroll, GST and bookkeeping.

Mr Lua also offers professionally adept advice on debt recovery, independent financial advice and personnel (HR) services.

Mr Lua’s shop is located at 469 Harris St Ultimo where he is offering a free initial consultation.

Colin Lua, the Colin says, “I’m franchisee of Tax Assist really looking forward Accountants. to meeting new clients Photo: supplied

here. Small businesses need a flexible, convenient all year round tax and accounting package, which I’m delighted to be able to offer here in the Sydney CBD.” Colin Lua is the third franchisee to join TaxAssist Accountants in Australia and is planning an official shop launch event for early 2017.

If you interested in having more information or would potentially like to work with TaxAssist Accountants, you can visit in-store or reach Mr Lua by calling 1300 139 557.

FEATURE

The Best Free Events of Sydney Festival 2017

By Alannah Maher

When you’re living in one of the most expensive cities in the world, heading out and about purely for fun’s sake can be a bit tricky.

We all know the endless hunt for ‘fun’ has also been impended by the ripple effect of the lockout laws. But while the Sydney bourgeoisie don’t seem too keen to help revive the age old tradition of kicking on in King’s Cross until the wee hours, there is one cultural area they are adamant in fighting for: proving that we’re every bit as ‘artsy’ and ‘cultural’ as bloody Melbourne! Melbourne.The impressive line-up for the 2017 Sydney Festival is proof.

City Hub has saved you the trouble of scouring the program and presents to you the best free events to take advantage of…

The Beach Imagery of this monochromatic installation from New York’s Snarkitecture has been popping up all over social media like a contagious rash in the short time it’s been open. And that might be because, well, it’s pretty awesome! Live out your childhood fantasies by diving into a sea of 1.1 million (recyclable) polystyrene balls.You can (quite literally) immerse yourself in the art for free. Or if you’d rather splash about with child-like abandon without actually running into any real life children, then the ticketed 18+ evening sessions might be your thing. All ages ticketed sessions are also available in the mornings for early risers.

Until Jan 29, 10am-5pm (last admission at 3.30pm), closed Mondays.The Cutaway at Barangaroo Reserve, Hickson Road Entrance, Barangaroo. FREE. 18+ Only Ticketed Sessions: Friday + Saturday nights until Jan 28, 6.30-8pm/8.30-10pm. $15.

All Ages Ticketed Sessions: Everyday (excluding Mondays) until Jan 29, 9-10am. $15.

Cumbiamuffin play Perm Set, Jan 29

The Hair Salon Aside from the kitschy charm, the best thing about The Hair Salon is that it’s really three events in one.

It’s your one stop shop for wild performances and free entertainment over the Festival! The Perm Set kick things off every night with an impressive live music line-up of disco, soul, funk and Latin bands. Next, Spanish hair sculptors Osadia pick a lucky few from the crowd to surrender their scalps to become elevated hair art live on stage. Then the ever-joyous Bob Downe (aka Mark Trevorrow) hosts the main event: The Big Hair Show, variety show packed with cabaret, acrobatics, dance, music and more outrageous wigs than you can poke a bobby pin at. Think Hairspray meets Kath & Kim at a funky salon. If you’re in luck, a special guest star like Paul Capsis, Brendan Maclean or Catherine Alcorn might even pop in for a restyle and a song.

Until Jan 29, every night from about 6.30pm (excludes Mondays, see website for program).

Meriton Festival Village, Hyde Park north, entry near Archibald Fountain. FREE. Opera in the Domain This is highbrow entertainment that may tug at your heartstrings, but definitely not at your purse strings. Bask under the stars in the grace of some of the world’s most famous arias as performed by the Australian Opera and Ballet Orchestra and a talented array of soloist performers. Christopher Lawrence and Rob Mills host this beautiful evening featuring the powerful voices of Elvira Fatykhova, Sian Pendry, Ho-Yoon Chung and Luke Gabbedy. Bars and stalls will be on hand for purchasing food and drinks, but packing a picnic is the way to go for cash conscious connoisseurs.

Jan 21, 8pm.The Domain, Art Gallery Road, Royal Botanic Gardens. FREE. Scent of Sydney Can you really know a city by the way it smells? Go beyond first impressions and embark on a sensory journey led by your nose at this world premiere art installation.Artist Cat Jones seeks to distil the real substance of Sydney – stories of landscape, democracy, resistance, competition, and extravagance.You are also invited to help shape this new portrait of Sydney with a program of conversations and debates based around the themes Jones explores in her work and featuring savvy guest speakers (see website for full details).

Until Jan 29, 10am-6pm. Carriageworks, Bay 19, 245 Wilson St, Eveleigh. FREE.

Bob Downe hosts The Big Hair Show every night.

Photo: John McRae

Osadia. Photo: Prudence Upton Imagined Touch Installation This participatory installation permits you to enter the profound experience of living in a world without sight or sound, as told by two Deaf/blind women: Heather Lawson, a performer, and Michelle Stevens, a pianist.

Wearing goggles and headphones, audiences will experience the artists’ stories through intensified touch and tactile communication.

Each 40-minute session (there are 11 per day)

The Beach. Photo: Noah Kalina has a limited capacity, it is best to book ahead.

Until Jan 15, sessions from 9.50am–3.20pm.

Carriageworks, Track 8, 245 Wilson St, Eveleigh. FREE. Circus For Everyone Workshops where you’re required to sign a waiver before you begin are always the most exciting! Keen to share the delights of circus crafts, the folks from Aerialize are presenting more

than 20 free workshops covering everything from trapeze to juggling. These workshops cater to everyone from toddlers to seniors, with special workshops catered to kids with special needs.

Spaces are limited, so make sure you head over to the Sydney Festival website to check sessions and book your place.

Until Jan 22, various sessions + times.

Riverside Theatres Courtyard, cnr Church and Market Streets, Parramatta. FREE.

The Sydney Festival runs until January 29. For the full program go to www.sydneyfestival.org.au city hub 12 JANUARY 2017

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ARTS & ENTERTAINMENT Review: Relatively Hakawati Speaking Tracy Mann and David Whitney

Alan Ayckbourn is a prolific British playwright, and a keen observer of human flaws and cultural idiosyncrasies. He is particularly good at examining English sensibilities and translating them through comedy that borders on sardonic. Relatively Speaking, his first successful play, is a good example.

Written in 1967, its plot is a twisted pretzel of misunderstanding, deception and assumption, with much of the humour relying on reserved manners and the audience being one step ahead of the impossibly witless characters.

The current Ensemble Theatre production, directed by Mark Kilmurry, is an entertaining twohour romp through situation farce, with the obvious humour of the script being tempered by sly winks in the self-referential set and subtleties in performance. Hugh O’Connor’s designs are

exquisite and very clever (it’s not often a scene change gets applauded!).

The four roles have been intuitively cast. Emma Palmer is the bubbly, pastel-adorned Ginny, whose doe-eyed affectation makes her impervious to guilt.

Jonny Hawkins, with perfect straight-man sincerity, plays her naive but strident lover. David Whitney recalls some of the best man-of-the-house early sitcom actors in his characterisation of Philip. But by far, the gem on stage is Tracy Mann as Sheila, who can do as much with a nuanced expression as Shakespeare can with a soliloquy.

There are aspects of the script that are conspicuously out-dated, but that actually becomes part of the joke.The laughs are hearty and plenty, and if you want a night at the theatre that doesn’t squeeze your cortex, this is the show to see. (RB) Until Jan 14, varied performance times.

Ensemble Theatre, 78 McDougall St, Kirribilli. $32-$69.Tickets & info: www.ensemble.com.au Jan 17–Jan 22, varied performance times.

Glen Street Theatre, cnr Glen St & Blackbutts Rd, Belrose. $31-$65.

Tickets & info: www.glenstreet.com.au

FORM Dance Projects: Champions

rely on physical skills, rigorous training, a sense of rhythm, a desire to perform, strategy and team spirit.

The show’s director, Martin del Amo, a self-described “avid sports fan”, says that the show “takes its cues from football”, from the format to the dance. Del Amo explains that the cast and crew consulted with local W-League outfit, the Western Sydney Wanderers, and members of Australia’s national women’s football team, the Matildas, in seeking to bring football to the stage.

Photo: Heidrun Löhr In the words of del Amo, the Drawing parallels between football and sum of this work is a “playful contemporary dance, a cast of 11 take to the approach to challenging audience expectations stage (or should that be the field) to present of what dance is”.

Champions, an adrenaline-fuelled choreographic There is no doubt that this show has show. something for the avid sports fan and dance The show is presented in the form a typical aficionado alike. Kick-off is in mid-January; but football match with pre-match analysis, running with limited matches (shows), you better book commentary (from Channel Seven sports early so as to avoid disappointment. (RP) presenter, Mel McLaughlin), a first half, second Jan 17–22, 8pm + matinees. half, and post-match interview.

Carriageworks, Bay 17, 245 Wilson Street, The commonalities between football and Eveleigh. $37-$41.Tickets & info: dance are not limited to the show’s format. The www.sydneyfestival.org.au/2017/champions production makes evident that both strongly or 1300 856 876

a&e

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city hub 12 JANUARY 2017

12 STAGE 13 SCENE 14 Sounds 15 SCREEN

A delicious four-course meal enhanced by four captivating stories is what to expect when you head to Hakawati at El-Phoenician Restaurant in Parramatta, and Director Wayne Harrison is very excited.

“I get a particular thrill out of creating things that didn’t exist before, and part of the excitement of that is putting it in front of the audience,” he said.

Based on the ancient Middle-Eastern style of storytelling, there are themes of love, status, money and sex as each character takes a seat at your table to deliver a contemporary yet mythical tale not too far from home.

“You shouldn’t be surprised if a fairy godmother appears or a magic lamp is rubbed,” explained Harrison.

The National Theatre of Parramatta has teamed up with the Sydney Festival and local restaurant El-Phoenician to provide this fascinating evening of entertainment where the atmosphere will be full and festive. “[We have] four exceptional actors who can not only tell stories, but structure stories to keep the audience on the hook,” Harrsion added. (JC)

SIRO-A

For more A&E stories go to www.altmedia.net.au and don’t forget to join the conversation on Twitter at @AltMediaSydney

Jan 12–21, varied performance times.

El-Phoenician, 328 Church St, Parramatta. $75 (includes dinner).

Tickets & info: www.sydneyfestival.org. au/2017/hakawati

Photo: Paul Brow

A unique, futuristic theatrical experience can be expected when Siro-A comes from Japan to perform at The Concourse Chatswood.The group have been described by critics as “Japan’s answer to the Blue Man Group”.

A vast projection screen acts as a backdrop, and the latest video-mapping, light animation, laser effects and 3D video projection developments are utilised in a performance that is divided into short visual sketches, seamlessly blending reality and animation.There is a cast of six performers alongside two DJs spinning an electro soundtrack.

The original music is created by sound programmer, Hiroyuki.

This multi award-winning group was originally formed in 2002 by Kentaro Homma and five classmates from Sendai, Japan.Taking the world by storm, Siro-A has attracted millions of views on YouTube, sold-out shows across the globe, and wowed audiences with their appearances on America’s Got Talent and Britain’s Got Talent.

Siro-A is an incredible illusion show that utilises

Arts Editors: Jamie Apps - Alannah Maher

Olivia Rose. Photo: Luke Stambouliah

new technologies in perfect synchronisation with visual effects, techno sounds and human power. It is a mind-blowing performance combining mime, dance, comedy, puppetry and high energy music.

It’s a special experience that sees an interaction of human digital power combined for the ultimate in entertainment.

“We shared a desire to create the next generation of entertainment, outside the boundaries of conventional theatre and performance art,” said Homma, a DJ and video producer for Siro-A. “The first Siro-A show was performed 20 years ago when we were high school students. Since then it has evolved in its complexity. We’ve utilised a lot of equipment, technology and props, especially video production, to create a multi projection performance and unique form of entertainment,” he added. (MS) Until Jan 22, varied performance times.

The Concourse, 409 Victoria Ave, Chatswood. $38-$45 (Family passes $99-$160).

Tickets & info: www.theconcourse.com.au

Contributors: Carmen Cita, Craig Coventry, Greg Webster, Alicia Sim, Peter Urquhart, James Harkness, Leann Richards, Lisa Seltzer, Mark Morellini, Mel Somerville, Rocio Belinda Mendez, Sarah Pritchard, Athina Mallis, Leigh Livingstone, Joseph Rana, Shon Ho, Jacqui Rothwell, Emily Shen, Andrew Hodgson, Irina Dunn, Caitlin Burns, Zeiya Speede, Rita Bratovich, Chantal Walsh, Raffaele Piccolo, Barbara Karpinski, Taylah Felice, Georgia Fullerton, Bobby Stephenson, Olga Azar, Kaiti Haviland, Daniel Jaramillo, Nina Beeston.

Packemin Youth Productions’ CATS

Tom Ballard will explore an issue close to his heart in comedy lecture Boundless Plains to Share at Belvoir. The comedian and broadcaster, who won the 2016 Helpmann award for best comedy performer, will tackle Australia’s asylum seeker and immigration policies, examining the history, cost and future of ‘border protection’.

“I think you can joke about anything in the whole world, as long as you’re coming from the right place,” Ballard told City Hub. “The fundamental challenge of the show is figuring out how to make it an entertaining and funny comedy show, while tackling an issue that may upset people. It’s a grim part of Australian life.”

Ballard has been exploring Australia’s issues with immigration for some time now. In 2015, he interviewed controversial former Immigration Minister Peter Reith, as part

It’s the theatrical sensation that packs a purr.The musical Cats can never seem to stray from the spotlight for long, and it now returns to Sydney with a new take from Packemin Youth Productions.

Defying all the warnings about working with children or animals (well, animal themes), the massive cast of 120 performers includes three litters of 30 “kittens” (actors as young as six-yearsold) who will alternate performances, with a talented main cast of youth performers who are all under 20-years-old – with one notable exception.

The current Red Wiggle himself, Simon Pryce joins the cast as the Jellicle cats’ wise and respected leader, Old Deuteronomy, and the opulent Bustopher Jones.

“From day one I’ve been incredibly impressed, I continue to be, and I’m just thrilled to be a part of it,” Pryce told City Hub of his involvement.

He says “audiences will be very satisfied with a fully-fledged production of Cats” featuring completely new choreography and staging, a fresh design concept involving scaffolds and a giant moon-come-clock, and atmospheric lighting effects.

This opportunity is somewhat of a homecoming for Pryce, Cats was once a huge part of his life and he has toured the world in multiple roles.

Photo: Richard Hedger

Tom Ballard: Boundless Plains to Share of an exploration of Australia’s White Australia Policy.

He said the 70 minute duration of Boundless Plains to Share gave him more creative license: “Hopefully I’m hilarious for about an hour, which will allow me to tell some pretty stark stories about real people who are still in detention.”

“Because this is such a huge topic that is so complicated you really need to dedicate a whole show to it, I then thought, why not me? I also wanted the opportunity to sit down and research the history of Australia’s treatment of refugees. Hopefully I’ll make people feel things, it did take work.” (GF) Jan 13–15; Fri + Sat 9.30pm, Sun 2pm + 7pm.

Upstairs Theatre, Belvoir St Theatre, 25 Belvoir St, Surry Hills. $37-$72.

Tickets & info: www.belvoir.com.au

Simon Pryce with Inner West locals Allegra Monk and Holly Simon.

Photo: Grant Leslie

Pryce considers himself lucky to have found the wiggle-room to join this production in his busy schedule, and speaks with great praise for Packemin Productions and producer Neil Gooding.

He says the company have provided a wonderful opportunity not only for himself, but for some amazing young performers to learn and work on a high-quality production. (AM) Jan 13–28, varied performance times.

The Concourse, 409 Victoria Ave, Chatswood. $39.25-$47.45 (Family pass $147.85).

Tickets & info: www.packemin.com.au

THE NAKED CITY

GREAT SCOTT – IT’S RAYMOND SCOTT With Coffin Ed Raymond Scott is definitely not a household name when it comes to the pantheon of modern American music, but many would argue that he deserves to be up there with some of the most influential composers and innovators of the Twentieth Century. Who the hell then, was Raymond Scott?

Born in Brooklyn in New York in 1908 Scott was a composer, band leader, pianist, engineer, recording studio maverick and electronic instrument inventor whose career spanned numerous musical decades, until his death in 1994. From the quirky and often eccentric sounds of his 30s jazz “Quintette” through to the cutting-edge electronica of his Manhattan Research project, Scott constantly sought to push the envelope of sound.

With renewed interest in his prodigious output and legacy of recordings, a new generation of music fans are discovering the magic of Raymond Scott. Amongst them is Sydney musician Sam Golding, who notes: “Way back in the early part of the 21st Century a couple of musician mates pressed on me the importance of listening to the miniature musical gems of Scott’s Quintette recordings.Then I slowly navigated my way to his other works – the electronica and jingles – a lot of those I have been discovering through YouTube: the great musical data bank.”

Sam was so inspired that he decided to approach SIMA (The Sydney Improvised Music Association) to stage a night exploring both the depth and creativity of Scott’s compositions. Given the

green light, he them assembled a group of not only great Sydney musicians but devout Scott fans as well including Peter Dasent, Matt Ottignon, Ross Harrington, Steve Elphick, Evan Mannell and Sarah Belkner. Together they will explore Raymond Scott’s early ‘Quintette’ miniature masterpieces, his groundbreaking electronica, as well as his eerie and often unnerving advertisement jingles. Sam explains: “The width of his musical imagination is very impressive and being able to bring this great band together to play the repertoire has been a lot of fun. The music skips along and we have to keep

our touch very light – Scott’s personality is so big that we have to keep ourselves a little in-check to pull it off.”

Approaching Scott’s electronic works has also been a challenge, as Sam points out: “To come as close as possible to the sounds of his synthesisers we will be blending the human voice, our modern machinery and our acoustic palette. It’s a little bit like a “What If?” game... what would his later compositions sound like if played by his early ensemble. It’s a reversal of the treatment he gave several of his own early compositions – twisting them into new shapes with his synthesisers.”

For those that think they have never heard the music of Raymond Scott, chances are you have heard something very similar.Whilst he never scored any actual cartoon tracks, it was often adapted by Carl Stalling and used in over one hundred Looney Tunes, Merrie Melodies, Bugs Bunny and Daffy Duck animations.As well, his melodies can also be heard in more contemporary shows like The Simpsons and Ren & Stimpy.

I finally asked Sam what audiences could expect at the Sound Lounge for the “Great Scott” night: “Taking the little alleyways through his large output has been so rewarding – it seems that Raymond Scott got to every fun musical place long before everyone else.We hope that the audience will enjoy picking up the breadcrumbs with us on our way to his gingerbread house.”

SIMA presents The Music Of Raymond Scott: Jan 21, from 8pm.The Sound Lounge in the Seymour Centre, cnr City Rd + Cleveland St, Chippendale. $15-$30.

Tickets & info: www.sima.org.au

Myuran Sukumaran – Another Day In Paradise It’s not two years since Andrew Chan and Myuran Sukumaran were executed by the Indonesian government on Nusa Kambangan Island. Transformed in prison, Sukumaran established the educational facility and art studio.

For prominent Australian artist Ben Quilty, who became a close friend and mentor to Sukumaran, the experience is still pretty raw.

With co-curator Mike Dagostino, Quilty is putting the finishing touches on an exhibition of Sukumaran’s paintings as part of the Sydney Festival. He does so with a sense of honour and privilege in finishing what his friend began:“I promised Myuran that I would get this show up for people to see, which is what he wanted and what he deserves.”

If the destiny of any artist is to create a legacy that lives on, then Sukumaran’s is testimony to forgiveness and a transformed life.

Quilty can’t help but see a parallel between his own life and that of Sukumaran’s at the time of his arrest. By his own admission, Quilty’s life was pretty dark and self-indulgent in his early twenties. He’d made some gross mistakes, he was “off-the-rails”.

“He [Myuran] became a very humble, quiet, introspective, intelligent young man who created an amazing body of work. Against extraordinary odds he became a good man and created a really powerful, positive, constructive body of work that will be his legacy in the long run, I hope,” added Quilty.

A range of works by other artists rounds out the exhibition.The common thread is that they are all from multicultural and marginalised backgrounds.

Another Day In Paradise picks at issues that are complex and loaded – matters of forgiveness and compassion, redemption and change, the human condition, the barbarism of state sponsored killing, and of what we want to be as a society. It’s about initiating and continuing a conversation about matters that might have been otherwise taboo. (GW) Jan 13–Mar 26, 10am–4pm. Campbelltown Arts Centre, 1 Art Gallery Rd, Campbelltown. Free.

Info: www.sydneyfestival.org.au/2017/myuran Read Greg Webster’s full interview with Ben Quilty at www.altmedia.net.au city hub 12 JANUARY 2017

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Live Music Guide LIVE WIRE Sydney

By Jamie Apps

William Crighton: For the past year Crighton has been traversing the continent, travelling to WA for Blues in the Bush and Wave Rock Weekender, amongst other festival spots on the East Coast, and playing to full rooms at his own shows whilst also being listed as one of Australia’s hottest rising stars in Rolling Stone.Tonight you can see him live and intimate in Sydney.

Thu, Jan 12, Newtown Social Club Seymour Centre Courtyard Sessions 2017: The wildly popular Courtyard Sessions, a season of free outdoor music events taking place every Friday until March 17, returns tomorrow evening. In 2017 the program will feature a diverse line up of artists, including the CMC award- nominated singersongwriter Imogen Clark, who will open the season; the soulful Frank Sultana, the honky-tonk sounds of The Cruisin’ Deuces, and Nashville’s own Amber Rae Slade.

From Fri, Jan 13, Seymour Centre Courtyard Feelsclub: These Brisbanite purveyors of quirk-laden synth-pop bring the second show of their steamy summer tour to Sydney tomorrow night. Having honed their live show by sharing stages with the likes of Philadelphia Grand Jury, Gideon Benson and Bugs, and previously selling out The Foundry’s back room, FeelsClub always bring the good vibes with them.

Fri, Jan 13, Captain Cook Hotel FREEDOM: Is a celebration of all things Sydney in music, art, culture and life.This special event to celebrate OAF’s 10th

birthday, the first in a four-part series of free events spanning 2017, will feature a host of Australia’s favourite and most exciting emerging artists. Some of the acts performing on the day are Gooch Palms, Middle Kids and Pearls.

Sat, Jan 14, Oxford Arts Factory Lloyd Cole: Lloyd Cole is no stranger to Australian shores. From his time as front-man for The Commotions and their stadium tour of 1986, through to his Standards Australian Tour of 2014 and the many solo tours he has performed in between – Lloyd has proved a very welcome visitor, regularly selling out shows right around the country.This weekend he returns to Sydney to perform songs from his vast repertoire.

Sun, Jan 15, City Recital Hall Natalie Gillespie & Dave Brewer: Two of the stars of the Perth music scene, former Yothu Yindi singer Natalie Gillespie and guitarist Dave Brewer, combine their talents for this very special double bill at the Petersham Bowling Club. The show will see two sets of original funky soul and blues sets. This unique double bill is a rare opportunity to see two of the West’s finest artists jamming with some of Sydney’s best musicians.

Sun, Jan 15, Petersham Bowling Club Cameron Avery: Following his debut release, C’est Toi, Perth-bred/LA-based artist Cameron Avery is set to woo audiences across Fremantle, Sydney and Melbourne with his deeply sentimental and rich solo approach.

Wed, Jan 18, Newtown Social Club

Matt Henry

By Jamie Apps Despite first picking up a guitar at the age of 15, it wasn’t until the age of 35 that Matt mustered up the courage to perform live on stage. Taking this leap was an incredibly difficult process for Matt, but one which proved itself to be more and more obvious as time progressed.

“Essentially I started writing songs thinking I was just going to be a songwriter for other people,” Matt explained. “The songs I wrote though were all quite personal, so it didn’t make sense for anybody else to sing them, and it got to the point where I realised if anybody was ever going to hear these songs I’d have to learn to sing them myself.”

Aaron Keylock – Cut Against The Grain

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refreshing a genre that has been so diversified that it is almost unrecognisable to its origins.

Listeners will find new fun in this album, they will find hope for young musicians and they will find a body of work spanning back to the formative years of a talented writer.

Cut Against The Grain is particularly good for a long drive through the night when the listener is trying to stay awake. Blast some of this to keep those eyelids open. (SP) WWW

Cut Against The Grain is the fresh new album from Aaron Keylock.

A young achiever, Keylock has been playing and soaking up rock from a very young age. His mellow voice and energetic playing spring with original form and a very classic rock style.

The twang and tone Keylock is partial to (or rather, invigorates a love for) pure rock,

Born Gifted Witch

Having come to this realisation, Matt had to then overcome his terrible fear of performing in front of people. This fear was so crippling in fact that he would often suffer panic attacks not only on stage but even whilst simply travelling to the recording studio.

Thankfully over time these panic attacks and the fear of performing have slowly subsided.

“It wasn’t until a couple of years ago where I had a couple of performances where I actually enjoyed myself,” reflected Matt.

Now that these fears have been overcome, Matt has rapidly begun checking off milestones along his music career journey, having already toured with Kasey Chambers and late last year releasing his debut album Love Without Co-Dependency. Whilst this has meant music is slowly becoming a bigger part of his life, which he is extremely happy about, it has also meant his former life and business has suffered along the way.

“I’ve been a practising and registered art valuer since my early to mid-20s, and striking a balance between that business and music has been really hard. It’s hard, probably more so at the level I’m at, because there are a lot more outgoings than incomings, but hopefully that will shift in the future,” explained Matt. “To be honest though to have the life I’ve got, with a job that I’m comfortable in and playing music which I love, I don’t really have any complaints.”

Next Thursday Matt will be kicking off his album launch tour in Marrickville, which he is incredibly excited about: “I just can’t wait to get out there and get into it, I love travelling so getting to travel and play music is just a bonus.”

Jan 19, 7pm.The Gasoline Pony, 115 Marrickville Rd, Marrickville. $7 tickets on the door. Info: www.gasolinepony.com

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Ballerina

Jackie

Colour, movement, interesting characters and a story arc that goes from bad to good (with some bumpy bits in between) – that’s what Ballerina offers.

A French/Canadian production, the film is set in late 19th Century France and tells the story of Felice and Victor, two destitute children who flee their Brittany orphanage to seek fulfilment of their respective dreams in Paris – hers, to be a ballerina, and his, to be an inventor. You can probably guess how it turns out.

Elle Fanning supplies the voice for Felice and Dane DeHaan is behind the much-too-deep

Natalie Portman gives an immersive performance in her most significant role to date as Jacqueline “Jackie” Kennedy, the wife of President John F Kennedy.

The film details Jackie’s life as the First Lady of the United States prior to and following her husband’s assassination in 1963. The story unfolds through flashbacks as Jackie is being interviewed by a reporter from Life magazine.

Jackie’s private life is revealed, with actual black and white footage of her involvement in the parties and concerts at the White House skilfully edited into the film. She was loved by the people of America and it was said that “she brought life into a cold house”.

Portman, who has an uncanny resemblance to Jackie, was a natural choice for the role,

and unconvincing voice of Victor.

It’s riddled with cliches, but the backdrops are deliciously rich in colour and imagery, with a semi-built Eiffel Tower giving a humorous twist to the classic establishing shot. The dance sequences are quite realistic, though the choice of music (generic pop) is disappointing.

Ballerina doesn’t have the adult appeal of a Pixar, but a grown-up who’s forced to sit through it with a child will still find some joy in it.

(RB) WWW

Why Him?

Delightful? Not really. Hilarious? Yes – but only if you are a fan of outrageously stupid, extravagant humour. Directed and co-written by John Hamburg, the same fellow who directed the Meet The Parents trilogy, this movie has some purely funny scenes, great for comedic relief, along with the more cringe-worthy ones that make you think “uh, what the hell!?”

When college-aged daughter Stephanie (Zoey Deutch) invites her family over for the holidays to meet her multi-millionaire, tech mogul boyfriend Laird (James Franco), her parents Joyce and Ned (Megan Mullally and Bryan Cranston) and younger brother Scotty (Griffin Gluck) are bewildered. Partly because she didn’t tell them about having a partner, but mostly

because Laird is an impulsive, intense man-child with a naïve eagerness to please. His bro-like attitude towards sex can be heard throughout his colourful language and seen within his unique home décor selections, but don’t get me wrong, he is quite a sweetheart who tries his best to please the fam, especially Ned, who is the hardest one to crack.

The ending fell flat and felt rushed, but there wasn’t much more that could be done before it became too long.

Also don’t take your grandparents or your children. This is a millennial movie full of millennial language, hipster cuisines and the latest technology. (JC) WWW

also having mastered her movement and mannerisms flawlessly. She captures the grief and anger Jackie was experiencing as an emotional breakdown was looming.

The story is from Jackie’s perspective and JKF only has a minor role in the film, notably the graphic assassination scene, which audiences will not soon forget. Much is revealed about the real JFK through Jackie, his goodness and how he had flaws but was perfect for America. The film also justifiably only touches on the alleged perpetrator of the crime.

This film is a fine tribute to this majestic and dignified lady, who says in the film: “I never wanted fame – I just became a Kennedy”.

(MMo) WWWW

COLLATERAL BEAUTY

Will Smith stars in his most prominent dramatic role to date and is supported by a stellar cast which includes Hellen Mirren, Kate Winslet and Keira Knightley.

The story surrounds Howard (Smith) an advertising executive who, after the death of his 6-year-old daughter, reaches out to the cosmos and writes letters to three abstractions – death, love and time – asking relevant questions about life. Work colleagues employ three actors to appear before Howard as these abstractions to answer his questions. They hope this will bring him back to his former untroubled self, but there is an ulterior motive for this pretence.

Performances by a wonderful ensemble cast are admirable in this film about loss, devastating grief and the inability to let go. Smith is credible as the grieving father, maintaining the same level of anger and depression throughout, and Mirren’s whimsical

portrayal of ‘death’ is also a welcoming deterrence from the morbid nature of the film.

Adversely, this story is impossible to take seriously and the bizarre twist in the final moments of the film will negate what audiences thought they learnt about the characters who portray the three abstractions.

The script also contains silly (allegedly meaningful) dialogue such as “nothing is really dead if you look at it right” (really?).

Death dominates this unique story, which is touching but mostly depressing.There’s no holiday cheer is this film which resonates that when you lose a child your mind may never be fixed.

Audiences who enjoy being emotionally manipulated should find this fable-like sentimental holiday weeper rewarding, but ultimately they too will be perplexed and ask, what is “collateral beauty”? (MMo) WW1/2 city hub 12 JANUARY 2017

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22/12/2016 1:02 pm