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CITY HUB 2 APRIL 2015

New coalition forms against carcinogenic WestConnex

BY WENDY BACON AND ELISE DALLEY With the NSW state election over, the future of WestConnex is set to become the focus of a huge community campaign over coming months. Lack of funding for public transport, secrecy surrounding the 33 kilometre tollway WestConnex project and its environmental and health impacts will be hot issues in the public debate.

The Baird LNP government that is determined to build the WestConnex has been returned to power.

Meanwhile, the Greens, who are opposed to the WestConnex, strengthened their position in inner Sydney with the re-election of Balmain MP Jamie Parker and an easy victory for Jenny Leong in the new seat of Newtown. Greens transport spokesperson and environmental engineer Mehreen Faruqi, who has been a key opponent of the plan, was also elected in the Upper House. At an ecstatic Greens election celebration on Saturday night, the party leaders declared their determination to campaign for more public transport and support communities opposing WestConnex.

So far, WestConnex campaigns have focused on St Peters where the Baird government has resumed more than 40 homes and plans to build a massive interchange on an asbestos-contaminated dump, and the inner west suburbs of Ashfield, Petersham and Annandale that will be affected by the M4 extensions.

But just three days before Saturday’s election, an unusual forum was held in a Catholic Church Hall on Underwood Road in a quiet part of Homebush just near the site of a proposed 7 kilometre tunnel to Haberfield.

The purpose of the meeting was to form a new coalition that will focus on threats to air quality and health of communities affected by the WestConnex and 9 kilometre NorthConnex tunnel linking the M1 and M2 motorways on the Northshore. Both projects have unfiltered emission stacks.

The group included Greens’ Mehreen Faruqi, two Labor candidates from North Shore electorates, Public Health Association President Jude Page, Doctors

Residents at the meeting in Homebush. Source: Twitter.com (@Wendy_Bacon)

against Pollution spokesperson Dr Kirthana Sharma, campaign groups and residents - some of whom will lose their houses if the M4 extension goes ahead.

The forum was hosted by Aurelia Roper-Tyler whose family’s life has already been badly disrupted by the early stages of WestConnex. While adjacent houses in her street have been compulsorily acquired, her home has so far been left marooned close to both the M4 and Parramatta Road and a possible smoke stack.

Even the WestConnex Delivery Authority’s own data shows that Parramatta Road will be more congested after tolls are reimposed on the M4.

Ms Roper-Tyler told City Hub she had first learned that she would be affected by WestConnex from her local paper and that WestConnex Delivery Authority had never properly informed her about what was happening. She also said that property developers had already moved into the area on a site very close to the M4. She said that her whole family had been traumatised by the events.

The WestCON Community Actions Groups coalition presented a shared set of principles to the

forum including that “there are no safe exposure limits to carcinogens that are contained in emissions from tunnel exhaust stacks and exit portals” and “whilst certain ventilation systems can reduce the level of carcinogens emitted from tunnels and stacks they cannot remove the risk… The only way to remove the risk is to not construct the tunnels and associated exhaust stacks.”

Their health concerns were supported by Jude Page who told the forum that “it’s totally unacceptable” for governments to build infrastructure that sacrifices the health of local communities.

She said that based on the “dodgy figures” from tollway company Transurban’s own impact statement, two NorthConnex emissions stacks would emit 150kg a day of particulate matter onto local communities.

“It costs 5c per car to run a filtration system. Is the community worth 5c? Apparently they’re not”, she said.

The Public Health Association said that if governments go ahead with poorly planned tollways, Sydney will continue to slip down the world scale of livability due to poor public transport and increasing pollution.

“We need governments that put the people before vested interests, with the ability to plan sustainable infrastructure. If governments can’t build infrastructure without damaging the health of local communities they shouldn’t build it. There are safer alternatives,” Ms Page said.

The Australian Medical Association issued a statement saying that although it supports road infrastructure as an element of transport solutions, “public health should be a key consideration in any planning.”

“They would involve providing a Health Impact Statement for all major projects and providing a clear and legislated role for input from the NSW Chief Health Officer in planning. Pollution from motor vehicles can be hazardous to people’s health especially if they have asthma or other respiratory disease,” they said.

Ms Faruqi told the forum that “it is up to us to make sure” the projects don’t go ahead. She said that when she successfully pushed for tollway documents to be tabled in parliament, she found information that was “completely against what the government was saying.

Even the government’s own Environmental Impact Statement actually reveals a lot of information that was contrary to what the government has been saying.”

“For instance, the modelling for stage one of the WestConnex, the widening of the M4 that is about to begin was flawed with regard to congestion,” Ms Faruqi said.

In answer to a motion put forward by NSW Greens Senator Lee Rhiannon which called for documents about the WestConnex to be tabled in Federal parliament, the Federal Transport Minister Warren Truss refused to release any further information on the grounds of commercial secrecy.

The disparate community groups and professional associations involved in the coalition that will research and further highlight the health impact of the tollways cover huge swathes of Sydney. The tollway battle that dominated the election in inner Sydney is certain to get bigger.

Rainbow flag to fly forever Published weekly and freely available Sydney-wide.

Copies are also distributed to serviced apartments, hotels, convenience stores and newsagents throughout the city.

Distribution enquiries call 9212 5677. Published by the Alternative Media Group of Australia. While every effort is made to ensure accuracy of content, City Hub takes no responsibility for inadvertent errors or omissions.

ABN 48 135 222 169 Group Publisher: Lawrence Gibbons Group Manager: Chris Peken Group Editors: Joe Bourke, Emily Contador-Kelsall & James Elton-Pym Contributors: Wendy Bacon, Kayla Canne, Elise Dalley, Tang Li & Georgia Fullerton Arts Editors: Jamie Apps, Erika Vass Dining Editor: Jackie McMillan Advertising Managers: Robert Tuitama, Mark Barnes Email: question@alternativemediagroup.com Advertising: sales@alternativemediagroup.com Contact: PO Box 843 Broadway 2007 Ph: 9212 5677 Fax: 9212 5633 Web: altmedia.net.au

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AltMediaSydney

BY JAMES ELTON-PYM A huge 6.2 by 3.4 metre rainbow flag in Taylor Square, Darlinghurst has been declared permanent following a unanimous City of Sydney decision this week.

The flag was originally approved in March last year, but only as a temporary fixture to honour the past and present contributions of LGBTIQ people in the area until permanent artwork could be constructed in 2018.

The motion tabled by Liberal councillor Christine Forster at Monday’s council meeting ensured the existing flag would be included in, rather than replaced by, the 2018 artwork.

“Look it was a no brainer in my opinion.

Of course it stays there. Why would we take it down?” Ms Forster told City Hub just after the March 30 meeting at Town Hall.

“I had people talking to me saying that they would get dozens of people up here to shout and scream about it if I thought that it wasn’t going to get through, but I was fairly confident it would.”

The flag, which is the largest rainbow flag in Sydney, was installed in October 2014 and was a central part of this year’s Mardi Gras parade.

Sydney Lord Mayor Clover Moore provoked criticism from Ms Forster on social media when she allegedly referred to the flag as “temporary” at a recent public address. Ms Forster, speaking to media at the time, called those comments “pointed”.

“The Lord Mayor is insisting that the flag will be removed, but I think that would fly in the face of the wishes of the community, which I believe would want to see it remain, alongside the artwork,” Ms Forster said at the time.

As this week’s council meeting Ms Moore

The rainbow flag at Taylor Square. Source: twitter.com

said she did not recall ever using the word “temporary”, but Ms Forster again insisted she had.

The installation of the flag cost the council $52,000 in taxpayer money.

Head of the Darlinghurst Business Partnership Stephan Gyory said the flag helped enliven Taylor Square and was supported by local business.

“I don’t think anyone has come to Australia to visit the flagpole, but I reckon anyone who gets to Taylor Square goes ‘that’s a pretty cool flagpole’,” Mr Gyory said.

Some social media users drew comparisons between the decision over the rainbow flag and the State government’s decision to temove a rainbow crossing at Taylor Square.

“Please keep the rainbow flag at Taylor Square. Why spend more tax dollars to remove it? It’s the rainbow crossing all over again.” wrote Twitter user ‘Matt Effect’.

The ‘rainbow crossing’, a colourful pedestrian crossing once also located on Oxford Street, was controversially removed by the State government following the 2013 Mardi Gras parade.

CITY HUB 2 APRIL 2015

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Budget backflip saves community legal centres, for now

BY JAMES ELTON-PYM Community legal centres around Australia will no longer have their budgets slashed by $25.5 million over the next two years, federal Attorney General George Brandis announced last week in a reversal of cuts handed down in the 2014 budget.

The announcement came just one day after the Redfern Legal Centre revealed NSW community legal centres had held a “crisis meeting” to discuss ways to stop the cuts shutting them down.

The head of the National Association of Community Legal Centres, Michael Smith, told City Hub the sector was “relieved” the cuts had been reversed.

“Obviously it’s not an increase on where we were before . . . and there’s still huge demand for legal assistance going forward,” he said.

“Lots of community legal centres are turning people away all the time.”

In a media statement released on March 25, the Redfern Legal Centre said the cuts could force it to drop 50 percent of its casework and scrap two practices: one that deals with police complaints and another that handles employment and discrimination issues.

“Our police complaints practice is the only state wide service in NSW that focuses on police complaints,” Redfern Legal Centre CEO Joanna Shulman said.

The policy reversal comes after every single one of the state and territory attorneys-general wrote a damning letter to Mr Brandis last month describing the cuts as “short-sighted and ill-conceived”.

A Redfern Legal Centre spokesperson told City Hub the organisation was re-evaluating its position after the reversal and was not yet prepared to comment.

Mr Smith said the government’s push for further action on family violence was one of the reasons for the funding being restored.

Redfern Legal Centre. Source: twitter.com

“Centres like Redfern undertake fantastic work in a whole broad range of ways but I think that the government has particularly understood the important work around family violence that community legal centres do,” Mr Smith said.

The increased case load resulting from more women speaking out and bringing cases against abusive partners was one of the reasons for the reversal identified in the March 26 statement released by Mr Brandis and Senator Michaelia

Cash, the assisting minister for women.

“For too many years, the issue of domestic violence remained behind closed doors – a stigmatised problem that victims were reluctant to speak about. Sadly, as a nation we were reluctant or afraid to speak about it,” the statement read.

“With more victims speaking out about this scourge and seeking help to escape such violence, we are responding accordingly with appropriate resourcing.”

The announcement guaranteed the current level of funding for community legal centres until June 30, 2017.

Mr Smith said the demand for free legal services was “trending up”.

“We’re having more and more demand all the time. I think the family violence work is a particular concern because it’s just going up all the time,” he said.

“There’s still a need to increase the funding to legal assistance across the board. The Productivity Commission said we need about $200 million [extra] right across the legal assistance system . . . that’s the government’s own economists and they don’t give money away easily.”

Mr Smith said the reversal could probably be attributed to the broader community, former clients and legal services themselves “making noise” about the impacts of the cuts.

“Often community legal centres have been vocal about their work to change government policies or change the ways things work in the community but we haven’t always been so vocal about telling the community about the good work we’re doing every day with clients,” he said.

Not every group had its funding restored. Mr Brandis’ statement singled out Environmental Defenders as one body that would still be subject to cuts.

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CITY HUB 2 APRIL 2015

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Take a sneak peek at the first 25 films from this year’s program at sff.org.au

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Buy today to save on ticket prices

FULL PROGRAM RELEASED 6 MAY

3-14 JUNE WE BA ’R ck E !

DEATHGASM

SLOW WEST

54: THE DIRECTOR’S CUT

GOING CLEAR

This fabulously funny and gory Kiwi horror flick was the talk of this year’s SXSW Film Festival.

When metal-thrashing teen misfits Brodie and Zakk accidentally summon a hideous entity from hell, carnage and hilarity ensue.

World Cinema Grand Jury Prize winner at Sundance, this darkly funny and unconventional western is both thrilling and romantic. With brilliant performances by Kodi Smit-McPhee, Michael Fassbender and Ben Mendelsohn.

A new cut of this spirited 1998 cult classic about legendary New York disco Studio 54, reveals the film’s homoerotic original vision. The all-star cast includes Ryan Phillippe, Mike Myers, Salma Hayek and Neve Campbell.

This eye-opening look at the Church of Scientology from Oscar-winning director Alex Gibney, tells the story of L. Ron Hubbard and his church’s rise to power, with a little help from A-listers like Cruise and Travolta.

99 HOMES

HOW TO CHANGE THE WORLD

BEST OF ENEMIES

THE DUKE OF BURGUNDY

During America’s 2008’s housing crisis, a desperate construction worker (Andrew Garfield) reluctantly accepts a job with the ruthless real estate broker (Michael Shannon) who evicted him and his family from their home.

This fascinating documentary charts the birth of Greenpeace: from 1970s Vancouver to international status, featuring excerpts from eco-warrior Bob Hunter’s writings and compelling archival footage.

The infamous 1968 televised clash between left-leaning novelist Gore Vidal and conservative author William F. Buckley, Jr. is the subject of this entertaining doco from Robert Gordon and Oscarwinner Morgan Neville.

This chronicle of a lesbian S&M relationship that becomes increasingly more intense through ritual games of dominance and submission, is a stylish homage to European erotica: kinky, funny, sensual and romantic.

BIKES VS CARS

NECKTIE YOUTH

THE HUNTING GROUND

ESSENTIAL BERGMAN:

The joy and potential of two-wheeled transport, in an era when the design of our cities is determined by the automobile, is explored in this globetrotting (São Paulo, Toronto, Stockholm and LA) documentary.

In this visually stunning tale of disaffected youth, Jabz and September take a drug-fuelled trip through the affluent suburbs of contemporary Johannesburg, one year after the live-streamed suicide of their friend Emily.

Academy Award-nominated director Kirby Dick (The The Invisible War War) and producer Amy Ziering tackle the tough issue of sexual assault on American college campuses in this confronting documentary.

David Stratton presents 10 of the most iconic works of cinema from Swedish auteur Ingmar Bergman, including The Seventh Seal, Wild Strawberries, Persona, Cries and Whispers and Fanny and Alexander.

SELECTED BY DAVID STRATTON

SFF.ORG.AU CITY HUB 2 APRIL 2015 SFF15_ALT MEDIA_261x320_3103_1.indd 1

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31/03/2015 5:28 pm

Election leaves opposition Green with envy

Jenny Leong and Christine Milne on election day. Source: twitter.com

“He’s quite popular but I think we could have a chance.”

Labor’s Paul Pearce failed to reclaim Coogee, despite a six percent swing towards him. Mr Pearce said he didn’t think Mr Albanese would be in any trouble at the next election.

“If the people who are Greens who consider themselves Left want a good spokesperson in parliament they would obviously support Anthony Albanese,” Mr Pearce said.

“He’s leader of the Left in the party, he’s never taken a step backwards on good Left policies and it would be extraordinarily stupid to be knocking off Anthony for a Green who’s going to sit there and be irrelevant to the political process.”

Mr Boundy said the notion of a “token” Greens candidate was a misrepresentation and with the party’s growth came the ability to make a difference.

“I don’t think it’s ever a ‘token’. I’d prefer

the term ‘symbolic’ because that means you’re just meaningless but we can actually make a difference,” he said.

“I can just see the Greens growing and growing now.”

The relationship between the Greens and the Labor party is anything but harmonious, especially as the third string party picks up steam.

Luke Foley told Fairfax Media last week that the Greens were “an enemy because they are seeking to replace the Labor party”.

Randwick Greens councillor Murray Matson said this was unfair as the Greens exist in their own right.

“I do feel that the Labor party should stop this jealous protecting of what it sees as its place in the political spectrum. We’re not there for the Labor party. We’re there for climate change issues, social justice issues, and issues of transparency and accountability in the electoral system,” he said.

Cartoon: Peter Berner

BY JOE BOURKE The Liberal Party comfortably hung onto government at last Saturday’s election but the Greens stole the show, gaining more representation in NSW parliament than ever before.

Greens MP Jamie Parker retained the close seat of Balmain against strong opponent Verity Firth while Jenny Leong comfortably won the hotly contested seat of Newtown against Labor’s Penny Sharpe.

In rural NSW, the Greens’ opposition to the extraction of coal seam gas held them in good stead as they took Ballina and at the time of publication still had a chance of defeating the Nationals in Lismore.

The mood was ecstatic at the Greens election after party, where Mr Parker spoke to the crowd about the Greens’ future growth.

“They said we couldn’t do it,” he said to thunderous applause.

The mood at Verity Firth’s post-campaign headquarters was not quite so triumphant.

Ms Firth arrived at the venue alongside Tanya Plibersek, federal member for Sydney and deputy leader of the Opposition.

Ms Plibersek praised Ms Firth’s campaign, saying that she was the best candidate Labor could have asked for in the electorate.

The ALP’s failure to win Balmain and Newtown has placed pressure on the party, prompting some to say Anthony Albanese’s federal seat of Grayndler could be in trouble at the next election.

Paul Boundy has been a campaigner for the Greens for over ten years and said although Mr Albanese has a strong following, the Greens could be in with a shot at the seat.

“If a party is more favourable at a state level then they’re probably going to be more favourable at a federal level as well, and I don’t know the exact numbers but I reckon it’ll be close,” he said.

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Pyrmont Festival Returns

For the fifth successive year, Pyrmont Festival returns with an epic 10-day program showcasing the best of Pyrmont and the Mudgee Region.

From Friday 15th May to Sunday 24th May, visitors can enjoy a smorgasbord of wine dinners and tastings, photographic exhibitions and art displays.

Participating Pyrmont eateries include Blue Eye Dragon, Café Morso, Flying Fish and LuMi Bar & Dining. Food will be complimented with wines from some of Mudgee’s best wineries, including Burrundulla Wines, Robert Stein Vineyard, Lowe Wines, and Huntington Estate.

The festival highlight will be a free 2-day family event at Pirrama Park on Saturday 16th and Sunday 17th May. Thanks to generous support from event sponsors The Star, IGA, L J Hooker and Subaru, guests will enjoy live music, local artists, rides, children’s entertainment, and around 100 stalls where guests can meet wine-makers, participate in tastings and sample a broad range of fine foods.

Pyrmont Festival is a product of industry collaboration with Mudgee Region Tourism, Mid Western Regional Council and Mudgee Wine Grape Growers Inc, presented by Pyrmont Ultimo Chamber of Commerce with the City of Sydney.

For event information, tickets and accommodation visit www.pyrmontfestival.com.au.

We’re promoting you to PyrmontUltimo diners for 1 year!

The Pyrmont-Ultimo precinct boasts some of the city’s best restaurants, bars and cafes.

“Dine Local” is our local annual dining guide, produced by the City Hub. This handy little guide highlights some of the region’s most well-known favourites, promising newcomers and best-kept secrets.

The high quality gloss guide will be a go-to reference for locals and visitors alike, with 10,000 copies being distributed to residents and 10,000 copies going to neighbouring hotels.

As a member of the Pyrmont Ultimo Chamber of Commerce, all businesses in the dining sector receive a free listing in the guide. In addition, PUCC members also receive a substantial 45% discount on advertising across the City Hub channels.

For just $1200, your business can book a full page ad and write-up in City Hub; a display ad on City Hub website; promotion in the City Hub newsletter, an annual listing in their business directory and recognition on City Hub Facebook – all with artwork included!

You can reduce your ad size to a ¼ page ad in the City Hub for $700.

To take advantage of this special offer, contact John Hancock at cityhub@ezymedia.com or on 0401 847 853.

Co-owner and Executive Chef, Federico Zanellato designed the innovative Italian - Japanese inspired menu and has been gaining praise from critics and diners alike since opening in September 2014.

With four courses for lunch and eight courses for dinner, both degustation menus highlight the range of Zanellato’s exciting culinary creations. The venue also caters for business lunches during the week and serves an a la carte menu in the small, European-themed bar.

With an extensive wine list put together by head sommelier Michela Boncagni, the eight-course degustation can be matched perfectly, or guests can select wine by the glass. The restaurant’s relaxed yet sophisticated atmosphere and high standards of food and beverage make this an ideal place for special occasions. For discerning gourmands, LuMi will certainly be one to watch in 2015.

Intercept Survey

Comprehensive surveys have been conducted in Haymarket, Glebe and Kings Cross, providing a snapshot of consumer and market behaviour across the city.

New data gleaned from these Village Intercept Surveys complements the findings of previous surveys undertaken in Surry Hills, Pyrmont and Oxford Street precincts.

The information provides valuable insights into who is using the precinct, how they are using it, where they are coming from and why.

Survey findings will be presented at three separate public sessions: • Haymarket Survey findings: 4pm-5pm Thursday 28 May, Level 3 Town Hall House • Glebe Survey findings: 4pm-5pm Tuesday 2 June, Level 3 Town Hall House • Potts Point Survey findings: 4pm-5pm Wednesday 3 June, Level 3 Town Hall House To attend, please RSVP to citybusiness@cityofsydney.nsw.gov.au

Powerhouse offer for locals

residents, workers and students.

And for those in the area with enquiring minds and tight hip pockets, this delicious news gets even better. For an added afternoon boost, guests will also receive a complimentary truffle with the purchase of each small coffee from the museum’s new Black Star Pastry outpost.

To receive free entry and claim your free treat from Black Star Pastry, simply show some form of ID with an Ultimo postcode at reception. This may include a drivers license, business card, or an ID pass for ABC, UTS or TAFE staff and students.

Current exhibitions include Engineering Excellence; Interface: People, Machines, Design; Undressed: 350 Years of Underwear in Fashion; and A Fine Possession: Jewellery & Identity.

This offer is valid until 30th June, 2015 – don’t miss out!

the first collaboration between WOTSO WorkSpace and the Pyrmont Ultimo Chamber of Commerce, we are already looking forward to the next opportunity to work together.”

The event drew a dynamic mix of local entrepreneurs and business owners, with diverse and innovative visions for the precinct. Following a tour of the new WOTSO WorkSpace in Pyrmont, guests had an opportunity to compare ideas and business goals one-on-one, in a speednetworking session.

“PUCC is really passionate about local business and community,” Ms Hogan continues. “The team at WOTSO WorkSpace was captivated by the energy and enthusiasm that PUCC and all the guests had for CREATE 2015.”

Social Media for Business E-book

Online training website Digital Ready has published a new E-book to help bring small businesses up to speed with the digital age.

Almost two thirds of Australians are on Facebook but, according to the 2014 Yellow Social Media Report, only 36 per cent of small businesses have a social media presence.

In response to this gap, Digital Ready has released Social Media for Business – a beginner’s guide, a free E-book for small business owners outlining how to use social media to their advantage. The guide was developed with clubs, not-for-profit organisations and small businesses in mind, to help them better understand social media and how they can use it to grow their business.

“The statistics show that a significant number of small businesses aren’t taking advantage of social media to promote their business,” says Digital Ready Project Manager, Alan Howard.

Through four chapters, the guide covers why businesses need a social media presence, the main platforms, how businesses can start building social media profiles and social media marketing.

“The pace at which social media is moving is quite remarkable, and we’re concerned that many small business owners aren’t keeping up,” Mr Howard continues.

Dedicated to helping small businesses to get online, Digital Ready is an initiative of the Australian Communications Consumer Action Network (ACCAN).

To download your free copy of Social Media for Business, visit digitalready.org.au

Afternoons just got a whole lot more interesting in Ultimo.

From 3-5pm each day, the Powerhouse Museum is offering free admission for local

Meeting of minds at CREATE 2015

Head online for more news & events

With so much happening in Pyrmont/ Ultimo, we can’t always fit everything in our print newsletter. For more news and events, head to pucc.com.au

Join us on Linkedin LIKE us on Facebook Submission guidelines The Pyrmont Ultimo Chamber of Commerce welcomes submissions for the newsletter from area businesses. These could be about sales, promotions, special offers, changes in the business and other developments. Ideally, each submission should come with an image, such as the company logo or company staff.

Please also provide contact information: website, e-mail, telephone and address (if applicable). Submissions should be sent to admin@pucc. com.au no later than the third Friday of the month for inclusion in the following month’s newsletter.

The newsletter is published monthly in AMG publications and on the PUCC website, www. pucc.com.au. The PUCC e-mail database has about 800 subscribers. Please note that inclusion is limited to space and timeliness.

For inclusion in the PUCC Business Directory please provide all relevant contacts, a short paragraph describing the business, and business logo, to admin@pucc.com.au.

To join the PUCC, go to www.pucc.com.au and download the application form.

For more information please e-mail admin@pucc.com.au or call 0410 338 331

Last month’s CREATE 2015 event at WOTSO WorkSpace Pyrmont was an excellent springboard for creative ideas, connections and collaborations.

WorkSpace Manager Camille Hogan says, “With this networking event being

LuMi Bar & Dining

Located on Wharf 10 in Pyrmont, LuMi Bar & Dining is a unique and intimate space with views over the water into the city.

CITY HUB 2 APRIL 2015

7

University dropouts on the rise

BY EMILY CONTADOR-KELSALL Around 33,000 first-year students are expected to drop out of university this year, according to a Think Education report.

The census date for first semester passed earlier this week on Tuesday March 31, marking the last opportunity for students to drop out without having to pay for the semester.

Gabi Lane, 19, dropped out of a University of Technology, Sydney (UTS) business degree last year in second semester and now studies at a private business school. She said dropping out of university was the best decision she ever made but did not regret her time at UTS. “You need to experiment and find out what you like and what you don’t like. You’ll never know if you want to drop out if you don’t go to university, if you don’t try it,” she said.

“You’ll never be able to feel what university is like until you actually get there.”

Ms Lane dropped out after being unhappy and uninterested in her subjects.

Max Murphy, Education Vice-President of the UTS Students’ Association, was concerned by the estimated 33,000 dropouts and said tertiary education systems needed to be reformed to better prepare undergraduates for the “immense difference between high school and university”.

“Not all students at university are there because they enjoy writing extensive essays and getting overly involved in discussion in tutorials. They are there to get a degree so they can get a solid, well paying, meaningful job,” he said.

“It’s hard to really connect with the course content when a lot of students do not feel comfortable with the relatively well-off cohort that goes to university, particularly in some courses like law and communications.”

The reasons behind student dropouts vary, but

The University of Sydney. Source: twitter.com

unhappiness with classes and content, class size, financial hardship and poor course performance are common causes.

The Think Education survey of more than 1,000 Australians found 67 percent of people aged 25-29

wished they had spent more time thinking about their study or career choice after high school.

Peri Watson is currently completing her HSC at Rose Bay Secondary School and said she had spent between one and two years thinking about what university

Comment: Drug dogs barking up wrong tree

BY DAVID SHOEBRIDGE If you catch the train on a regular basis, it’s likely that you’ve encountered police with drug dogs. Public transport is the main focus of drug dog operations despite being one of the least effective locations for drug detection.

In 2012 politicians from both the ALP and the Coalition joined together to expand drug dog operations on public transport, but newly released figures show that the program has been an abject failure.

Through questions to the Minister for Police my office has obtained damning new figures which show searches conducted by Police Transport Command (Transport Command) consistently turn up fewer drugs than the state-wide average. In 2012 Transport Command had a 74 percent false positive rate compared to the average of 67 percent. In 2013 Transport Command had an astounding 80 percent false positive rate compared to the average of 64 percent. Transport Command drug dog operations are actually getting worse at detecting drugs.

Transport Command was established in May 2012, the same year that the government introduced the Law Enforcement (Powers and Responsibilities) Amendment (Kings Cross and Railways Drug Detection) Bill 2012.

Before this amendment, police could only conduct general drug detection operations without a warrant on limited train routes.

The Bill expanded the use of drug dogs to the entire CityRail network.

During the debate Liberal MP John Flowers said “As the Attorney General said, this will allow the NSW Police Force to cover the entire CityRail network, effectively halting the flow of drugs into Kings Cross.” Not surprisingly, the expansion of police powers did not halt the flow of drugs into Kings Cross. Opposition members were more realistic in their assessment. Labor MP Adam 8

CITY HUB 2 APRIL 2015

David Shoebridge. Source: davidshoebridge.org.au

Searle said “Put simply, it will not do much about drug-related crime but it will look like the Government is doing something.” Despite this frank assessment, every Labor Member of Parliament voted to support the bill.

Humiliating pat-down searches by Transport Command following a drug dog indication are normally conducted in full view of the public. Police also conduct hundreds of strip searches each year, which yield the same false positive rate. Even when the police do find drugs, it is normally an insignificant amount – only 2 percent of searches result in a supply conviction; normally a relatively small quantity of drugs under deem supply laws.

Drug dog operations on public transport do not target serious drug crime. Organised crime syndicates transporting millions of dollars’ worth of methamphetamines

can afford cars. The use of drug dogs on trains disproportionately affects the people that are normally caught up in “tough on crime” policy – young people, poor people, and Aboriginal people. For example, a rail passenger at Redfern is 6.5 times more likely to be searched than a passenger at Central.

When they voted to expand police powers, politicians from the major parties already knew that drug dogs were less effective on public transport – searches on public transport in 2011 found nothing 74 percent of the time, higher than the state average. Now that we know that the expansion has been a continuing failure, the government and opposition have no excuses for maintaining this program which targets the most vulnerable in our community.

David Shoebridgeis a NSW Greens MP

course she would like to do. She plans to take a gap year before studying interior design at university.

Ms Lane thought there should be better options available to prepare and inform undergraduates in their career and study choice.

“I went to my careers counsellor probably 12 times in two months,” she said.

“I was like, ‘I’m 18, I don’t know what I want to do’, but now I know I just want to be happy.”

Think Education reported that each year more than 13 percent of first-year students drop out.

According to Department of Education data, just over one million domestic and international students enrolled in higher education institutions in the first half of last year.

Ms Lane said the dropout rates were not a significant problem, as university could be a fun and valuable experience, even if students didn’t complete their degrees.

Ms Watson said the statistics were unsettling but expected in many ways.

“In some ways it surprises me because it takes a lot to get into the course you want and lots of people can’t get in [to their desired course] because others did better,” she said.

“But it also doesn’t surprise me because you don’t know if you’ll like a course until you do and there isn’t any point continuing a course if you feel it is wasting time.”

While various university run programs are available to first-year students to help them adapt to the change in lifestyle and learning methods, Mr Murphy thinks universities undertake some actions that hinder undergraduates.

“Trimesters will be introduced [at UTS] in 2016 and that will dramatically compress the amount of course work in an already pressed workload and I really doubt that’d mean anything good for first year students who are struggling to keep up with university,” he said.

“Garish” park angers community

BY GEORGIA FULLERTON Local residents have expressed concern over the current design of a park in East Sydney.

The City of Sydney’s reconstruction of a park in a heritage area -- between Bourke and Stanley street has been criticised for not keeping with the harmonious nature of the community.

East Sydney resident Jane Anderson said the council had gone against community wishes.

“We were unanimous in asking for a low-key, natural park upgrade which respected the community and discouraged anti-social elements. Instead council has gone against these wishes and installed a garish bright yellow and white wall and a huge electrical box plonked right outside a home,” she said.

Residents said they wished council had never chosen to redesign the park, after the site has been left untouched for three weeks and large quantities of sandstone have been wasted.

“Sandstone is a sympathetic material, it was removed from the park and sent to the tip. We’re bitterly disappointed,” Ms Anderson said.

There have also been concerns about the design breaching the heritage aspect of the park.

Pam Burling, who lives opposite the reserve, said residents’ requests are yet to be acknowledged by council.

“As we are in a ‘heritage’ area you can imagine our surprise or rather shock when we now have a ‘contemporary’ feel to our park as the designer felt it would look better,” she said.

“We do in fact live in a heritage area because that is the look and feel we enjoy - if we wanted contemporary we would move to Zetland or some other area where the feel is certainly more modern.”

A council spokersperson said the council made “great efforts” to work with the local community and take feedback into account.

“As part of the City’s upgrade to O’Brien’s Lane Reserve, a colourful design feature was added to three small retaining walls to encourage children from a nearby school to play in the park. The coloured glazed bricks added to the wall are similar to bricks and tiles on nearby heritage-listed hotels,” they said.

“The City’s design team followed all relevant consultation procedures for the project and conducted additional investigations in respose to community feedback before it proceeded with a tender selection process for the works.”

Waverley Cemetery proposal dies in council

BY KAYLA CANNE Waverley’s Liberal councillors voted down a motion requesting an investigation into generating revenue from the Caretaker’s Cottage at Waverley Cemetery at their last council meeting.

The cemetery has recently gained a lot of attention after council received reports highlighting the financial distress and instability along the cliffface of the site.

Labor Councillor Paula Masselos asked council for an investigation into the use of the Caretaker’s Cottage, a building on the cemetery site that, until two years ago, was held under a residential lease.

Since then the building has been used as a meeting place for cemetery staff and potential clients.

Clr Masselos said she saw the building as an “under-utilised” resource that could possibly generate more revenue for the preservation of cemetery grounds if repurposed successfully. Her motion comes after reports of potential plans to build a pavillion in the lower gully as a way to increase income at the site.

“What I wanted to do was look at that existing resource and investigate how we might be able to use it in a way that means we may not actually need such an expensive building down at the other gully in the cemetery,” Clr Masselos said.

“Why not investigate what we’ve got first? … Money that would potentially go to build a pavillion could be used for better things for the community directly that will benefit the residents of Waverley.”

When council denied her motion seven to four, Clr Masselos said she was “astounded.”

“I think they were short-sighted and I think

Students revolt against reforms

Waverley Cemetery.

it’s just about them voting down a motion just because they can. Here was an opportunity for council to be acting in a bipartisan approach for something that makes sense in the scope of management resources and in our budget, and they chose not to,” she said.

“It certainly doesn’t make sense to me, and I don’t think it makes sense to the community either.”

Former council director Dr Bronwyn Kelly has also developed her own proposal to enhance cemetery funds. She said she disagreed with Clr Masselos’ motion and rejected the accusation that the Caretaker’s Cottage is under-utilised.

Dr Kelly said that under the previous residential lease, the cottage only generated $35,000 a year in revenue.

Since the cottage has been repurposed as

extra office space, cemetery staff have been able to create a private and comfortable setting for their clients — something they lacked when working out of the small and crowded main office in previous years.

Dr Kelly said each sale made inside the cottage generated around $50,000, leading to hundreds of thousands of dollars in revenue every year. She said the cottage acted as a more valuable asset to the cemetery when used for this purpose.

“I would suggest that the real reason that [Clr Masselos] moved that is because she’s focusing on the minute way rather than on a holistic solution, and that’s what [the cemetery] needs. It’s time for a holistic solution and I think the majority of councillors would agree with that, which is why they voted it down,” Dr Kelly said.

CANTERBURY OLYMPIC ICE RINK

Skate with the best

keep cool and learn to skate during the Easter Holidays

BY TANG LI Students across the country have united to protest the federal government’s push for university fee deregulation.

The National Union of Students (NUS) coordinated the National Day of Action (NDA) which saw demonstrations in capital cities across Australia on Wednesday March 25.

Despite the Senate’s continuous rejections, and recent polling that revealed 80 percent of Australians do not support deregulation, Education Minister Christopher Pyne and the federal government still plan to re-introduce the bill until it is passed.

Ridah Hassan, NSW Education Officer for the NUS said that students protested because they “vehemently oppose a privatised US-style education system and $100,000 degrees”.

“Chris Pyne with all his private school, born-to-rule sense of entitlement has said he will ‘never give up’ on deregulation. We will never give up on fighting it - no amount of pepper spray will hold us back,” she said.

Rose Steele, NUS President and Brighter Future campaign spokesperson said that student voices represented the majority of the people affected by the proposed reforms yet had not been taken seriously.

“Our NDA marks an important milestone in our campaign, where our on-ground activities will kick off to keep the pressure on the government to listen to the key stakeholders in this issue: students and their families,” she said.

“A government that ignores our voice is not a government that represents us. We deserve better than that.”

The NSW President for the NUS, Chloe Smith, said Mr Pyne had been pursuing deregulation for over 18 months despite it being strongly opposed to by the public and the Senate.

“He has spent millions of dollars on an advertising campaign which hasn’t convinced anyone. On every front, Pyne has been a total failure. He’s just got to go,” she said.

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9

FEATURE

Don’t Make Your News Limited

BY KAYLA CANNE City Hub has survived two long decades but in light of recent rising costs and decreasing revenues, the paper now needs your help. This week City Hub announced our first crowdfunding campaign, hoping to gather community support in fundraising $50,000 to help ensure the future of our paper.

Community funding isn’t a new phenomenon, but in the past 10 years it has certainly become easier with new crowdfunding platforms such as Pozible, Kickstarter and Indiegogo: platforms for entrepreneurs to find financial support from their communities and a place where you can donate to the organisations you find worthy.

As new media enterprises cannibalise old media revenues, many small and independent news organisations have turned to these campaigns to help fund individual stories and projects, kickstart new independent media, and reinvigorate and revive long-standing newspapers facing high publication costs and debt.

2014 was a big year for crowdfunding. Sydney’s Star Observer managed to raise over $100,000 to fund the restructuring of the paper after 35 years as a not-forprofit publication. Another alternative paper, the San Francisco Bay Guardian, also worked to collect enough money to fund both an extensive archive system and one last issue exploring the history of the paper after it was shut down.

Each of these scenarios relate in three ways: locals in these communities appreciated this independent voice within media, and realised that to keep that voice, they would have to chip in and provide support. Because of that, each of these campaigns were successful.

After two decades as a paper developed for the locals, City Hub hopes to see the same results throughout our next six week campaign.

“As a result of diminished local news coverage,

Sydney has suffered,” publisher Lawrence Gibbons said. “As the government prepares to privatise publicly owned utilities, as more and more publicly owned land is sold off to developers, as more and more dwellings are crammed into our already densely populated inner city neighbourhoods without the infrastructure to support them, as the state government prepares to merge small and accountable local councils into massive, soulless urban bureaucracies, the need for fearless, independent news coverage is more vital than ever. There are countless stories begging to be told.

And so we turn to you the community we serve and ask you to fund the stories you want.”

The first issue of City Hub was distributed on August 24, 1995 with the promise to “print the news and raise hell,” offering a free-of-charge alternative to Australia’s media conglomerates for over half a million residents across inner Sydney. Over the next 10 years the paper expanded to adopt three new breakouts — City News, Inner West Independent and the Bondi View — each covering localised news in their area.

Throughout its 20 year reign, City Hub has remained a pioneer in free speech and freedom of the press, providing both a voice for the community and the news they deserve to hear.

City Hub established its reputation as the paper not afraid to ask the tough questions in the first issue, when we uncovered the government manipulation leading to Rupert Murdoch’s empire taking over the Showgrounds. Since then, the paper has been known for thoroughly investigating the actions of high-profile figures such as the Lord Mayor Clover Moore, reporting our findings even in the face of lawsuits in order to deliver honest news to the community.

Sydney has been sold off to developers block by block and City Hub has consistently reported on the behind-the-scenes deals that plague our community, providing a forum for local opposition that would

otherwise go unheard. The paper produced substantial coverage on the controversial development of Barangaroo and the sell off of Millers Point, all while letting locals know how they could get involved.

The paper has twice been featured on ABC’s MediaWatch for marks of excellent journalism. In 1999, the paper exposed the corrupt politics behind the famous Chiquita Banana corporation and its sponsorship of Bananas in Pyjamas. Just a few years later, City Hub spent time further investigating Rupert Murdoch’s reports of the improper disposal of heroin needles behind a safe injecting site in Kings Cross, only to find the needles belonged to a nearby resident who used them to medicate her diabetic cat.

In their 10th anniversary issue, the paper spoke out against government censorship and called for an Australian bill of rights to protect the free speech of Australian citizens.

Since the beginning of publication, City Hub became a paper not afraid to stand up against the big guys while still valuing the stories and concerns of its neighbors. City Hub was published as an independent city newspaper that always kept the locals in mind, and so it has remained.

In July of 2014, the organisation was forced to revert back to one publication, City Hub, as a result of increasing production costs. However, the paper continues to cover

and distribute news “from Bondi to Balmain”, keeping the interest of our readers at heart even amidst tough publishing decisions.

Now the paper is facing a loss of income. Any money raised throughout the crowdfunding campaign will help the paper stabilise debt and increase the longevity of the City Hub. As a truly local paper, City Hub is also providing local rewards to contributors who show their support.

The paper has worked to collect over 100 different giveaways as a way to thank their advocates.

Why We Are Publishing the City Hub 1) To print the news and raise hell. To offer an independent alternative to Australia’s media conglomerates. To be unique, vital and indispensable.

2) To fight for progressive social change. To see that everyone gets a fair go. To look out for the underdog (who better than an alternative title to fight the good fight?).

3) To champion local Australian arts and culture. To counter the cultural cringe. To define what is next. To seek what is new.

4) To provide creative individuals with a forum for intelligent discourse. To develop fresh talent. To encourage well-written,

accurate and insightful prose.

5) To give every employee the opportunity to grow and advance. To respect our staff. To have fun.

6) To empower our managers to run each department entrepreneurially and responsibly. To encourage new ideas. To develop a collaborative team effort.

7) To serve the interests of young urban readers. To always put our readers’ interests first. To ensure that every publishing decision expands our readership (by so doing our advertisers’ interests will be served).

8) To offer advertisers an effective, targeted advertising alternative. To provide small, locally-owned businesses with an affordable advertising option. To help our clients grow.

9) To operate profitably and with fiscal responsibility. Revenues are the means by which our message is delivered. Profits ensure that our business is secure.

10) To seek expansion opportunities within our defined market niche.

To grow and grow again. To guarantee that our community hears an opinionated, independent voice.

HELP US PRINT THE NEWS AND RAISE HELL Here are just a few ways you can support our campaign on www.indiegogo.com/projects/don-t-make-your-news-limited The Royal Hotel

1. Contribute to our campaign and get some of these amazing perks, which have been generously donated by local businesses:

Rock the World

Merchant of Venice

Free tickets to a range of performances • 10 Comics for $20 Bucks • Big Kev’s Craziest Comics Show • Fast $100 Stand Up Comedy Competition • Rock Roll and Laughs • Sydney Comedy Festival • Jerry and Tom: A Black Comedy • Merchant of Venice • Bring It On: The Musical • Spirit of the Anzacs • Sydney Film Festival Flexipass • Hoyt’s Lux Premium Cinema • Rock the World Band Competition • Bridal Expos • Creatives Uncovered • and more

Dine on us with some tasty restaurant vouchers • Essen Restaurant • La Mint Restaurant • Crown Street Fish Shop • Menulog • Three Williams • The Royal Hotel 2. Join the ‘Hub Club’ for a subscription to our weekly newsletter, tickets to City Hub’s 20th birthday bash later this year, archive issues and your very own City Hub t-shirt.

3. For $1,200 get your story heard! A City Hub journalist will write a full page feature on a topic of your choosing, with your name underneath letting readers know you have proudly sponsored the story.

4. Attend our crowdfunding launch party at the Beauchamp Hotel at The Terrace Bar, where 50

percent of all bar proceeds will go to our campaign.

Tuesday April 14 at 7pm Beauchamp Hotel at The Terrace Bar (Oxford Street at the corner of South Dowling, Darlinghurst) 5. Tell your friends! Post details of our campaign on your Facebook page, email your friends, host a gathering at your house in support of our cause. Even if you can’t contribute, you can help us get the word out.

Each week City Hub will feature a set of rewards complete with full descriptions. To find these details, head over to www.altmedia.net.au.

For more information, to contribute and to check out a complete list of the rewards we’ve made available to you, check out our Indiegogo campaign at: www. indiegogo.com/projects/don-t-make-your-news-limited CITY HUB 2 APRIL 2015

10

EAT & DRINK

Nel Restaurant “People try and reinvent the wheel sometimes, and you don’t have to,” explains owner/chef Nelly Robinson when I quiz him on his beetroot, white balsamic and goat’s cheese dish. It’s a classic combination that suddenly isn’t boring, what with dueling beetroots, airy, whipped goat’s cheese, crisp brik pastry and a dab of raspberry taking it somewhere new.The 29-year-old’s highly worked 8-course Menu ($88/head) runs the gamut from

$ - mains less than $15

$$ - mains between $15-$22

ROCKS & CBD Chiswick at the Gallery Matt Moran and Peter Sullivan have brought the highlights of the garden-driven Chiswick over to the Art Gallery of NSW’s restaurant space. You’ll find the communal dining elements they’re famous for – slow-roasted Moran family farm lamb; whole roast chook – alongside cocktails and small plates. While Szechuan Yellowfin Tuna ($20) with apple, cucumber and mint was too muted, the dude food options surprised.

I particularly enjoyed Snow Crab Sliders ($9/each) and crisp Fried Quail ($22) with lively jalapeños

By Jackie McMillan

Dachshund Coffee

pressed and crumbed pig’s head batons: ‘green peas, ham’, all the way to ‘pistachio, white corn and cherry’: a surprisingly delicious heap of chocolate soil, fairy floss, pistachio ice cream, cherries and marzipan, summoning Black Forest gâteau. It’s delivered to you in a stylish fine dining-lite basement setting, by an experienced floor team. The Matched Wine Package ($80/head) is a must-have, and not just because you get an amazing two wines per dish. “We go to wine auctions and look for obscure things,” says gun Restaurant Manager Che Vogler. He’s picked a lovely, easy-drinking wine in the 2013 Curlewis ‘Bel Sel’ Pinot Noir to match chef’s venison carpaccio with pepper, chocolate and pickled enoki, but it’s the companion 2012 Domaine Bertagna Haute Cotes de Nuits ‘Les Dames Huguettes’ that really complements the dish. Debating the best wine match provides fabulous at-the-table fun, before advancing to other forms of ‘conscious coupling’.

75 Wentworth Avenue, Sydney (02) 9212 2206 nelrestaurant.com.au Modern Australian $$$

$$$ - mains between $22-$30

and sriracha mayo. They’re prefect against the passionfruit chilli punch of Picante de la Casa ($17).

Alternatively, construct a light lunch of Oysters ($4/each), Native Thyme and Garlic Flatbread ($6) and seasonal Peaches ($17) with bitter leaves and mint.

Art Gallery of New South Wales, Art Gallery Road, The Domain, Sydney (02) 9225 1819 chiswickrestaurant.com.au Modern Australian $$$-$$$$

GREATER SYDNEY Chinaman Dumpling Dumplings, in and of themselves, make me happy. Boil ‘em, fry ‘em—

$$$$ - mains over $30

just let me at ‘em. So it didn’t take too much to get me across the bridge to Chinaman Dumpling.

The name says it all, and the menu is rife with the usual suspects, including a compulsory set of Pork and Chive Dumplings ($13) with nice onion bite. Chunks of shrimp and water chestnut-crunch give way to a nutty whisper of roasted sesame in Shumai ($9); while Duck San Choy Bow ($14) are bright with fresh chilli and spring onion. Unctuous Crispy Pork Belly ($23) arrives capped with golden crackling, conveniently presliced so there is no time wasted between its arrival and your shameless indulgence.

Two russet gold Hungarian Vizslas sit like statues, their eyes boring into the café door, through which their owner has just disappeared.When they break ranks to say hello, he pops out to check we like dogs. I suspect this should be a rule if you visit a café called Dachshund Coffee. Despite this, co-owner Rob Stein explains: “It is just a name, though

Shop 3, 4 Rangers Road, Cremorne (02) 9953 7072 chinaman.com.au Chinese $$ The Greens North Sydney The brains behind The Grounds of Alexandria have taken over the North Sydney Bowlo, where old guys in knee high socks have been bowling with views of Sydney Harbour for over 125 years. It’s basically The Grounds, with million dollar views. Try a sultry Baby Beet Salad ($16) with candied walnuts, and apple. The Wagyu Beef Burger ($17) is an all-American classic diner burger; and although it’s something you’d normally eat in a booth, it works here, especially with the Americana college classic: the Watermelon Kegger ($32).

one that’s a little preppy and playful,” just like the resulting, stylish café. It has injected some long-overdue Surry Hillsstyle into the rapidly changing face of Hunters Hill, and it’s not just cosmetic.The attention to detail follows through into their produce selection, starting with Fat Poppy coffee, roasted in Seven Hills, and scrubbing up quite nicely in a Latte ($3.50) made on creamy Country Valley milk.The handcrafted Brickfields bread, brought in from Chippendale, makes an excellent platform for Reformed Avocado ($18.50), buried in a flurry of vine-ripened tomatoes, tabbouleh, quinoa, and crisp sage leaves. It’s a mountainous and filling meal, especially when topped off with a poached Egganic Egg ($4), hiding a deep yellow yolk.The weekday menu, including Zucchini and Goat’s Feta Fritters ($19.50) with red leaf and dill salad spiked with smoked ocean trout, is designed to be everyday food, while on weekends you’ll find some naughtier indulgences.

Shop 4, 64-68 Gladesville Road, Hunters Hill (02) 9879 4619 facebook.com/dachshundcoffee Café $$

If you’re after a ‘club’ meal, the inside area is quaint with antique memorabilia; perfect to take in Lamb Neck in Pastry ($24) with smoked carrot, peas and yoghurt.

54 Ridge Street, North Sydney (02) 9245 3099 thegreensnorthsydney.com.au Bar Food, Modern Australian $$

NEWTOWN & ENVIRONS Cuckoo Callay When it comes to the celebration of all things bacon, the entrance to Newtown Station is hardly the place you would expect to look.

Yet, with its little window boxes of herbs and lovingly mismatched chairs, Cuckoo Callay has turned

into an unlikely hub for a festival of swine. Choose from eight swinecentric dishes and four baconinfused drinks. Don’t Go Bacon My Heart ($19) alone contains five bacon elements: maple bacon, bourbon bacon, bacon steak, bacon sausage and bacon-crumbed poached eggs. Bacon sausage also features in the crackling-filled Bacon Dawg ($16); while Ya Bacon Me Crazy ($20) teams a waffle with cinnamon ice-cream and mapleglazed and chocolate-covered bacon. All the bacon bits come from free-range Aussie pigs.

324 B, Newtown Railway Station, Newtown (02) 9557 7006 cuckoo-callay.com.au Café, Breakfast $$

Good Friday. Good Saturday.

Good Sunday. Good Monday.

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CITY HUB 2 APRIL 2015

11

EAT DRINK EAT &&DRINK

By Jackie McMillan

The Butler A flock of sulfur-crested cockatoos screech across the painted sky.As night falls, the city lights come alive and your conversation is likely punctuated with long pauses as you each get lost admiring the view.The leafy balcony here is the perfect place to sink cocktails, and The Grand Butler ($18) with Bulleit Rye,Antica Formula and salted caramel proves a sophisticated way to begin. If you’re after

DARLO, KINGS X & SURRY HILLS Malabar Despite moving up the road, Malabar Darlinghurst has retained its loyal regulars.They seem delighted with the new, thoughtfully renovated setting, complete with wall-sized murals, natural light and city skyline view.The menu has made the hop too, with a few new South Indian dishes like Kovalam Barramundi ($14). Mellagu Prawns ($16) combines peppercorns, tomato and fennel seeds into an aromatic dish that complements, rather than competes with, crustacean. Pull back with a signature crispy rice and lentil crepe – Bangalore Dosai ($14) – before diving into richly flavoursome Goat Mappas

By Alex Harmon What started as a stall at the Good Food Markets, then set up shop in the Northern Beaches, has now arrived in Bondi. “It’s our first venture ‘over the Bridge,” says coowner Ben Thomas, “we think it suits the Bondi lifestyle.” With the mantra, ‘Eat More Green,’ we tend to agree. Using fresh, local ingredients and throwing in a whole lot of Asian flavour, the salads are great option when you want something healthy but filling.

Ben guides us through the menu of ‘sweet,

EASTERN SUBURBS & BEACHES

Harry’s Bar and Dining A Bondi institution has joined the 21st century – this launderettecum-convenience store is now a dining destination complete with organic produce, cold-pressed juices and paleo. options.The turquoise espresso machine delivers coffee married with almond and macadamia milk – the barista goes through five litres a day and it’s still not enough. For a fancy breakfast, try the Crispy Rolled Egg ($19.50) with black beans, chorizo, avocado, cherry tomatoes, coriander and 12

CITY HUB 2 APRIL 2015

something more smashable, La Mule ($17) pretties up Ciroc Vodka with St. Germain elderflower liqueur, lime, basil, bitters and housemade ginger beer. Cognac cocktails are also well represented; try wrapping your lips around the roasted almond sugar rim of the Butler Side Car ($16) as your way in. Menu-wise James Privett (ex-The Cut) has declared his influences to be French Caribbean, fitting in nicely with French-Colonial décor, including relaxed cane furniture. He’s made some unique interpretations of the genre, including a saucy bowl of vividly orange Tabasco Prawns ($22) with mango salsa and coconut quinoa; and very gently ‘Creole’ Spiced Lamb Ribs ($24). Breaking from the theme, sous-vide Salmon ($22) with spiced eggplant, celery and curried yoghurt, looked pretty but lacked in wow-factor; though it’s quite possible to be kept perfectly happy with bar snacks like Beef and Spiced Pork ($6/each) or Boudin Noir ($6/each) sliders, and plentiful drinks.

123 Victoria Street, Potts Point (02) 8354 0742 butlersydney.com.au Cocktails, Bar, Bar Food $$$

($23), a Kerala-inspired curry.With the distinctive sour tang of kokum, the Goan Fish Curry ($24) is worth the trip alone, especially with a standout Cheese Naan ($4.50).

1/274 Victoria Street, Darlinghurst (02) 9332 1755 malabarcuisine.com.au Indian $$-$$$ Bang: Bangladeshi Street Food The latest high concept ‘street food’ to hit Surry Hills celebrates Vasco da Gama, who ‘discovered’ occupied territories. He’s employed to explain the Portuguese wine list, including the 2013 Prova Regia Arinto, Bucelas ($14/$68).

Sylhet in Bangladesh is tea country, explaining easy-drinking cocktails like gin-spiked Earl Grey Tea ($16). Chef Tapos Singha, another export from the region, curries favour with glossy Wagyu

Banana Blossom

By Jackie McMillan jackie@alternativemediagroup.com

Tri-tip Curry ($32), best wrapped in fluffy Naan ($6). Delicate Cobia Tartare ($22) is another winner.The street food aspect is best in airy Fuska ($10) with shaved egg and tamarind water, and compelling Mango Kulfi ($11).

3/410 Crown Street, Surry Hills (02) 8354 1096 bangstreetfood.com.au Bangladeshi, Cocktails $$$$ Uber Thai Immersed in fragrant Thai basil, my teeth register pleasure at the resistance in long slivers of bamboo, and crunch in tiny green eggplants. Gently cooked chicken thigh is also plentiful in this wellbalanced Green Curry ($12), and it’s a steal at the price. Executive Chef Guitar Salacheep has considered what Western diners enjoy, without compromising heat or authentic Thai flavour. So Grilled

savoury or chilli’ options and promises the popular Tokyo Classic ($14) won’t disappoint. These salads are huge – they’re a meal destination, not a stop-off in between.

This salad is loaded with chicken coated in black sesame seeds, Chinese cabbage, big chunks of avocado, cherry tomatoes, green soba noodles and a sesame dressing.

On the sweeter side, the Coconut Chicken with Crispy Egg Noodle ($14) is brimming with crunchy egg noodles in a tamarind and sesame dressing. Super hungry? Start with Tofu Rice Paper Rolls ($8), a textural experience with layers of peanuts, crisp bean sprouts, cucumber and soft layers of egg and tofu. It’s food that makes you feel good, so it’s surprising not to see a green juice bar behind the counter. Maybe the locals will protest.

18/2a Jaques Avenue, Bondi (0409) 908 364 eatmoregreen.com.au Pan Asian, Salads $

lime. Lunchtime, the talk of the town is plump Seared Scallops ($18) with turmeric puree, and crispy parsnip and pomegranate chips. Dinner is small but excellent with Pan Roasted Holmbrae Chicken ($29) the standout.The Eton Mess ($12) is anything but untidy with micro herbs and Chantilly cream.

Shop 2/136 Wairoa Avenue, Bondi (02) 9310 2180 harrysespressobar. com.au Cafe $-$$ Oceans Dining and Drinks You’ll find this rooftop at the southern end of Coogee Beach, in the Crowne Plaza Hotel. It offers magnificent views and seafood fare – with elbowroom to boot. On sunny

days the terrace calls for an Oyster Tasting Plate ($12) and McLaren Vale Sparkling ($7.50/$34). Inside the green and gold colour palette screams pina coladas, though a Coconut Margarita ($17) also does the trick.A Summer Dream ($17) with vodka, lychee liqueur, basil and raspberry goes down easy. Carb-up with the zesty Balsamic Mushroom Pizza ($18) or turn it down with the Tuna and Prawn Salad ($35). Crispy Pork Belly Bites ($21) sound better than they taste, but as a whole, the place is more hit than miss.

Corner Arden & Carr Street, Coogee (02) 9315 9178 oceansbar. com.au Bar, Bar Food, Mediterranean $$$

Zahli Jumping into the spot formerly occupied by Al Aseel, restaurateur Mohammad Issmail has transformed the space into arguably the slickest-looking Lebanese restaurant Sydney has to offer.And it doesn’t stop at the marble bar, ornate blue tiles and quirky, upside-down desk lamps dangling from the cleverly integrated acoustic ceiling, either! White tablecloths set off carefully chosen earthenware plates, and quality (Bose) speakers deliver a

Pork Som Tum with Coconut Rice ($15) is intensely sour, and the sweetness of Pad Prik King Crispy Pork Belly ($14) is cut with fiery bird’s eye chilli. Fish Cakes ($6) arrive sliced into a pretty salad, while Moo Ping Pork Skewers ($6/2 sticks) ooze quality against jim jeaw dipping sauce with roasted rice powder.

437 Elizabeth Street, Surry Hills (02) 9211 2521 uberthai.com.au Thai $ INNER WEST PizzAperta The entry-level Manfredi is stylishly crafted to fit into the alcove below older sibling Balla, on the outside edge of The Star; right behind the large letters tourists love posing in. So grab

fabulous modern Arabian soundtrack. I’m impressed, and that’s even before I get stuck into the smoothest, most flavoursome hommos I’ve tried; best in a Mixed Dips ($20) arrangement with companion smoky baba ghannouj and lightly tangy labneh. Fattoush ($15) is also resurrected here with vibrant capsicum and crisp cucumber showing Chef Abdul Shams’ commitment to good produce. In the hot mezza, Falafel ($12), adorned with sesame seeds, are brightly aromatic with cumin and coriander seed, while compelling Coriander Potato ($12) is red with chilli and goes well with Almaza ($10) beer. For the main event, if it’s hard to choose between moist chicken Shish Tawook ($26) or tender lamb Lahem Mishwee ($27), consider a mixed plate or banquet.The Mediterranean ($50/head) gives you everything I’ve spoken about (and more), but its generosity might preclude you from trying the signature Milk Pudding ($10); and that would either be sad, or reason to return.

529 Elizabeth Street, Surry Hills (02) 9318 2228 zahlirestaurant.com Lebanese $$$

an Aperol Spritz ($15) or a jug of Birra Moretti ($24) and a front row pew.Your pizza is served in a box, irrespective of whether you eat in, or take it with you.

The point of difference is the lightness of the pizza - even my favourite double carb. - Potato, Rosemary and Gorgonzola ($19) - looked like a Neapolitan pizza, but sat much less heavily. Meaning you can squeeze in an airy Roman focaccia, topped with Prosciutto, Burrata and Eggplant ($20) too.

The Star, 80 Pirrama Road, Pyrmont (02) 9777 9000 star.com.au/pizzaperta Pizza $$ One6Eight Balmain Balmain boy, Chef Leigh McDivitt, has come home to roost. Being back on the peninsula suits him. Dishes like his

FOOD NEWS

Hop Smoked and Blackened Rump Cap ($36) benefit from being less fussy on the plate. Grilled baby leeks and golden ale gel make good foils for the rich, blackened beef, especially with compelling Thrice Cooked Chips ($12).

A slightly busier Seared Scallops ($20) on burnt apple puree with torched prawn and pork dust, modernises our Aussie obsession with surf and turf.

Wife Amanda delivers a great Bacon Old Fashioned ($18). She’s also picked a beauty in the 2010 Lillian Marsanne Roussanne ($16/glass, $68/bottle) from Pemberton, great with the Braised Pork Neck with Apple Cider Cloud ($36).

233 Darling Street, Balmain (02) 9555 8750 one6eight.com.au Modern Australian $$$$

By Jackie McMillan

LA CASA Gentle bread-stuffed veal polpette with bright tomato passata, and yards of chewy-crusted, wood-fired pizza are my resounding happy memories of the relaunch of La Casa Ristorante in Russell Lea last month. Put on the map by the much-loved Carmel Ruggeri, in recent times this spot has seen a Sicilian takeover, with new owner Alberto Giammanco and new Executive Chef Salvatore Chisari, both hailing from Sicily. The space has also had a spruce up, including the now ubiquitous exposed Edison lightbulbs and a nicely feathered black and white mural

by Mulga (whose work is popping up all over town).

The new menu, which I’ll be heading back to check out myself soon, isn’t limited to just Sicilian dishes either.

Owner Alberto Giammanco explains: “Our menu goes far beyond your typical Italian restaurant. We worked closely with our executive chef, Salvatore, to offer a wide variety of Italian and Sicilian style dishes.” If the spread they put on for their launch party is anything to go by, this one is definitely worth a visit! www.lacasaristorante.com.au

BAR FLY

By Amie Barbeler

GASOLINE PONY FACT: Gin tastes even better when you find out it’s been made by a guy who started distilling spirits in his cubby house when he was only 11 years old, so that he could pick up chicks. Gasoline Pony‘s gin tasting, presented by Nip of Courage, proved to be extremely educational for people like me who consider themselves ‘gin drinkers’, but in reality, rarely ever venture beyond the comfort zone of the classic G&T.Armed with seven snifter glasses, I was able to experience some of Australia’s finest craft gins, including McHenry’s award-winning Navy Strength and Barrel Aged gins, Botanic Australis’ gin – which contains 14 native Australian botanicals and smells exactly like the bush floor – as well as getting to taste

Australia’s only sloe gin.To coincide with the tasting, Marrickville small bar, Gasoline Pony launched their exciting new gin menu, which features many of the brands that

were showcased at the tasting.

115 Marrickville Road, Marrickville (0401) 002 333 gasolinepony.com, nipofcourage.com

ARTS & ENTERTAINMENT KING STREET THEATRE GLEE CLUB FUN With the Easter break and the associated school holidays impending, parents everywhere are searching for entertainment options for the kids. While we all know about the more common and expensive options, it is important to note that there are also affordable, unique options available.

Newtown’s King Street Theatre plays host to the best of these options next weekend with their Glee Club Fun show. This show is an interactive live kid’s show, taking inspiration from the family favourite television show Glee.

Created by the team from Next Move, this unique show sees the cast inviting kids on stage to sing and dance to some of their favourite songs, along with some of their favourite Glee characters. (JA) 14-18 April, King Street Theatre, Newtown, $17-20 or $60 for family (children under 2 free but must book a seat), kingstreettheatre.com.au or 0423 082 015.

REVIEW WHEN THE RAIN STOPS FALLING When The Rain Stops Falling connects the stories of two families over four generations between London and the South Australian desert.With unruly storms and fish falling from the sky, these incredibly sad stories are designed to make us question just how much control we have over our lives. In today’s increasingly unpredictable and inclement weather, it asks if we can change what we inherit.

Andrew Bovell is a gifted writer and has an excellent turn of phrase, able to weave his complex characters elaborate cloaks of passive aggression and dejected pathos.While going over the events that befall each character, the play seems almost comically tragic, as the most horrible thing that could happen generally does.

However, the stellar cast ensures it remains genuinely emotive, despite the slightly drawn out ‘click’ moments of the inter-connecting stories.The relationship between the naïve Gabriel and his cold, alcoholic mother is heart-breaking, as is the awkward love that blooms between him and the hardened Gabrielle.

Innovative set design and the space of the New Theatre also see this play truly engulf you in its bleak landscape.

(HC)

LE NOIR THE DARK SIDE OF CIRQUE For those who are familiar with the contemporary circus company ‘Cirque du Soleil’ will be pleased to know that a darker, more mysterious performance has arrived at the Sydney Lyric Theatre. Produced by Simon Painter and Tim Lawson, Le Noir is the dark side of Cirque that features many of the former stars from the successful worldwide tour.

In a dynamic display of sheer flexibility and balance, Le Noir showcases an array of talented athletes, acrobats and spinning skaters. To help enhance the performance, the Sydney Lyric for the first time ever has constructed a custom built stage that offers a 360 degree view of the show, allowing the audience to get up close and personal. Come and watch the way they seem to defy gravity as they curve and contort their bodies in unimaginable ways.

Le Noir is truly a feast for the eyes. The costumes and make up are artistic and the scarlet lighting casts a dramatic effect over the performance. The stage presence is both daring and risqué, and the fine physique and raw beauty of the human figure should really be marvelled at when seen in this way.

(SM) Until 4th April, Sydney Lyric Theatre.Tickets available: http://www.cirquelenoir.com/#!tickets/cnnz

a&e

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Arts Editor: Erika Vass Assistant Arts Editor: Jamie Apps Sub-Editor: Charlotte Foster For more A&E stories go to www.altmedia.net.au and don’t forget to join the conversation on Twitter at @AltMediaSydney

Contributors: Alexis Talbot-Smith, Anita Senaratna, Carmen Cita, Ciaran Tobin, Craig Coventry, Georgia Fullerton, Greg Webster, Hannah Chapman, Leann Richards, Marilyn Hetreles, Mark Morellini, Katie Rorison, Mel Somerville, Michael Muir, Michelle Porter, Nick Jewlachow, Peter Hackney, Rocio Belinda Mendez, Ruth Fogarty, Sarah Pritchard, Sharon Ye, Shauna O’Carroll, Siri Williams, Peter Scobie, Lisa Seltzer, Olga Azar, Elyssa King, Brendan Modini

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SEEING UNSEEN: RAW DEVISED THEATRE AT IT‘S BEST A trio of perfectly ordinary misfits go about their days as they are safe in knowledge. All their questions are answered and they want for nothing.

The Old 505 Theatre Company‘s production of Seeing Unseen is set in the future and tells a story about the now, that started as a reflection of an obscure historical topic.

Kerri Glasscock, co-collaborator, performer and theatre company co-founder explains, “Often the work that we do stems from historical sources, and interestingly enough (although) this show is about modern technology and the world we live in now, it actually started from a development where we were examining the court life of Shakespeare, which is bizarre.”

Seeing Unseen challenges the way we receive and accept news and information, and explores what life might be like for people who have lived for longer with the technologies that package and deliver information to us. With revelations that unfold throughout the piece, half the joy is working it out in the end.

The work of this theatre company in particular is revolutionary as the scripts are not the product of a single writer, but they are written collectively from improvisations that happen during rehearsal. This would not be possible without their access to a permanent venue, unlike so many artists in Sydney who cannot afford rehearsal space.

The Old 505 Theatre Company celebrates ten years of devising independent productions this year. (AM) 8 – 26 April 2015.The Old 505 Theatre Company. Suite 505, 342 Elizabeth Street Surry Hills. $22 - $33. Bookings: http://www. trybooking.com/EVPE.

THE SECRET HIDEAWAY On Thursday April 9th, The ArtHouse Hotel will play home to an intriguing night of Burlesque performances. Featuring some of Sydney’s most captivating performers, The Secret Hideaway will offer guests a weeknight escape into the alluring neo-burlesque world.

Amongst the list of performers is Katie ‘Mae de la Rue’ Bell, recent runner up in this year’s Sydney Burlesque Idol. Mae de la Rue began to perform Burlesque in Australia in 2012 and has since found success overseas, which has included showcasing her enticing performance style at the Edinburgh Fringe Festival.

Of the Sydney Burlesque scene, Mae de la Rue describes it as ‘energetic’, but despite its popularity, says that many do not understand it. “We’re just trying to create something that is really welcoming and available to people who have never gone to burlesque, they can come and get a feel of what the entire scene is about.”

Hoping to become a monthly occurrence, guests are invited to enjoy a type of Burlesque that’s flavoured with Australian music and moves, and allows for the Australian humour to shine through.

Mae de la Rue says, “The Secret Hideaway is a great place for people who have never scene burlesque before. It’s an intimate place so you can get a really good view of everything on stage”. (CW) 9th April, ArtHouse Hotel, Sydney,Tickets $25 ($20 for ArtHouse members), redvelvetroadproductions@gmail.com, 0429591576 THEATRE & PERFORMANCE ALL THAT JAZZ: JAM NIGHTS AT THE WORLD BAR The World Bar has a strongly grounded reputation as one of Kings Cross’ most popular weekend venues for drinking and dancing.

However, there is more to this unique venue than dance music and teapot cocktails. Ankle down on a Monday evening and you’ll discover one of the Sydney jazz and Latin music communities best kept secrets.

The weekly Latin & Jazz Open Mic Jam Sessions are a welcoming place where anyone and everyone can come along to enjoy some timeless Jazz standards, whether they are performing or observing..Whether you plan on taking the stage or not, you can enjoy the open atmosphere in the venue’s main bar (front room) where the doors open onto the terrace and the standing piano is rolled out. In the colder months you 14

CITY HUB 2 APRIL 2015

can enjoy the ambiance of a roaring fire. A diverse lot of performers take the stage every week – from students of the Australian Institute of Music, to former X-Factor contestants and regulars like Valda, a spritely woman in her nineties who plays a mean French horn.This regular event fosters the artistic side of the city’s musical community, free of cover charge. Even if you’re just looking for somewhere to enjoy a fine glass of wine on a Monday evening, it’s worth a look. If you’d like to join the ‘cats’ on stage, all you need to do is call or email your sheet music and/or ideas to latinjazz@theworldbar.com up to the day of the jam session, and the jazz house band will prepare to accompany you. (AM) Every Monday, 6-11pm at The World Bar, 24 Bayswater Road Potts Point.

FREE. FREAK WINDS Determined to revive the seminal productions of its edgy history, Red Line Productions has managed to

SONGS IN THE KEY OF BLACK While other kids were watching cartoons on television, Lucy Maunder was absorbing MGM musicals. It was there she came across Irving Berlin’s,‘Blue Skies’, and was hooked.“I wish I’d been born in another time”, says Maunder somewhat wistfully, as she prepares to reprise her knockout ‘one woman show’.

Songs in the Key of Black is a tribute to the song writing genius of Irving Berlin, who composed every one of his hit songs in the key of F sharp – he only ever used the piano’s black keys.A Jewish Russian immigrant, Berlin’s lyrics spoke to the ‘everyman’ of America.

Jerome Kern once said,“Irving Berlin has no place in American music – he is American music”.

“He is probably my favourite composer of the period”, says Maunder,“Because his lyrics are so simple, so clever and incredibly heartfelt.”

Propelled by a growing fascination with the Art Deco period, Sydney is rising to the occasion with little ‘speakeasy’ type bars popping up everywhere, so this show at the Hayes should fit right in.

“What I wanted to do was shine a light on the era because I love it so much”, says Maunder.

“The vibe is infectious, the doors are locked, the teacups are full of gin and this is my little prohibition palace”. (GW) Tuesday 7 April to Saturday 11 April 7:30pm, Saturday 11 April 2pm, Sunday 12 April 5pm, HayesTheatre Co, 19 Greenknowe Ave, Potts Point, $39, hayestheatre.com.au, 80657337.

lure Marshall Napier’s classic Freak Winds back to the Old Fitzroy Theatre. In a deserted neighbourhood on a stormy night, brash insurance salesman Henry Crumb (Ben O’Toole) invades the home of the reclusive Ernest (Napier) and his enigmatic companion Myra (Anna Bamford).

Before long, the evening takes on a series of surprising and increasingly macabre turns, blending humour with genuine horror in the claustrophobic venue that is ‘the Old Fitz’. “It’s the ideal venue for a play like this”, says Napier, who having created the play, is also acting and directing. From its humble beginnings, Freak Winds has found audiences internationally, including a season in New York. “The exposure was unexpected”, admits Napier. “When I wrote it, I genuinely thought it would have a very small audience. It’s hardly mainstream but its appeal was a lot broader than I had imagined”. A writing twist brought upon by a nasty accident has seen some last

minute changes to the storyline. “I smashed my tibia so I had to do a rewrite to accommodate my incapacity”, says Napier. (GW) Until 11 April,Tuesday – Saturday, 7:30pm, Sunday 5pm, Old Fitzroy Theatre, 129 Dowling Street, Woolloomooloo, $32, www. oldfitztheatre.com, 0422198955 MADAMA BUTTERFLY When Madama Butterfly was first performed at La Scala at the turn of the twentieth century it was a resounding flop. Puccini quickly revised the opera. Several months later his new production was a smash hit with Italian audiences.

Over the subsequent century, Madama Butterfly has become one of most popular operas of all time.

The tragic story of a young fifteen year old Japanese girl who is married to a two-timing American sailor is brought to life by Opera Australia.

This excellent production captures Puccini’s genius completely.The stage, an elegant Japanese house, is exquisitely simple. Greek soprano

Alexia Voulgaridou plays Madama Butterfly brilliantly. Her vocal mastery of the part evokes the most emotional aspects of the opera. Her despicable husband, Pinkerton is performed by the Australian tenor, James Egglestone, who was resoundingly booed at the curtain call, indicating he succeeds at being a perfect cad. (DG, DC) RIVERRUN Riverrun is an avant-garde, up and coming production at Sydney Theatre Company that is highly theatrical and not unlike a rock gig.

(MS) Until 11 April 2015. Opening Night: Thursday 12 March 2015 at 8.15pm, Wharf 2, Sydney Theatre Company, Pier4/5 Hickson Road,Walsh Bay, Box Office: 02 9250 1777. sydneytheatre. com.au Tickets: $40 - $55 CARESS/ACHE Suzie Miller‘s newest production Caress / Ache is brushing its way past Sydney theatre-goers this March–April. Griffin Theatre Company hosts this particularly

society-relevant coup –– daringly dealing with the issue of frailty, and vulnerability lodged within the human condition.

Sydney theatre director, dramaturge and teacher Anthony Skuse works closely with Miller on the production, breathing life into this montage-like performance. Inspired partly by the tragic Singaporean man who was executed for drug trafficking and denied a single, final hug from his desperate, wanting mother. “If people walk out with a heightened sense of empathy for their fellow humans, then I don’t think you could want anything more, really. Other things will flow from that.” Says Anthony Skuse.

Focusing on the importance of touch and connection in this increasingly divided humanity, using various amalgamated examples accompanied by a minimalistic score.

(RBM) Until Apr 11, Griffin Theatre Company, 13 Craigend Street, Kings Cross, $35-50, griffintheatre.com.au

THE NAKED CITY

PORTRAITS OF THE CROSS

BY COFFIN ED AND MISS DEATH AND JAY KATZ When artist Jenna YoNa Bloom first arrived in Australia from her native South Africa in 1987, one of the first places she stayed was Sydney’s Kings Cross. She was just a young child at the time and the memories are now distant but she still recalls a positive impression of the bustling and vibrant neighbourhood. Not surprisingly as an adult, she was back working in the area at the Wayside Chapel as a community worker in the early 2000s and has been a resident there for the past five years.

Her passion and enthusiasm for the precinct are immediate, but come with a warning as she discusses the reasons behind her current exhibition ‘Colourful X’.

“What I absolutely love about Kings Cross is that it’s inclusive. The community is made up of people from all walks of life. Any lifestyle goes and nobody is judgmental, but I am concerned that within a blink of an eye it could all disappear.”

Like many who observe the rampant gentrification of the area, Jenna is worried that the area is losing many of the great characters and personalities who have helped define the community in recent decades.

With the Colourful X exhibition, Jenna has set out to document some of KC’s most recognisable identities, each portrayed in large and very engaging stencil and spray paint portraits. In some ways, it’s homage to the bohemian past but also recognition of a culture that still survives despite all the negativity often associated with KC. As Jenna notes: “Kings Cross became known for its bohemian nature

in the early 1900s when the area became a haven for artists, musicians, writers, actors and a more unconventional lifestyle. Remnants of that unique identity are still here in 2015, so let’s shift the focus to acknowledge the beauty that exists, the community, the history, the culture and colour.”

The portraits include author and long time observer of the Cross Louis Nowra, former Les Girls dancer Ayesha Kazan, striptease dancer Elizabeth Burton and Tap Gallery director Lesley Dimmick; just some of the people you might have encountered at the Piccolo Bar in Roslyn Street over the past three to four decades.

Naturally, the Piccolo’s ebullient proprietor Vittorio Bianchi is part of the exhibition, hot on the heels of his own biographical theatre show “Piccolo Tales” at the same venue.

One of the most familiar faces on Darlinghurst Road in recent years was Kings Cross biker Randall Nelson, who sadly passed away last year. Known to everybody as ‘Animal’, there was seldom a day when his colourful bike was not parked somewhere along the strip. His inclusion in the exhibition is of course a given.

Whilst not as prolific during daytime hours, John Ibrahim is synonymous with the Cross’s current nightclub culture and is the subject of one of the exhibition’s most striking portraits. Likewise long time denizen of the hood, musician Continental Robert Susz is another seldom sighted during daylight hours but a long time regular around the live music bars, clubs and late night takeaways.

You can check out the Colourful X exhibition at the GKJE Gallery at level two of the Mercure Hotel at 226 Victoria Street in Potts Point through until April 28.

TOYS THROUGH TIME ‘Toys Through Time’ is a delightful new exhibition coming to the Museum of Sydney. From the 28th of March onwards this unique installation will feature over 200 original toys, some of the oldest dating back to the early 19th century. Both adults and children alike are encouraged to wander and explore through several generations of cherished wooden dolls, tin soldiers, rocking horses, LEGO figurines and much more.

Exhibition curator Bob Whight encourages the playful nature of the exhibition and explains that many aspects will be interactive, allowing a ‘hands on’ experience for the little ones.

“Toys are a subject that appeals to children as much as adults and that’s why we’ve made it a space where children can enjoy themselves as well; where they can play and get their hands on both traditional and contemporary toys and participate in craft activities” For adults,‘Toys Through Time’ is more likely to be a nostalgic experience.

“I think what we really hope to create is that sense of nostalgia; where people find themselves thinking ‘I remember having one of those’.We want to trigger these memories and encourage people to reflect on what they might have stored away, and realise how special it is to carry toys from childhood right through to our adult lives”. (SM) For more information visit http://sydneylivingmuseums.com.au/exhibitions/toys

REDLANDS KONICA MINOLTA ART PRIZE The 19th annual Redlands Konica Minolta Art Prize is anything but staying within the lines this year, with national artists handpicked by industry leaders and a creative cohesion traversing generations.

This reputable contest offers two separate prizes; the established artist prize supported by Konica Minolta ($25,000); and the emerging artist prize supported by Glenburn Pastoral Company ($10,000). There are no regulations regarding which mediums to use in the works or which subject matter to cover, resulting in a diverse range of mediums. These two sought-after prizes will be presented at the National Art School Gallery (NAS Gallery), from the 26th of March until the 23rd of May 2015.

Tim Johnson, 1999 prize winner of this esteemed award and this year‘s leading curator, has selected twenty-two Australian contemporary artists for the 2015 Redlands Konica Minolta Art Prize. “There is so much exciting and original work around

EXHIBITIONS CIRCUS FACTORY The display is interactive. On the ground level visitors can experience a live thrill from the talented Circa acrobatic team, swirl a hula hoop, get lost in a hall of mirrors, juggle and ride a fully operational carousel.

The next section features a historical collection of costumes and information about the famous Wirth circus family, including an amazing, century old photo of the world renowned equestrienne May Wirth, tumbling backwards from one galloping horse to another.

Meanwhile, the basement hosts a collection of odd coin-operated

animatronics. Down here the skull of truth will tell your fortune while Tommy will throw a tantrum for the right price. This is an exploration and adventure through the colour, joy, eccentricity and chicanery of itinerant performance in an Australian setting. The opportunity to play, combined with the carnivalesque atmosphere is a reminder of older times when entertainment was not confined within a hand held device. (LR) Until May 3, Powerhouse Museum, 500 Harris St, Ultimo, $35/Free for up to 3 children, powerhousemuseum.com COSYDNEY Finding a space to work and be creative is a hard balance to

today that finding artists has not been difficult. Interestingly, there are some Australian artists receiving international recognition who still have a fairly low profile here that I’ve sought to include.” Said Mr Johnson.

Redlands has a proud tradition consisting of acquiring the winning art works and placing them in their permanent collection. These pieces themselves are not for sale, but all other exhibited works in the Annual Redlands Art Prize competition will be available for purchase at the free exhibition presented at the National Art School Gallery.

“For the 2015 Redlands Konica Minolta art prize, I have invited a diverse range of artists in order to reflect the wide spectrum of art being made here in Australia. As an artist myself, I feel artists themselves know what they do best and should have the freedom to participate on their own terms.” (RBM) Mar 26-May 23, National Art School, Forbes Street, Darlinghurst, free, nas.edu.au

achieve. CoSydney is a formal yet innovative space whereby people from all workplaces are able to go and utalise the space.CoSydney was founded by Vinh van Lam as he wanted to provide a foundation for people to be able to connect and network their ideas and work. “I believe that CoSydney provides people the opportunity to leave the house and get work done,” Vinh van Lam explains, “We provide a space where people can come and visit, use our facilities and associate with one another. Initially, I wanted to create a space where I could support the art industry, so I have created a space of four floors.”

Each floor is dedicated to different

aspects of art, work, business functions and leisurely activities. The environment is very quiet and secluded from the hub-bub of Sydney which allows people to focus and achieve their goals. “What we ultimately want to achieve with CoSydney is for people to be relaxed, comfortable and get the most out of the space. We provide workshops, seminars and even cooking classes so that people can still feel like their at home but in a different environment,” Vin van Lam said. (EV) For more information: http:// cosydney.com.au/ TOWERS OF TOMORROW A plethora of multicoloured, glistening bricks, begging to be

fondled and clicked are an irresistible lure to both children and adults and are sure to be the most popular aspect of the show. The display features prominent edifices of Australia and South East Asia which have been built to scale by Lego engineer Ryan McNaught. It includes the beautiful, shining, Petronas Towers, Singapore’s Marina Bay Sands, the Eureka building in Melbourne, and a model of Barangaroo. The highlight is the opportunity to play with 200,000 rainbow pieces. This is an immersive experience which will appeal to enthusiasts of architecture and design and is sure to inspire the creativity of the next generation.

(LR) Until April 19, Museum of Sydney, Cnr Philip & Bridge St, Sydney, $5-15 or $45 family ticket, sydneylivingmuseums.com.au TECHE NOBLE Técha Noble has worked across all manner of mediums; from textile design, to performance art and set design. Despite getting attention from rap superstars and Australian label heroes, Noble insists that this flitting between channels and constructions is all part of being an artist today. CRYSTAL ROMEO sees Noble examining new ways to depict Australia’s landscape, eschewing the masculine narratives of colonialism for glitter and high camp.

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X+Y Nathan (Asa Butterfield) is unique. But whilst his skills with numbers are of Olympic proportion, his skills in human relationships are non-league. Diagnosed with a mild autism and suffering the loss of someone close, he is unable to express even the slightest affection, preferring to interpret the world in terms of mathematics. But when he is introduced to unconventional teacher Mr. Humphreys (Rafe Spall) a friendship develops and lessons other than maths are learned. Soon he discovers there is such a thing as the International Mathematics Olympiad and he sets his sights on representing the United Kingdom. Leaving home for the first time and traveling to Taipei with other young prodigies hopeful of a place, he struggles to overcome his issues with the help of new friend and Chinese competitor, Zhang Mei (Jo Yang).

Director Morgan Matthews perfects the art of creating a heartwarming tale without straying into oversentimentality.

WWWW

A WILL FOR THE WOODS Is it something of a contradiction that we recycle our waste products only to have our humanly remains embalmed in toxic fluids and buried in caskets made from two trees? Alternatively should we cremate our loved ones when fuels burn at high temperatures releasing gases into the atmosphere?

This thought-provoking documentary explores green burial, an unconventional but natural way of handling the deceased, unhazardous to the environment and restoring the dead to re-useable materials in the cycle of life.

Audiences will journey with Clarke Wang, a strong willed psychiatrist and musician suffering with lymphoma, as he prepares for his own green burial.

Through insightful interviews, family movies and photos we connect with this brave and inspirational man, whose last act is not to pollute the planet.

Desperately moving and humorous at times, this multi-award winning documentary aims to spread awareness as a staggering 86% of Americans are oblivious to green burials. (MMo) WWW ½

A MOST VIOLENT YEAR It’s the winter of 1981, the New York heating oil industry is not necessarily for gangsters, neither is it scrupulously honest.Abel Morales owns Standard Oil and stakes his future on purchasing an oil terminal, pays a 40% deposit, agreeing to settle in 30 days – or lose the deposit. Meantime, his delivery trucks are being hijacked and his drivers are terrorised by an unknown adversary.Then the Assistant DA, the ubiquitous David Oyelowo, decides to investigate his business practices.What will the bank he needs to fund the terminal purchase make of all this? It’s a ripping yarn of almost Shakespearian proportions with a Godfather/Mario Puzo ambience.

Abel (Oscar Isaac) is someone you warm to; he has cojones – three of them! Writer/Director J. C Chandor also made last year’s brilliant All is Lost (Robert Redford) and I cannot wait to see what he does next. It’s unlikely 2015 will see a drama more thrilling than this. (MM) WWWW½ CITIZEN FOUR Born 1737, a supporter of the American and French Revolutions, accused of being a traitor to his country and irreligious, Englishman Thomas Paine answered: “My country is the world, and my religion is to do good.” Likewise, Edward Snowden had the world in mind when he selflessly and irredeemably compromised his own life by revealing the massively-intrusive, global intelligence-gathering of the National Security Agency.

Acclaimed documentary-maker Laura Poitras is contacted by a mysterious ‘citizenfour’ and they meet in Hong Kong, in June 2013, where he presents classified documents to prove his story. But how you take something this momentous and make the account dull is a strange achievement indeed? Perhaps the scoop aspect overwhelmed some of the niceties of film-making. Everyone should know the message of Edward 16

CITY HUB 2 APRIL 2015

Snowden but whether this particular documentary is the best way to become acquainted is a moot point. (MMu) WW½ EASTERN BOYS Eastern Boys is a controversial new film from France which will intimidate and unnerve audiences.When middleage Daniel (Olivier Rabourdin) invites a young male prostitute named Marek (Kirill Emelyanov) into his apartment for a discreet meeting, he inadvertently falls into a trap and has a gang of illegal immigrants to contend with.This is the catalyst to a psychological journey of danger and desire Performances are powerful, notably from Daniil Vorobyev who is incredibly frightening as ‘Boss’, the deranged leader of the gang.The script is risqué and gritty, effectively combining gang culture and the story of a building homosexual relationship. Sexual content is highly graphic which may offend some viewers. Eastern Boys is a suspenseful and provocative film which will leave audiences cautious about who they invite into their homes. (MMo) WWW½ FOXCATCHER Heir to a massive fortune and leading a life of privilege, John DuPont decides to fund and ‘coach’ a group of American wrestlers to Olympic glory.Wrestling is merely the setting for a story that explores notions of wealth, privilege, power, weakness, manipulation and aspiration.The story revolves around three characters: DuPont (Carrell), wrestling bothers Mark Schultz (Channing Tatum) and his older brother Dave (Mark Ruffalo).

Carrell most certainly deserves an Oscar nomination. He portrays Du Pont as self-important, controlling, needful and distinctly creepy; but ultimately – pathetic, sad and tragic.

Both Carrell’s performance and the film itself are totally mesmerising.

Don’t miss this. (MMu) WWWW½ PAPER PLANES Sam Worthington takes time off from his busy filming schedule in Hollywood to star in a small Australian film

which should delight holiday moviegoers.The story surrounds 11 yearold Dylan (Ed Oxenbould) and his dream to participate in the world paper plane championships in Japan.

Worthington delivers his best performance to date as Jack, Dylan’s father, who is grief stricken after tragedy strikes.The love of his child and his involvement in this sport helps Jack rebuild his shattered life.

The original and simplistic nature of the story ensures audiences of all ages warm to this children’s film, which is written with just the right balance of sensitivity and humour.

Paper Planes encourages children to be imaginative and is one of the better Australian films produced in recent years. (MMo) WWW½ MOONLIGHT CINEMA Australia’s favourite outdoor cinema is the perfect time to sit back, relax and enjoy some great movies, screening advance previews, contemporary, classic and cult movies on the lawn of Belvedere Amphitheatre in Centennial Park.

Nab the best seats (bean bags) in the house (grass).‘Gold Grass’ tickets are available for $35 if you book ahead to secure your place.

Nothing goes better with a movie then some delicious LA Street food, like some nachos, southern fried chicken burgers, New Yorker chilli dogs and a fully licensed bar to keep you nice and hydrated. (CT) Until Mar 29, Centennial Park, $14-$35, moonlight.com.au MR TURNER The latest masterpiece from director Mike Leigh (Another Year) is a stunning, albeit warts-and-all, portrait of J.M.W.Turner, the eccentric English artist whose creative endeavours polarised public opinion throughout his tumultuous life.The meandering pace and sombre tone won’t appeal to everyone but Mr.Turner is a rewarding experience for patient viewers with Dick Pope’s cinematography a particular highlight — the meticulously crafted shots channelling the grandeur of Turner’s haunting landscape paintings are simply breathtaking.

(JH) WWWW

PADDINGTON StudioCanal’s most expensive movie ever is about a talking marmalade-addicted Peruvian bear that goes to London when an earthquake destroys his home and uncle. Luckily for Paddington a wealthy family offers him hospice and try to help him find a new home.This kid’s movie is full of laugh out loud moments that both old and young will enjoy.A charming but honest portrayal of London has just the right amount of Poppins to delight. (PS) WWWW SELMA The third feature from LA filmmaker Ava DuVernay chronicles Martin Luther King Jr’s legendary struggle to secure equal voting rights for African-Americans, with a focus on his frustrated efforts to lead a peaceful procession from Selma to Montgomery,Alabama in 1965.The era’s pervading climate of racism is convincingly depicted – scenes of police brutality unsettle, as do King’s vitriolic adversaries (“He’s a political and moral degenerate,” one spouts) – but it never feels gratuitous nor does it detract from the film’s core objective: celebrating the dignity and courage with which King and his cohorts faced great injustice.

Selma is a stirring and nuanced docudrama anchored by strong performances, especially David Oyelowo as King and Tom Wilkinson as conflicted U.S. President, Lyndon Johnson. (JH) WWWW ROSEWATER Iranian-Canadian Journalist Maziar Bahari was detained in an Iranian prison for 118 days under suspicion of being a spy. Set in 2009, this drama details his plight as he was blindfolded and brutally interrogated daily whilst an aroma of rosewater permeated the air. High production values abound and solid performances are delivered from a cast led by Gael Garcia Bernal.Actual footage cleverly edited into the film complements and adds credence to a shocking story.Adversely, the script contains many humorous moments which detract, slightly tarnishing the dramatic impact of

the story. Part of a wave of similar films depicting the horrendous maltreatment of people, their survival and resilience, Rosewater may have very limited appeal.

(MMo)WWW THAT SUGAR FILM This is the film which the food industry may not want people to see.

Insightful and compelling, the health issues relating to sugar are raised by an investigation when a man embarks on a high-sugar diet for 60 days. Damon Gameau directs and fronts this documentary, consuming foods and drinks with a combined 40 teaspoons of sugar each day and the results are astonishing.

Brilliantly written and researched with fascinating interviews, audiences will be enthralled as mindboggling facts and figures are revealed. Innovative in its format, this frisky and upbeat documentary doesn’t attempt to distil negativity and hopelessness, but instead aims to spread awareness about the choices we make concerning our diets and the need for change.With surprise appearances by Hugh Jackman and Stephen Fry, this is the most important and life-changing film you will ever see. (MMo) WWWW THE IMITATION GAME This stylish and engrossing thriller based on actual events during World War II surrounds Alan Turing, an English Mathematician and logician whose cryptanalyst skills helped crack the enigma code (decode German naval communications). His achievements incredibly shortened the war by two years and saved an estimated two million lives.A brilliant script and wonderful ensemble cast led by Benedict Cumberbatch as Turing and Keira Knightley as his love interest bring this extraordinary story to life.The film is humorous and poignant at times as it progresses through the high and low periods of Turing’s life.

The Imitation Games contains no war action but is fast paced and

complemented by archival footage and a magnificent score. (MMo) WWWW THEORY OF EVERYTHING “I thought he was me,” says Stephen Hawking about Eddie Redmayne’s performance, a role which has already scored him several prestigious awards as Best Actor and sees him nominated for a dozen others – including the Oscar.

It’s the highlight of a film that could be described as ‘A Country Practice meets cosmology’; a standard biopic about a truly outstanding individual.

But very enjoyable all the same: it is by turns moving and funny, with much hilarity coming from Hawking’s own waggish humour.

The Professor says he was ‘honoured and humbled’ by the film but must have been disappointed that the focus is on a life he’s always avoided talking about rather than his ground-breaking work. Perhaps though his attitude to the eternal versus the transitory was summedup on social media when he said,“It would be an empty universe indeed without the people that I love.”

(MMu) WWW½ UNBROKEN Jolie’s astute directing ability is apparent as she manages to extract optimum performances from the cast. Jack O’Connell who shares an uncanny resemblance with Zamperini is a natural in the lead role. Japanese Army Corporal Watanabe known as “the Bird”, is a psychotic sadist and is effectively portrayed by Takmasa Ishihara.Audiences will be tormented by the atrocities he commits and his welcome to the prisoners:“You are enemies of Japan and will be treated accordingly…” will long be remembered.The extreme brutality Zamperini endured and his race against death will shock but ultimately his need to meet and forgive his captors in later years will inspire. Filmed entirely in Australia, Unbroken is an unforgettable film set in one of the darkest chapters in history and is a resounding experience. (MMo) WWWW

SYDNEY LIVE MUSIC GUIDE LIVE WIRE

BY JAMIE APPS Charles Bradley: Returning to Australia to help celebrate his second album Victim Of Love. Breaking onto the scene in 2011 at the age of 62 Bradley has quickly become an esteemed name in the soul music scene.

Known for his distinctively rough timbre which is a true expression of a rocky life journey. Bradley will team up with fellow Bluesfest act the Alabama Shakes for a unique and extremely rare opportunity.

Thu,Apr 2, Enmore Theatre Hein Cooper: In a truly life changing moment while playing a small pub show in Sydney Copper was discovered and quickly signed to Indica Records and rose to prominence internationally.

Weaving together indie pop sounds with emotive lyrics with his vocal performance the threads holding it all together. Hein return home for a brief run of shows before heading back to Canada for yet another tour so seize the opportunity while it presents itself to catch a brilliant Aussie talent.

Fri,Apr 3, Newtown Social Club Rolls Bayce: Brisbane trio finally set to embark on their first Australian headline tour before heading off to the UK for The Great Escape Festival. Embraced by Triple J it sure has been a rollercoaster ride for the trio since releasing their self titled EP in November.This is the first chance fans have to get in on the ground floor before the inevitable rise.

Sat,Apr 4, Goodgod Small Club

Luke Escombe: Singer-songwriter/ guitarist closes out his tour celebrating the recent release of his Creeper Vine EP this weekend in Marrickville. Drawing musical inspiration from Chick Berry, Elvis Presley and The Rolling Stones, Escombe’s new release features some interesting views on modern urban life and the challenges it entails.

Sat,Apr 4, Lazybones Lounge Harry Coulson’s Rain Dogs: This young Melbourne jazz trio come to Sydney for an intimate show. Combining an impressive mixture of blues and jazz with supreme musicianship this is a fantastic opportunity for jazz fans to catch a new exciting talent before they explode and play much bigger venues.

Tue,Apr 7, Jazzgroove @ Foundry 616 Adrian Cunningham Quartet: The now NewYork based Aussie instrumentalist briefly returns home this weekend to play with his long time quartet for their only Sydney show this year.

Having formed in 2004 the group went on to record four studio albums, a live DVD and played many of the countries biggest festivals before Adrian would set his sites abroad. Relocating to NewYork in 2008 Cunningham quickly ascended the ladder to become one of the busiest reed players on the scene, with regular slots at famous venues and as part of theWycliff Gordon quintet and Grammy winningVince Giordano &The Nighthawks.

Wed,Apr 8, Venue 505

ANGELIQUE KIDJO

BY JAMIE APPS Hot off her recent win at the Grammy Awards for Best Music Album for Eve, Benin born vocalist, author and activist Angelique Kidjo is set to return to Australia for a run of shows in conjunction with the Byron Bay Bluesfest, with the final stop being in Sydney next weekend.

The win at this years Grammy Awards makes Kidjo a two time recipient of the award, which she described by saying “I still can’t believe it but it is a reality that I have come to embrace. It is great when your work is recognised by your peers and it means a lot to me.” As a follow up to Eve Kidjo has just released Sings, which was produced alongside a gigantic 110 piece orchestra that one would assume would be extremely taxing. However, according to Kidjo, this was a challenge she wanted to embrace.

“There are so many different sounds that come around, that come and go and you just feel humbled doing it. It’s a challenge as a musician but it’s a great challenge because I can grow into

that and discover new avenues for my own voice.”

For Kidjo, music has always been a passion project that helps her spread her message of “one music, one people, one human family.”

From an early age, this mindset was slowly formed.“As a child, the traditional musicians in my country told me over and over again when you have a talent, whatever it is; it’s not for you

to keep. It is for you to use to empower other people.” Over the years, Kidjo has demonstrated this through her music, advocacy and philanthropic efforts.Whilst speaking to Kidjo, it was clear that she has never taken any of her success for granted and is thankful for all of the support.“I am always humbled and grateful to live off my passion and to be able to travel around the world through music to meet new people and cultures” she said.

Despite all of the seriousness behind her message, Kidjo stressed that music is also still about the fun.“We have fun on stage and the public can see that and have fun with us.The beauty of our show is that I like people to participate, to sing and to dance.That’s just how we do it in Benin. It’s communion time: it’s a moment where you leave your worries, enjoy, pause and think about yourself. I just want people to come, loosen up and have fun” Apr 12, Sydney Opera House, Bennelong Point, $79-114+b.f, sydneyoperahouse.com

NANTES LIMBO

AWAKEN I AM – SHIELDS & CROWNS

Duo Nantes return after two year with a new mini album that is dark, spirited and captivating garage-indie rock, offering from the outset.

Opening track 7 immediately has the listener wrapped up in its catchy, moody guitar riff and striking drum beat.This sets the tone for the remainder of the release which is a strong and cohesive group of six tracks designed to be listed to from front to back. (JA)

Awaken I Am hit their album Shields and Crowns with double kicks, thrashing and near piercing vocals for the most part.

This band is technical driven through their genre as the power and speed is mixed with various layers and heightened by the vocals.

Revel in the energy of Shields and Crowns and appreciate the calm. (SP)

WWW

WW½

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Kings Court Massage: The only place to have twenty two massage rooms and eleven hot tubs, spas, and bubble baths.

Wall to wall beautiful ladies, pool tables and luxurious leather lounges. Have a coffee and enjoy the friendly atmosphere. Approachable managers help you choose a lady for your massage. There is a fair queueing system and no hidden charges. Just along from Centrail Railway at 261 Parramatta Rd Glebe, Sydney NSW 2007 - Phone 02 9660 0666 Its an $9.00 Taxi Ride from the CBD - Visit our web site at www.kingscourt.com.au - OPEN 10 am to 1 am and 24 hrs on Weekends.

20% off 9 am to 12 noon & FREE ENTRY before 9 pm each day. Parking is available in the Broadway Shopping Centre near our discreet rear entrance at 18 Grose St Glebe. Check out the website for information, funny stuff and pictures of pretty women. There are no photos of the regular girls as they are too shy. The site is: www.kingscourt.com.au Also check out the Kings Big John Facebook to see a mixture of really funny pics, photos, stories and links to the best pages of the our website. Just go to www.facebook.com/KingsBigJohn

Hi, this is Big John the owner of Kings Court Massage.

So we started to make cartoon advertising. We had to think up what kind of characters and what kind of stories. Some of our customers mentioned that they would never tell their bosses where they went for fear of meeting them half naked in a party spa. Of course we immediately did the above story about the boss who pays a bit more and uses the private room and of course has a two girl massage. He fails to have a heart attack and goes away quite happy.

We then heard that some guys were very keen not to bring along certain of their friends as they would misbehave and embarrass them in front of the girls that they saw on a regular basis. From this we created a despicable character known as St. James. The small panel above has St. James trying to get Wilson to tell him where he and the boys go.

The following cartoons have him always not quite finding out and getting into strife as well. I will run some of the best ones over the next few weeks, right here.

There were so many true funny stories at Kings Court for ideas for us to produce over fifty full-page colour advertisements that appeared in the back page of Australia Penthouse. We later, like this page, had to clothe the characters so they could appear in the local newspapers when they began printing in colour.

We then developed another character called Dave who is a working class guy who sets out to go to Kings Court but each week he would get into strife. Like Gilligan’s Island he never actually gets to make it there to Kings Court but along the way he meets lots of characters like Doctor Who, Jack Nicholson and Elvis serving hot dogs in Newtown which

was a rumour at the time. We produced over fifty of those and they appeared in magazines such as People and Scoop as single strip colour cartoons.

So you see, there was a time when advertising was viable but after a while if became very expensive and did not get the results to make it worthwhile. Today we invite readers to refer to our web site that has a

lot of information about how men can enjoy the harmless fun that is Kings Court. Best new thing at the moment is all the funny stuff on our Facebook page: www.facebook.com/KingsBigJohn VACANCIES We are currently looking for new ladies who would like to be a little bit naughty and do a massage with a happy ending. It is a safe place to work, where you do not do full service and everyone knows someone who could handle a bit of a discrete financial boost. It is ideal as a part time or casual job and you are paid daily on a cash basis. When you start we get one of the regular girls to show you how to do your first massage. We have off street parking for ladies with cars and for your interview you can park in the Broadway Shopping Centre near our discreet rear entry at 18 Grose Street Glebe 2037. This address is the best way to find us using GPS plotting. If you look at the website at www.kingscourt.com.au and click on “is this your first time” this will take you to a page of ten tips which we like our customers to know about when they come here. Kings Court Massage is the best place for the first time customer to meet the first time girl.

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