Architectural Portfolio - Professional and academic by Amanda Carvalho

3,35

The facade assumes an important role with constructive elements bringing value and identity to the brand. Entrance portal: illuminated succession traves make a tunnel of transition transitionrbetween real world and opportunities and customer expectations.

0,40

0,15

2,55

2,15 2,75

3,35

0,20

0,80

0,60 0,60

Tunnel Retrofit of Marisa Store in North Shopping, Rio de Janeiro (Brazil). The designconcept focused on customer experience through an environment related to its values, aspirations, dreams and style. The design allows a â&#x20AC;&#x153;rideâ&#x20AC;? through the store focal points from the facade till the services. Architecture, layout, equipment, visual communication and customized services provide an inspiring atmosphere to the customer and a great shopping experience.

Facade

CEILLING 4,45 1,36

6,71 1,36

0,84

0,80

1,43

3,35 2,55

3,20 0,15

3,35

0,20 0,40 0,20

0,87

2,25

4,20 1,43

0,80

1,61

1,29

0,56

0,10

7,53

701

16 19,71

0,56

701

15 4,00

15,48

7,95

0,56

7,25

0,56

6,21

J' TV

TV ARMÁRIOS VM

1,95

6,74

2,00

3,86

1,10

0,80

4,01

0,80

1,10

2,88

2,00

1,6

6,74

701

AC.MASC

GADGETS

MEIAS

AC.MASC

GADGETS

AC.MASC

MEIAS

GADGETS

MEIAS

2,89

1,10

8,29

3,73

6,29

13,70

6,57

2,00

GADGETS

12,19

AC.MASC

4,30

MEIAS

2,22

MEIAS

0,80

GADGETS

AC.MASC

4,01

MEIAS

7,14

GADGETS

AC.MASC

7,88

1,10

0,75

1,54

ARMÁRIOS VM

2,00

701

1,01

1,2

0,86

1,01

1,10

3,47

3,78 0,23

2,97

0,22

0,99

PREVER TABICA NO FORRO

10,61

4,01

1,40

2,66

1,19 PREVER TABICA NO FORRO

1,08

1,58

0,60

4,26

2,00 1,36

5,0

4,54

TV 0,54

8,2

6,04

5,32

10,

0,80

1,04

3,18

5,83

0,85

7,13

0,84

5,34

7,32

16,18

In order to set a lobby store and cause a first viewimpact, a main axis was established home guiding the costumer to the shop interior with visual elements that surprised and tell differnt stories for each sector, as does the Video Wall (back image) located at the main axis.

7,93

3,56

2,25 4,01

1,38

5,09

1,06

7,12

0,85

7,18

0,85

7,15

0,85

1,20

1,38

2,48

1,53

1,68

0,85

7,39

1,88

6,98

3,00

12,43

701

1,80

8,64

1,80

5,16

1,00

2,50

701

0.00 (NA)

1,08

7,06

0,85

7,16

0,85

1,98

6,93

1,53

0,65

7,00

4,44

2,43

1,16

ELE. HID.

5,15

3,89

3,17

1,70

0,85

0,80 0,32

6,49

1,55

3,33

5,85

2,29

1,40

1,73

P.D.= 3,35m

15,83

P.D.= 2,40m

10,48

17,63 10,17 4,01

10,48

701

17,63

701

0,85

3,42

2,81

6,14

1,45

5,71

1,48

8,64

Nota : CONFERIR MEDIDAS NA OBRA

1,80 -5,52 0.07 (NO) 0.00 (NA)

1,84

22,14

3,72 4,01

4,52

1,80

5,67 2,02

0,86

0,56

0,85

14,99

7,05

3,93

E 2,78

05.04.16

AMANDA

ATUALIZAÇÃO DO LAYOUT VM CONFORME MUDANÇAS NA OBRA

08.03.16

AMANDA

ATUALIZAÇÃO DO LAYOUT VM

06 05

4,01

12,16

12,17 4,01

NÃO HOUVERAM ALTERAÇÕES NESTA PRANCHA

JP Projetos team: Amanda Carvalho, Livia Caravella, Pollyana Garcia, Gustavo Seixas, Luiz Antônio. Responsible architect: studies, basic project, executive project, details, compatibility with instal142 NORTE SHOPPING lations services : Amanda Carvalho ARQUITETURA Area: 2237,73m² 04

NÃO HOUVERAM ALTERAÇÕES NESTA PRANCHA

05.02.16

AMANDA

REVISÃO DO DISTANCIAMENTO DAS CREMALHEIRAS

02.02.16

AMANDA

REVISÃO DE LAYOUT

12.01.16

AMANDA

EMISSÃO INICIAL

Rev.:

Data:

Arq.:

Modificações:

9,19

R U A D R. L A D Y R R I B E I R O, 36 CAMBOINHAS-NITERÓI -RJ Tel/Fax:(0xx21) 2609-3138 Email:adm@jpprojetos.com

2,53

R U A D O R Ó C I O, 4 2 3 VILA OLIMPIA-SÃOPAULO-SP Tel/Fax:(0xx11) 3045-3386 Email:adm@jpprojetos.com

2,92

1,15

2,40 TABLADO (120X100)

0,99

0,69

TABLADO (120X100)

2,40 TABLADO (120X100)

Número:

0,96

AV. DOM HELDER CÂMARA-CACHAMBI, N°5474. LUC 3508/3509/3707A/3707-RJ

0,69 1,

3,48

0,80

5,11

0,80

Título:

4,31

PLANTA BAIXA - PAVIMENTO TÉRREO

701

0,00 (NA)

R U A J A M E S H O L L A N D, 422 BARRA FUNDA-SÃOPAULO-SP Tel/Fax:(0xx11) 2109-6071/3071/6125 Email: arquitetura@marisa.com.br

Loja:

Endereço:

TABLADO (120X100)

1,02

Layout - ground floor

701

0,18

1,15

0,87

- 0.07 (NO)

1,27

1,96

QUADROS ANTIGOS 0,39 PF 0,15

2,53

0,15 M102

1,90

2,24

2,70

0,10

2,94

SOBE PARA MEZANINO

7,13

3,39

701

701 3,38

14,46

1,80

1,64

1,20

4,59

1,46

0,90

4,77

0,85

3,28

P82

4,35

4,72

1,00 0,10

4,82

5,66

2,00

2,39

1,00

7,92

1,72

Depto:

Fase:

ARQUITETURA EXECUÇÃO

Gerenciamento Marisa:

PHRO

Coordenação Marisa:

MANOELA

Data:

12/01/2016 Desenvolvimento:

Escala:

JP PROJETOS

1:100

Prancha:

Revisão:

ARQ 201 08

Venâncio Drugstore Botafogo/ Rio de Janeiro

Venâncio Drugstore Bonsucesso/ Rio de Janeiro

FAÇADES

New Drugstores placed at existing buildings. JP Projetos responsible architect: studies, basic project, executive project, details, compatibility with installations services : Amanda Carvalho

VenĂ˘ncio Drugstore NiterĂłi /RJ

SECTION

DID YOU KNOW THERE ARE MORE THAN 15 MILLION POOR HOUSINGS IN BRAZIL? WHAT DO WE DO? We are a social impact business, realizing the reforms on houses of families with low incomes, aiming to transform the Brazilian housing reality. We make reforms at affordable prices, according to the amount each family can pay per month. Currently, our focus is low complexity reformation, which can cost up to R$5,000.00. The families payment can be made up to 36 months, in a way that the contemplated families have full support and are able to compromise on the payment themselves. On the right: bathroom of a family of 6 people with monthly income of R$1800. The reform transformed the bathroom that had sagging ground, cracks and mold into a clear, optimized and healthy space in only 5 days.

What moves us in our journey is the transformation on people lives. It is more than physical, it is emotional, it is social.

BEFORE

AFTER

JIGZAW PERFORMANCE CONCEPT

The multi adaptable Transformers Theatre came from a process of design performanceâ&#x20AC;&#x2122;s optimization replacing the abandoned open air theatre in Budapest - the ParkszĂnpad. The multi purpose theatre is capable of hosting many contemporary performance arts primarily trough out different positions of stage. The relationship among stage and seats location based on Jigzaw game interdependence concept set the placement of acoustic panels, coming out with a unique acoustic surface. These requirements were taken as design parameters and specific strategies were used to connect them in an integrated adaptive/ flexible system allowing its reconfiguration in different performances. Analogue and digital simulations of structure, material and geometry tested the prototype.

ADAPTABILITY JIGZAW

VISUAL CONSTRAINTS

Stage

Seating bowl

Acoustic Ceiling

SECTIONS

ACOUSTIC STRATEGY

ORIGAMI

Acoustic ceiling

Seating bowl and stage physical model

Detail

Option 1

The stage is on the short side named end stage,this kind of form is on the speech oriented.

Option 2

The stage is in the long side named transverse stage,this kind of form is on the drama oriented.

Option 3

The stage is in the center named theatre in the round,this kind of form is heliodisplay oriented.

The visibility of the “animal”changing its possibilities inside the steel and glassed structure is what make the architecture impressive to the public, while the audience inside the acoustic origami envelope immerses into each performance.e, com curadoria de Krassimir Krastev e Alexander Kalachev - Março 21, 2013. The project was exhibited in FUGA gallery, Budapest, curated by Krassimir Krastev and Alexander Kalachev - March 21, 2013. http://nodehabitat.com/home/academic/p-d-a/ see more: http://arquitentandoamandacarvalho.blogspot.ch/2013/03/transformers-theatre.html Autors: Amanda Carvalho, Yuanyuanh Zhuang, Yan Shao Tutor: Krassimir Krastev DIA Dessau

Distance between panels and seating bowl

Restoration and revitalization of a ruin located in the intervention area covered by the rehabilitation program of urban cultural heritage integrates tourism activity in Ouro Preto, Brazil. The predominantly residential area densely occupied by students has increased the supply of infrastructure and real estate value due to the significant heritage houses but also has a lack of public leisure facilities and club. The Gold Club aims to solve the existing demand combining social and economic aspects. The service to the local public and visitors includes leisure, culture, tourism and preservation mixing public and private sector to ensure its intensive operation through visitor’s fee for maintenance. Since a summer club does not fill the gap, the historical attraction becomes a “human aquarium” allowing swimmers to dive into the ruins and be seen by visitors who are in the Café enjoying the panoramic view. The thermal baths is composed by an independent steel structure that supports the glass box which does not allow the transmission of lateral forces directly on the stone walls. demolished

Coffee Open area Thermal bath

CafĂŠ

Ponctual modifications and use of the existing ruin as support to washbasin (1), bench, support to plants (2), maintenance of the ruin as it is (3), addition of door and window in black iron (4) and additional structure in completely closed spaces (5).

right view bottom layer component top view

left view front view upper layer component

Perspectiva back view

Autor: Amanda Carvalho Tutors: Tito Aguiar & Ana Ceci UFOP

PROGRAMA 3

2 4

1- RECEPTION 2- ENTRANCE 3- OUTSIDE AREA - CAFÉ 4- THERMAL BATHS

8 7 9 10 12

Ground floor and swimming pool area

First floor and swimming pool area

5- CHAISE LOUNGE AREA 6- CAFÉ 7- SHOWER 8- KITCHEN 9- WOMEN TOILET 10-MEN TOILET 11-EXIT 12- SWIMMING POOL

Chapel’ revitalization proposal (São José dos Pardos e Bem Casados e Santa Cecília dos Músicos)in Ouro Preto / Brazil. It was closed for over twenty years and reopened in December 2012 after five years renovation. The Chapel is only used for celebration on 1st May (Labor Day) in a city with strong religious vocation and the Cultural Heritage of Humanity. At the same time is a pole of cultural and academic effervescence showing up challenges and opportunities. In Europe, the use of a building is seen as an effective mean of preservation. As the number of Catholics decreased 8% in 12 years in Brazil, the proposal of a wine house with preparation of special dishes and a music place came as an use to be well assimilated by the population. The total accessibility was abandoned to prevent major interventions in the chapel structure. The ground floor became preferential for people with special needs. The spaces were divided as follows:

Rosário

Entrance

Bus Station

Intervention area Existing area and parking

WELCOME HALL PUB/WINE TOWER LOADING/UNLOADING TOILET KITCHEN WAREHOUSE CUSTOMERS/STAFF FLOW ONLY STAFF

LOFT/DINNING ROOM CONCERT AND LIVE SPACE GOURMET AREA CUSTOMERS/STAFF FLOW

Industrial kitchen (sacristy): exhaust system favored by windows; frescos and stone toilet on the wall are protected by coated metal mesh; outward hydraulic system is connected to the same water supply and depletion of existing kitchen and restroom; the altarpiece spam was reused as commom restroom. Corridors: right side of the epistle : loading and unloading of goods, direct way to the the kitchen and warehouse (access restricted); Left side : customers and employeesâ&#x20AC;&#x2122;s flow, staircase access leading to the Gourmet Area. Gourmet Area - Flexible: small module tables set up for small and large groups; Beautiful cityscape . GOURMET AREA

LOFT

Autors: Amanda Carvalho, JĂŠssica Alves, Paulo do Prado, Renata Alves Wine tower design: Amanda Carvalho Tutor: ClĂĄudia Arcipreste

Welcome Hall: in the ground floor, head people to the pub. Pub: located around the spiral staircase that surrounds the wine tower. Customers have access to the external part, the internal area is acessed by a sailor ladder on rails spinning 360Â°. Loft: independent steel and glassed structure placing a catwalk and dinning area.

LOFT

WELCOME HALL AND PUB

Team urban design of an allotment quarter in the city of Itabirito/MG with a critical institutional area of 2863,81m² limited by the forest on the back, an obstacle to connectivity with the rest allotment, with lots from 202m² to 216m² and the which has two critical areas due to the limit with the forest, the back of quarter. The pesdestrian path from the cul-de-sac made possible the conexion between the two extremes of allotment, as well the diversity of uses.

Uniq

Institution

Commerce

Residence

Autor: Amanda Carvalho Tutors: Monique Sanches & Alice Viana UFOP

Critical area

scale

WIND FLOW Wind flow without barrier reduced wind flow

mix ed

use

d lo

SOLAR RADIATION

The physical and environmental constraints were used to create a micro-climate and provide better quality of life for service users and residents. The connection between the spaces of the quarter with the rest of the allotment and nearby regions defined the continuity and readaptation of the block D and the institutional area I2 giving identity to the urban , architecture and landscaping environment of the site, which the park integrates and promotes user comfort.

The residential and commercial uses overlap each other stimulating activities to a middle-class public whose user profile cherishes nearby service facilities added to the comfort and well being ensuring a good quality of life with the institutional use.

The square / terrace on the institutional area promotes direct connection to the park for being at the same level of entry and also integration with the forest around, as the Florida Gallery MVRDV project.

Florida Gallery MVRDV

BIKE REPAIR

STATIONS

galvanized metal tile roof (0,65mm thickness)

arched truss of tubular profile (5cm diameter) intermediate arches continues the preceding arc according to the concept of the ratchet, but in 90 ° front and back 180° archs

CONCEPT RATCHET

CONCEPT BIKE WHELL AND CHAINRING

A bike station in the UFOP campus (morro do Cruzeiro) comes as an innovative and healthy solution for student mobility. The short break between classes causes delays when necessary moving between the buildings, as well the need of integration between CAMPUS libraries. The bicycle loan system is controlled by the student ID and can be used up to 30 minutes free of charge, after that is charged R$ 1.00 / 30min. Bicycles can be delivered in any of the five points. Autor: Amanda Carvalho Tutor: Luiz Fernando Loureiro & Tito Flávio Aguiar - UFOP

BIKE REPAIR

FRONT VIEW

The structural design of the bike repair and administrative center created the tulip-shaped cantilevered, without support columns . The entire metal mesh is welded, as well the truss of the stations, and glassed. The center of the tulip directs rainwater to a reservatory where the water is collected in the lower portion and removed through a pipe.

20cm

25cm

top flange

bottom flange galvanized truss 3m

metal plate 1cm thickness

spread concrete footing 30x30 cm

LONGITUDINAL SECTION

The interconnection of class rooms of the School of Minesâ&#x20AC;&#x2122;s building (Ufop) and administration offices to the laboratories by a covered footbridge allows a shorter and reasonable path for rainy days and a link between theory and practice. Beyond that, a building that enhance the implementation of efficient systems being a technologic reference on energy and sustainable development was also demanded. Considering an ecological project were used scientific grounds for obtaining practical results with simplicity and low energy cost. The proposal emphasizes the constructive materials and technology with cutting-edge and regional solutions, ensuring the designed space as a reference, being itself a â&#x20AC;&#x153;live laboratoryâ&#x20AC;? where the parameters used can be measured and compared with the existing buildings.

Ground and first floor First floor

Green terrace

Ground floor

The auditory at the underground level has 3 initial configurations but it can be a totally multi use space. The plaques can be changed among stage or seating bowl material and reach a range of heights according to each plunger where is connected. The acoustic panels also change its angles according to the configuration established through automation mecanisms. Architecture Project Members: Amanda de Almeida Carvalho, Mirella Almeida Orsi, Mรกrcia Cristina Leite Silva & Natรกlia Costa Lemos Tutor: Luiz Fernando Rispoli & Clรกudia Maria Arcipreste

AUDITORIUM/ MULTIPURPOSE SPACE MODULES modules

plaque plunge

Plaque 1

carpet

rail

Plaque 2

wood

CONFIGURATIONS

Vaslav Nijinsky, the â&#x20AC;&#x153;god of dance,â&#x20AC;? was an ukrainian endowed with an extraordinary technique, discreet and taciturn, but he lived intense relationships and abandoned his public activities when was only 29 years old affected by mental disorders. His diary of the time the disease revealed a humanitarian man, critic, political, idealistic, dreamy, simple, nature lover, but at the same time unsettled and unclear. The project aimed to harmonize the four spaces: Entrance courtyard - garden with several plans for spices and condiments, fruit trees and smaller plants in pots, such as tomato and blueberry. Inner courtyard 1- integrated space of resting, standing, reading and writing. Light color plants bring feeling of relaxation and comfort. The design is inspired in Fibonacci sequence, defining the position of the deck and plants. Inner courtyard 2- single space to dance with smooth wood floor based in the dancer drawing, mirror and handlebar, and a bench to rest. Simple plants were used. Corridor- simple floor designed to enhance the artistâ&#x20AC;&#x2122;s paintings on the wall with tactile path formed by pebbles.

1 entrance courtyard

corridor

shadow noise wind

Plants: APSP (Aphellandra squarrosa) EVGL (Evolvulus Glomeratus) VTSE (Ctenanthe setosa) AGAF (Agapanthus africanus) SPTR (Sphagneticolo trilobata) OPJA (Ophlopogon japônicas) PLRU (Plumeria rubra) COMA (Convallaria majalis) AXCO (Axonopus compressus) DRFR (Dracena Fragans)

smooth ipe deck

“yellow wood” stone

“yellow wood” stone pebbles

ENTRANCE HALL

Plants ALCE (Allium cepa) CASP (Capsicum spp) COCO (Coriandrum sativum) MACA (Matricaria recutia) ORVU (Origanum vulgare) OCMA (Ocimum basilisum) ROOF (Rosmarinus officinalis) MORU (Morus nigra) FRVE (Fragaria vesca) VAMY (Vaccinium myrtillus) SOLY (Lycopersicon esculentum) MAPU (Malpighia punicifolia)

Autor: Amanda Carvalho, Renata Alves Tutor: Alice Viana - UFOP